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An interview with Sam McLean, new General Manager of Winnipeg Jewish Theatre, on the launch of the theatre’s 35th season

By ALON WEINBERG Sam McLean may be new to the position of general manager of the Winnipeg Jewish Theatre, but he’s no stranger to the organization, which opened its 35th season with Hannah Moscovitch’s musical, “Old Stock,” on October 29th. Officially taking over as GM August 1st with the departure of previous theatre head Ari Weinberg, McLean enthusiastically welcomed patrons back indoors to the Berney Theatre for Old Stock’s preview show on Oct. 27th for the first time since “Two Birds One Stone” played in February 2020 on the eve of the global pandemic.



McLean began with the WJT as its box office administrator in 2018, moving on to assistant producer and then up to a full producer in November 2021, before taking over as general manager in time for the launch of the new season. I asked Sam about whether taking over as manager so close to the launch of the first post-pandemic season created a challenging transition for the theatre, to which he explained the transition has been a smooth one: 
“The main thing is we’re interviewing for our next artistic director and hopefully we’ll have some info to share about that soon but right now it’s still in that interview process. As it is, we had the fortune that (former manager) Ari (Weinberg) has always had a lot of long-term season planning. So, we had this whole season all locked down before everything changed with him moving to the new position at Stratford Festival. So the nice thing is that this is his last programmed season, and as the next artistic director comes on, they’ll kind of inherit that and have their own season announcement coming up.” 
This 35th season features “Old Stock,“ which ended its run Nov. 6; “Narrow Bridge” in March 2023 by local playwright Daniel Thau-Eleff (which had been scheduled for April 2020 and cancelled due to Covid-19); “Summer of Semitism” by Ori Black; and Deborah Yarchun’s “A Pickle,” which will be held in the theatre’s outdoor tent first assembled and used for shows in 2021. 
I asked Sam about the sort of shows the theatre puts on, noting that “Old Stock” had a raunchy edge, with more gutter-talk than one might expect from a theatre with many older patrons. 
“In the last 4 years that I’ve been at the theatre, we’ve always had a wide variety in the kind of shows that we put on, and that’s especially the case with this season. It’s this dark but also very light and silly musical to start things off, and then the different shows all bring something very different quality-wise. Our outdoor show A Pickle is really sweet and heartwarming. Narrow Bridge is really interesting because not only is the person discovering their identity through gender, but through their relationship to Orthodox Judaism. Summer of Semitism is a wonderful show for how it puts so much suspense into things that you have such grounded faith in with friendships being on the line based on how people want to highlight a crisis. Each one of them balances out a different flavour to the overall quality of the season.” 
The last couple of years under pandemic-driven public health restrictions were not easy for any entertainment-based sectors of the economy, especially live theatre, but the WJT adapted like many others, producing both online and outdoor performances. Past popular show “Becoming Dr. Ruth” was screened digitally, as was “True Colors” during the 2020-2021 season, as much of the world moved online. “Dear Jack, Dear Louise” was the first outdoor live theatre show that WJT staged, in June 2021, followed by “The Flying Lovers of Vitebsk” and “Chutzpah and Salsa” returning to the tent in June of this year to conclude the 2021-2022 season, which also included “25 Questions for a Jewish Mother” online. 
After witnessing Sam’s enthusiasm during his show introduction to Old Stock before the first indoor show in over two and a half years, I asked Sam to expound upon his feelings on being back inside: 
“It’s just such a wonderful thing… it’s as if we’d never been gone. Coming back to the Berney Theatre, it is WJT’s home base. And being there with the crowd giving the pre-show speech, as I’ve done before, as Ari had done before, everything just clicks and goes along – and it’s not to say that our shows didn’t run well in our outdoor setup; we’ll be doing one again this summer – but it’s just nice that we’ve got that reliable setup that we know so well and we’ve been missing in this time that we’ve been away. Indoor live theatre is just what we know best. So, it was really nice to return to that.” 
Judging from the opening crowd of Old Stock, patrons of The Winnipeg Jewish Theatre were just as eager to return to the Berney Theatre, with nearly all patrons still taking care to mask-up. If you haven’t been back, an excellent season of theatre is well under way. Sam McLean and a creative lineup of shows are waiting to welcome you back.

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Contributor to Drop Site News Says Israelis Should ‘Be Removed From Our Planet’

Abubaker Abed reporting from Gaza (Source: Democracy Now!)

Abubaker Abed reporting from Gaza. Photo: Screenshot

Abubaker Abed, a self-described Palestinian journalist and contributor to the far-left news outlet Drop Site News, has come under intense scrutiny following the circulation of social media posts in which he called for the “wiping out” of Israel and said that Israelis “mustn’t feel safe.” 

The remarks, which quickly spread across multiple online platforms, have prompted widespread condemnation and renewed skepticism over the credibility and coverage of Drop Site News, a controversial publication fiercely critical of Israel and US foreign policy in the Middle East.

“Wiping out Israel off the planet is not enough revenge. Israelis mustn’t feel safe anymore. Haunt them and go after them where they go. These terrorist parasites must be removed from our planet,” Abed posted on an Instagram story.

Drop Site co-founder Ryan Grim responded to the incident by clarifying that Abed’s comments do not reflect the editorial position or institutional stance of his publication. Grim, a far-left investigative reporter who has repeatedly accused Israel of committing “genocide” in Gaza, did not condemn the statements by Abed.

“We also are never going to police the language of anyone who survived a genocide,” Grim posted on X.

Abed, a social media influencer from Gaza who evacuated to Ireland during the Israel-Hamas war, has previously suggested that attacks on Jewish institutions might be justified if they signal support for Israel.

Following the recent attack on the Temple Beth Israel Synagogue in Michigan, Abed resurfaced a photo from the synagogue featuring an Israel soldier. Abed wrote that the attempted mass casualty event was justified because the assailant defended himself.

“A person is not criminally responsible if they act reasonably to defend themselves against an imminent and unlawful use of force,” Abed wrote in a since-deleted post on X. “Israel murdered his relatives and is illegally bombing and invading his country.”

The FBI said last week that the attack on the largest Jewish temple in Michigan was an “act of terrorism” inspired by Hezbollah, the Iran-backed Lebanese terrorist group committed to Israel’s destruction.

Drop Site, a new media organization which debuted in July 2024, has found itself under immense criticism over its coverage of the Israeli-Palestinian conflict and the broader Middle East. The outlet has consistently characterized Israel as a “genocidal” aggressor stoking chaos and violence throughout the region.

Meanwhile, Drop Site depicts internationally recognized terrorist groups such as Hamas, Hezbollah, and the Houthis in a far more favorable light. Drop Site lead reporter Jeremy Scahill routinely refers to Hamas as “the resistance” and has given softball interviews to Hamas leaders.

Drop Site has also defended the Iranian regime from accusations of terrorism, asserting that Tehran’s goals “center on national sovereignty.” The site contends that Iran has “sought to project influence regionally through allied governments and forces (Hezbollah, Hamas, Houthi, Iraqi Militants, etc.) what’s often called the ‘Axis of Resistance.’”

Some observers have raised alarm bells over the outlet’s growing popularity among establishment mainstream liberals. Ben Rhodes, a former Obama administration official and co-host of the popular “Pod Save America” podcast, has praised the outlet on his social media profile and confirmed he is a subscriber.  

Drop Site’s expanding influence does not seem to be confined to left-wing or liberal ideological circles. Right-wing media personality Mike Cernovich contended on X that young conservatives are increasingly reading Drop Site “for Israel news.” Joe Kent, the former director of the US National Counterterrorism Center, over the weekend reposted a Drop Site article pushing Iranian regime propaganda falsely claiming the US was actually trying to kill a downed American airman — just hours before he was dramatically rescued.

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Frankfurt cinema declines to participate in Jewish film festival, spurring backlash

(JTA) — A Frankfurt cinema’s decision not to participate in the local Jewish film festival is spurring allegations of antisemitism, even as its manager says the move was financial.

The Jewish Community of Frankfurt announced last week that the Astor Film Lounge did not wish to host movies during Jewish Film Days this year. The cinema, it said, had cited its workers’ reluctance to staff movies that are part of the biennial festival, as well as concerns about the security required to host Jewish events.

“The decision unequivocally signifies that Jewish life, Jewish people, and a Jewish media presence are no longer welcome at the Astor Film Lounge,” the community said in a statement.

“This line of reasoning is not only disappointing, but sends a devastating societal signal: If Jewish life and Jewish presence are suppressed out of fear of potential reactions, then this effectively amounts to a capitulation to antisemitic pressure,” the statement continued. “The fact that Jewish life can only take place under police protection is already shameful. That this necessity for police protection is now being used as a pretext to completely prevent Jewish events is a scandal.”

But the cinema’s managing director, Tom Flebbe, contested the Jewish Community of Frankfurt’s interpretation of events. In a statement cited in a leading local newspaper, he said the theater had withdrawn this year for economic reasons, as only 40 to 50 guests had come to screenings last year.

Flebbe said a lower-level manager had made unauthorized and inaccurate remarks about security concerns.

“Economic viability is a legitimate and necessary basis for business decisions — regardless of the thematic context of an event,” Flebbe said, adding that other joint projects with the Jewish community will continue as planned.

“The ASTOR Film Lounge MyZeil views Jewish life as a natural and welcome part of this society,” the statement concluded. “The decision against participating in the 2026 Jewish Film Days is not against Jewish people, Jewish culture, or Jewish presence. It is the result of a careful consideration of economic factors. We regret that our reasoning has been interpreted in this way and stand by our decision.”

During the 2024 festival, a half-dozen venues hosted screenings as part of Jewish Film Days. The Astor Film Lounge hosted one screening, of the film “March ’68,” a love story set during the Polish government’s antisemitic campaign following Israel’s Six-Day War.

Film festivals have emerged as a frontier for tensions over Israel and antisemitism. Germany’s largest film festival, the Berlinale, was roiled by tensions this year as its jury head fended off calls to criticize Israel. A major Toronto film festival, meanwhile, ruffled feathers last year by first canceling and then screening a documentary about the Oct. 7 attack on Israel. And a Jewish film festival was canceled in Malmo, Sweden, last year because too few cinemas would agree to show movies for it.

Flebbe’s explanation for why Astor Film Lounge would not participate in this year’s Jewish Film Days did not satisfy everyone who heard it. The Berlin-based German-Jewish Values Initiative, a non-partisan think tank, in an open letter called the economic justification a “mere pretext.”

“To the best of our knowledge, the Jewish Community of Frankfurt was prepared to guarantee a minimum revenue” for the film festival, the letter said. By apparently giving in to “threats and antisemitic pressure,” it added, the cinema has capitulated “to the very forces seeking to drive Jews out of the public sphere.”

 

The post Frankfurt cinema declines to participate in Jewish film festival, spurring backlash appeared first on The Forward.

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Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest

(JTA) — Israeli and Serbian officials are denouncing antisemitic comments made by demonstrators during a clash between Serbian students and police at a protest last week.

“Death to Vučić and all the Jews around him,” one protester said in a televised interview, referring to Serbian President Aleksandar Vučić. “Long live Serbia.”

The protest last Tuesday marked the latest flashpoint in a series of anti-government protests that have erupted across the country over the past year after 16 people died in an accident at a railway station in November 2024. Hundreds of students participated in the protest, which came as Serbian police searched the offices of the University of ‌Belgrade as part of an investigation into the death of a female student. The school’s leadership claimed that the investigation was an “attack on the university” for its support for the student-led protest movement.

Serbia and Israel first established diplomatic relations in 1948, and Vučić told the Jerusalem Post last year that the country “will always appreciate, respect, and like the Jewish people and Israel.”

Nemanja Starović, the Serbian minister of European integration and the chair of Serbia’s delegation to the International Holocaust Remembrance Alliance, called on the protest leaders to “unambiguously condemn these antisemitic incidents and to immediately remove all antisemitic messages and slogans from university premises.”

“On multiple occasions over the past months, we have warned about the widespread antisemitic ideology within the so-called blockade movement at universities in Serbia,” Starović wrote in a post on X. “Ignoring this dangerous threat has allowed it to escalate into open calls for murder, which now appear as a logical and inevitable outcome.”

The Israeli Foreign Ministry condemned the demonstrator’s comments in a post on X.

“Israel strongly condemns the reprehensible antisemitic calls made yesterday in Belgrade,” the post read. “Israel appreciates the Serbian government’s immediate condemnation of these calls and its firm and consistent stance in the fight against antisemitism.”

Efraim Zuroff, the director of the Israel Office and Eastern European Affairs for the Simon Wiesenthal Center in Jerusalem, also condemned the antisemitic rhetoric in a Times of Israel op-ed.

“One gets the impression that this is a politically motivated to harm President Aleksandar Vučić, who has close ties with the State of Israel, key Jewish organizations such as AIPAC and the Serbian Jewish community,” Zuroff wrote. “That is completely unacceptable! If these things are not stopped, they will end up in dangerous violence, and therefore cannot be ignored.”

The controversy over the protest comes as antisemitism has surged in Europe in recent years. Last September, Serbia arrested 11 individuals accused of perpetrating hate-motivated acts in France and Germany, including throwing green paint on the Holocaust Museum, several synagogues and a Jewish restaurant in Paris.

The post Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest appeared first on The Forward.

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