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This Jewish New York City Council candidate has a prolific passion: serial sperm donation
(New York Jewish Week) — Jonathan David Rinaldi, 44, is a Republican who is running to represent New York’s District 24, which encompasses the Queens neighborhoods of Kew Gardens, Fresh Meadows, Briarwood and Jamaica. This week, he made headlines for protesting outside a motel in his district that, he claimed, was housing newly arrived migrants.
But last November, he gained local fame for a different reason. Rinaldi was featured in a post on Humans of New York, the viral social media project in which photographer Brandon Stanton posts portraits of New Yorkers he meets on the street, along with stories they relate in their own voices.
Rinaldi’s story was particularly eyebrow-raising: He said he had fathered at least 12 children over the course of two years through sperm donation — but not via sperm banks that pay donors, vet their health and limit their offspring. And he said he planned to keep going, in part because of his Jewish identity.
He said he was driven in part by his Jewish identity. “I explain to each [woman]: ‘This child will be born into a larger family. I have eighteen other children.’” Rinaldi said in the caption. “I’d like as many as God will give me. Why put your entire bloodline into one child when you can spread it out? Eighteen is a holy number in Judaism. And the next one is 36, so I’ll reassess then.”
In the Humans of New York post, Rinaldi detailed the process (“Fresh is better than frozen”) and said that he’s had sex with some of the women and wants to remain involved in their lives. “I’m what they call a ‘known donor,’” he said. “Everything is kinda handshake. I don’t charge the mothers. And they don’t expect any financial support.”
The post garnered a string of negative reactions from social media users. In response, Stanton wrote on Instagram that “stories from people you may not identify with, or even like, were a common part of HONY pre-pandemic. And will be again now that I’m back on the street.”
The post did not identify Rinaldi, but he confirmed to the New York Jewish Week over the phone that he was the person in the portrait and post. “I was interviewed once,” Rinaldi said. “It was taken out of context. I had a long conversation, a random conversation with somebody on the street.”
Rinaldi also confirmed that he donates his sperm — and has attempted to square that practice with Jewish tradition. He said that he has spoken with a rabbi to “try and figure out how to be as kosher as I possibly can and have as many children as the Bible commands,” and gave the name of a local Chabad rabbi. The rabbi declined to comment about Rinaldi but confirmed their relationship.
“It’s our responsibility as Jews blessed by God to have children,” said Rinaldi, who also has three children from a previous marriage. “Some of us are doing it extremely kosher, the way it’s supposed to be, you have a nice Jewish wife, you go to temple every day. For me, it didn’t work out that way.”
The Torah contains the commandment to “be fruitful and multiply,” which rabbis have traditionally interpreted as an imperative to have children. Rabbis have prohibited sperm donation, however, in part due to prohibitions on masturbation and on having children with an unknown father. Rabbi Moshe Feinstein, a leading 20th-century authority, wrote that it’s preferable for Jewish women who cannot use their husband’s sperm to use non-Jewish sperm for artificial insemination in order to avoid accidental incest in future generations.
Rinaldi said that he began donating sperm when the city was locked down due to the spread of COVID-19, and that he first donated to a friend. From there, he said, word spread of his donations. Rinaldi is what is called a “known donor,” or someone whose identity is known to the recipient and, potentially, their children. Known donors are legal in the United States, but serial sperm donation is discouraged by many countries, in large part because of the risk of biologically related offspring procreating together in the future. The Netherlands set up systems to curb a serial donor who fathered at least 100 children, while Israel barred an American Jewish man dubbed “the Sperminator” because of his extensive efforts to procreate from impregnating more women there. Ari Nagel’s own progeny tally neared 100 after a prolific pandemic, he revealed in 2021.
Rinaldi, too, said the pandemic had spurred his donations.
“At no point did I ever go to a sperm bank,” Rinaldi said. “At no point did I ever intend to do this. We were all at home, shut down. A lot of people desired families. This is not your typical sperm donor situation. … I was just blessed to even have the opportunity. I didn’t do it for money. I didn’t ask for anything. I just wanted to help families.”
He wouldn’t confirm how many children he has through sperm donation, though in the Humans of New York caption, he’s quoted as saying he had fathered 12 over the previous two years — and, at the time, three more were on the way. In an interview Wednesday with the New York Jewish Week, he responded to a question about how many children he has by repeating an idea he had alluded to in the caption: that according to Jewish tradition, the number 18 represents life.
“Eighteen is a holy number,” Rinaldi said in the interview. “It’s just what God has blessed me with. I’m doing this because I don’t believe in abortion. I am pro-life.”
Opposing abortion isn’t the only right-wing position Rinaldi holds. In an interview, he railed against the COVID-19 vaccine and compared vaccine requirements to the persecution of Jews during the Holocaust, a common line of criticism at the time. “You could have just worn a yellow unvaccinated star on your shirt,” he said, adding, “We were literally one thing away from them coming up to rounding up the unvaccinated.” He also said transgender people are “against Torah principles” and said schools are “not teaching kids God.”
On Tuesday, he and a group of Republican activists showed up at a Kew Gardens motel to protest migrants coming to the city, even though a lawyer for the motel said the owner is “not interested in signing a contract” to house migrants.
In District 24, Rinaldi will run against Democratic Council member Jim Gennaro, who has represented the district for more than a decade.
Rinaldi, who grew up in New York City, said his grandmother escaped Poland to Argentina during World War II. His grandfather also left Moldova at the time. Although both countries were occupied by the Nazis or their allies, Rinaldi said his grandparents were “against the tyranny of the left at that time.”
Rinaldi said he studied for his bar mitzvah at Yeshivas Ohr HaChaim, an Orthodox institution in Kew Gardens, and attended City College of New York in uptown Manhattan where he studied architecture, which is also reflected on a LinkedIn page that appears to belong to him.
He later worked in construction and design for over a decade and appeared on the HGTV reality television show “Million Dollar Contractor.”
When it comes to his sperm donation, however, Rinaldi is less comfortable being in the public eye, despite the Humans of New York post. “My lifestyle is nobody’s business,” he said.
“I am what it looks like when you don’t abort children,” Rinaldi said. “Let’s just focus on the issues if we can. I’m going to do the right thing for the community. My personal business is my personal business.”
Back in the Humans of New York post, Rinaldi suggested that he hoped to expand his personal business. He mused about practices that Jewish tradition has, for the past millennium, frowned upon: “My ultimate goal is to find two or three of the mothers who will be sister wives, because I’m gonna need help with all this,” he said. “But I know one thing: It will never be boring.”
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The post This Jewish New York City Council candidate has a prolific passion: serial sperm donation appeared first on Jewish Telegraphic Agency.
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At Eurovision, Israel’s near triumph shows the limits of tolerance
VIENNA — A keffiyeh was blocking my view, and it bothered me less than I would have expected.
It was around 9:45 pm, and I was standing outside Vienna’s city hall, where the city had erected a “Eurovision village.” The pan-European singing competition was taking place in the former Habsburg capital, grand architecture framing massive public viewing screens.
Security was tight. Visitors weren’t allowed to bring bags inside the area, and we were patted down by two separate guards before we were allowed to enter. In August 2024, a foiled terror attack led to the cancellation of three Taylor Swift concerts, an international embarrassment authorities were keen not to repeat.
And then there were the protests over Israel’s participation.
The day before, an anti-Israel solidarity concert had featured a video call with Unorthodox author Deborah Feldman, who said she was protesting the “whitewashing” of a genocide. A separate “song protest” reportedly escalated from chants of “One love” to “Death, death IDF.” Earlier that day, demonstrators had marched along Vienna’s main shopping boulevard. By the time evening rolled around, a group of clowns had gathered outside the parliament, practicing creepy, Joker-like laughs and holding signs that said “United by Genocide,” a play on the Eurovision Song Contest’s slogan. “United by Music.”
For a contest that insists on being apolitical, Eurovision had become unmistakably political.
I didn’t care much for the music, but world events were unfolding here in Vienna, and I wanted to see them up close.
Israeli singer Noam Bettan was the third to perform. As he got on stage and started singing “Michelle,” a couple of people in the crowd I was standing in started shouting “Free Palestine” at the screen. The chants weren’t loud enough to drown out the performance
Then, someone in front of me raised a keffiyeh, stretching it between both hands and waving it in the air. It blocked my view. I considered asking him to lower it. But did I really want to risk a confrontation? Instead, I stepped sideways – slightly annoyed, but telling myself this was the price of tolerance.
Only later that night did I begin to wonder whether tolerance was, in fact, a shared value.
Back home, I watched the voting. Just before 1 a.m. the audience vote catapulted the Israeli act into the lead. In the previous two years, Israeli entries had also performed strongly with viewers, placing first and second in the public vote without winning overall. The reasons have been debated: diaspora support, savvy promotion, or simply songs that fit the Eurovision formula — catchy, theatrical, sung with a powerful voice. (Israel has won the competition four times, most recently in 2018.)
Israel’s promotional efforts have drawn criticism, but no evidence of manipulation has emerged, and the public broadcaster KAN has responded quickly to European Broadcasting Union reprimands.
It didn’t matter. Social media filled with accusations that Israel had cheated. In the arena, just before Bulgaria’s points were announced, the booing aimed at Israel’s entry grew so loud it was clearly audible on the broadcast.
Bulgaria won, Israel came in second, and I felt something close to relief. At a time when several countries had already stayed away and others were wavering, it seemed less like a celebration than a breaking point. I wouldn’t want to witness what would happen if Eurovision were to be held in Israel next year.
It had been easy to move when the keffiyeh blocked my view. One step to the side, and the problem was gone. However, there was no stepping aside from what came later. Freedom of speech is about making space, but it can also be used to close it.
The post At Eurovision, Israel’s near triumph shows the limits of tolerance appeared first on The Forward.
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Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote
(JTA) — The Israeli contestant in the Eurovision Song Contest won second place for the second year in a row, drawing a strong public vote despite protests over Israel’s inclusion in the contest.
Noam Bettan and his song “Michelle” ranked third in the public vote and eighth in the jury vote, which combined to give him second place behind the entry from Bulgaria, which won the contest for the first time.
Bettan thanked his fans in a post on Instagram after leaving the stage.
“I’m still processing everything and trying to find the words for this incredible journey. You guys are amazing and this is all because of you. I love every single one of you!” he wrote. “This is just the beginning, there are so many amazing things in the way! 🤍Am Israel Chai!!!”
Five countries boycotted the contest this year over Israel’s inclusion, citing Israel’s military operations in Gaza. After the competition, a spokesperson for VRT, Belgium’s national broadcaster, said the country was unlikely to participate next year unless the European Broadcasting Union, which runs the contest, makes “a clear statement against war and violence and for respect for human rights.” Belgium came in 21st of 25 competitors in the final.
Bettan faced a smattering of boos both during the semifinal on Tuesday and during the final on Saturday in Vienna, as well as when Israel briefly led the leaderboard during the announcement of the audience votes. He told the Jewish Telegraphic Agency ahead of the final that he believed he had more fans than detractors and that he would focus on them.
Israel scored 220 points in the public vote after drawing a formal warning from the EBU for its campaign urging supporters to send all 10 of their votes to Bettan. Israel’s broadcaster called off the campaign after being told it was “not in line with our rules nor the spirit of the competition.”
Israel also drew 123 points from national juries, more than twice what it earned last year when 22 countries awarded Israel no points at all in a result seen as driven in part by political tensions.
This article originally appeared on JTA.org.
The post Israel’s Noam Bettan takes 2nd at Eurovision, buoyed by scrutinized public vote appeared first on The Forward.
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It looks like a kaffiyeh, but this pro-Israel influencer wants you to wear a sudra
In a recent viral Jubilee video viewed more than 1.5 million times, pro-Israel activist Rudy Rochman sits across from a group of 20 pro-Palestinian activists, debating the Israeli-Palestinian conflict. Draped around his neck is a black-and-gray checkered scarf that looks almost identical to a kaffiyeh.
Look closer, and the pattern resolves into something else: tiny Stars of David clustered together, alongside Hebrew lettering spelling out Am Yisrael Chai — “the people of Israel live,” which has became a mantra after Oct. 7 and the hostage crisis. It’s not a kaffiyeh, Rochman says, but a modern twist on the sudra, a cloth head covering once worn by Jews across the Middle East — and he wants to bring it back.
Since the Gaza War, the kaffiyeh has become an increasingly visible symbol of pro-Palestinian activism. Now, Rochman is part of a small but growing effort to revive the sudra as a marker of Jewish identity rooted in the Middle East. He runs the company My Sudra, promoting and selling the garment online. It has been embraced by a niche but visible group of young pro-Israel influencers.
Rochman, a 32-year-old Jew of Moroccan and Algerian descent, said he and his family wore sudras during celebrations like bar mitzvahs and weddings. In old family albums, Rochman says most photos of his grandfather and great-grandfather show them donning the garment in Morocco.
As a child, Rochman understood the head covering as Middle Eastern rather than distinctly Jewish. Once he learned about its connection to Judaism, he set out to revive it, beginning to create sudras in 2016 while a student at Columbia University.
The term sudra appears in rabbinic literature, including the Mishnah and Talmud, as a general term for a cloth typically worn as the religiously prescribed head covering, though some sources describe Jews wearing it around their necks. Experts say Jews across the Middle East wore sudras, likely before the Middle Ages, with styles varying by region and period.
From the Middle Ages into the modern era, Jews in the Middle East, classified as dhimmis, sometimes faced legal restrictions on dress. One notable prohibition during certain periods was the wearing of a headscarf or turban by Jews, including the sudra.
“This form of headgear by Jewish men was not tolerated in many communities,” said Gillian Vogelsang-Eastwood, a textile historian specializing in Middle Eastern dress. “Men could wear the kippah, but nothing significant in public on the head.”
Over time, she said, those constraints contributed to the fading of the custom.
“For me, it’s about reviving an aspect of our culture that was beaten out of us by force,” said Rochman. “It’s not like we consciously made a decision. ‘Hey, we want to stop wearing sudras.’ We were forced to stop wearing it.”
Historically, sudras did not usually feature identifiably Jewish symbols. The Kurdish sudra is an exception, incorporating circles and dots with religious meaning. Even in Rochman’s own family photos, his ancestors typically wore plain white sudras.
Rochman, however, has deliberately added Jewish symbols to make the garment legibly Jewish to contemporary eyes.
Rochman sells sudras in various colors, including a black and white version that looks exceptionally similar to the Palestinian version of the kaffiyeh. Instead of the pattern of zig-zag stripes and criss-crossed squares that can be found on that kaffiyeh, Rochman’s sudra has stars of David juxtaposed to create a similar checkered pattern, as well as Jewish symbols like the menorah, along with the phrase Am Yisrael Chai.
The resemblance to the kaffiyeh is not accidental.
The kaffiyeh is widely seen today as a symbol of Palestinian identity and resistance, but it did not always carry that meaning.
According to Vogelsang, “The kaffiyeh is basically regarded as a 19th-century development worn by farmers in Syria,” she said. “The Jordanian army later adopted it as part of their uniforms.”
Vogelsang says its political symbolism developed in the 20th century, particularly through its association with Palestinian nationalism and figures such as PLO leader Yasser Arafat, who popularized the black-and-white kaffiyeh widely worn today.
Some say the patterns on the Palestinian black-and-white kaffiyeh represent different aspects of Palestinian culture. The criss-cross lines represent the Palestinian ties to the Mediterranean Sea because of their resemblance to fishnets; the black stripes symbolize trade routes through Palestine; and the curved lines are said to symbolize olive trees.
But Vogelsang and other experts say that this symbolism is a modern interpretation of older patterns. “They didn’t have these meanings. The Palestinian community has given them these meanings,” she said.
Patterns like checks and stripes were often used for garments in the Middle East, not because of any particular symbolism, but because “they are just an easy, convenient design to make,” said Vogelsang. Both Jews and Muslims used whichever fabrics were locally available, often checkered and striped patterns commonly associated with the modern-day kaffiyeh.
In a similar way, Rochman’s sudra takes on explicit political meaning through the inclusion of the phrase Am Yisrael Chai, popularized in the 1960s as a rallying cry for Soviet Jewry and now widely used at pro-Israel demonstrations. In that sense, his garment does not just revive a historical practice, but imbues it with ideological significance.
“Being a Zionist outwardly was kind of seen as excessive before Oct. 7, but after Oct. 7 it became something that was cool again,” Rochman said, adding that interest in — and sales of — his sudras increased following the attacks and the war in Gaza that followed.
I asked Rochman if he’s ever worried about being mistaken for wearing a kaffiyeh or accused of cultural appropriation. Dozens of Reddit threads are dedicated to the topic online. In the Jubilee video, one Palestinian activist tells him, “Are you going to pretend that the kaffiyeh you’re wearing is not a culturally appropriated kaffiyeh? And you just added the Hebrew and all of that to it.”
But he is not particularly bothered by either accusation.
“I look at it as just an opportunity to tell that person, whether a Jew or not a Jew, that doesn’t know anything about a part of Jewish culture, who we are and what we are.”
And while Rochman’s main goal is to help younger generations of Jews understand a part of their history that has faded, he hopes that more Jews wearing the sudra will also foster a greater understanding of Jewish history in the Middle East.
“We need to know where we’re from,” Rochman said. “And if it helps us connect with other Middle Eastern peoples, that’s amazing too.”
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