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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74

(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.

So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.

Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.

She soon fully embraced the art form and then helped transform it.

Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.

She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.

Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.

In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”

She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”

In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.

After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)

In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.

She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.

It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”

Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.

That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.

In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.

One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)

Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.

“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”

Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.

The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.

It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.

She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.

It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.

“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”

In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.

By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.

“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”

“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”


The post Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74 appeared first on Jewish Telegraphic Agency.

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Trump: Saudi Expressed Interest in Joining Abraham Accords

Israel’s Prime Minister Benjamin Netanyahu, then-US President Donald Trump, and United Arab Emirates (UAE) Foreign Minister Abdullah bin Zayed display their copies of signed agreements as they participate in the signing ceremony of the Abraham Accords, normalizing relations between Israel and some of its Middle East neighbors, in a strategic realignment of Middle Eastern countries against Iran, on the South Lawn of the White House in Washington, US, Sept. 15, 2020. Photo: REUTERS/Tom Brenner

i24 NewsUS President Donald Trump said on Friday that he expected an expansion of the Abraham Accords soon and hopes Saudi Arabia will join the pact that normalized diplomatic relations between Israel and some Arab states.

“I hope to see Saudi Arabia go in, and I hope to see others go in. I think when Saudi Arabia goes in, everybody goes in,” Trump told the Fox Business Network in an interview.

The leader spoke days after overseeing the Gaza ceasefire deal that ended the two-year-long war between Israel and Palestinian jihadists, launched on October 7, 2023 with a slaughter of some 1,200 Israelis in a Hamas-led massacre.

Meanwhile Trump has threatened Hamas following the horrific images from the Gaza Strip, where Hamas executed people suspected as collaborators with Israel, saying, “If Hamas continues to kill people in Gaza, which was not the deal, we will have no choice but to go in and kill them.”

Hours after the release of the final Israeli hostages under the US-brokered ceasefire, Hamas gunmen executed more than 30 Palestinians accused of treason and collaboration in what security sources and witnesses described as a brutal bid to reassert control over the war-torn Gaza Strip.

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Hamas Aims to Keep Grip on Gaza Security and Can’t Commit to Disarm, Senior Official Says

Hamas senior official Mohammed Nazzal speaks during an interview with Reuters, in Doha, Qatar, October 15, 2025. Photo: REUTERS/Ibraheem Abu Mustafa

Hamas intends to maintain security control in Gaza during an interim period, a senior Hamas official told Reuters, adding he could not commit to the group disarming – positions that reflect the difficulties facing US plans to secure an end to the war.

Hamas politburo member Mohammed Nazzal also said the group was ready for a ceasefire of up to five years to rebuild devastated Gaza, with guarantees for what happens afterwards depending on Palestinians being given “horizons and hope” for statehood.

Speaking to Reuters in an interview from Doha, where Hamas politicians have long resided, Nazzal defended the group’s crackdown in Gaza, where it carried out public executions on Monday. There were always “exceptional measures” during war and those executed were criminals guilty of killing, he said.

PRESSURE TO DISARM

While Hamas has broadly expressed these views before, the timing of Nazzal’s comments demonstrates the major obstacles obstructing efforts to cement a full end to the war in Gaza, days after the first phase of the ceasefire was agreed.

They point to big gaps between Hamas’ positions and US President Donald Trump’s plan for Gaza, ahead of negotiations expected to address Hamas’ weapons and how Gaza is governed.

Asked for comment on Nazzal’s remarks, the Israeli prime minister’s office said Israel was committed to the ceasefire agreement and continued to uphold and fulfil its side of the plan.

“Hamas is supposed to release all hostages in stage 1. It has not. Hamas knows where the bodies of our hostages are. Hamas are to be disarmed under this agreement. No ifs, no buts. They have not. Hamas need to adhere to the 20-point plan. They are running out of time,” it said in a statement to Reuters.

Trump’s September 29 plan called for Hamas to immediately return all hostages before committing to disarmament and ceding governance of Gaza to a technocratic committee overseen by an international transitional body.

Israeli Prime Minister Benjamin Netanyahu supported the plan, saying it would dismantle Hamas’ military capabilities, end its political rule, and ensure that Gaza would never again pose a threat to Israel.

Hamas-led terrorists killed 1,200 people and abducted another 251 during the October 7 attacks on Israel that triggered the war.

Pummeled by Israel in the war, the Palestinian Islamist group is under intense pressure to disarm and surrender control of Gaza or risk a resumption of the conflict.

Asked if Hamas would give up its arms, Nazzal, speaking on Wednesday, said: “I can’t answer with a yes or no. Frankly, it depends on the nature of the project. The disarmament project you’re talking about, what does it mean? To whom will the weapons be handed over?”

He added that issues to be discussed in the next phase of negotiations, including weapons, concerned not only Hamas but other armed Palestinian groups, and would require Palestinians more broadly to reach a position.

Asked for its response to Nazzal’s remarks, the White House directed Reuters to comments by Trump on Thursday.

“We have a commitment from them and I assume they’re going to honor their commitment,” Trump said, noting that Hamas had returned more bodies but without elaborating on the issue of it disarming or its interim presence on the ground.

Nazzal also said the group had no interest in keeping the remaining bodies of deceased hostages seized in the October 7, 2023 attacks.

Hamas has handed over at least nine out of 28 bodies. It was encountering technical problems recovering more, he said, adding that international parties such as Turkey or the US would help search if needed.

A senior Turkish official said last week that Turkey would take part in a joint task force along with Israel, the US, Qatar and Egypt to locate the bodies.

Hamas agreed on October 4 to release the hostages and hand over governance to a technocratic committee, but said other matters needed to be addressed within a wider Palestinian framework. It released all living hostages on Monday.

Nazzal said the phase two negotiations would begin soon.

GOALS OF ELECTIONS, ‘HOPE’ FOR PALESTINIANS

On Tuesday, Trump said he had communicated to Hamas that it must disarm or it would be forced to. Trump has also suggested Hamas was given temporary approval for internal security operations in Gaza, and has endorsed Hamas killing members of gangs.

Noting Trump’s remarks, Nazzal said there was an understanding regarding Hamas’ presence on the ground, without specifying among whom, indicating it was necessary to protect aid trucks from thieves and armed gangs.

“This is a transitional phase. Civilly, there will be a technocratic administration as I said. On the ground, Hamas will be present,” he said. After the transitional phase, there should be elections, he said.

Nazzal said mediators had not discussed with the group an international stabilization force for Gaza, which was proposed in Trump’s ceasefire plan.

Hamas’ founding charter called for the destruction of Israel, although the group’s leaders have at times offered a long-term truce with Israel in return for a viable Palestinian state on all Palestinian territory occupied by Israel in the 1967 war.

Israel regards this position as a ruse.

Nazzal said Hamas had suggested a long-term truce in meetings with US officials, and wanted a truce of at least three to five years to rebuild the Gaza Strip. “The goal isn’t to prepare for a future war.”

Beyond that period, guarantees for the future would require states to “provide horizons and hope for the Palestinian people,” he said.

“The Palestinian people want an independent Palestinian state,” he added.

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Gaza-Egypt Border Crossing Will Remain Closed, Netanyahu Says

Trucks carrying humanitarian aid and fuel line up at the crossing into the Gaza Strip at the Rafah border on the Egypt side, amid a ceasefire between Israel and Hamas in Gaza, in Rafah, Egypt, October 17, 2025. Photo: REUTERS/Stringer

The Rafah border crossing between Gaza and Egypt will remain closed until further notice, Israeli Prime Minister Benjamin Netanyahu said on Saturday, adding its reopening will depend on Hamas handing over bodies of deceased hostages.

Netanyahu’s statement came shortly after the Palestinian embassy in Egypt announced that the Rafah crossing, the main gateway for Gazans to leave and enter the enclave, would reopen on Monday for entry into Gaza.

Hamas said later on Saturday it will be handing over two more hostage bodies at 10 p.m. local time (1900 GMT), meaning 12 out of 28 bodies will have been handed over to Israel under a US-brokered ceasefire and hostage deal agreed between Israel and Hamas last week.

ISRAEL SAYS HAMAS TOO SLOW TO RETURN BODIES

The dispute over the return of bodies underlines the fragility of the ceasefire and still has the potential to upset the deal along with other major issues that are included in US president Donald Trump’s 20-point plan to end the war.

As part of the deal, Hamas released all 20 living Israeli hostages it had been holding for two years, in return for almost 2,000 Palestinian detainees and convicted prisoners jailed in Israel.

But Israel says that Hamas has been too slow to hand over bodies of deceased hostages it still holds. The terrorist group has so far returned 10 of 28 bodies and says that locating some of the bodies amid the vast destruction in Gaza will take time.

The deal requires Israel to return 360 bodies of Palestinian militants for the deceased Israeli hostages and so far it has handed over 15 bodies in return for each Israeli body it has received.

Rafah has largely been shut since May 2024. The ceasefire deal also includes the ramping up of aid into the enclave, where hundreds of thousands of people were determined in August to be affected by famine, according to the IPC global hunger monitor.

After cutting off all supplies for 11 weeks in March, Israel increased aid into Gaza in July, scaling it up further since the ceasefire.

Around 560 metric tons of food had entered Gaza per day on average since the US-brokered truce, but this was still well below the scale of need, according to the U.N. World Food Program.

Formidable obstacles to Trump’s plan to end the war still remain. Key questions of Hamas disarming and how Gaza will be governed, the make-up of an international “stabilization force” and moves towards the creation of a Palestinian state have yet to be resolved.

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