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18 notable Jews who died in 2022
(JTA) — Every year brings the opportunity to celebrate the accomplishments of well-known Jewish icons in every field and to mourn those we have lost.
Here are 18 Jews who died in 2022 and who leave outsized legacies on politics, the arts, sports and everything in between.
Madeleine Albright
Former U.S. Secretary of State Madeleine Albright, pictured here in 2018, died March 23, 2022. (Bill O’Leary/The Washington Post via Getty Images)
The “first woman secretary of state in the United States” label will always follow Madeleine Albright, especially because of her success in such a male-dominated field of policy. But regardless of her gender, Albright’s moves as a part of Bill Clinton’s administration left a lasting mark on U.S. peacekeeping efforts around the world. Crucial to her worldview was her refugee story, which she did not fully grasp until after her time in the limelight. Her parents were Czech immigrants who had converted from Judaism to Catholicism and then Episcopalianism to avoid persecution before fleeing Europe. Albright did not like to talk about her parents’ choice to keep her in the dark, but when she did, it was in the voice of a blunt-edged diplomat who understood how the 20th century robbed some people of agency, and how they did what they had to do to reclaim it. “I can’t question their motivation. I can’t,” she told The Washington Post in 1997. Albright died March 23 in Washington, D.C., at 84.
Melissa Bank
American author Melissa Bank poses during a portrait session in Paris, Jan. 9, 2006. (Ulf Andersen/Getty Images)
Melissa Bank published just two books in her career, but both sets of short stories were bestsellers that explored the lives of Jewish women and still resonate with young readers decades later. Her 1999 debut, “The Girls’ Guide To Hunting And Fishing,” held a spot on The New York Times’ bestseller list for months. The comic misadventures of her two books’ Jewish protagonists often intersected with Jewish life: In “Wonder Spot,” Sophie Applebaum plays hooky from Hebrew class, considers taking a job with a Jewish newspaper, and contends with a cousin’s bat mitzvah and a sister-in-law’s passive-aggressive attempts to impose kosher rules on her home. Bank died of lung cancer at 61 in August.
Isaac Berger
Isaac Berger, left, at the 1964 Tokyo Olympics. (Central Press/Hulton Archive/Getty Images)
Setting Moses and the Maccabees aside, it’s not a stretch to call Isaac Berger one of the strongest Jews ever. Known as “Ike,” Berger won three Olympic medals, two World Championships and eight U.S. national championships in weightlifting during a dominant stretch in the 1950s and 60s. At the 1957 Maccabiah Games, Berger was the first athlete to break a world record in any sport in Israel. His gold medal was presented by Israeli Prime Minister David Ben-Gurion, who called Berger the “gibor Yehudi,” or “mighty Jew.” Berger was inducted into the U.S. Weightlifting Hall of Fame in 1965 and the International Jewish Sports Hall of Fame in 1980. Berger died in June at 85.
Peter Bogdanovich
Peter Bogdanovich at the 1999 New York City premiere of “RKO 281.” (Ron Galella/Getty Images)
Peter Bogdanovich was an Oscar-nominated movie director and actor whose films, ego and off-camera exploits encapsulated the personality-driven excesses of 1970s Hollywood filmmaking. He got his start making low-budget fare for shlock pioneer Roger Corman, then broke into the big leagues in 1971 with “The Last Picture Show,” a coming-of-age drama set in small-town Texas starring Jeff Bridges and Cybill Shepherd (who became the director’s partner after he began an affair with her during filming). “The Last Picture Show” became a critical and commercial smash, scoring Bogdanovich Oscar nominations for best director and best adapted screenplay, and turned its 32-year-old director into a wunderkind whom the press frequently compared to his idol, Orson Welles. Bogdanovich’s 1972 follow-up “What’s Up, Doc?” was also a hit, and as a bonus, the screwball comedy helped make a Jewish sex symbol out of star Barbra Streisand. Though Bogdanovich rarely discussed his religious background in interviews, he was proud of his father’s role in rescuing his Jewish mother from Europe. “He was a really great painter and very highly praised in the former Yugoslavia,” Bogdanovich said of his father Borislav in a 2019 interview with New York magazine, “but he gave all that up to save my mother and her family because they were Jewish. He wasn’t, but they were.” Bogdanovich died Jan. 6 in Los Angeles at 82.
James Caan
James Caan stands under casino lights in a scene from the 1974 film “The Gambler.” (Paramount/Getty Images)
One of the leading movie stars of the 1970s, James Caan once said he was twice honored as New York City’s “Italian of the Year.” It made sense, in a way: his fans were used to seeing him in tough guy roles, including one in arguably the most famous Italian gangster flick of all time, “The Godfather.” But Caan was born to German-Jewish immigrants in Queens, where his father was a kosher butcher, before starring in movies such as “Brian’s Song,” “The Gambler,” and, later in his career, Will Ferrell’s hit comedy “Elf.” His onscreen (and offscreen) persona did much to break stereotypes about weak, wimpy Jewish men. “He’s in his own lane, Jew-wise,” Seth Rogen wrote in a 2021 memoir, calling Caan an unusually “scary Jew.” Caan died July 6 in Los Angeles at 82.
Elana Dykewomon
Lesbian author, poet and playwright Elana Dykewomon, photographed at her home in Oakland, Calif., on May 1, 2022, died Aug. 7, 2022. (Jane Tyska/Digital First Media/East Bay Times via Getty Images)
Despite never earning mainstream commercial success, Elana Dykewomon was a pioneer in the world of lesbian-themed fiction. “Beyond the Pale,” her award-winning 1997 novel, traced the intertwined stories of Jewish lesbians from Kishinev, Moldova, to the Lower East Side, in a saga that included both Russian pogroms and the deadly Triangle Shirtwaist Factory fire. “It can’t be that we are the first generation of Jewish lesbian activists on the planet,” Dykewoman said at the time. “So part of what the novel is about is searching for our ancestors and ancestral community as Jewish lesbians.” Born Elana Nachman in New York City in 1949, Dykewomon changed her name after the publication of her first novel, “Riverfinger Women,” in 1974. She wanted to distance herself from the Nachman line of rabbis from whom she descended, she told J. The Jewish News of Northern California, in 1997. She adopted Dykewoman, then Dykewomon, to demonstrate her allegiance to the lesbian community — but later regretted not using her name to assert her Jewish identity, too. “If I had to do it all over again, I might have chosen Dykestein or Dykeberg,” she said at the time. Though she rejected religion after becoming a radical feminist, she said, she studied Yiddish, Torah and Talmud while writing “Beyond the Pale”; often wrote on Jewish themes; and frequently included Jewish characters in her work. The 2009 novel “Risk,” for example, featured a Jewish lesbian who lives in Oakland and makes a living tutoring high school students. Dykewomon died in August at 72 from cancer.
Hanna Pick-Goslar
Hannah Pick-Goslar seen at the Anne Frank House in Amsterdam, Oct. 11, 2012. (Marcel Antonisse/ANP/AFP via Getty Images)
Hannah Pick-Goslar appears multiple times in Anne Frank’s iconic diary — as both a close friend and a premonition of the Holocaust horrors to come for Frank’s family. As Anne wrote after having a nightmare about her friend: “[Her] eyes were very big and she looked so sadly and reproachfully at me that I could read in her eyes, ‘Oh, Anne, why have you deserted me? Help, oh, help me, rescue me from this hell!’” Their final meeting would be at a fence in the Bergen-Belsen concentration camp. After recuperating from her liberation from the camp in the Netherlands and then later in Switzerland with her aunt and uncle, Pick-Goslar emigrated in 1947 to Israel, where she became a pediatric nurse and Holocaust speaker. Her friendship with Frank was the subject of a book, “Memories of Anne Frank: Reflections of a Childhood Friend,” and a Dutch film, “My Best Friend Anne Frank” (2021). Pick-Goslar died in Jerusalem on Oct. 28 at 93.
Gilbert Gottfried
Gilbert Gottfried at SiriusXM Studios in New York City, Feb. 3, 2020. (Slaven Vlasic/Getty Images for SiriusXM)
For a comic known for his grating, nasally voice and extremely R-rated jokes, Gilbert Gottfried was a surprisingly sweet and loving Jewish dad who grew more in touch with his Jewishness after marrying his wife in 2007. The man known as the Aflac duck voice got himself nearly canceled more than once: In 1991, Fox apologized after Gottfried, hosting the Emmy awards, kept joking about fellow comic Pee-wee Herman’s arrest for masturbating in an adult movie theater. He continued to score gigs in movies, on talk radio (frequently with Howard Stern), on sketch shows and sitcoms, and as a voice on cartoons. He was the funny animal sidekick, Iago the parrot, in Disney’s “Aladdin.” Then he famously told perhaps the first joke about the Sept. 11, 2001 attacks, just a few days after terrorists piloted airplanes into the World Trade Center and the Pentagon. “I’ve always said tragedy and comedy are roommates,” Gottfried told Vulture in 2019. Gottfried died Feb. 28 at 67 in New York from complications related to myotonic dystrophy, a rare condition.
Estelle Harris
Estelle Harris and Jason Alexander greet each other at the after-party for “The Producers” at the Hollywood Palladium in Los Angeles, May 29, 2003. (Kevin Winter/Getty Images)
Born Estelle, immortalized on TV as Estelle — Estelle Costanza, to be exact, the always shrill and frequently apoplectic mother to George Costanza, on the sitcom “Seinfeld” from 1992 until the show’s finale in 1998. According to Deadline, it was kismet: the character was named Estelle before Harris landed the part. Harris was born in New York City in 1928 where her parents, Jews of Polish descent, owned a candy store in Manhattan. When Harris was 7 years old, the family moved to Tarentum, Pennsylvania, where Harris suffered from antisemitic bullying at school. She quickly to turning to the theater, aided by elocution lessons, and found her calling. Though Harris went on to a prolific career recording voiceovers for commercials and playing minor characters in movies and TV shows, she became so identified with her “Seinfeld” role that fans frequently stopped her on the street to tell her her she reminded them of their own mothers. Jason Alexander, who played her character’s son George on “Seinfeld,” remembered his “tv mama” in a tweet after her death. “One of my favorite people has passed – my tv mama, Estelle Harris. The joy of playing with her and relishing her glorious laughter was a treat. I adore you, Estelle,” he wrote. Harris died in April at 93.
Chaim Kanievsky
Rabbi Chaim Kanievsky at his home in Bnei Brak, Israel, Dec. 26, 2019. (Yaakov Nahumi/Flash90)
For one of the most revered Torah scholars on Earth, at least for many haredi Orthodox Jews, Chaim Kanievsky had surprisingly small handwriting. People would write to him from around the world with questions on postcards, and he would usually give “quite short answers,” a professor told JTA. “But from all his answers there are many books,” she added. After the 2017 death of Rabbi Aharon Leib Shteinman, Kanievsky became the preeminent leader of Israel’s non-Hasidic haredi Orthodox community, an authority on matters of Jewish law. He was an isolated figure who kept to himself and studied Jewish texts in the city Bnei Brak, but he became more vocal on political topics late in life. During the COVID-19 pandemic, Kanievsky first lobbied for yeshivas to stay open, but once vaccines became available, he bucked the opinions of many in his community and pushed Jews to get vaccinated — earning some death threats in the process. Kanievsky died at 94 in Bnei Brak in March.
Aline Kominsky Crumb
Aline Crumb and Robert Crumb attend A Night at Crumbland celebrating Stella McCartney and Robert Crum Collaboration and the R. Crumb Handbook at the Stella McCartney Store, in New York City, April 12, 2005. (Nick Papananias/Patrick McMullan via Getty Images)
In one of her autobiographical comics, Aline Kominsky Crumb wrote about seeing one Jewish girl after another coming into high school on Long Island after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she wrote, and one of the characters says, “I could not stand to look like a carbon copy!” Working with her husband Robert Crumb, also a leading underground comics artist, and then on her own, Kominsky-Crumb brought raw self-lacerating accountability to the genre, subverting stereotypes about Jewish women along the way. Seen by many in the 1970s and 80s as overly crude or controversial, she’s now an icon for many feminist artists. Roz Chast said her influence is seen in “every woman who creates her own cartoon voice.” Kominsky-Crumb died of pancreatic cancer at 74 in November.
Sam Massell
Mayor Sam Massell , center, and his daughter Melanie, seated, welcome members of the Jackson Five to the mayor’s office in Atlanta, April 7, 1971. (Photo by Afro American News via Getty Images)
Sam Massell was Atlanta’s first Jewish mayor, serving from 1970-1974, and the city’s last white mayor. But he was remembered as more than a single-term bookend: Massell was the first mayor to prove that the city’s Blacks had clout enough to elevate their chosen candidate to office, and he embedded Black leaders in government and built its mass transport system, forever changing the city. During his term as mayor, the number of Blacks in leadership positions doubled, to 40%. “Being black means you are always different,” he would say. “But being Jewish means I am always different, too.” Massell died March 13 at 94.
Miriam Naor
Supreme Court President Miriam Naor speaks during a swearing-in ceremony for newly appointed judges for the Supreme Court at the President’s residence in Jerusalem, Jun. 13, 2017. (Yonatan Sindel/Flash90)
Miriam Naor served on the Israeli Supreme Court for 14 years and became the second woman to helm the court as chief justice. Her tenure presided over a period when the court made several significant rulings around religious pluralism in Israel. One of the most important came in 2016, when the court ruled that Israel must recognize conversions to Judaism performed in Israel outside of the rabbinate, which controls all religious matters in Israel, for the purposes of citizenship under the country’s Law of Return. During her tenure, the court also ruled that mikvehs, or ritual baths, in Israel had to be made available for the use of non-Orthodox converts to Judaism. Speaking at her swearing-in ceremony in 2015, Naor spoke about the need to preserve Israel’s character as a “Jewish and democratic state that upholds the principle of equality” as well as to “protect human rights and the rule of law.” Naor died in Jerusalem on Jan. 24 at 74.
Nehemiah Persoff
Nehemiah Persoff has hundreds of screen credits from classic Hollywood films and TV shows. Clockwise from top left: “Some Like It Hot,” “On The Waterfront,” “Red Sky at Morning,” “Yentl” and “Playhouse 90” (as Benito Mussolini). (Nehemiah Persoff/Photo illustration by Grace Yagel)
Few openly designate themselves as “character actors,” but Nehemiah Persoff didn’t shy away from the term. From the years following Israel’s independence through the Golden Age of Hollywood and beyond, Persoff had 200 stage and screen roles, working with directors such as Billy Wilder, Alfred Hitchcock, Barbra Streisand and Martin Scorsese (playing a rabbi for the latter in “The Last Temptation of Christ”). He often played gangsters, including in the Marilyn Monroe classic “Some Like it Hot.” Born in Jerusalem, Persoff followed his family to the United States in 1929, and after World War II reconnected with his Israeli roots by performing onstage in the country. Though Persoff was not religious, he remained a devout Zionist his entire life and expressed regret for forgoing fighting in the 1948-49 War of Independence in order to further his acting career back in the United States. Persoff died in April at 102.
Svika Pick
Israeli singer Svika Pick, who died Aug. 14, 2022 at the age of 72, poses in a 1985 photo. (Moshe Shai/Flash90)
One of the most famous figures in Israeli cultural history, musician Svika Pick was a pioneer in his adopted country in many senses. He lightened up Israel’s pop music with simple chords and lyrics; he borrowed sounds from Mizrahi music and employed Black backup singers at a time when his government was trying to deport many would-be immigrants; and he set fashion trends with a feminine, Bowie-like aesthetic. In 1998, he wrote Israel’s third Eurovision winner, “Diva,” for Dana International, the first transgender person to win the contest. In his later years, Pick became a judge on reality shows and his daughter Daniella became paparazzi fodder when she married American director Quentin Tarantino, who moved to Tel Aviv to join the family. Pick died Aug. 14 in Ramat Hasharon, Israel, at 72.
Bob Saget
Comedian Bob Saget performs at the Improv Comedy Club at the Seminole Hard Rock Hotel and Casino in Hollywood, Fla., Feb. 24, 2006. (Ralph Notaro/Getty Images)
A wholesome dad on network TV, and one of the raunchiest standup comedians in the business — few could boast a resume like Bob Saget’s. Before he got to Hollywood, Saget honed his comedy as a misbehaving Hebrew school student at Temple Israel in Norfolk, Virginia. “I go back and forth with my belief system, by the way. I’m not the best, most observant Jewish person you’ve ever met or talked to, and yet I’m Jewish and proud to be,” he once said. After a short stint contributing to CBS’ “The Morning Program,” Saget was cast to play a morning show host on TV. As Danny Tanner on “Full House,” Saget played a widowed dad and TV host raising three daughters in San Francisco with the help of his brother-in-law and his best friend. Saget was also known for hosting “America’s Funniest Home Videos.” The respected standup died in January at 65 from complications after a blunt head trauma.
Gerda Weissman Klein
President Barack Obama presents Jewish Holocaust survivor Gerda Weissmann Klein a 2010 Presidential Medal of Freedom, during a ceremony in the East Room of the White House in 2011. (Brooks Kraft LLC/Corbis via Getty Images)
Gerda Weissmann Klein’s liberation from concentration camps came after a brutal 350-mile death march to avoid the advance of the Allied forces. Of the 4,000 women who started the march, fewer than 120 survived. After moving to the United States, Weissman Klein became a bestselling author of 10 books, including her 1957 autobiography, “All But My Life,” which is frequently used as a text by Holocaust educators, and “The Hours After: Letters of Love and Longing in War’s Aftermath,” a chronicle of her and her husband’s correspondence in the years between liberation and their marriage. Decades later, Weissmann Klein’s story became the basis of the 1995 HBO short documentary “One Survivor Remembers,” which won both an Emmy and an Oscar (and is currently available for streaming on HBO Max). At the Oscars, she was almost played off before she could deliver an acceptance speech; but she stood her ground, and delivered a memorable message, concluding with, “Each of you who know the joy of freedom are winners.” Klein died April 3 in Phoenix, Arizona.
A.B. Yehoshua
Israeli novelist A.B. Yehoshua speaks after receiving an honorary degree at the University of Palermo, Sept. 10, 2019. (Francesco Militello Mirto/NurPhoto via Getty Images)
Many of Israel’s leading writers take aim at the country’s moral and political dilemmas. But few attacked the subjects with such blatant intensity as A.B. Yehoshua, who authored 11 novels, three collections of short stories and four plays, in addition to other essays. His fiction centered on the on-the-ground lived experiences of Israelis, but there were always larger societal themes and critique. He experimented with format, too, leading critic Harold Bloom to compare him to William Faulkner in 1984. But he was arguably as well known for his sharp public statements on his homeland, politics and Diaspora Jews. A firm believer in a two-state solution who critiqued both the Israeli occupation and Palestinian leaders, Yehoshua also infuriated U.S. groups by saying “Only those living in Israel and taking part in the daily decisions of the Jewish state have a significant Jewish identity.” He died on June 14 in Tel Aviv at 85.
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The post 18 notable Jews who died in 2022 appeared first on Jewish Telegraphic Agency.
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The BBC Tried to Blame Israel — but Exposed Hezbollah Instead
Men carry Hezbollah flags while riding on two wheelers, at the entrance of Beirut’s southern suburbs, in Lebanon, Nov. 27, 2024. Photo: REUTERS/Thaier Al-Sudani
It is well established that Hezbollah has not only turned southern Lebanon into a base for terrorism targeting Israel but also embedded itself deep within Beirut’s civilian suburbs.
Yet when the BBC reports from those same areas, it appears determined to obscure that reality.
That may not be surprising. As HonestReporting previously documented, Hezbollah tightly controls access and information available to foreign journalists. What reporters see — and therefore what international audiences are shown — is often filtered through Hezbollah’s interests.
When a Sky News crew reported from Lebanon earlier this year, journalists openly acknowledged the restrictions imposed on them. Hezbollah limited where they could go and what they could film following Israeli airstrikes, likely to conceal evidence of terrorist activity.
So, when BBC reporters arrive in Lebanon two months later and somehow fail to find evidence of Hezbollah’s presence, it is hardly coincidental.
The “BBC traces how 10 minutes of Israeli bombing brought devastation to Lebanon” investigation attempts to portray Israel as deliberately targeting Lebanese civilians. But the report itself repeatedly undermines that narrative.
1/
Even as @BBCNews wanders around Beirut attempting to prove that Israel deliberately targets civilians, it can’t avoid revealing some inconvenient truths.Let’s take a closer look at how the BBC can’t help covering for Hezbollah.
pic.twitter.com/WWs14Xwuwd
— HonestReporting (@HonestReporting) May 6, 2026
The very case study the BBC highlights gives the game away.
In Beirut’s Hay el Sellom suburb, a BBC journalist interviews Mohammed, whose son Abbas was killed in an Israeli airstrike on an apartment building in April 2026.
2/
We meet Mohammed, whose son was killed after Israel struck their apartment building.He tells the BBC he would never have stayed there had he known Hezbollah operatives were in the building… before showing his support for them when interviewed by local media. pic.twitter.com/Q6c8cDI09K
— HonestReporting (@HonestReporting) May 6, 2026
Mohammed claims that, had he known Hezbollah operatives were nearby, he would have left. But that admission directly undermines the BBC’s broader framing. It reinforces the reality that Israel’s operations are linked to Hezbollah’s presence, not random or indiscriminate attacks against civilians.
Another interviewee claims Israel is bombing Lebanon in an attempt to “take over” the country. Yet the report’s own details point to something else entirely: a campaign directed at Hezbollah infrastructure and operatives in an effort to restore security along Israel’s northern border.
According to the IDF, the April 8 strikes that reportedly killed Abbas also targeted more than 250 Hezbollah terrorists.
Ironically, while touring the suburb, the BBC journalist also filmed martyr posters of Ali Mohammed Ghulam Dahini, reportedly killed in the same strikes — corroborating Israeli media reports identifying him as a Hezbollah operative.
Yet the BBC still avoids acknowledging the obvious implication: these strikes were targeting Hezbollah personnel embedded within civilian areas.
Civilian deaths in war are tragic. But tragedy alone does not determine intent.
Under the laws of armed conflict, counterterrorism operations require assessing proportionality — weighing anticipated military advantage against potential civilian harm. In each example highlighted by the BBC, evidence of Hezbollah’s presence at the strike locations is difficult to ignore.
The report itself notes that Mohammed expressed support for Hezbollah in Arabic-language interviews, praising the group for “defending Lebanon.” But Lebanon would not require “defending” from repeated wars had Hezbollah not transformed civilian neighborhoods into military infrastructure.
The BBC acknowledges that Mohammed gave pro-Hezbollah views when speaking to local media. Yet Mohammed presents himself differently to international English-speaking audiences. That discrepancy raises an obvious question: why?
The answer may lie even closer to home.
Investigative journalist David Collier revealed that Mohammed’s son, Abbas Khair al-Din, was himself affiliated with Hezbollah, citing martyr posters and Hezbollah imagery at his grave.
Well I found him – and I found his son. This is his son’s grave – full of martyr images and clear Hezbollah affiliation.
These are Hezbollah’s people.
Did your journalist not bother to look at all? Why are you spreading terrorist propaganda? 3/5 pic.twitter.com/Kcm5bJjerF
— David Collier (@mishtal) May 6, 2026
Had the BBC acknowledged these Hezbollah ties, its central framing — that Israel was recklessly targeting civilians — would have become far more difficult to sustain.
This is not the first time the BBC has minimized or erased Hezbollah’s presence in Lebanon.
By omitting Hezbollah’s systematic use of civilian infrastructure, the outlet constructs a narrative in which responsibility falls almost exclusively on Israel while Hezbollah’s role fades into the background.
Most remarkably, despite the evidence presented throughout the report, the BBC still repeats Hezbollah’s denial that it embeds itself among civilians.
5/
The report also repeats Hezbollah’s denial that it embeds itself among civilians.Instead, the terror group claims Israel deliberately targets civilians to pressure them.
The problem? Mohammed’s own words undermine that narrative. pic.twitter.com/nWelmpCFjL
— HonestReporting (@HonestReporting) May 6, 2026
The contradiction is striking: the BBC’s own reporting repeatedly points to Hezbollah activity within civilian areas, yet the outlet still amplifies Hezbollah’s denials with minimal scrutiny.
Not all Lebanese civilians support Hezbollah. But the BBC’s inability — or unwillingness — to feature meaningful Lebanese criticism of the terrorist organization reveals how selective the report truly is.
Hezbollah has effectively held Lebanon hostage, exploiting civilians while dragging the country into repeated cycles of conflict.
There is genuine dissent within Lebanon. Many Lebanese are exhausted by Hezbollah’s dominance and want a future free from perpetual war. Yet those voices are almost entirely absent from the BBC’s report.
The BBC intended its report to portray Israel as conducting a campaign against Lebanese civilians.
Instead, it inadvertently documented something else entirely: Hezbollah’s deep entrenchment within civilian infrastructure.
The report repeatedly presents evidence of Hezbollah activity, Hezbollah support, and Hezbollah-linked individuals in the very locations Israel targeted — while simultaneously attempting to deny or downplay the implications.
When media outlets obscure Hezbollah’s use of civilian areas, they do more than distort the story. They sanitize the conditions Hezbollah itself created.
And in this case, the BBC’s own reporting ultimately undermines the narrative it set out to build.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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My artist grandmother nearly made aliyah. I don’t know what she’d think of Israel today
With Mother’s Day coming up, I can’t help but think of my maternal grandmother, who passed away six years ago. And whenever I start thinking about my grandmother, my mind almost always turns to her art.
My grandmother, Kayla Silberberg, had a brief period where she showed her work in art shows in California, selling a few pieces, but most of her paintings from the ‘60s and ‘70s decorate my parents’ house. The majority of her art is multi-colored and not concerned with realism, the objects and figures often disproportionate, the people always bending in ways that implied a lack of a skeletal system. Only a few of her pieces are literal, and it was mostly early work. However, after she’d stopped painting in the ‘70s due to a career change and a reported lack of inspiration, she acquiesced to my mom’s request that she do a realistic sketch of me. (And she even did two!)
I’ve always been particularly fascinated with a painting she did of Israel in 1968. She compressed the country’s geography, the Western Wall practically attached to the Dome of the Rock, separated from a body of water by a handful of small buildings. The water is divided by barbed wire and on the other side, in the piece’s foreground, is a desert landscape, covered by bushes with orange-yellow flowers and multi-colored cacti. There also appears to be a person in the very front, their back turned to the viewer, wearing some type of full-body garment, the tie around their head waving in the back. A similarly shaped figure in what is more clearly a tallit floats near the Western Wall.

When I asked my mom about the barbed wire, she didn’t know what the impetus was for my grandmother to put it there. We’re not certain that our interpretation — that the foreground is Palestinian territory — is accurate. Is there anything to say about how she painted the figures on either side of the barbed wire in very similar shapes? Is the fact that she painted it one year after the Six-Day War relevant to why she painted it?
These weren’t conversations we had with my grandmother when she was alive, and these could very well be modern projections. My fascination with interpreting the work is more a reflection of the historical moment I’m living in than trying to guess what my grandmother would say about Israel today.
I actually have almost no memories of talking to my grandmother about Israel, with the exception of the story of her and my grandfather’s near attempt to immigrate there sometime in the 1960s. (The story goes that when the immigration office told my grandfather, who held a computer-engineering degree, that Israel already had too many engineers, my grandfather was so insulted that he abandoned the plan.)
It wasn’t that my grandmother was apolitical — one of her paintings is titled “Feminism,” a cryptic collage of male and female faces emerging from a colorful cloud. And no one could ever say she lacked strong opinions. It was just one of those conversations we never got around to.
I was 17 when my grandmother died, just on the cusp of being interested in talking about world events with the adults in my life. I imagine that just a couple years later, I would’ve developed more of a consciousness for talking about heavier topics.
That feeling has grown stronger since I moved to New York almost two years ago. My grandmother grew up in Sheepshead Bay, Brooklyn, in a duplex that had her immediate family on top and her grandparents on bottom. The only real story I have of this time in her life is that she used to tell her Orthodox parents she was going to be with her aunt on Shabbat nights, when actually she was sneaking out to go on dates with boys. When I visited Coney Island for the first time last summer, I wondered if she’d often come there herself, and tried to imagine what it would have been like in the ‘40s and ‘50s.
While talking about this story with my mom, she assured me that I was not alone in this. Her grandmother Chaia was 14-years-old when she immigrated to New York from the Pale of Settlement — the area that the Russian government restricted Jews to — in the early 1900s. My mom told me she never asked Chaia about her experiences before and during her immigration.
It’s not just my grandmother I wish I’d been able to have a relationship with as an adult. There’s also my paternal grandfather, who died when I was 14. I think about the conversations I could’ve had with my cousin Reverend Dr. Katie G. Cannon, the first Black woman ordained in the Presbyterian Church of the United States, if she’d lived just two more years, after I took my first sociology and religious studies classes. What would I have spoken about with my grandmother, who had a later career as a college guidance counselor, if she had lived to see me go to Penn? Or if she had been around for my start at the Forward, which she read every week while it was in print?
I’ve previously written about the project I worked on with my parents, where I recorded conversations with them about all the objects in our home (minus the modern appliances). Through that, I got answers to questions I would’ve never thought to ask about my parents’ lives and had many conversations about my grandmother’s art. But these were mostly surface level observations. And none were about the Israel painting, which ironically had to be moved to storage to make room for my grandmother’s other belongings after she died.
Although I wish I’d had the idea for the project while all four of my grandparents were still alive, I still have the chance to ask my paternal grandmother questions about her life — and his own — that I haven’t thought to ask before. Ultimately, it doesn’t really matter what made Kayla paint Israel the way she did. The fact that her paintings bring up so many emotions and questions for me tells me that she still lives on within my heart.
The post My artist grandmother nearly made aliyah. I don’t know what she’d think of Israel today appeared first on The Forward.
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Miss Israel Melanie Shiraz Says Mamdani’s Wife Snubbed Her Because She’s From Jewish State
Melanie Shiraz being crowned Miss Israel 2025. Photo: Simon Soong | Edgar Entertainment
Melanie Shiraz, who represented Israel in the 2025 Miss Universe pageant, said on Wednesday that the wife of New York City Mayor Zohran Mamdani refused to take a photograph with her because the beauty queen is from the Jewish state.
Shiraz posted on Instagram a video that features a short clip of herself with Rama Duwaji, the first lady of New York City. The Israel native said in the video’s voice-over that she met Mamdani’s wife by chance in a coffee shop in New York City and the two sat next to each other. Duwaji was willing to take a photo with the beauty queen “until she found out that I was Miss Israel; until I told her that as an Israeli, I was disappointed in seeing the kind of rhetoric she was promoting online,” Shiraz said.
“I told her as part of my ideology as an Israeli is to have productive dialogue in which not one side is constantly dehumanized. But despite that, despite the setting being calm, the moment she found out I was Israeli, she refused to have a conversation with me,” continued the graduate of the University of California, Berkeley.
“If you can publicly apologize for dehumanizing Israelis, but you can’t get yourself to humanize one when you come face-to-face with them in real life, what does that say about you and what does that say about the state of our politics considering that is the wife of the mayor of New York City?” Shiraz added.
A Texas-born illustrator with Syrian roots, Duwaji has previously uploaded or “liked” numerous anti-Israel posts on social media. She has also “liked” several online posts that celebrated the deadly Hamas-led terrorist attack against Israelis on Oct. 7, 2023, and even defended the largest single-day massacre of Jews since the Holocaust, describing it as Palestinian “resistance.”
It was discovered that Duwaji shared social media posts praising female Palestinian terrorists who participated in plane hijackings and bombings in the 1960s and early 1970s. In 2015, she shared a post in which someone else wrote that Tel Aviv was occupying Palestinian land and “shouldn’t exist.” Duwaji also illustrated an essay co-edited by a Palestinian-American activist author who described the Oct. 7 attack as “spectacular” and called Jewish Israelis “rootless soulless ghouls.”
In April, Duwaji apologized for “harmful” social media posts she made as a teenager, which included anti-gay and anti-Black language, but did not directly address her more recent anti-Israel social media activity.
Mamdani, who has faced his own share of criticism for anti-Israel comments and actions, has previously defended his wife by saying she is a “private person.”
In the caption of her Instagram video, Shiraz said she was “not particularly” surprised by her interaction with Duwaji at the coffee shop in New York City.
“It is easy to apologize without meaningfully changing one’s behavior,” Shiraz explained. “It is easy to claim opposition to dehumanization in principle, but far more difficult to embody that in practice. She was polite throughout. But the shift in demeanor was evident, and the lack of willingness to engage even more so.”
“I approached the interaction with openness to a genuine, respectful conversation. That openness was not reciprocated,” Shiraz added. “And that, perhaps, is the more telling point: how often this disconnect appears, and how normalized it has become.”
