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A bespectacled, Jewish hypochondriac with literary pretensions and a creepy fascination with his stepson’s girlfriend — Guess who?

What’s with Baum?
By Woody Allen
Post Hill Press, 192 pages, $29

The last Woody Allen film I saw was Blue Jasmine, which won three Academy Awards including Best Actress for Cate Blanchett and Best Screenplay for Allen. The film was released in 2013, six months before Allen’s then 28-year-old daughter, Dylan Farrow, came forward with allegations in an open letter in The New York Times, that Allen had sexually assaulted her when she was a child. This was her first time speaking publicly about a claim that her mother, Mia Farrow, had been making since 1992, after she discovered Allen had been in a sexual relationship with her daughter, Soon Yi. It was in 1992, when Allen’s 21st film, Husbands and Wives, was released in theaters that we, the public, were given a choice: Choose art and go see the film or choose morality and stop watching Woody Allen.

I, still in college, chose art. So did the public; that film sold more tickets than any of his previous films. I’m not going to beat myself up about it now, as I had been groomed by the corrosive 90s culture to pay little attention to the way women were treated by men. A few cultural gems to put you back in the moment: American Pie; Monica Lewinsky; O.J. Simpson; Girls Gone Wild; Britney Spears; Anita Hill.

I congratulated myself at the time, happy I had chosen art, because Husbands and Wives is a masterpiece of storytelling — so what if Farrow is spectacularly humiliated, as she, innocently playing Judy, the wife of the writer, Gabe Roth (played by Allen), has no idea what in reality he has done? Juliette Lewis, or Rain, is a dark-eyed, hair-twisting ingénue in Gabe’s writing class at Columbia. We learn about his feelings for her, and his wife, when he speaks to the audience in a faux-doc style that allows the central characters to share feelings and perspectives on their lives.

By 2014, when Dylan Farrow pled with the public to believe her, eight years after Allen married his wife’s daughter, whom he had helped to raise, I was long done with all that. I chose morality and I chose to believe the victim. I was done with Allen and I was done being groomed by him from the now ubiquitous presence of Mariel Hemingway, or Tracy, as Allen’s 17-year-old onscreen girlfriend in Manhattan, to Rain, with whom Gabe takes great pains to show that the more than three decades between them is normal, as she had many relationships with the “middle aged set.” But in 2014 my decision was an easy choice, right? Woody Allen hasn’t made a movie that I cared to see since that time. (The latest is 2023’s Coup de Chance, a French language film because, bien sur, the French still love him.)

Enter Woody Allen’s debut novel, What’s with Baum?, which one has to read the same way one might now watch a semi-autobiographical Allen feature film: with skepticism, curiosity about the artist’s intent, and a constant longing for subtext. It’s significant to note that this novel by one of America’s most famous directors was not acquired by a mainstream trade publisher but by Post Hill Press. Allen’s 2020 memoir, A Propos of Nothing, was also published out of the mainstream. After workers at Hachette walked out in protest of its impending publication and when Ronan Farrow, Allen’s estranged biological son and bestselling author and journalist, left the publisher in response, the small press, Skyhorse, published it. This acquisition placed Allen alongside such literary luminaries as Melania Trump, RFK Jr., and Blake Bailey, whose biography of Philip Roth was cancelled by W.W. Norton following sexual assault allegations against its author.

Here’s the novel: Asher Baum is a writer in his 50s and he looks familiar: He’s a hypochondriac with a “Semitic” nose; his “Foster Grant black-rimmed glasses [give] him a scholarly air.” “If he were a movie actor,” Allen writes, “he would have played shrinks, teachers, scientists or writers.” He lives in the country with his wife, Connie, even though he hates the country (where to walk after dinner?) and loves Barney Greengrass, which does not exist in the country.

The novel opens with the conceit that Baum has begun to talk to himself, perhaps due to early onset dementia, a device reminiscent of the documentary style that allowed Allen to showcase his inner anxieties and break down the division between public and private in his characters. Technically, it’s also convenient to concretize feelings with words in a screenplay, as everything the viewer needs to know must be said out loud or shown visually. One of the only things that a novel as a genre has got over film is the characters’ interiority, and Allen has made the distinct choice not to use this. So why a novel? I asked myself this often while reading this pleasant debut that, had I not known who the author was, I would have found terribly derivative of Woody Allen. Which is to say, it’s been done before and so much better.

The novel putts along with Asher Baum talking to himself and we learn he has never met his potential as a writer. His wife, his third, whose son Thane has just published a novel to tremendous (if completely unrealistic) acclaim, has cooled to him. Asher believes this might be because of his failure to find success, though it also might be because of the way Baum lusts after other women, with a side of longing for his true love, his first wife, the blonde shiksa, Taylor, who returns to him in the form of Thane’s girlfriend, Sam. Whatever the case, Connie loves Thane and cares for him more than she loves and cares for Baum and while that has always been annoying to Baum, it is now unsustainable, particularly when Thane has gotten all these accolades that should be Baum’s. When Sam takes a ride with Asher into the city, the plot unravels episodically with added moments of predation, racism and misogyny, meant to be skewered or celebrated, one cannot tell. In other words, it’s creepy as hell. But it’s Woody Allen, so we’re used to it. We even, dare I say, long for it.

The thing is, this guy Baum, who references Buster Keaton, Liz Taylor and Montgomery Clift, declares his love for Cole Porter and Gershwin, writes on Olivetti typewriters and hovers over phonographs is supposed to be in his 50s. And these are all the well-known obsessions of Woody Allen, who is 89. Allen might see himself as forever in his 50s, (hey, I am forever 13) but Baum is not. And so, the novel begins to lose its authority.

When the plot thickens (ever so slightly, with lumps) the novelistic devices get messier. There’s a slippery perspective that starts close on Baum then pans out, and there’s an amateurish repetition of exposition in dialogue, another screenwriting tic. The perspective on one occasion defies logic, shifting momentarily to Connie describing her own feelings, which Baum has never tried to understand. And then there are purportedly huge moments — such as when Baum runs into that spectacular ex, Taylor, while he’s with Sam, her doppelganger — which barely leaves a mark on his consciousness or the prose.

What’s with Baum? We don’t know him because Allen has placed him at such a distance. But he wants to be known! And appreciated. He wants to feel up the “Asian” (Japanese or Chinese, her ethnicity flips at random) journalist.  But with novels, the reader needs a reason to turn the page, to know what you’re reading to discover, and Baum as he exists in the woods with Connie, fearing ticks, and all his other Allenesque preoccupations isn’t reason enough. Aside from his two ex-wives and his handsome rich brother, we are also told Baum wrote a play in his youth, “A domestic drama…conflicts, psychological vulnerabilities, foibles and failures abounded alongside the lustful desires and adulterous confidences all up there on the stage for everyone to see.” Sound familiar? And yet this is the most novelistic Allen gets — we as readers are forced to do the analysis; we don’t get anything more.  And here’s the other thing we don’t get: laughs. There is nothing funny about a warmed-over Woody Allen schtick, not on the page anyway.

So why a novel? Why did Woody Allen write this in this form? The notions are cinematic. Just after the climax (suffice it to say that Allen’s love of Chekhov is in evidence as the Act I gun does of course go off), Allen writes, “In a film this would be a fade-out…Go to black and then fade up weeks later.” What’s with Baum? ends like this. We never get back to what it would be if this were a novel, which, hello? it is.

The ending, which brings the reader out of the story, reminded me again of Husbands and Wives. Mia Farrow’s Judy is meek and mousy and yet through her passive aggression manages to get everything she wants. Fine. Sidney Pollack’s Jack drags his hot aerobics instructor girlfriend, also named Sam, out of a party by her hair and we are on his side. Fine. And Gabe Roth has succeeded in normalizing a relationship with Rain. Fine. For her birthday, at a party at her parents’ well-appointed Upper East Side apartment, Gabe has brought her a delicate jewelry box that, when it’s opened and the ballerina spins, plays Kurt Weill’s “It Never Was You.” (Judy Garland sang this in her final film. If you want to hear her sing it, go ahead — it will undo you.)

The song’s title foretells the film’s finale: A thunderstorm, an open window, a kiss. And then, the hook!  Gabe tells Rain they can’t be in a relationship, what with her, a student, and so young! Rain is of course disappointed, but she understands. It never was you, you see. And we believe Gabe, we do, because we have always believed Woody Allen, even if we can see it now so clearly for what it is. But then, in the denouement, breaking that fourth wall, Allen tells the camera that he’s working on a new novel, which he explains is less confessional, more political. And then, astonishingly, Allen turns to the camera, looks the viewer in the eye and says, “Can I go? Is this over?”

And, with that, it was.

When I went to purchase What’s With Baum?, the bookseller wouldn’t look at me. “I’m reviewing this,” I said, by way of explanation, and she breathed out, relieved. It’s a political act to read this novel. It is not the 90s. I am no longer a college girl sitting around a seminar table hoping to one day be a writer, my professor also trying to kiss me (no stormy night, no music box, but I still have a pile of signed books, all his). Is it fair to bring up the movies? I think so — those films were brilliant and complicated and funny and they captured a time, long-gone now. A novel can also do all of those things. This one, Woody Allen’s debut, relies on what we’ve already read and seen and witnessed. But you won’t learn anything you don’t already know.

 

The post A bespectacled, Jewish hypochondriac with literary pretensions and a creepy fascination with his stepson’s girlfriend — Guess who? appeared first on The Forward.

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When it comes to Israel/Palestine, everyone is sure that everyone else is a bigot

Welcome to the Great Hardening, in which Zionists and Anti-Zionists have each decided that the other side is made up of Nazis.

Literally.

For many on the Hard Left, all Zionists are Genociders. Doesn’t matter if you’re in Standing Together or Smol Emuni — Zionism is settler colonialism and entails genocide. And on both the Hard Right and what I have come to call the Hard Center, Anti-Zionists are Antisemites. Doesn’t matter if you’re Jewish, or even a rabbi — all anti-Zionism, and even strong criticism of Israel, is antisemitism and thus bigotry.

As is typical of this decade of purity politics, each side embodies their rigidity by excluding the impure from the camp, as Leviticus 13:46 commands. On the Hard Left, some of my own progressive communities now explicitly ban “Zionists” (as they understand the term) from participation — at one event, a community meeting was halted because one person identified themselves as Israeli. Israeli DJs, including some who are vocally critical of Netanyahu and others who have “renounced their Israeliness,” have been banned at venues in London, Belgium and New York. Radical inclusion does not include “genociders.”

The Hard Center is equally uncompromising, defining its political opponents (often including liberal Zionists) as bigots who must be defeated, deplatformed and delegitimized. Anti-Zionist Jews aren’t even Jews, they say, and the term “genocide” is a blood libel. I have seen this firsthand as well; since daring to consider whether the term might apply to Gaza, I have not been invited as a scholar in residence or keynote speaker by a single mainstream Jewish organization. Meanwhile, leading institutions of the New York Jewish community now platform centrist or right-wing speakers exclusively, including at religious events happening next week.

On the Left, Right and Center, I have seen artists, academics, writers and musicians de-platformed for not condemning Israel, not condemning Hamas, mentioning Oct. 7, not mentioning Oct. 7, or issuing one’s condemnations without invoking the appropriate shibboleths. And, like the Levitical tzaraat, wrong views are contagious. If you fail to condemn someone who fails to condemn Israel, or Hamas, or antisemitism, or the occupation, then you are condemned.

As Shaul Magid has recently written, the limits of pluralism seem to have been redefined — and tightened. American Jews can accommodate disagreement on theology, halachic observance, intermarriage, LGBTQ inclusion and American politics — but not Israel. Magid himself was recently informed by a synagogue that “no one who is not a Zionist is permitted to speak from the pulpit.” (He identifies as a post-Zionist.) Meanwhile, students who privately protested the choice of Israeli President Isaac Herzog to speak at the JTS graduation had their jobs and livelihoods threatened as a result.

I know that there are many of us who feel caught between the Hard Left and Hard Center (and aren’t engaged with the Hard Right). Present company included, we are exhausted by all the shouting and shadow-banning. Is there nothing we can do about this? Is it just the new normal?

I want to make a case for a softening of the Hard Places — but I admit to some pessimism, because doing so may require a rethinking of what political arguments are really about. And the prescription I offer is thus, well, a little “soft.”

By which I mean: It addresses the real sources of all this hardening, which are emotional, and even spiritual. I mean a softening of the hard walls — built out of certainty, rage, and trauma — that demarcate the boundaries of pure and impure.

I don’t mean resolving our disagreements or pretending they don’t matter. They do matter. I also don’t mean centrism; writing this article, I took one of those online political quizzes and on a scale of 100, with 100 being the most conservative, I scored 15 on economic issues and 10 on social issues. That’s not the center.

What I mean is that our responses to these disagreements are not a matter of political ideology, but of more primal, instinctual drives. Consider: When someone says something you find strongly objectionable, how do you feel, physically? Often the response is physical disgust — like our Israelite ancestors, we want to put the defilement outside the camp. This is not an accident: Neuroscientists tell us that moral disgust activates the same parts of the brain as physical disgust. Which makes sense evolutionarily — it’s safest to keep the contaminant far away — but which affects how we tolerate dissent and disagreement in our midst. Often, we are repulsed by it.

Or consider this: Take a moment to reflect on how you feel — psychologically, tribally, morally, physically — about (take your pick) Israel or Palestine. Speaking for myself, I grew up loving Israel. Even before I visited it (in 1987, on a USY teen trip), I understood that it was the only place where I could feel fully at home. My group was in the majority. I could eat in all the restaurants. And I hated anyone who hated it. I had no space, intellectually or emotionally, for their narrative of 1948. And I still, to this day, have a love for the land and culture of Israel, where I lived for three years.

Is it not obvious that, when we love a person or place or country, we might be biased toward it?

Or maybe you’re on the other side of the emotional-political spectrum. Maybe you are in communities or close relationships with Muslims, Arabs, or others who have family directly impacted by Israel’s actions in Gaza, the West Bank, Lebanon, or Iran. Maybe you have seen videos or movies of atrocities in those places — of innocent children dead or maimed, of entire cities flattened by a supposedly defensive war. So of course you have emotional as well as political responses; you wouldn’t be human if you didn’t.

No wonder the Left and Center are putting up walls. They are in pain. And, as the saying goes, hurt people hurt people.

This is why nationalists never want to see the suffering on the other side. The cognitive and emotional dissonance is unbearable. The people you love have done horrible things. The enemy is not entirely evil; in fact there are many innocent people who have suffered. Their blood, too, cries out from the ground.

Now can you reread the preceding paragraph from the other ‘side’?  Maybe the real sides aren’t Israel and Palestine, but Coexistence and Violence.

If these last few paragraphs sound a little ‘soft’, that is the point. Paraphrasing Rev. Dr. Martin Luther King, Jr., hardness cannot drive out hardness. Only softness can do that: coming to see our own pain, sharing vulnerability and uncertainty, and understanding that questions of Palestine and Israel are as emotional as they are political, for all sides of the debate, including the center and right.

I am not naïve here, which is why I am pessimistic. I know, obviously, that the Hard Left, Hard Right, and Hard Center are composed precisely the people least interested in processing our grief or leading with vulnerability. But that doesn’t mean their trauma isn’t there. They’re just enacting it unconsciously rather than consciously.

They may seem like the strong ones, but they are not strong enough to face their own pain.

But doing this kind of inner work is not impossible; I have seen it work in my own life. And then seeing multiple narratives, cultivating intellectual humility, and recognizing that, in fact, there are coherent worldviews on all sides — all that becomes the easy part. When it comes to Israel/Palestine, I have Socialist and Jewish Voice for Peace friends whom I regularly consult for their takes, and I have Security Hawk and Soft Center (by which I mean: sad that coexistence seems impossible, but not hardened or nationalist) friends with whom I do the same. It works because we have been friends for a long time, and when we have argued intensely in the past, there’s been time to let the anger cool. We are invested in one another as people, not as bearers of positions. And when I see myself getting triggered, I step back from the brink.

Maybe we need a change of Jewish metaphor, away from Leviticus and its lepers, and toward the Talmudic sages and their modeling of constructive disagreement. Sincere debate, they said, is l’shem shamayim — for the sake of heaven. And when the disagreement cannot be resolved, elu v’elu divrei Elohim Chayim; both views are the words of the living God. The sage Rabbi Meir even continued to learn from Elisha Ben Avuyah after he committed apostasy.

These rabbis were not softies; they resisted imperialism, created a new form of religious life, and probably saved the Jewish people. Many of them were martyred. And yet they were ‘soft’ in the best ways: They were emotionally, spiritually and intellectually permeable, and, though still limited by their culture in many ways (sexism, for example), they were able to live in community even while strongly disagreeing with one another.

Can we?

The post When it comes to Israel/Palestine, everyone is sure that everyone else is a bigot appeared first on The Forward.

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Elected PA Jewish judge leaves Democratic party, citing ‘disturbingly common’ antisemitism

(JTA) — An elected Supreme Court justice in Pennsylvania announced Monday night that he has left the Democratic Party and registered as an independent, citing concerns about antisemitism.

In a statement, David Wecht, who is Jewish and served as Pennsylvania’s Democratic Party chair from 1998 to 2001, said he believed antisemitism has moved from the fringe of the Democratic Party to the mainstream.

“Nazi tattoos, jihadist chants, intimidation and attacks at synagogues, and other hateful anti-Jewish invective and actions are minimized, ignored, and even coddled,” he wrote. “Acquiescence to Jew-hatred is now disturbingly common among activists, leaders and even many elected officials in the Democratic Party.”

Wecht wrote that he had long understood that antisemitism “always festered on the fringe” of the right, a fact that hit home in 2018 when a far-right shooter killed 11 people at the Tree of Life synagogue in Pittsburgh where he and his wife were married in 1998.

“In the years that have followed, that same hatred has grown on the left,” he said in his statement. “It is the duty of all good people to fight this virus, and to do so before it is too late.”

Wecht previously made national headlines for his 2020 ruling against an effort to overturn President Joe Biden’s victory in Pennsylvania.

Through a spokesperson, Wecht declined to be interviewed about his exit from the Democratic Party.

Wecht’s comments come as Democrats wrestle with a range of internal tensions over antisemitism. The ascent of Graham Platner, an oyster farmer who recently covered up a Nazi Totenkopf skull-and-crossbones tattoo, to become Maine’s Democratic candidate for Senate, and the increasing coziness between some progressive politicians and Hasan Piker, the leftist streamer who has said he favors Hamas over Israel, have particularly alarmed some members of the Jewish community.

Wecht is the son of renowned forensic pathologist Cyril Wecht, who was involved in investigating the assassination of President John F. Kennedy. Wecht’s mother, translator Sigrid Ronsdal, spent the first six years of her life living under Nazi occupation in Norway.

“I know David and his legendary father, Cyril,” Pennsylvania Sen. John Fetterman, who has clashed with his party over Israel, tweeted following Wecht’s announcement. “As I’ve affirmed, I’m not changing my party—but I fully understand David’s personal choice. The Democratic Party must confront its own rising antisemitism problem.”

The post Elected PA Jewish judge leaves Democratic party, citing ‘disturbingly common’ antisemitism appeared first on The Forward.

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At Abraham Foxman’s funeral, an elegy for the last generation with direct ties to the Holocaust

(JTA) — As mourners gathered Tuesday for the funeral of Abraham Foxman, they were saying goodbye not only to one of the most influential Jewish leaders of the last half-century, but to one of the dwindling number whose moral authority was forged in the Holocaust itself.

Foxman, who died Sunday at 86, spent decades as one of the world’s most recognizable Jewish advocates, serving for nearly 30 years as the ADL’s top professional and another two decades before that in its leadership ranks. Presidents sought his counsel. Antisemites sought his absolution. Popes welcomed him. Prime ministers argued with him.

Many of the speakers at Park Avenue Synagogue credited his accomplishments to his outsized personality, his sense of humor and his intuitive leadership skills. And yet his past hung heavy over the funeral, which also served as an elegy for the last generation of survivors and how, like Foxman, they shaped Jewish communal life in the years after World War II and the founding of Israel. Born in Poland, Foxman survived the war in the care of his Catholic nanny.

“His life story of rising from the ashes is our story,” said Israel’s president, Isaac Herzog, in a video tribute. “It is the story of our people born in the world at war. The Holocaust shaped Abe’s character and defined his mission to combat antisemitism and hypocrisy, to call up racism and bias, to speak up for the Jewish people and a Jewish democratic state of Israel.”

Others recalled that beyond fighting antisemitism, Foxman’s past inspired him to build a communal juggernaut that championed pluralism, democracy and civil rights.

“He knew exactly what the absence of those things looked like,” said Stacy Burdett, a former ADL colleague, referring to the Holocaust. “Abe lived in our world as a moral witness, not just to what human beings can survive, but to what they’re obligated to defend.”

Packing the sanctuary were Jewish communal leaders, former ADL colleagues and bold-face Jewish activists such as the lawyer Alan Dershowitz and the New England Patriots owner Robert Kraft. (Not able to attend was Jonathan Greenblatt, Foxman’s successor at ADL, whose mother died in Florida on Saturday.)

When they weren’t recalling Foxman’s early trauma and subsequent accomplishments, eulogists painted a portrait of a Jewish communal warrior as a consummate hugger.

Thomas Friedman sent a video tribute, recalling how they met when the future New York Times columnist was a camper and Foxman was a counselor at Herzl Camp in Webster, Wisconsin. (That’s also where Foxman met his wife, Golda, who survives him, as do his two children and four grandchildren.) Friedman said that no matter how often or angrily they disagreed over something Friedman had written, usually about Israel, Foxman would sign off with affection.

“It’s true, if Abe really disagreed with you, you always knew because his text would end ‘love you, hugs,’” said Burdett. “The more strongly he disagreed, the more hugs and the more emojis.”

Former White House domestic policy adviser Susan Rice, in a video tribute, recalled shouting matches with Foxman during the Biden administration that left aides outside her office terrified.

“And when Abe and I emerged laughing and hugging,” she said, “we both had to reassure my team that all was fine, that we loved each other and not to worry.”

Rice credited Foxman with helping shape the Biden administration’s national strategy to combat antisemitism, and thanked him for defending her when others attacked her personally for administration positions on Iran and Israel.

But even as his children and grandchildren recalled Foxman as a family man, the shadow of the Holocaust fell across the synagogue’s ornate, Moorish-style sanctuary.

“You were a hidden child,” his daughter Michelle said, “and at the same time, you sought to hide the trauma from your children.”

She said she learned much of her father’s Holocaust story not from conversations at home but from his speeches, interviews and articles.

Foxman, who became ADL’s national director emeritus when he stepped down in 2015, was certainly among the last survivors to lead a major Jewish organization.

Fewer and fewer of those witnesses remain; according to the Claims Conference, as of January 2026, an estimated 196,600 Jewish Holocaust survivors are still alive. Nearly all are “child survivors” who were born after 1928.

In discussing how Foxman’s childhood shaped his activism, Sarah Bloomfield, director of the United State Holocaust Memorial Museum, recalled his traumatic childhood. His Polish Jewish parents fled to present-day Vilnius after the Nazi invasion of Poland; when Vilnius too came under Nazi control, his parents left him in the care of his nanny, who baptized him as a Catholic.

“This is what he said: ‘I’m only here because one Polish woman made a choice to save a Jewish child,’” Bloomfield recalled Foxman telling her. “She risked her life to protect the life of another human being, a Jewish child in Hitler’s Europe. Her name was Bronislawa Kurpi.”

Rabbi Elliot Cosgrove, senior rabbi of Park Avenue Synagogue, said Foxman was less interested in the “logistics” behind his survival (he and his parents were only reunited after several bitter lawsuits) than in the “singular moral act” of his rescuer. “In a world consumed by fire,” Cosgrove said, “one human being chose courage, one person chose decency, one person chose light.”

His grandson Gideon recalled asking Foxman how his history shaped his life’s work.

“He said that he felt obligated to make something of himself so that all the other Jewish children who perished in the Holocaust didn’t die in vain,” Gideon said.

And up until the end, said Burdett, Foxman was still feeling that obligation, shaped by a cataclysm that for many is becoming a distant memory, when recalled at all.

She recited his remarks last year during Yom Hashoah ceremonies at the U.S. Capitol.

“As a [Holocaust] survivor, my antenna quivers when I see books being banned, when I see people being abducted in the streets, when I see government trying to dictate what universities should teach and whom they should teach,” Foxman said at the time. “As a survivor who came to this country as an immigrant, I’m troubled when I hear immigrants and immigration being demonized.”

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