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The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play

CHICAGO (JTA) — All writers strive for a good story. How far they will go to find it depends on their ambition, their wherewithal and their sanity.

Isaac Babel, a Russian-Jewish writer who came from a relatively stable, privileged background in Odessa in the late 1800s, would go to war among Cossacks who murdered Jews, make friends with Soviet agents and then cuckold one of them. The reason why Babel constantly put himself in harm’s way may have been simple, according to another writer.

“I think he wanted something to write about,” said Rajiv Joseph, whose play at Steppenwolf Theater in Chicago, “Describe the Night,” centers on Babel. “He was a young man who had wanted to be a writer but had nothing to write about.”

“Describe the Night” blends three stories from different eras that engage with questions of who controls the truth. The first portrays Babel, the Soviet secret police head Nikolai Yezhov and Yezhov’s wife, Yevgenia, with whom Babel begins an affair. The second follows a young Soviet agent rising through the ranks just before the Berlin Wall falls, and the third dives into a conspiracy behind a 2010 plane crash near Smolensk, Russia. 

Babel himself may not rise to the ranks of Tolstoy or Dostoevsky in terms of immediate name recognition in the United States, but the journalist, author and playwright is remembered as one of Russia’s preeminent 20th-century writers. His modernist and bloody tales in “Red Cavalry,” a collection of short stories inspired by his time on the frontlines of the Polish-Soviet War of 1919, vaulted him to the status of a Russian Hemingway. The pithy American war correspondent once expressed his admiration, perhaps even jealousy, of Babel’s writing, saying “Babel’s style is even more concise than mine.”

Like Hemingway, Babel went to war in search of a good story. Combat itself was not the only threat to him: as a Jew, he bore witness to the Cossack cavalry’s antisemitic atrocities. Babel tamped down his Jewish identity while covering the war, though he would feel a sense of isolation in both societies or as his grandson would later describe him “a Jew among the Cossacks, and a Cossack among the Jews.” In his own diary, Babel wrote “Talking to the Jews, I feel kin to them, they think I’m Russian and my soul is laid bare.” 

Joseph, who is not Jewish and authored the Pulitzer-nominated play “Bengal Tiger at the Baghdad Zoo,” had read “Red Cavalry” years ago but was inspired to write “Describe the Night” after discovering the poetic journal Babel had kept during the war. The title of the play comes directly from the diary, which repeats the word several times in Babel’s own prompts to describe things ranging from kitchens to marketplaces to women to horses. Sometimes Babel successfully answers his own prompts by forcing himself to write, and other times he doesn’t, Joseph said.

Lead actor James Vincent Meredith is also not Jewish and admitted he had concerns about “the choice of casting a black man in the role of a Jewish man living in the world of Russia, the Ukraine and Paris.” He partly found his way to the character by watching the 2015 documentary “Finding Babel,” which follows Babel’s grandson across Russia and Ukraine as he searches for his famous ancestor’s remains.

“I can read Babel’s work (I have), I can travel to Israel (I have, decades ago), I can take Hebrew as an elective in college (I did, not very well), I can read Chaim Potok (I have). But these are at their best, however well intentioned, tourist pursuits for one who is not Jewish,” he said. “I will never come close to knowing the true soul of a Jewish person. Thankfully, Rajiv has created this character that by his design, anyone can inhabit.”

Yasen Peyankov and James Vincent Meredith in a scene from the play about Isaac Babel. (Michael Brosilow)

He added that the play isn’t meant to be historically accurate. “The character of Isaac, as well as others in the play, is meant to be an entry point into a world where the scalpel crafting the ‘truth’ is rarely placed in the hands of those who are adversely affected by it. As a black male and father of a black male in the U.S., I’m certainly cognizant of that world.”

Joseph feels that he and other artists share the instinct Babel had to leave his comfort zone. He wanted to be a writer, but growing up in suburban Cleveland gave him little inspiration. After college, he joined the Peace Corps and spent three years in West Africa.

“That was a real life-changing event for me that opened my world and opened my mind,” Joseph said. “Not nearly as traumatic as traveling with the cavalry through Poland in 1920, but the same impulse to break out of your norms.”

Yet Joseph believes Babel’s desires went beyond pushing boundaries and into a deep, pathological need to associate with danger.

“The thing I find really interesting about Babel, both through his writing and through his personal life, is this inexorable draw towards danger and filth,” Joseph said, adding that Babel would hang out in taverns with Soviet soldiers, members of the secret police and executioners like Yezhov. “He was already treading on such thin ice. So he had a recklessness, you could call it a death wish if you want.”

Meredith was also stunned by the writer’s intense flirtations with danger.

“Why get that close to the flame? That to me is one of the things that really appealed to me about this guy,” Meredith said. “I tend to play it safe, as safe as an actor can play it, but I see this guy who had these kinds of desires, he had this quest to make this amazing art as far as his stories and I just I’m just so attracted to that.”

Joseph said he saw some parallels between Babel’s story and the exodus of some of his artistic peers in Russia, who have fled to Europe. In his time, Babel was seen as subversive by nature, existing as a Jewish man in early Soviet Russia. His relished writing about prostitutes and mobsters, transforming underworld characters into urban legends. His 1935 political play “Maria” was canceled during rehearsals and by 1939, Soviet police arrested him and confiscated his writing. Throughout the 1940s, his works disappeared from circulation. Though some believed Babel had spent time throughout that decade in a prison camp, the government had executed him in 1940.

“In the 1930s and ‘40s, I think if you are a Jewish creative writer, you’re automatically subversive,” Joseph said. He noted one pivotal scene where Nikolai Yezhov labels Babel as such because his writing portrays Russia as gloomy rather than inspiring.

“If you’re telling the truth, you are subversive,” Joseph added. “So I think that pretty much any creative writer worth his or her weight would be considered subversive at that moment.”

“Describe the Night” runs until April 9 at the Steppenwolf Theater in Chicago.

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The post The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play appeared first on Jewish Telegraphic Agency.

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At Least 20% of Mamdani Transition Appointees Have Radical Anti-Zionist Ties, ADL Report Finds

New York City mayor-elect Zohran Mamdani holds a press conference at the Unisphere in the Queens borough of New York City, US, Nov. 5, 2025. Photo: REUTERS/Kylie Cooper

Scores of New York City Mayor-elect Zohran Mamdani’s transition and administrative appointees have histories of antisemitic rhetoric, support for terrorist groups, or affiliations with organizations hostile to Israel and the Jewish community, according to a new report by the Anti-Defamation League (ADL).

In a detailed document released this week, the ADL said it reviewed more than 400 individuals appointed on Nov. 24 to serve on 17 transition committees responsible for staffing the incoming administration and shaping its policy agenda. The ADL said at least 20 percent of these appointees have either a “documented history of making anti-Israel statements” or ties to radical anti-Zionist organizations that “openly promote terror and harass Jewish people.” Among these groups are Students for Justice in Palestine (SJP), Jewish Voice for Peace (JVP), and Within Our Lifetime (WOL), all of which routinely glorify the Palestinian terrorist group Hamas terrorist group, harass Jewish students on campus, and stage protests outside synagogues.

According to the ADL, Mamdani’s appointees include individuals who have promoted classic antisemitic tropes, vilified supporters of Jewish self-determination, sought to undermine the legitimacy of Israel, expressed sympathy for Hamas, and celebrated the Oct. 7, 2023, massacre carried out by the Iran-backed terrorist group. Several appointees were also flagged for alleged connections to Nation of Islam leader Louis Farrakhan, who has compared Jews to termites, described Judaism as a “dirty religion,” called the Jewish people “Satan,” publicly questioned the Holocaust, shared anti-Israel conspiracy theories, and blamed Jews for pedophilia and sex trafficking. Others, according to ADL, dismissed reports of Hamas atrocities as “propaganda” or publicly justified the Oct. 7 atrocities as a form of justified “resistance.”

The ADL said, for example, that Gianpaolo Baiocchi, who was recently appointed to the Committee on Community Organizing, participated in an anti-Israel encampment at New York University (NYU). He defended the encampments, claiming that “there was no expression of anti-semitism [sic], bigotry, or any hate speech.” However, previous reports of these encampments reveal that demonstrators often used slogans such as “Destroy Zionist business interests everywhere,” “Death to Israeli real estate,” “Enough with de-escalation trainings; where are the escalation trainings?” and “Death to America.”

Zakiyah Shaakir-Ansari, who was tapped to the Committee on Youth & Education, posted a picture of herself posing in front of a banner displaying an inverted red triangle — a common symbol at pro-Hamas rallies used by the Palestinian terrorist group in its propaganda videos to indicate Israeli targets about to be attacked — and the words “long live the resistance” written in large font. 

Alina Shen, who was selected to serve on the Committee on Housing, was an organizer for the anti-Israel organization CAAAV: Organizing Asian Communities. During her tenure, CAAAV labeled Israel a “settler colonial” entity and affirmed that “resistance” against the country is justified. 

“We support the Palestinian revolt against the zionist [sic], colonial power of israel [sic]…CAAAV stands in solidarity with the people of Palestine, the freedom fighters who are fighting for their future,” the organization wrote during the 2021 Israel-Hamas war. 

Additionally, several transition appointees have expressed vocal support for Farrakhan. Jacques Léandre, tapped to join the Committee on Legal Affairs, attended a 2022 Saviours’ Day conference in which Farrakhan lambasted “the Jews and their power.” He also lauded Farrakhan for displaying “courage, integrity, and compassion.”

Tamika Mallory, the former Women’s March co-chair who was forced out of the organization amid allegations of antisemitism, was also appointed to Mamdani’s transition team, to serve on the Committee on Community Safety. She has faced ongoing criticism for her praise of Farrakhan.

Mysonne Linen, appointed to the Committee on the Criminal Legal System, also maintains a personal relationship with Farrakhan, according to the ADL. 

“Many of Mayor-elect Mamdani’s Transition Committee appointments are inconsistent with his campaign commitments to prioritize the safety of New York’s Jewish community,” the ADL wrote in its report. “The composition of these Transition Committees will directly influence the administration’s policies and approach to Jewish community concerns, and the current appointments raise serious questions as to whether those concerns will not be adequately represented or addressed.”

At the same time, the ADL acknowledged several steps taken by Mamdani that it described as positive. Following a deadly antisemitic shooting at a Hanukkah celebration in Sydney, Australia earlier this month, Mamdani condemned the attack as “a vile act of antisemitic terror” and pledged to keep Jewish New Yorkers safe. He also visited the resting place of Chabad-Lubavitch leader Rabbi Menachem Mendel Schneerson in Queens and met with leaders of the Satmar community and the New York Board of Rabbis.

Still, Jewish leaders remain concerned. After meeting with Mamdani, Rabbi Ammiel Hirsch of New York’s Stephen Wise Free Synagogue warned that the mayor-elect’s anti-Zionist rhetoric could endanger Jewish safety in the city and strain relations with the Jewish community.

Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.

Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.

A Sienna Research Institute poll released in early November revealed that a whopping 72 percent of Jewish New Yorkers believe that Mamdani will be “bad” for the city. A mere 18 percent hold a favorable view of Mamdani, according to the results, while 67 percent view him unfavorably.

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Belgian Musicians, Italian Broadcast Union Pressure Their Countries to Boycott Eurovision Over Israel’s Participation

A photographer takes a picture of a TV screen in Wiener Stadthalle, the venue of next year’s Eurovision in Vienna, Austria, Nov. 18, 2025. Photo: REUTERS/Leonhard Foeger

Two collective groups in Belgium and Italy are pressuring their respective countries to withdraw participation in the 2026 Eurovision Song Contest because of Israel’s involvement in the competition, which is set to take place in Vienna, Austria, in May.

A group of 170 Belgian artists and cultural figures signed a petition that called on the country’s national broadcaster RTBF to “honor its public service mission” and pull out of the 70th edition of the Eurovision Song Contest “as long as a state trampling underfoot the very foundations of our common humanity is welcome.” They accused Israel of conducting a “war of extermination waged against the Palestinian people” in the Gaza Strip and of using cultural events to “art-wash” its military actions.

“In our view, this constitutes a serious breach of the ethical and moral obligations of public broadcasters,” read the petition, as reported by French-language Belgian daily La Libre. “Participating in Eurovision allows Israel to maintain the illusion that it is a modern and exemplary Western democracy, and thus to more easily conceal its criminal actions.”

The signatories also claimed that “for years, the Israeli government has used major artistic and cultural events for propaganda purposes in order to divert attention from its regime of occupation, colonization, and apartheid against the Palestinian people.” They further denounced the Belgian broadcaster VRT, which nominates Belgium’s representative who will compete in the Eurovision, and claimed the European Broadcasting Union (EBU), which organizes the competition, of displaying double standards for allowing Israel to compete while excluding Russia following its invasion of Ukraine in 2022.

The national broadcasters of Spain, Ireland, Iceland, the Netherlands, and Slovenia have already announced they will not participate in the 2026 Eurovision or broadcast the final on their national television channels, after it was confirmed in early December that Israel will be allowed to compete in next year’s contest.

The union group USB-RAI Coordination, at Italy’s state broadcaster RAI, launched a petition that urged RAI to join the countries “making the courageous decision” to boycott Eurovision 2026 because of Israel’s involvement. The union branch was founded two years ago and has currently around 50 members at the state broadcaster, according to Euronews. Their petition already has more than 7,000 signatures.

“By withdrawing Italy from Eurovision and deciding not to broadcast the event, RAI would not only be taking an ethically and empathetically justifiable stance, but would also be setting a moral example on the international stage,” the USB said in a statement. “Such a gesture would demonstrate how much Italy values ​​human dignity, equality, and justice for all peoples. We would make our voice heard globally, showing that we do not turn a blind eye to injustice.”

Italy is one of the “Big Five” countries (with France, Spain, Germany, and the United Kingdom) that have supported the Eurovision Song Contest since the first competition in 1956. In a statement on Dec. 5, RAI confirmed its participation in the contest and said Italy has “always been among the countries that believed in and invested in the Eurovision Song Contest, contributing significantly, including financially, to its development and international success.”

“In recent years our commitment has grown steadily, testifying to the value we attach to an event that is the longest-running international music show, capable of uniting diverse cultures in a shared celebration,” the broadcaster added. “RAI’s involvement in the competition confirms the determination to strengthen Italy’s role in the promotion of music, culture, and entertainment at international level. RAI supports the participation of the Israeli public broadcaster Kan in the next edition [of the Eurovision].”

On Dec. 11, last year’s Eurovision winner Nemo announced on social media they will return their trophy to the EBU in protest of Israel’s participation in the Eurovision. A day later, Charlie McGettigan, who won the 1994 Eurovision with fellow Irish singer Paul Harrington with the song “Rock ‘n’ Roll Kids,” said he was returning his trophy to the EBU for the same reason.

The Austrian public broadcaster ORF, host of the upcoming Eurovision Song Contest, confirmed last week that it will not prohibit the Palestinian flag in the audience nor censor any booing directed at Israel’s performance.

“We will allow all official flags that exist in the world, if they comply with the law and are in a certain form – size, security risks, etc,” said the show’s executive producer, Michael Kroen. “We will not sugarcoat anything or avoid showing what is happening, because our task is to show things as they are.”

In an effort to pressure Portugal to boycott the 2026 Eurovision, several Portuguese artists announced in a joint statement that they would not go to Vienna to take part in the event because of Israel’s participation.

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Iran Accuses Israel of False Flag Attacks on Jews Abroad as Regime’s Executions Reach Record Levels

People walk near a mural of Iran’s Supreme Leader, Ayatollah Ali Khamenei, amid the Iran-Israel conflict, in Tehran, Iran, June 23, 2025. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

Iran continues to accuse Israel of orchestrating false-flag attacks against Jews and Israelis abroad to stoke fears of antisemitism in the wake of the Bondi Beach massacre, even as the regime escalates its own domestic crackdown, with public executions reaching record levels.

Speaking to commanders of the Islamic Revolutionary Guard Corps (IRGC) on Sunday, Iranian military chief Maj. Gen. Abdolrahim Mousavi referred to the deadly attack on a Hanukkah celebration at Sydney’s Bondi Beach, which killed 15 people and wounded at least 40 others, as “not the first time that Jews have been targeted in an attempt to portray Israel as a victim,” accusing the Jewish state of committing similar crimes in the past.

“The Zionist regime has assassinated members of the Jewish community and their affiliates in other countries to prevent reverse migration, escape internal turmoil, and instill antisemitism,” Mousavi said. 

However, as the Islamist regime in Iran continues to issue baseless accusations, Australian and Israeli authorities are actually investigating whether Tehran had a role in orchestrating the mass shooting targeting Sydney’s Jewish community, citing the regime’s long history of plotting terrorist attacks abroad.

According to Iranian media, Mousavi also accused the United States and Israel of wrongdoing, saying “the events of the past two years have exposed their criminal nature to the world.”

“Enemies of the country are lawbreakers, warmongers, and deceivers, and they do not adhere to any international law or humanitarian norms,” he said. 

In the immediate aftermath of the Dec. 14 massacre at Bondi Beach, the Iranian Foreign Ministry publicly condemned the “violent attack” in Sydney, though tje statement was vague and made no mention of antisemitism, the local Jewish community, or any specific target.

However, Iranian state and semi-official media pushed a starkly different narrative, spreading conspiracy theories that framed the attack as a plot orchestrated by Israel. Other outlets expressed support for the attack, even praising it, claiming that the rabbi who was killed during the massacre, Eli Schlanger, was a “staunch advocate of genocide in Gaza.”

The Iranian news agency Mehr openly called “the Zionist regime” the main suspect, portraying the attack as a “false flag” operation allegedly designed to serve Israeli interests.

Earlier this year, Britain, the United States, France, and 11 other allies issued a joint statement condemning a rise in Iranian assassination and kidnapping plots in the West, as a new report warned Tehran has been intensifying efforts to target Jewish communities abroad.

With a surge in assassination, kidnapping, and harassment plots targeting individuals in multiple countries, Western allies urged Iranian authorities to halt these illegal actions, noting how the regime continues to promote antisemitism abroad and recruits criminal networks to carry out attacks against Jews.

Iran is facing mounting international pressure not only over its terror operations abroad but also for its escalating brutal internal crackdown amid growing domestic tensions and crises.

According to Iran Human Rights Monitor (IHR), a Norway-based NGO that tracks the death penalty in the country, at least 1,791 people have been executed this year, marking a staggering rise from the 993 executions recorded in 2024.

Most of those executed were accused of collaborating with Mossad — Israel’s national intelligence agency — and aiding covert operations in Tehran, such as assassinations and sabotage targeting the country’s nuclear program.

With at least 61 women among those executed, Iran remains the world’s leading executioner on a per capita basis, using capital punishment as a tool of repression, fear, and ideological control.

Last week, a group of survivors, together with the Iran Human Rights Documentation Center (IHRDC), filed a criminal complaint in Argentina accusing Iranian authorities of crimes against humanity committed during the 2022 Woman, Life, Freedom protests.

In a first-ever legal action of its kind, survivors of the regime’s atrocities filed a criminal complaint against 40 named Iranian officials, alleging gender persecution, murder, torture, and other brutal acts, including targeted blinding, in response to the regime’s brutal 2022 crackdown.

With this lawsuit, plaintiffs are asking the Argentine court to investigate senior figures in Iran’s intelligence services, military, police, the IRGC, and civilian government for their roles in a widespread and systematic assault on civilians.

Among those filing the complaint is Mahsa Piraei, one of Minoo Majidi’s three children, seeking justice for her 62-year-old mother who was shot dead in September 2022.

According to autopsy reports, more than 167 metal pellets were fired into her back at point-blank range.

“In our own country, we could not find justice for my mother’s killing, as the judiciary is neither fair nor independent,” Piraei said. “But today, I am happy that this crime has not crushed our hope for justice, and that our efforts are finally bearing fruit.”

“With the help of human rights lawyers, we are taking our case to courts outside of Iran,” she continued. “I believe that our perseverance as families seeking justice, and our commitment to upholding human dignity, is a global cause that knows no borders.”

The 2022 Woman, Life, Freedom protests erupted nationwide after Mahsa Amini, a young Kurdish woman, died in a Tehran police station following her arrest for allegedly violating Iran’s hijab rules, igniting a nationwide uprising calling for human rights and individual freedoms.

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