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The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play
CHICAGO (JTA) — All writers strive for a good story. How far they will go to find it depends on their ambition, their wherewithal and their sanity.
Isaac Babel, a Russian-Jewish writer who came from a relatively stable, privileged background in Odessa in the late 1800s, would go to war among Cossacks who murdered Jews, make friends with Soviet agents and then cuckold one of them. The reason why Babel constantly put himself in harm’s way may have been simple, according to another writer.
“I think he wanted something to write about,” said Rajiv Joseph, whose play at Steppenwolf Theater in Chicago, “Describe the Night,” centers on Babel. “He was a young man who had wanted to be a writer but had nothing to write about.”
“Describe the Night” blends three stories from different eras that engage with questions of who controls the truth. The first portrays Babel, the Soviet secret police head Nikolai Yezhov and Yezhov’s wife, Yevgenia, with whom Babel begins an affair. The second follows a young Soviet agent rising through the ranks just before the Berlin Wall falls, and the third dives into a conspiracy behind a 2010 plane crash near Smolensk, Russia.
Babel himself may not rise to the ranks of Tolstoy or Dostoevsky in terms of immediate name recognition in the United States, but the journalist, author and playwright is remembered as one of Russia’s preeminent 20th-century writers. His modernist and bloody tales in “Red Cavalry,” a collection of short stories inspired by his time on the frontlines of the Polish-Soviet War of 1919, vaulted him to the status of a Russian Hemingway. The pithy American war correspondent once expressed his admiration, perhaps even jealousy, of Babel’s writing, saying “Babel’s style is even more concise than mine.”
Like Hemingway, Babel went to war in search of a good story. Combat itself was not the only threat to him: as a Jew, he bore witness to the Cossack cavalry’s antisemitic atrocities. Babel tamped down his Jewish identity while covering the war, though he would feel a sense of isolation in both societies or as his grandson would later describe him “a Jew among the Cossacks, and a Cossack among the Jews.” In his own diary, Babel wrote “Talking to the Jews, I feel kin to them, they think I’m Russian and my soul is laid bare.”
Joseph, who is not Jewish and authored the Pulitzer-nominated play “Bengal Tiger at the Baghdad Zoo,” had read “Red Cavalry” years ago but was inspired to write “Describe the Night” after discovering the poetic journal Babel had kept during the war. The title of the play comes directly from the diary, which repeats the word several times in Babel’s own prompts to describe things ranging from kitchens to marketplaces to women to horses. Sometimes Babel successfully answers his own prompts by forcing himself to write, and other times he doesn’t, Joseph said.
Lead actor James Vincent Meredith is also not Jewish and admitted he had concerns about “the choice of casting a black man in the role of a Jewish man living in the world of Russia, the Ukraine and Paris.” He partly found his way to the character by watching the 2015 documentary “Finding Babel,” which follows Babel’s grandson across Russia and Ukraine as he searches for his famous ancestor’s remains.
“I can read Babel’s work (I have), I can travel to Israel (I have, decades ago), I can take Hebrew as an elective in college (I did, not very well), I can read Chaim Potok (I have). But these are at their best, however well intentioned, tourist pursuits for one who is not Jewish,” he said. “I will never come close to knowing the true soul of a Jewish person. Thankfully, Rajiv has created this character that by his design, anyone can inhabit.”
Yasen Peyankov and James Vincent Meredith in a scene from the play about Isaac Babel. (Michael Brosilow)
He added that the play isn’t meant to be historically accurate. “The character of Isaac, as well as others in the play, is meant to be an entry point into a world where the scalpel crafting the ‘truth’ is rarely placed in the hands of those who are adversely affected by it. As a black male and father of a black male in the U.S., I’m certainly cognizant of that world.”
Joseph feels that he and other artists share the instinct Babel had to leave his comfort zone. He wanted to be a writer, but growing up in suburban Cleveland gave him little inspiration. After college, he joined the Peace Corps and spent three years in West Africa.
“That was a real life-changing event for me that opened my world and opened my mind,” Joseph said. “Not nearly as traumatic as traveling with the cavalry through Poland in 1920, but the same impulse to break out of your norms.”
Yet Joseph believes Babel’s desires went beyond pushing boundaries and into a deep, pathological need to associate with danger.
“The thing I find really interesting about Babel, both through his writing and through his personal life, is this inexorable draw towards danger and filth,” Joseph said, adding that Babel would hang out in taverns with Soviet soldiers, members of the secret police and executioners like Yezhov. “He was already treading on such thin ice. So he had a recklessness, you could call it a death wish if you want.”
Meredith was also stunned by the writer’s intense flirtations with danger.
“Why get that close to the flame? That to me is one of the things that really appealed to me about this guy,” Meredith said. “I tend to play it safe, as safe as an actor can play it, but I see this guy who had these kinds of desires, he had this quest to make this amazing art as far as his stories and I just I’m just so attracted to that.”
Joseph said he saw some parallels between Babel’s story and the exodus of some of his artistic peers in Russia, who have fled to Europe. In his time, Babel was seen as subversive by nature, existing as a Jewish man in early Soviet Russia. His relished writing about prostitutes and mobsters, transforming underworld characters into urban legends. His 1935 political play “Maria” was canceled during rehearsals and by 1939, Soviet police arrested him and confiscated his writing. Throughout the 1940s, his works disappeared from circulation. Though some believed Babel had spent time throughout that decade in a prison camp, the government had executed him in 1940.
“In the 1930s and ‘40s, I think if you are a Jewish creative writer, you’re automatically subversive,” Joseph said. He noted one pivotal scene where Nikolai Yezhov labels Babel as such because his writing portrays Russia as gloomy rather than inspiring.
“If you’re telling the truth, you are subversive,” Joseph added. “So I think that pretty much any creative writer worth his or her weight would be considered subversive at that moment.”
“Describe the Night” runs until April 9 at the Steppenwolf Theater in Chicago.
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He stormed the Capitol wearing a Camp Auschwitz sweatshirt 5 years ago. Where is he now?
A joint session of Congress peacefully certified President Donald Trump’s election victory last year on the date federally mandated: Jan. 6. But five years ago, after President Joe Biden won, the U.S. Capitol was overrun with people aiming to prevent a smooth transition of power.
Standing out among the mob of rioters was a long-haired, bearded man in a black hoodie with the words “Camp Auschwitz” emblazoned across the front.
Who was the ‘Camp Auschwitz’ rioter?
Robert Keith Packer, a former pipefitter and unlicensed plumber from Newport News, Virginia, gained national attention for wearing the sweatshirt. It had “STAFF” printed on the back, and a drawing of a skull and the phrase “Work Brings Freedom,” a translation of the slogan at the entrance of the Auschwitz concentration camp, on the front. The hoodie drew widespread condemnation.
“Why the instant notoriety?” asked the Forward’s Irene Katz Connelly the day after the attack. “The ‘Camp Auschwitz’ sweatshirt isn’t covetable or beautiful in any way. Even in the midst of a day full of shocks, it immediately stood out. But it is the absurd endpoint of extremism that disguises itself in styles we enjoy.”
Packer, who spent 36 minutes inside the Capitol, was arrested a week after the riot. When the FBI interviewed him about the outfit, he said he wore it because he was cold. Underneath the sweatshirt, he was wearing a “Schutzstaffel” shirt, referring to Adolf Hitler’s SS paramilitary unit.
The sweatshirt was indicative of a larger trend
Packer’s shirt stood out for its audacity, but it was not the only antisemitic symbol on display that day. Some people were also marching with a flag of Kekistan, a fake country created by members of the alt-right. The flag resembles a Nazi swastika. There was also imagery of Pepe the Frog, a cartoon amphibian which was co-opted by extremist groups and which the Anti-Defamation League labeled a hate symbol.
In the weeks leading up to the riot, the ADL reported on a Washington, D.C., demonstration of the Proud Boys, a far-right militant group, who were wearing T-shirts emblazoned with the initials 6MWE, short for “Six Million Wasn’t Enough.”
The nooses displayed on Jan. 6 evoke the “Day of the Rope,” described in the 1978 white supremacist novel The Turner Diaries by William Luther Pierce. The book is often regarded as a blueprint for far-right extremists and antisemites, and has been cited as an inspiration for various acts of violence — including the bombing of a federal building in Oklahoma City in 1995 and the 1984 murder of Alan Berg, a Jewish radio host.
How was Packer charged?
Packer, who was 56 at the time of the riot, was arrested and charged with unlawfully entering the Capitol and engaging in disorderly conduct. Federal police who conducted a search of his home found a whole host of Nazi and other white supremacist material, including “swastika artwork” and an “image of Hitler.”
Prosecutors said Packer was a “habitual criminal offender for 25 years with 21 convictions for mostly drunk driving, but also for larceny, drug possession, and forgery.”
Hoping for lenient sentencing, Packer’s sister said you can’t “judge a book by its cover.” Packer’s lawyer, Stephen Brennwald, compared his client to Forrest Gump, “a man who went through life almost as if he was outside of his body and mind, looking in.” Brennwald also argued that Packer’s sentence should be set by his actions, not his attire.
In Sep. 2022, a federal judge sentenced Packer to 75 days in jail and ordered him to pay $500 in restitution.
Where is Packer now?
Packer was pardoned last year by President Trump, along with about 1,500 other people charged with crimes related to Jan. 6.
Since then, Packer was arrested for an animal attack in Newport News. The September dog attack left four people hospitalized and requiring surgery, according to local reports.
Packer’s dogs were taken by animal control and Packer was taken to jail then released, but faces several charges, including a felony that could bring a five-year prison sentence, according to documents described by The Virginian-Pilot. At the time of the September attack, he also had charges pending from a separate May dog attack.
A hearing in Packer’s case is scheduled for Jan. 7.
The last time the Department of Justice updated their case file on Packer was in June 2023, when he tried to appeal his sentence, arguing that the “court erroneously considered the offensive T-shirt in fashioning the prison sentence.” The judge ruled it “moot” since Packer had already completed his prison term.
Are Camp Auschwitz sweatshirts still around?
Yes and no.
Packer may have brought the Camp Auschwitz sweatshirt to the public’s attention, but it has been around for over a decade, according to an extremism expert at the ADL. Copycat versions popped up online shortly after Packer wore it, but were taken down after complaints. A search today on Amazon, eBay, Etsy, Walmart and Zazzle found none available. A couple of off-brand sites are still offering Camp Auschwitz attire — including a tank top and a baby onesie.
The post He stormed the Capitol wearing a Camp Auschwitz sweatshirt 5 years ago. Where is he now? appeared first on The Forward.
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Trump Threatens to Hit Iran ‘Very Hard’ if More Protesters Killed as Supreme Leader Said to Be Prepared to Flee
Protesters march in downtown Tehran, Iran, Dec. 29, 2025. Photo: Screenshot
US President Donald Trump on Sunday evening warned Iran that it will get “hit very hard” if the regime kills more protesters, as anti-government demonstrations enter a second week and the Iranian Supreme Leader, Ayatollah Ali Khamenei, is reportedly preparing an escape amid rising domestic unrest.
“We’re watching [the situation] very closely. If they start killing people like they have in the past, I think they’re going to get hit very hard by the United States,” Trump told reporters aboard Air Force One.
Trump’s latest threat comes after he warned last week that Washington will intervene if Iran “violently kills peaceful protesters.”
Sparked by a shopkeepers’ strike in Tehran last week, protests have swept the country, sparked by the soaring cost of living, a worsening economic crisis, and the rial — Iran’s currency — plunging to record lows in the wake of renewed United Nations sanctions.
For more than one week, anti-regime protests have shaken Iran, with violent clashes between demonstrators and security forces escalating amid intensifying domestic crises.
On Saturday, Khamenei accused “enemies of the Islamic Republic” of stoking unrest and warned that “rioters should be put in their place,” Iranian media reported.
Iran’s judiciary chief, Gholamhossein Mohseni Ejei, also said that while citizens have a right to protest, the government will show no leniency toward “rioters.”
According to the US-based Human Rights Activists in Iran (HRAI), protests have spread to at least 78 cities, with the regime killing 20 people — including three children — arresting nearly 1,000, and detaining more than 40 minors.
Amid a deepening economic crisis worsened by a 12-day June war with Israel and the US that struck several of Iran’s nuclear sites, the regime has ramped up its crackdown on protesters and opposition figures trying to maintain stability.
Media reports indicate that anti-riot forces — including the Islamic Revolutionary Guard Corps (IRGC), the Basij militia, local police, and the army — have used violent tactics such as live fire, tear gas, and water cannons to suppress demonstrations.
In widely circulated social media videos, protesters can be heard chanting slogans such as “Death to the dictator” and “Khamenei will be toppled this year,” while also calling for Iranian President Masoud Pezeshkian to step down.
Videos sent to Iran International show security forces confronting protesting shopkeepers in central Tehran on Monday, with riot police deployed around the Grand Bazaar and tear gas used on Jomhouri Street near the Hafez underpass. pic.twitter.com/OyhQlyUJaN
— Iran International English (@IranIntl_En) December 29, 2025
Meanwhile, Khamenei reportedly has a backup plan to flee the country if his security forces fail to suppress protests or begin to desert, according to The Times.
“The ‘plan B’ is for Khamenei and his very close circle of associates and family, including his son and nominated heir apparent, Mojtaba,” an intelligence source told the British newspaper.
Khamenei would reportedly flee to Moscow, following the path of ousted Syrian President Bashar al-Assad in December 2024.
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Pro-Hamas Arson Attack Targets Home of Antisemitism Commissioner in Germany
An image of arson and vandalism near the home of Andreas Büttner, commissioner for combating antisemitism in the German state of Brandenburg. Photo: Screenshot
Investigators in Germany have started reviewing an arson attack on Sunday against the home of Andreas Büttner, commissioner for combating antisemitism in the state of Brandenburg, where assailants set fire to a shed at his property in Templin — a town located approximately 43 miles north of Berlin — and spray-painted an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
“My thoughts are with Andreas Büttner and his family,” Israeli Ambassador to Germany Ron Prosor posted on X. “Knowing him as I do, after this attack he will only stand up even more resolutely against antisemitism. For the radical part of the ‘Palestine solidarity’ movement is not only antisemitic, but terrorist.”
Prosor explained the significance of the red triangle, writing, “Attacks on those who think differently and attempted murder: That is what the Hamas triangle stands for — in Gaza as in Brandenburg. And the hatred of Israel goes hand in hand with hatred of our democracy. The rule of law must smash these terrorist organizations — and indeed, before they strike again.”
The red triangle vandalism appeared “on the neighboring house’s door entrance,” according to Germany’s DW media.
The home of Germany’s antisemitism commissioner, Andreas Büttner, was set on fire overnight in a targeted attack.
His family was inside the house at the time.
This is the second attack against Büttner in the past 16 months. His car was previously vandalized with swastikas. This… pic.twitter.com/cAbFnMIwQ7
— Combat Antisemitism Movement (@CombatASemitism) January 5, 2026
“The symbol speaks a clear language. The red Hamas triangle is an internationally known sign of jihadist violence and antisemitic incitement,” Büttner said. “Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat.”
According to Büttner, his family was inside the house at the time of the arson, the second attack against him in the past 16 months. His car was previously vandalized with swastikas.
Büttner released a statement on X.
“This attack represents a massive escalation,” he wrote. “It is directed against me personally, against my family, and against my home. At the same time, it is an expression of hatred and intimidation. I will not be intimidated by this. Anyone who believes that they can achieve something through violence, arson, or threats is mistaken. Such acts do not lead to me becoming quieter or questioning my commitment — they strengthen me in what I do. I ask that you give us the necessary peace today and refrain from further inquiries at the present time.”
Brandenburg’s Prime Minister Dietmar Woidke also condemned the violence, saying that “violence against people or things is and remains absolutely unacceptable. The police have started the investigation, and I hope that the perpetrator or perpetrators will be caught quickly.”
Jochen Feilcke, chairman of the German-Israeli Society Berlin and Brandenburg, described the attack “as where Hamas’s terrorism was applied on a small scale, including the Hamas triangle, in order to ultimately intimidate all people who defend themselves against increasing antisemitism in Berlin and Brandenburg.”
“Especially the parties of the left camp have every reason to deal with it, because they tolerate this mood or still fuel it,” Feilcke told Tagesspiegel. “They are so jointly responsible for when debates turn into violence.””
The Jewish Virtual Library describes how the inverted red triangle symbol was originally used by the Nazis to designate political prisoners.
“According to Holocaust historians, this triangle was part of a dehumanizing classification system, where each prisoner was identified by different colored triangles depending on their ‘crime,’” writes Or Shaked, deputy director of the Jewish Virtual Library. “The red triangle identified political dissidents, including socialists and communists. After World War II, the survivors of Nazi persecution and their families reclaimed the red triangle as a symbol of resistance to fascism.”
Shaked explains the revival of the symbol in recent years, noting that following Hamas’s Oct. 7, 2023, massacre across southern Israel, the symbol began appearing in Hamas-produced propaganda, marking Israeli military targets. Its use spread to anti-Israel protests, particularly on college campuses and social media, where demonstrators use it to show solidarity with Palestinians.