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A Jewish journalist takes sides in America’s ‘slow civil war’
(JTA) — Jeff Sharlet admits up front that his book about what he and others call the “Trumpocene” epoch is not objective.
“Transparent subjectivity is a virtue for this kind of reporting,” he said. “I am trying to understand the proliferation, which is very real, of fascist flags [across America]. I don’t like it when I see a movement [creating] fascist folk art.”
In “The Undertow: Scenes from a Slow Civil War,” the religion reporter and writing professor chronicles his recent journeys across America interviewing QAnon acolytes, Christian nationalists, proud misogynists, unrepentant January 6ers, armed militia men and strict anti-abortion activists — all still in thrall to Donald Trump.
It’s a familiar story of an America on the edge, but Sharlet adds the perspective of a journalist who has long covered religion. He was among the first to note that Trump rallies were less political events than religious revivals. And like many religions, he says, Trumpism is resistant to the kinds of “civil discourse” that many people propose as an antidote to polarization.
“We cannot fact check a myth, right?” Sharlet told me in a video interview from his home in Vermont. “It’s not going to work to say, ‘That’s not true.’”
I wanted to speak to Sharlet to discuss what he calls the “gospel of Trump” and how it differs from partisan politics as usual. And I wanted to know more about his own Jewish background and how that has informed his project.
Sharlet, a professor of writing at Dartmouth College, shapes his narrative largely around the story of Ashli Babbitt, the 35-year-old woman who was killed by a Capitol police officer during the Jan. 6 riot. He talks to those who lionize Babbitt, standing on porches under flags reading “F— Biden” and “No Surrender.” He describes the ways she has become a martyr on the far-right, part of a mythology that inverts what happened on that day.
Babbitt, he suggests, was a victim of the “undertow” of the book’s title: a sense of “grief and loss and mourning” that animated protesters like her. Trump spoke directly to this “erosion of white power, which was felt more severely down the socio-economic ladder,” Sharlet said. “Ashli Babbitt experiences it as a loss, but she can’t name the structural details – like the fact that there’s such a lack of banking regulation that she ends up with a loan that literally nobody can pay back.”
So she joined the mob charging the Capitol. “Unprocessed grief curdles into rage, rage that just sits there until along comes Trump,” said Sharlet. The result is a stew that he unhesitantly calls fascism, which he has defined as a right-wing cult of personality that takes pleasure in violence, disdains democracy and considers its opponents decadent.
Sharlet visits churches where the same rage is heard in the pulpit and where Trump is regarded as a prophet, leading outsiders to wonder how faithful Christians could embrace Trump despite his own lack of Christian values.
On the latter assertion, Sharlet notes that Trump does have Christian values, rooted in the teachings of his childhood pastor, Norman Vincent Peale. The author of “The Power of Positive Thinking” and a proponent of the “prosperity gospel,” Peale saw material wealth as a sign of divine providence, and “applied Christianity” as a way to achieve it.
“Politicians have long borrowed from religion the passion and the righteousness, but no other major modern figure [before Trump] had channeled the tension that makes Scripture endure, the desire, the wanting that gives rise to the closest analogue to Trumpism: the prosperity gospel, the American religion of winning,” he writes.
He also speaks to pastors and followers who would read Trump’s words “like Scripture”: “Every tweet, every misspelling, every typo, every strange capitalization — especially the capitalizations, said [one pastor] — had meaning.” Sharlet compares this to Gnosticism, the heretical Christian movement that believed in “a form of exclusive knowledge reserved for the faithful, a ‘truth’ you must have the eyes to see.”
Sharlet, whose earlier book “The Family” was about a fundamentalist ministry influential among the Washington political elite, said Christian nationalists who are drawn to dictators and flawed strongmen often cite the story of King David. The Old Testament king gains God’s favor despite killing his rival Uriah and, depending how you look at it, seducing or raping Uriah’s wife Bathsheba. “They’re very invested in this idea of chosenness, and King David is chosen,” said Sharlet.
All this mixing of religion, power and grievance made me wonder if liberal denominations have an adequate response to the stirrings on the far right.
“In the book I go to Glad Tidings, a church in Yuba City, California. And you walk in and there’s no crosses, because the pastor thinks the cross is a weak symbol of sacrifice. Instead the pulpit is made of swords,” said Sharlet. “That’s not to say that liberal religion is always weak — I mean, you have Reverend William Barber of the Forward Together Moral Movement in North Carolina, and liberal, religiously motivated activists who put themselves in the position of abortion clinic defenders.”
Rage also curdles into conspiracy theories. Many of his interviewees share the dark fantasies of QAnon, which imagines that the U.S. government is secretly controlled by Satan-worshiping pedophiles. As outlandish as these ideas sound, he said, “It’s hard to find Republicans now who have not absorbed some element of QAnon. People have never even heard of QAnon, but are worried about pedophiles in the schools, ‘grooming’ their children, apocalyptic visions of cities as battlegrounds of crime. This is straight out of QAnon.”
An audience member holds up a large “Q” sign, representing QAnon, a conspiracy theory group, while waiting in line to see President Donald J. Trump at his rally in Wilkes Barre, Pennsylvania, August 2, 2018. (Rick Loomis/Getty Images)
I ask Sharlet if his sample is selective, and if he only looked for and included people on the fringe to prove a point.
He countered by recalling his conversation with a woman who believed that the deadly Las Vegas shooting, by a high-stakes gambler who left 58 dead in 2017, was actually an attempt by ISIS on the life of Trump (who wasn’t in Vegas at the time). Sharlet was convinced the idea was hers alone. But a Google search told him that the theory was gaining traction on the far right, and that Tucker Carlson had invited a former congressman and retired brigadier general to talk about the “Vegas mystery” on his Fox News show.
Before his abrupt ouster last week, “Tucker Carlson had an audience of 4 million and a reach they say of more around 70 million – which is immeasurably greater than mine,” noted Sharlet. “So who is fringe? Me or Carlson?”
QAnon, he said, agrees with those who say QAnon draws on classic antisemitism. “It infuses QAnon,” he said. “You know, the blood of children being used to keep a secret elite, a secret cabal, directed by [Jewish financier and philanthropist George] Soros, and all the ‘globalist’ language. I was asked on a podcast what they mean by globalists and my answer was simple: the Jews. That’s what they mean, even when they don’t know that they mean it.”
Sharlet, the son of a Jewish dad and a Christian mom, describes himself as “a weird Jew, a secular Jew.”
“I was maybe more forcibly aware of this Jewishness when I grew up in a small town called Scotia, New York, and I got beat up for being a Jew,” he said.
After getting a degree in American history at Hampshire College, he went to work at the Yiddish Book Center in Amherst, Massachusetts, where he edited Pakn Treger, its literary magazine.
“I don’t like to say that my Jewishness is formed by antisemitism,” he said. “My Jewish education is working for the Yiddish Book Center and all the complications of Yiddish.”
He says the anger he encountered on the road has come to his small town in “a very blue area.” “The folks opposed to fascism still outnumber those who are coming to praise it,” he said. “But my kid goes to a school district that is facing legal threat from far-right people, including Jews, who think that it is too supportive of kids like my queer kid and they want the school to be reporting any instances of kids showing up not wearing the right gender clothes and so on.”
That experience has also shaped his response to those who ask if he is elevating a fringe through his writing.
“I have a queer nonbinary child who is being criminalized in about 20 states now. This is where I keep coming back to,” said Sharlet. “To the folks who say, ‘It’s just terrible what they’re doing to the trans kids,’ I want to say that they really haven’t learned from history. They think that fascism is like, ‘Well, we got our victim. We’re all done here now.’ No. It comes for everybody.”
If there is a solution to this unraveling, Sharlet says it will come from liberals who learn from their right-wing counterparts and create institutions that fight for their values.
“The prime example is higher education,” he said. “For a long time liberals want to insist that higher education is neutral.” And while the left is insisting on neutrality, the right is creating colleges — Regent University in Virginia Beach, the evangelical Liberty University, Oral Roberts University, Hillsdale College in southern Michigan — dedicated to its ideas. In Florida, Gov. Ron DeSantis is diverting state funding to transform a small liberal arts college, New College of Florida, into a conservative-leaning school.
“We have to build out cultural institutions and we have to recognize and own up to the fact that colleges are places of values,” he said. “They do not sit with fascism. So own that space, defend that space, be proud of that space. I think every synagogue in America whether it wants to accept this or not and even some of the politically conservative ones have to ask, which side are you on? Neutrality isn’t an option. As Jews especially, we don’t have a choice.”
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Gene Shalit, a mensch with a personality as big as his mustache, turns 100
The television entertainment personality Gene Shalit, who celebrated his centenary on March 25, semaphored a Jewish appearance for decades to viewers of NBC’s early morning gabfest The Today Show.
With his Jew-fro hairstyle that fascinated celebrity interviewees and his abundant mustache that outdid Groucho Marx’s mere greasepaint simulacrum, Shalit was one of a kind. Born in New York City in 1926, he clearly aimed to be recognizable even through half-opened bleary eyes of half-asleep viewers. And audible too. Shalit’s precise pronunciation, always at a vigorous decibel level, sought to be comprehensible even during voiceovers. The Canadian comedian Eugene Levy, transfixed by this persona, imitated him on SCTV roaring at high decibel levels.
In one skit, Levy embodied Shalit with haimish affection, hawking a remedy for a migraine presumably caused by his own bellowing. In another, Levy spoofed Hollywood celebrities who were notorious fressers at local restaurants, including the American Jewish actress Shelley Winters (born Shirley Schrift). In still another lampoon, Levy-as-Shalit danced and also kibitzed with the late Catherine O’Hara as the Jewish gossip columnist Rona Barrett (born Burstein).
Shalit apparently kvelled at the notion that he was prominent enough in media culture to be affectionately kidded like other Jewish noteworthies Levy imitated, including Howard Cosell, Henry Kissinger, Menachem Begin, Milton Berle, Judd Hirsch, Jack Carter, James Caan, Lorne Greene, Norman Mailer and Neil Sedaka.
Years later, Levy recalled that when the SCTV comedy troupe was invited to appear on The Today Show, before the segment was filmed, chairs were arranged so that Catherine O’Hara was seated next to Shalit. Suddenly Shalit exclaimed: “Wait a minute, shouldn’t the person who [imitates] me be sitting beside me?” Another Jewish comedian, Jon Lovitz, would likewise attempt to imitate Shalit on Saturday Night Live, but without the zest of Levy’s indelible incarnation.
Shalit once told showbiz reporter Eileen Prose that at first, his looks limited him to radio jobs in more conventional times for TV talent. By the more liberated late 1960s, when long hair and a hirsute upper lip were more common, he was hired as quasi-permanent house Jew on The Today Show. Although his mustache fit the counterculture in the mode of Jewish activist Jerry Rubin’s, Shalit as an aspiring journalist may have grown his facial hair more in tribute to earlier literati like the playwright William Saroyan or the eminent humorist Mark Twain.
At times, Shalit’s appearance could be clown-like or cartoonish, so it was natural that characters inspired by him would appear on animated series such as SpongeBob SquarePants and Family Guy as well as The Muppet Show.
Famous interviewees like Peter Sellers were plainly at ease with Shalit’s persona. A conversation filmed shortly before Sellers’ untimely death was cordial, with the sometimes tetchy actor on his best behavior, acknowledging Shalit as a fellow entertainer. And with Mel Brooks in 1987, Shalit looked to be in paradise.
A warm-hearted empathizer and enthusiast, Shalit was more suited to promoting films than criticizing them. In 1989, a tzimmes occurred when a memo drafted by Bryant Gumbel, a Today Show colleague, deemed Shalit a “specialist in gushing over actors and directors” and added that Shalit’s interviews “aren’t very good.” To his credit, Shalit minimized the controversy, telling The Los Angeles Times that Gumbel’s disses were “not big whacks.”
“Listen, I’ve been interviewing people on the show for 17 years,” Shalit said. “I must be doing something right.”
Part of his inspiration was a sincere appreciation for humor, Jewish and otherwise. His 1987 anthology, Laughing Matters featured contributions by Jewish wits such as Dorothy Parker, S. J. Perelman, Woody Allen, Fran Lebowitz, Samuel Hoffenstein, Philip Roth, Mel Brooks, George S. Kaufman, Milt Gross, Arthur Kober, Leo Rosten, Allan Sherman, Max Shulman, Calvin Trillin, Rube Goldberg, Sam Gross, Roz Chast, B. Kliban, Robert Mankoff, J. B. Handelsman, Jules Feiffer and George Burns. The volume was dedicated to, among others, the Jewish screenwriter Samson Raphaelson, who was Shalit’s instructor at the University of Illinois at Urbana-Champaign.
His visceral reaction to Jewish parody was such that during one commuter train ride, Shalit admitted in a preface, Perelman’s story “No Starch in the Dhoti, S’il Vous Plait” caused a conductor to lean down with concern, stating: “A passenger says you’re crying.” To which Shalit retorted, choking and rubbing away tears: “I’m laughing.”
The subliminal message of Shalit’s book was that without Jews, America would have distinctly fewer tears of laughter. And he regretted not being able to include funny Jews like Jack Benny and Ed Wynn whose performances could not be transferred to the printed page.
Shalit also reviewed books for years. Sticking firmly to the content of cultural products with a few brief hints of value judgment, Shalit seemed to have neither the time nor presumably the inclination to subject new items to analysis of Freudian intensity. He clearly preferred boosting things to panning them, and when a film displeased Shalit, he could be uncomfortable saying so.
One occasion when Shalit raised hackles was his response on The Today Show to the 2005 film Brokeback Mountain. Shalit described one of the gay characters as a “sexual predator.” The LGBTQ media group GLAAD objected to Shalit’s characterization as a homophobic stereotype. Shalit’s son Peter wrote an open letter to GLAAD, identifying himself as a gay physician with a Seattle practice helping the gay community. Peter Shalit admitted that his father “did not get” the film in question, but was “not a homophobe.” He might have added that his father had even included an excerpt from Harvey Fierstein’s Torch Song Trilogy in the aforementioned humor collection.
Shalit followed up with his own apology, stating in a mensch-like way that he did not intend to cast “aspersions on anyone in the gay community or on the community itself.” When Shalit finally retired from broadcasting at age 84, with the Yiddish-inflected declaration: “It’s enough, already,” he left behind admiring viewers and decades of bonhomie as one of morning television’s most genial protagonists.
Mazel tov, Gene Shalit. Biz hundert un tsvantsik (May you live until 120)!
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How a song about the food chain became a Seder mainstay
I’m almost positive I heard about the old lady who swallowed a fly before the father who bought a goat for two zuzim.
This occurred to me a few years ago while riding in my sister’s minivan. My niece was in her car seat fidgeting with a toy that plays a catalogue of public domain children’s songs. But unlike the version I’d grown up hearing, where the old lady’s ravenous habit of devouring ever-larger animals is met with the prognostic shrug of “perhaps she’ll die,” the refrain was changed to the more kid-friendly “oh me oh my.”
The Seder tune “Chad Gadya,” which involves a quite similar conceit, has no such timidity when it comes to the ravages of death.
Jack Black once described it as the “original heavy metal song” for the way it progresses along the chain of life from a little goat bought for two zuzim, to the cat who ate the goat, to the dog who bit the cat, all the way up to the angel of death. (“Very Black Sabbath.”)
It is pretty metal — in a kosher Kidz Bop, tot Shabbat kinda way. But why we sing it should, in Jewish circles, be as popular a seasonal question as what a bunny with a clutch of eggs has to do with Jesus’ resurrection. (Some Haggadot explain the greater significance of “Chad Gadya;” my Maxwell House does not.)
Dating the song or rooting out its precise origins is not easy.
As historian Henry Abramson wrote, scholars have noted the song’s similarities to a late Medieval German folk rhyme. While the fact that it is mostly in Aramaic, not the vernacular in Europe in the Middle Ages, suggests an earlier provenance, it is missing from extant Sephardic and Yemenite Haggadot, where one would expect to find texts originating in the language, and the Aramaic itself has many errors.
Abramson reasons that, given the surviving written versions, it was likely adapted sometime in the 14th century from a German children’s rhyme called “The Foreman that Sent Jockel Out,” about an idler named Jockel who a foreman tries to rouse to fieldwork with an escalating series of messengers, ending with a hangman. (Abramson notes the original is characterized by “some Teutonic weirdness,” like a witch sent to subdue a vulture.)
“Chad Gadya” belongs, like its Seder companion “Echad Mi Yodea,” to a genre called “cumulative song,” where verses build with new information a la “12 Days of Christmas.” But “Chad Gadya” stands out for its strangeness and its more oblique message.
Abramson and others see the goat, small and vulnerable, standing in for the Jewish people, and the ensuing parade of antagonists corresponding to historical enemies (Assyrians, Babylonians) and periods of time (Exodus, various conquests), ending with redemption in the Messianic age when the Holy One smites death.
As Rabbi Jonathan Sacks wrote in a commentary for his Haggadah, the song “teaches the great truth of Jewish hope: that though many nations (symbolized by the cat, the dog, and so on) attacked Israel (the goat), each in turn has vanished into oblivion.”
That this truth is conveyed in song, with much banging on the table or animal noises, speaks to the centrality of children in the Passover Seder. And, some think, its inclusion serves a practical purpose: keeping the kids awake through the last leg of a long ritual meal.
My own interpretation is admittedly less lofty. I don’t think of Israel’s tribulations. I do think of the abundance of stray cats in Jerusalem, said to have originated during the British mandate when the city had a rat problem.
And, in the years since my own days as designated Four Questions asker, I’ve been reading “Chad Gadya” into non-Jewish contexts. “The White Cat,” off of Mitski’s new album, Nothing’s About to Happen to Me, contains a lyric that recalls the song, only altered to be a metaphor for the predations of capitalism.
In it, the speaker says she must work to pay for the cat’s house and “for the bugs who drink my blood/and the birds who eat those bugs/so that white cat can kill the birds.”
These cycles speak across cultures and time because they represent a fundamental rule of nature: There’s always a bigger fish (or cat or dog or stick).
To erase death from the equation, like my niece’s toy does with that hapless, insect-ingesting pensioner, is a concession to today’s sensitivities. That’s not to say “The Old Lady Who Swallowed a Fly” represents anything more homiletic than a choking hazard warning, but in the case of “Chad Gadya,” death is the story, and an end to death is the hope.
“The Haggadah ends with the death of death in eternal life,” Rabbi Sacks concluded his drash on the song, which ends when God strikes down the Angel of Death. “A fitting end for the story of a people dedicated to Moshe’s great command, ‘Choose life.’”
I know it’s a principle of faith all over the Haggadah, but I’m more agnostic as to that Messianic promise and maybe more in the camp of our old lady. My understanding of Jewishness, which accords with Moshe’s command, says life is best lived knowing that — perhaps — we’ll die.
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Katz: ‘Israel’s Goal in Lebanon is to Disarm Hezbollah’
Then-Israeli transportation minister Israel Katz attends the cabinet meeting at the Prime Minister’s office in Jerusalem, Feb. 17, 2019. Katz currently serves as the foreign minister. Photo: Sebastian Scheiner/Pool via REUTERS
i24 News – Israel’s Defense Minister Israel Katz held a situation assessment Friday with senior military and defense officials, reiterating that the country’s policy in Lebanon remains focused on disarming Hezbollah by military and political means. Katz emphasized that the goal applies “regardless of the Iran issue” and pledged continued protection for Israeli northern communities.
Katz said the Israel Defense Forces are completing ground maneuvers up to the anti-tank line to prevent direct threats to border towns. He outlined plans to demolish houses in villages near the border that serve as Hezbollah outposts, citing previous operations in Rafah and Khan Yunis in Gaza as models.
The Defense Minister added that the IDF will maintain security control over the Litani area and that the return of 600,000 residents of southern Lebanon who had evacuated north will not be permitted until northern communities’ safety is ensured. Katz also reaffirmed that the IDF will continue targeting Hezbollah leaders and operatives across Lebanon, noting that 1,000 terrorists have already been eliminated since the start of the current campaign.
“We promised security to the northern towns, and that is exactly what we will do,” Katz said. He further warned that the IDF will act decisively against rocket fire from Lebanon, stating that Hezbollah “will pay heavy prices.”