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Carrie Prejean Boller Traded in Anti-Jewish Libels — Not ‘Anti-Zionism’

Carrie Prejean Boller speaks during a White House Religious Liberty Commission hearing on Feb. 9, 2026. Photo: Screenshot

Carrie Prejean Boller speaks during a White House Religious Liberty Commission hearing on Feb. 9, 2026. Photo: Screenshot

A hearing of President Trump’s Religious Liberty Commission ought to be serious. It should reward proportion and memory. It should be where people who invoke faith also remember what faith has done when certainty outran humility. Americans of different faiths and convictions are supposed to gather in such rooms to protect the arrangement that lets them live together without persecution.

Instead, the group’s session on antisemitism became a spectacle.

And in that spectacle, Carrie Prejean Boller offered something praised by her admirers as courage but delivered unmistakably as performance. Repeatedly, she returned to the line meant to thrill an audience already primed for confrontation: I will not bend the knee to Israel. Christ is King.

For Christians, those last three words are sacred. They are meant to bend the speaker downward, not aim him outward. They belong to prayer, to worship, to believers who placed divine authority above earthly rule.

But phrases gather histories. Their meaning depends on where they land — and at whom they are aimed. When “Christ is King” is hurled at Jews, at Jewish national existence itself, it crosses into different territory. What is presented as devotion sounds like warning. What claims to elevate faith becomes accusation.

Anyone who has watched Jewish public life online understands this. The phrase has become a cudgel, directed not heavenward but at Jews, frequently in moments of harassment. During the antisemitism hearing, Seth Dillon tried to say exactly that. Boller brushed it aside.

But history does not retreat because someone finds it inconvenient.

Boller, who entered the Catholic Church at the Easter Vigil in April 2025, insists she stands squarely inside tradition. She invokes the idea that the Church is the “new Israel,” as if metaphor can erase Jewish continuity or cancel Jewish self-determination — as if theology can nullify a people and a country.

But modern Catholic teaching moved the other way. In 1965, Nostra Aetate rejected collective Jewish guilt and condemned antisemitism without ambiguity. Since then, popes from John Paul II, to Benedict XVI, to Francis, have reinforced that turn, affirming the enduring Christian covenant with the Jewish people and, in practice and diplomacy alike, recognizing the legitimacy of Jewish national life in Israel.

This was not cosmetic. It was civilizational.

None of it requires every Catholic to support every Israeli government action or policy. Israelis do not.

But it does close off something essential: the claim that the Christian faith demands hostility to Jewish sovereignty or that Jewish nationhood is itself an affront to God.

To advance that argument now is not preservation.

It is retreat — toward medieval habits the Church spent generations trying to escape.

Once that cover drops, the rest of Boller’s discourse becomes easy to understand.

The Jews as alien.
The Jews as dangerously powerful.
The Jews before whom one must refuse to kneel.

These ideas existed long before Zionism. They helped build a Europe in which Jews were permanent outsiders, tolerated in second class existence, until they were not.

People might use modern vocabulary. They call it anti-Zionism. But the grammar is medieval.

What gave Boller’s performance its charge was the insistence by many that it represented bravery. In the media worlds, where figures like Nick Fuentes and Candace Owens prosper, denunciations of Jews are packaged as resistance — as truth finally spoken against malignant power.

In reality, they are career accelerants. They bring followers, invitations, and notoriety. They manufacture prominence. In those markets, antisemitism is not punished. It pays.

And the market responded immediately. In the days following the hearing, Boller’s audience on X exploded into the six-figure range. What was described as backlash functioned instead as promotion.

That’s why this theatre is different from actual martyrdom. Martyrs give things up. Influencers acquire them.

Nor did her message cool once the cameras were off. Freed from the structure of the hearing, the rhetoric intensified. Praise from figures long associated with conspiratorial and demonic portrayals of Jews was welcomed and amplified. Distance from extremity did not grow. It vanished.

Boller told Dillon she listens to Owens every day and hears nothing antisemitic. That claim is staggering. Owens has invoked the phrase “synagogue of Satan,” trafficked in conspiracies of Jewish control, attacked “Talmudic” morality in language recycled from 19th-century polemics, and echoed Louis Farrakhan’s lie blaming Jews for the transatlantic slave trade. She has also connected Jewish belief to occult imagery and revisited themes that sit beside the medieval blood libel — the accusation that Jews prey upon children.

These are not subtle references. They are not policy critiques or debates over borders. They live among the most catastrophic accusations in Jewish history. To encounter them constantly and feel nothing is not innocence. It is adaptation.

It is also a sign of Boller’s apprenticeship — the process by which Owens’ mainstreaming of antisemitic extremity and outrage became Boller’s calling.

What disappears in moments like this is not just decorum. It is the long, difficult work of Christian-Jewish repair. Generations labored to uproot reflexes of blame that had once seemed natural. They built a vocabulary in which disagreement did not require degradation. That inheritance is fragile. And it weakens each time someone rediscovers how intoxicating it can be to hint that Jewish existence itself stands in defiance of heaven.

What happened in that room was not revelation. It was transmission — old suspicions moving through new circuitry. Medieval accusations formatted for the digital age, equally comfortable in far-right grievance, far-left agitation, Islamist supremacism, and populist resentment.

Different costumes. Same Jewish target.

And those deploying this rhetoric understand the mechanism. They deny animus while activating it. They profess reluctance while benefiting from the applause.

Carrie Prejean Boller did not design that engine. She stepped onto its conveyor belt. She clothed resentment in religious language and called it conscience. But vestments do not absolve what they carry. When faith becomes camouflage for hostility toward Jews, the act ceases to be theological. It becomes agitation with borrowed authority.

For a commission tasked with defending liberty, that matters. It teaches audiences that exclusion can sound devout, that hostility can masquerade as fidelity, that prejudice can be recited as creed. That’s why Boller was rightly removed from the commission.

And it teaches something else as well: that the quickest route to influence in certain American subcultures is to accuse Jews loudly enough while insisting you are merely being faithful.

The people applauding may imagine they are defending Christianity. But what they are defending is the permission to spread hate against most Jews while claiming virtue. That is the real spectacle.

Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, Zionism, antisemitism, and Jewish history. He serves on the board of Herut North America.

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Olympic Store Worker Fired After Repeatedly Calling Out ‘Free Palestine’ to Israel Sports Fans

Milano Cortina 2026 Olympics – Bobsleigh – 2-man Heat 2 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – February 16, 2026. Adam Edelman of Israel and Menachem Chen of Israel react after their run. Photo: REUTERS/Athit Perawongmetha

An employee at an official store for the 2026 Milano Cortina Olympics in Italy has been fired after repeatedly called out “Free Palestine” to a group of Israeli sports fans, Olympic organizers said on Sunday in a statement to Reuters.

Milano Cortina Games organizers said in a statement they have taken action to maintain “a neutral, respectful, and welcoming environment” at the Olympics. They said the incident took place inside the official shop at the Cortina Sliding Center, the venue that is hosting bobsled, luge, and skeleton during the Winter Games this year. Israel competed in skeleton last week, among other sports, and its bobsled team had their first Olympic competition on Monday.

“It is not appropriate for Games staff or contractors to express personal political views while carrying out their duties or to direct such remarks at visitors,” Olympic organizers added about the incident. “Those involved were reassured, and the individual concerned was removed from the shift.”

The store employee was identified as Ali Mohamed Hassan, according to StopAntisemitism. On Friday, the watchdog organization shared on Instagram a video of the confrontation and said it took place earlier that same day.

The clip shows a woman inside an official Olympic retail store filming Hassan as she says, “What were you saying? Say it again.” Hassan is then heard repeatedly saying, “Free Palestine.”

“This is the Olympics. Israel is allowed to compete just like any other country; It’s not controversial; it’s not rage bait,” the woman who is filming tells Hassan in the clip, as he repeatedly says “Free Palestine.”

“OK, good for you, you did it, you freed Palestine, good job,” the woman tells Hassan before leaving the store.

 

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A post shared by StopAntisemitism (@stop_antisemitism)

“Police were called and a harassment investigation has been started, with possible charges forthcoming,” StopAntisemitism claimed in the caption for the video.

Israel has 10 athletes competing in the Milan Cortina Olympics. On Monday, AJ Edelman and Menachem Chen finished in last place out of 26 sleds in the two-man bobsled race. Edelman will be the pilot of his bobsled team when they compete in the four-man event later this week.

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Israeli Player Deni Avdija Makes History With NBA All-Star Game Debut

Jan 27, 2026; Washington, District of Columbia, USA; Portland Trail Blazers forward Deni Avdija (8) drives past Washington Wizards center Alex Sarr (20) during the second half at Capital One Arena. Photo: Reuters

Deni Avdija became the first-ever Israeli basketball player to play in the NBA All-Star Game on Sunday afternoon, wearing a No. 8 jersey which featured the flag of Israel.

The 25-year-old, who is a forward for the Portland Trail Blazers, scored five points to go along with four assists and a rebound over the course of two games for the “World” team.

There was a three-team format this year for the 2026 NBA All-Star Games at Intuit Dome in Los Angeles. Each team played each other in 12-minute games, and the two teams with the best record and the best point differential played against each other in a fourth “final” game. Aside from the “World” team starring Avdija, there was a “USA Stars” team of younger players and first time All-Stars, and the “USA Stripes” team that included many of the NBA’s most well-known names and All-Stars such as LeBron James and Stephen Curry.

Avdija scored five points in the first game of the tournament, which the “World” team lost. They played again in the third game and lost again, which took them out of the tournament. “USA Stars” and “USA Stripes” went head-to-head in the final game and “Stars” won 47-21.

Avdija arrived in Los Angles on Friday for the All-Star Game after playing back-to-back games on the road on Wednesday and Thursday for the Trail Blazers.

“It was a long weekend, I’m going to say that,” Avdija said at a post-game press conference on Sunday. “Great staff all around, great planning of the All-Star Weekend. It was hectic, but it was fun. I was really enjoying the experience. Especially when it’s your first time, you embrace everything a little better. But I hope I can be here for many years to come.”

Before the start of the All-Star Game, Los Angeles Lakers player and 22-time All-Star Lebron James was asked at a press conference about Avdija and replied, “I believe he is an All-Star. He’s playing exceptional basketball.”

James added that he hopes to visit Israel. “Hopefully, someday I can make it over there,” he said. “I’ve never been … but I’ve heard great things.”

Avdija competed in front of a star-studded audience that included American filmmaker Spike Lee sitting courtside in a pro-Palestinian outfit. Lee’s sweater had a black and white keffiyeh pattern and featured a Palestinian flag. Over the sweater, the “Malcolm X” director wore a crossbody bag with the same black and white pattern on the pouch and a strap that was adorned with the colors of the Palestinian flag and two inverted red triangles. The inverted red triangle has been used as a symbol to call for violence against Israelis and Jews, and as a symbol to glorify the Palestinian Islamist group Hamas’s terrorism.

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Owner of Ethiopian-Israeli Restaurant in Harlem Details ‘Unbearable’ Harassment, Death Threats That Forced Closure

Beejhy Barhany standing outside Tsion Cafe in Harlem. Photo: Provided

Ethiopian-Israeli chef and cookbook author Beejhy Barhany spoke with The Algemeiner about her recent decision to close her restaurant in New York because of consistent antisemitic harassment and even death threats that increased after she made the establishment kosher.

“The harassment has been going on for years,” said the owner of Tsion Cafe in Harlem. “It’s outside agitators, white supremacists, racist, antisemitism. I’ve been targeted by that … it kind of became unbearable. It became a burden and unsafe … to the point where somebody called and said, ‘We’re going to come and shoot you all.’” She detailed experiencing constant harassment through phone calls and her restaurant even being vandalized with swastikas.

The harassment “got worse” when Tsion Cafe, which served Ethiopian Israeli cuisine, became fully kosher after the Hamas-led terrorist attack in southern Israel on Oct. 7, 2023, Barhany said.

“After Oct. 7, we wanted to embrace our Jewishness, our proud heritage, and become fully kosher and vegan. The intention was that we are Jewish and we are here to celebrate our Jewishness. And that kind of amplified [the harassment] even more,” she noted.

“The intentions were very good,” Barhany continued. “We wanted to bring the diverse flavors of the Africa diaspora and have a dialogue and understanding — but apparently people took it in a different reaction. In a wrong understanding. That’s what happened, to the point where we said for the sake of safety and our mental health, I said, I cannot deal with this on a daily basis … because of the affiliation of being Israeli Jewish, all of the sudden, you are portrayed in a different way.”

Barhany was born in Ethiopia in a Jewish community and in 1983 moved to Israel, where she lived in a kibbutz and served in the Israel Defense Forces. She moved to New York in the early 2000s and opened Tsion Cafe in 2014.

Barhany announced on Feb. 12 that she was closing the restaurant. In a post announcing the closure on Instagram, she wrote: “To those who feel distant from us or disagree … we invite you to keep an open heart, to learn, and – if you’re willing – to engage in respectful conversation. Our hope is simple: that curiosity can replace assumptions, that learning can soften walls, and that, one day, we might even break bread together and build bridges.”

The decision to close Tsion Cafe was not easy, Barhany said. “We are invested in Harlem. Harlem is home,” she added. “We are part of the community. When we first opened, the community embraced us with warm welcoming, and we celebrated Ethiopian Jewish culture.”

Barhany contacted the New York City Police Department (NYPD) several times about the harassment targeting Tsion Cafe, but authorities did not provide much help, she told The Algemeiner. The restaurant owner said she was not looking to blame authorities for the continued harassment she faced but urged police to pay more attention to such complaints by business owners.

“Take it seriously – complaints like this,” she said. “Hopefully next time, a small business can complain about any harassment and people will take it seriously. As an immigrant, we are here to contribute, we provide and support the economy so they shouldn’t look at it and not pay attention, only [give attention] to big names. We all contribute to this society in our small way.”

Barhany said she hopes in the future to still serve Ethiopian Jewish cuisine through immersive cultural events and catering opportunities.

“What we need to do is really build bridges and highlight and amplify the different Jewish communities and celebrate our diversity,” she explained. “The Jewish world is a lot more delicious and diverse, a mosaic that is worth celebrating. And we should empower and celebrate one another. And I tried to do it in my own small part, through food, which is a universal language to engage with people, but yet people weaponize it and politicize it for no reason.”

“We’re still here in a different form to serve the community and nourish the community,” she added. “Through food we can help spread love, understanding and respect. And I hope to do that one bite at a time.”

Barhany is the founder of the Beta Israel of North America Cultural Foundation, a nonprofit organization dedicated to preserving the Ethiopian Jewish heritage.

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