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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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From UK to the Balkans, Europe Faces Wave of Antisemitic Attacks at Jewish Sites
A person holds a sign near the scene where four ambulances belonging to Hatzola, a Jewish community organization, were set on fire in an incident that the police say is being treated as an antisemitic hate crime, in northwest London, Britain, March 23, 2026. Photo: REUTERS/Isabel Infantes
A growing wave of antisemitic attacks has swept across Europe in recent weeks, with a string of incidents targeting Jewish sites in multiple countries underscoring an increasingly hostile climate and a rise in targeted violence against Jewish communities.
On Wednesday, London police arrested two suspects following an attempted arson attack on a synagogue in the north of the British capital, in the latest in a series of antisemitic incidents that have deepened alarm and unease among Jews across the country.
According to British authorities, two individuals wearing dark clothing and balaclavas approached Finchley Reform Synagogue in north London late Tuesday night and threw a brick and two bottles suspected of containing petrol at the building.
Authorities confirmed no damage or injuries were reported after neither of the bottles ignited. Working in coordination with Counter Terrorism Policing London, local police have launched an investigation, treating the incident as an antisemitic hate crime.
Cantor Zöe Jacobs, a leader at the synagogue, strongly condemned the attack, calling it a deeply troubling attempt to target the Jewish community and a stark reminder of the growing climate of hostility and fear across the United Kingdom.
“This is clearly an attempt to intimidate the British Jewish community, but we will not be deterred by these cowardly acts. Instead, we will continue to prioritize building bridges across the wider Barnet community,” Jacobs said in a statement.
This latest incident followed an arson attack on ambulances run by a Jewish charity in London last month, amid a broader upsurge in antisemitism over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Detective Chief Superintendent Luke Williams, who leads policing in the area, assured the community that increased patrols in the Finchley area will continue, alongside ongoing monitoring and preventative measures.
“I hope the swift action by officers today to identify and arrest two people provides some reassurance and demonstrates how seriously we take attacks of this nature,” Williams said in a statement.
Meanwhile, more than a thousand miles away, North Macedonia’s only synagogue was targeted in a separate attempted arson attack in Skopje, the country’s capital, on Sunday night. The attack is believed to be the country’s first antisemitic incident since World War II.
According to local media reports, the Beth Yaakov Synagogue — the country’s only functioning Jewish house of worship, consecrated in 2000 — was targeted by two unknown individuals who threw firebombs at the building, leaving the synagogue’s door and courtyard scorched by fire.
Police reported that surveillance footage showed two suspects climbing a fence, pouring fuel, and throwing a firebomb before fleeing, with investigators later recovering a fuel canister at the scene but so far failing to identify those responsible.
Pepo Levi, the president of the local Jewish community, strongly condemned the attack, calling it a disturbing act of violence and an alarming escalation in targeted hostility.
“This act represents a serious attack not only on our community’s safety, but also on the principles of religious freedom, dignity, and peaceful coexistence that we have upheld for generations,” Levi said in a statement.
With a total population of around 1.8 million people, North Macedonia is home to approximately 200 Jews, nearly all based in Skopje. Before the Holocaust, the country was home to nearly 8,000 Jews — with around 3,000 in Skopje — and five synagogues in Bitola.
Synagogues have increasingly been targeted in acts of vandalism and violence amid a broader surge in antisemitism worldwide, with a mounting wave of incidents reported from Belgium, the Netherlands, the United States, and Australia.
In northern Romania, a Jewish cemetery and final resting place of Rabbi Hillel Pollak, a disciple of the Chatam Sofer and author of Kodesh Hillulim, was vandalized by unknown perpetrators this week.
According to local media reports, 14 gravestones were toppled at the cemetery in the city of Reghin in the Transylvania region, with no suspects identified or arrested so far.
The European Jewish Congress strongly condemned the incident, calling it a disturbing act of vandalism and part of a worrying pattern of attacks on Jewish heritage sites across Europe.
“This desecration is part of a broader pattern of antisemitic incidents targeting Jewish heritage sites across Europe. Attacks on cemeteries not only damage property but also show a profound disrespect for memory, history and the dignity of the deceased,” the statement read.
A Jewish cemetery in Reghin, northern Romania, has been vandalised, with 14 gravestones toppled by unknown perpetrators.
The site includes the grave of Rabbi Hillel Pollak, a prominent historical figure. Romanian authorities have opened an investigation and no suspects have been… pic.twitter.com/oc5k2pmR3R
— European Jewish Congress (@eurojewcong) April 15, 2026
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Israeli Legal Group Files ICC Complaint Against Spain’s Sánchez Over Alleged Dual-Use Weapons Exports to Iran
Spanish Prime Minister Pedro Sanchez speaks during a press conference after attending a special summit of European Union leaders to discuss transatlantic relations, in Brussels, Belgium, Jan. 23, 2026. Photo: REUTERS/Yves Herman
An Israeli legal advocacy group has filed a complaint with the International Criminal Court seeking an investigation into Spanish Prime Minister Pedro Sánchez over allegations that Spain supplied weapons-related materials to Iran’s Islamist regime, potentially implicating him in alleged war crimes.
Filed by Shurat HaDin, an Israel-based non-governmental organization that pursues terrorism-related cases, the lawsuit claims Spain supplied “equipment and components used by Iran’s regime and its proxy forces for military purposes” amid widening regional escalation across the Middle East.
According to data from Spain’s Ministry of Trade, the Spanish government exported more than €1.3 million worth of dual-use materials to Iran in 2024 and the first half of 2025, including explosive components, laboratory reagents, and specialized control software.
Since Sánchez took office in 2018, official data indicates Spain has authorized roughly $7 million in dual-use exports to Iran with potential military and nuclear applications, and machinery shipments alone reached about $80 million in 2024.
Shurat HaDin argues such exports occurred despite a “well-documented” pattern of Iranian support for terrorist groups across the region, including Hezbollah, Hamas, and the Houthis.
Under international law, states or entities that supply essential components enabling the operation of weapons systems may be held liable for aiding and abetting war crimes, even when those items are formally classified as dual-use goods.
“These materials are not innocent industrial products, but critical components that enable explosive devices to function, and they were transferred in circumstances where their use for attacks against civilians was foreseeable and reasonable,” Shurat HaDin said in a statement.
Spain’s Prime Minister is now facing a complaint at the International Criminal Court.
Shurat HaDin has filed an ICC complaint against Pedro Sánchez, alleging Spain enabled the transfer of dual-use components to Iran worth €1.3 million.
These dual-use components are not… pic.twitter.com/dJVilxR6Y6
— Shurat HaDin – שורת הדין (@ShuratHaDin) April 15, 2026
The Israeli organization also pointed to a recent Iranian propaganda campaign depicting a missile aimed at “US-Israeli assets” alongside a message thanking the Spanish leader, citing it as further evidence of what it describes as growing political alignment between the two countries.
With regional tensions continuing to escalate, Shurat HaDin is calling on the ICC to open a formal investigation and issue an arrest warrant against Sánchez, as well as to examine the involvement of other officials in export decisions.
This lawsuit comes amid already strained relations between Israel and Spain that began with the war in Gaza and have deepened through the conflict with Iran and wider regional escalation.
From unilaterally recognizing a Palestinian state to repeatedly branding the war in Gaza a “genocide,” Madrid has been pursuing a fierce anti-Israel campaign aimed at undermining and isolating the Jewish state on the international stage.
In one of its most controversial recent moves, the Spanish government announced last week the reopening of its embassy in Tehran, just a few weeks after it permanently withdrew its ambassador from Israel.
Sánchez has publicly condemned Israeli strikes in Lebanon and the widening regional escalation tied to the Iran conflict, renewing calls for the European Union to suspend its association agreement with Israel and urging an end to “impunity for [Israel’s] criminal actions.”
The Spanish leader also accused Israeli Prime Minister Benjamin Netanyahu of breaching basic humanitarian norms, saying his “contempt for life and international law is intolerable.”
Last week, Israel expelled Spain from the United States’ Civil-Military Coordination Center (CMCC) in Kiryat Gat, a hub established to coordinate humanitarian operations in the Gaza Strip, in response to Madrid’s increasingly anti-Israel stance and continued hostility toward the Jewish state.
Despite being a NATO ally, Spain had also recently closed its airspace to US aircraft involved in what officials described as a “reckless and illegal confrontation,” and barred Washington from using its bases for military operations against the Iranian regime.
As the local Jewish community continues to face an increasingly hostile climate and targeted violence, Sánchez has drawn mounting criticism from political opponents and Jewish leaders who accuse his rhetoric of fueling antisemitic hostility across the country.
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JD Vance Argues Against the Pope’s Calls for Peace As Iran’s LEGO AI Videos Stoke America’s Religious Divisions
An Iranian propaganda video attacks President Donald Trump in response to social media postings critical of the Pope and regarded as insensitive to Christians. Photo: Screenshot.
Vice President JD Vance, who converted to Catholicism in August 2019 at age 35 criticzed Pope Leo’s call for peace between the United States and Iran, another example of growing religious disagreements among Christians which Iranian propagandists have sought to exacerbate in new propaganda videos.
On Thursday at an event organized in Georgia by conservative activist group Turning Point USA, Vance said when asked about the head of his church disagreeing with President Donald Trump’s policies, “I do think we have to remember that each of us has our own role. I’m the Vice President of the United States. The fundamental way I understand my role is I’m trying to take the lessons, the moral truths that are rooted in Christianity and I’m trying to apply to a whole host of complicated real world scenarios.” Tepid applause broke out in response with Vance then thanking the crowd.
The Vice President’s comments came in the days following social media postings from Trump which included a broadside against Pope Leo and an AI-generated image depicting the Commander-in-Chief wearing white and red flowing robes as he placed one of his glowing hands on the head of a sick man. Trump later removed the image following the criticism of longtime Christian members of his Make America Great Again (MAGA) movement.
Iran took advantage of the social media kerfuffle, on Wednesday the Iranian embassy in Tajikistan posted an AI animation which took the original image and modified it to mock Trump.
Another propaganda video released by a pro-Iran group this week also responded to Trump’s social media postings about the Pope and the Jesus image, again deploying the AI-generated animation style depicting the president and other American officials as LEGO characters while a soundtrack delivers rhyming insults.
The Occupy Democrats Facebook group which has 11 million followers celebrated another pro-Iran propaganda video that has started circulating online.
While the president’s opponents on the progressive left may enjoy Iran’s jabs at Trump, the video’s themes casting him as an enemy of Christianity seek to exacerbate pre-existing intra-theological conflicts among the MAGA base.
This year, other recent Catholic converts — notably far-right podcaster Candace Owens and her supporter Carrie Prejean Boller, the former beauty queen contestant ejected from a White House Religious Liberty Panel on antisemitism following her questioning about Christian Zionism — have also advanced positions counter to Catholic teachings.
Prejean Boller claims that Zionism and Catholicism are incompatible, writing on X after her dismissal from the panel that “I will continue to stand against Zionist supremacy in America. I’m a proud Catholic. I, in no way will be forced to embrace Zionism as a fulfillment of biblical prophesy [sic]. I am a free American. Not a slave to a foreign nation.”
In response to her actions, the group Catholics for Catholics awarded Prejean Boller a “Catholic Champion” award at its gala, an event also featuring Owens and Joe Kent, the recently-resigned director of the National Counterterrorism Center who has suggested that Israel controls America’s foreign policy and may have have had a hand in the Sept. 10, 2025 assassination of Turning Point USA chief Charlie Kirk.