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Aline Kominsky-Crumb, who transformed comics first as a muse and then as a feminist artist, dies at 74
(JTA) — Robert Crumb put the “x” in comix by setting to paper his basest sexual longings, including strong-legged Jewish women who were cowgirls and who went by the name Honeybunch Kaminski.
So when an actual strong-legged Jewish cowgirl named Aline Kominsky walked into his life, it was love at first sight, and never wavered.
Aline Kominsky-Crumb, who died Wednesday at 74 in France of pancreatic cancer, was late to the revolution her husband launched in comics a few years before they met, with his Zap Comix. The “x” was a signifier of what was then known as “underground” comics and referred to the unfiltered treatment of humanity that censorious publishers, politicians and public figures had all but washed out of the art.
She soon fully embraced the art form and then helped transform it.
Working with her husband and then on her own, Kominsky-Crumb brought to comics raw self-lacerating accountability and subverted crude stereotypes about Jewish women — including those peddled by her husband — by taking possession of them.
She started out as a self-acknowledged sex object reviled by second-wave feminists and became a hero of younger feminists for modeling unfettered sexual expression. She was the brassy Jewish stereotype who became the muse who guided her husband to a deeper consideration of Judaism.
Kominsky-Crumb, born Aline Ricky Goldsmith in 1948 in the Five Towns, a Jewish enclave on Long Island, had a Jewish upbringing that was in many ways conventional, horrifying and both at the same time. She wrote about the warmth of her grandparents’ home and how she sought in it succor and about the pressures her materialistic parents placed on her. She said she was named for a Five Towns clothing store, Aline Ricky, that sold French fashion knockoffs. She resisted her mother’s pressure to get a nose job.
In one autobiographical comic, she recalls seeing one Jewish girl after another coming into school after plastic surgery. “Me ‘n’ my friends developed a ‘big nose pride,’” she writes, and one of the characters says, “I could not stand to look like a carbon copy!”
She told fellow Jewish cartoonist Sarah Lightman about the ordeal. “Like, I kept my nose, but it was really a close call, because my mother had me in Doctor Diamond’s office and he measured my nose. I remember that. They took an instrument and measured your nose. And then he took a piece of paper and he said,’ look, we can make it look like this.’ And I said, ‘Oh my God.’ My mother said, ‘Oh, it’s gorgeous, gorgeous.’”
In her teens, Kominsky-Crumb fled the suburbs for Manhattan. She studied at Cooper Union, an art school, and lived on the Lower East Side, earning plaudits from her instructors for her painting, but getting bored. She had a baby and gave it up for adoption to a Jewish agency, an experience that scarred her, and later led her to become outspoken in advocating for abortion rights.
After she married Carl Kominsky, they moved to Tucson, Arizona, which she called “hippie heaven.” There, she left her husband for a cowboy who lived with two brothers and his father in what she said was “the middle of nowhere” where she helped out on horseback, albeit under the influence of hallucinogens. (She said her beau was killed in a shootout with a romantic rival after she left.)
In Tucson, she met two pioneers of underground comics, Kim Deitch and Spain Rodriguez. They encouraged her to move to San Francisco, which was the scene of the burgeoning movement.
She did and met Crumb at a party in 1971, within three years of his having created “Honeybunch Kaminski, the drug-crazed runaway” (1968) and “Dale Steinberger, the Jewish Cowgirl.” Kominsky-Crumb, who had kept her first husband’s last name because it sounded more “ethnic” than Goldsmith, was so taken with the her husband’s lustful Jewish imaginings, and how closely she physically resembled them, that when she started creating her own, she named her avatar “Bunch,” a shortened version of the character whose name most closely matched her own.
It was kismet, except it wasn’t at first. Crumb and Kominsky-Crumb got together, but maintained open relationships. Crumb endured Kominsky-Crumb’s dalliances with other men for decades, but Kominsky-Crumb was not as able (or willing) to reciprocate. When one of Crumb’s exes arrived at their commune in Mendocino, she told The Comics Journal in 1990, she was furious. “I had a total s— fit,” she said, “I was wearing these giant platform shoes. I ran out the door and I fell and broke my foot in six places.”
Crumb sent the ex on her way and entertained the recovering Kominsky with a pastime he and his brother worked out as children: They would co-create a comic.
That process drew the couple closer, and also became a decades-long unflinching chronicle of a relationship. A culmination, “Drawn Together,” was critically acclaimed when it came out in 2012.
In one passage in the 2012 book, she gently chides her husband for resorting to antisemitic tropes — although it was tropes about loud, slightly unhinged, sexually voracious Jewish women that drew them together.
One page depicts the couple in bed. Crumb is stung by an accusation of antisemitism from Art Spiegelman. (Spiegelman joined with Crumb to launch the underground comics scene in the 1960s, but they grew apart as Spiegelman, who would author the Holocaust chronicle “Maus,” sought to attach an overarching philosophy to the genre, while Crumb continued to crave crude authenticity.)
Crumb says that Spiegelman “seems to be taking my ruminations about the Jews as antisemitism … I certainly didn’t mean it as such.” Kominsky-Crumb draws herself into the panel, listening to her husband, as a little girl wearing tefillin, a T-shirt with “kosher” in Hebrew and a Star of David pendant. In the next panel, once again appearing as a grown woman in a negligee, she makes clear to Crumb why she feels vulnerable as a Jew in the marriage.
“Dahling, you do call the Jewish religion ‘Brand X’,” she says.. “Now I might even think that’s true in some ways … and I’m one o’ them … I’m allowed to say that!”
Crumb draws himself as wounded but also awakened. “Oh, I see … ulp.” Crumb dedicated his masterwork, “The Book of Genesis,” a searing illustrated narrative of the Bible’s first book, to Aline.
The Crumbs’ collaborative work was celebrated among aficionados, but it wasn’t until 1994’s “Crumb,” a documentary directed by Crumb’s close Jewish friend, Terry Zwigoff, that she emerged into the broader culture. A vibrant, peripatetic Kominsky-Crumb cares for their daughter, Sophie, and revels in their life in a small French village, where they had moved a few years earlier, while Crumb continues to hold back, playing the wounded, misunderstood artist.
It was an arrival of sorts for Kominsky-Crumb. She had for a time been marginalized even on the underground scene, her deceptively simple art derided as sloppy. She helped found the Wimmen’s Comix collective in 1972, and wrote about her Jewish upbringing in the first issue, a piece entitled “Goldie: A Neurotic Woman.” But she was soon frozen out because some of her colleagues thought her musings about longing to be dominated (and her tendency to dress that way to please Crumb) were denigrating to women. “The Yoko Ono of Comics,” is how the New York Times described her early years.
She left the collective and joined another Jewish woman artist, Diane Noomin, in launching “Twisted Sisters” in 1976. Its cover depicts hers seated on a toilet wondering “How many calories in a cheese enchilada.” The message to her erstwhile colleagues, who depicted women heroically, was clear: Kominsky-Crumb would indulge her full unvarnished self.
It would take decades, but a later generation of feminists would come to understand her autobiographical “Bunch” not as a self-loathing caricature but as a means of understanding ones whole self. In 2020, Lightman launched an interview with Kominsky-Crumb by reviewing a 1975 cartoon, “Bunch plays with herself” that shocked even the underground scene at the time with its graphic depictions of a woman exploring every corner of her body.
“I didn’t do it to be disgusting but it’s, like, about every horrible and fun thing you can do with your body,” Kominsky-Crumb told Lightman. “I think it’s an amazing piece of feminist art,” Lightman said in the interview, “because women are drawn to be gazed at, and [here we see] their bodily juices, and everything. … The last panel is the best. ‘My body is an endless source of entertainment’.”
In 2007, she and Crumb created a cover for the Jewish counterculture magazine Heeb, where she is cradling him in her arms. “”I feel so safe in the arms of this powerful Jewish woman!” Crumb says.
By 2018, she was scrolling through her phone to show a New York Times reporter pictures of Crumb cavorting with the grandkids. (Daughter Sophie in adulthood also is a comics artist.) The photos then transition to photos of women’s behinds, taken in Miami.
“I’m enabling his big butt fixation,” she said. “Well I don’t have a big butt anymore so I have to offer him something.”
“It was her energy that transformed the American Crumb family into a Southern French one, with her daughter Sophie living, marrying and having three French children there,” the official Crumb website said in announcing her death. “She will be dearly missed within that family, by the international cartooning community, but especially by Robert, who shared the last 50 years of his life with her.”
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After attacks, Jewish security watchdogs warn of ‘most elevated and complex threat environment’ in recent history
(JTA) — A string of recent synagogue attacks across North America and Europe has left security officials sounding the alarm bells.
“We are in the midst of the most elevated and complex threat environment the Jewish community and this country has seen in modern history,” said Kerry Sleeper, chief of threat management and information sharing for the Secure Community Network, a Jewish security organization.
Sleeper’s comment came during an SCN webinar on Friday, held in response to the previous day’s attack on Temple Israel in West Bloomfield, Michigan, where an assailant rammed into the synagogue armed with rifles and smoke bombs.
Though the attack was successfully thwarted by existing security measures, Mitchell Silber, executive director of the Community Security Initiative, said in an interview that Jewish institutions may now need additional layers of protection.
“This might be a bit of a tipping point where we’ve gone to a new level, where really what’s required to secure a Jewish institution in the U.S. starts to look like almost a Europeanization of security,” Silber said.
That would include posting multiple armed guards outside entrances and requiring increased screening before entry, he said. Many European synagogues also require attendees to go through security screening at some distance from the building, rather than at their doors.
“Unfortunately that seems to be where we are right now — the Jewish community has to up its game in terms of the external security of its locations,” he said.
Currently, a shutdown at the Department of Homeland Security since Feb. 14 is halting the review of millions of dollars in security funding for nonprofits, constraining the ability of Jewish institutions and other vulnerable groups to upgrade their security infrastructure.
The Temple Israel attack came within two weeks of attacks in Austin, Texas, and at Old Dominion University in Virginia. Those other attacks were not on Jewish institutions, but Sleeper, a former FBI assistant director, said the “various motivations of the attackers appear to be affiliated with the war between the U.S., Israel and Iran.” He added that the assassination of Ayatollah Ali Khamenei in Iran, and President Donald Trump’s stated desire to facilitate a regime change, have “contributed to the extremely high threat environment.”
Meanwhile, things have escalated outside the United States. Three Toronto-area synagogues were hit with gunfire over the last couple of weeks, and a synagogue in Rotterdam was targeted by an arson attack early Friday morning, allegedly by a group that has also claimed credit for an explosion at a synagogue in Belgium.
The flurry of attacks has the entire Jewish world on edge going into Shabbat — and some watchdogs say things could soon get worse.
“It is not entirely shocking to those of us who’ve watched this space for a long time,” said Mike Jacobson, a senior fellow at the Washington Institute for Near East Policy who served in the State Department’s Counterterrorism Bureau. “I would think things would continue to ratchet up again, at least in the short term.”
He pointed to the Iranian Revolutionary Guard Corps’ activation of sleeper cells — their agents lying in wait until called to action to commit an attack — across the West, as a danger to vulnerable targets, which includes Jewish communities.
Another source of danger, Jacobson said, comes from copycat attacks.
“There’s also this mix that makes it really hard to sort out in the initial stages, where you’ve got people, not only who may be directly tied to Iran, but people who are so-called ‘inspired’ by this,” Jacobson said. “Those are often really hard for law enforcement to get advance notice on.”
Not always does the threat come from direct orders from Iran, he said. “It’s often difficult to tell: Is this something that is directly tied to the organization, or is this something that is more by someone inspired [by the IRGC]?”
He added, “They are trying to inflict pain in as many directions as they can.”
As security organizations encourage increased caution and awareness of suspicious activity, they are also emphasizing that those measures shouldn’t come at the expense of gathering in communal Jewish spaces.
“We’re not going to let the terrorists take away our confidence or the ability to embrace our religion,” said Michael Masters, SCN’s national director, during the Zoom webinar.
Masters’ sentiment is also shared by congregational leaders like Rabbi Adam Roffman, of Congregation Shearith Israel in Dallas.
“Sure, security is something we think a lot about, and we’ve done our best to protect ourselves,” Roffman said. “And at the same time, the life of this community goes on.”
At Temple Israel, Shabbat services are being streamed from the nearby country club that served as a reunification center for families after the attack. The synagogue wrote on Facebook: “We’re so glad you’re joining us tonight as our community comes together to welcome this much needed Sabbath.”
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Muslim advisor to Trump’s Religious Liberty Commission resigns to protest ‘Zionist political agenda’
(JTA) — The Trump administration’s Religious Liberties Commission was wracked again this week over anti-Israel sentiment, as a second affiliated individual has exited while claiming it had been hijacked by a “Zionist political agenda.”
Sameerah Munshi, a Muslim member of a board that advises the commission, announced late Thursday that she would be stepping down. Her reason, she said, was to protest the dismissal of commissioner Carrie Prejean Boller, who was ousted last month after she used a hearing on antisemitism to expound on her objections to Israel and Zionism.
“In this country, people of faith are having their free expression stripped away, and even their lives put at risk, because of their deeply held beliefs about Palestine, all for the sake of a Zionist political agenda,” Munshi wrote in a resignation letter she posted to Substack. “The removal of a Catholic commissioner for expressing dissenting views grounded in her faith is the exact affront to free expression and religious liberty that I spoke out against.”
Munshi posted her resignation to X just before 10 p.m. Thursday, hours after an attacker drove a car into a Michigan synagogue while a preschool was in session. She did not mention the incident in her letter, which she said instead was timed to Prejean Boller’s formal ousting by Trump earlier that day.
The Council on American-Islamic Relations praised both Munshi and Prejean Boller on Friday for their “courage.”
“Ms. Prejean Boller and Ms. Munshi fulfilled the commission’s stated purpose by opposing all forms of anti-religious bigotry and standing up for every person’s right to express their religious beliefs, including opposition to Israel’s genocide in Gaza,” the council said in a statement. “The commission is now clearly meant to protect Israel from criticism, not to protect religious freedom for the American people.”
Munshi is a recent Brown University graduate and onetime director of the Muslim organization Coalition of Virtue. She was embraced by the Christian right after publicly opposing a change in a Maryland public school system’s policy allowing parents to opt their children out of curriculum, including LGBTQ material, that went against their religious beliefs. The policy Munshi protested was eventually taken to the U.S. Supreme Court, which ruled in favor of parents who had challenged the school.
Munshi’s biography on the commission’s website was still active as of Friday. It states, “Sameerah has courageously spoken out against forcing children to learn radical gender ideology in schools.”
Munshi had been outspoken for weeks about her support of Prejean Boller, with whom she was ideologically aligned on Israel, after Prejean Boller’s remarks during the antisemitism hearing caused a firestorm.
Like Prejean Boller, Munshi is also a follower of Candace Owens, the right-wing pundit who has embraced a number of antisemitic conspiracy theories. She praised Owens’ conversation with Jewish pro-Palestinian academic Norman Finkelstein last fall, writing on Instagram that Owens had a “rare willingness to confront uncomfortable truths head-on,” and suggested future guests for Owens to interview.
Munshi has been aligned with Prejean Boller since the fall, when Prejean Boller approached her after Munshi testified to the commission in favor of public schools’ rights to protest Israel. “Carrie has been wonderful. We’ve become pretty good friends at this point, and we’ve shared a lot,” Munshi told Middle East Eye.
On her Instagram before last month’s antisemitism hearing, Munshi wrote that the two of them had pushed the commission to invite “fair witnesses” to the hearing that would have reflected their own perspectives, including Finkelstein, left-wing Israeli academic Miko Peled, anti-Zionist rabbi Yaakov Shapiro, and David Spevak, an American Jewish activist and descendant of Holocaust survivors who has compared Jewish summer camps and cultural programs to the Hitler Youth.
After Prejean Boller’s performance at the hearing, during which she told Jewish witnesses that her Catholic faith compelled her to oppose Israel and Zionism, Munshi defended her from blowback from Jewish groups and the Trump administration. The Wall Street Journal wrote in an editorial that the two “left together and appeared to be texting amid the hearing,” appearing to allege collusion in Prejean Boller’s line of attack.
“Christian views and beliefs were targeted as ‘antisemitic’ for merely expressing concerns about the ongoing conflation between criticism of the state of Israel and anti-Jewish animus,” Munshi wrote on her Substack in February. “During the hearing, an attempt was made by a collection of ‘Israel First’ actors to redefine antisemitism to include all criticism of Israel, smear many concerned citizens as bigots, and even gatekeep what counts as ‘real’ Judaism by confining it to Israel-first Jews.”
Trump established the Religious Liberties Commission last year, with the order’s text stating that it would “offer diverse perspectives on how the Federal Government can defend religious liberty for all Americans.” Munshi was one of three Muslims on the commission and the only Muslim woman; all three were chosen to serve in an advisory capacity, rather than as full commissioners.
In her resignation letter Munshi also said she was resigning in protest of the Trump administration’s war with Iran, which she wrote was being done “at the urging of a genocidal state.”
“I support America over Israel, and unfortunately that means I cannot support Trump or this government,” Munshi continued.
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Oklahoma attorney general accuses officials of rigging vote on proposed Jewish charter school
(JTA) — Oklahoma’s attorney general is accusing a state board of trying to rig the legal fight over a proposed Jewish charter school — a dispute that could open the door for publicly funded religious charter schools across the United States.
Attorney General Gentner Drummond filed a motion this week asking an Oklahoma County district judge to intervene after the Statewide Charter School Board rejected an application to open the Ben Gamla Jewish Charter School, a virtual statewide school that would combine secular studies with Jewish religious instruction.
Drummond alleges that the board engineered its vote so the rejection would focus only on the school’s religious character, strengthening the legal case for the school’s supporters, who are preparing a federal lawsuit challenging Oklahoma’s ban on religious charter schools.
“A state agency that deliberately hobbles its own legal position is not doing its job — it is betraying Oklahoma taxpayers. I will not allow that,” Drummond said in a statement.
He added: “The Board deliberately suppressed those findings to manufacture a cleaner path to federal court. I will not allow this Board to rig the record at taxpayers’ expense.”
Drummond asked the court to order the board to issue a new rejection letter detailing all of the reasons the proposal was deficient.
The dispute centers on the National Ben Gamla Jewish Charter School Foundation, led by former Florida Democratic Rep. Peter Deutsch. The group applied to open a statewide online charter school serving kindergarten through 12th grade students beginning next school year.
The proposal called for a curriculum combining secular coursework with daily Jewish religious studies. If approved, it would have become the nation’s first publicly funded religious charter school.
Jewish groups in Oklahoma have opposed the proposal, saying they prefer not to be thrust into the middle of a debate over church-state separation and that there is little demand for such a school among local Jewish residents.
The charter board voted earlier this week to reject the application, citing a 2024 Oklahoma Supreme Court ruling that charter schools must remain secular.
That ruling overturned a previous effort to open a Catholic charter school, St. Isidore of Seville Catholic Virtual School. An appeal to the U.S. Supreme Court ended in a 4–4 tie after Justice Amy Coney Barrett recused herself, leaving the state court decision in place.
Several board members said the precedent left them no choice but to reject Ben Gamla’s application.
At the same time, the board has signaled it may support the school’s broader constitutional argument in court. The board hired the conservative Christian legal group First Liberty Institute to represent it in the expected litigation and has indicated it could back the school’s position once a lawsuit is filed.
Drummond, who also fought the Catholic charter school proposal, said the legal question about religious charter schools had already been settled by the state courts and insisted his objection to the board’s vote was procedural rather than religious.
Among the issues he says the board improperly left out was a discrepancy in Ben Gamla’s projected enrollment.
Deutsch initially said the online school would serve about 40 high school students, but the formal application projected enrollment of 400 students across grades K-12.
State officials also raised questions about the composition of the school’s governing board. Oklahoma law requires a charter school board to include a parent or grandparent of a student. Ben Gamla listed Brett Farley, executive director of the Catholic Conference of Oklahoma, as its parent representative.
Supporters of the school have said they plan to challenge Oklahoma’s prohibition on religious charter schools in federal court, arguing that excluding religious schools from charter programs violates the Constitution’s protections for religious freedom.
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