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Amid blazing heat and rising tides, artists find beauty and desperation in these biblical times
Daniel Rothbart’s floating aluminum and glass forms are at once playful and lyrical, biomorphic and other-worldly; prehistoric and futuristic. They are set in a pond and two small pools in Staten Island’s Snug Harbor, a hidden pastoral gem that once served as a safe haven for sailors.
Overflowing with colorful flowers and plants and shrubbery, the scene is idyllic, short of the oppressive, steamy heat that has settled over the landscape. But then that’s part of it too. Rothbart’s Serpentine Sibyls: A Floating Sculptural Installation, animated by winds and currents, are site-specific and immersive. He is keenly in tune with its ecology.
“No, my work has not always addressed political issues, but water is a fraught medium,” he told me over the phone. “You can’t work with water without addressing its importance to life on this planet and climate change and stewardship. Water has always fascinated me.”
Growing up in the Pacific Northwest the ocean was a constant alluring presence. And as a Jew, the water’s historical, cultural and religious traditional significance is defining, he said.
“There’s the purification ritual of the mikveh, the parting of the Red Sea, the washing of hands and feet before entering the temple in Biblical times and the casting off of sins, Tashlich on Rosh Hashanah. Water diplomacy and technology has always been central in Israel. Making the desert bloom.”
Rothbart, a multidisciplinary artist whose work has been exhibited across the globe, is the author of Jewish Metaphysics as Generative Principle in American Art, which examines how Jewish mystical traditions, especially Kabbalah, informed abstract American art in the post-World War II years.
Erudite and heady, Rothbart said that his work can be viewed through the lens of tikkun olam, the Jewish imperative to help repair a fractured world, but it also borrows from Japanese culture, outer space imagery, Marcel Duchamp’s dadaism and Greek mythology.
The title of his exhibit references Sibyls, the Greek female prophets who were consulted in catastrophic times, not unlike our current era cursed by floods and wildfires and heat waves.
Rothbart started thinking about floating sculptures in 2007 for a piece he was conceiving for the Venice Biennial. A city surrounded by water cried out for it. Japanese glass fishing floats came to mind.
“The Japanese fishing floats would wash up on shore in Oregon where I grew up,” he recalled. “I loved the fragile recycled pieces of glass that came from the orient and that I could de-contextualize a common object and in so doing create something new.”
To anchor the sculptures, Rothbart and his assistant kayaked to the middle of the pond. There, once he established where he wanted each sculpture, he dropped each form, now attached to two to five-pound iron weights.
“The sculptures are sensitive to any existing life in the water,” he said. “The pond here has turtles and fish. I’ve found that the animals adjust to the new forms. I love the relationship between life in the pond and the foreign objects.”
Three artists, one flood
The Interchurch Center in upper Manhattan is currently hosting Noah, A Future of Hope, 3 Faiths/ 3 Artists/ 1 Story. A traveling exhibit, it employs the story of Noah and the flood to gently remind viewers to save, protect and celebrate the environment. The topic is explored respectively through a Christian, Muslim and Jewish vision. The artists — Yona Verwer, a Dutch-born Jew, Brian Whelan, a British-born Christian of Irish heritage and Hady Boraey, an Egyptian Muslim — each merge their religious identity with personal aesthetics and the need to advocate for the environment.
“Each artist was invited to create eight paintings that visually inspire our imaginations to heal our world by honoring our intricate connection to the earth as our sustainer, and by maintaining a sacred balance with all her life forms,” said curator Paul G. Chandler in his introductory remarks at the exhibit’s opening night reception. “In this way, the story of the ark, its animals, and the flood, take on contemporary relevance as we face today’s climate crisis.”
Seven is a significant number in each religion, so Chandler selected seven core lessons, each reflecting some part of the Noah story, for the artists to address. The eighth painting from each artist served as a kind of synopsis of the work that was to follow.
Water is a common image throughout the exhibit; indeed, water plays a major role, not only in Judaism, but in Christian and Islamic rituals as well, from Christian baptism to the washing of feet and hands before prayer in a Mosque.
When I asked Chandler if he could guess the religion of each artist on the basis of their paintings he said he could for the Jew and Christian, but wouldn’t have had a clue that Boraey emerges from an Islamic tradition.
“His paintings have an individual aesthetic and a more universal feeling. Still, you never see the face of Noah in his work. In Islamic tradition you can only view him from the back. To see his face is idolatry. Jews have the same tradition, but may not adhere to it as rigidly.”
Some of Verwer’s work incorporates Hebraic texts and characters. In “Care for the Species,” a figure is blowing a shofar. Similarly, Chandler said, he’d know that Whelan’s paintings were made by a Christian. They are literal illustrations of key moments in the Noah story.
His depiction of Noah evokes a figure right out of vaudeville, grinning broadly, sporting a little hat and in more than one instance looking slightly confused.
“Christians turn catastrophe into a kind of children’s bedtime story,” Chandler said. “It’s very Christian to sanitize the story. Jews don’t do that.”
“My being Jewish — a religious Jew—has had a bearing on how I look at everything,” said Verwer who says that water and its preservation is deeply important to her not least because for more than 2,000 years Judaism has had many rules to safeguard water. As a Holland native, she, like Rothbart, grew up near water and so it was always part of her universe.
Verwer’s work is also exhibited in an accompanying solo show, Fluid Futures-Living Waters, which features eight paintings that explore ocean pollution through a comic sensibility. One piece, bal tashchit (prohibition against needless destruction) depicts an octopus, submerged in deep ocean waters, clutching a soda can in its mouth.
“I don’t feel a painting is finished if I haven’t laughed at least once,” Brian Whelan said. “But it also needs a message.”
His major challenge was Chandler’s insistence that the paintings embrace a note of optimism.
“I don’t see any hope in what’s happening to this planet,” said Whelan. “My work mostly follows in the tradition of East Anglican medieval narrative paintings found in churches dating back to the 14th-to-16th centuries.”
For me his strongest piece is “Humans Outside the Ark Perished,” which appears in his linked, one-man show, 40 Days and 40 Nights. Here we see desperate hands reaching towards Noah for safety. A mouse sits alongside Noah, a poignant image. It’s safe and sound compared to the desperate humans.
Of the three painters, Boraey said his work was the least likely to be connected to any one particular religion. Unable to obtain a visa to the States he spoke to me on the phone from the Northern coast of Egypt.
He said his piece “The Great Collapse” spoke most vividly to both the Noah story and the ecological precipice we’re now facing as a result of climate change.
In the foreground, we view Noah from the back gazing out across a body of water at masses of people crushed together and almost immobilized as they hopelessly struggle to move forward. In the background hangs a giant and cratered blue moon sinking below the horizon and into the ground. It is at once foreboding and exquisite.
Having participated in exhibitions in the Middle East and Europe, Boraey said he was most influenced by the surrealist art movement in Cairo in the late 30s. The marriage between folkloric and political motifs is its hallmark.
The Noah tale for him is “both pessimistic and optimistic because hope is always there and they survived at the end of the story,” he said. “Noah saved humanity. He reminds us that we have to be very careful with the earth.”
In harmony with nature
Back at Snug Harbor, the late afternoon heat dome has made the airless, sun-baked space even more relentless than it was earlier in the afternoon. Rothbart’s visitors are slowly straggling out of the park, some wiping away sweat with bits of tissue, others fanning themselves; still others pouring water from their bottles onto reddened necks and arms and legs indifferent to the water splashing on to their clothes.
“Talk about global warming and climate change,” he told me. “This weather only drives home the point of just how serious this is and how we have to learn to live in harmony with nature and our environment.”
Serpentine Sibyls will run through Sept. 28.
Noah: A Future of Hope will run at the Interfaith Center through Aug. 26 and then continues its global tour.
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Evan Gershkovich’s prison memoir begins with a Soviet Jewish exodus
A few days after Russian security agents arrested Wall Street Journal reporter Evan Gershkovich on a trip in March 2023, his lawyers showed him a slip of paper with messages from home. He was being held alone, in what Russian prisons call “quarantine:” two weeks without a cellmate before joining the general population. His eyes went straight to the note from his mother.
Soon he would start getting kosher food, Ella Milman wrote, and then added: “If you come home with sidelocks, I’ll understand.”
It was a joke, and a very Jewish one. Gershkovich grew up in a secular family of Soviet émigrés, where being Jewish had more to do with family history and dark humor than with religious practice. His mother was ribbing him that a few weeks of kosher prison food might send him home looking like a yeshiva boy.
Sitting across from the investigator building his espionage case, Gershkovich grinned. His mother, he realized, still had her sense of humor, and that was exactly what he needed.
The kosher food wasn’t a joke. That night, with Passover days away, a local rabbi sent him stacks of matzo.
The scene appears in This Cursed Beautiful Land: A Russian-American Story, Gershkovich’s memoir of his arrest, his 16 months behind bars and his release in the most elaborate U.S.-Russia prisoner swap since the Cold War. The book was published Tuesday.
Most of the coverage is about the prison. But Jewish history runs through the book from its first pages. Gershkovich’s great-grandfather was arrested during Stalin’s purges and vanished. His mother was laughed out of a journalism school application once the clerk saw her passport. And when he moved to Moscow as a young reporter, a Russian coworker needled him with an old stereotype about Jews and money.
The family that left
Gershkovich was born in New Jersey in 1991, two months before the Soviet Union fell apart. His parents had come over in 1979. Thousands of Soviet Jews were leaving at the time, helped by a U.S. law that linked trade with Moscow to whether its citizens were allowed to emigrate.
His mother flew out of Leningrad with her mother and ended up in Detroit. His father’s family came from Odessa and settled in Brighton Beach, the Brooklyn neighborhood people call Little Odessa. In those years, his father later joked, Soviet Jews who ran into each other on the street skipped the hellos and just asked where the other was going.
For his father’s side, the decision was easy. Gershkovich’s great-grandfather was arrested in 1937, at the height of Stalin’s purges, and never seen again. His grandfather Mark spent years moving from city to city, afraid of being targeted next, and later dreaded the day his own son would be drafted into the Soviet army.
A Jew on paper
Gershkovich’s mother, Ella, was born in 1957, a few years after the “doctors’ plot,” a Stalin-era campaign that accused Jewish physicians of conspiring to kill Soviet leaders. One of the doctors caught up in it had been a neighbor in her family’s communal apartment.
Her father had wanted to name her Etya, after his late sister. Worried that an obviously Jewish name would draw attention, her mother pushed for Ella instead. It didn’t matter. The family name Milman gave her away, and Soviet passports listed each citizen’s ethnicity. Hers said “Jew.”
Ella dreamed of becoming a writer. When she applied to the journalism department at Leningrad State University, the woman taking her application glanced at her passport and laughed. She studied shipbuilding instead, listened to the Rolling Stones, and heard rumors that the Kremlin planned to deport Jews to Birobidzhan, a remote Soviet region near the Chinese border that had apparently been set up as a Jewish homeland.
When she finally emigrated to America at 22, she sewed a pair of gold earrings from her late father into her skirt’s waistband to get them past customs. Once the plane took off, she couldn’t stop laughing and crying.
A generation later, her son became the journalist she wasn’t allowed to be, and then a prisoner of the state that had turned her away.
Ella and her husand settled in Princeton, New Jersey, where Gershkovich and his sister spent Saturday mornings with a Russian tutor, and holidays meant trips to the Russian groceries and Uzbek grills of Brighton Beach. Gershkovich came to think of himself as Jewish-Russian-American. Russia’s war in Ukraine later forced him to ask why that label had never included Ukraine, given that his father’s family came from Odessa.
The empty chair
In 2017, Gershkovich moved to Moscow to report for The Moscow Times. On one of his first days, he asked a colleague when staff got paid. She laughed and told him his Odessan roots were showing, a jab about Jews and money that served as his introduction to Russian workplace culture.
On a later trip to Odessa, he visited a Jewish museum that displayed a 1953 Soviet propaganda article from the doctors’ plot era. It claimed that the Joint, the New York-based Jewish relief organization, was a front for American intelligence. Gershkovich recalls thinking that Moscow was getting paranoid again, while hoping things hadn’t gotten that bad. A few years later, Russia accused him of spying for the United States.
Gershkovich’s arrest came a week before Passover. That spring, many American Jews left an empty seat for him at their Seders, and activists later sent him letters for Rosh Hashanah. Both gestures deliberately echoed the movement to free Soviet Jewry, the same campaign that had helped free his parents. Natan Sharansky, the most famous Soviet Jewish dissident, who was himself released in a 1986 prisoner swap, advocated publicly for his release.
In July 2024, two weeks after a Russian court sentenced Gershkovich to 16 years in a maximum-security prison, he was freed in a prisoner exchange in Ankara, Turkey. Jewish groups celebrated, and the Orthodox Union posted the traditional blessing thanking God for freeing captives.
His great-grandfather was taken in 1937 and never came home. Eighty-seven years later, his great-grandson did.
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More Michigan Jews sign a petition pressuring El-Sayed on Israel. Will it matter?
(JTA) — ANN ARBOR – The activists on the Zoom supporting Abdul El-Sayed knew they faced an uphill climb when it came to persuading their fellow Jewish Democrats to overcome their concerns about the Michigan Senate candidate and vote for their party’s nominee despite his strong disapproval of Israel.
Two progressive Jews, former Biden administration appointee Sam Bagenstos and Detroit Jews for Justice co-founder Hayley Sakwa, made the Jewish case for the candidate to a sometimes skeptical, sometimes combative crowd of around 30 people on Sunday night.
Sakwa and Bagenstos urged voters to prioritize the chance to put a check on the larger Trump agenda – including heavy immigration crackdowns and the rightward tilt of the federal judiciary – given that the Michigan seat could help determine who controls the legislative chamber.
But their appeal wasn’t enough for several of the people on the call, who less than two days later would sign on to the “Nonnegotiables” petition. Spearheaded by a group of Michigan Jewish clergy, the open letter calls for El-Sayed to moderate his views on Israel and affirm more vocal support for Jews in politics as a condition for earning their votes.
The 17 new names to the petition, shared with the Jewish Telegraphic Agency ahead of their release on Tuesday morning, include state Rep. Noah Arbit, the founder of the Michigan Jewish Democratic Caucus.
Arbit recently gave a speech denouncing antisemitism on the floor of the Michigan House and has been critical of El-Sayed publicly: After progressive Jews recently hosted the candidate for a Rosh Hashanah dinner at their house, the representative accused them of “tokenism.” (Arbit declined to comment to the Jewish Telegraphic Agency.)
Other new names on the list include an elected University of Michigan regent and prominent local attorney, as well as several board members of the Jewish Democratic caucus, which itself is not endorsing a candidate in the race.
Concerns raised on the Sunday night Zoom call included El-Sayed’s opposition to Iron Dome funding for Israel and his earlier campaigning with anti-Israel streamer Hasan Piker, whom he has since distanced himself from. Some said they were worried he could open a door to a more hostile Democratic Party for Jews.
“With Abdul it sort of feels like letting a fox into the henhouse,” one said.
“I refuse to be anyone’s dhimmi,” another wrote in the chat, referring to a term for non-Muslims living under Islamic rule.
Yet any pressure Jewish Democratic critics of El-Sayed hope to place on the candidate are partly balanced out by the work of those such as Sakwa, who along with other Jewish liberals has to date secured 900 signatures pledging to vote for El-Sayed. A competing letter of Jewish voters pledging to back his Republican challenger, former U.S. Rep. Mike Rogers, has picked up 524.
At the same time, the broader Democratic Party has ramped up its efforts to get elected officials in line behind the nominee. The El-Sayed campaign has yet to respond publicly to the “Nonnegotiables,” and with little more than a month to go before Election Day, it might not need to.
Former Vice President Kamala Harris campaigned with El-Sayed last week in Detroit, and the liberal-leaning editorial board of the Detroit Free Press, the state’s largest daily newspaper, endorsed the former county health director over the weekend.
The Free Press wrote that its own endorsement was against an “extremist” — referring to Rogers and President Donald Trump — in language that one bloc of Jewish voters also used to refer to their own decision to vote for Rogers over El-Sayed.
In addition, Michigan Attorney General Dana Nessel, who is Jewish and has fiercely criticized El-Sayed for his past comments about Jews and Israel, endorsed and appeared with the candidate on a local liberal podcast hosted by a Jewish woman to project unity.
“There is no choice,” Nessel said.
But the conversation demonstrated that tensions still remain even with many Jewish Democrats who have thrown in their lot with El-Sayed.
“Is there space for a Jewish Zionist like myself?” she asked him. “Is there space for us in the big tent of the Democratic Party?”
“I believe in a big tent,” he answered. “I am committed to having a tent where we march in lock step on the 95% of issues that we agree on.”
But the attorney general, who cited the risk of antisemitic threats as the reason she skipped the party convention earlier this year, wasn’t done.
“The question many of us have is: Are you seeking our votes?” Nessel asked El-Sayed. “Do they matter to you?”
“Yes,” the candidate responded. “If you trust that I’ll lead well for the community, even if there’s an issue on which we deeply disagree, then I hope I can earn your vote.” Later, El-Sayed said, “I look forward to working” on the Jewish American Security Act, a bipartisan bill to institute new Jewish security measures, including in synagogues and on college campuses.
“We’ve had an uptick in antisemitism, and it is critical to protect Jewish Americans,” El-Sayed said.
As with Nessel, El-Sayed’s candidacy is pushing other Jewish Democrats to perform a difficult two-step: pushing for the party platform and against Trump, without getting too close to the candidate himself.
The Jewish Democratic Council of America, whose CEO, Halie Soifer, is a Michigan native, is also not endorsing in the race. Yet Soifer told JTA, “Jewish voters will support Democrats in large numbers in the midterms, including in Michigan.” She predicted that Rogers wouldn’t earn more than one-quarter of the Jewish vote.
“Jewish voters recognize that a vote for any Republican in 2026 is a vote for Donald Trump,” Soifer told JTA over text. “We know Jewish voters are a critical component of a winning Democratic coalition.”
Decky Alexander, who chairs the Michigan Jewish Democratic Caucus, pointed to consistently high Democratic voting records for Jews in arguing that Jews still matter to the party’s coalition. She also favorably noted the Democratic National Committee’s recent announcement that it would establish a “Jewish American Council,” to convene in 2027.
“We can’t be distilled down to one vote or one idea,” Alexander told JTA.
One part of the state’s Jewish Democratic bloc unlikely to support El-Sayed: members of Temple Israel, the country’s largest Reform congregation. Speaking to the national publication The Free Press last week, several members, including a preschool teacher who was in the building when it was attacked in March, said El-Sayed’s apology for his earlier remarks about the temple was insufficient and that they couldn’t bring themselves to vote for him.
“No thinking Jew could vote for Abdul El-Sayed,” a former temple president told The Free Press.
None of the synagogue’s clergy signed the “Nonnegotiables” letter, or any other Jewish letter circulating about El-Sayed. But one of the temple’s rabbis told congregants in a Kol Nidre sermon that they had a say in drafting it, stating, “Our full participation in American political life is also non-negotiable.”
“No one should have to pass a test about Israel to be welcomed into a coalition on a campus or in a political party,” Rabbi Josh Bennett told his congregation, which had convened in the Temple Israel building for the High Holidays for the first time since the March attack. Rabbi Jen Lader, also of Temple Israel, recently testified before Congress to advocate for the Jewish American Security Act.
As Rogers has looked to win over dissatisfied Jews to his campaign, he has also moved toward El-Sayed on at least one issue tangentially related to Israel: opposition to the war in Iran. Initially a supporter of the war, Rogers in recent days has said he thinks it should “end quickly.”
El-Sayed, meanwhile, has raised eyebrows of his own in recent days. He dithered on denouncing the Iranian regime when urged to by an Iranian Christian college student, and appeared at a Dearborn fundraiser with Osama Siblani, a local Arab-American activist and newspaper publisher who once stated at a rally, “We are not going to be intimidated by staying silent when they say Hamas is a terrorist organization.”
The “Nonnegotiables” petition was launched earlier this month by a group of more than a dozen Michigan Jewish clergy after a series of apologies by El-Sayed to Jewish audiences for past comments he had made about the Temple Israel attack. The candidate needs to do more to earn the community’s confidence, the campaign’s organizers have told JTA.
“A large number of Jews haven’t decided how they will vote,” David Kramer, the caucus’s vice chair and one of the new signers, told JTA about the letter’s potential influence. “I speak to these people every day. Regardless of how they vote, Michigan Jews want and deserve to feel safe and have a seat at the table.”
As the Zoom call wrapped, some of the assembled Jews said they would vote for El-Sayed, even if reluctantly. Alexander of the state’s Jewish Democratic Caucus, who signed the letter supporting him, told the crowd the candidate has nothing to hide, even if they don’t like what he says.
“He’s basically stated what he believes,” she said. “And you have to decide if that’s the word for you.”
This article originally appeared on JTA.org.
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Irish national soccer team won’t shake hands with Israel after win
(JTA) — It only took 25 minutes of play for the Irish national soccer team to build a 3-0 lead over Israel in the countries’ UEFA Nations League B match on Sunday. But there were decades of bad blood that preceded Ireland’s shutout victory in a game dominated more by the geopolitics of the Gaza war than about sports. One soccer writer described it as “arguably one of the most contentious football matches of this century.”
At the match, held in a mostly empty stadium in the neutral site of Debrecen, Hungary, the Irish players wore black armbands and bowed their heads in protest during the Israeli national anthem. There were no pre- or postgame handshakes, and one Irish player declined to participate altogether, citing his “personal belief that the killing of innocent people is wrong.”
Ireland’s soccer federation did not reserve tickets for its fans, and the country’s public broadcaster scaled back its coverage of the game. The teams are set to meet again on Oct. 4 in Serbia, this time with Ireland as the “home” team.
Ireland and Israel have a long history of icy relations. Ireland became the first member of the European Union to call for an independent Palestinian country in 1980, and was among the first of the Western European countries to recognize an official Palestinian state in 2024. Israel closed its embassy in Dublin in response. Irish Prime Minister Micheál Martin has rejected claims that his country’s sharp criticism of Israel bleeds into antisemitism.
In the months leading up to Sunday’s match, Ireland’s football governing body faced intense pressure to boycott the match. At a meeting in July, the Football Association of Ireland voted 75-32, with three abstentions, in favor of proceeding with the match, “while acknowledging the strength of feeling regarding support for Palestine.” The motion also noted that a boycott would come with UEFA sanctions, both financial and competitive: In League B matches, mid-tier nations seek to advance to the top division and boost their chances of qualifying for the quadrennial World Cup tournament. The Irish team itself also held a last-minute vote over whether to participate.
Earlier this month, more than 160 Irish athletes and sports figures signed an open letter calling on the national team to pull out of the match. The signatories included former Irish national team head coach Brian Kerr — who had led Ireland to a 2-2 draw against Israel in a 2005 match in Dublin that also took place amid protests.
Former Irish national team star Kevin Kilbane also authored a column in The Irish Times, writing, “Ireland should not play Israel. Not in Dublin, not in Hungary, not in Serbia. Not when Israel is committing genocide.” Israel denies the charge of genocide.
There were also a number of public barbs exchanged between leaders of the two countries and their football associations.
At a press conference last week, Irish coach Heimir Hallgrímsson replied to questions about the match by saying, “We are not playing with genocide, we are playing against genocide. We are playing against Israel; we are not playing with Israel.”
Israel’s football association responded to that comment with a post on X, writing, “We have contributed to the world and humanity in countless fields, earning an impressive number of Nobel Prizes along the way. Unfortunately, we have not yet found a cure for stupidity, ignorance and hypocrisy displayed by the @IrelandFootball team coach. We’re not playing with ignorance, hypocrisy and stupidity. We’re playing against the coach who embodies them.”
That drew a rebuke from Martin, who told reporters, “They are unacceptable remarks and should be withdrawn.”
And on Sunday, the morning of the match, Israeli Foreign Minister Gideon Sa’ar posted a lengthy tweet referencing the 1939 Irish squad that gave a Nazi salute before a game against the German national team.
“Almost 90 years have passed. Ireland’s unique talent for finding itself on the wrong side of history remains intact,” Sa’ar wrote. “Back then, they gave the Nazi salute. This time, they stand on the side of Palestinian terrorism. Above the black armbands the Irish players will wear tonight flies the black flag of jihadism.”
After the match, Israeli captain Manor Solomon said the Irish players who bowed their heads during the Israeli anthem “don’t interest me.”
“We have a country 10 times better than theirs, stronger, an amazing country with amazing people,” said Solomon, who plays in the English Championship league. “We are proud to wear the team shirt and to be Israelis. We are proud of our state and of our soldiers. [The Irish] can play all their tricks. We are Israelis and love the country. And that will always be the case.”
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