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The White House intends to fight antisemitism. That starts with a sensible definition.
(JTA) — In the coming days, the White House is expected to release what President Joe Biden has called “the first-ever U.S. national strategy to counter antisemitism.” It will likely include calls to action by Congress, state and local governments, as well as guidance for technology and other companies, civil society and faith leaders.
In preparation, the Biden administration sought input from a wide range of Jewish community members and stakeholders, including the Conference of Presidents of Major American Jewish Organizations, which I lead. In addition to this engagement with the forthcoming report on antisemitism, I will travel to Cordoba, Spain, next month for the United Nations antisemitism summit, and then to the European Parliament in Brussels with parliamentarians from across the globe convening against antisemitism.
In both settings, the message of world Jewry remains unchanged: Adopting the International Holocaust Remembrance Alliance definition of antisemitism, known as IHRA, is an essential and seminal tool to combat anti-Jewish hate
Support for adopting the IHRA definition is significant, as seen in a letter last week from over 175 Jewish community organizations around the world, a letter last week from over 600 rabbis from all four Jewish streams and dozens of letters from American Jewish organizations, all making the important case for adoption of the IHRA definition. Members of Congress have weighed in. Mayors have weighed in. Across the board, a strong and clear consensus of support exists for the definition.
The IHRA definition is the most authoritative and internationally accepted definition of antisemitism. Forty-one nations, as well as hundreds of local governments, academic institutions, NGOs and other entities have formally adopted in different ways the IHRA definition of antisemitism. Over half — 31 — American states also adopted it.
RELATED: The IHRA definition of anti-Semitism and why people are fighting over it, explained (2021)
Since the Obama Administration, the U.S. Department of State has utilized and promoted the IHRA definition (and previously, its similarly-phrased predecessor from the European Union’s Monitoring Centre on Racism and Xenophobia). Both Secretary of State Antony Blinken and the State Department’s Special Envoy to Monitor and Combat Antisemitism Ambassador Deborah Lipstadt are leaders in advocating for its usage around the globe. The U.S. Department of Education also employs the IHRA definition as a tool in determining antisemitism discrimination in Title VI discrimination cases.
The IHRA definition continues to gain significant attention and support among governments and civil society actors. Fifty-one of the 53 member organizations of the Conference of Presidents adopted the definition – a clear recognition from every corner of a disparate Jewish community that we are unified when it comes to applauding the comprehensive approach it provides for labeling and addressing antisemitism.
One particular aspect of the IHRA definition that draws attention — and criticism from some groups — is its treatment of the relationship between anti-Israel bias and antisemitism. For too long, definitions of antisemitism failed to account for how anti-Zionism often serves as a cover for antisemitism. Forms of antisemitism that are masked as “anti-Zionism” and that deny the right of the Jewish people to self-determination are among those most frequently encountered by many Jews today, whether or not they are Zionists, as documented in surveys by the Anti-Defamation League and by the EU Agency for Fundamental Rights.
RELATED: A manufactured ‘mainstream’ wants the White House to define antisemitism on its own flawed terms (Opinion)
The IHRA definition addresses the relationship between anti-Zionism and antisemitism, while not conflating legitimate criticism with actual antisemitism. Critics fail to identify actual instances where the IHRA definition suppressed free speech. In fact, over the last 20 weeks, as debates raged around the world over Israel’s proposed judicial reform — with hundreds of thousands of Israelis of all political stripes expressing virulent criticism of the Israeli government’s proposed overhaul — I have yet to hear one individual accuse the critics of being antisemitic. Despite the fact that the IHRA definition is so ubiquitous, legitimate speech that is critical of Israeli government policy is not censored. When put to the test, the IHRA definition does not do what its critics say it does.
We at the Conference of Presidents steadily campaign for states, localities, international governments and organizations to adopt the IHRA definition. The Biden administration seems poised to reassert their ongoing endorsement of the IHRA definition, pushing back yet again against those who distort the nature of the definition’s treatment of legitimate criticism of Israel governmental policies.
In a time when antisemitism in the United States has become all too often lethal, this would mean a vital and praiseworthy evolution of policy.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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