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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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Man Charged With Hate Crime for Car Ramming at Chabad Headquarters in Brooklyn
Police control the scene after a car repeatedly slammed into Chabad World Headquarters in Crown Heights section of Brooklyn. The driver was taken into custody. Photo: ZUMA Press Wire via Reuters Connect
Police in New York City charged a man on Thursday with a hate crime and other charges after he allegedly rammed his car repeatedly into Chabad Lubavitch World Headquarters in Brooklyn.
The suspect, 36-year-old Dan Sohail, has been charged with attempted assault as a hate crime, reckless endangerment as a hate crime, criminal mischief as a hate crime, and aggravated harassment as a hate crime, New York City Police Department (NYPD) Chief of Detectives Joseph Kenny announced at a press conference on Thursday.
“The hate crime right now is that he basically attacked a Jewish institution,” Kenny explained. “This is a synagogue, it was clearly marked as a synagogue, he knew it was a synagogue because he had attended there previously.”
The Chabad-Lubavitch movement is an influential force in Orthodox Judaism that operates around the world. The iconic 770 Eastern Parkway building in the Crown Heights neighborhood of Brooklyn became the world headquarters of the Hassidic movement in 1940.
The NYPD’s Hate Crimes Task Force is leading the investigation into the car ramming.
Sohail is a resident of New Jersey and has no criminal history in New York City, Kenny said. The vehicle he allegedly used on Wednesday night was registered under his name and, earlier this month, Sohail attended an event at the Chabad Lubavitch World Headquarters.
“We believe that he was in Brooklyn last night to continue this attempt to connect with the Lubavitch Jewish community,” Kenny said. Sohail was due in court on Friday.
Footage from the incident showed Sohail drive his vehicle multiple times into the rear door of the 770 Eastern Parkway building in Crown Heights, according to Kenny, who added that the suspect stepped out of his vehicle, removed several blockades from his path, and cleared snow away from a sidewalk before ramming into the building.
Later, when talking to police, Sohail claimed his foot slipped and that he lost control of the car because he was wearing “clunky boots,” Kenny said. No injuries were reported and the damaged synagogue door is currently being repaired, according to Yaacov Behrman, head of public relations at the Chabad Lubavitch World Headquarters.
“It is clear the incident was intentional,” Behrman added. “The attacker removed the metal bollards that typically block the ramp and protect the entrance shortly before driving into the building. The bollards have since been restored.”
The car ramming took place the same day as the 75th anniversary of Rabbi Menachem Mendel Schneerson being chosen as the leader of the Chabad-Lubavitch movement.
Rabbi Yehuda Krinsky, chairman of the Chabad Lubavitch World Headquarters, said in a statement on Thursday night that the incident “underscores a painful and undeniable reality: acts of hate, intimidation, violence, and antisemitic aggression are no longer isolated incidents or abstract threats.”
“Condemnation alone is insufficient. Real deterrence requires prompt, decisive action by the justice system — through swift prosecution and meaningful consequences — to discourage further incidents and ensure public safety,” he said. “As this incident occurred while the anniversary of the beginning of the Rebbe’s leadership was being observed worldwide, we reaffirm our faith that the world is meant to be refined — not ruled by fear or force, but cultivated as a place of moral clarity, responsibility, and goodness. We remain committed to that vision, even in the face of events such as this.”
The ramming incident occurred amid an alarming surge in antisemitic hate crimes across New York City.
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Left-Wing Conspiracists Attempt to Connect Israel With Minneapolis ICE Shootings
People tend to a candlelight vigil assembled for Alex Pretti at the Veterans Affairs New York Harbor Healthcare System on Jan. 29, 2026, in New York, New York, USA. Alex Pretti, a 37-year-old ICU nurse at the Minneapolis VA hospital, died Jan. 24 after being shot multiple times during a brief altercation with border patrol agents. Photo: Derek French / SOPA Images via Reuters Connect
Political progressives are attempting to draw a direct link between the ongoing unrest in Minneapolis over US Customs and Immigration Enforcement (ICE) and Israel, suggesting that the Jewish state has trained or infiltrated critical American governmental agencies.
A sprawling constellation of left-wing social media accounts and news outlets have argued that Israeli agencies have trained or assisted ICE, a federal agency responsible for conducting criminal investigations and enforcing immigration laws. They claim that Israel has collaborated with ICE in surveillance and detainment strategies. On social media platforms such as TikTok, baseless claims that ICE agents are from Israel have gone viral.
“From Palestine to Minneapolis, ICE and Israel use the same playbook,” wrote popular, far-left social media pundit Sulaiman Ahmed on X/Twitter.
Protests in Minneapolis have intensified following a surge in federal immigration enforcement operations and two controversial fatal shootings involving federal agents this month. Demonstrations grew after large numbers of ICE and partner agents were deployed to the area under an expanded enforcement initiative, drawing criticism from local activists and officials. A statewide strike and mass rallies followed, then expanded nationally after the shooting of a Minneapolis hospital worker during an ICE operation, prompting a US Justice Department civil rights investigation.
Controversial leftist social media personality Hasan Piker was suspended from the Twitch streaming platform for spreading anti-Israel conspiracy theories and making antisemitic comments in attempt to connect ICE to the Jewish state.
“This is another big suck my d**k to all the f**king Israel d**k riders out there. You f**king rabid ultra-Zionist pigs,” Piker wrote.
“You run around going ‘Why are you tying this back to Palestine?’ Because this is precisely the same s**t. You Israel-first monsters,” he added.
Piker also posted that Israel had helped the US Department of Homeland Security (DHS) implement a “censorship regime” to label Americans “domestic terrorists” and carry out surveillance “on the basis of their anti-Israel & anti-ICE activism.”
“Two senior national security officials tell me there are more than a dozen secret watch lists that homeland security is using to track protestors (both anti-ICE and pro-Palestinians),” he wrote.
Other progressive commentators pointed out that ICE maintains offices in Tel Aviv, suggesting that the agency is controlled by Israel
“ICE isn’t just trained by the IDF [Israel Defense Forces], they have a whole office on Israeli-occupied land,” wrote another left-wing account on X/Twitter.
However, ICE maintains a broad international presence through its Homeland Security Investigations division, operating dozens of offices at US embassies and consulates in more than 50 countries worldwide. While ICE is best known domestically for immigration enforcement, its overseas units primarily serve as investigative and liaison posts focused on transnational crime, including human trafficking, smuggling networks, financial crimes, and sanctions violations.
Josh Paul, a self-described “human rights activist” and a former director of congressional and public affairs for the Bureau of Political-Military Affairs, attempted to draw parallels between ICE and Israeli policy in the West Bank
“You have units of a security force that are imposed on the local authorities, imposed on the local police, that engage in checkpoints, detentions, including of children […] And it seems to operate broadly with impunity,” Paul told Responsible Statecraft, a publication of the Quincy Institute for Responsible Statecraft, a think tank critical of US support for Israel.
“It’s kind of every man for himself. They are obviously not operating under any standard operating procedures,” Anthony Aguilar, a US Army veteran and former contractor for the Gaza Humanitarian Foundation (GHF) who has made discredited claims against Israel, told the publication. “This is exactly how the Israel Defense Forces operate in Gaza.”
Aguilar claimed he witnessed the IDF shoot a child — Abdul Rahim Muhammad Hamdene, known as Abboud — as the GHF was distributing humanitarian aid on May 28. The GHF was an Israeli and US-backed program that delivered aid directly to Palestinians, blocking Hamas from diverting supplies for terrorist activities and selling them at inflated prices. An independent investigation later revealed that Abdul had not been killed and was alive with his mother, exposing that Aguilar’s story was fabricated.
There is no evidence to suggest that ICE, which is part of the US government and charged with enforcing American immigration laws, has taken any direction from Israel in Minneapolis.
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Israeli NGO Uncovers Online Terror Plot Targeting Jews in US on Passover, Shares Data With FBI
Rabbi to the UAE Rabbi Levi Duchman helping to prepare matzah. Photo: Jewish UAE/Shneor Shif.
The Israeli nongovernmental organization Fighting Online Antisemitism (FOA) announced this week that it uncovered a terrorist plot by white nationalists to target Jewish communities in the United States on the eve of Passover and that the intelligence was handed over to the FBI.
The NGO said the planned terrorist attack was orchestrated by a “white nationalist accelerationist cell” and was scheduled for April 1, the first night of the Jewish holiday. FOA discovered messages by the terrorist cell on X in which the white nationalists discussed their goal to “bring the Nova massacre home,” which is a reference to the deadly Hamas-led terrorist attack at the Nova music festival in Re’im, Israel, of Oct. 7, 2023. Members of the cell talked about their intent to repeat the Nova attack in the US by using weapons and targeting Jewish families that would be gathering to celebrate Passover.
“We have been following this X account for a few months and recently we have noticed a shift from general slurs to operational specifics,” said Tomer Aldubi, FOA’s founder and executive director. “The group began discussing the acquisition of knives and celebrating the Oct. 7 atrocities as a blueprint. They explicitly stated it was ‘time for violence’ because ‘Jews don’t learn.’ We realized they were counting down to April 1.”
FOA shared several of the messages it found on X that were related to the terrorist plot. One post read: “Honestly we don’t have to go anywhere. Everyone just wake up on April t, choose violence, clean up our communities and cities.” Another message said: “April 1. Delete the Invaders. Pass It On!
FOA, which was founded in 2020, said it shared its intelligence with X so that the platform could remove the accounts owned by members of the terrorist cell. FOA has worked with X for many years, according to the Israeli organization. The data has also been shared with the FBI.
“The team secured a comprehensive evidentiary file, including digital fingerprints of the ringleaders, operating under specific handles, and transmitted the intelligence directly to the FBI Detroit Field Office’s hate crimes division via a confidential channel,” FOA stated.
“The distance between an online post and a terror attack is shrinking,” said Aldubi. “This success was made possible by our trained volunteers, proving that individuals have the power to protect their communities and fight antisemitism. Join us and get training on how you too can stop the next attack.”