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The legacy of Isaac Babel, Russia’s Jewish Hemingway, is dissected in new Chicago play
CHICAGO (JTA) — All writers strive for a good story. How far they will go to find it depends on their ambition, their wherewithal and their sanity.
Isaac Babel, a Russian-Jewish writer who came from a relatively stable, privileged background in Odessa in the late 1800s, would go to war among Cossacks who murdered Jews, make friends with Soviet agents and then cuckold one of them. The reason why Babel constantly put himself in harm’s way may have been simple, according to another writer.
“I think he wanted something to write about,” said Rajiv Joseph, whose play at Steppenwolf Theater in Chicago, “Describe the Night,” centers on Babel. “He was a young man who had wanted to be a writer but had nothing to write about.”
“Describe the Night” blends three stories from different eras that engage with questions of who controls the truth. The first portrays Babel, the Soviet secret police head Nikolai Yezhov and Yezhov’s wife, Yevgenia, with whom Babel begins an affair. The second follows a young Soviet agent rising through the ranks just before the Berlin Wall falls, and the third dives into a conspiracy behind a 2010 plane crash near Smolensk, Russia.
Babel himself may not rise to the ranks of Tolstoy or Dostoevsky in terms of immediate name recognition in the United States, but the journalist, author and playwright is remembered as one of Russia’s preeminent 20th-century writers. His modernist and bloody tales in “Red Cavalry,” a collection of short stories inspired by his time on the frontlines of the Polish-Soviet War of 1919, vaulted him to the status of a Russian Hemingway. The pithy American war correspondent once expressed his admiration, perhaps even jealousy, of Babel’s writing, saying “Babel’s style is even more concise than mine.”
Like Hemingway, Babel went to war in search of a good story. Combat itself was not the only threat to him: as a Jew, he bore witness to the Cossack cavalry’s antisemitic atrocities. Babel tamped down his Jewish identity while covering the war, though he would feel a sense of isolation in both societies or as his grandson would later describe him “a Jew among the Cossacks, and a Cossack among the Jews.” In his own diary, Babel wrote “Talking to the Jews, I feel kin to them, they think I’m Russian and my soul is laid bare.”
Joseph, who is not Jewish and authored the Pulitzer-nominated play “Bengal Tiger at the Baghdad Zoo,” had read “Red Cavalry” years ago but was inspired to write “Describe the Night” after discovering the poetic journal Babel had kept during the war. The title of the play comes directly from the diary, which repeats the word several times in Babel’s own prompts to describe things ranging from kitchens to marketplaces to women to horses. Sometimes Babel successfully answers his own prompts by forcing himself to write, and other times he doesn’t, Joseph said.
Lead actor James Vincent Meredith is also not Jewish and admitted he had concerns about “the choice of casting a black man in the role of a Jewish man living in the world of Russia, the Ukraine and Paris.” He partly found his way to the character by watching the 2015 documentary “Finding Babel,” which follows Babel’s grandson across Russia and Ukraine as he searches for his famous ancestor’s remains.
“I can read Babel’s work (I have), I can travel to Israel (I have, decades ago), I can take Hebrew as an elective in college (I did, not very well), I can read Chaim Potok (I have). But these are at their best, however well intentioned, tourist pursuits for one who is not Jewish,” he said. “I will never come close to knowing the true soul of a Jewish person. Thankfully, Rajiv has created this character that by his design, anyone can inhabit.”
Yasen Peyankov and James Vincent Meredith in a scene from the play about Isaac Babel. (Michael Brosilow)
He added that the play isn’t meant to be historically accurate. “The character of Isaac, as well as others in the play, is meant to be an entry point into a world where the scalpel crafting the ‘truth’ is rarely placed in the hands of those who are adversely affected by it. As a black male and father of a black male in the U.S., I’m certainly cognizant of that world.”
Joseph feels that he and other artists share the instinct Babel had to leave his comfort zone. He wanted to be a writer, but growing up in suburban Cleveland gave him little inspiration. After college, he joined the Peace Corps and spent three years in West Africa.
“That was a real life-changing event for me that opened my world and opened my mind,” Joseph said. “Not nearly as traumatic as traveling with the cavalry through Poland in 1920, but the same impulse to break out of your norms.”
Yet Joseph believes Babel’s desires went beyond pushing boundaries and into a deep, pathological need to associate with danger.
“The thing I find really interesting about Babel, both through his writing and through his personal life, is this inexorable draw towards danger and filth,” Joseph said, adding that Babel would hang out in taverns with Soviet soldiers, members of the secret police and executioners like Yezhov. “He was already treading on such thin ice. So he had a recklessness, you could call it a death wish if you want.”
Meredith was also stunned by the writer’s intense flirtations with danger.
“Why get that close to the flame? That to me is one of the things that really appealed to me about this guy,” Meredith said. “I tend to play it safe, as safe as an actor can play it, but I see this guy who had these kinds of desires, he had this quest to make this amazing art as far as his stories and I just I’m just so attracted to that.”
Joseph said he saw some parallels between Babel’s story and the exodus of some of his artistic peers in Russia, who have fled to Europe. In his time, Babel was seen as subversive by nature, existing as a Jewish man in early Soviet Russia. His relished writing about prostitutes and mobsters, transforming underworld characters into urban legends. His 1935 political play “Maria” was canceled during rehearsals and by 1939, Soviet police arrested him and confiscated his writing. Throughout the 1940s, his works disappeared from circulation. Though some believed Babel had spent time throughout that decade in a prison camp, the government had executed him in 1940.
“In the 1930s and ‘40s, I think if you are a Jewish creative writer, you’re automatically subversive,” Joseph said. He noted one pivotal scene where Nikolai Yezhov labels Babel as such because his writing portrays Russia as gloomy rather than inspiring.
“If you’re telling the truth, you are subversive,” Joseph added. “So I think that pretty much any creative writer worth his or her weight would be considered subversive at that moment.”
“Describe the Night” runs until April 9 at the Steppenwolf Theater in Chicago.
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‘The Pitt’ tackled the trauma of the Tree of Life attack. Here’s how survivors of the synagogue shooting reacted to the episode.
When Audrey Glickman, a lifelong Pittsburgher and a survivor of the Tree of Life massacre, sat down to watch The Pitt Friday morning, she knew exactly what was coming. And still she found herself moved by it.
On Thursday’s episode of the HBO Max medical drama, which is set in Pittsburgh, a patient arrives at the emergency room with a burn. It’s the Fourth of July. Fireworks crackle outside. In her kitchen, the woman had been using a samovar — a traditional metal urn often used in Jewish homes to heat water — when the sudden noise startled her and she dropped it.
The scalding water spilled onto her leg.
When her doctor asks what happened, she offers an explanation that reaches further back than the holiday. “I was on my way inside,” she says. “October 27, 2018.”
She doesn’t need to say more.
The episode never recreates the Tree of Life synagogue shooting, the deadliest antisemitic attack in American history. There are no gunshots, no flashbacks, no swelling score. Instead, the trauma surfaces the way it often does in real life: indirectly, years later, triggered by noise, memory, or the body’s refusal to forget. The scene assumes the audience already carries the weight of that day. That restraint reflects how the show has handled Jewish moments.
In its first season, The Pitt established – not through backstory but through behavior – that its protagonist, Dr. Michael “Robby” Rabinovich (played by Noah Wyle), is Jewish. In one episode, after a brutal shift, he sits on the floor of a makeshift morgue, clutching a Star of David and reciting the Shema prayer. The moment is brief and unresolved; he later admits he isn’t even sure he believes the words he’s saying. It’s not a declaration of faith so much as a reflex — what surfaces when language runs out.
In the new episode, the survivor, named Yana Kovalenko and portrayed by actress Irina Dubova, asks Dr. Robby where he goes to synagogue.
“Rodef Shalom,” he replies, naming an actual Reform shul in Pittsburgh.
Kovalenko says she is a Tree of Life member and was at the synagogue on the day of the attack.
“They’re rebuilding,” Dr. Robby says.
“Yes, something new,” she says, adding, “Remember, rebuild, renew,” echoing the same phrase Tree of Life uses on its website.
That exchange gains more meaning if you know that Tree of Life is, in fact, rebuilding on its original site — and that, for now, its congregation meets in Rodef Shalom’s building. That insistence on local specificity extends beyond the script. Wyle, who is Jewish and whose parents met while attending college in Pittsburgh, has said authenticity is key to the series, which was inspired by the city’s Allegheny General Hospital.
Glickman said friends texted her about the episode Friday morning, so she was prepared for the reference but was still affected by how it unfolded.
“It’s really delightful,” she told the Forward. Not because every detail was perfect — she laughed about the accents, and the samovar struck her as more inherited than typical — but because the episode captured something truer than procedural accuracy.
“They do a lot of calling out of Pittsburgh,” Glickman said. “They treat it the way other shows treat New York or San Francisco. It lends authenticity, and it’s kind of exciting.”
Television often treats trauma as singular and spectacular, something that happens once and violently to one person at a time. The Pitt depicts it instead as communal and environmental, something that hums in the background long after the event itself has passed. “There is no clock on how long it takes,” Dr. Robby tells his patient.
Barry Werber, another Tree of Life survivor, knows that trauma personally. Werber was in the basement with his fellow congregants when they heard gunfire. He escaped into a storage room with two others, Carol Black and Melvin Wax. “We couldn’t find the light switch,” he later recalled. “It was pitch black.”
After a few moments, Wax, who was hard of hearing, thought the shooting had ended, so he took a fateful step outside the storage room and was instantly shot dead. His body fell back into the storage room, and the shooter, Robert Gregory Bowers, stepped inside. Through the darkness, Werber said, Bowers could not see Black hiding behind the door or himself toward the back of the room.
“To this day, I can’t go into a room and sit with my back facing the door,” he told the Forward.
Years later, that vigilance remains. Werber is still in therapy. He avoids crowds. He instinctively scans buildings for security. He attends synagogue services now via Zoom — partly because his wife is ill, and partly because being in a room full of people still doesn’t feel safe. “It took a lot out of me,” he said.
Werber, who worked for nearly 40 decades for the healthcare company that inspired the show, has yet to see the episode. He doesn’t subscribe to Max. “I spend enough on cable,” he said. “I don’t think we’ll get HBO. I’ll see if any of my friends have watched it.”
Carol Black, who was hiding in the same basement storage area as Werber during the attack, said the episode’s portrayal of flinching felt immediately familiar. “Every little unexpected sound still makes me jump,” she told the Forward. “If somebody sneezes and I’m not expecting it, I jump.” She said she has learned to live with the reflex. “You’re never going to get over it,” she said. “You just get used to it.”
Black, whose brother Richard Gottfried was among the 11 people killed in the shooting, said she was grateful to see the story reach a wider audience. “I don’t want the story of what we experienced to go cold,” she said. “This is a very popular show. People need to know about this.”
One of the episode’s most quietly revealing moments comes when the patient asks the nurse tending to her burns if she is Muslim. When the nurse says yes, the patient thanks her — not for the care she’s receiving in the room, but for what came years earlier. After the shooting, she recalls, it was the Muslim community that showed up, raised money, and paid for funerals.
Wyle, who also co-wrote this episode, told Variety that the interfaith solidarity “was the most underreported aspect of the story, and perhaps the most hopeful moving forward.” R. Scott Gemmill, an executive producer, added: “You can’t do a medical show, set in Pittsburgh, with a Jewish doctor without addressing that.”
The exchange in the episode is brief, almost awkward. The nurse doesn’t know what to say. The patient waves it off. “Anyway,” she says. “Thank you.” The show doesn’t pause to turn the moment into a lesson. It lets it pass, the way lived history often does.
That restraint resonated deeply with Glickman, who remembers the support across religious lines that followed the attack, and the ache of realizing how rare that feeling now seems. “I hope it means we’re going to get past the divisions we’re having right now,” she said. “We were there before. We can be there again.”
She also laughed at a detail few critics would think to note: Before arriving at the hospital, the patient treats her burns with honey. “That is so us,” Glickman said with a laugh. “That is so Jewish.”
#ThePitt’s Noah Wyle, who wrote Episode 3, talks with @TVLine Senior Editor Ryan Schwartz about revisiting the Tree of Life shooting and the Muslim community’s support and solidarity in the aftermath. https://t.co/KEHiBVeuUu pic.twitter.com/WTDSeL2Gkg
— TVLine.com (@TVLine) January 23, 2026
The post ‘The Pitt’ tackled the trauma of the Tree of Life attack. Here’s how survivors of the synagogue shooting reacted to the episode. appeared first on The Forward.
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Republican Rep. Calls on Georgia Hospital to Cut Ties With Iranian Regime-Connected Physician
Rep. Buddy Carter (R-GA) Source: Youtube
Rep. Buddy Carter (R-GA) has called on Emory University and Georgia medical regulators to fire a physician with familial ties to a top Iranian official, amid international furor against that official for his role in the brutal suppression of protests in Iran.
In a letter dated Jan. 22, the Carter urged Emory University to terminate Dr. Fatemeh Ardeshir-Larijani’s appointment and asked the Georgia Composite Medical Board to revoke her medical license, arguing that her connection to her father, Ali Larijani, poses national security and patient trust concerns. The letter contends that allowing someone with such ties to practice medicine in the United States is “unacceptable,” especially given recent U.S. actions targeting Iran’s leadership and repression apparatus.
“Allowing an individual with immediate familial ties to a senior official actively calling for the death of Americans to occupy such a position poses a threat to patient trust, institutional integrity, and national security,” Carter wrote.
The U.S. Department of the Treasury this month sanctioned Larijani, who serves as Secretary of Iran’s Supreme National Security Council, for his role in coordinating the Iranian government’s violent crackdown on peaceful protesters that erupted in late 2025 and continued into January 2026. According to the Treasury, Larijani publicly called on security forces to use force against demonstrators demanding basic rights, and his actions are tied to thousands of deaths and injuries.
Those sanctions, announced Jan. 15 by Treasury Secretary Scott Bessent, target Larijani along with nearly two dozen other officials and shadow banking networks that finance the Iranian regime’s repression and global destabilizing activities. The move is part of a broader U.S. effort to increase economic pressure on Tehran, using executive authorities related to human rights abuses and support for terrorism.
The sanctions designation bars Larijani and the other named individuals from the U.S. financial system and prohibits American persons and companies from conducting business with them. Treasury officials said the measures also aim to disrupt the financial networks that allow Iran’s elite to launder revenue from petroleum and petrochemical sales funds that the U.S. says are diverted to repression and support for proxy groups abroad.
Larijani’s role in the crackdown has also been highlighted by a former Iranian government insider, who spoke with the IranWire outlet, alleging that Larijani played a central role in orchestrating the January 2026 suppression drawing comparisons to historic violent suppressions and suggesting the strategy was part of internal power consolidation within Iran’s leadership.
Protests that began in Iran in December have left at least 5,000 people dead, more than 7,300 injured and upwards of 26,800 detained, according to the U.S.-based Human Rights Activists News Agency. The unrest was initially sparked by rapidly deteriorating economic conditions, skyrocketing inflation, and a plummeting currency. However, the demonstrations quickly expanded into a wider movement opposing the country’s ruling establishment. Iranian authorities released their first official death toll on Wednesday, reporting 3,117 fatalities. The government said 2,427 of those killed were civilians or members of the security forces, while the remainder were labeled “terrorists,” without offering a detailed accounting of civilian versus security force casualties.
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Iran Claims Long-Range Missile Progress as US Boosts Military Presence Amid Deadliest Crackdown Since 1979
Iran’s Supreme Leader Ayatollah Ali Khamenei speaks during a meeting in Tehran, Iran, Jan. 17, 2026. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
Iran claimed this week it successfully tested its first intercontinental ballistic missile (ICBM) capable of striking the US’s East Coast, as Washington bolsters its military presence in the region and tensions soar amid Tehran’s intensifying crackdown on protesters.
According to state-affiliated media, the Iranian government conducted a successful missile launch test this week from an Islamic Revolutionary Guard Corps (IRGC) base in Semnan, a city in north-central Iran, firing it toward Siberia with Russia’s approval.
Even though the missile was reported to have a range of up to 3,700 miles, it is unclear whether it reached its target, as the launch video shows little beyond a projectile soaring through the clouds.
Last year, a report from the US Defense Intelligence Agency (DIA) warned that Iran could possess up to 60 intercontinental ballistic missiles by 2035, signaling the regime’s growing long-range strike capabilities and the potential future threat to the US and its allies.
“Missile threats to the US homeland will expand in scale and sophistication in the coming decade,” the report said. “North Korea has successfully tested ballistic missiles with sufficient range to reach the entire Homeland, and Iran has space launch vehicles it could use to develop a militarily viable ICBM by 2035 should Tehran decide to pursue the capability.”
Meanwhile, as regional tensions mount over the regime’s brutal crackdown on anti-government protests, the United States has moved a range of military assets into the area — including the USS Abraham Lincoln and its strike group.
In the last few weeks, President Donald Trump has repeatedly warned that he may take “decisive” military action against Iran if the regime continues killing protesters.
“We’re watching Iran,” Trump said on his way back from the World Economic Forum in Davos. “I’d rather not see anything happen but we’re watching them very closely.”
“We have a large fleet moving into the region. We’ll see what happens if we have to use it,” he continued. “We are building a very large force there, and we are closely monitoring their actions.”
For his part, Iranian President Masoud Pezeshkian on Thursday accused the United States and Israel of fueling the widespread anti-government protests, calling it a “cowardly revenge … for the defeat in the 12-Day War.”
IRGC commander Gen. Mohammad Pakpour also threatened Israel and the United States over any potential military action, warning them to “avoid any miscalculations” to prevent what he described as a “more painful and regrettable fate.”
“The Islamic Revolutionary Guard Corps and dear Iran have their finger on the trigger, more prepared than ever, ready to carry out the orders and measures of the supreme commander-in-chief,” Pakpour was quoted as saying by local media.
With pressure mounting at home and abroad, experts say it remains unclear how Tehran will respond — whether by escalating militarily beyond its borders or by offering limited concessions to ease sanctions and mend ties with the West.
The nationwide protests, which began with a shopkeepers’ strike in Tehran on Dec. 28, initially reflected public anger over the soaring cost of living, a deepening economic crisis, and the rial — Iran’s currency — plummeting to record lows amid renewed economic sanctions, with annual inflation near 40 percent.
With demonstrations now stretching over three weeks, the protests have grown into a broader anti-government movement calling for the fall of Khamenei and Iranian President Masoud Pezeshkian and even a broader collapse of the country’s Islamist, authoritarian system.
According to the US-based human rights group HRANA, 4,519 people have been killed during the protests, with another 9,049 fatalities under review. At least 5,811 people have been injured, and 26,314 arrests have been recorded.
Iranian officials have put the death toll at 5,000 while some reports indicate the figure could be much higher.
On Friday, the UN Human Rights Council said that the current wave of violence against protesters is “the deadliest crackdown since the 1979 Islamic Revolution,” citing credible evidence that the actual death toll is “much higher” than official figures, which already run into the thousands.
With Iranian authorities maintaining an internet blackout for over two weeks, the actual number of casualties remains difficult to verify. Activists fear the internet shutdown is being used to conceal the full extent of the crackdown on anti-regime protests.