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A new book made me appreciate Jewish Sunday schools — and the volunteer women who have powered them

(JTA) — As a kid I went to Sunday school at our Reform synagogue. I didn’t hate it as much as my peers did, but let’s just say there were literally dozens of other things I would have preferred to do on a weekend morning.

As a Jewish adult, I had a vague understanding that Sunday school was a post-World War II invention, part of the assimilation and suburbanization of American Jews (my synagogue was actually called Suburban Temple). With our parents committed to public schools and having moved away from the dense urban enclaves where they were raised, our Jewish education was relegated to Sunday mornings and perhaps a weekday afternoon. The Protestant and Catholic kids went to their own religious supplementary schools, and we Jewish kids went to ours. 

In her new book “Jewish Sunday Schools,” Laura Yares backdates this story by over a century. Subtitled “Teaching Religion in Nineteenth-Century America,” the book describes how Sunday schools were the invention of pioneering educators such as Rebecca Gratz, who founded the first Sunday school for Jewish children in Philadelphia in 1838. As such, they were responses by a tiny minority to distinctly 19th-century challenges — namely, how to raise their children to be Jews in a country dominated by a Protestant majority, and how to express their Judaism in a way compatible with America’s idea of religious freedom.

Although Sunday schools would become the “principal educational organization” of the Reform movement, Yares shows that the model was adopted by traditionalists as well. And she also argues that 20th-century historians, in focusing on the failures of Sunday schools to promote Jewish “continuity,” discounted the contributions of the mostly volunteer corps of women educators who made them run. Meanwhile, the supplementary school remains the dominant model for Jewish education among non-Orthodox American Jews, despite recent research showing its precipitous decline.

I picked up “Jewish Sunday Schools” hoping to find out who gets the blame for ruining my Sunday mornings. I came away with a new appreciation for the women whose “important and influential work,” Yares writes, “extended far beyond the classrooms in which they worked.” 

Yares is assistant professor of Religious Studies at Michigan State University, with a joint appointment in the MSU Program for Jewish Studies. Raised in Birmingham, England, she has degrees from Oxford University and a doctorate from Georgetown University.

Our conversation was edited for length and clarity.

Tell me how your book came to be about the 19th century as opposed to the common 20th-century story of suburbanization. 

There’s a real gap in American Jewish history when it comes to the 19th century, chiefly because so many American Jews today trace their origins back to the generation who arrived between 1881 and 1924, the mass migration of Jews from from Eastern Europe. So there’s a sense that that’s when American Jewish history began. Of course, that’s not true at all.

The American Jewish community dates back to the 17th century and there was much innovation that laid the foundations for what would become institutionalized in the 20th century. 

Sunday school gets a very bad rap among most historians of American Judaism. If they’ve treated it at all, they tend to be dismissive — you know, there was no substance, they just taught kids the 10 Commandments, it was run by these unprofessional volunteer female teachers, so it was feminized and feminine.

But there’s also a lot of celebration of Rebecca Gratz, who founded the first Sunday school for Jewish children

That’s the first indication I had that there might be more of a story here. Rebecca Gratz is lionized as being such a visionary and being so inventive in developing this incredible volunteer model for Jewish education for an immigrant generation that was mostly from Western Europe. And yet, by the beginning of the 20th century, [Jewish historians] say it has no value. So what’s the story there?

Two other things led me on the path to thinking that there was more of a story in this 19th-century moment. I did my Ph.D in Washington, D.C. And as I was searching through the holdings of the Library of Congress, there were tons and tons of Jewish catechisms.

“Sunday school gets a very bad rap among most historians of American Judaism,” says Dr. Laura Yares, author of the new book, “Jewish Sunday Schools.” (Courtesy of the author)

A catechism is a kind of creed, right? It’s a statement of religious beliefs. “These are things we believe as Jews.”

So Jewish catechisms had that, but they were also philosophical meditations in many ways. Typically, the first question of the catechism was, what is religion? And then the second question is, what is Jewish religion? 

And then I started reading them. They were question-and-answer summaries of the whole of Judaism: belief, practices, holidays, Bible, you name it, that the children were expected to memorize. This idea that you’ve got to cram these kids with knowledge went against this historiographic dismissal of this period as being very thin and that kids were not really learning anything. The idea that children had a lot to learn is something that Sunday school educators actually really wrestle with during this period. 

What was the other thing that led you to pursue this subject?

When I was beginning to research my dissertation, I was working as a Hebrew school teacher in a large Reform Hebrew school in Washington, D.C. And I remember very distinctively the rabbi coming in and addressing the teachers at the start of the school year. He said, “I don’t care if a student comes through this Hebrew school and they don’t remember anything that they learned. But I care that at the end of the year they feel like the temple is a place that they want to be, that they feel like they have relationships there and they have an (he didn’t use this word) ‘affective’ [emotional] connection.”

And so I’m sitting there by day at the Library of Congress, reading these catechisms that are saying, “Cram their heads with knowledge.” What is the relationship between Jewish education as a place where one is supposed to acquire knowledge and a place where one is supposed to feel something and to develop affective relationships? The swing between those two poles was happening as far back as the 19th century.

You write that owing to gaps in the archives, it was really hard to get an idea of the classroom experience. But to the degree that there’s a typical classroom experience in the 1860s, 1870s and you’re the daughter or grandchild of probably German-speaking Jewish immigrants, maybe working or lower middle class, what would Sunday school be like? I’m guessing the teacher would be a woman. Are you reading the Bible in English or Hebrew? 

You are probably going for an hour or two on a Sunday morning. It’s a big room, and your particular class would have a corner of the room. It’s quite chaotic. Most of the teachers were female volunteers. They were either young and unmarried, or older women whose children had grown. Except for the students who are preparing for confirmation — the grand kind of graduation ritual for Sunday schools. Those classes were typically taught by the rabbi, if there was a rabbi associated with the school.

There would be a lot of reading out loud to the students with students being expected to repeat back what they had heard or write it down so they had a copy for themselves. Often the day would begin with prayers said in English, and often the reading of the Torah portion, typically in English, although in many Sunday schools, we do have children reporting they learned bits of Hebrew by rote memorization. Or they memorized the first chapters of the book of Genesis, for example, but I’m not sure that they quite understood what they memorized. “Ein Keloheinu” is a song that often children tell us [in archival materials] that they had memorized in Hebrew. They probably would have learned at least Hebrew script, and a little bit of Hebrew decoding. But it is fair to say that if they were reading the Bible, they were reading it mostly in English, because you have to remember that most of the women who were volunteering to teach in these schools came of age in a generation where Hebrew education wasn’t extended to women. 

What’s the goal of these Sunday schools? 

The Sunday school movement arose because there was a whole generation of immigrant children who did not have access to Jewish education, because their parents didn’t have either the economic capital or the social capital to become part of the established Jewish community. They couldn’t afford a seat in the synagogue, they couldn’t afford to send their children to congregational all-day or every-afternoon schools [which were among the few options for Jewish education when Gratz opened the Philadelphia Sunday school]. Sunday schools are really a very innovative solution to a problem of a lack of resources. 

You also write that the founders of these supplementary schools want to defend children against “predatory evangelists.”

That was how Rebecca Gratz described her goal when she created the first Sunday school. She was very, very worried about the Jewish kids who were not receiving any kind of Hebrew school education. She talks about Protestant missionaries and teachers who would go out onto the street ringing the bell for Sunday school and offering various kinds of trinkets, and Jewish kids would get kind of swept into their Sunday schools. There was a very concrete need to give Jewish children somewhere else to go. 

So Gratz and the people who created the first Hebrew Sunday school in Philadelphia looked at what the Protestants were doing and they saw that Protestant Sunday schools were providing very accessible places where kids could go and get a basic primer in their religious tradition.

The approach was to teach Judaism as a religion, as opposed to Judaism as a people or culture, to demonstrate that being Jewish was as compatible as Protestantism with being wholly American.

That is certainly part of it. It’s a demonstration that Judaism is compatible with American public life. But I think there’s actually a much bigger claim that the Sunday schools are making. The claim is not only that Judaism is as good as Protestantism, but that Judaism does religion better than Protestantism. These rabbis who were writing catechisms and teaching confirmation classes were saying that Judaism does liberal religion better than liberal Protestants, liberal Catholics and other kinds of liberal denominations. You see the same sentiment in the Pittsburgh Platform as well, which is the foundational platform of the Reform movement written in the 1880s. Sunday schools take that idea and bring it down to a grassroots level.

There are many, many fewer Jews in America in much of the 19th century, before the waves of Eastern European immigrants arrived beginning in the 1880s They didn’t really have strength in numbers, or the kind of self-confidence to have a system of day schools, yeshivas or heders, the elementary schools for all-day or every day Jewish instruction.

And this is also a community that has grown up at the same time as the birth of public education in America, independent of churches. That really emerged beginning on the East Coast in the 1840s.This generation of Americans really believes in the power of public education to craft an American public. It’s a project that 19th-century American Jews believe in and want to sustain. So Sunday schools don’t just become the preferred Jewish model because of lack of resources, but because American Jews really believe in the idea of public education.

What happens at the beginning of the 20th century, with the arrival of Eastern Europeans with different models for Jewish education?

A new generation tries to reform Jewish education, led by a young educator from Palestine named Samson Benderly, who leads the new New York Bureau of Jewish Education. He tries to change American Jewish education to make it more professionalized, but to bring more traditionally inclined Jews on board he has to convince them that he doesn’t want to make more Sunday schools, because Sunday schools by the end of the 20th century had become very much associated with the Reform movement in a way that they weren’t when they were founded and for much of the 19th century.

A painting of Philadelphia philanthropist and Jewish education activist Rebecca Gratz by Thomas Sully. (The Rosenbach of the Free Library of Philadelphia)

Benderly is surveying the scene of recent immigrants living in New York City [tenements] and other kinds of downtown environments, and his proposal is to create these community institutions for these dense communities, where children can be taught Hebrew in Hebrew. His disciples also created Jewish camps as a way to get children out of the inner cities and develop the muscular Zionist ideal of healthy bodies and a robust sense of Jewish collectivity.

You write that Benderly’s vision is a sort of masculine response to the “feminizing” perception of the Sunday schools. 

These women teachers are recognizing that they’re being criticized for the kind of thinness of the Jewish education that they’re teaching in comparison to other models, but in periodicals like The American Jewess women are writing back and saying, “But you didn’t teach us Hebrew! I didn’t get that opportunity as a woman, so what do you expect?” It’s really important to note that the women did the best that they could in the time that they had available, and that they were the product of opportunities that were denied to them.

What lessons did you learn about Sunday school and Hebrew school education in the 20th century that relate to your research into the 19th century?

The move that is so decisive for shaping American Jewish education is suburbanization. Rather than having a large immigrant generation who are living in these tight ethnic enclaves, you have American Jewish children who are predominantly growing up in the suburbs, and socializing with children from all sorts of different backgrounds who are attending public schools. The place that you go to get your Jewish education is the synagogue supplemental school, which becomes the dominant model for American Jewish education up until today. Benderly might reflect that it looks a lot more like the Sunday school movement of the 19th century than his vision. 

Today’s model is really a religious model. And by that I mean that students go to Hebrew school primarily to kind of check a religious box, to learn about the thing that makes them distinctive religiously, and to achieve a religious coming-of-age marker, which is the bar, bat or b mitzvah. Certainly the curriculum today is more diverse, embracing more aspects of traditional Judaism then you would have seen in a 19th-century Sunday school: more Hebrew, more of a sense of Jewish peoplehood, ethnic identity and Zionism of course. But the question that American Jews are increasingly asking themselves is, is this a model that they still want? So you may have seen that the Jewish Education Project published a report recently on supplemental schools, which saw that enrollment has really, really declined.

Sunday schools are based on a vision of Judaism as a set of a religious commitments that American Jews actualize through belonging to a synagogue and sending their children to a synagogue or a religious school, where they will learn primarily a set of religious skills: the ability to read from the Torah, the ability to decode Hebrew, the ability to navigate the siddur.

Is that still the vision that most American Jews have for what Judaism means to them? I think increasingly the answer seems to be no.

How else did experience in a Hebrew school classroom influence you? Did you access anything else when you were writing the book? 

I think about the number of college kids and graduate students and empty nesters who are either volunteering or earning minimum wage, working at Hebrew schools, all over the country. That’s the labor force of American Judaism. These people also bring so much to the table. There are a lot of skills, dispositions and knowledge that don’t tend to get taken very seriously because this is a workforce that just gets kind of put into the category of “oh, they’re part time.” That made me look really closely in the historical archives to see if I could find anything out about the women who are volunteering to teach in Sunday schools. And what I found out was that [many] were public school teachers. And they brought a lot to the table. It was women in fact who were really pushing to make the Sunday school curriculum more experiential and to move away from rote memorization. 

As a historian formed by feminist methods, I find it really important to recognize that these women were giving over what they had, as opposed to critiquing them for not teaching in a more traditional way. I think we need to pay attention when women are being scapegoated for problems that are described as problems of Jewish continuity. It blinds us to the role that women’s volunteerism has played in American Jewish life. This whole Sunday school movement was possible only because these women volunteered their time and largely were not paid.


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Israel’s government just took a terrifying new step toward authoritarianism

For the first time since Israel’s founding, the government has rejected a binding ruling of the Supreme Court.

At first glance, the effects of the latest outrage from Prime Minister Benjamin Netanyahu’s government may appear narrow in scope. The immediate dispute concerned the Second Authority for Television and Radio, an independent broadcasting regulator, and a technical disagreement over whether it may continue operating after resignations left it without the quorum ordinarily required by law.

But don’t be deceived: The Netanyahu cabinet’s Sunday choice to adopt a resolution declaring it would not recognize a court order that would allow the regulator to continue functioning has serious implications. Whatever one thinks of the legal merits of the underlying case, that declaration establishes a constitutional precedent unlike any that has existed in Israel until now. And it underlines a longstanding theme of Netanyahu’s campaigning in advance of the October elections: His claim that the Supreme Court is the unelected enemy of the people.

The dispute itself arose after the Supreme Court froze controversial appointments to the Second Authority, including for a new chairperson, while it considered petitions challenging the appointments.

Following the court’s intervention, several members of the council resigned in what the justices suggested appeared to be a coordinated effort to prevent the regulator from functioning. Their departure left the council without the statutory quorum needed to conduct business, including deciding on the proposed acquisition of the TV station Channel 13 by a liberal group led by tech mogul Asaf Rappaport.

The Supreme Court responded in June by ruling that those resignations could not be used as an excuse to avoid implementing its earlier orders, and allowed the regulator to continue operating pending a final decision. Communications Minister Shlomo Karhi and Justice Minister Yariv Levin argued that the court had effectively rewritten the governing statute.

Now, rather than seeking reconsideration or pursuing legislative change, the cabinet has adopted a resolution declaring that it will not recognize decisions made by the Second Authority in the wake of the court’s order.

Reasonable lawyers can and should disagree about whether the Supreme Court reached the correct legal conclusion. Courts issue controversial rulings, and governments are entirely entitled to criticize them, seek legislative remedies, campaign to change the law or argue that judges exceeded their authority. That process is an essential part of how a healthy democracy works.

But until this past weekend, such disagreements in Israel always took place within a constitutional framework in which the government’s obligation to obey binding judicial decisions remained unquestioned.

For several years, the current coalition has waged an increasingly aggressive campaign against institutions that constrain executive power.

The judicial overhaul proposed in 2023 sought to weaken the courts’ ability to review government action, sparking months of massive protests against what Israelis rightly viewed as a sharp turn toward authoritarianism. Since then, ministers have repeatedly attacked the attorney general, legal advisers, prosecutors and senior civil servants as unelected officials frustrating the will of the majority. And the government quietly revived some parts of the proposed overhaul last year.

The latest confrontation carries that argument one decisive step further.

Levin, the justice minister, argued that the court’s ruling “contradicts the clear language of the law.”

The subtext to his statement is clear: it’s an anti-democratic assertion that only the governing coalition can determine what laws actually mean. And the timing is no coincidence. Israel is approaching what many regard as the most consequential election in its history, and public discussion has increasingly been shaped by fears that Netanyahu — who is still on trial for bribery, fraud and breach of trust — will attempt to sabotage the election, launching the country into an unprecedented constitutional confrontation over the electoral process.

If those fears materialize, the Supreme Court will be the institution called upon to determine what the law requires. A government that has already established the principle that it may refuse to recognize judicial rulings has inevitably altered the context in which that dispute would unfold.

Thus, the implications of Levin’s words are grim. If the Supreme Court attempts to counteract Netanyahu in the fall, it’s easy to imagine the cabinet making a version of this exact argument as an excuse to ignore those rulings, too.

With that context in mind, the cabinet’s decision prompted sharp outcry, including from President Isaac Herzog, who said it struck “at the heart of the nation’s unity.”

And it called to mind a famous — if possibly apocryphal — declaration attributed to former Prime Minister Menachem Begin, who founded Netanyahu’s Likud Party, that “there are judges in Jerusalem.” Those words became foundational in Israel because they reflected a foundational democratic principle: that elected leaders, no less than ordinary citizens, are themselves subject to the law as interpreted by the courts.

The post Israel’s government just took a terrifying new step toward authoritarianism appeared first on The Forward.

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A synagogue will soar above the Venice Biennale’s politics, and its lagoon

The wandering Jew. The rootless cosmopolitan. Being homeless and belonging nowhere has long been a negative Jewish stereotype.

But what if this trait was, instead, something beautiful?

That’s the idea posed by Nabatele, an art installation from Ukrainian-Jewish artist Anna Kamyshan. A synagogue, an amalgam of different wooden shtetl synagogues across Europe, perches on a heap of earth. But it’s not on the ground — the synagogue is soaring in the sky.

It sounds impossible, but Kamyshan is installing Nabatele as an official project of the Venice Biennale, where it will float over the city’s lagoon, starting July 16. She worked with engineers in the U.K., a production company in Spain, and she imported some supplies from Denmark to make it all come together.

“We are trying to engineer some magic,” Kamyshan said, describing the process over a video call.

The Venice Biennale, which has been around since 1895, is the oldest art festival of its kind. It is organized by country; each has its own pavilion in Venice where artists representing their nation install their pieces. But that utopian vision of inclusion isn’t always simple. This year, in protest of both Israel’s and Russia’s participation, the entire jury — the group in charge of meting out the festival’s prestigious awards — resigned from the festival after putting out a statement that they would not award artists from countries “whose leaders are currently charged with crimes against humanity by the International Criminal Court.” (Both Benjamin Netanyahu and Vladimir Putin fall into this group.) Protests, led by the activist group Art Not Genocide Alliance, have marched through the streets of Venice.

But Nabatele is affiliated with the Yiddishland Pavilion, a project that sidesteps the entire controversy of choosing which nations can participate. It isn’t tied to Israel, or, for that matter, any other country. In fact, arguably it isn’t tied to the Biennale. It’s not even a physical pavilion. It debuted — unofficially — at the Biennale in 2022, when artist Yevgeniy Fiks and curator Maria Veits had the idea of a “conceptual, independent, non-national” pavilion. But it’s something of a guerilla project. Since Yiddishland doesn’t have a physical pavilion, its exhibits are scattered around the city, often including performance art popping up in public spaces.

In an interview with the Forward in 2025, Fiks said the idea of Yiddishland originally emerged  in the early 20th century when a group of Yiddish-speaking Jews toyed with rejecting nation-based identity in favor of “the idea that Yiddish language and culture create their own homeland — an imaginary place where Yiddish-speakers always belong.” It’s fitting, then, that its pavilion is similarly ephemeral.

Nabatele, however, is a very physical piece. Yiddishland might not have a physical state or pavilion, but despite this lack of space on land, the installation is monumental. It floats, filled with helium, over Venice’s waters. And it was too big to install without the Biennale’s official buy-in. So Kamyshan, with support from the Montreal Jewish Museum, submitted the project to become an official part of the festival, as a “Collateral Event.” It was a longshot, the artist said, and none of them expected it to be accepted.

But it was. Which meant Kamyshan had to figure out how to actually make the project.

“If there would be this stateless state of Yiddishland, what would be the representation of it at the Venice Biennale? For me it’s clear — there is no space, it has to fly,” Kamyshan said. “It’s also a very Jewish thing, not to be rooted.”

Nabatele’s synagogue rests on what appears to be a massive pile of rocks and soil — an earthly groundedness it carries into the sky. (How does all of this wood and dirt float? Well, Kamyshan told me it was made of “the most cosmic magical materials,” and also a lot of helium. Beyond that, she said that she didn’t want to spoil the illusion.)

The name comes from a compound of the Slavic word nabat, which means a beacon or alarm in Russian and Ukrainian, along with the Yiddish diminutive elle, softening the meaning. (Nabat in biblical Hebrew has a related definition, meaning “to look.”)  Light shines out of its windows, a nod to every synagogue’s ner tamid, or eternal light, serving as a sort of flare or lodestar, beckoning to passersby.

“I think it’s difficult times for Jews to identify yourself as Jews,” Kamyshan said. “It’s just heavy, you know?” So she made something light — an alarm to remind people not of the danger of being Jewish, but of its beauty.

If all goes well with installation, the highest point of the floating synagogue will be 45 meters above the water — nearly 150 feet.

Kamyshan said she hopes the message of lightness, and of carrying a home within yourself, will be universal for members of an increasingly globalized world. As a Ukrainian-Jewish woman, born to a Russian-speaking family — and simply as an artist who has moved regularly and lived in cities across the world — Kamyshan said she related to the idea of rootlessness beyond its Jewish history. In the past, she struggled with the feeling that she was never quite enough of any one of her identities to belong. Today, however, she sees her lack of home as a kind of superpower that prevents her from being “trapped by some land.”

“I have to be rooted within myself, and it gives me a lot of freedom. And I enjoy this freedom,” she said. “And when you look at this art object you think: Was it ever part of the land and was uprooted? Or did it always enjoy this freedom? And I like this ambiguity.”

The floating synagogue Nabatele will be on view in Venice from July 16 through Sept. 16, 2026, weather depending.

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They were the Messis and Ronaldos of their time. And their fellow countrymen murdered them.

The World Cup is in full swing. Cristiano Ronaldo, CR7 himself, is improbably, arrogantly playing his sixth tournament at the age of 41. The media loves it: the Lionel Messi vs Ronaldo rivalry continues. Ronaldo plays on with tears and tantrums, breaking records and refusing to simply grow old and go home.

But David Bolchover, author of Digging Deep: Unearthing the Stories of Eleven Murdered Jewish Footballing Greats, finds himself thinking about a different 41-year-old: Jozsef Braun. Arguably the greatest Jewish footballer who ever lived, he was killed by the very Hungarians who had once cheered his name.

“When he was murdered, he was 41,” Bolchover told me when we spoke recently. It was less than 15 years after he had last scored an international goal for Hungary — then one of the top few international teams in the world.

Millions of Jews across Europe were part of the burgeoning soccer culture that was sweeping the continent, with disproportionate representation among elite players, coaches and referees, The way Bolchover tells it, the Jewish soccer culture lost in the European Holocaust was as substantial as the foundational Jewish contributions to culture that helped bring western civilization into the 20th century.

Although he restricts himself to people who played for their countries and who were murdered in the Shoah, Bolchover has selected a team of greats in all 1 positions. He quotes Ursula von der Leyen, president of the European Commission, in 2022, saying “There is no Europe without European Jews,” but where she was thinking that “Europe is Mahler and Kafka, and Freud,” Bolchover is thinking Braun, Zygmunt Steuermann, Béla Guttmann and Arpad Weisz.

These were some of the elite players, coaches and visionaries of the sport — the Messis, Ronaldos, Pep Guardiolas, Zinedine Zidanes, and Carlo Ancelottis of their time. Indeed, Bolchover says that one significant reason that Hungary and Austria’s all-conquering soccer teams became second rate was that they murdered the Jewish populations who were instrumental in achieving and perpetuating that excellence. Dave Rich, who wrote about the UK release of the book, made a point that Bolchover says he wishes he had thought of himself: “Jewish footballers were as prevalent in the football leagues of central and Eastern Europe in the 1920s and 1930s as Black players are in the Premier League today.”

The team that Bolchover unveils in his book would strike fear into the hearts of any pre-War expert on European soccer. Wunderkind Steuermann scored Poland’s first ever international hat trick. Max Scheuer played his whole career for the Jewish, Zionist team Hakoah Wien and led them to the Austrian national title. Weisz went from international star player to record-winning coach, winning the Italian championship for Bologna and Inter Milan. He remains the youngest coach to win Serie A.

Arguably the greatest Jewish footballer who ever lived, Jozsef Braun was killed by the very Hungarians who had once cheered his name. Courtesy of David Bolchover

Across eight chapters, Bolchover tells the stories of his 11 selected players of his selection and, in so doing, tells a particular history of the Shoah. He can even ignore György Molnár and József Eisenhoffer who between them, in 1924, scored Hungary’s first six goals as they humiliated Italy 7-1 in Budapest. But, along with the glory, it seems like on every page there are footnotes chronicling the tragic fate of the Jews in the towns and villages from which players, their wives, and their families hail.

“I’m not going to just mention a place where Jews lived and not tell you what happened,” Bolchover said. “To me, that’s an abandonment of responsibility. You often get non-Jewish English writers just letting it lie: ‘He was from this area and he died in Auschwitz.’ It’s not good enough.”

Bolchover deliberately avoids saying that these men “died” or that they “perished”; he says they were murdered. “Vocabulary is very important,” he told me. “You have to use ‘murder.’ You can’t use ‘died.’ Even ‘perished,’ I don’t like… I talk about the Holocaust as the Holocaust was. A Jew who’s not angry about the Holocaust is a strange Jew.”

Bolchover is also scathing about the nations for whom his protagonists played. He resists describing many of his players simply as Hungarian, Austrian or German. History, he argues, has already rendered its verdict. “The ones that thought they were Hungarian, the ones that thought they were German, the ones that thought they were Austrian were proven to be wrong,” he said. “They were rejected by the host societies… In the end, they were Jews.”

This is not a polite book. Bolchover does not soften his account for squeamish readers, and he does not traffic in the comforting framing that has come to dominate Holocaust memory in the West: the survivor, the righteous gentile, the redemptive arc. His previous book, The Greatest Comeback, told the story of Béla Guttmann — the brilliant Jewish coach saved by his future brother-in-law — and even that book, Bolchover insists, “did not pull any punches.” This one pulls even fewer. This one is about the rule that Jews were industrially murdered by diverse populations across the continent, not the exception of a few that were saved.

“I felt I needed to write this book,” he said. “I felt more and more drawn to the stories of those who didn’t make it. You feel a responsibility to tell their stories because nobody else can tell them. I felt if I don’t write this book about these 11 players, nobody would. And certainly not in the right way.”

The book was sparked, in part, by fury. In 2019, the release of the biopic about Bert Trautmann — the German goalkeeper who played for Manchester City and who had served in the Wehrmacht — generated a wave of admiring press coverage that Bolchover found intolerable. Trautmann had, it was widely noted, apologized for being a Nazi; the coverage seemed to imply that he was a great guy who had simply made some unfortunate early choices.

“He apologized for being a Nazi, but he was a Nazi,” Bolchoverf said. “He apologized for being an antisemite, but he was an antisemite. And the regime he fought for and supported murdered all these great Jewish footballers that nobody’s ever heard of.”

Photo of Hasmonea Lwow in 1924. Zygmunt Steuermann is standing on the far left. Courtesy of David Bolchover

That nobody has heard of them is not an accident. It is, Bolchover argues, a failure of collective memory — one that begins with the mass extermination of the Jewish crowds who would remember their heroes and proceeds to the shame and repression of the national crowds who gleefully murdered their Jewish compatriots. Jews too have been too quick to embrace the “people of the book” stereotype and look to claim credit for founding football clubs (Bayern Munich, yes; Eintracht Frankfurt, yes; Ajax, yes) while remaining curiously silent or ignorant about the fact that Jews were also, for a golden pre-war generation, many of the very best players on the continent.

“Jews, even Jews, are slightly uncomfortable with the fact of their own ignorance, that actually it wasn’t the founders that were important,” he said. “Why all the focus on that? Why not all the focus on all the top international footballers and coaches? Do we focus really on the founders now, or on the chairman? No, we focus on Messi and Ronaldo.”

The answer, Bolchover suggests, is the Holocaust. Not just because it killed the players, but because it killed the memory of the players. The destruction of European Jewry was so total, so final, that it erased not only lives but legacies. When people laugh and say Jews aren’t really footballers — better suited to medicine, to finance — they are, Bolchover argues, “laughing at our own destruction.”

The 11 players in the book are drawn from across Europe. Bolchover’s structural rule — that they must all be full internationals — was deliberate. He is making a point: These were not obscure club players; they were the stars of their nations, the best their countries could produce. And then their countries killed them.

Only three of the 11 — Julius Hirsch, Otto Fischer, and Weisz — have had some biographical attention in German and Italian and a few English-language articles. With the exception of a few recent Polish language articles about Józef Klotz’s famous penalty, the others are, as Bolchover puts it, “completely forgotten, really.
And they’re not now. They’re in print, their names are there, and people can read about them.”
Author David Bolchover Courtesy of David Bolchover

Bolchover mentions the research he and others have done using Holocaust Yizkor Books — the Jewish memorial books, where decimated communities honored their obligation to remember the dead by listing the names and fates of former neighbors. Bolchover resists that simplistic framing. This is not a memorial volume in the old community sense. It is a piece of serious sports history and Holocaust scholarship, with deep archival research, extensive footnoting, and the kind of narrative drive that makes it readable to someone who has never opened a Jewish history book in their life.

He is withering, too, about the broader European refusal to reckon honestly with the nature of the Holocaust. As Simon Schama has argued — and Bolchover echoes — the Holocaust was not something that happened to the Jews while Europe stood helplessly by. It was something Europe did to the Jews, on a grand scale, with widespread participation. “That’s something Europe doesn’t want to talk about,” Bolchover said. “And even European or British Jews and American Jews don’t want to talk about it.”

None of this is comfortable reading. None of the conversation I had with Bolchover was comfortable. But, in the way that Bolchover insists the Holocaust itself must be discussed, it is honest. As he writes in the book, “to say that the destructive assault on European Jewry was some sort of historical blip or carried out and supported only by an elite cadre of committed German Nazis, constitutes a highly underestimated and sophisticated form of Holocaust denial.”

Which brings us, inevitably, to the 2026 World Cup. To the question of what this history means for the Jews who are alive today, watching the tournament on their screens and phones, where only one Jewish player is on the roster of any of the 48 teams and not a single one is from Europe. This isn’t because Jews are good at business not sport, it’s because Europeans murdered all the Jews who were brilliant sportsmen and coaches and all the Jews who would remember them.

At his UK book launch, Bolchover made the link explicit. Ronaldo at his sixth World Cup. The greatest Jewish footballer who ever lived, murdered at 41. The crowds in their national colors, Norwegians rowing, Senegal drumming, the Scots with their bagpipes, the Dutch in orange. And then the question that nobody wants to ask: What would happen if Israel qualified for the World Cup?

“What would happen if they were there? Nobody would go, ‘Oh, look at those fun-loving Israelis.’ Even in America. And imagine if they were anywhere else in the world.” The same hatred, he said quietly, that accounted for the murder of his eleven players — it is still there. Still in football. FIFA, he noted, has never held a memorial for the great Jewish footballers and coaches who were murdered in the Holocaust.

We know why.

The post They were the Messis and Ronaldos of their time. And their fellow countrymen murdered them. appeared first on The Forward.

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