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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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Amnesty International Refuses to Admit That Hamas Wants to Kill All Jews and Annihilate Israel
Illustration with the logo of Amnesty International on the vest of an observer of a demonstration in Paris, France, Paris, on Dec. 11, 2021. Photo: Xose Bouzas / Hans Lucas via Reuters Connect
In its nearly 200-page report on the worst massacre of Jews since the Holocaust, “Targeting Civilians: Murder, Hostage-Taking and Other Violations by Palestinian Armed Groups in Israel and Gaza,” Amnesty International omitted years of statements by Hamas leaders and language from its charter demonstrating genocidal intent against Jews.
This omission renders Amnesty’s account of the Oct. 7, 2023, attack fundamentally flawed — because it disregards strong evidence of Hamas’ genocidal intent and distorts both the nature of the massacre and Israel’s response.
According to the former Deputy Director of Amnesty’s now defunct Israel branch, Yariv Mohar, this report on Hamas’ attack was delayed by eight months. It had already been nearly finalized by the same time the organization released its December 2024 report, titled, “‘You Feel Like You Are Subhuman’: Israel’s Genocide Against Palestinians in Gaza.”
The organization, according to Mohar, told Israeli staff that the two reports would be published within weeks of one another.
According to Mohar, Amnesty delayed the Hamas report to keep the focus on Gaza, fearing that highlighting Hamas’ atrocities would undermine efforts to end the war. Mohar added that this was driven by a belief that Western audiences prefer a simplified moral narrative, and also because of Amnesty’s fear of backlash from its ultra-radical activist base.
Notably, the non-profit’s substantially longer Gaza report in 2024 used several out-of-context and debunked quotes by Israeli leaders to portray them as having genocidal intent.
Conversely, Amnesty’s treatment of Hamas sharply downplays the terror group’s own explicit ideology and objectives.
Hamas’ charter calls for the complete destruction of Israel as a condition for the liberation of Palestine, achieved through holy war (jihad). The charter specifically states that Hamas’ “struggle” is “against the Jews.”
This charter was never renounced by any of Hamas’ leaders, who have consistently called for the destruction of Israel and the Jewish people in speeches before Oct. 7, 2023, and afterwards, pledging to commit the same atrocities in the future until Israel meets its demise.
Slain Hamas leader Yahya Sinwar was recorded in Apr. 2018, saying, “We will take down the border [with Israel] and we will tear out their hearts from their bodies,” in reference to Israelis.
“Seven million Palestinians outside — enough warming up — you have Jews with you in every place. You should attack every Jew possible in all the world and kill them,” official Fathi Hammad said in July 2019. Hammad, in May 2021, called on Jerusalemites to “cut off the heads of the Jews with knives.”
Official Ghazi Hamad, on Oct. 24, 2023, declared that Israel must be eliminated and vowed repeated October 7s: “[N]obody should blame us for the things we do. On October 7, October 10, October 1,000,000 — everything we do is justified.”
In Jan. 2024, official Bassem Na’im wrote in Al Jazeera that the October 7 attack was a “scaled-down model of the final war of liberation and the disappearance of the Zionist occupation.”
While the Amnesty report includes some quotes by Hamas officials calling on Palestinians to attack Israelis, the report fails to mention the terror group’s official statements and charter — and omits that their raison d’etre is to kill Jews and wipe out Israel.
The organization also featured statements by Mohammed Deif saying that Hamas had launched the Oct. 7 attacks to end Israel’s military occupation and “its crimes,” as well as an Oct. 7 statement by Saleh Al-Arouri, then Deputy Head of the Political Bureau of Hamas, who indicated that the aims of the attacks were the liberation of the Palestinian people, breaking the siege on Gaza, stopping settlement expansion, and freeing Palestinian prisoners from Israeli prisons.
The quotes chosen by Amnesty to be featured in the report indicate that Hamas carried out the massacre for political and nationalist purposes. That is not true.
This cherry-picking sanitizes Hamas’ true motives, which are documented, consistent, and official, and leads readers to misunderstand why the massacre occurred.
Hamas’ 1988 charter describes its struggle against Jews as “extremely wide-ranging and grave” and calls on the Arab and Islamic world to support jihad against these “enemies.” It argues that Israel’s Jewish character contradicts Islam and must therefore be eliminated.
Without acknowledging Hamas’ ideology and intent, Amnesty’s legal conclusions — especially its accusations against Israel — rest on incomplete information.
October 7, 2023, was not merely a tactical or political attack, but part of an openly stated campaign to eliminate Israel. By omitting this context, Amnesty undermines its own account of October 7 and produces an unsound report.
Darcie Grunblatt is a US Media Researcher for CAMERA (Committee for Accuracy in Middle East Reporting in America).
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Israel Is Not a Cause to Me, It Is My Compass
People stand outside the International Criminal Court (ICC) as the United States is considering imposing sanctions as soon as this week against the entire International Criminal Court, in The Hague, Netherlands, Sept. 22, 2025. Photo: REUTERS/Piroschka van de Wouw
I am a pro-Israel advocate in the Netherlands with Jewish roots, and my connection to Israel is not ideologically fashionable or politically convenient.
My connection to Israel is personal, inherited, and lived. Israel has shaped my identity since childhood, long before hashtags, before October 7, and before defending Israel became socially dangerous in Europe again.
On my father’s side, my family came from Poland. They fled rising antisemitism, passed through what is now the Czech Republic, and eventually ended up in the Netherlands around 1900. On my mother’s side, the story is fragmented and partly lost by design. My grandfather was involved in resistance work during World War II, and secrecy was a survival strategy that carried over long after the war ended.
When my parents later lived in the Middle East, they voluntarily assisted Israeli intelligence. They could move freely because of a white card, and they chose to help. That choice mattered. It shaped how I was raised and what I understood early on: Israel was never an abstract state to me. It was a responsibility.
For many years, Israel viewed the Netherlands as an ally. In hindsight, that belief was painfully naïve. The historical record tells a far more uncomfortable story.
During the Nazi occupation, only a tiny fraction of the Dutch population actively resisted. Roughly 45,000 people, about half a percent, were engaged in active resistance. Even using a broad definition, only around five percent could be considered supporters of resistance. At the same time, approximately 425,000 people were investigated for collaboration. The rest of the population largely chose silence. They looked away as Jews were rounded up, deported, and murdered. Some actively helped the occupiers. Most did nothing.
That history reveals a national instinct that never truly disappeared. After October 7, the mask finally slipped. The genie came out of the bottle, and what followed was an explosion of antisemitism, often disguised as “anti-Zionism” — because open antisemitism is officially forbidden in the Netherlands. What spread through society did so faster and more aggressively than any virus I have ever witnessed.
For me, the consequences were immediate and deeply personal. Walking through Amsterdam became a nightmare. People recognized me from weekly Israel support actions and felt emboldened to curse, threaten, and intimidate me. I refused to hide my Star of David necklace, but I watched others quietly tuck away their Jewish symbols for safety. That image still haunts me.
I lost my job shortly after October 7. On November 3, 2023, I was asked a seemingly innocent question at work: “What is your favorite vacation destination?” I answered honestly: Israel. That answer cost me my livelihood.
As I searched for new work, recruiters demanded that I shut down my LinkedIn company page, which at the time had around 90,000 followers. The reason was obvious. I refused. As a result, my chances of employment collapsed. I was rejected repeatedly — and explicitly — because of my visible pro-Israel stance.
Because my company was registered at my home address, the harassment followed me there. Eggs were thrown against my windows. A dead pigeon was left at my door in a bag. I received threats, online and offline, telling me I would be gassed.
These were not anonymous global trolls. This was my reality in the Netherlands.
Social media platforms, especially LinkedIn under Microsoft’s ownership, played a disgraceful role. Pro-Israel voices and Jewish advocates who spoke factual truths were targeted, restricted, or silenced, while open Nazi rhetoric, incitement, and fabricated “Pallywood” narratives were allowed to spread with impunity. The message was clear: Jewish safety and truth were expendable.
The years since 2023 have taken a severe toll on my mental health. Depression, exhaustion, and a deep alienation from Dutch society became constants. At the same time, my longing for Israel intensified. Eventually, I made a decision that felt inevitable: I would try to live and work for Israel full time. I began the Aliyah process, believing that my commitment, experience, and lifelong dedication would matter.
They did not.
Because I can only provide indirect proof of my Jewish roots, and because I refuse to convert to Judaism for the wrong reasons, my path to Aliyah has been blocked. The Jewish Agency declined to consider special circumstances. I wrote letters to the President’s office, to the Prime Minister, and to other officials. I reached out again and again.
From the Israeli side, I received silence. No response. No explanation. Only closed doors.
That silence broke something in me. Not because I feel entitled, but because I know, without arrogance, that I could contribute more to Israel than many others. I am not driven by religion; I have none. I am not driven by political camps or prejudices. I am driven by loyalty, truth, and responsibility.
Israel is not a trend to me. It is not negotiable. It is not conditional. It is my priority, always. Even when the world turns hostile. Even when allies reveal themselves to be illusions. Even when the doors I knock on remain closed.
I will not stop standing with Israel. History has taught me what silence does. I refuse to repeat it.
Sabine Sterk is CEO of Time To Stand Up For Israel.
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How Maduro’s Arrest Became Another Anti-Israel Campaign
A demonstrator uses a megaphone during a protest against US military action in Venezuela, at Lafayette Square in front of the White House, following US President Donald Trump’s announcement that the US military has struck Venezuela and captured its President Nicolas Maduro and his wife Cilia Flores, in Washington, D.C., U.S., January 3, 2026. Photo: REUTERS/Tyrone Siu
Following the US military operation in Venezuela on Saturday, January 3, international attention quickly turned to the arrest of President Nicolás Maduro. While the development was widely viewed as a major geopolitical moment, reactions were far from uniform.
There was cautious optimism from many, and even those who expressed doubts as to the way in which Maduro was apprehended at least acknowledged the Venezuelan leader’s myriad shortcomings.
As always, one group of people was in no mood to celebrate. Quite the opposite.
The pro-Palestinian left online could not help but feel in absolute disarray after the news of the arrest broke, not out of humility, but because they vehemently disagreed with Maduro’s arrest — and sought to place the blame upon Israel.
No surprise. Far-left lunatics like Cenk Uygur and right-wing nutjobs like Candace Owens are blaming the “hidden hand of Zionism” for the removal of Venezuela’s Maduro.
No coincidence. So many of these conspiracy theorists have a fetish for both terrorists and authoritarians. pic.twitter.com/ZwDh0BgBqI
— HonestReporting (@HonestReporting) January 4, 2026
Maduro was a known dictator responsible for many human rights abuses. Beyond its domestic repression, Maduro’s Venezuela played a consequential role on the international stage. Under his leadership, the country forged close ties with the Iranian regime and its proxies, offering military, financial, and political cooperation that extended far beyond symbolic diplomacy. It allowed Hezbollah to expand its global footprint in South America, directly posing a threat to US interests and security.
Still, these facts were either blatantly ignored or outright dismissed as Israeli propaganda by the pro-Palestinian online activist community. This is not surprising, considering the same accounts that are against Maduro’s arrest have also been outspoken supporters of the Islamic Republic and Hamas.
Israel as the Default Culprit
Podcast host Jake Shields claimed that the American military operation was launched “on behalf of Israel,” echoing a familiar trope that frames nearly every American foreign policy decision as Israeli-driven.
He has previously gone further, asserting that “Iran is making the world a safer place,” effectively minimizing the Iranian regime’s documented role in sponsoring terrorism, destabilizing regional governments, and advancing nuclear ambitions.
Last week, Trump was the first non jew to win the Israeli award
This week, Trump launched another war on behalf of Israel
— Jake Shields (@jakeshieldsajj) January 4, 2026
In that same regard, Bushra Shaikh, a social and political commentator, has, in the past, effectively shilled for Hamas, saying the atrocities committed on October 7, 2023, “were exaggerated by the Israeli government to garner public support for their incoming mass slaughter of Palestinians.”
In the aftermath of the American military operation, she ecstatically called for Iran to “build that nuke,” endorsing the proliferation of a regime that openly calls for Israel’s destruction.
Naturally, Israel being blamed for the US Venezuelan operation was bound to occur. Podcaster Candace Owens adhered to this unspoken anti-Israel rule online, claiming that the “Zionists cheer every regime change,” including in Venezuela, “because it means they get to steal land, oil and other resources.”
Venezuela has been “liberated” like Syria, Afghanistan, and Iraq were “liberated”.
The CIA has staged another hostile takeover of a country at the behest of a globalist psychopaths.
That’s it. That’s what is happening, always, everywhere. Zionists cheer every regime change.… https://t.co/F60ouK7qAr
— Candace Owens (@RealCandaceO) January 3, 2026
Yet, the reactions did not remain confined only to the influencer sphere. It quickly migrated into institutional and political spaces, where comparisons to Israel and calls for action against its political leadership were advanced.
UN Special Rapporteur Francesca Albanese referred to Maduro’s arrest as a “lethal blow” to international law in the same sentence as calling for the arrest of Israeli Prime Minister Benjamin Netanyahu. Such equivalence blurs critical legal and moral distinctions, undermining the credibility of international legal norms by applying them selectively.
Moreover, the comparison between diplomatically elected Netanyahu and a dictator who has been involved in narcoterrorism is a profound distortion of reality.
LET’S NOT LOSE SIGHT OF JUSTICE AS OUR COMPASS.
Attacking a sovereign country and
abducting its leader is a lethal blow to intl law, no matter how deserving s/he may be to face justice.
That applies also to Netanyahu: I look forward to his lawful arrest and trial in The Hague. https://t.co/UMFUo5VPfv— Francesca Albanese, UN Special Rapporteur oPt (@FranceskAlbs) January 4, 2026
Likewise, CODEPINK, a radical left-wing organization that has previously visited Iran to meet with members of the Iranian regime on a so-called “peace delegation,” referred to Maduro as a “democratically elected leader of a sovereign nation,” and Netanyahu as none other than a “wanted war criminal committing genocide.”
— CODEPINK (@codepink) January 4, 2026
Newly inaugurated New York Mayor Zohran Mamdani remarked that Maduro’s arrest was an “act of war” and the “blatant pursuit of regime change” also impacts New Yorkers. Ironically, Mamdani has vowed to arrest Prime Minister Benjamin Netanyahu if he sets foot in New York.
I was briefed this morning on the U.S. military capture of Venezuelan President Nicolás Maduro and his wife, as well as their planned imprisonment in federal custody here in New York City.
Unilaterally attacking a sovereign nation is an act of war and a violation of federal and…
— Mayor Zohran Kwame Mamdani (@NYCMayor) January 3, 2026
The Pro-Palestinian–Pro-Maduro Convergence
Maduro’s arrest has also been framed through the same ideological lens used to oppose Israel. The Boycott, Divestment and Sanctions (BDS) movement exemplified this convergence, calling for “collective solidarity against the genocidal US-Israel axis.” By grouping Venezuela into a familiar anti-Israel narrative, BDS effectively recast a dictatorship that partook in narcoterrorism as part of a broader struggle of resisting “colonial violence.”
From Palestine to Venezuela: We call for unity in the struggle for self-determination and for collective solidarity against the genocidal US-Israel axis.
Read our full statement: https://t.co/5PbaDmD9GD pic.twitter.com/UlxS0RxWhS
— BDS movement (@BDSmovement) January 3, 2026
That Maduro has been featured by Al Jazeera is telling, considering the network’s history of anti-Israel coverage and its employees’ links to terrorist groups, including Hamas, which likewise condemned his arrest. Qatar, which funds the outlet, also condemned Maduro’s arrest.
Al Jazeera was a powerful platform for the Venezuelan president to promote his statements. In this photo, he appears with Al Jazeera anchor Khadija Ben Qenna on Al Jazeera. pic.twitter.com/5awbQE2zXU
— ME24 – Middle East 24 (@MiddleEast_24) January 3, 2026
This crossover between pro-Palestinian activism and pro-Maduro apologism demonstrates how ideological allegiance, rather than genuine concern for human rights or democratic values, increasingly dictates which leaders are condemned and which are defended.
Taken together, these reactions feed into a broader and deeply entrenched myth that Israel controls global politics, and by extension, the US. In casting Israel as the ultimate villain, the anti-Israel community has enabled the defense of dictators, the rationalization of terrorism, and outright ignorance of authoritarian alliances.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.