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A Brazilian, Moroccan and Israeli singer brings her unique North African sound to NYC
(New York Jewish Week) — Though she grew up in Israel, Tamar Bloch’s childhood was a mishmash of cultures. With a Moroccan mother and Brazilian father, Bloch often heard Portuguese and Arabic alongside Hebrew, and felt connected with the music from all three cultures.
It wasn’t until she was in her early 20s, however, that Bloch discovered the language and culture of “Haketia,” a Romance language once spoken by Sephardic Jews in North Africa. Haketia has elements of Darija (Moroccan Arabic), Spanish and Ladino.
“I was hooked immediately,” Bloch, 33, told the New York Jewish Week. She could only find ethnographic recordings of Haketian songs at the Israel State Archives and at Hebrew University in Jerusalem, which she painstakingly transcribed and re-recorded herself — becoming the first modern artist to record an album in Haketia.
Over the last decade, Bloch — who goes by the stage name Lala Tamar; Lala is a Moroccan honorific meaning “Lady” or “Miss” — has traveled the world touring her music, working with bands and promoting the language and sound of Haketia.
This weekend, Bloch is traveling to New York from her home in Essouria, Morocco to perform several concerts at Lincoln Center for the Performing Arts. The New York Jewish Week caught up with her to talk about her performances in the United States and what Haketia means to her.
New York Jewish Week: How did you become aware of Haketía and then decide to pursue it in your music?
Bloch: I did not know it as a kid. I grew up with a mom who did speak Darija, which is Moroccan Arabic, which integrated and mixed inside Haketia, and with a dad who was born in Brazil, so there was Portuguese and a lot of Latin music in the house.
So I grew up with the basics of Haketia at home — the words and the Latin languages and the Arabic languages surrounding me. But I never really spoke it because they were speaking it with the older generations, with my grandparents and not with us, the kids.
When I grew up a bit I fell in love with Moroccan music. I happened to hear Haketia music. Immediately, I was hooked. For me, it was a very condensed cultural combination of my background, of the way I grew up. Not only literally, with the words and the language, but also musically because it has this combination of Spanish and Andalusian music and North African music. It’s all fused together in Haketia. I decided that I needed to investigate and to search for more of this music. These songs were never really recorded in an artistically contemporary way. If anything, they were recorded for the sake of preservation as a part of ethnographic research for universities. But it was not out there as music for everybody. I felt that this music deserves to be heard and to be served to everybody. It doesn’t have to be a part of a long forgotten tradition that’s lost in the archives.
What has been like the most meaningful part of the last decade of bringing Haketia back into the modern world and of touring your music around the globe?
I think that the biggest moment was when I got into the playlist of Galgalatz in Israel, which is one of the country’s most popular radio stations. One of the singles got into a playlist, and it was the first time that Haketia was played on contemporary, popular radio. That was really exciting. Also when we released our album. Even though it was in the middle of COVID, so it did not get any of the attention we were expecting for it, it was still exciting to to release an album in this in this lost language, and to hear people play it at parties and to have people sending me videos in restaurants. It’s always exciting to hear it.
I didn’t feel like I had a mission to make Haketia or this music more mainstream. It just happened because I felt that this music was relevant for me. I felt very much connected to it in a way that made me just release it as if there was nothing different about it, as if I would be singing anything else.
Why did you decide to move to Morocco from Israel during the pandemic?
I started performing in Morocco and realized that it’s always been the source of my inspiration, the fountain of my creation. At one of the festivals that I did there, I met Maalem (Master) Seddik, a Muslim musician that teaches Gnawa, a specific style of religious Moroccan music that I was fascinated by and, also, I was fascinated by the connection with the Jewish history in Morocco. I was waiting for the opportunity to go and study with him and then COVID struck and I had no job, of course.
Also, my inspiration and everything in my life that I create comes from Morocco. (During the 18th and 19th centuries, Jews made up nearly half of the population of Essouira — then called Mogador.) So when I was not singing I felt that my fountain was being dried out, so I already had this dream of going to study with him and I managed to find a way to get into Morocco which was really complicated at the time. He [Seddik] was waiting for me and welcomed me in. I started studying with him and he really adopted me, almost as a daughter, cooking for me, making me all these Jewish foods that he knows how to make from his neighbors and all his Jewish friends, and I just stayed. I have a lot of followers and an audience in Morocco as well as a lot of musicians that I work with so for me, it really felt like home from the beginning.
How does it feel to be performing in New York for the first time?
I have been doing online shows for Lincoln Center, but I’ve never performed physically in New York. It’s really exciting. I can’t describe how blissful we feel to come all this way. It’s a really big honor for my band’s first live performance in the United States to be at Lincoln Center.
I can only imagine how it will be because I don’t know. I can say I perform around the world, more than in Israel these past few years. I feel that this music has something that just can reach people from whatever background they come from. I hope that’s going to be the case as well, here in New York and New Yorkers are very open minded, very aware of what’s happening around the globe culturally.
Lala Tamar will perform a series of five concerts between May 5-7 at Lincoln Center for Performing Arts (113 West 60th St.). To find concert times and purchase tickets (choose-what-you-pay), visit their website.
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Fate of Iran Peace Talks Uncertain as Deadline Approaches for End of Ceasefire
A view of Iranian-flagged cargo ship M/V Touska as the US Navy Arleigh Burke-class Aegis guided missile destroyer USS Spruance conducts its interception in a location given as the north Arabian Sea, in this screen capture from a video released April 19, 2026. Photo: CENTCOM/Handout via REUTERS
Iran is considering attending peace talks with the United States in Pakistan, a senior Iranian official told Reuters on Monday, following moves by Islamabad to end a US blockade of Iran‘s ports, a major hurdle for Tehran to rejoin peace efforts.
However, the official stressed that no decision had been made.
Adding to the uncertainty, a source told Reuters that Vice President JD Vance was still in the US, denying reports that he was already on his way to Pakistan’s capital Islamabad for talks.
With a two-week ceasefire set to expire this week, the senior Iranian official said Tehran was “positively reviewing” its participation but no final decision had been made. The comments conveyed a clear change of tone from earlier statements ruling out attendance and pledging to retaliate for US aggression.
The Iranian official said mediator Pakistan was making positive efforts to end the US blockade and ensure Iran‘s participation.
BLOCKADE POSES A PROBLEM
The ceasefire had appeared in jeopardy after the US said it had seized an Iranian cargo ship that tried to run its blockade and Tehran vowed to retaliate.
A Pakistani security source said Pakistan’s key mediator, Field Marshal Asim Munir, had told US President Donald Trump the blockade was an obstacle to talks, and that Trump had promised to consider ending it.
The US was hoping to start negotiations in Pakistan shortly before the ceasefire expires, with sweeping security preparations under way in Islamabad.
However, Iran‘s President Masoud Pezeshkian said that “unconstructive & contradictory signals from American officials carry a bitter message; they seek Iran‘s surrender.”
“Iranians do not submit to force,” he added on X.
US-IRAN CEASEFIRE SET TO EXPIRE
Trump announced the two-week ceasefire with Iran on April 7, and has not specified when precisely it ends.
A Pakistani source involved in the talks said it would expire at 8 pm ET on Wednesday, which would be midnight GMT or 3:30 am Thursday in Iran.
The US has maintained its blockade of Iranian ports, while Iran lifted and then reimposed its own blockade of the Strait of Hormuz, which typically handles roughly one-fifth of the world’s oil and liquefied gas supply.
Oil prices rose around 5% as traders remained fearful that the ceasefire would collapse. Traffic through the Strait of Hormuz was at a virtual standstill with just three crossings in the space of 12 hours, according to shipping data.
US MARINES BOARD IRANIAN VESSEL
The US military said it had fired on an Iranian-flagged cargo ship headed towards Iran‘s Bandar Abbas port on Sunday after a six-hour standoff, disabling its engines. US Central Command released video showing Marines descending ropes from helicopters onto the vessel.
The vessel is likely to have been carrying what Washington deems dual-use items that could be used by the military, maritime security sources said on Monday.
Iran‘s military said the ship had been traveling from China and accused the US of “armed piracy,” according to state media. They said they were ready to confront US forces over the “blatant aggression,” but were constrained by the presence of crew members’ families on board.
China, the main buyer of Iranian crude, expressed concern over the “forced interception,” and Chinese President Xi Jinping called for ships to resume passage through the strait as normal and for the conflict to be resolved through political and diplomatic channels, state news agency Xinhua reported.
Trump warned on Sunday that the US would destroy every bridge and power plant in Iran if it rejected his terms, continuing a recent pattern of such threats.
Iran has said that if the United States were to attack its civilian infrastructure, it would strike power stations and desalination plants in its Gulf Arab neighbors.
PREPARING FOR TALKS THAT MIGHT NOT HAPPEN
Pakistan geared up to host the talks despite uncertainty over whether they would go ahead. Nearly 20,000 security personnel have been deployed across the capital Islamabad, a government official and a security official said.
The US and Israel launched strikes against Iran on Feb. 28, in part to prevent the regime from developing nuclear weapons.
Trump said on Monday he believed a nuclear deal the US is currently negotiating with Iran will be better than a 2015 international agreement to curb Tehran’s nuclear program.
“The DEAL that we are making with Iran will be FAR BETTER than the JCPOA, commonly referred to as ‘The Iran Nuclear Deal‘,” Trump wrote in a social media post.
During his first White House term, Trump in 2018 withdrew from the Joint Comprehensive Plan of Action agreed to by Iran, the United States and world powers, calling it “the worst deal ever.”
“I am under no pressure whatsoever, although, it will all happen, relatively quickly!” Trump added in his Truth Social post.
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The Strokes End Coachella Set With Video Montage to Denounce US, Israel Bombings in Iran, Gaza
Part of the video montage shown by The Strokes during their Coachella set on April 18, 2026. Photo: YouTube screenshot
The American rock band The Strokes ended their performance on Saturday night, during the second weekend of the Coachella music festival, by showing the audience a video montage denouncing recent bombings in the Gaza Strip by Israel and joint US-Israel military airstrikes in Iran.
Massive screens behind Coachella’s main stage displayed footage of a controlled demolition of a large building in Gaza and an accompanying caption said the structure was the “last university standing” in the enclave. The footage followed scenes of destruction in the Islamic Republic with the caption “Over 30 universities destroyed in Iran.” The video montage was not included in the band’s set during the first weekend of Coachella.
Before turning to footage from the Middle East, the montage showed images and messages that accused the CIA of being involved in overthrowing governments and assassinating leaders in foreign countries. The video mentioned the separate plane crashes in 1981 that killed Panamanian President Omar Torrijos and Ecuador’s President Jaime Rondos, as well as the overthrowing of Iranian Prime Minister Mohammed Mossadegh in 1953, Guatemala’s President Jacob Arbenz in 1954, Congolese Prime Minister Patrice Lumumba in 1961, Chilean President Salvador Alende in 1973, and Bolivian President Juan Torres in 1976.
The video montage also promoted the conspiracy theory that the US was involved in the assassination of civil rights leader Martin Luther King Jr. The Strokes showed his image and a caption that read: “US govt found guilty of his murder in civil trial.” The mentioned trial, King v. Jowers, took place in 1999, but in 2000, a review by the US Justice Department found no credible evidence to validate the jury’s verdict. The video also showed images of slavery in the US and Black Lives Matter protests.
The video montage was displayed as The Strokes performed their song “Oblivius” for the first time in 10 years and the second time ever in concert. As the clip played for the audience, the band’s lead singer, Julian Casablancas, kept repeating the same lyrics in the song’s chorus: “What side you standing on?”
For those not attending the set in-person, their performance was available to watch live on Coachella’s official YouTube channel. The video montage and the band’s performance of “Oblivius” was not included in the band’s Coachella weekend one performance on April 11.
The Strokes is made up of Casablancas, Nick Valensi, Albert Hammond Jr., Nikolai Fraiture, and Fabrizio Moretti. In 2021, Casablancas signed a “Musicians for Palestine” open letter that asked artists to boycot Israel and publicly express solidarity with Palestinians.
The band will begin a world tour in June, and in August, they will headline the 2026 Just Like Heaven festival in Pasadena, California. The festival is produced by Goldenvoice, which also produces Coachella.
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Trump: Israel Never Talked Me Into War With Iran
US President Donald Trump speaks about research into mental health treatments in the Oval Office of the White House in Washington, DC, April 18, 2026. Photo: REUTERS/Nathan Howard
President Donald Trump said on Monday that Israel did not persuade him to attack Iran, after news reports that Israeli leader Benjamin Netanyahu influenced the US president’s decision and criticism from right-wing commentators.
“Israel never talked me into the war with Iran, the results of Oct. 7th, added to my lifelong opinion that IRAN CAN NEVER HAVE A NUCLEAR WEAPON, did,” Trump wrote in a Truth Social post.
Trump also said “the results in Iran will be amazing” in the post, which came as the United States prepared to resume negotiations in Pakistan although Iran was undecided.
“And if Iran’s new leaders (Regime Change!) are smart, Iran can have a great and prosperous future!” Trump wrote.