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A Jewish guide to Chris Christie’s presidential campaign, starting with his Trump and Kushner feuds

(JTA) — As he has launched his long-shot campaign for the Republican nomination, Chris Christie has taken aim squarely at the man he once enthusiastically endorsed: Donald Trump. 

But alongside portraying the former president as a danger to democracy, Christie has singled out another person for criticism who is not running for president, and who may not even work on a campaign: Jared Kushner, Trump’s Jewish son-in-law and senior adviser. 

The Christie-Kushner feud goes back two decades, dating back to when Christie prosecuted a case that sent Kushner’s father to prison. The feud played a decisive role in freezing the former New Jersey governor out of the Trump administration and is making a reappearance as Christie tries again for the White House, following a news-making but unsuccessful 2016 run. 

It’s also one of the many ways Christie’s career, forged in a state with more than half a million Jews, has intersected with Jewish issues and public figures. Whether the Garden State candidate claims the nomination or plays the spoiler, as he did eight years ago, here’s what you need to know about Chris Christie and the Jews. 

He grew up in North Jersey with Jewish friends 

Christie was born in Newark, but raised in Livingston, a heavily Jewish town in northern New Jersey, where he made a lot of Jewish friends at high school.

Among them was Harlan Coben, the bestselling author of potboilers, who once told a Christie biographer, “If you were to ask who in our class would end up being governor, most people would tell you Chris Christie.”

Another was David Wildstein, a top aide whom Christie named to a senior position at the Port Authority of New York and New Jersey and who pleaded guilty to involvement in what became known as “Bridgegate,” a scheme to shut down toll lanes for the George Washington Bridge. (Christie claimed no knowledge of the scheme.)

His brother Todd is married to a Jewish woman. A COVID-19 outbreak at their son’s bar mitzvah in 2021, in the midst of the pandemic, led to the temporary closure of a middle school. 

He also has intersected with Rabbi Shmuley Boteach, the author, onetime Republican candidate and New Jersey denizen. In 2015, with Boteach looking on, Christie condemned the Iran nuclear deal spearheaded by President Barack Obama. 

He advanced Orthodox-friendly policies as governor

New Jersey has a substantial Orthodox Jewish population, and Christie advocated policies and put forward messages that have traditionally appealed to Orthodox voters. Like another Republican candidate, Florida Gov. Ron DeSantis, Christie advanced school vouchers and other changes that would drive public money to private Jewish schools, although Christie was unsuccessful in launching a voucher program in his state.

As governor, he traveled to Israel and signed a bill prohibiting the state from investing in companies that boycott Israel. But foreign policy has never been his focus or strength: Israel rates no mention at all in his 2019 autobiography, and in 2014, he apologized to the late Republican megadonor Sheldon Adelson for using the term “occupied territories” in reference to the West Bank at a Republican Jewish Coalition event. Supporters of Israeli settlements dispute that Israel is occupying the area.

He clashed with Jared Kushner — and lost

In 2004, real estate mogul Charles Kushner pleaded guilty to tax fraud, witness retaliation and making false statements to the Federal Election Commission, and spent 14 months in prison in Alabama. It was a victory for Christie, then a U.S. attorney.

But 12 years later, that victory would lead to a defeat.  Christie was the first among the primary candidates in 2016 to drop out and endorse Trump, and worked hard to secure him the nomination and the presidency. Trump wanted to reward Christie with a top job and named him transition chief. Almost immediately, however, Jared Kushner, Charles’ son, got Christie fired.

Christie saw it coming, he wrote in his 2019 book, where he described the younger Kushner’s initial attempt to talk Trump out of naming Christie transition chief. “It wasn’t fair,” Christie quoted Kushner telling Trump regarding his father’s imprisonment. “You don’t know what it was like for me. Almost every weekend, I flew to Alabama to visit. He didn’t deserve to be there.”

After he was fired, Christie wrote that he learned that a 30-binder transition plan he scripted for Trump had ended up in a dumpster.

Christie remains focused on the Kushners. They earned a place in the subtitle of his autobiography, “Let Me Finish: Trump, the Kushners, Bannon, New Jersey, and the power of in-your-face politics.” An NPR review of the book says, “Christie’s main beef is with Jared Kushner, the son-in-law of President Trump. Christie blames the young Kushner for ousting him from Trump’s inner circle.”

Kushner and his wife, Trump’s daughter Ivanka, also occupied a dubious place in Christie’s campaign launch in New Hampshire on Tuesday night. 

“The grift from this family is breathtaking, it’s breathtaking! Jared Kushner and Ivanka Kushner walked out of the White House, and months later he gets $2 billion from the Saudis,” Christie told the crowd. “You think it’s because he’s some kind of investing genius? Or do you think it’s because he was sitting next to the president of the United States for four years, doing favors for the Saudis? That’s your money. That’s your money he stole and gave it to his family. So that makes us a banana republic.”

He has drawn a parallel between Trump and an antisemitic right-wing movement

Christie has made no secret that his principal aim is to neutralize the man he was among the first to endorse in 2016, because he now sees Trump as a menace. Speaking at the Republican Jewish Coalition’s annual conference last year, he illustrated his criticism of Trump via a comparison to a foe of Israel — Iran. 

“Every day we need to stand with the only democracy in the Middle East with Israel and stand against the terrorism of Iran, all across the world,” he said.  “Because whether you’re talking about Iran, or whether you’re talking about those who aspire to this in our country, authoritarian dictators only want one thing — they just want one more chance to fool the crowd one more time.”

Reelecting Trump, he said, would diminish America’s standing in the world. “But if we’re not doing [democracy] here, we can’t stand up in those other countries and tell them to do it,” he said. “It’s time for us to get our house in order.”

Christie, who was cheered throughout much of his speech, knew the room, which was packed with donors and activists who appreciated Trump’s vehemently pro-Israel foreign policy, but who were wary of his mercurial personality and his flirtations with the far-right. Christie also drew a parallel between Trump and the right-wing John Birch Society of the mid-20th century. 

“It was a dangerous time where Republican politicians throughout the country were afraid. They were afraid to speak out. They were afraid to oppose these folks. Because what they were told was if you oppose them, you cannot win a Republican primary. You cannot be a nominee.”

He also was among the first and most outspoken Republican voices to condemn Trump last year for dining with antisemites Kanye West and Nick Fuentes.

Over the years, Christie has had plenty of Jewish donors, including veteran Virginia-based fund-raisers William and Bobbie Kilberg. It’s not clear yet whether past contributors, including hedge funder Steve Cohen and Nick Loeb, the innovator of Onion Crunch, will back him this time.

“Somebody has to directly take on Trump and make it clear that he’s a danger to the future of democracy and that we cannot have him as our nominee,” Bobbie Kilberg told The Philadelphia Inquirer last week. “Chris is running to do that directly and forcibly. Only time can tell whether he can succeed, but it’s exceedingly important to put yourself out there.”


The post A Jewish guide to Chris Christie’s presidential campaign, starting with his Trump and Kushner feuds appeared first on Jewish Telegraphic Agency.

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Helen Mirren criticizes Israel at film festival after being called ‘evil Zionist’ in viral video

(JTA) — British actor Helen Mirren criticized Israel at a film festival in Italy, in her first public comments since security footage of a November incident where she was accused by a stranger of being an “evil Zionist b—h” went viral late last month.

“Evil forces are rising everywhere, even in a country like Israel,” Mirren said in an interview with journalists at the Taormina Film Fest in Sicily, according to reports in entertainment media. “How could you possibly repeat the actions of what was done to you as people to other people? Crimes against humanity, it’s called.”

The Academy Award-winning actor, who is 80, is being honored with a lifetime achievement award from the festival on Friday. Her many roles have included playing former Israeli Prime Minister Golda Meir in the 2023 biopic “Golda,” which she premiered in Jerusalem.

Mirren is not Jewish but has a long history of connection to Israel, dating back to 1967, when she traveled with a Jewish boyfriend to work for a month on a kibbutz in the country’s north.

She referenced that period in her comments at Taormina.

“I saw it from the inside and I saw some things that disturbed me from the inside in Israel at that time,” she said, according to Deadline. “I’m talking about six months after the Six Day War.”

Mirren has previously criticized the Israeli government. While promoting “Golda” in early 2023, she said she believed that Meir would be “utterly horrified” by Israel’s current leadership, which she referred to as a “dictatorship.”

But she also spoke favorably about Israel during the promotional events, which shortly preceded the Hamas attack that began the war in Gaza.

“I believe in Israel, in the existence of Israel, and I believe Israel has to go forward into the future, for the rest of eternity,” she told the country’s Channel 12 in August 2023. “I believe in Israel because of the Holocaust.”

During the November incident, the person who accosted Mirren and her husband Taylor Hackford appeared to reference those comments, saying, “She said Israel should last forever because of the Holocaust, and she was very happy that Palestinians’ houses were gone.”

Hackford responded, “F–ck off,” and Mirren did not say anything in the video.

At Taormina, the actor offered a more nuanced characterization of her beliefs while also praising Israel’s creative and intellectual communities.

“I grew up in Europe post-Second World War and the realization in my parents’ generation of what had happened in the Holocaust was so profound, so important,” Mirren said. “Therefore, the creation of Israel was a very important moment, although maybe it was done in completely the wrong way, in the wrong place, I don’t know. But something had to happen after the horror.”

According to Variety, she also said, “The evil is always lurking, waiting to take over, even in a place like Israel. I played Golda Meir and worked in a country that was the idealistic Israel, and I always thought it was a country that would never do wrong, but of course they were doing wrong, even then.”

About the viral video showing her being accosted, Mirren told journalists at the festival she believes she was “attacked by mistake by a man who was maybe a little over passionate or maybe mentally not quite stable.”

She added, “I don’t know whether he read things on the Internet or thought he read something which he hadn’t read, I don’t know.”

Though London’s Metropolitan Police initially said it was possible for an incident to be investigated as an antisemitic hate crime even if the victim is not Jewish, it will not be investigating further, as Mirren and Hackford have decided not to press charges.

The post Helen Mirren criticizes Israel at film festival after being called ‘evil Zionist’ in viral video appeared first on The Forward.

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After dozens of Jewish girls get lost in NY creek tunnel, antisemitic comments follow online

(JTA) — When dozens of Jewish girls emerged from a storm drain in Nyack, New York, Wednesday after becoming lost on a school trip, local officials described the episode as a fortunate ending to a potentially dangerous situation.

On social media, however, the incident quickly drew a slew of antisemitic comments.

“They can’t help it. Roaches and rats love the sewers,” wrote one Facebook user on a post by the Rockland Daily.

“Those tunnels were promised to them 3,000 years ago,” another user wrote, referencing the common online antisemitic phrase ridiculing the Jewish connection to Israel.

Many of the comments also referenced the 2024 incident at the Chabad-Lubavitch movement’s world headquarters in Crown Heights, Brooklyn, in which a group from the movement attempted to dig an unauthorized tunnel beneath the building.

“From the tunnels in Brooklyn to the tunnels in nyack! The black coats never disappoint 🤣🤣🤣🤣🤣🤣🤣,” one user wrote. “There drawn to tunnels. Natural instinct😂,” another wrote.

The girls, students from the Toras Emachu school in Monsey, New York, had been visiting Nyack Memorial Park on a school trip when they entered a large drainage culvert located in the park, according to the Orangetown Police Department.

While walking through the tunnel system, the students got lost but were heard by individuals in the town who alerted police, according to Nyack Mayor Joseph Rand.

“First responders immediately came to the scene and located all the girls at various points in Nyack,” Rand wrote in a post on Facebook. “Technically, none of the girls were ‘rescued,’ because they all came out in their own power, but everyone’s lucky that the authorities responded and figured out where all the girls were as quickly as they did.”

Rand said that roughly 70 students were on the trip, and there were no serious injuries beyond some “cuts and scrapes.”

Nyack Village Administrator Andy Stewart told the Jewish Telegraphic Agency that the school group had not been given a permit to host a field trip in the park Wednesday, and while there was “definitely concern over the violation of that law,” he wasn’t sure how the local government would follow up with the school.

“This is a group that did not have a permit, and so we didn’t know they were there, and they made no plans with the village,” Stewart said.

The Toras Emachu school did not respond to numerous requests for comment from the Jewish Telegraphic Agency.

But while local town officials handle the response to the incident, for some Jewish groups, the online response underscored how an innocuous incident can become a vehicle for antisemitic rhetoric.

“Unfortunately, internet comment sections have become havens for antisemitic memes and conspiracies, and commenters emboldened by relative anonymity will jump at any opportunity to demonize Jews,” Nate Wolfson, the communications director for the Nexus Project, told the Jewish Telegraphic Agency about the incident. “In this case, a story of dozens of children getting lost on a field trip is appallingly used to spread stereotypes about Jews, including comparing them to rats.”

Wolfson added that the references to the Chabad tunnel incident had been “especially troubling,” adding that the story had been “routinely used by antisemites to spread truly vicious and dangerous conspiracies about child sex trafficking.”

Some Nyack residents also called out the spate of antisemitic comments about the incident online.

“This was not hard to find. It was not buried. It was not one bad comment from one bad actor. It was thread after thread of people in this county saying the same old bullshit about Jewish people like it was nothing,” wrote one resident in a post on Facebook alongside a series of screenshots of antisemitic comments. “If all it takes is one local news story for your contempt to come spilling out, the contempt was already there.”

The post After dozens of Jewish girls get lost in NY creek tunnel, antisemitic comments follow online appeared first on The Forward.

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The battle between tradition and revolution in Soviet-Yiddish culture

די סאָװעטיש־ייִדישע קולטור איז געװען עסטעטיש אָדער אידעאָלאָגיש פֿילזײַטיק, לכל־הפּחות אין משך פֿון די ערשטע פּאָר צענדליק יאָר. דאָס איז דער עיקר־טעזיס פֿון דער װאָגיקער שטודיע „רױטע ייִדן: דער ייִדיש־סאָװעטישער קולטור־פּראָיעקט“ פֿון דער ליטעראַטור־פֿאָרשערין דאַריע װאַכרושאָװאַס (אוניװערסיטעט פֿון מינכען).

דער ציל פֿון דער פֿאָרשונג איז צו לאָזן דעם הײַנטיקן לײענער הערן די פֿאַרשײדענע שטימען אינעם אַלגעמײנעם כאָר פֿון סאָװעטישע ייִדישע ליטעראַטן, קינסטלער און כּלל־טוער.

ווי האָבן אָט די פֿיגורן פֿאַרשטאַנען די צוקונפֿטיקע ייִדישע קולטור? װי אַזױ האָבן זײ בדעה געהאַט צונױפֿצוברענגען ייִדישקײט און סאָװעטישקײט? װוּ שטײט די סאָװעטישע ייִדישע קולטור אױף דער ייִדישער װעלטמאַפּע? דאָס זײַנען די פֿראַגן, װאָס װאַכרושאָװאַ באַהאַנדלט.

זי גיט זיך ספּעציעל אָפּ מיט לינגװיסטישע פּרטים — טערמינען, מעטאַפֿאָרן, אימאַזשן — װאָס מען האָט גענוצט אין די קריטישע װיכּוחים פֿון יענער תּקופֿה. דערבײַ באַטראַכט זי ניט נאָר די מער באַקאַנטע ליטעראַרישע טעקסטן, נאָר אַ ברײטערן פֿאַרנעם פֿון מקורים פֿון צײַטונגען.

װאַכרושאָװאַ פּרוּװט צו אַנטפּלעקן די פֿילשטימיקײט פֿונעם סאָװעטיש־ייִדישן קולטורעלן פּראָיעקט. זי איז ספּעציעל פֿאַראינטערעסירט אין פֿאַרשײדענע װיזיעס פֿון דער צוקונפֿט פֿון ייִדיש אין סאָװעטן־פֿאַרבאַנד, װאָס מען האָט אַרומגערעדט אין די 1920ער יאָרן.

דאָס בוך באַשטײט פֿון דרײַ טײלן. אינעם ערשטן באַטראַכט װאַכרושאָװאַ כּלערלײ עסטעטישע מאַניפֿעסטן און קינסטלערישע פּראָגראַמען פֿון ייִדישער קולטור, װאָס מען האָט אַרױסגעגעבן נאָך דער ערשטער װעלט־מלחמה אין קיִעװ, מאָסקװע, לאָדזש, װאַרשע און בערלין.

דער צװײטער טײל איז געװידמעט דעם נסתּרס זאַמלונג רײַזע־פֿאַרצײכענונגען „דרײַ הױפּטשטעט“(1934). דער לעצטער חלק אַנאַליזירט די סטיליסטישע און לינגװיסטישע אַספּעקטן פֿון סאָװעטישע ליטעראַרישע איבערזעצונגען אױף ייִדיש פֿון רוסיש און אײראָפּעיִשע שפּראַכן.

די יאָרן נאָך דער ערשטער װעלט־מלחמה זײַנען געװען אַ בלי־תּקופֿה פֿון ייִדישן אַװאַנגאַרד אין ליטעראַטור און קונסט. אין װאַרשע זײַנען דערשינען די זשורנאַלן „רינגען“, „אַלבאַטראָס“, „כאַליאַסטרע“, „די װאָג“; אין בערלין — „מילגרױם“; אין קיִעװ — דיאַלמאַנאַכן „אײגנס“ און „אױפֿגאַנג“. לרובֿ האָבן די דאָזיקע פּובליקאַציעס ניט לאַנג געדױערט, אָבער זײ האָבן געמאַכט דרײסטע פּראָקלאַמאַציעס װעגן דער רעװאָלוציע אין דער ייִדישער קולטור.

למשל, אינעם ערשטן נומער פֿון דער סאָװעטישער קאָמוניסטישער צײַטונג „דער עמעס“ דעם 7טן נאָװעמבער 1920 האָט פּרץ מאַרקיש פֿאַרעפֿנטלעכט אַן אַרטיקל „אױף די װעגן פֿון ייִדישער דיכטונג“. עס איז מערקװירדיק, באַמערקט װאַכרושאָװאַ, װאָס דער דאָזיקער מאַניפֿעסט פֿון דער נײַער סאָװעטישער ייִדישער פּאָעזיע פֿאַרמאָגט ניט קײן מאַרקסיסטישע קאָמוניסטישע מליצה.

אַנשטאָט דעם רעדט מאַרקיש װעגן טיפֿע איבערלעבונגען, װאָס פֿאַרכליניען דעם מענטשן אין דער צײַט פֿון דער רעװאָלוציע. די רעװאָלוציע האָט גורם געװען אַן איבערבראָך אין דער טראַדיציע, „און טאַקע דערפֿאַר קאָנען די דיכטער פֿון אונדזער נײַער שטורעמדיקער תּקופֿה ניט שאַפֿן קײן מאָנומענטאַלע װערק, זײ זײַנען קױלן־גראָבערס […] פֿאַר נײַע תּקופֿות, פֿאַר קומעדיקע דורות,“ שרײַבט מאַרקיש.

אָבער מיט פֿיר יאָר שפּעטער האָט מאַרקיש זיך באַרעכנט װעגן דער המשכדיקײט פֿון דער ייִדישער קולטור. אין אַ רעפֿעראַט אין װילנע אין 1924 האָט ער געזאָגט, לױטן באַריכט אין דער װילנער צײַטונג „טאָג“: „ניטאָ קײן צװײ ליטעראַטורן, ס’זײַנען בלױז פֿאַראַן צװײ ליטעראַרישע עפּאָכעס, מיט פֿאַרשײדענע פֿאָרמעס, אָבער מיט אײן גרונד־ליניע, אײן ענדציל.“

דאָ האָט מאַרקיש פּראָקלאַמיט די המשכדיקײט צװישן די קלאַסיקער װי מענדעלע, שלום־עליכם און פּרץ און דער נײַער ליטעראַטור, װי מאַרקיש אַלײן, װאָס איז אַנטשטאַנען נאָך דער ערשטער װעלט־מלחמה.

אָט די צװײ קעגנזײַטיקע דעות װעגן דער ליטעראַרישער אַנטװיקלונג — אַן איבערבראָך אָדער המשכדיקײט — האָבן באַשטימט צװײ שטרעמונגען אין דער אַלװעלטלעכער ייִדישער ליטעראַטור נאָך דער ערשטער װעלט־מלחמה, סײַ אין סאָװעטן־פֿאַרבאַנד, סײַ אין פּױלן און סײַ אין אַמעריקע.

אין אונטערשייד צו דער הײַנטיקער אַמעריקאַנער שיטה אין ייִדיש־פֿאָרשונגען, װאָס פּרוּװן כּסדר צופּאַסן ייִדישע טעקסטן צו דער הײַנטיקער מאָדע אין ליטעראַרישער טעאָריע, איז װאַכרושאָװאַס מעטאָד דער עיקר אַ פֿילאָלאָגישער.

זי באַזירט אירע אױספֿירן אױף אַ גרונטיקן אַנאַליז פֿונעם שפּראַכלעכן סטיל פֿון ייִדישע מקורים. אַזאַ צוגאַנג מאַכט אירע אַרגומענטן גלײַכצײַטיטק מער װאָגיק און מער ניואַנסירט. זי דערװײַזט פּינקטלעך, װי אידעיִשע און עסטעטישע חילוקי־דעות צװישן ייִדישע ליטעראַטן האָבן זיך אַנטפּלעקט דורך שאַטירונגען אין זײער זאַצבױ, װאָקאַבולאַר, אינעם אױסקלײַב פֿון גערמאַנישע, סלאַװישע און לשון־קודשדיקע קאָמפּאָנענטן.

װאַכרושאָװאַ באַמערקט, אַז כּסדר שאַצט מען אָפּ די פּאָזיציעס פֿון סאָװעטישע שרײַבער, אַזעלכע װי מאַרקיש און דוד בערגעלסאָן, פֿונעם שפּעטערן שטאַנדפּונקט, װען מען איז שױן געװױר פֿון זײער טראַגישן אומקום. זי פּרוּװט, להיפּוך, לײענען זײערע טעקסטן דורך דעם מיטצײַטלערישן שפּאַקטיװ. זי ברענגט דעם לײענער אַרײַן אינעם סאַמע ברען פֿון קריטישע װיכּוחים פֿון די 1920ער יאָרן.

אַן אינטערעסאַנטער בײַשפּיל פֿון דעם, װי אַזױ מען האָט זיך געפּרוּװט צופּאַסן צו די נײַע סאָװעטישע באַדינגונגען, זײַנען דעם נסתּרס פֿאַרצײכענונגען װעגן די שטעט כאַרקעװ, לענינגראַד און מאָסקװע אינעם זאַמלבוך „הױפּטשטעט“. דאָס איז געװען זײַן פּרוּװ אַריבערצוגײן פֿונעם סימבאָליסטישן סטיל פֿון זײַנע פֿריִערדיקע דערציילונגען צו דעם רעאַליסטישן סטיל פֿונעם זשאַנער פֿון רײַזע־פֿאַרצײכענונג.

װאַכרושאָװאַ האַלט, אַז דער נסתּר האָט בכּװוּן אָפּגעהיט עלעמענטן פֿון זײַן סימבאָליסטישן סטיל – אַזעלכע װי ריטמישע איבערחזרונגען פֿון די אײגענע װערטער אין אײן זאַץ, דער שװערלעכער דײַטשמערישער זאַצבױ, דער ניט־פֿאַרלאָזלעכער נאַראַטאָר – כּדי אונטערצורײַסן די פּאָזיטיװע שטימונג, װאָס עס האָט געפֿאָדערט די אָפֿיציעלע סאָװעטישע ליטעראַטור. „הױפּטשטעט“ איז אַ דאָקומענט פֿון דעם נסתּרס אַנטױשונג אינעם פּראָיעקט פֿון אױפֿבױען די ייִדישע קולטור אינעם סאָװעטן־פֿאַרבאַנד, פֿאַרסך־הכּלט װאַכרושאָװאַ.

װי אַ צאָל אַנדערע ייִדישע און ניט־ייִדישע מחברים, װאָס זײַנען געשטאַנען אױף די ראַנדן פֿון דער אָפֿיציעלער סאָװעטישער ליטעראַטור, האָט דער נסתּר געפֿונען אַ מקום־מקלט אין איבערזעצערישער אַרבעט. ער האָט איבערגעזעצט אויף ייִדיש די װערק פֿון די רוסישע קלאַסיקער לעװ טאָלסטאָי, פֿיאָדאָר דאָסטאָיעװסקי, איװאַן טורגענעװ, און פֿון אַ היפּשער צאָל דײַטשישע, פֿראַנצײזישע און אַנדערע שרײַבער.

איבערזעצונגען פֿון דער רוסישער און אײראָפּעיִשער בעלעטריסטיק און דיכטונג, פֿון פּאָליטישער און װיסנשאַפֿטלעכער ליטעראַטור אױף די סאָװעטישע מינאָריטעט־שפּראַכן זײַנען געװען אַ װיכטיקער עלעמענט פֿון דער סאָװעטישער קולטור־פּאָליטיק, און ייִדיש איז ניט געװען קײן אױסנאַם. דערצו איז דאָס געװען אַ מער־װײניקער סטאַבילע פּרנסה, װײַל די האָנאָראַרן האָבן באַצאָלט מלוכישע פֿאַרלאַגן.

דװקא די איבערזעצונגען האָבן אַ סך בײַגעטראָגן צו דער אַנטװיקלונג פֿונעם אײגנאַרטיקן סאָװעטישן נוסח פֿון ייִדיש. איבערזעצונגען זײַנען אויך געװאָרן אַ װיכטיק ליטעראַריש פֿעלד פֿאַר שפּראַכלעכע עקספּערימענטן, בפֿרט װען די פּאָליטישע באַדינגונגען זײַנען אין די 1930ער יאָרן געװאָרן אַלץ שװערער, פֿאַרסך־הכּלט װאַכרושאָװאַ. אַזױ האָט זיך די ייִדישע שפּראַך װײַטער אַנטװיקלט, ניט געקוקט אױף דעם פּאָליטישן דרוק.

The post The battle between tradition and revolution in Soviet-Yiddish culture appeared first on The Forward.

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