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The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play
CHICAGO (JTA) — All writers strive for a good story. How far they will go to find it depends on their ambition, their wherewithal and their sanity.
Isaac Babel, a Russian-Jewish writer who came from a relatively stable, privileged background in Odessa in the late 1800s, would go to war among Cossacks who murdered Jews, make friends with Soviet agents and then cuckold one of them. The reason why Babel constantly put himself in harm’s way may have been simple, according to another writer.
“I think he wanted something to write about,” said Rajiv Joseph, whose play at Steppenwolf Theater in Chicago, “Describe the Night,” centers on Babel. “He was a young man who had wanted to be a writer but had nothing to write about.”
“Describe the Night” blends three stories from different eras that engage with questions of who controls the truth. The first portrays Babel, the Soviet secret police head Nikolai Yezhov and Yezhov’s wife, Yevgenia, with whom Babel begins an affair. The second follows a young Soviet agent rising through the ranks just before the Berlin Wall falls, and the third dives into a conspiracy behind a 2010 plane crash near Smolensk, Russia.
Babel himself may not rise to the ranks of Tolstoy or Dostoevsky in terms of immediate name recognition in the United States, but the journalist, author and playwright is remembered as one of Russia’s preeminent 20th-century writers. His modernist and bloody tales in “Red Cavalry,” a collection of short stories inspired by his time on the frontlines of the Polish-Soviet War of 1919, vaulted him to the status of a Russian Hemingway. The pithy American war correspondent once expressed his admiration, perhaps even jealousy, of Babel’s writing, saying “Babel’s style is even more concise than mine.”
Like Hemingway, Babel went to war in search of a good story. Combat itself was not the only threat to him: as a Jew, he bore witness to the Cossack cavalry’s antisemitic atrocities. Babel tamped down his Jewish identity while covering the war, though he would feel a sense of isolation in both societies or as his grandson would later describe him “a Jew among the Cossacks, and a Cossack among the Jews.” In his own diary, Babel wrote “Talking to the Jews, I feel kin to them, they think I’m Russian and my soul is laid bare.”
Joseph, who is not Jewish and authored the Pulitzer-nominated play “Bengal Tiger at the Baghdad Zoo,” had read “Red Cavalry” years ago but was inspired to write “Describe the Night” after discovering the poetic journal Babel had kept during the war. The title of the play comes directly from the diary, which repeats the word several times in Babel’s own prompts to describe things ranging from kitchens to marketplaces to women to horses. Sometimes Babel successfully answers his own prompts by forcing himself to write, and other times he doesn’t, Joseph said.
Lead actor James Vincent Meredith is also not Jewish and admitted he had concerns about “the choice of casting a black man in the role of a Jewish man living in the world of Russia, the Ukraine and Paris.” He partly found his way to the character by watching the 2015 documentary “Finding Babel,” which follows Babel’s grandson across Russia and Ukraine as he searches for his famous ancestor’s remains.
“I can read Babel’s work (I have), I can travel to Israel (I have, decades ago), I can take Hebrew as an elective in college (I did, not very well), I can read Chaim Potok (I have). But these are at their best, however well intentioned, tourist pursuits for one who is not Jewish,” he said. “I will never come close to knowing the true soul of a Jewish person. Thankfully, Rajiv has created this character that by his design, anyone can inhabit.”
Yasen Peyankov and James Vincent Meredith in a scene from the play about Isaac Babel. (Michael Brosilow)
He added that the play isn’t meant to be historically accurate. “The character of Isaac, as well as others in the play, is meant to be an entry point into a world where the scalpel crafting the ‘truth’ is rarely placed in the hands of those who are adversely affected by it. As a black male and father of a black male in the U.S., I’m certainly cognizant of that world.”
Joseph feels that he and other artists share the instinct Babel had to leave his comfort zone. He wanted to be a writer, but growing up in suburban Cleveland gave him little inspiration. After college, he joined the Peace Corps and spent three years in West Africa.
“That was a real life-changing event for me that opened my world and opened my mind,” Joseph said. “Not nearly as traumatic as traveling with the cavalry through Poland in 1920, but the same impulse to break out of your norms.”
Yet Joseph believes Babel’s desires went beyond pushing boundaries and into a deep, pathological need to associate with danger.
“The thing I find really interesting about Babel, both through his writing and through his personal life, is this inexorable draw towards danger and filth,” Joseph said, adding that Babel would hang out in taverns with Soviet soldiers, members of the secret police and executioners like Yezhov. “He was already treading on such thin ice. So he had a recklessness, you could call it a death wish if you want.”
Meredith was also stunned by the writer’s intense flirtations with danger.
“Why get that close to the flame? That to me is one of the things that really appealed to me about this guy,” Meredith said. “I tend to play it safe, as safe as an actor can play it, but I see this guy who had these kinds of desires, he had this quest to make this amazing art as far as his stories and I just I’m just so attracted to that.”
Joseph said he saw some parallels between Babel’s story and the exodus of some of his artistic peers in Russia, who have fled to Europe. In his time, Babel was seen as subversive by nature, existing as a Jewish man in early Soviet Russia. His relished writing about prostitutes and mobsters, transforming underworld characters into urban legends. His 1935 political play “Maria” was canceled during rehearsals and by 1939, Soviet police arrested him and confiscated his writing. Throughout the 1940s, his works disappeared from circulation. Though some believed Babel had spent time throughout that decade in a prison camp, the government had executed him in 1940.
“In the 1930s and ‘40s, I think if you are a Jewish creative writer, you’re automatically subversive,” Joseph said. He noted one pivotal scene where Nikolai Yezhov labels Babel as such because his writing portrays Russia as gloomy rather than inspiring.
“If you’re telling the truth, you are subversive,” Joseph added. “So I think that pretty much any creative writer worth his or her weight would be considered subversive at that moment.”
“Describe the Night” runs until April 9 at the Steppenwolf Theater in Chicago.
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The post The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play appeared first on Jewish Telegraphic Agency.
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The stepchildren in the upcoming Israeli elections
דעם 27סטן אָקטאָבער וועלן פֿאָרקומען די וואַלן אין ישׂראל. 38 פּאָליטישע פּאַרטייען האָבן זיך פֿאַרשריבן צו פּרובירן געווינען וואָס מער פֿון די 120 מעגלעכע ערטער אין דער כּנסת. אין די פֿריערדיקע וואַלן, האָבן קאַנדידירט 40 פּאַרטייען. לויט דעם געזעץ, מוז מען געווינען גענוג וואַלן אויף כאָטש פֿיר (4) דעפּוטאַטן — דאָס הייסט 3.25% פֿון דעם סך־הכּל פֿון אַלע מענטשן וואָס האָבן אָנגעגעבן „כּשרע“ שטימעס.
אין די פֿריערדיקע וואַלן האָבן 70.83% פֿון אַלע בירגער אין לאַנד מיט שטימרעכט (4,764,742 פֿון 6,788,804) דערמעגלעכט 10 פֿון 40 פּאַרטייען אַרײַנצוטרעטן אין דער כּנסת. דעמאָלט האָט מען געדאַרפֿט האָבן בערך 153,000 שטימען כּדי אַ פּאַרטיי זאָל קענען אַרײַנפֿירן זייערע ערשטע פֿיר דעפּוטאַטן אין דער כּנסת. הײַנט, מיט 4 יאָר שפּעטער, וועט מען מסתּמא דאַרפֿן באַקומען נעענטער צו 200,000 שטימען.
ווי עס זאָל ניט זײַן, קעמפֿן די גרויסע פּאַרטייען פֿאַר יעדער שטימע, און באַמיען זיך פּטור צו ווערן און דערשטיקן די מעגלעכקייטן פֿון יענע קלענערע פּאַרטייען וואָס וועלן אפֿשר ניט דערגיין צו דעם מינימום פֿון 3.75% — און דערבײַ ׳אַוועקפּטרן׳ שטימען פֿון זייערע טראַדיציאָנעלע, סעקטאָריאַלע שטיצערס (למשל פֿרומע-פֿרײַע, רעכטע-לינקע, ייִדן-ניט-ייִדן).
הײַ-יאָר איז בכלל אַ גרויסער מיש-מאַש פֿון פּאַרטייען. פֿאַראַן נײַע שפּילערס וואָס ענדערן דאָס דעמאָגראַפֿישע און סעקטאָריאַלע פּנים פֿון געוויסע טראַדיציאָנאַלע פּאַרטייען, אָדער פֿון נײַע פּאַרטייען וואָס זײַנען ערשט אויפֿגעקומען. למשל, צו דער אַראַבישער/איסלאַמישער פּאַרטיי „רע׳ם“ האָט זיך צוגעשטעלט אַ ייִד — יואבֿ סגלוביץ (סעגאַלאָוויטש) — וואָס איז אַ געוועזענער הויפּט פֿון דער ישׂראל־פּאָליציי, אַ פֿיגור מיט וויכטיקע דערגרייכונגען.
„עמך ישראל“ – שטיפֿקינד פֿון די רעכטע
אויף דער רעכטער זײַט פֿון דער פּאָליטישער מאַפּע איז אַנטשטאַנען אַ נײַע פּאַרטיי, „עמך ישראל“, פֿון עופֿר ווינטער, אַ געוועזענער גענעראַל־בריגאַדיר. זײַן שותּף, דער צווייטער אין זײַן רשימה, איז יוסוף חדד (כאַדאַד), אַ קריסטלעכער אַראַבער וואָס איז אין דער צײַט פֿון דער צווייטער לבֿנון־מלחמה פֿון 2006, געווען אַן אָפֿיציר אין דער גולני דיוויזיע פֿון צה״ל. קעמפֿנדיק פֿאַר ישׂראל, איז ער שטאַרק פֿאַרוווּנדיקט געוואָרן. ער איז אויך באַקאַנט אויף דער סאָציאַלער מעדיאַ בײַם העלדיש פֿאַרטיידיקן מדינת־ישׂראל קעגן אַנטי-ציוניסטן און אַנטיסעמיטן. ווינטערס ציל איז, אַרײַנברענגען פֿרישע בלוט אין די רייען פֿון די רעכט-געשטימטע פּאַרטייען.
די פּאַרטיי ווערט פּראָיעקטירט צוצונעמען שטימען פֿון דער גרעסערער „ליכּוד“־פּאַרטיי, געפֿירט פֿון בנימין נתּניהו. לויט די מערסטע שטים־אַנטקעטעס ביז הײַנט, וועט „עמך ישראל“ ניט דערגרייכן די געהעריקע 3.75% און אַלע שטימען וועלן דערפֿאַר פֿאַרלוירן גיין. עס ווערט דעריבער איצט געפֿירט אַ גאָר שטאַרקע אַקציע פֿון דער ליכּוד פּאַרטיי אַז „עמך ישראל“ (און אויך נאָך עטלעכע קליינע רעכט-געשטימטע פּאַרטייען) זאָל זיך אָפּזאָגן פֿון אָנטיילנעמען אין די וואַלן. עופר ווינטערס קעגנערס האָבן שוין מצליח געווען אָפּצושרעקן איינעם פֿון די 4 וויכטיקסטע קאַנדידאַטן פֿון „עמך ישראל“, וואָס האָט זיך די טעג אָפּגעזאָגט פֿון קאַנדידירן.
„מילואימניקים„ (רעזערוויסטן) מיט „כּלכּלית„ (עקאָנאָמיע) – „וואָס“, ניט „ווער“
ווען מע קוקט אויף אַ גראַפֿיש בילד פֿון ווי די 120 כּנסת־ערטער ווערן אײַנגעטיילט צווישן די פֿאַרשיידענע פּאַרטייען — לויט די טעגלעכע שטים־אַנטקעטעס — זעט מען דאָס אײַנגעטיילט אויף דרײַ חלקים. פֿון איין זײַט, זעט מען די מעגלעכע צאָל קאַנדידאַטן פֿון דער איצטיקער קאָאַליציע (וואָס נעמט אַרײַן „ליכּוד„ צוזאַמען מיט די חרדישע און אַנדערע רעכט־געשטימטע פּאַרטייען). פֿון דער אַנדערער זײַט, זעט מען די צאָל מעגלעכע קעגנער (סײַ צענטריסטישע, סײַ לינקע, סײַ רעכטע פּאַרטייען) וואָס ווילן פֿאַרבײַטן די איצטיקע רעגירונג פֿון נתּניהון. דער דריטער בלאָק באַשטייט פֿון די אַראַבישע פּאַרטייען. פֿאַראַן אָבער — אין געוויסע פֿון די דיאַגראַמעס — אַ פֿערטע גרופּע, וואָס געהערט צו אַ ספּעציפֿישער פּאַרטיי וואָס פֿירט גאָר אַן אַנדערע פּאָליטיק פֿון די אַנדערע.
צוויי נײַע פּאַרטייען לייגן אָבער פֿאָר עפּעס גאָר אַנדערש פֿון די טראַדיציאָנאַלע רעכטע און לינקע פּאַרטייען: יועז הנדל (יאָאַז הענדל) פֿון דער „המילואימניקים“ (רעזערוויסטן) פּאַרטיי בשותפֿות מיט ירון זליכה (זאַליכאַ) פֿון דער „הכּלכּלית„ (עקאָנאָמיע) פּאַרטיי. זיי וואַרפֿן אָפּ די פּאָלאַריזירטע געדאַנקען און האָבן אֶ פּלאַטפֿאָרמע וועלכע שטעלט דעם טראָפּ אויף „וואָס“ מע דאַרף טאָן. דעם „ווער“ עס דאַרף דאָס אַדורכפֿירן איז ווייניקער וויכטיק – ספּעציעל וואָס אין דער הײַנטיקער פּאָליטיק איז שוין ניט קלאָר ווער עס איז אויף וועלכער זײַט פֿונעם פּאָליטישן ספּעקטרום.
די פּאַרטיי האָט זיך פֿון אָנהייב געוואַקלט בײַ 3.75%, אָבער אין די לעצטע וואַל-אַנקעטעס זעט אויס אַז זיי וועלן ניט נאָר דערגרייכן די געוווּנטשענע פֿיר דעפּוטאַטן, נאָר זיי שטרעבן אויף אַפֿילו נאָך מער. דאָס קען גוט זײַן דערפֿאַר, וואָס צו דער רעזערוויסטן־פּאַרטיי איז צוגעשטאַנען עינת ווילף — אַ באַגאַבטע פֿיגור וואָס איז זייער אָפֿן־האַרציק מיט אירע געדאַנקען. (מע קען זי אָפֿט טרעפֿן אויף דער סאָציאַלער מעדיאַ פאַרטיידיקנדיק מדינת־ישׂראל קעגן אונדזערע שׂונאים).
ווילף האָט אַליין געשאַפֿן אַ פּאָליטישע פּאַרטיי „עוֹז“ וואָס איז זייער ציוניסטיש געשטימט, און וועמענס אידעאָלאָגיע פּאַסט זיך גוט צו צו די פֿון אירע שותּפים הענדל און זליכה. יעדער ישׂראלדיקער בירגער דאַרף דורכמאַכן אַ מדינה־דינסט (ניט דווקא אַ מיליטערישע): מענער און פֿרויען, ייִדן, און ניט-ייִדן. זי דריקט אויך אויס אַנדערע געדאַנקען ווי אַזוי צו פֿאַרבעסערן דעם מצב סײַ וואָס שײַך דער זיכערקייט, סײַ דערציִונג, סײַ דער ישׂראלדיקער עקאָנאָמיע. איר פּאַרטייס נאָמען, „עוֹז“, איז אינספּירירט פֿון די ווערטער „יהוה עוז לעמו יתן יהוה יברך את עמו בשלום“ (ספֿר תּהילים) …
און נאָך אַ זאַך: יועז הענדלס פּאַרטיי, „די פֿאַראייניקטע ליסטע“, איז די איינציקע, אויף וויפֿל מיר ווייסן, וואָס האָט אַ לאָזונג אויף ייִדיש. אין אַ געוויסן זינען קלינגט עס ווי עפּעס, וואָס דער אַמעריקאַנער פּרעזידענט דזשאָן עף. קענעדי וואָלט געזאָגט: „פֿרעגט ניט ׳ווער׳, נאָר ׳וואָס׳ מע מוז טאָן פאַר דער מדינה.“
The post The stepchildren in the upcoming Israeli elections appeared first on The Forward.
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In Oct. 7 blame game, former Shin Bet chief sues Netanyahu ahead of elections
(JTA) — The bitter battle that has raged between Israel’s security and political establishments over who bears responsibility for the failures ahead of the Oct. 7 attacks is kicking into high gear as Israel prepares to hold its first election since the Hamas invasion in 2023.
This week, former Shin Bet chief Ronen Bar upped the stakes by filing a defamation lawsuit against Israeli Prime Minister Benjamin Netanyahu. The premier has blamed the intelligence head for the failures leading up to the attack even as many in the security establishment have pointed the finger at Netanyahu. Bar in his lawsuit lists a litany of occasions Netanyahu allegedly ignored or rejected advice that might have prevented the attacks.
In the run-up to the national vote on Oct. 27, Israeli media have been preoccupied with reports of intelligence that was purportedly shared with top government officials ahead of the attacks. What Netanyahu knew about the Hamas threat before the invasion — and when he knew it — has become a central issue in the campaign and a line of attack for his political rivals.
Gadi Eisenkot, leader of the Yashar party and Netanyahu’s leading challenger, said in response to the lawsuit that “Netanyahu was warned and did not act,” and that he would not allow Netanyahu to “evade the truth.” Opposition leader Yair Lapid said that “Netanyahu can no longer claim that he didn’t know,” while Yair Golan, leader of the left-wing “The Democrats” party, said Netanyahu’s responsibility for “the worst massacre in Israel’s history is direct and clear.”
A range of political and security leaders who were in charge at the time have assumed responsibility and left their posts: Among them are Bar, IDF Chief of Staff Herzi Halevi, Defense Minister Yoav Gallant and military intelligence chief Aharon Haliva.
Not Netanyahu. He has rejected accusations that he is responsible for the failures even as he has prevented the establishment of a state commission of inquiry to investigate those responsible. He has argued that such a commission, whose members would be appointed by the president of the Supreme Court, as is traditionally the case in Israel, would be biased and would not enjoy public trust.
Beyond blaming the security establishment, Netanyahu has also sought to shift responsibility onto political rivals and previous governments. He has pointed to the actions, or failure to act, of political opponents, including Eisenkot, Naftali Bennett and Benny Gantz, when they held senior positions, as well as Israel’s 2005 withdrawal from the Gaza Strip, as factors that contributed to the Oct. 7 massacre.
In the lawsuit itself, Bar accuses Netanyahu of “trying to rewrite history and completely evade his responsibility for the events of Oct. 7.” The filing sets out a series of alleged warnings Bar gave Netanyahu before the attack, as well as Netanyahu’s alleged refusal to adopt Bar’s recommendations for offensive action in the months leading up to the massacre.
The lawsuit details more than a dozen instances in which Bar allegedly warned of Hamas’ growing strength and its intentions to attack Israel, alongside repeated recommendations that Netanyahu take more aggressive action against the group.
Among the warnings cited in the lawsuit, Bar said he presented Netanyahu in January of 2023 with his assessment that Hamas leader Yahya Sinwar wanted a multifront campaign against Israel.
In February, Bar allegedly sent Netanyahu a personal letter warning that terrorist organizations saw an opportunity to act and that the combination of Israel’s internal divisions and instability in the Palestinian arena could bring the country closer to a “perfect storm.”
In July, Bar said he told Netanyahu directly that he was conveying a strategic warning of war.
In September, he allegedly warned that Hamas wanted to escalate the conflict during October.
Netanyahu responded to the lawsuit in a post on X, addressing one specific claim in the filing: that he had never given Bar his personal phone number.
“Ronen, are you serious? You had my red phone number and could have called me immediately, as all heads of the security establishment do,” Netanyahu wrote. “How many lives could we have saved if only you had called in time.” Netanyahu has claimed recently that had security officials awoken him earlier on Oct. 7, he would have somehow stemmed the attack.
Bar’s suit also alleges that he consistently recommended initiating offensive operations against Hamas, including a “preemptive strike” and targeted killings. According to the lawsuit, Netanyahu strongly opposed those recommendations because he wanted to keep Hamas as a secondary concern. Bar also said Netanyahu reprimanded him for dealing with “strategy.”
“The defendant had been in a state of slumber for many long months beforehand and refused to wake up despite the alarm bells the plaintiff sounded in his ears incessantly,” the lawsuit alleges, alluding to Netanyahu’s plaints that he was not awoken early on Oct. 7. “The gap between the professional warnings and recommendations the plaintiff presented to the defendant and the response the defendant gave them is beyond comprehension.”
The defamation claim focuses in particular on a post Netanyahu published on X late last month, in which he claimed that Bar “knew about the real danger” in the early hours of Oct. 7 but chose not to wake him or take other preventive measures. Netanyahu accused Bar of trying to shift responsibility for “all of Ronen Bar’s failures and crimes” onto him.
In a press statement after filing the suit Wednesday, Bar called Netanyahu’s post a “blood libel” and announced that he was suing for 3 million shekels ($968,500) in damages and seeking a correction of Netanyahu’s statements.
Bar repeatedly emphasized in the lawsuit that he was not seeking to absolve himself or the Shin Bet of responsibility for the failures that led to the Oct. 7 massacre. Rather, he said, the suit was a response to Netanyahu’s attempt to “shift the responsibility exclusively onto Bar.”
“I waited quietly for three years for the establishment of a commission of inquiry that would finally expose the Shin Bet’s work, alongside its failures, in the face of an ongoing blood libel,” Bar said.
This article originally appeared on JTA.org.
The post In Oct. 7 blame game, former Shin Bet chief sues Netanyahu ahead of elections appeared first on The Forward.
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When ‘Nuke Jews, Save Lives’ note was left at the Center for Jewish History, its message was a window into antisemitic thinking
As hate manifestoes go, this one was terse: “Nuke Jews, Save Lives.”
Our security team at the Center for Jewish History, where I serve as president, recently discovered a notecard bearing this hateful message by our front entrance, just blocks from Union Square in Manhattan.
The Center for Jewish History was created a quarter century ago to help scholars research the Jewish past and disseminate that knowledge to the public. An institution that is sometimes likened to the national archives of Diaspora Jewry, the Center houses more than 65 million documents and artifacts painstakingly collected by its distinguished partner organizations. Countless books and articles on Jewish history have been published using this archival source material, all pursuing the goal of historical understanding.
This hateful note was a direct rebuke to our mission and a window into antisemitic thinking. The declaration confirmed antisemites’ tendency to see their hatred as virtuous. By claiming that “saving lives” was their ultimate goal, the author sought to avoid any suspicion of ulterior motives. Hitler did something similar in Mein Kampf, writing that by combating the Jews he was “fighting for the work of the Lord.”
The historical record also teaches that while the charges brought by antisemites against Jews vary considerably, they serve a consistent function. Whatever threat Jews are accused of posing – whatever the reason why “lives” need to be “saved” – the accusation channels society’s deeper fears. These fears often differ between the left and right political positions, but they converge in the antisemite’s belief that a solution rests with solving the Jewish “problem.”
Jews have traditionally believed that understanding history can solve the problem of antisemitism. From antiquity to modernity, Jews have penned eloquent, historically informed rebuttals to antisemitic accusations, believing that public opinion can be swayed by truth. Whether Flavius Josephus’s reply to the hostile claims of the Egyptian scholar, Apion, in the first century C. E. or the Central Association of German Citizens of the Jewish Faith’s response to the Nazis in the 1930s, history shows that Jews have consistently sought to defend themselves through rational argument.
The Center for Jewish History is no different. We regularly organize public programs on a range of topics in the interest of fostering knowledge and dialogue. Of late, out of necessity, we have been sponsoring events that address the history of antisemitism.
Shortly before the hateful note was left on our doorstep, the Silicon Valley investor, Michael Moritz, was in conversation with The New York Times Company CEO, Meredith Kopit Levien, about his new book, Ausländer, which movingly chronicles the tragic story of his German Jewish family in the Nazi era. The book also raises discomforting comparisons about Jew hatred yesterday and today.
The event was a bittersweet affair. While we were gratified that our fully packed auditorium validated our institutional mission, the conversation’s main takeaway – that what was old is new again – was sobering.
That feeling was further compounded when we encountered the words, “Nuke Jews, Save Lives,” one week later. We could easily have thrown up our hands in despair at the futility of our mission. That, of course, would have served the antisemite’s goal.
Antisemitism’s impact is akin to that of the heckler’s veto. By wielding crude, simplistic slogans in the spirit of Der Stürmer’s tagline, “The Jews Are Our Misfortune,” antisemites use hate asymmetrically to undermine cultural and intellectual traditions assembled over centuries.
Antisemitism validates the core idea of Brandolini’s Law – that the work needed to refute calumnies dramatically exceeds the work needed to disseminate them. It calls to mind Edmund Burke’s remark in Reflections on the Revolution in France that “rage and phrensy will pull down more in half an hour, than prudence, deliberation, and foresight can build up in a hundred years.”
But my money is on archives.
The 65 million documents housed at the Center do not just numerically exceed the four hateful words left on our doorstep many times over. They testify to the authority of archives. Ever since they were invented in antiquity, archives have wielded tremendous power. Not for nothing does its Greek root, “arch,” denote “ruler” (as in “monarch”).
When belief in truth is challenged by a flood of lies, the archive offers a redoubt. It guards the facticity of history so that people of good faith can defend themselves against their enemies.
The campaign against antisemitism is complex and requires arguments and allies, resources and resolve. It cannot be won easily and may never be won decisively. But one thing is for sure: it cannot be won without facts. In this latest war, the archive can serve as an arsenal.
The post When ‘Nuke Jews, Save Lives’ note was left at the Center for Jewish History, its message was a window into antisemitic thinking appeared first on The Forward.
