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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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Swiss Eurovision Winner Nemo to Send Trophy Back in Protest Over Israel’s Participation
2024 Eurovision Song Contest winner Nemo performs during the Grand Final of the 2025 Eurovision Song Contest in Basel, Switzerland, May 17, 2025. Photo: REUTERS/Denis Balibouse
Swiss Eurovision winner Nemo on Thursday said they were handing back their trophy in the latest protest about Israel’s continued participation in the contest over the war in Gaza.
Nemo, the non-binary singer who won in 2024 with “The Code,” a drum-and-bass, opera, rap and rock song, said Israel’s continued participation went against the contest’s ideals of inclusion and dignity for all people.
The comments are the latest protest against the European Broadcasting Union, the Eurovision organizer that has seen five countries pull out after it cleared Israel last week to take part in next year’s event in Austria.
“Eurovision says it stands for unity, for inclusion, and dignity for all people. And these are the values that make this contest so meaningful for me,” Nemo said in a post on Instagram.
“But Israel’s continued participation, during what the UN’s Independent International Commission of Inquiry (on the Occupied Palestinian Territory, including East Jerusalem, and Israel) has concluded to be a genocide, shows there’s a clear conflict between those ideals and the decisions the EBU is making.”
Israel has repeatedly rejected any accusation of genocide, saying it has respected international law and has a right to defend itself after the cross-border Hamas-led attack from Gaza on October 7, 2023, that precipitated the war.
Iceland will not take part in the 2026 Eurovision Song Contest, the country’s public broadcaster RUV said on Wednesday, joining Spain, the Netherlands, Ireland, and Slovenia who have also pulled out, citing Israel’s conduct in the war in Gaza.
Nemo said it was clear something was deeply wrong when countries pulled out of the contest, adding they would send their Eurovision trophy back to the EBU’s headquarters in Geneva.
“This is not about individuals or artists. It’s about the fact that the contest was repeatedly used to soften the image of a state accused of severe wrongdoing, all while the EBU insists that this contest is non-political,” Nemo said.
The singer said they had a clear message for the EBU, which organizes the contest that reaches around 160 million viewers.
“Live what you claim. If the values we celebrate on stage aren’t lived off stage, then even the most beautiful songs become meaningless,” Nemo said.
“I’m waiting for the moment those words and actions align. Until then, this trophy is yours.”
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US Aims for International Gaza Force Deployment Early Next Year, Say US Officials
The Beaver Moon supermoon rises above destroyed buildings amid a ceasefire between Israel and Hamas, in Gaza City, Nov. 5, 2025. Photo: REUTERS/Dawoud Abu Alkas
International troops could be deployed in the Gaza Strip as early as next month to form a UN-authorized stabilization force, two US officials told Reuters, but it remains unclear how Palestinian terrorist group Hamas will be disarmed.
The officials, speaking on condition of anonymity, said the International Stabilization Force (ISF) would not fight Hamas. They said lots of countries had expressed interest in contributing and US officials are currently working out the size of the ISF, composition, housing, training, and rules of engagement.
An American two-star general is being considered to lead the ISF but no decisions have been made, the officials said.
Deployment of the force is a key part of the next phase of US President Donald Trump’s Gaza peace plan. Under the first phase, a fragile ceasefire in the two-year war began on Oct. 10 and Hamas has released hostages and Israel has freed detained Palestinians.
“There is a lot of quiet planning that’s going on behind the scenes right now for phase two of the peace deal,” White House spokesperson Karoline Leavitt told reporters on Thursday. “We want to ensure an enduring and lasting peace.”
INDONESIA PREPARING TROOPS
Indonesia has said it is prepared to deploy up to 20,000 troops to take on health and construction-related tasks in Gaza.
“It is still in the planning and preparation stages,” said Rico Sirait, spokesperson of the Indonesian Defense Ministry. “We are now preparing the organizational structure of the forces to be deployed.”
Israel still controls 53% of Gaza, while nearly all the 2 million people in the enclave live in the remaining Hamas-held area. The plan – which needs to be finalized by the so-called Board of Peace – is for the ISF to deploy in the area held by Israel, the US officials said.
Then, according to the Trump peace plan, as the ISF establishes control and stability, Israeli troops will gradually withdraw “based on standards, milestones, and timeframes linked to demilitarization.”
A UN Security Council resolution adopted on Nov. 17 authorized a Board of Peace and countries working with it to establish the ISF. Trump said on Wednesday that an announcement on which world leaders will serve on the Board of Peace will be made early next year.
DEMILITARIZING GAZA
The Security Council authorized the ISF to work alongside newly trained and vetted Palestinian police to stabilize security “by ensuring the process of demilitarizing the Gaza Strip, including the destruction and prevention of rebuilding of the military, terror, and offensive infrastructure, as well as the permanent decommissioning of weapons from non-state armed groups.”
However, it remains unclear exactly how that would work.
US Ambassador to the UN Mike Waltz noted on Thursday that the ISF was authorized by the Security Council to demilitarize Gaza by all means necessary – which means use of force.
“Obviously that’ll be a conversation with each country,” he told Israel’s Channel 12, adding that discussions on rules of engagement were under way.
Hamas has said the issue of disarmament hasn’t been discussed with them formally by the mediators – the US, Egypt, and Qatar – and the group’s stance remains that it will not disarm until a Palestinian state is established.
Israel’s Prime Minister Benjamin Netanyahu said in a speech on Sunday that the second phase would move toward demilitarization and disarmament.
“Now that raises a question: Our friends in America want to try and establish a multinational task force to do the job,” he said. “I told them I welcome it. Are volunteers here? Be my guest,” Netanyahu said.
“We know there are certain tasks that this force can perform … but some things are beyond their abilities, and perhaps the main thing is beyond their abilities, but we will see about that,” he said.
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Irish Minister Defends ‘Limited’ Trade Curbs on Israeli Settlements
A bicycle with the Palestinian and Irish flags is seen at the University College Dublin (UCD) ‘Palestinian Liberation Encampment’ on June 6, 2024. Photo: REUTERS/Clodagh Kilcoyne
Ireland’s planned curbs on trade with Israeli settlements will be limited strictly to goods, a minister told Reuters, offering the first clear signal on the scope of the contested legislation and rejecting accusations that the country is antisemitic.
Ireland has been preparing a law to curb trade with Israeli communities in the West Bank, facing pressure at home to widen the scope of the ban from goods to services, while Israel and the United States want the bill scrapped.
Ireland has been one of the European Union’s most outspoken critics of Israel’s military campaign against the Palestinian terrorist group Hamas in Gaza.
‘EXTREMELY LIMITED MEASURE,’ SAYS MINISTER
But Thomas Byrne, Ireland’s Minister of State for European Affairs and Defense, told Reuters that the bill is limited to the import of goods and that it would not become law this year.
“It’s an extremely limited measure, which would prohibit imports of goods from illegally-occupied territories,” he said in an interview. “Similar measures have already been brought in in a number of European countries.”
Byrne’s comments give insight into Dublin’s thinking as Ireland seeks to deflect pressure, including from US companies based in the country, to soften its criticism of Israel. Ireland’s bill is expected to help shape how other European nations launch similar curbs on trade with Israeli settlements.
The Irish government has signaled the bill is imminent but has yet to publicly announce its scope.
Byrne declined to say when it would be sent to parliament, as the government weighs the bill’s implications. “It’s certainly not going to be implemented this year,” he said.
Earlier this year, sources told Reuters that the government intended to blunt the law, curbing its scope to just a limited trade of goods, such as dried fruit, and not services.
That more ambitious move could have entangled companies in technology and other industries in Ireland doing business in Israel. Business lobby groups had sought to kill the idea.
Limiting the bill to goods only would catch just a handful of products imported from Israeli settlements such as fruit that are worth just 200,000 euros ($234,660) a year.
LAWMAKER BLACK SAYS SHE STILL WANTS SERVICES BAN
Much of the international community considers Israeli settlements in the West Bank illegal under international law.
Israel disputes this, citing historical and biblical ties to the area. It says the settlements provide strategic depth and security. Defenders of Israel also note that, while about one-fifth of the country’s population is Arab and enjoys equal rights, Palestinian law forbids selling any land to Israelis.
On Gaza, Israel says it acted in self-defense following the deadly Oct. 7, 2023, Hamas attack that killed 1,200 people and resulted in 251 hostages. Israel has repeatedly said it is committed to international law and tries to minimize harm to the civilian population of Gaza.
Frances Black, the lawmaker who proposed the Irish bill, told Reuters she would push to include a ban on services. “It will take a lot of work in the new year to get services included but that’s exactly what I’m prepared to do.”
Byrne also defended Ireland’s government, after Israeli Foreign Minister Gideon Saar recently posted a video online where he accused the Irish government of having an “antisemitic nature.”
Saar said the Irish government’s response had been slow to a local proposal to rename a park bearing the name of Chaim Herzog, the former president of Israel who was raised in Dublin.
Irish ministers had roundly criticized the idea and Dublin City Council has since delayed a decision on whether to remove the name.
US Senator Lindsey Graham had also labeled Ireland a “cesspool of antisemitism.”
EU LAWMAKER REJECTS ANTISEMITISM CHARGE AS ‘NONSENSE’
“I reject outright that the country is in any way antisemitic,” said Byrne. “We’re deeply conscious of the contribution that Jewish people have made in Ireland.”
Ireland’s relations with Israel have been fraught. Last December, Israel shut its embassy in Dublin amid a row over Ireland’s criticism of its war in Gaza, including Ireland’s recognition of a Palestinian state last year.
Barry Andrews, an Irish member of the European parliament, urged Dublin to go ahead with its “occupied territories” bill. “Claims that Ireland is antisemitic are nonsense,” he said. Ireland has nothing to fear. We are no longer the only ones doing this.”
On Wednesday, Ireland’s central bank governor Gabriel Makhlouf was forced to abandon a public speech in Dublin by pro-Palestinian protesters objecting to the central bank’s earlier role in the sale of Israeli bonds.