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A bespectacled, Jewish hypochondriac with literary pretensions and a creepy fascination with his stepson’s girlfriend — Guess who?
What’s with Baum?
By Woody Allen
Post Hill Press, 192 pages, $29
The last Woody Allen film I saw was Blue Jasmine, which won three Academy Awards including Best Actress for Cate Blanchett and Best Screenplay for Allen. The film was released in 2013, six months before Allen’s then 28-year-old daughter, Dylan Farrow, came forward with allegations in an open letter in The New York Times, that Allen had sexually assaulted her when she was a child. This was her first time speaking publicly about a claim that her mother, Mia Farrow, had been making since 1992, after she discovered Allen had been in a sexual relationship with her daughter, Soon Yi. It was in 1992, when Allen’s 21st film, Husbands and Wives, was released in theaters that we, the public, were given a choice: Choose art and go see the film or choose morality and stop watching Woody Allen.
I, still in college, chose art. So did the public; that film sold more tickets than any of his previous films. I’m not going to beat myself up about it now, as I had been groomed by the corrosive 90s culture to pay little attention to the way women were treated by men. A few cultural gems to put you back in the moment: American Pie; Monica Lewinsky; O.J. Simpson; Girls Gone Wild; Britney Spears; Anita Hill.
I congratulated myself at the time, happy I had chosen art, because Husbands and Wives is a masterpiece of storytelling — so what if Farrow is spectacularly humiliated, as she, innocently playing Judy, the wife of the writer, Gabe Roth (played by Allen), has no idea what in reality he has done? Juliette Lewis, or Rain, is a dark-eyed, hair-twisting ingénue in Gabe’s writing class at Columbia. We learn about his feelings for her, and his wife, when he speaks to the audience in a faux-doc style that allows the central characters to share feelings and perspectives on their lives.
By 2014, when Dylan Farrow pled with the public to believe her, eight years after Allen married his wife’s daughter, whom he had helped to raise, I was long done with all that. I chose morality and I chose to believe the victim. I was done with Allen and I was done being groomed by him from the now ubiquitous presence of Mariel Hemingway, or Tracy, as Allen’s 17-year-old onscreen girlfriend in Manhattan, to Rain, with whom Gabe takes great pains to show that the more than three decades between them is normal, as she had many relationships with the “middle aged set.” But in 2014 my decision was an easy choice, right? Woody Allen hasn’t made a movie that I cared to see since that time. (The latest is 2023’s Coup de Chance, a French language film because, bien sur, the French still love him.)
Enter Woody Allen’s debut novel, What’s with Baum?, which one has to read the same way one might now watch a semi-autobiographical Allen feature film: with skepticism, curiosity about the artist’s intent, and a constant longing for subtext. It’s significant to note that this novel by one of America’s most famous directors was not acquired by a mainstream trade publisher but by Post Hill Press. Allen’s 2020 memoir, A Propos of Nothing, was also published out of the mainstream. After workers at Hachette walked out in protest of its impending publication and when Ronan Farrow, Allen’s estranged biological son and bestselling author and journalist, left the publisher in response, the small press, Skyhorse, published it. This acquisition placed Allen alongside such literary luminaries as Melania Trump, RFK Jr., and Blake Bailey, whose biography of Philip Roth was cancelled by W.W. Norton following sexual assault allegations against its author.
Here’s the novel: Asher Baum is a writer in his 50s and he looks familiar: He’s a hypochondriac with a “Semitic” nose; his “Foster Grant black-rimmed glasses [give] him a scholarly air.” “If he were a movie actor,” Allen writes, “he would have played shrinks, teachers, scientists or writers.” He lives in the country with his wife, Connie, even though he hates the country (where to walk after dinner?) and loves Barney Greengrass, which does not exist in the country.
The novel opens with the conceit that Baum has begun to talk to himself, perhaps due to early onset dementia, a device reminiscent of the documentary style that allowed Allen to showcase his inner anxieties and break down the division between public and private in his characters. Technically, it’s also convenient to concretize feelings with words in a screenplay, as everything the viewer needs to know must be said out loud or shown visually. One of the only things that a novel as a genre has got over film is the characters’ interiority, and Allen has made the distinct choice not to use this. So why a novel? I asked myself this often while reading this pleasant debut that, had I not known who the author was, I would have found terribly derivative of Woody Allen. Which is to say, it’s been done before and so much better.
The novel putts along with Asher Baum talking to himself and we learn he has never met his potential as a writer. His wife, his third, whose son Thane has just published a novel to tremendous (if completely unrealistic) acclaim, has cooled to him. Asher believes this might be because of his failure to find success, though it also might be because of the way Baum lusts after other women, with a side of longing for his true love, his first wife, the blonde shiksa, Taylor, who returns to him in the form of Thane’s girlfriend, Sam. Whatever the case, Connie loves Thane and cares for him more than she loves and cares for Baum and while that has always been annoying to Baum, it is now unsustainable, particularly when Thane has gotten all these accolades that should be Baum’s. When Sam takes a ride with Asher into the city, the plot unravels episodically with added moments of predation, racism and misogyny, meant to be skewered or celebrated, one cannot tell. In other words, it’s creepy as hell. But it’s Woody Allen, so we’re used to it. We even, dare I say, long for it.
The thing is, this guy Baum, who references Buster Keaton, Liz Taylor and Montgomery Clift, declares his love for Cole Porter and Gershwin, writes on Olivetti typewriters and hovers over phonographs is supposed to be in his 50s. And these are all the well-known obsessions of Woody Allen, who is 89. Allen might see himself as forever in his 50s, (hey, I am forever 13) but Baum is not. And so, the novel begins to lose its authority.
When the plot thickens (ever so slightly, with lumps) the novelistic devices get messier. There’s a slippery perspective that starts close on Baum then pans out, and there’s an amateurish repetition of exposition in dialogue, another screenwriting tic. The perspective on one occasion defies logic, shifting momentarily to Connie describing her own feelings, which Baum has never tried to understand. And then there are purportedly huge moments — such as when Baum runs into that spectacular ex, Taylor, while he’s with Sam, her doppelganger — which barely leaves a mark on his consciousness or the prose.
What’s with Baum? We don’t know him because Allen has placed him at such a distance. But he wants to be known! And appreciated. He wants to feel up the “Asian” (Japanese or Chinese, her ethnicity flips at random) journalist. But with novels, the reader needs a reason to turn the page, to know what you’re reading to discover, and Baum as he exists in the woods with Connie, fearing ticks, and all his other Allenesque preoccupations isn’t reason enough. Aside from his two ex-wives and his handsome rich brother, we are also told Baum wrote a play in his youth, “A domestic drama…conflicts, psychological vulnerabilities, foibles and failures abounded alongside the lustful desires and adulterous confidences all up there on the stage for everyone to see.” Sound familiar? And yet this is the most novelistic Allen gets — we as readers are forced to do the analysis; we don’t get anything more. And here’s the other thing we don’t get: laughs. There is nothing funny about a warmed-over Woody Allen schtick, not on the page anyway.
So why a novel? Why did Woody Allen write this in this form? The notions are cinematic. Just after the climax (suffice it to say that Allen’s love of Chekhov is in evidence as the Act I gun does of course go off), Allen writes, “In a film this would be a fade-out…Go to black and then fade up weeks later.” What’s with Baum? ends like this. We never get back to what it would be if this were a novel, which, hello? it is.
The ending, which brings the reader out of the story, reminded me again of Husbands and Wives. Mia Farrow’s Judy is meek and mousy and yet through her passive aggression manages to get everything she wants. Fine. Sidney Pollack’s Jack drags his hot aerobics instructor girlfriend, also named Sam, out of a party by her hair and we are on his side. Fine. And Gabe Roth has succeeded in normalizing a relationship with Rain. Fine. For her birthday, at a party at her parents’ well-appointed Upper East Side apartment, Gabe has brought her a delicate jewelry box that, when it’s opened and the ballerina spins, plays Kurt Weill’s “It Never Was You.” (Judy Garland sang this in her final film. If you want to hear her sing it, go ahead — it will undo you.)
The song’s title foretells the film’s finale: A thunderstorm, an open window, a kiss. And then, the hook! Gabe tells Rain they can’t be in a relationship, what with her, a student, and so young! Rain is of course disappointed, but she understands. It never was you, you see. And we believe Gabe, we do, because we have always believed Woody Allen, even if we can see it now so clearly for what it is. But then, in the denouement, breaking that fourth wall, Allen tells the camera that he’s working on a new novel, which he explains is less confessional, more political. And then, astonishingly, Allen turns to the camera, looks the viewer in the eye and says, “Can I go? Is this over?”
And, with that, it was.
When I went to purchase What’s With Baum?, the bookseller wouldn’t look at me. “I’m reviewing this,” I said, by way of explanation, and she breathed out, relieved. It’s a political act to read this novel. It is not the 90s. I am no longer a college girl sitting around a seminar table hoping to one day be a writer, my professor also trying to kiss me (no stormy night, no music box, but I still have a pile of signed books, all his). Is it fair to bring up the movies? I think so — those films were brilliant and complicated and funny and they captured a time, long-gone now. A novel can also do all of those things. This one, Woody Allen’s debut, relies on what we’ve already read and seen and witnessed. But you won’t learn anything you don’t already know.
The post A bespectacled, Jewish hypochondriac with literary pretensions and a creepy fascination with his stepson’s girlfriend — Guess who? appeared first on The Forward.
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Canadian Senate Report on Antisemitism Calls for Hate Crime Units Nationwide, Guarding Synagogues From Protesters
People attend Canada’s Rally for the Jewish People at Parliament Hill in Ottawa, Ontario, in December 2023. Photo: Shawn Goldberg via Reuters Connect
Canada’s Senate on Tuesday released a report which offered a comprehensive roadmap for countering rising Jew-hatred across the country, urging multiple reforms including an expansion of law enforcement resources to investigate hate crimes, a boost in Holocaust education, and implementation of a digital literacy program for youth.
Jews remain the top targets of religiously motivated hate crimes, with Deborah Lyons, the former special envoy on preserving Holocaust remembrance and combating antisemitism, reporting that the Jewish community comprises one percent of the Canadian population but experiences 70 percent of all such hate crimes.
Jews are also the top targets for hate crimes overall in Canada.
Public Safety Canada documented 1,345 hate crimes targeting religious groups in 2023, a 75 percent leap from 2022, with 71 percent targeting Jews.
“Standing United Against Antisemitism: Protecting Communities and Strengthening Canadian Democracy,” the report from the Senate Standing Committee on Human Rights (RIDR), cites an alarming update from the Jewish Parents of Ottawa Students Association.
“Jewish students opt to conceal their identity rather than confront the distressing realities of derogatory name-calling, character assassinations, isolation, and peer rejection,” the group says. “In more extreme circumstances, children as young as seven years old have encountered harassment, intimidation, physical assault, threats of both physical and sexual violence, and even death threats.”
Justin Hebert, a former student and a former president of the Jewish Law Students Association at the University of Windsor, discussed encountering peers who advocated for atrocities. As documented by the Senate report, he asked, “How can I be expected to have a meaningful conversation with the student who told me the murder of Israelis is always justified while Israeli students are actively enrolled at the school, or that rape is a legitimate form of resistance, or that babies can be taken hostage if their parents are colonizers?”
The report also describes antisemitic incidents in medical settings and even at rape crisis centers.
According to a written brief submitted by Doctors Against Racism and Antisemitism, in one example “staff physicians at a major children’s hospital [were] being told to remove pins expressing solidarity with civilians held by Hamas in Gaza, but that pins expressing opposition to Israel were not restricted in the same way. The organization also cited examples of medical residents refusing to work with their Jewish colleagues, and of movements to boycott Israeli-produced pharmaceuticals, ‘compromis[ing] patient care and professional ethics.’”
Revi Mula, vice-president of Canadian Women Against Antisemitism, said that “rape crisis centers, shelters, and women’s organizations have” excluded Jewish women, linking their identity with Israel’s actions in Gaza. “Jewish women also face gendered antisemitism. They are subjected to slurs,” Mula said.
The report offers 22 recommendations to counter this revival of the world’s oldest hatred. Foremost among them is the reinstating of a “Special Envoy on Preserving Holocaust Remembrance and Combating Antisemitism.” Other key steps the report emphasizes include establishing a Digital Safety Commission and ensuring that the Advisory Council on Rights, Equality, and Inclusion includes a focus on antisemitism in its mandate.
The commission also explores expanding efforts to counter hate crimes through growing law enforcement resources.
The 15th recommendation calls for the Canadian government and Royal Canadian Mounted Police to “work with provincial and territorial governments to establish and effectively resource specialized hate crime units in all major cities and regions across Canada, with a focus on education, community outreach, investigation, disaggregated data collection, information sharing, prosecution, and deradicalization efforts.”
Nearly a third of the recommendations reference education. The 10th urges the Canadian government to “develop and support digital literacy and social media education initiatives, including model materials and funding for programs, that help young Canadians recognize misinformation, disinformation, radicalization, extremist narratives, and online hate.”
Independent Senator Paulette Senior chaired the committee which drafted the 73 pages of analysis and recommendations.
“Canadians must stand united against antisemitism,” she said in a statement. “It is only by coming together to celebrate our shared values that we can thrive as a country. Antisemitism is a clear and present danger to our free and democratic society.”
Richard Robertson, director of research and advocacy at B’nai Brith Canada, praised the report, noting the inclusion of the organization’s ideas.
“B’nai Brith Canada applauds RIDR for elevating our recommendations to confront hate in this country,” he said. “We will continue to work with the Senate to ensure that these recommendations result in changes on the ground that benefit everyone in our society.”
According to the group’s latest audit of antisemitism in Canada released last year, antisemitic incidents in 2024 rose 7.4 percent from 2023, with 6,219 adding up to the highest total recorded since it began tracking such data in 1982. Seventeen incidents occurred on average every day, while online antisemitism exploded a harrowing 161 percent since 2022. As standalone provinces, Quebec and Alberta saw the largest percentage increases, by 215 percent and 160 percent, respectively.
B’nai Brith Canada cited four of its recommendations appearing in the Senate report: the call for an interdepartmental task force to address antisemitism in Canada, the digital literacy program for youth, the antisemitism focus on the Advisory Council, and an increase in antisemitism education for students.
“The Senate has listened to the community and produced pertinent and tangible recommendations to confront antisemitism in this country,” Simon Wolle, the Jewish advocacy group’s chief executive officer, said in a statement. “Now, it falls on the government to translate these recommendations into action.”
Noah Shack, CEO of the Center for Israel and Jewish Affairs (CIJA), also urged swift implementation.
“The Senate’s report on antisemitism comes at a moment of crisis. As Jewish institutions face violent attacks and Jewish Canadians experience unparalleled levels of hate crimes, antisemitism is no longer confined to the margins — it has spread across our society and institutions,” Shack said. “In fact, the committee’s report and the hearings platform extremist voices calling for the destruction of those who support Israel.”
Shack emphasized that CIJA especially appreciated “the rooting of recommendations in agencies dedicated to law enforcement and intelligence, as this is crucial to combat antisemitism and the growth of radicalism both at our borders and inside our country.”
The 17th recommendation calls for the establishment of “narrowly tailored ‘safe access’ or ‘bubble zone’ measures where appropriate to protect access to certain religious institutions, places of worship, and community spaces.” This instruction came following years of objections by Jews attending synagogues when anti-Israel demonstrators would specifically disrupt and intimidate services.
Conservative Senator Mary Jane McCallum noted this problem, saying that “everyone in Canada deserves to feel safe. The increase in antisemitic rhetoric and attacks at places of worship and education is beyond troubling — it is a cry for action.”
The commissioners also considered the threat of antisemitism spreading on social media.
“Social media has been a conduit for antisemitic ideas, exposing young people, who may lack an understanding of history, to an unregulated and unverified source of information,” said Independent Senator Mary Robinson. “Education, by ensuring students know how to critically evaluate online content, is a powerful inoculant against the cheap pull of hatred.”
At a press conference on Tuesday morning announcing the report, Independent Saskatchewan Senator David Arnot insisted on “no dithering,” adding, “We have to have action. The time is now.”
“The plain truth is that Jewish Canadians are under attack in this country,” added Conservative Senator Leo Housakos. “They are under attack where they live, where they worship, and in their schools. And it seems that every day seems to bring in new events that might have been unthinkable just a few short years ago.”
Emphasizing the role law enforcement plays in the fight, Housakos said the report also recommends “training for police and judges to improve their ability to identify and respond to hate crimes and to better react when mobs of protesters feel entitled to march through Jewish neighborhoods chanting hateful slogans, and when synagogues and schools get shot at.”
Housakos added, “To be a Jew in Canada should not mean that you become a target. It’s time to acknowledge this and to swiftly respond, so that Jews in Canada no longer have to live in fear.”
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An Orthodox Jewish hooper famous for viral dunks aims to break Division-I boundaries
A yarmulke-wearing basketball prospect who gained online fans with highlight-reel dunks announced his next major leap Wednesday: He’ll try to be the first Orthodox player to play four years of Division-I college basketball.
Chaim Galbut, a 6-foot-7 wing who played high school basketball for Miami Country Day School, a nondenominational Jewish K-12 school, before graduating in 2025, announced in an Instagram post that he will attend Duquesne University in the fall.
A post from the basketball outlet DraftExpress reported that Duquesne, a Catholic university in Pittsburgh, had discovered Galbut on social media.
Galbut said last year that his refusal to compete on Shabbat had meant turning down offers from other colleges.
“I’m like, I don’t play on Shabbos, they’re like, ‘Well, we don’t want you,’” Galbut told the Yeshiva League Pass Tip Off podcast in September. “It’s happened so many times, I can’t tell you. I’m like, ‘All right, that’s cool. Like, don’t worry, you’ll see me soon.’”
Galbut did not immediately respond to an inquiry.
Largely unknown outside of the Orthodox world during high school, Galbut’s moment in the spotlight did not come until after he graduated, when video of him throwing down dunks on the summer travel circuit, posted by a popular basketball channel, received more than 100,000 likes on TikTok.
He spent the next school year studying at a yeshiva in Israel.
Duquesne finished last season with 18 wins and 15 losses. The university last appeared in the NCAA Tournament in 2024, when they lost in the round of 32.
At least one other Orthodox hooper has played in Division I: Tamir Goodman, who started his career at Towson University in 2000 but left the program after two years.
And other Orthodox players have played for Christian schools in Division III — Ze’ev Remer played four years at California Lutheran University, graduating this year.
The post An Orthodox Jewish hooper famous for viral dunks aims to break Division-I boundaries appeared first on The Forward.
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Former Columbia professor tells NYU students to learn from Hamas at off-campus event
A group called Shut it Down NYU hosted an off-campus event near New York University on Tuesday that featured a lecture by Mohamed Abdou, a former Columbia University professor at the Middle East Studies Institute. During his two-hour-long lecture, Abdou told students they had much to learn from Hamas and other armed groups, including lessons from the planning of the Oct. 7 attacks and even martyrdom.
Abdou, whose employment at Columbia drew criticism during 2024 congressional hearings about campus antisemitism, leading to a contentious split between him and the university, has taught at numerous other universities, including Cornell University and the University of Toronto. He appeared via Zoom at the Tuesday event as the sole speaker. Roughly 10 people attended the gathering in person at a park near campus, with about 30 more joining online. A meal was provided for in-person attendees.
The event was part of a campus tour series titled “Death to the Akademy.” In March, Abdou lectured a student group at the Union Theological Seminary, a Columbia affiliate, where he encouraged students to engage in jihad.
Shut it Down NYU describes itself as being made up of NYU “students, faculty, staff, and organizers who are a community in but not of NYU.” The group is not formally affiliated with the university.
During his lecture, Abdou offered advice on campus organizing and said the Mujahideen, Muslim guerrilla fighters who engage in jihad, had referred to pro-Palestinian student groups as a “branch of the resistance.” Abdou described the Mujahideen as “the greatest people on the face of the earth,” telling participants that this designation is “a great honor,” but added that students could be doing more to live up to that role.
At several points, Abdou appeared to urge students toward violence. He criticized the 2024 student-run encampments for marginalizing radical voices who sought to use violence. “We need to understand that violence is a tactic and not a strategy,” he said. “The question of violence, there wasn’t even consensus about that! Students within the encampment fetishizing non‑violence,” he said, adding, “We don’t understand that there are revolutionary forms of violence, that there’s a need for sacrifice.”
The event included a question-and-answer session in which one attendee asked in the Zoom chat about balancing “the longevity of our movement with the violent urgency that our conditions require.”
Abdou said that if student activists see themselves as part of the axis of resistance, they should see themselves as coming from a group of people who believe in martyrdom. “If we are to meet Muhammad, then our blood serves as a testimony,” he said. “We do not fear death.”
An NYU official said that the university contacted Shut it Down NYU organizers to make clear that they did not have permission to hold the event on NYU grounds or to use university resources, Wiley Norvell, NYU’s senior vice president for university relations and public affairs, told the Forward.
“This event was not sanctioned by NYU, nor did we allow it to take place on campus,” Norvell said. “It was not affiliated with any university group and was attended by fewer than 10 people in a city park. NYU strongly condemns the brazen use of threatening language used in promoting the event and the encouragement of violence expressed by speakers. We are investigating several potential University policy violations associated with it.”
The flyer for the event was widely circulated on social media, featuring drawings of what appear to be armed Hamas militants. At the bottom of the flyer, a message reads, “want us to come to your campus? DM for details.”
During the Q&A, a participant who identified herself as a student asked Abdou about the lessons student organizers can take from foreign resistance movements.
Abdou responded that students can learn from the Oct. 7 attacks, stating, “There’s much that one can learn, again from the cunningness of our Mujahideen, particularly Sinwar.” He additionally described at length the way Hamas methodically “studied the Zionist entity and how to break through the barrier siege.”
In remarks about the United States, Abdou said, “If you think somehow you’re going to free Palestine and keep America, forget it…You need to actively work to destroy.”
“Be proud of your hate for America,” he said. “You love Islam, and you should be loving Islam more than this barbarous colony. It’s a plague upon the earth. And yeah, in that sense, you need to be a threat. We all need to be a threat.”
Shut it Down NYU did not immediately respond to comment.
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