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A scholar sees a common root for antisemitism and racism: ‘Christian supremacy’ 

(JTA) — Magda Teter’s new book, “Christian Supremacy,” begins in Charlottesville, Virginia, on Aug. 11, 2017. Hundreds of white nationalist neo-Nazis who ostensibly gathered to protest the removal of a statue of Confederate general Robert E. Lee from a local park broke into a chant: “Jews will not replace us.”

Other writers and scholars would note how antisemitism shaped white nationalism. But Teter, professor of history and the Shvidler Chair of Judaic Studies at Fordham University, saw something else: how centuries of Christian thought and practice fed the twin evils of antisemitism and racism.

“The ideology espoused by white supremacists in the US and in Europe is rooted in Christian ideas of social and religious hierarchy,” she writes. “These ideas developed, gradually, first in the Mediterranean and Europe in respect to Jews and then in respect to people of color in European colonies and in the US, before returning transformed back to Europe.”

In the book, subtitled “Reckoning with the Roots of Antisemitism and Racism,” she traces this idea from the writings of the early church fathers like Paul the Apostle, though centuries of Catholic and Protestant debates over the status of Jews in Europe, to the hardening of racist attitudes with the rise of the trans-Atlantic slave trade. 

Antisemitic laws and theology, she argues, developed within Christianity a “mental habit” of exclusion and dominance that would eventually be applied to people of color up to and including modern times.

Teter is careful to acknowledge the different forms antisemitism and racism have taken, distinguishing between the Jews’ experience of social and legal exclusion and near annihilation, and the enslavement, displacement and ongoing persecution of Black people. And yet, she writes, “that story began with Christianity’s theological relation with Jews and Judaism.”

Teter is previously the author of Blood Libel: On The Trail of an Antisemitic Myth,” winner of the 2020 National Jewish Book Award. At Fordham, the Catholic university in the Bronx, she is helping assemble what may be the largest repository of artifacts and literature dedicated to the Jewish history of the borough.

We spoke Thursday about how groups like the Proud Boys embrace centuries-old notions of Christian superiority, how “whiteness” became a thing and how she, as a non-Jew raised in Poland, became a Jewish studies scholar.

Our conversation was edited for length and clarity. 

Your book was conceived and written during the COVID lockdown. Where did the idea for the book come from? 

It’s an accidental project. I’ve been teaching the history of antisemitism for years, and I live in Harlem so questions of race and racism are very stark in my daily life. And since I grew up in Poland, and American history was not something we were taught or studied, I’ve never been satisfied with the various explanations for the strength of antisemitism and history of racism. And as I mentioned in my prologue, I watched the Raoul Peck documentary, “I Am Not Your Negro,” which has a clip with James Baldwin saying that white people have to figure out why they invented the idea of the N-word and must “embrace this stranger that they have maligned so long.” You could also say that the European Christians created the idea of “the Jew” and that sort of caricature had absolutely nothing to do with flesh and blood Jews. I kept noticing these parallels, as an outsider, reading American and African-American history. 

I was also thinking about this idea of servitude that was attached to Jews in Christian theology, and then in law. 

You write in your book that “Over time, white European Christians branded both Jews and people of color with ‘badges of servitude’ and inferiority.” What do you mean by servitude in this context?

In Christian theology, from the earliest Christian texts, the idea of servitude and slavery is attached to the concept of Jews and Judaism. Paul does it in his Epistles. He uses this quote from the book of Genesis that “the elder shall serve the younger,” which becomes really embedded in Christian theology. It is the Jews, the elder people, who should serve the Christians, the younger people. Later on in medieval theology and canon law, Jews are in a servile position, consigned for their sin of rejecting Jesus to perpetual servitude. So even though Jews were free people and could live mostly where they wanted to live, marry whoever they wanted to marry — nobody was sold and some even had slaves — that idea of Jews as confined to perpetual servitude to Christians created a habit of thinking of Jews as having an inferior social status. 

That language became secularized in modern times, and we see the development of the [antisemitic] trope of Jewish power: that they are in places where they shouldn’t be. I worked on fleshing out the parallels between the idea and then legal status of Jewish servitude and the conceptual perception of Black people in servile and inferior positions.

Magda Teter’s new book explores how “white European Christians branded both Jews and people of color with ‘badges of servitude’ and inferiority.” (Chuck Fishman)

What other kinds of parallels did you find between racism and antisemitism?

In the Christian theology, Black people, like Jews, will be seen as cursed by God. Jews were [portrayed as] lazy because they didn’t work physically — they made money and exploited Christians. Black people were [portrayed as] lazy because they were trying to avoid physical labor at the expense of white men. Both people were seen as carnal, both as sexually dangerous, and so on.

I was struck by the fact that the racist turn of Christian supremacy — justifying the enslavement of Black people on theological grounds — is a fairly late development, taking hold in the early modern period when Europeans established slaveholding empires. 

That’s right. In the summer of 2020, the summer of George Floyd and Black Lives Matter, we were all thinking about these issues of race and racism and America. And as I was in the middle of writing the article that became the book, I felt that there was a deeper history that needed to be told, and that slavery is not bound by color until the enslavement of Black Africans by Europeans during the colonial expansion of Europe.

After the French Revolution, when Jews were offered “emancipation” in much of Europe, there were deep debates about whether they could be citizens and be entitled to the same rights and protections as Christian citizens of France and England and other countries. How was that debate informed by Christianity?

In pre-modern Europe, there was obviously both a religious and legal framework under which Jews existed. They had their place in a social hierarchy. After the French Revolution, people are creating a new political reality. The idea of equality obviously challenged the social hierarchies that existed, including the idea that Christians were the superior religion. And that begins to play a role on two levels. One is the level of, well, “how can you be equal and be our judges and make decisions about us?” It’s fear of power — political power and political equality. That challenges the habit of thinking that sees Jews as inferior, in servitude and otherwise insolent and arrogant.

The other level comes from Enlightenment scholars who begin to place Jews in the Middle East and in the Holy Land, in Palestine. Jews are no longer seen as European. They are seen as “Oriental,” and they are compared to the non-European religions and practices that these Enlightenment scholars have been studying. Their differences are now also racialized. “They are not like us, they can’t assimilate. They can never be Frenchmen, they can never be Germans.”

And I guess it’s a short step from that to regarding people with dark skin as inferior and subordinate. 

That’s right. Enlightenment scholars are also trying to to understand why it is justified to enslave Black Africans and they do it through “scientific” and other means. They classify Africans as inferior intellectually and they create this idea of race.

I began to think about these European politicians and intellectuals in terms of creating their identities, and what I ended up arguing is what we saw in Charlottesville, what we’re seeing in Europe. It’s not necessarily just about hate, but it’s about exclusion and rejection of Jews and people of color from equality, from citizenship. 

And the common thread here is that whiteness and Christianity become inseparable. You write that “freedom and liberty now came to be linked not only to Christianity, but to whiteness, and servitude and enslavement to blackness.”

That’s right. White Christian “liberty” becomes embedded and embodied in law.

Did you see any pitfalls in drawing parallels between the Black and Jewish experiences? I am thinking of those in either community who might say, “How dare you compare our suffering to theirs!” 

Yes, I was tempered. I think what some call “comparative victimhood” has paralyzed conversations about this subject, and I kept it in my mind all the time. What I hope comes through is that there’s incredible value in a comparative approach. Coming from Jewish studies as my primary field, the comparison with the Black experience gave me clarity on the nature of antisemitism as well as on the nature of the Jewish experience, and vice versa: The Jewish experience can also give clarity to some of the aspects of anti-Black racism. 

What’s an example?

So, for instance, questions like, “Are Jews white? Are they not white? When did they become white?” That’s a whole genre of scholarship. And when you look at it through the lens of law and ideology, you begin to see that from a legal perspective, Jews were considered white in the United States because they could immigrate and they could be naturalized according to law. They did not have to go to court to become American. Their rights to vote were not challenged. There was discrimination, they couldn’t stay in hotels and in some places they couldn’t find employment, but by law, they were considered citizens. The debate about the whiteness of Jews is creating a fog of misunderstanding. 

Black Americans were targeted by specific legal statutes from the very beginning in the Constitution and then in naturalization law and so on. And then there was the backlash even after the Civil War to the 13th, 14th and 15th amendments [aimed at establishing political equality for Americans of all races]. 

Statues at the Strasbourg Cathedral depict Ecclesia and Synagoga, representing the triumph of the church, at left, and the servitude of Judaism, which is represented by a blindfolded figure, drooping and carrying a broken lance. (Edelseider/Wikimedia Commons)

How much do modern-day white supremacists, like the Oath Keepers or the Proud Boys, see themselves as Christian? Or is this a kind of white supremacy that doesn’t name itself Christian but doesn’t even realize how many of its ideas are based in theology?

I think they might not be conscious of this legacy, but neo-Nazis take from the legacy of the Nazis who themselves were not thinking of themselves as Christian necessarily. But what I argue in the book is that white Christian supremacy becomes white supremacy. It never discards the Christian sense of domination and superiority that emerges from its early relationship with Jews and Judaism. 

In the United States, Black people serve as contrast figures to whiteness, in the law and in the culture. You cannot have whiteness without Blackness. For Christians, Jews serve as that contrast figure. Consciously or unconsciously, the Proud Boys are embracing that. They talk of “God-given” freedoms for white people. That is the Christian legacy.

You said that the Nazis didn’t necessarily see themselves as a Christian movement. But I must ask, even though it is not the scope of your book, was the Holocaust a culmination of white Christian supremacy? Because I think many Christian theologians would want to say that Nazism was godless, and a perversion of the true faith.

I’ll say that when exclusionary ideology is coupled with the power of the state, that’s where it can lead. 

In the years since the Holocaust especially, there have been many efforts by Christian leaders to address the ideological failings of the past. You write about Nostra Aetate, the 1965 declaration by the Catholic Church absolving Jews of collective guilt in the death of Jesus and some Protestant documents of contrition. But I got the feeling you were disappointed that many denominations haven’t gone far enough in reckoning with the past.

There was a sort of a moral sense that something needs to be addressed after the Holocaust. But then it is not fully addressed. I don’t think anybody has addressed the issue of power — the roots of hate, yes, but not the dynamics of power. We’ll see where the book goes, but maybe theologians will begin to grapple with this legacy of superiority and domination, and the way hierarchical habits of thinking have been developed through theology and through religious culture.

What other impact do you hope the book may have?

White supremacy is very much in the air. We need to speak up against it, and make connections and allyships. I hope that maybe because the book deals with law and power, it may create bridges among people who care about “We the People” as a vision of people who are diverse, respectful and equal, and not the exclusionary vision offered by white and Christian supremacy.

A cross burns at a Ku Klux Klan rally on Aug. 8, 1925. (National Photo Company Collection)

I’d love to talk about your background. You’re not Jewish but you are chair of Jewish Studies at Fordham, a Catholic university. What drew you to the study of Judaism and the Jews?

I grew up in Poland with a father who from the time I was a little girl would point out to me that there had been Jews in Poland. We would drive through the countryside, and he’d say, “This used to be a Jewish town and there used to be a synagogue and there was the Jewish cemetery.” I grew up being very conscious of the past’s presence and this kind of stark absence of Jews in Poland, where in the 1970s when I grew up Jewish history was taboo. 

As soon as Jewish books on Jewish subjects began to be published, including those that dealt with antisemitism, we would read it together. We would talk about it. He wouldn’t just shift the destruction and murder of Jews in Poland on to the Nazis.

There was no Jewish studies program in Poland when I was applying to universities, so I studied Hebrew in Israel, and then studied Yiddish in New York at YIVO. I came to Columbia University to get my PhD in Jewish history and my career went in the direction it did. I was a professor of history and director of the Jewish and Israel studies program at Wesleyan University. I came to Fordham eight years ago and created a program in Jewish studies.

Your previous book was about the blood libel, the historic canard that Jews murdered Christian children to use their blood. This one’s about antisemitism. I don’t want to presume, but is your interest in these subjects in any way an act of contrition?

I grew up in a very secular household. I did not grow up Catholic. But I think growing up in Poland made me very, very aware of antisemitism and the history of antisemitism. I got my PhD from Columbia University in Jewish history, which did not emphasize Jewish suffering, but Jewish life, and I have studied Jewish life and teach about Jewish life — not just about Jewish suffering. 

However, in the last few years, antisemitism has certainly been on the minds of many of us. I also am committed to the idea of shared history, and therefore all my scholarship, as much as it is about Jews, it is also about the church and Poland and the law. Jews are an integral part of that history and culture. And, as such, I’m committed to that, to teaching about the vibrancy of Jewish life as much as the dynamics of what made that life difficult over the centuries.


The post A scholar sees a common root for antisemitism and racism: ‘Christian supremacy’  appeared first on Jewish Telegraphic Agency.

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Is Lionel Messi a Zionist? The Argentine soccer star’s long history with Jewish and Israeli life, explained

(JTA) — Argentine soccer icon Lionel Messi, widely regarded as one of the greatest players in the history of the sport, has built one of football’s most decorated careers.

Throughout his illustrious career, Messi has cultivated a measured public image, rarely commenting on politics or becoming involved in major public controversies. But the 39-year-old has occasionally made headlines for expressing support for Jewish causes and Israeli companies — and at times for being pulled into the tense geopolitical landscape of the Middle East by no doing of his own, including when a grandmother originally from Argentina credited him for saving her life when her Israeli kibbutz was attacked on Oct. 7, 2023.

Messi’s past has roared into public view during this year’s World Cup, in which Argentina plays Switzerland in the quarterfinals on Saturday. Some critics of Israel have surfaced his past activities and affiliations to make the case that opposing Argentina is the anti-Zionist choice. Many Israelis, meanwhile, favor the team.

Ahead of the game, here’s a look back at 10 moments from Messi’s career — presented chronologically — where he and his fame intersected with Jewish and Israeli culture through public appearances, peace initiatives, controversies and more.

RELATED: The iconic crest worn by Messi and Argentina’s soccer team was designed by a Jewish superfan 50 years ago

1. In July 2013, Messi sent a message to the Argentine Maccabiah team, a greeting before the national delegation departed for the “Jewish Olympics” in Israel. It wasn’t the first time he demonstrated support for his country’s Jewish community — in 2011, he participated in a campaign for justice and memory of the victims of the 1994 AMIA Jewish center bombing that killed 85 people in Buenos Aires.

2. One month later, he visited the Western Wall on a “peace tour” with Barcelona F.C., the famed Spanish team with which Messi spent the majority of his career. The club hosted skills clinics for Israeli and Palestinian children and met Jerusalem Mayor Nir Barkat, President Shimon Peres and Prime Minister Benjamin Netanyahu.

FC Barcelona player Lionel Messi controls a ball passed by Israeli President Shimon Peres during a training session on Aug. 4, 2013 in Tel Aviv. (Lior Mizrahi/Getty Images)

3. In September 2014, Messi supported a “match for peace” in Rome organized by Pope Francis to promote peace between Israelis and Palestinians, but he did not play due to an injury. Fellow Argentine great Diego Maradona and Israeli player Yossi Benayoun also participated, alongside stars from Russia, Cameroon, Italy, France and Brazil.

4. In 2016, Messi was slammed as “Jewish” and a “Zionist” by Egyptian officials after donating his soccer cleats to a charity in Egypt. Then-Egyptian Football Federation spokesman Azmi Mogahed phoned in to the show to criticize Messi: “I know he’s Jewish, he donated to Israel and visited the Wailing Wall and whatever. … We don’t need his shoes and Egypt’s poor don’t need help from someone with Jewish or Zionist citizenship.”

5. In June 2018, Argentina’s national team canceled a friendly match with Israel’s national team following pressure from the Boycott, Divestment and Sanctions movement. A boycott campaign sponsored by BDS Argentina was launched using the motto “Argentina don’t go,” or #ArgentinaNoVayas. The Israeli embassy in Buenos Aires tweeted that the match was canceled due to “the threats against Messi that logically generated the solidarity of his teammates.”

Lionel Messi, then with FC Barcelona, puts a paper with wishes in a crack in the Western Wall, Judaism’s holiest site, in Jerusalem during a team trip to Israel and the West Bank, Aug. 4, 2013. (Oliver Weiken/AFP via Getty Images)

6. Two months later, FIFA suspended the head of the Palestinian soccer body for threats against Messi. Jibril Rajoub, who had lobbied for action by FIFA against Israel, was suspended for a year after he urged supporters to burn photos and player jerseys if Messi or the Argentinian national team had shown up for the friendly match that was canceled.

7. In 2019, Argentina’s national soccer team announced it would play a friendly match against Uruguay in Tel Aviv that November, following the cancellation a year prior. The match was again targeted by the BDS movement, with protestors demonstrating outside a training camp in Barcelona and calling on Messi not to participate. Despite the opposition, the game went on as planned, with Messi scoring a goal in front of a sold out crowd of 29,000 fans — including Israeli President and soccer fan Reuven Rivlin — at Bloomfield Stadium. (Messi would return to Israel twice with Paris Saint-Germain in 2022, beating Maccabi Haifa in two Champions League matches.)

8. In 2020, Messi signed a three-year contract to become a brand ambassador for the Israeli company OrCam, which makes devices to help the visually impaired. It wasn’t his first time promoting an Israeli company: in December 2017, the Tel Aviv-based Sirin Labs hired him as its global ambassador.

90-year-old Ester Cunio says in a new Fuente Latino documentary that she bonded with a Hamas terrorist over the soccer star Lionel Messi on Oct. 7. (Screenshot)

9. On Oct. 7, 90-year-old Kibbutz Nir Oz resident Esther Cunio name-dropped Messi to a Hamas terrorist who had come to kidnap her, likely saving her life. During the attack, Cunio asked the assailant if he liked soccer before telling him, “I’m from where Messi is from.” Cunio then made an appeal to Messi to help rescue her grandson.

10. Last month, after Messi scored a hat trick in a 3-0 Argentina victory over Algeria in the World Cup, an Algerian broadcaster blamed the “Jewish lobby” for a controversial non-call on a potential penalty that could have penalized Messi. “Messi is protected by the Jewish lobby,” analyst Mustafa Mazzouzi said. “This lobby controls the world, they run it however they want as if they were the mafia. [FIFA President] Infantino doesn’t want us to do well.” He added, “We have political stances regarding Western Sahara and the Palestinian issue, and therefore they don’t want us to do well.” Elsewhere, a Palestinian TikTok content creator with over 350,000 followers suggested that Argentina deserved to lose the World Cup because of Messi’s numerous associations with Israel.

Messi wears No. 10 — typically reserved for the best player on a soccer club — but since there are 11 players on the pitch, we’ll add a bonus.

11. The World Zionist Organization used a play on words involving Messi in a 2020 Hebrew educational video, explaining that the Hebrew word “mesibah” means “party,” or “fiesta” in Spanish. In Spanish, it sounds like “Messi va,” or “Messi goes.” In other words, “if Messi goes, it’s a party.”

This article originally appeared on JTA.org.

The post Is Lionel Messi a Zionist? The Argentine soccer star’s long history with Jewish and Israeli life, explained appeared first on The Forward.

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I read George Eliot’s Zionist epic — the Jewish bits are the worst part

If I’m being honest, I did not enroll in a course on famed English novelist George Eliot’s final book, Daniel Deronda, out of any particular interest in the book. The last Victorian novel I read was Wuthering Heights, and that was for English class in high school. I’ve never attempted Middlemarch.

I just missed the classroom, the ability to dig into and discuss texts with a group. I was hungry to read something longer and harder than I might without some structure. The Daniel Deronda class, taught by comparative literature and Judaic studies scholar Danielle Drori at the Brooklyn Institute for Social Research, was simply the most reading-heavy course on offer in the month of June.

But Daniel Deronda, it turns out, introduced the idea of Zionism — or a sort of early version of it — to England, and to Europe. I had no idea that Eliot was so early to the idea of Zionism that she beat Theodor Herzl, the man hailed as the Father of Zionism, to the idea by two decades. Some of Israel’s early leaders loved the book so much they kept copies of it with them at all times. On the flip side, Palestinian scholar Edward Said was so frustrated by the novel’s depictions of a Jewish homeland as a noble aspiration that he wrote a lengthy aside on it in his own book, The Question of Palestine.

Daniel Deronda follows the story of the titular character, a young man raised as the ward of a member of the English gentry, who discovers his real parents were Jews. (I’ll apologize here for spoilers, but the book is 150 years old so I hope you’ll forgive me.) Except the novel is actually mostly about someone else altogether: a deeply flawed, self-centered and very compelling young English woman named Gwendolen Harleth who is grappling with the clash of her own desires against the boundaries and expectations of society, womanhood and marriage.

For the first half, I was confused about how this novel could possibly have anything Jewish to say. Gwendolen was fascinating, but Deronda gets far fewer pages and less emotional depth; his main character trait is being the Good Guy. Deronda is so famously flat and unconvincing that famed literary critic F.R. Leavis argued he should be excised from the novel and it should be republished as Gwendolen Harleth, freed from “the insufferably boring stretches” — those are the Jewish parts — that “loom so large.”

And then there are the other main Jewish characters. A beautiful damsel in distress named Mirah is very sweet and dainty but has no other personality to speak of — a manic pixie dream girl before her time. And the spiritually zealous Mordecai is so obsessed with the idea that Jews must return to Israel that he literally speaks of nothing else.

Most of the argument for Zionism, and Judaism more generally, is delivered via Mordecai’s didactic monologues in which he makes unconvincing grand statements like “Israel is the heart of mankind.” At the end, Daniel and Mirah wed and sail off to Jerusalem to save Judaism, and perhaps all of Europe. (How, exactly, one man who only recently discovered he was Jewish will affect such great change upon arriving in the Holy Land is so left so mystical and unclear that Henry James joked that for all anyone knew, Deronda and Mirah were simply having tea parties once they got to Israel.)

The beautiful and far more interesting Gwendolen Harleth. Courtesy of Getty Images

I’m not saying I agree about cutting out all the Jewish characters, as Leavis proposed. But I do think that they’re boring, unconvincing and didactic — as did my entire class. This is the case for Zionism that inspired Eliezer Ben Yehuda to resuscitate the Hebrew language? This is the novel Golda Meir kept on her bedside table?

Jews today are still writing about how her book helped inspire and affirm their own Zionism and Jewish identity. It’s true that some of her descriptions of Jewish history, and the yearning for a national identity, are moving. And Eliot painted an impressively prescient vision of the debate over Israel’s founding that would unfold over the next century.

Yet Eliot’s portrayal of Jews feels more than flat: It’s antisemitic. Of course, Eliot is a product of her era, so it’s unsurprising that some of her Jewish side characters are depicted as lowly and ugly, even as some of the other more minor Jews are human and well-rounded. But the real antisemitism is Eliot’s fetishization of Jews.

Her Jewish characters aren’t allowed to be real people; they’re figureheads. Eliot did her research — she was well-versed in biblical studies thanks to her evangelical education, and in Jewish mysticism thanks to her translation work. The book is peppered with references to Jewish sages like Ibn Ezra. But the Jewish characters speak far more of grand spiritual and political aims than they do of daily life, like prayer or keeping kosher. The Jewish characters serve as an instrument to inspire Gwendolen to live a more meaningful life. And Gwendolen stands in for England more generally — the message being, seemingly, that Jews will inspire Christian England to find its own grand national identity.

Reading Daniel Deronda, I was struck by its similarities not with founding Zionists of yore, but with today’s Christian Zionism. Eliot’s interest in Jews seems to stem from her worries about the vacuousness of English life, and her hope that Jews might somehow save Western society — Christian society, that is. She describes Judaism’s ancient roots as inherently noble, almost mystically powerful. But ultimately, it’s the same vibe as the preachers today who wrap themselves in Torahs or blow the shofar; they want to co-opt some mystery of Judaism to elevate their own beliefs and messages.

We’ve come a long way in social acceptance since Eliot’s time, yet this misconception is surprisingly sticky. Reading Daniel Deronda — or at least its Jewish parts — felt not dissimilar from watching the hit Christian TV show The Chosen, which mines Judaism for a sense of mysterious authenticity, or Amazon’s House of David, which gives Judaism an esoteric Game of Thrones-adjacent magnificence.

That exalted depiction might seem flattering on the surface, but Judaism isn’t mysterious or ancient; it’s very much alive. It’s the everyday practice and identity of millions of people who live in the U.S., and in Israel and in Europe. And as is so clear in Daniel Deronda, the more magical you make us, the less human we get to be.

The post I read George Eliot’s Zionist epic — the Jewish bits are the worst part appeared first on The Forward.

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What I learned from 180 pounds of Yiddish books, one ‘interesting and complicated’ Jewish man, and Jorge Luis Borges

I’ve never met Harris Saltzberg, but one day last summer, I went to his house to abduct 180 pounds of his Yiddish books. He lived in a sturdy brown-brick co-op in Chelsea. In the lobby, there was Roz Chastian aroma of long-simmered onions and mothballs, with a subtle undertone of feet.

I took the elevator to the eleventh floor. Once I’d infiltrated Harris’ apartment, I began to get a sense of his personality. From the posters on the kitchen walls, I deduced that Harris liked Van Gogh and Martha Graham. From his box of cassette tapes, I got a taste of his cultured, klezmer-forward musical palate: Puccini Famous Arias sat next to  Miriam Kressyn’s Yiddish Folk Songs. Pavarotti and Marilyn Horne kept company with Sidor Belarsky and Jennie Goldstein.

Before I go further, I should clarify: I did not burglarize Harris’ house. I was there as a “zamlerin,” a volunteer collector and schlepper of Yiddish books for the Yiddish Book Center in Amherst, Mass. I joined the international legion, some 160-zamlers-strong, at the end of a summer internship at the Center two years ago. Since then, every few months or so, I get a call or an email from an older Jew. Some Yiddish books have fallen into their hands, or maybe the books have been in the family for a long time. We tend to meet at their houses. (Once, though, I met a guy at his synagogue and sat through a full service for the first time in Hashem-knows-how-long.)

An unexpected find: a Yiddish translation of the Kalevala, Finland’s 19th-century national epic. Photo by Clara Shapiro

Wherever we meet, the pass-off process always feels ceremonial, more like the adoption of a child than the transfer of objects. We schmooze a bisl in Yiddish, a bisl in English while we load up the books, stacking them inside cardboard boxes like a game of 3D tetris. Sometimes, like a Yiddish-speaking Neanderthal, I’ll sound out the title of a book, and my host will light up like an electric menorah, turn the book over, rub its spine up and down, and tell me all about it. This? Oh, that’s Di Yeshiva. See, you can even see Chaim Grade’s autograph on the inside flap. That? Oh, that’s the Yiddish Kalevala. Naturally.

But zamling for Harris was different from zamling for other people, because for one thing, Harris was dead. His niece told me that Harris’ close friend, Andy, would be there to help me pack up the books. Andy was waiting in the lobby when I got there. He was a tall and weathered man of Irish extraction, about 75. His hooded blue eyes and the smoke on his deep, gravelly voice gave me the impression that he’d seen a lot in his time, like a hardbitten reporter in a noir novel. Except, Andy clarified, he was actually in publishing.

He didn’t say much after that.

Harris’ Yiddish bookshelf was right by the front door, so while I did a preliminary inventory, ooing and cooing in a way that would have annoyed me if another person were doing it, Andy shuffled through Harris’ living room and kitchen, shifting his chairs, stacking his dishware, emptying his cabinets. Even with Harris gone for months, the apartment hadn’t lost the ascetic spareness that only monks and longtime bachelors seem capable of cultivating. Dust had already settled over the few wooden tables and shelves. The rugs looked frayed, and a thin white light seeped into the room from in between the vertical blinds. There was a bottle of Cinzano Rosso sitting on the kitchen counter, forever half-finished. It seemed like a place Bernard Malamud might have cooked up for a story about an erudite bachelor character.

“Everyone will agree: this is the author’s best book,” declares this ad for a book of humor, satire, and songs. $2 per copy. Photo by Clara Shapiro

But what sort of erudite bachelor, exactly? Before I’d come over, I’d found a few clues on the internet. A Facebook obituary from Camp Kinderland described Harris as “an interesting and complicated person,” adding that he was “often very funny, often thoughtful and generous and warm.” He sounded prickly-sweet, not unlike a jackfruit. I’d also found a LinkedIn profile for one Harris Saltzberg who described his job as “Observer of aging,” employed at “Life.” That sounded about right.

But it was the books that brought Harris into focus. On the shelf, I found at least three Yiddish textbooks. “Harris was insecure about his Yiddish,” Andy told me later, when we were lugging boxes to the lobby. But from the looks of it, he shouldn’t have been. He had the big names on his shelf — Y.L. Peretz, Mendele Mocher Sforim, Sholem Aleichem (who, by the way, is so abundant at the Yiddish Book Center that you can sometimes get a copy of his collected works for free). But Harris was hardcore. He was a proper Yiddish junkie; he’d bought books that would have been challenging to get through even in English, like Klassenkamfn in Altertum, Class Struggles in Antiquity, by a man named Kalman Marmor. He’d collected landsmanshaft periodicals from tiny Besarabbian shtetls, school almanacs from 1929, an instructional book on Yiddish stenography, song books, and one baffling, proto-woke rhyming tale about a white thug with notably sharp elbows (“sharfn elboygn”) who torments a Black boy with sad eyes (“troyerike oygen”).

In this rhyming poem, Z. Weinper condemns the actions of a thuggish white boy who bullies a Black boy. Photo by Clara Shapiro

Sometimes, I would find signs of a bygone reader— maybe Harris, maybe somebody else —scrawled on a book’s inside cover, or tucked away on a scrap of paper. “To Rivke with Love — May you two get well acquainted!” wrote Manya on Jan. 30, 1959. I found grocery lists, and one detailed pencil sketch of a dog. I found a scrap of paper where Harris had scrawled in cursive ciphers, “Tammy Baker,” “Uniforms,” and something that might have been “human want,” or maybe “human meat.”

I had never met Harris and never would. But even as I stuffed the boxes to busting, I felt reluctant to throw anything out. When somebody is alive, odd bobs like scratch paper are replaceable junk. But when somebody is gone, everything becomes evidence that they lived. Maybe that is why Harris saved all those periodicals from towns that could no longer be found on any map, advertisements for pamphlets of essays and satire by long-dead Jews in the Bronx, stenography manuals, children’s books. So long as even one witness to a fading world remained, that world wouldn’t truly be gone.

There is a story by Jorge Luis Borges called “The Witness,” or “El Testigo” that I have thought about several times since visiting Harris’ apartment. It is about the last pagan in England. As church bells ring, he lies dying in a stable in the shadow of a new stone church. This man is the last living person to remember worshipping the wooden idol of the pagan god Woden. “Before dawn he would be dead and with him would die, never to return, the last firsthand images of the pagan rites,” Borges writes. “The world would be poorer when this Saxon was no more.”

In the moment, though, I was not thinking much about books beyond how many of them I could cram into one box. As Andy and I hauled the book boxes down to an extremely patient Uber driver — six boxes total, around 30 pounds each — he told me how Harris had loved opera. He talked about his own two brothers, and about his upcoming trip to the motherland, Donegal, which he taught me to pronounce “Don-ee-GAL.” In the car to the UPS store, we kvetched about how hungry we were. At the curb, he helped me unload the boxes. Then he bent down and hugged me goodbye. I was sorry to see him go. I wondered if we would ever see each other again.

It’s been over a year since that day. Harris’ apartment probably belongs to someone else now, and as for the books, they are living a literally chilled-out retirement in the temperature-controlled vaults of the Yiddish Book Center. I wonder whose fingers will touch those pages next. And whose will be the last.  After all, Borges muses, there is a last for everything. There was a day when the last eyes to see Christ closed forever. When the last man to have loved Helen of Troy died. When the last person to remember the Battle of Junín was buried. “Something, or an infinite number of things, dies in each death,” he writes. “What will die with me when I die?”

The post What I learned from 180 pounds of Yiddish books, one ‘interesting and complicated’ Jewish man, and Jorge Luis Borges appeared first on The Forward.

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