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The Leonard Bernstein biopic ‘Maestro’ has been plagued by ‘Jewface’ controversy. Many Jewish fans don’t care.

NEW YORK (JTA) — Like many other fans heading into Monday night’s New York Film Festival screening of “Maestro,” Alexander Gorlin was aware of the “Jewface” controversy that has plagued the film.

But acting is a “cross cultural” exercise, said Gorlin, who is Jewish. His architectural firm has designed several Jewish houses of worship.

“If you’re talented enough to play the role, you should do so,” Gorlin told the Jewish Telegraphic Agency in the lobby outside of Lincoln Center’s David Geffen Hall. “You’re not limited by your birth identity. The greatest actors are the ones who transcend that.”

“Maestro,” a biopic about Leonard Bernstein starring and directed by Bradley Cooper, took heat for months over its non-Jewish star’s use of a prosthetic nose. Online discourse was so intense that Bernstein’s three children issued a statement defending Cooper, saying he included them in “every step” of the production process. The makeup artist who created the prosthetic apologized for hurting people’s feelings. Even the Anti-Defamation League got involved.

But the atmosphere in the David Geffen lobby between the film’s two screenings on Monday night — which marked the film’s North American premiere — was light and celebratory. Granted, many in attendance were avowed fans of Bernstein, Cooper and classical music. Still, most were well read on the details of the nose controversy and decidedly over it.

“I thought it was appropriate and I have no problem. The nose seemed right for the movie,” said Scott Drevnig, who is Jewish and is the deputy director of the historic Glass House in Connecticut. He spent a large chunk of the screening that he attended trying to figure out if Cooper was sitting directly in front of him (he was).

Many ticket holders were more occupied with other aspects of the film and its plot, which focuses heavily on Bernstein’s marriage to actress Felicia Montealegre. Even though the two had an understanding about Bernstein’s love life and a genuine romantic connection, their relationship strains under the weight of Bernstein’s many gay affairs and his scrutiny in the public eye.

“I grew up loving Bernstein, and it felt totally fine,” Greg Outwater, who is not Jewish and works in fundraising for Northwestern University, said about the prosthetic nose. “I thought it was going to be a little bit more about the music and his conducting, that’s the only thing that I wasn’t expecting.”

Sarah Silverman, who a few years ago was one of the voices who helped amplify the “Jewface” criticism of non-Jewish actors playing Jewish characters, co-stars in “Maestro,” as Bernstein’s sister Shirley. Silverman hasn’t been able to publicly comment on the film due to the ongoing actor’s guild strike.

Leonard Bernstein and Felicia Montealegre’s three children, from left, Nina, Alexander and Jamie, at the New York Film Festival screening of “Maestro,” Oct. 2, 2023. (Jamie McCarthy/Getty Images for FLC)

The film makes Bernstein’s Jewish identity clear early and often. At the party where Bernstein first meets Montealegre, who is played by Carey Mulligan, the two bond over having Jewish parents. Montealegre, who was born in Costa Rica and raised in Chile, had a Jewish American father.

As Bernstein’s career picks up speed, a Russian-Jewish composer tells him he will find much more success if he changes his name to the less Jewish-sounding “Burns” (Montealegre convinces him that it’s bad advice). And later in the film, Bernstein is shown wearing a sweater with Hebrew on it. The movie’s closing credits feature Jewish prayers set to classical music melodies.

Its opening credits feature some of Hollywood’s biggest names as producers, notably Steven Spielberg and Martin Scorsese. Spielberg had hand-picked Cooper to helm the project after watching “A Star Is Born.”

The Spielberg-Cooper bid to buy the rights to use Bernstein’s music ultimately defeated a bid by another prominent Jewish actor: Jake Gyllenhaal. 

In 2021, not long after using the bid battle, Gyllenhaal commented on the ordeal to Deadline. “That idea of playing one of the most preeminent Jewish artists in America and his struggle with his identity was in my heart for 20 some odd years,” he said.

That storyline was more disturbing than the nose controversy for Melissa Tomczak, a 24-year-old who works at a literary agency.

“I don’t necessarily think that non-Jewish people can’t play Jewish people or make films about Jewish people,” said Tomczak, who is not Jewish. “But it kind of sucks that [Gyllenhaal] is someone who is a stage actor, and he admires Bernstein, and wasn’t able to make the film.”

Bernstein — who is widely considered the first great American orchestral conductor and who composed music in different genres, from classical to the Broadway style of his “West Side Story” — was very engaged with Judaism throughout his life. In 1963, he wrote a symphony titled “Kaddish,” dedicated to the late John F. Kennedy. He and legendary choreographer Jerome Robbins collaborated on a ballet called “Dybbuk,” based on S. Ansky’s early 20th-century Yiddish play “The Dybbuk.” And after Israel’s Six-Day War in 1967, Bernstein conducted a historic concert on Jerusalem’s Mt. Scopus.

(Leonard Bernstein, behind the piano, plays a recital in the Negev with the Israel Philharmonic, Dec. 6, 1948. (Bettmann/Getty Images)

For Annalise Pelous, a 23-year-old film production coordinator at Monday night’s screenings, the Bernstein family’s embrace of Cooper’s vision went a long way. Bernstein’s elder daughter Jamie helped introduce the film at a podium before both screenings, saying almost breathlessly that the audience was “in for a treat.”

“The family was totally fine with it,” Pelous said about the nose backstory. “I don’t know, it’s like … whatever.”

The film as a whole seemed to split Monday’s audience — some found it to be a masterpiece, others found it trite. Many were awed by the way the film’s soundtrack boomed through a specially designed Dolby sound system.

“It felt a little bit hollow. I feel like a lot of the things that Netflix is helping make kind of all have the same look, and I keep waiting for something to break free from that,” Pelous said of the movie. After the film debuts in theaters on Nov. 22, it heads to Netflix on Dec. 20. “But a lot of the music was incredible,” she added.


The post The Leonard Bernstein biopic ‘Maestro’ has been plagued by ‘Jewface’ controversy. Many Jewish fans don’t care. appeared first on Jewish Telegraphic Agency.

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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War

Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa

Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.

Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.

“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”

GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’

Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.

“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.

“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.

“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.

After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”

RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL

Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”

Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.

“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.

She added: “Maybe there is a chance the war ends at October 7, two years after it began.”

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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests

A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco

Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.

People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.

“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”

Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.

On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.

Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.

On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.

“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.

Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.

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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan

Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas

Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.

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