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The radical Jewish photographers who fought injustice with their cameras
(New York Jewish Week) — A multi-generational group of people congregate on a building stoop on Hester Street; an African-American man leans on a lamppost; a gaggle of teenagers pile on top of each other at the beach in Coney Island; a hoard of children — in various states of undress — play with a broken mirror in the street.
These are only a few examples of the 150 black-and-white snapshots of New York City street life in the 1930s and ’40s that appear in the new book “Walkers in the City: Jewish Street Photographers of Midcentury New York” by historian and scholar Deborah Dash Moore. The photos are the work of the New York Photo League, a group of socially conscious street photographers whose aim was to showcase the living conditions of the city’s working class, as well as spotlight their everyday lives and relationships.
New York, ca. 1940. (Helen Levitt)
The Photo League operated in New York from 1936 until 1951; the cooperative of like-minded photographers ceased to exist after it was placed on a Department of Justice blacklist in 1947 on the suspicions that it had anti-American, communist associations. Most of the photographers in the league were left-wing and working class. Many of them were also Jewish — immigrants or the children of immigrants from Russia and Eastern Europe.
Members of the Photo League included well-known Jewish photographers like Sol Libsohn, Sid Grossman, Morris Engel, Harold Feinstein, Helen Levitt, Weegee (born Usher Felig) and a young Marvin E. Newman (who died this month at age 95). “Touched by left-wing radicalism that flourished among second-generation Jews in the 1930s, these photographers considered photography a social and political tool,” Dash Moore writes in the book’s prologue. “It could influence how people interpreted their conditions.”
In “Walkers in the City,” Dash Moore explores how these photographers’ Jewish sensibilities allowed them to capture both intimate and hectic moments of New Yorkers’ everyday lives. “A focus on their fellow New Yorkers affirmed the capability of photography to help them grasp their world,” Dash Moore writes. “And with understanding came the potential power to change society.”
The New York Jewish Week caught up with Dash Moore via Zoom from Ann Arbor, Michigan, where the New York City native is a professor of history and Judaic studies at the University of Michigan. We spoke about the genesis of the book, her favorite images from the collection and how the photographers’ Judaism had impacted their work.
This interview has been lightly edited for length and clarity.
Historian Deborah Dash Moore is the author and editor of several books, including “GI Jews: How World War II Changed a Generation” and “City of Promises: A History of the Jews of New York.” Her most recent book is “Walkers in the City: Jewish Street Photographers of Midcentury New York.” (Courtesy)
What drew you to this subject of documentary photography and the New York Photo League?
I co-authored a book — that was not a Jewish book — on New York that came out in 2001. It was called “Cityscapes: A History of New York in Images.” I could have used prints — my co-author, who had the earlier half of the book, used a lot of print sources and stuff like that — but I was intrigued with the photographs. However, we had no money — we had like $25 for permission to publish a photo. So we wrote this very nice letter to all these different photographers, and a bunch of them said, “You must be kidding,” and “no.”
But then there were others who said, “OK, where do you see my stuff?” I said, “Well, the New York Public Library, Museum of the City of New York.” They said, “Oh, that’s only a small piece of what I produce. You have to come to my studio.” So I started to go to these photographers’ studios. This would have been in the late 1990s, because the book came out in 2001. So we’ve got these studios and I’m seeing lots of great photos and after a while it’s dawning on me: “Oh, this one’s Jewish, that one’s Jewish, the other one is Jewish. These people, these photographers, they’re all so Jewish. That was sort of lodged in the back of my head.
Twelve years or so ago, I had a fellowship at the Frankel Institute for Advanced Judaic Studies at the University of Michigan. The theme that year was “Jews and the City” and it was at that point I thought, OK, let’s look at urban photography and Jews.
Hester Street, 1938. (Sol Libsohn)
The New York Photo League wasn’t specifically a Jewish group. Is this a new thesis that you’re offering, that their photos presented a very Jewish way of looking at the city? Or do you think they saw themselves that way?
No, they didn’t see themselves that way. They had far more conventional understandings of what it means to be Jewish: You had to be religious, you had to keep kosher. They didn’t fit any of those categories, so they did not see themselves that way. So yes, I am suggesting that this was basically a Jewish group. Now, does that mean that everybody there was Jewish? No, of course not. But it did mean that the non-Jews who joined the Photo League were comfortable in what was essentially a Jewish milieu. They were comfortable being around Jews. The Photo League was a Jewish organization in that way, in my terms.
The styles of talking about photographs, the way in which they decided what made for a good photograph, what was important to photograph — all these things were essentially inflected by Jewish concerns at the time in the 1930s and ’40s. Many of them were political concerns. This is the middle of the Great Depression — so they were about how you create a more just society in New York City. How do you deal with the incredible exploitation and inroads of capitalism that leave so many people impoverished?
“Soul of New York,” 1951-1952. (Louis Stettner)
Many of them, of course, came out of poor homes. They knew a lot of economic insecurity themselves. These were among their specific concerns. They also were very much aware that the standard pictures of New York City, which were produced by companies to make a lot of money, were pictures of the Empire State Building and of the Statue of Liberty and of the famous things like the skyline, et cetera. To them, that was not New York. New York, to them, was its people. So you had to figure out, how do you take pictures of the people of New York? One could be even more specific: It was the working-class people. These were the people who made New York.
Do you have a favorite photo in the book?
I love most of the pictures in the book, which is why they’re in the book. I really liked the cover picture. I think that [Morris] Engel’s photograph “East Side Sweet Evelyn” really captures New York in the late ’30s. But also it’s a real Photo League photo. I mean, how do you know it’s New York? Well, the guy is going down into the subway. The advertising has this great picture of “eyes examined” and this man looking at a woman. It speaks to the power that men have to look at women, which happens all the time on the streets of New York. It speaks to what I call “the circulation of gazes.” That also happens in New York. The woman, we can be pretty sure, knows she’s being looked at, although she looks straight ahead. This very much epitomizes New York. It says “the city” in so many different ways.
A woman passing by with a box labeled “Sweet Evelyn” catches the eye of a man making his way down subway stairs, New York, 1938. (Morris Engel)
The photographers themselves were really aware of what their presence meant, and aware of how they were capturing people’s experiences. When they took photographs, they wanted people to get a chance to see those photographs. So they often came back regularly to the neighborhood and they handed out prints to people. They felt that there was a reciprocity that was important. I think that piece, and the emotions connected with that, are really important. That was very much in the Jewish, New York, Photo League spirit. It’s not a candid that you’re snapping and that you’re never going to relate to that person again.
What are you hoping that non-Jews or non-New Yorkers will take away from your curation of these photos?
I hope that they take away a sense of the vibrancy of the time — of the ways in which people made connections and developed an appreciation of each other, and a sense of how this was fostered by the city. There’s so much anti-city stuff that exists. But the City of New York was a place that fostered this kind of interconnection, where you could learn about people who were different from you. Most of the photographs that these photographers took were not of Jews, but they were of New Yorkers. It was a way, in a sense, to come to understand your neighbors and how to be a neighbor.
So many people find cities frightening. They don’t know how to deal with the diversity of cities. They don’t know how to deal with differences. There’s fear and paranoia. Photographers said: “No, don’t be afraid.”
“Walkers in the City: Jewish Street Photographers of Midcentury New York” was published Sept. 15 by Cornell University Press. Dash Moore will be in conversation with Manhattan Borough Historian Robert W. Snyder at the Center for Jewish History on Thursday, Sept. 28.
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The post The radical Jewish photographers who fought injustice with their cameras appeared first on Jewish Telegraphic Agency.
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Three-Quarters of Jewish Students Worldwide Report Concealing Religious Identity on Campus, New Survey Finds
College students hold dueling demonstrations amid Israel’s war with Hamas in April 2024. Photo: Vincent Ricci via Reuters Connect
The vast majority of Jewish students around the world resort to hiding their Jewishness and support for Israel on university campuses to avoid becoming victims of antisemitism, according to a new survey conducted by the Anti-Defamation League (ADL) and the World Union of Jewish Students (WUJS).
A striking 78 percent of Jewish students have opted to “conceal” their religious affiliation “at least once” over the past year, the study found, with Jewish women being more likely than men to do so. Meanwhile, 81 percent of those surveyed hid their support for Zionism, a movement which promotes Jewish self-determination and the existence of the State of Israel, at least once over the past year.
Among all students, Orthodox Jews reported the highest rates of “different treatment,” with 41 percent saying that their peers employ alternative social norms in dealing with them.
“This survey exposes a devastating reality: Jewish students across the globe are being forced to hide fundamental aspects of their identity just to feel safe on campus,” ADL senior vice president of international affairs Marina Rosenberg said in a statement. “When over three-quarters of Jewish students feel they must conceal their religious and Zionist identity for their own safety, the situation is nothing short of dire. As the academic year begins, the data provides essential insights to guide university leadership in addressing this campus crisis head on.”
The survey said additionally that 34 percent of Jewish students reported knowing a Jewish peer whom someone “physically threatened on campus,” while 29 percent reported difficulties in attaining religious accommodations from their professors, confirming months of reports that Jewish students face both social and institutional discrimination at universities.
Tuesday’s survey comes amid a flood of data illustrating the severity of the campus antisemitism crisis.
Earlier this month, another survey commissioned by the ADL and the Academic Engagement Network (AEN) found that 73 percent of Jewish faculty witnessed their colleagues engaging in antisemitic activity, and a significant percentage named the Faculty and Staff for Justice in Palestine (FSJP) group as the force driving it.
Of those aware of an FSJP chapter on their campus, the vast majority of respondents reported that the chapter engaged in anti-Israel programming (77.2 percent), organized anti-Israel protests and demonstrations (79.4 percent), and endorsed anti-Israel divestment campaigns (84.8 percent).
Additionally, 50 percent of respondents said that anti-Zionist faculty have established de facto, or “shadow,” boycotts of Israel on campus even in the absence of formal declaration or recognition of one by the administration. Among those who reported the presence of such a boycott, 55 percent noted that departments avoid co-sponsoring events with Jewish or pro-Israel groups and 29.5 percent said this policy is also subtly enacted by sabotaging negotiations for partnerships with Israeli institutions. All the while, such faculty fostered an environment in which Jewish professors were “maligned, professionally isolated, and in severe cases, doxxed or harassed” as they assumed the right to determine for their Jewish colleagues what constitutes antisemitism.
Administrative officials responded inconsistently to antisemitic hatred, affording additional rationale to the downstream of hatred. More than half (53.1 percent) of respondents described their university’s response to incidents involving antisemitism or anti-Israel bias as “very” or “somewhat” unhelpful, and a striking 77.3 percent thought the same of their professional academic associations.
In total, alleged faculty misconduct and administrative dereliction combined to degrade the professional experiences of Jewish professors, as many reported “worsening mental and physical health, increased self-censorship, fear for personal safety,” and a sense that the destruction of their careers and reputations was imminent.
Higher education institutions in the US are showing some signs of recognizing the problem.
This week, administrators from across the US will amass in Washington, DC for a three-day symposium on combating campus antisemitism. Organized by AEN, which promotes academic freedom unfettered by boycotts and ideology, the event will be attended by administrators representing dozens of institutions such as Harvard University, Barnard College, and George Washington University, all of which have drawn scrutiny for responding to campus antisemitism in ways that critics — including Jewish community leaders and senior US officials — have described as insufficient if not dismissive.
Dozens of conversations and seminars will be held over the three-day event, with many being led by AEN faculty, as well as staff from the US Holocaust Memorial Museum and experts from the Jewish Federations of North America and the American Jewish Committee.
“College administrators are the ones tasked with recognizing and addressing antisemitism on campus, as well as setting the tone for behavioral expectations and campus culture,” Miriam Elman, executive director of AEN, said in a statement. “Today’s antisemitism, though, often takes forms that can be less familiar or harder to identify, making it all the more important to provide campus leaders with the tools, training, and support they need to recognize and respond effectively.”
Follow Dion J. Pierre @DionJPierre.
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Norway to Donate Proceeds From Israel Soccer Match to Doctors Without Borders in Gaza
Alexander Sørloth of Norway scores the 1-2 goal during the FIFA World Cup Qualifier football match between Israel and Norway on March 25, 2025, in Debrecen. Photo: Photo: VEGARD GRØTT/Bildbyran/Sipa USA via Reuters Connect
The governing body of soccer in Norway announced on Monday that profits from an upcoming Norway-Israel qualifying match for the 2026 FIFA World Cup will go to the international NGO Doctors Without Borders to support humanitarian efforts in the Gaza Strip.
The Norwegian Football Federation, also known as the Norges Fotballforbund (NFF), made the announcement ahead of the sold-out game on Oct. 11 scheduled to take place in Oslo. Roughly 23,000 tickets were sold for the game at Ullevaal Stadium. The organization first announced in mid-August that it would donate profits from ticket sales for the match to a humanitarian cause that helps Palestinians in Gaza, but its selection of Doctors Without Borders was not publicized until Monday in a statement on NFF’s website.
“The money will be earmarked for the organization’s emergency relief work on the ground in Gaza and the surrounding areas affected by the war,” the NFF said. One of Norway’s largest investment companies had pledged to donate an additional 3 million Norwegian kroner – which is almost $307,000 – to Doctors Without Borders, according to the federation. The NFF did not disclose the name of the company but said both the NFF and Doctors Without Borders know the identity of the donor.
NFF President Lise Klaveness said that as a member of FIFA and the UEFA, the Norwegian governing body of soccer “has to deal with Israel participating in their competitions.”
“At the same time, we cannot and will not be indifferent to the humanitarian suffering that is taking place in the region, especially the disproportionate attacks against civilians in Gaza,” she added. “We want to give the profits to an organization that saves lives in the Gaza Strip every day and that contributes with active emergency aid on the ground, and that is what Doctors Without Borders does.”
The NFF previously shared that extra security measures will be taken at the match on Oct. 11, including limited capacity, to ensure the safety of everyone in attendance.
Also on Monday, Gabriele Gravina, president of the Italian Football Federation, said in an interview with national public radio that his organization “will coordinate with UEFA to implement some humanitarian initiatives” surrounding Italy’s game against Israel on Oct. 14. The Italians will host Israel in Udine.
Klaveness and Gravina are both part of the UEFA’s 20-person executive committee, which also includes Israel Football Association President Moshe Zuares.
When the NFF announced last month that it will donate profits from the Norway-Israel match on Oct. 11 to a humanitarian cause, Zuares’s organization urged its Norwegian counterpart to “make sure the money is not transferred to terrorist organization.” The Israel Football Association also said it “would be nice” if the Norwegian Football Association condemned the Hamas-led terrorist attack on Oct. 7, 2023.
“We do not usually advise associations regarding the use of match revenue, even if it is obtained thanks to a match against our proud national team, but we will deviate from our custom this time,” the Israeli Football Association said in a statement. “It would be nice if some of the amount were directed to try to finding a condemnation by the Norwegian FA of the Oct. 7 massacre that claimed the lives of hundreds of Israeli citizens and children, or action in favor of the release of 50 hostages – and please, make sure that the money is not transferred to terrorist organizations or to whale hunting.”
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In Show of Support, Belgian PM Attends Concert of Israeli Conductor Disinvited From Music Festival
Lahav Shani, future chief conductor of the Munich Philharmonic Orchestra, stands on stage after receiving the Golden Medal of Honor from the City of Munich. Photo: Sven Hoppe/dpa via Reuters Connect
Belgium’s Prime Minister Bart De Wever attended a concert by the Munich Philharmonic Orchestra over the weekend in a sign of solidarity after a Belgian music festival rescinded its invitation to the orchestra because its future chief conductor is from Israel.
Organizers of the Flanders Festival Ghent canceled a scheduled performance by the Munich Philharmonic set for later this week due to concerns regarding Tel Aviv-born conductor Lahav Shani, and his “attitude to the genocidal regime in Tel Aviv.” Shani is the chief conductor of the Israel Philharmonic Orchestra and will take over as chief conductor of the Munich orchestra for the 2026/27 season.
The cancellation of the concert sparked widespread criticism and accusations of discrimination and antisemitism. The move was condemned by senior German and Belgian politicians, including Munich Mayor Dieter Reiter and the prime minister of the Belgian region of Flanders. De Wever, who also previously criticized the decision, wrote in a post on X that he traveled to the German city of Essen on Saturday to attend a performance by Shani and the orchestra, and to “strongly condemn” the decision.
“Let me be very clear: there will never, ever be any room for racism and antisemitism in this country. That is where I draw the line,” the prime minister wrote in a post on X, which included a picture of him shaking Shani’s hand.”I therefore strongly condemn the recent cancellation of the Münchner Philharmoniker by the Flanders Festival Ghent, solely on the basis of the origin of conductor Lahav Shani. I insisted on conveying this message to him personally and expressing my appreciation for his contribution to the power of music.”
After being booted from the Flanders Festival Ghent last week, the Munich Philharmonic Orchestra was invited to perform on Monday at the Konzerthaus Berlin as part of the Berlin Music Festival. The short-notice invitation and guest performance was organized as a joint effort by the Berlin Philharmonic (also known as the Berliner Philharmoniker), festival organizers, and in cooperation with the Konzerthaus Berlin. Shani conducted the orchestra in a performance of Beethoven’s violin concerto and extracts from Richard Wagner’s opera “Tristan and Isolde.”
In a released statement, the board of the Berliner Philharmoniker Foundation expressed “full solidarity” with Shani, the Munich Philharmonic Orchestra, and violinist Lisa Batiashvili, who was scheduled to perform alongside them at the Flanders Festival.
“Lahav Shani has been closely associated with our orchestra since his debut in Sept. 2020,” the board said. “During this time, we have come to know him as a thoughtful artist and a person who – especially with regard to the Middle East conflict – has repeatedly spoken out in favor of peace, dialogue, and reconciliation. Excluding an artist from a festival because of his nationality is wrong and contradicts our understanding of music and culture. We are convinced that, especially in these times, music should build bridges rather than deepen divisions.”