Uncategorized
Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
—
The post Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74 appeared first on Jewish Telegraphic Agency.
Uncategorized
‘Creates More Enemies’: Iran’s War Spreads to Turkey as Analysts Warn Regional Assault Is Strategic Mistake
Debris of a NATO air defense system that intercepted a missile launched from Iran is seen in Dortyol, in southern Hatay province, Turkey, March 4, 2026, in this screengrab from video. Photo: Ihlas News Agency (IHA) via REUTERS
Turkey became the latest unexpected target in the widening war in the Middle East on Wednesday after it intercepted an Iranian missile, as Iran’s retaliation for joint US-Israeli strikes spreads across the region.
Tehran appears to be betting that hitting countries beyond Israel will ignite regional pressure on Washington to stop its military operation, but Arab and Israeli diplomats say the strategy is backfiring, with the Islamic Republic “creating more enemies.”
Turkey said NATO air defenses destroyed a ballistic missile fired from Iran that was detected over Iraq and Syria and heading toward Turkish airspace. Turkey, a majority Sunni country and a NATO member, shares a roughly 310-mile border with Iran. Two days earlier, Turkish President Recep Tayyip Erdoğan called for “an end to the bloodbath,” describing the war, launched by joint US-Israeli strikes on Saturday, as “illegal.”
Since the strikes that killed Iranian Supreme Leader Ayatollah Ali Khamenei and other senior officials, the regime in Tehran has expanded its retaliatory missile and drone fire to hit a swath of American allies including Qatar, Bahrain, Jordan, Kuwait, Saudi Arabia, and the United Arab Emirates.
Iran’s interim national security chief, Ali Larijani, said on Sunday that Iran was “not seeking to attack” regional states and was acting only in self-defense against American bases. But in the days since, Iranian strikes have hit civilian infrastructure including power facilities and hotels across the Gulf.
New figures released Wednesday by Israel’s Institute for National Security Studies (INSS) show Iran has concentrated far more firepower on Gulf neighbors than on Israel in the war’s opening days. Over the first four days, INSS said Iran launched about 200 missiles and about 100 drones at Israel across 123 attack waves. Over the same period, it targeted the Gulf states with about 500 missiles and about 2,000 drones — 2.5 times more missiles and 20 times more drones than it fired at Israel.
According to Michael Eisenstadt, a military analyst and former US Army officer at the Washington Institute for Near East Policy, the attacks reflect Iran’s strategy of applying graduated pressure by “catalyzing opposition to the war” in the United States and other countries. Tehran hopes disruptions to oil infrastructure and higher energy prices will create pressure for a ceasefire.
But nearly every expert called Iran’s Gulf assault a blunder, saying the strikes have caused widespread anger in the Arab world. Six GCC states and Jordan condemned Iran’s attacks as “indiscriminate and reckless” and reaffirmed each country’s right to self-defense.
Jeremy Issacharoff, a former Israeli ambassador and arms expert, said the Iranian strategy was counterproductive, turning quasi-allies into adversaries.
“Attacking countries like Qatar that were pretty much positively inclined towards them was a huge mistake,” he told The Algemeiner. “They’ve created more enemies.”
Issacharoff said that Tehran’s leaders frame the conflict through hostility toward Zionism and the existence of a Jewish state in what they see as part of the Islamic world, adding that their driving strategic goal is hegemony. “In the end, they were looking to be much more in control of the region, and of the Arab world as a whole,” he said.
But the region was already moving in the opposite direction of what Iran wants, he said. Years of Iranian-backed missile attacks on Israel by proxy groups like Hezbollah in Lebanon had already pushed several countries to develop what he described as a regional defense mechanism, with Arab states cooperating with Israel and the US under the radar.
“It’s discreet, but it’s happening,” Issacharoff said, adding that the latest attacks could prompt the emerging coalition to expand cooperation even further, beyond the military arena into a broader framework for regional stability.
Former US Central Command (CENTCOM) communications director Joe Buccino took it a step further, telling Fox News that Iran’s move was a “stunning strategic miscalculation” that could “set the Gulf states on [a] path toward normalization with Israel.”
Abbas Dahouk, a retired US Army colonel who served as a senior military adviser for Middle Eastern Affairs at the US State Department, echoed Issacharoff’s view that years of quiet cooperation had already strengthened a regional coalition against Iran, but he tied the acceleration to a specific turning point: Israel’s inclusion in CENTCOM in 2021, which he said was a “transformative” inflection point that forced regional militaries that once avoided overt ties to “quietly mature counter-Iran plans over years of joint exercises and coordination.”
That groundwork is now showing up in the scale of coordination, Dahouk told The Jerusalem Post in comments published Tuesday, with “hundreds of aircraft” able to operate at once, refuel, strike concealed targets, and counter Iran’s drone and missile networks. He added that Iran’s retaliation has left Gulf states little room to stay on the sidelines.
“The region must view the Iranian regime as a common threat alongside the United States and Israel,” he said. “At this moment, they have little alternative.”
Former US General Jack Keane also told Fox that the Islamic Republic’s strategy had “backfired.”
“The Gulf states are responding, they’re adequately defending themselves … they’re frustrated with the Iranians,” Keane said, adding that several GCC states were preparing for combat.
Emirati analyst Mohammad Al Ali wrote in Gulf News that Iran’s only success in this war so far was in “uniting the region and much of the world against them, constructing a vast wall of isolation between [the] regime and the international community.”
“If Iran’s leaders have succeeded in any respect during this war, it is only in uniting the region and much of the world against them, constructing a vast wall of isolation between their regime and the international community,” he wrote.
Beyond the Arab world, Iran’s strikes have triggered outrage in Europe and led France, Greece, and Britan to deploy defensive military assets to the Mediterranean.
“Iran’s strategy is to sow chaos and set the region on fire,” European Union foreign policy chief Kaja Kallas told reporters on Wednesday, lambasting the Iranian regime for indiscriminately attacking its neighbors.
Polish Foreign Minister Radosław Sikorski expressed similar sentiments when asked about the Iranian ballistic missile headed into Turkish airspace.
Iran is broadening the war to countries that did not attack it … there is a well-known saying it’s worse than a crime, it’s a mistake,” he said.
Uncategorized
Frontrunner for Iran’s Next Supreme Leader Emerges, US Sub Sinks Iranian Warship Off Sri Lanka
Mojtaba Khamenei, the second son of Iran’s Supreme Leader Ayatollah Ali Khamenei, visits Hezbollah’s office in Tehran, Iran, Oct. 1, 2024. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
The powerful son of Iran’s slain supreme leader emerged on Wednesday as a frontrunner to succeed him as the US stepped up its military campaign against Tehran.
As new explosions rang out in Tehran, plans were in doubt for a funeral for Ayatollah Ali Khamenei, 86, killed by Israeli forces on Saturday in the first assassination of a nation’s top ruler by an airstrike.
The body had been expected to lie in state in a vast Tehran mosque from Wednesday evening, but state media reported a farewell ceremony had been postponed.
Two Iranian sources, speaking on condition of anonymity, told Reuters that Mojtaba Khamenei, son of Iran’s slain supreme leader, was not in Tehran when his father was killed in a strike that destroyed the leader‘s compound.
Iran said the Assembly of Experts that will select the new leader would announce its decision soon, only the second time it will have done so since the Islamic Republic’s founding in 1979.
Assembly member Ayatollah Ahmad Khatami told state TV the candidates had already been identified but did not name them.
Israel said it would hunt down whoever was chosen.
Other candidates for supreme leader include Hassan Khomeini, grandson of the Islamic Republic’s founder and a champion of the reformist faction sidelined in recent decades.
But the favorite appears to be Mojtaba Khamenei, who has amassed power as a senior figure in the security forces and the vast business empire they control, the Iranian sources said. Choosing him would send a signal that hardliners were still firmly in charge.
Some Iranians have openly celebrated the death of the supreme leader, whose security forces killed thousands of anti-government demonstrators only weeks ago in the biggest domestic unrest since the era of the revolution.
But Iranians angry with the government said there was unlikely to be much sign of protest while bombs are falling.
“We have nowhere to go to protect ourselves from strikes, how can we protest?” Farah, 45, said by phone from Tehran, adding that the security forces “are everywhere. They will kill us. I hate this regime, but first I have to think about the safety of my two children.”
Meanwhile, in a sign of the US military’s reach, US Defense Secretary Pete Hegseth said a US submarine had sunk an Iranian warship off the southern coast of Sri Lanka. At least 80 people were killed, Sri Lanka’s deputy foreign minister told local television.
The United States and Israel pressed on with their round-the-clock assaults on Iran that began on Saturday. The top US commander said the campaign was “ahead of the game plan” and Hegseth said the US was winning the conflict.
“This was never meant to be a fair fight, and it is not a fair fight. We are punching them while they’re down,” Hegseth told a briefing. “Our air defenses and that of our allies have plenty of runway. We can sustain this fight easily for as long as we need to.”
A New York Times report said that Iranian intelligence had reached out to the CIA early in the war about a path toward ending the conflict.
The report said that officials in Washington were skeptical of an “off-ramp” for now, while Trump said on Tuesday that Iranians wanted talks but it was “too late.”
Uncategorized
Britain Launches Review Into School-Related Antisemitism
British Prime Minister Keir Starmer and US President Donald Trump (not pictured) hold a bilateral meeting at Trump Turnberry golf course in Turnberry, Scotland, Britain, July 28, 2025. Photo: REUTERS/Evelyn Hockstein
Britain‘s government on Wednesday launched an independent review into antisemitism in England’s schools and colleges, responding to data showing classroom-related incidents have doubled since before Hamas’s Oct. 7, 2023, attacks on Israel.
Attacks on Jews have risen globally since Hamas’s assault on Israel, which triggered the Gaza war. Britain reported a 4% annual increase in cases of antisemitism in 2025 – the second-highest total on record – including a sharp spike after a deadly synagogue attack in northern England in October.
The Community Security Trust, which advises Jewish communities on security, recorded 204 school–related antisemitic incidents in 2025, twice pre-2023 levels.
“The figures are stark and clear,” education minister Bridget Phillipson said in a statement.
She added that “too many Jewish teachers who raised concerns felt that nothing was done. That is not acceptable.”
The government said the aim of the review was to assess how well education settings identify, prevent and respond to antisemitic behavior, and where further support was needed.
The review will examine schools’ policies, how incidents are handled when they occur, what preventive measures are in place, and how external factors – including protests outside schools and wider geopolitical tensions – influence behavior within education settings.