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18 notable Jews who died in 2022
(JTA) — Every year brings the opportunity to celebrate the accomplishments of well-known Jewish icons in every field and to mourn those we have lost.
Here are 18 Jews who died in 2022 and who leave outsized legacies on politics, the arts, sports and everything in between.
Madeleine Albright
Former U.S. Secretary of State Madeleine Albright, pictured here in 2018, died March 23, 2022. (Bill O’Leary/The Washington Post via Getty Images)
The “first woman secretary of state in the United States” label will always follow Madeleine Albright, especially because of her success in such a male-dominated field of policy. But regardless of her gender, Albright’s moves as a part of Bill Clinton’s administration left a lasting mark on U.S. peacekeeping efforts around the world. Crucial to her worldview was her refugee story, which she did not fully grasp until after her time in the limelight. Her parents were Czech immigrants who had converted from Judaism to Catholicism and then Episcopalianism to avoid persecution before fleeing Europe. Albright did not like to talk about her parents’ choice to keep her in the dark, but when she did, it was in the voice of a blunt-edged diplomat who understood how the 20th century robbed some people of agency, and how they did what they had to do to reclaim it. “I can’t question their motivation. I can’t,” she told The Washington Post in 1997. Albright died March 23 in Washington, D.C., at 84.
Melissa Bank
American author Melissa Bank poses during a portrait session in Paris, Jan. 9, 2006. (Ulf Andersen/Getty Images)
Melissa Bank published just two books in her career, but both sets of short stories were bestsellers that explored the lives of Jewish women and still resonate with young readers decades later. Her 1999 debut, “The Girls’ Guide To Hunting And Fishing,” held a spot on The New York Times’ bestseller list for months. The comic misadventures of her two books’ Jewish protagonists often intersected with Jewish life: In “Wonder Spot,” Sophie Applebaum plays hooky from Hebrew class, considers taking a job with a Jewish newspaper, and contends with a cousin’s bat mitzvah and a sister-in-law’s passive-aggressive attempts to impose kosher rules on her home. Bank died of lung cancer at 61 in August.
Isaac Berger
Isaac Berger, left, at the 1964 Tokyo Olympics. (Central Press/Hulton Archive/Getty Images)
Setting Moses and the Maccabees aside, it’s not a stretch to call Isaac Berger one of the strongest Jews ever. Known as “Ike,” Berger won three Olympic medals, two World Championships and eight U.S. national championships in weightlifting during a dominant stretch in the 1950s and 60s. At the 1957 Maccabiah Games, Berger was the first athlete to break a world record in any sport in Israel. His gold medal was presented by Israeli Prime Minister David Ben-Gurion, who called Berger the “gibor Yehudi,” or “mighty Jew.” Berger was inducted into the U.S. Weightlifting Hall of Fame in 1965 and the International Jewish Sports Hall of Fame in 1980. Berger died in June at 85.
Peter Bogdanovich
Peter Bogdanovich at the 1999 New York City premiere of “RKO 281.” (Ron Galella/Getty Images)
Peter Bogdanovich was an Oscar-nominated movie director and actor whose films, ego and off-camera exploits encapsulated the personality-driven excesses of 1970s Hollywood filmmaking. He got his start making low-budget fare for shlock pioneer Roger Corman, then broke into the big leagues in 1971 with “The Last Picture Show,” a coming-of-age drama set in small-town Texas starring Jeff Bridges and Cybill Shepherd (who became the director’s partner after he began an affair with her during filming). “The Last Picture Show” became a critical and commercial smash, scoring Bogdanovich Oscar nominations for best director and best adapted screenplay, and turned its 32-year-old director into a wunderkind whom the press frequently compared to his idol, Orson Welles. Bogdanovich’s 1972 follow-up “What’s Up, Doc?” was also a hit, and as a bonus, the screwball comedy helped make a Jewish sex symbol out of star Barbra Streisand. Though Bogdanovich rarely discussed his religious background in interviews, he was proud of his father’s role in rescuing his Jewish mother from Europe. “He was a really great painter and very highly praised in the former Yugoslavia,” Bogdanovich said of his father Borislav in a 2019 interview with New York magazine, “but he gave all that up to save my mother and her family because they were Jewish. He wasn’t, but they were.” Bogdanovich died Jan. 6 in Los Angeles at 82.
James Caan
James Caan stands under casino lights in a scene from the 1974 film “The Gambler.” (Paramount/Getty Images)
One of the leading movie stars of the 1970s, James Caan once said he was twice honored as New York City’s “Italian of the Year.” It made sense, in a way: his fans were used to seeing him in tough guy roles, including one in arguably the most famous Italian gangster flick of all time, “The Godfather.” But Caan was born to German-Jewish immigrants in Queens, where his father was a kosher butcher, before starring in movies such as “Brian’s Song,” “The Gambler,” and, later in his career, Will Ferrell’s hit comedy “Elf.” His onscreen (and offscreen) persona did much to break stereotypes about weak, wimpy Jewish men. “He’s in his own lane, Jew-wise,” Seth Rogen wrote in a 2021 memoir, calling Caan an unusually “scary Jew.” Caan died July 6 in Los Angeles at 82.
Elana Dykewomon
Lesbian author, poet and playwright Elana Dykewomon, photographed at her home in Oakland, Calif., on May 1, 2022, died Aug. 7, 2022. (Jane Tyska/Digital First Media/East Bay Times via Getty Images)
Despite never earning mainstream commercial success, Elana Dykewomon was a pioneer in the world of lesbian-themed fiction. “Beyond the Pale,” her award-winning 1997 novel, traced the intertwined stories of Jewish lesbians from Kishinev, Moldova, to the Lower East Side, in a saga that included both Russian pogroms and the deadly Triangle Shirtwaist Factory fire. “It can’t be that we are the first generation of Jewish lesbian activists on the planet,” Dykewoman said at the time. “So part of what the novel is about is searching for our ancestors and ancestral community as Jewish lesbians.” Born Elana Nachman in New York City in 1949, Dykewomon changed her name after the publication of her first novel, “Riverfinger Women,” in 1974. She wanted to distance herself from the Nachman line of rabbis from whom she descended, she told J. The Jewish News of Northern California, in 1997. She adopted Dykewoman, then Dykewomon, to demonstrate her allegiance to the lesbian community — but later regretted not using her name to assert her Jewish identity, too. “If I had to do it all over again, I might have chosen Dykestein or Dykeberg,” she said at the time. Though she rejected religion after becoming a radical feminist, she said, she studied Yiddish, Torah and Talmud while writing “Beyond the Pale”; often wrote on Jewish themes; and frequently included Jewish characters in her work. The 2009 novel “Risk,” for example, featured a Jewish lesbian who lives in Oakland and makes a living tutoring high school students. Dykewomon died in August at 72 from cancer.
Hanna Pick-Goslar
Hannah Pick-Goslar seen at the Anne Frank House in Amsterdam, Oct. 11, 2012. (Marcel Antonisse/ANP/AFP via Getty Images)
Hannah Pick-Goslar appears multiple times in Anne Frank’s iconic diary — as both a close friend and a premonition of the Holocaust horrors to come for Frank’s family. As Anne wrote after having a nightmare about her friend: “[Her] eyes were very big and she looked so sadly and reproachfully at me that I could read in her eyes, ‘Oh, Anne, why have you deserted me? Help, oh, help me, rescue me from this hell!’” Their final meeting would be at a fence in the Bergen-Belsen concentration camp. After recuperating from her liberation from the camp in the Netherlands and then later in Switzerland with her aunt and uncle, Pick-Goslar emigrated in 1947 to Israel, where she became a pediatric nurse and Holocaust speaker. Her friendship with Frank was the subject of a book, “Memories of Anne Frank: Reflections of a Childhood Friend,” and a Dutch film, “My Best Friend Anne Frank” (2021). Pick-Goslar died in Jerusalem on Oct. 28 at 93.
Gilbert Gottfried
Gilbert Gottfried at SiriusXM Studios in New York City, Feb. 3, 2020. (Slaven Vlasic/Getty Images for SiriusXM)
For a comic known for his grating, nasally voice and extremely R-rated jokes, Gilbert Gottfried was a surprisingly sweet and loving Jewish dad who grew more in touch with his Jewishness after marrying his wife in 2007. The man known as the Aflac duck voice got himself nearly canceled more than once: In 1991, Fox apologized after Gottfried, hosting the Emmy awards, kept joking about fellow comic Pee-wee Herman’s arrest for masturbating in an adult movie theater. He continued to score gigs in movies, on talk radio (frequently with Howard Stern), on sketch shows and sitcoms, and as a voice on cartoons. He was the funny animal sidekick, Iago the parrot, in Disney’s “Aladdin.” Then he famously told perhaps the first joke about the Sept. 11, 2001 attacks, just a few days after terrorists piloted airplanes into the World Trade Center and the Pentagon. “I’ve always said tragedy and comedy are roommates,” Gottfried told Vulture in 2019. Gottfried died Feb. 28 at 67 in New York from complications related to myotonic dystrophy, a rare condition.
Estelle Harris
Estelle Harris and Jason Alexander greet each other at the after-party for “The Producers” at the Hollywood Palladium in Los Angeles, May 29, 2003. (Kevin Winter/Getty Images)
Born Estelle, immortalized on TV as Estelle — Estelle Costanza, to be exact, the always shrill and frequently apoplectic mother to George Costanza, on the sitcom “Seinfeld” from 1992 until the show’s finale in 1998. According to Deadline, it was kismet: the character was named Estelle before Harris landed the part. Harris was born in New York City in 1928 where her parents, Jews of Polish descent, owned a candy store in Manhattan. When Harris was 7 years old, the family moved to Tarentum, Pennsylvania, where Harris suffered from antisemitic bullying at school. She quickly to turning to the theater, aided by elocution lessons, and found her calling. Though Harris went on to a prolific career recording voiceovers for commercials and playing minor characters in movies and TV shows, she became so identified with her “Seinfeld” role that fans frequently stopped her on the street to tell her her she reminded them of their own mothers. Jason Alexander, who played her character’s son George on “Seinfeld,” remembered his “tv mama” in a tweet after her death. “One of my favorite people has passed – my tv mama, Estelle Harris. The joy of playing with her and relishing her glorious laughter was a treat. I adore you, Estelle,” he wrote. Harris died in April at 93.
Chaim Kanievsky
Rabbi Chaim Kanievsky at his home in Bnei Brak, Israel, Dec. 26, 2019. (Yaakov Nahumi/Flash90)
For one of the most revered Torah scholars on Earth, at least for many haredi Orthodox Jews, Chaim Kanievsky had surprisingly small handwriting. People would write to him from around the world with questions on postcards, and he would usually give “quite short answers,” a professor told JTA. “But from all his answers there are many books,” she added. After the 2017 death of Rabbi Aharon Leib Shteinman, Kanievsky became the preeminent leader of Israel’s non-Hasidic haredi Orthodox community, an authority on matters of Jewish law. He was an isolated figure who kept to himself and studied Jewish texts in the city Bnei Brak, but he became more vocal on political topics late in life. During the COVID-19 pandemic, Kanievsky first lobbied for yeshivas to stay open, but once vaccines became available, he bucked the opinions of many in his community and pushed Jews to get vaccinated — earning some death threats in the process. Kanievsky died at 94 in Bnei Brak in March.
Aline Kominsky Crumb
Aline Crumb and Robert Crumb attend A Night at Crumbland celebrating Stella McCartney and Robert Crum Collaboration and the R. Crumb Handbook at the Stella McCartney Store, in New York City, April 12, 2005. (Nick Papananias/Patrick McMullan via Getty Images)
In one of her autobiographical comics, Aline Kominsky Crumb wrote about seeing one Jewish girl after another coming into high school on Long Island after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she wrote, and one of the characters says, “I could not stand to look like a carbon copy!” Working with her husband Robert Crumb, also a leading underground comics artist, and then on her own, Kominsky-Crumb brought raw self-lacerating accountability to the genre, subverting stereotypes about Jewish women along the way. Seen by many in the 1970s and 80s as overly crude or controversial, she’s now an icon for many feminist artists. Roz Chast said her influence is seen in “every woman who creates her own cartoon voice.” Kominsky-Crumb died of pancreatic cancer at 74 in November.
Sam Massell
Mayor Sam Massell , center, and his daughter Melanie, seated, welcome members of the Jackson Five to the mayor’s office in Atlanta, April 7, 1971. (Photo by Afro American News via Getty Images)
Sam Massell was Atlanta’s first Jewish mayor, serving from 1970-1974, and the city’s last white mayor. But he was remembered as more than a single-term bookend: Massell was the first mayor to prove that the city’s Blacks had clout enough to elevate their chosen candidate to office, and he embedded Black leaders in government and built its mass transport system, forever changing the city. During his term as mayor, the number of Blacks in leadership positions doubled, to 40%. “Being black means you are always different,” he would say. “But being Jewish means I am always different, too.” Massell died March 13 at 94.
Miriam Naor
Supreme Court President Miriam Naor speaks during a swearing-in ceremony for newly appointed judges for the Supreme Court at the President’s residence in Jerusalem, Jun. 13, 2017. (Yonatan Sindel/Flash90)
Miriam Naor served on the Israeli Supreme Court for 14 years and became the second woman to helm the court as chief justice. Her tenure presided over a period when the court made several significant rulings around religious pluralism in Israel. One of the most important came in 2016, when the court ruled that Israel must recognize conversions to Judaism performed in Israel outside of the rabbinate, which controls all religious matters in Israel, for the purposes of citizenship under the country’s Law of Return. During her tenure, the court also ruled that mikvehs, or ritual baths, in Israel had to be made available for the use of non-Orthodox converts to Judaism. Speaking at her swearing-in ceremony in 2015, Naor spoke about the need to preserve Israel’s character as a “Jewish and democratic state that upholds the principle of equality” as well as to “protect human rights and the rule of law.” Naor died in Jerusalem on Jan. 24 at 74.
Nehemiah Persoff
Nehemiah Persoff has hundreds of screen credits from classic Hollywood films and TV shows. Clockwise from top left: “Some Like It Hot,” “On The Waterfront,” “Red Sky at Morning,” “Yentl” and “Playhouse 90” (as Benito Mussolini). (Nehemiah Persoff/Photo illustration by Grace Yagel)
Few openly designate themselves as “character actors,” but Nehemiah Persoff didn’t shy away from the term. From the years following Israel’s independence through the Golden Age of Hollywood and beyond, Persoff had 200 stage and screen roles, working with directors such as Billy Wilder, Alfred Hitchcock, Barbra Streisand and Martin Scorsese (playing a rabbi for the latter in “The Last Temptation of Christ”). He often played gangsters, including in the Marilyn Monroe classic “Some Like it Hot.” Born in Jerusalem, Persoff followed his family to the United States in 1929, and after World War II reconnected with his Israeli roots by performing onstage in the country. Though Persoff was not religious, he remained a devout Zionist his entire life and expressed regret for forgoing fighting in the 1948-49 War of Independence in order to further his acting career back in the United States. Persoff died in April at 102.
Svika Pick
Israeli singer Svika Pick, who died Aug. 14, 2022 at the age of 72, poses in a 1985 photo. (Moshe Shai/Flash90)
One of the most famous figures in Israeli cultural history, musician Svika Pick was a pioneer in his adopted country in many senses. He lightened up Israel’s pop music with simple chords and lyrics; he borrowed sounds from Mizrahi music and employed Black backup singers at a time when his government was trying to deport many would-be immigrants; and he set fashion trends with a feminine, Bowie-like aesthetic. In 1998, he wrote Israel’s third Eurovision winner, “Diva,” for Dana International, the first transgender person to win the contest. In his later years, Pick became a judge on reality shows and his daughter Daniella became paparazzi fodder when she married American director Quentin Tarantino, who moved to Tel Aviv to join the family. Pick died Aug. 14 in Ramat Hasharon, Israel, at 72.
Bob Saget
Comedian Bob Saget performs at the Improv Comedy Club at the Seminole Hard Rock Hotel and Casino in Hollywood, Fla., Feb. 24, 2006. (Ralph Notaro/Getty Images)
A wholesome dad on network TV, and one of the raunchiest standup comedians in the business — few could boast a resume like Bob Saget’s. Before he got to Hollywood, Saget honed his comedy as a misbehaving Hebrew school student at Temple Israel in Norfolk, Virginia. “I go back and forth with my belief system, by the way. I’m not the best, most observant Jewish person you’ve ever met or talked to, and yet I’m Jewish and proud to be,” he once said. After a short stint contributing to CBS’ “The Morning Program,” Saget was cast to play a morning show host on TV. As Danny Tanner on “Full House,” Saget played a widowed dad and TV host raising three daughters in San Francisco with the help of his brother-in-law and his best friend. Saget was also known for hosting “America’s Funniest Home Videos.” The respected standup died in January at 65 from complications after a blunt head trauma.
Gerda Weissman Klein
President Barack Obama presents Jewish Holocaust survivor Gerda Weissmann Klein a 2010 Presidential Medal of Freedom, during a ceremony in the East Room of the White House in 2011. (Brooks Kraft LLC/Corbis via Getty Images)
Gerda Weissmann Klein’s liberation from concentration camps came after a brutal 350-mile death march to avoid the advance of the Allied forces. Of the 4,000 women who started the march, fewer than 120 survived. After moving to the United States, Weissman Klein became a bestselling author of 10 books, including her 1957 autobiography, “All But My Life,” which is frequently used as a text by Holocaust educators, and “The Hours After: Letters of Love and Longing in War’s Aftermath,” a chronicle of her and her husband’s correspondence in the years between liberation and their marriage. Decades later, Weissmann Klein’s story became the basis of the 1995 HBO short documentary “One Survivor Remembers,” which won both an Emmy and an Oscar (and is currently available for streaming on HBO Max). At the Oscars, she was almost played off before she could deliver an acceptance speech; but she stood her ground, and delivered a memorable message, concluding with, “Each of you who know the joy of freedom are winners.” Klein died April 3 in Phoenix, Arizona.
A.B. Yehoshua
Israeli novelist A.B. Yehoshua speaks after receiving an honorary degree at the University of Palermo, Sept. 10, 2019. (Francesco Militello Mirto/NurPhoto via Getty Images)
Many of Israel’s leading writers take aim at the country’s moral and political dilemmas. But few attacked the subjects with such blatant intensity as A.B. Yehoshua, who authored 11 novels, three collections of short stories and four plays, in addition to other essays. His fiction centered on the on-the-ground lived experiences of Israelis, but there were always larger societal themes and critique. He experimented with format, too, leading critic Harold Bloom to compare him to William Faulkner in 1984. But he was arguably as well known for his sharp public statements on his homeland, politics and Diaspora Jews. A firm believer in a two-state solution who critiqued both the Israeli occupation and Palestinian leaders, Yehoshua also infuriated U.S. groups by saying “Only those living in Israel and taking part in the daily decisions of the Jewish state have a significant Jewish identity.” He died on June 14 in Tel Aviv at 85.
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Assailant stabs two men, one visibly Jewish, on Upper West Side
(JTA) — NEW YORK – An assailant stabbed two victims, at least one of whom was visibly Jewish, in an area of the Upper West Side known for its Jewish institutions.
Police said two male victims, aged 57 and 50, were in stable condition and being treated for stab wounds to the torso.
Rabbi Allen Schwartz of the neighborhood’s Congregation Ohab Tzedek told the Jewish Telegraphic Agency that one of the victims was a congregant who is visibly Jewish and wears a kippah.
Schwartz, who is in Israel, said he spoke to the congregant on the phone and that he is “alert.” “He may go home before Shabbos,” Schwartz said.
One person of interest has been taken into custody, according to the New York Police Department, who announced no immediate motive for the attack.
This article originally appeared on JTA.org.
The post Assailant stabs two men, one visibly Jewish, on Upper West Side appeared first on The Forward.
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What sort of Yiddish do Yiddishists speak today?
Ask the question: “What sort of Yiddish do Yiddishists speak?” and a jokester might respond: “Well, these days they speak English.”
But let’s consider the Yiddishists who really do speak it in order to preserve it as a living language, because they see it as a treasured part of the Ashkenazi cultural heritage.
Their purpose is different than the Hasidim who speak the language as a way of preserving their religious lifestyle and traditional Jewish values.
Linguist Emma Breslow recently defended her dissertation about the way that Yiddishists speak the language. She interviewed 30 Yiddish speakers at the annual week-long Yiddish immersion retreat Yiddish Vokh and also met with Yiddish speakers from New York, Boston and Montreal.
When she asked people whether they considered themselves Yiddishists, most said no. Perhaps the words Yiddishism and Yiddishist sound rather old-fashioned today. Since Breslow couldn’t find a label that speakers could agree on, she uses the phrase “minority-context Yiddish community” in her study. This category, she writes, also includes former Hasidim who occasionally participate in Yiddishist gatherings.
One surprise in her dissertation is the diversity in this community’s Yiddish. An outsider might assume that all Yiddishists speak the same but that isn’t so: some adhere to Standard Yiddish — the literary standard established by the YIVO Institute for Jewish Research and used in most Yiddish language courses today. Others use the Polish or Ukrainian Yiddish dialect or switch dialects. Sometimes they would say gut (good) and other times — git; sometimes zogn (to say) and other times — zugn.
When Breslow asked people their opinion of Standard Yiddish she mainly received negative answers, although some acknowledged that Standard Yiddish could be useful for learning the language, since the spelling closely matches the pronunciation.
Some interviewees made unexpected comments about Standard Yiddish, as in “Nobody speaks that,” even if, being at the Yiddish Vokh, they might have earlier chatted with Standard Yiddish speakers, and even heard children speak it as a native language. Her dissertation discusses this feeling they have that Standard Yiddish lacks authenticity — maybe precisely because so few people speak it from birth.
The minority-context Yiddish community consists of several groups: a) native speakers — those who speak Yiddish well from home; b) heritage speakers — those who heard it as children, but don’t speak it well; c) students and others who studied the language as adults, and d) former Hasidim, who now live in the larger secular world. Each group speaks differently, but there are interesting points of comparison.
Among her subjects, the former Hasidim speak so-called Hasidic Yiddish — a dialect that linguists have been researching intensely in recent years. Students mostly speak a sort of Standard Yiddish, which they learned from their teachers. All of the Yiddish speakers often exhibited a certain influence or interference from English; no surprise, considering that Hasidim — the largest group of Yiddish speakers today by far — mix English words into their Yiddish too.
Breslow’s quotations include interesting examples of code-switching — when speakers go back and forth between languages. Some of the younger speakers use the word like as a discourse marker in their Yiddish just as in their English.
A second topic of Breslow’s investigation is the articulation of the Yiddish letter reysh, which is similar to the R sound. In the older dialects there were two sorts of reysh: the throat (uvular) reysh, like in French or Modern Hebrew, and the tongue-tip (apical) reysh, as in Russian or Spanish. In addition to those two pronunciations, today’s Yiddishists also use the English-style (retroflex) reysh. Interestingly, linguist Uriel Weinreich, who authored the textbook, cautioned in the preface that students should not use the American reysh.
The grammar of the Yiddishists is also worth examining. Although many have taken courses teaching the grammar of Standard Yiddish, they don’t necessarily follow the rules. That shouldn’t come as a surprise, since even authentic Yiddish speakers of previous generations spoke in dialects that differed considerably from the way Yiddish was written in books and in the press. That’s why there’s no reason to criticize Hasidim for “ruining the grammar,” as many non-Hasidic Yiddish speakers do, since Yiddish speakers have been “ruining” the proper grammar for centuries.
The post What sort of Yiddish do Yiddishists speak today? appeared first on The Forward.
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Argentina rabbi: What can can learn from losing the World Cup?
דעם פֿאַרגאַנגענעם זונטיק, גלײַך נאָכן סוף פֿונעם וועלט־בעכער טורניי 2026 האָב איך אָנגערופֿן אַ גוטן פֿרײַנד אין אַרגענטינע, כּדי צו הערן ווי עס גייט אים.
איך בין ממש צעבראָכן — האָט ער געזאָגט — פֿאַרוואָס האָט דער אויבערשטער דאָס געטאָן?!
האָב איך אים געענטפֿערט: — איך בין נישט דעם אויבערשטנס בוכהאַלטער, און זיכער נישט זײַן אַדוואָקאַט. איך ווייס נישט פֿאַרוואָס ער טוט וואָס ער טוט, און פֿאַרוואָס ער טוט נישט וואָס ער טוט נישט. איך מיין אַז די וויכטיקסטע פֿראַגע איז נישט: „פֿאַרוואָס איז דאָס געשען“? נאָר גיכער: „וואָס איצט? וואָס קענען מיר זיך דערפֿון לערנען?“
האָט ער מיך געפֿרעגט, וואָס איך האַלט איז דער מוסה־השׂכּל. האָב איך אים געפֿרעגט צי ער געדענקט די מעשׂה פֿון יונה.
— אַוודאי. דער פֿיש האָט אים אײַנגעשלונגען.
ריכטיק — האָב איך געזאָגט — אָבער דאָס איז בלויז דער ערשטער טייל פֿון דער מעשׂה. נאָך דעם וואָס יונה האָט אין נינווה איבערגעגעבן די נבֿואה, מיט וועלכער דער אויבערשטער האָט אים געשיקט, איז ער אַרויס פֿון שטאָט און זיך אַוועקגעזעצט צו זען וואָס עס וועט ווערן.
דער אויבערשטער האָט דעמאָלט געמאַכט אויפֿוואַקסן אַ קיקיון, וואָס האָט אים געגעבן שאָטן, און יונה האָט זיך זייער געפֿרייט. אָבער אויף מאָרגן האָט דער אויבערשטער געשיקט אַ וואָרעם, וואָס האָט פֿאַרדאָרבן דעם קיקיון, און דער בוים איז פֿאַרטריקנט געוואָרן.
ווען די זון האָט שטאַרק געברענט, האָט יונה געליטן פֿון דער היץ און איז געוואָרן גאָר פֿאַרצווייפֿלט. האָט אים דער אויבערשטער געפֿרעגט: טרויערסטו איבערן קיקיון?
און יונה האָט געענטפֿערט: יאָ, ביז צום טויט.
האָט דער אויבערשטער געזאָגט: דו באַדויערסט אַ קיקיון, וואָס דו האָסט נישט פֿאַרפֿלאַנצט און נישט אויפֿגעהאָדעוועט. אין איין נאַכט איז ער אויפֿגעקומען, און אין איין נאַכט איז ער פֿאַרגאַנגען.
און זאָל איך דען נישט רחמנות האָבן אויף דער גרויסער שטאָט נינווה, וווּ עס וווינען מער פֿון צוועלף טויזנט מענטשן?“…
די מעשׂה שטעלט אונדז פֿאָר אַ פּשוטע אָבער טיפֿע פֿראַגע: וואָס פֿאַרדינט טאַקע אונדזער גרעסטע זאָרג?
און דאָ קומען מיר צוריק צום וועלט־בעכער. עס איז גאָר פֿאַרשטענדלעך, אַז אַן אַרגענטינער זאָל זײַן אַנטוישט ווען זײַן מאַנשאַפֿט פֿאַרשפּילט. ספּאָרט רופֿט אַרויס שטאַרקע געפֿילן, און דאָס איז דווקא איינע פֿון די סיבות, פֿאַרוואָס מענטשן האָבן עס אַזוי ליב.
— דײַן טרויער איז נישט קיין חסרון — האָב איך אים געזאָגט — פֿאַרקערט. עס ווײַזט, אַז דו ביסט אַ מענטש מיט געפֿיל. און געפֿיל איז אַ טײַערע מידה.
אָבער ווען די ערשטע אַנטוישונג הייבט שוין אָן זיך אָפּצושוואַכן, איז כּדאַי זיך צו פֿרעגן: וואָס נאָך אין לעבן פֿאַרדינט אַזאַ מאָס פֿון דײַן איבערגעגעבנקייט?
באַטראַכט נאָר אַ מאָמענט. דו האָסט נישט געקענט ברענגען דעם נצחון, און דו האָסט אויך נישט גורם געווען די מפּלה. און דאָך האָט דער רעזולטאַט, וואָס איז בכלל נישט געווען אין דײַנע הענט, אַזוי שטאַרק באַווירקט דײַנע געפֿילן.
אפֿשר וואָלט זיך געלוינט אַרײַנצולייגן די זעלבע עמאָציאָנעלע ענערגיע אין אַן אַנדער מין „פֿאַרמעסט“ — אין אַזאַ, וווּ דײַנע באַשלוסן און דײַנע מעשׂים קענען טאַקע מאַכן אַן אמתן חילוק.
וואָס פֿאַר אַ פֿאַרמעסט מיין איך? דאָ קומט אַרײַן אַן אויסערגעוויינטלעכע הוראה פֿונעם רמב״ם.
דער רמב״ם שרײַבט, אַז יעדער מענטש דאַרף שטענדיק זען זיך אַליין און די גאַנצע וועלט ווי פּונקט באַלאַנצירט צווישן זכות און חובֿה.
איין מצווה. איין גוט וואָרט. איין מעשׂה פֿון חסד. אַפֿילו איין גוטער געדאַנק.
יעדער איינער פֿון זיי קען איבערוועגן די גאַנצע וואָג לטובֿה — נישט נאָר פֿאַר זיך אַליין, נאָר פֿאַר דער גאַנצער וועלט.
מיר טראַכטן אָפֿט: וואָס מאַכט אויס וואָס איך׳ל טאָן? איך בין דאָך בלויז איין מענטש צווישן אַכט ביליאָן? דער רמב״ם בעט אונדז צו קוקן אויף דער וועלט מיט אַנדערע אויגן:
שטעל זיך פֿאָר אַ וואָג. אויף איין זײַט שטייען פֿיר ביליאָן מענטשן. אויף דער צווייטער זײַט — נאָך פֿיר ביליאָן. די וואָג איז פּונקט באַלאַנצירט. איצט שטעל זיך פֿאָר, אַז דו טרעטסט צו און באַשליסט אויף וועלכער זײַט זיך צו שטעלן. אין יענער רגע ווערט דײַן באַשלוס דער באַשליסנדיקער. דו ביסט דער וואָס האָט איבערגעוואָגן די גאַנצע וואָג.
אויב דאָס קלינגט צו אַבסטראַקט, לאָמיר זיך אומקערן צום וועלט־בעכער.
דער גאַנצער טורניר — נאָך וואָכן פֿון שפּילן, צענדליקער נאַציאָנאַלע מאַנשפֿאַטן און הונדערטער שפּילער — איז דער סוף באַשלאָסן געוואָרן דורך איין איינציקן מאָמענט.
איין שפּילער. איין גאָל. אַזוי איז אויך אין דער רוחניותדיקער וועלט.
דער גרויסער געראַנגל צווישן גוטס און שלעכטס, וואָס באַגלייט די גאַנצע געשיכטע פֿון דער מענטשהייט, קען אויסזען ווי עפּעס צו גרויס, כּדי אַ יחיד זאָל קענען אײַנווירקן דערויף.
אָבער אויב די וואָג איז טאַקע באַלאַנצירט, ווי דער רמב״ם באַשרײַבט, קען דער גאַנצער סוף־רעזולטאַט אָפּהענגען פֿון איין מענטש. פֿון איין מצווה. פֿון איין גוט וואָרט. פֿון איין גוטן געדאַנק.
און יענער מענטש קען זײַן דווקא דו אַליין. מיט דעם באַשלוס וואָס ליגט הײַנט אין דײַנע הענט.
עס איז דאָ נאָך אַן ענין, וואָס דער וועלט־בעכער קען אונדז לערנען. די נבֿיאים באַשרײַבן אַ צײַט, ווען די וועלט וועט דערגרייכן איר אמתן ציל. דעמאָלט וועט דער משיח קומען און ברענגען אַן עפּאָכע פֿון שלום, גערעכטיקייט און אַלגעמיינער דערקענונג פֿון גאָט.
קען מען זיך פֿרעגן: ווי אַזוי איז עס מעגלעך, אַז איין מענטש זאָל אינספּירירן די גאַנצע וועלט?
אָבער טראַכט צוריק וועגן דעם וואָס מיר האָבן פּונקט איצט מיטגעזען. ביליאָנען מענטשן האָבן אין איין אויגנבליק זיך צוגעקוקט אויף איין מענטש: ליאָנעל מעסי.
פֿאַר אַ קורצן מאָמענט איז ער געוואָרן דער צענטער פֿונעם אויפֿמערק פֿון ביליאָנען מענטשן!
אויב דאָס איז מעגלעך אין דער וועלט פֿון ספּאָרט, איז עס נאָך מער פֿאַרשטענדלעך, אַז עס וועט קומען אַ טאָג, ווען די גאַנצע מענטשהייט וועט זיך ווענדן צו אַ פֿירער, וועמענס כּוח וועט נישט ליגן אין זײַנע פֿיס, נאָר אין זײַן רוח.
משיח וועט נישט פֿאַראייניקן מענטשן אַרום אַ פּילקע. ער וועט פֿאַראייניקן זיי אַרום אמת. אַרום גוטסקייט. אַרום גערעכטיקייט. אַרום שלום. און אַרום דער ידיעה פֿון ג-טליכקייט.
איך האָב דעמאָלט צוגעגעבן מיט ַא שמייכל: „ס׳איז דאָ אַ טשיקאַווער צופֿאַל. דער נאָמען Messi קלינגט ַא ביסל ענלעך צו Messiah.
אַוודאי איז דאָס בלויז אַ לשון־צופֿאַל. אָבער אַ מאָל קען אַ קליינע צופֿעליקייט דינען ווי אַ בריק צו אַ גרעסערן געדאַנק. און דער געדאַנק איז פּשוט:
אויב די גאַנצע וועלט קען זיך פֿאַראייניקן אַרום אַ פֿוסבאָל־פֿינאַל, אויב ביליאָנען מענטשן קענען זיך טיילן די זעלבע האָפֿענונג, די זעלבע שפּאַנונג און די זעלבע באַגײַסטערונג, דערמאָנט דאָס אונדז, אַז די מענטשהייט איז פֿעיִק זיך צו פֿאַראייניקן.
די פֿראַגע איז נאָר: אַרום וואָס?
די נבֿיאים זעען פֿאָרויס א טאָג, ווען די וועלט וועט זיך פֿאַראייניקן נישט אַרום קיין שפּיל, נאָר אַרום אַ ציל. נישט אַרום אַ געווינער, נאָר אַרום אמת. נישט אַרום אַ גאָל, נאָר אַרום דעם אויבערשטן.
און ביז עס קומט יענער טאָג, האָט יעדער איינער פֿון אונדז זײַן אייגענע ראָלע. מיר דאַרפֿן נישט וואַרטן אויף אַ פֿולן סטאַדיאָן. מיר דאַרפֿן נישט וואַרטן אויף אַ וועלט־פֿינאַל. און מיר דאַרפֿן זיכער נישט וואַרטן ביז אַלע אַנדערע וועלן טאָן וואָס זיי דאַרפֿן טאָן.
די געלעגנהייט ליגט פֿאַר אונדז יעדן טאָג. יעדער באַשלוס. יעדער גוט וואָרט. יעדע מצוה. יעדער אַקט פֿון חסד. זיי אַלע זײַנען מער באַטײַטנדיק, ווי מיר שטעלן זיך פֿאָר.
אפֿשר וועלן מיר קיינמאָל נישט וויסן, ווי ווײַט די השפּעה פֿון אַן איינציקער מעשׂה האָט זיך פֿאַרשפּרייט. אָבער לויט דעם רמב״ם דאַרפֿן מיר לעבן מיט דעם באַוווּסטזײַן, אַז עס איז זייער מעגלעך, אַז דווקא יענע מעשׂה האָט איבערגעווויגן די גאַנצע וואָג.
מיר קענען אפֿשר נישט באַשליסן ווער עס זאָל געווינען דעם וועלט־בעכער. אָבער מיר קענען יעדן טאָג באַשליסן וואָס פֿאַר אַ וועלט מיר העלפֿן בויען.
אויב יעדער פֿון אונדז וועט טאָן זײַן טייל, וועלן מיר אַלע צוזאַמען העלפֿן ברענגען דעם טאָג, ווען די וועלט וועט דערגרייכן איר אמתן נצחון — די גאולה האמתית והשלימה, מיט ביאת משיח צדקנו במהרה בימינו, ממש.
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