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Celebrities Help ‘Spotlight’ Holocaust Survivors, Their Testimonies in New NYC Portrait Exhibit
A new portrait series and exhibition that opened in New York City on Tuesday showcases Holocaust survivors paired up with some of the most notable figures in media, fashion, and entertainment, in an effort to preserve survivor testimonies and amplify their stories, as well as to help combat antisemitism.
The portraits in “Borrowed Spotlight,” which is on display at the Detour Gallery, were captured by South African-born, renowned fashion photographer Bryce Thompson. They debuted ahead of Israel’s Holocaust Remembrance Day (Yom HaShoah), which begins on Wednesday night and marks 80 years since the end of World War II. The photographs feature portraits of survivors alongside prominent Jewish and non-Jewish figures such as Cindy Crawford, Jennifer Garner, Billy Porter, Wolf Blitzer, Chelsea Handler, Jenna Dewan, Barbara Corcoran, Nicola Peltz Beckham, Scooter Braun, David Schwimmer, Martha Grant, Ashley Benson, Josh Peck, George Stephanopoulos, Sheryl Sandberg, and Julius Erving.
The recognizable names heard testimonies from the Holocaust survivor they were paired with and then posed for photographs together with the survivor. A total of 18 celebrity and Holocaust survivor-paired portraits are in the series, and they were all taken by Thompson in 2023 and 2024. The exhibit features these large-scale portraits but also additional behind-the-scenes photos and other elements that aim to educate and inspire the public.
One section showcases notes written by some of the Holocaust survivors about life, hope, and reflection. In one such note that was on display, Holocaust survivor Risa Igelfeld, who is 107 years old, wrote: “I am writing this to urge the world to bring only positive thoughts to one another and let love flow.”
“Holocaust survivors are few and far between. Special people with special stories, and I really felt like they need to be told. [And] firsthand was really important to me,” Thompson, who is not Jewish, told the large crowd that attended the exhibit’s opening on Tuesday night. “Hearing a story from someone who has told a story is not the same as sitting in a room with someone who lived through something.”
Thompson told The Algemeiner he was originally hoping to only include non-Jewish celebrities in the portraits because “I wanted non-Jewish people standing up for Jewish people.” But once the project started, Jewish celebrities reached out to him and said they wanted to participate in the portrait series. He also admitted that he had a hard time getting some celebrities on board for the project.
“It wasn’t as easy as I had hoped, but the ones who did say ‘yes’ said [it] willingly and happily, and we were lucky to have them,” he said.
The Holocaust survivors in the series include natives of Poland, Czechoslovakia, Hungary, Belgium, Romania, and one man who was born in a Budapest ghetto basement during a bombing raid in 1944. The photographs feature survivors of the Warsaw Ghetto, Auschwitz and Bergen-Belsen concentration camps, and one person who survived 12 concentration camps. After surviving the genocide of World War II, some of these Holocaust survivors went on to have large families, become graduates of MIT, rocket designers, entertainment lawyers, writers, acclaimed sculptors, tailors, members of the Israeli Air Force, doctors of clinical psychology, and Holocaust educators. The photo series also highlights a survivor of the Farhud pogrom that targeted Jews in Baghdad, Iraq.
The goal of the portrait series and exhibit is to take the spotlight off the featured celebrities and instead use it shed some light on the Holocaust survivors, to help magnify their testimonies and help them reach a larger audience, especially the next generation. “In these pairings, recognition is redirected, and the attention so often given to fame is instead used to illuminate history,” read a description of the exhibit that was on display at its entrance. “The result is a series of intimate portraits and conversations where past and present collide, where silence is broken, and where remembrance becomes an act of defiance against forgetting.”
Brazilian model Daniela Braga is featured in the portrait series alongside Czech Holocaust survivor Gabriella Karin, who survived the war as a teenager by hiding in the one-bedroom apartment of a non-Jewish young lawyer who was located directly across the street from the Nazi-Slovak Gestapo. Born and raised Catholic, Braga converted to Judaism and her husband is Jewish. She told The Algemeiner that hearing about Karin’s experience during the Holocaust made her “very emotional because growing up in Brazil, we learned just a little bit about the Holocaust and World War II. But to have the experience to actually talk to someone who lived through it, it’s something so mind-blowing to me.”
“I could hear the pain in her voice,” Braga added. “It made me happy in the end that she’s alive and is able to tell her story to all of us, to share with other people. When we say, ‘Never Again,’ it really has to be never again.”
Braga also told The Algemeiner she met a Jewish people for the first time ever when she moved to New York 15 years ago.
“I’ve been immersed in this [Jewish] culture for 15 years. The Jewish culture is something very close to my heart. Anything that I can do to help the Jewish community, I will do it,” she said while explaining why she wanted to participate in Thompson’s portrait series.
Jewish actress Kat Graham is photographed in the portrait series with Holocaust survivor Yetta Kana. Graham spoke at the exhibit opening and said Thompson’s portraits capture “truth, resilience, and humanity.” The “Vampire Diaries” actress – whose maternal grandmother fled Europe during the Holocaust – additionally said the photographs “build a bridge between generations; a conversation between memory and legacy.”
“This project is about remembrance but it’s also about responsibility,” she told the crowd. “We are the torchbearers now. It is up to us to keep these stories alive and to ensure that history is never forgotten. That the voices of survivors, like Yetta, are not only heard, but felt. I invite you to see, to feel, and to carry these faces with you, long after you leave … Let’s never forget.”
The opening of “Borrowed Spotlight” on Tuesday night was attended by other well-known figures including Gregg Sulkin, Remi Bader, Moti Ankari, and “Real Housewives of New Jersey” stars Margaret Josephs, Melissa Gorga, and Lexi Barbuto. Sulkin, who is Jewish, told The Algemeiner he wanted to be in the portrait series but ultimately was unable to participate in Thompson’s project because of scheduling conflicts.
The photographs in the exhibit, as well as additional ones not on display, were compiled into a coffee table book available for purchase that features a foreword by Crawford. Proceeds from the book sales will support efforts to educate younger generations about the Holocaust. Proceeds from a private auction on Monday night of select prints in the series will benefit Selfhelp, which provides services and assistance to living Holocaust survivors in New York, and the United States Holocaust Memorial Museum.
There are more than 200,000 Holocaust survivors worldwide. Nearly 50 percent of all Holocaust survivors will die within the next six years, while 70 percent will no longer be alive within 10 years, according to a new report released this week by the Conference on Jewish Material Claims Against Germany (Claims Conference). There are estimated to be more than 1,400 alive today around the world who are over 100 years old.
“Borrowed Spotlight” will be open at the Detour Gallery through Sunday.
The post Celebrities Help ‘Spotlight’ Holocaust Survivors, Their Testimonies in New NYC Portrait Exhibit first appeared on Algemeiner.com.
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The Nakba exhibit and the importance of historical context
By NOAH STRAUSS When I went to the Nakba Exhibit, I was shocked, not by the contents of the exhibit but by its size. The exhibit was tiny in my eyes, and I thought the amount of outcry was excessive for an exhibit that is less than 500 words. It felt like every other day the National Post had an article about the exhibit, criticizing different aspects of it. But then I had a realization: the exhibit was never criticized because it was “too” big, but because of the contents of it. When I was toured by the curator, I actually asked her, “Where is the rest of it?” I was confused because I had been misled by the media to believe the size of the exhibit was massive.
I believe that every human being should be able to live a free life. No human should be bullied for who they are. That is not okay, and to some credit, the Nakba exhibit does cover this. But where my problem now comes into play is the fact that the museum fails to portray the full history surrounding the Nakba.
The museum is publicly funded; our taxpayers’ dollars go there. It is supposed to represent our nation and our beliefs, not take a side on history. The Museum did exactly that. It took a side, and guess what? It caused chaos.
Whenever asked why it does not show the other side of history, the museum would always say something along the lines of: our space is limited, the focus of the exhibit is solely the Nakba, etc. But to me, these are excuses, and I will call that out.
For context, the Nakba was an event that occurred around 1948 after the 1947 UN Partition Plan. The Nakba continued until about 1949. During this time, approximately 750,000 Palestinians were either forced out or left what is now Israel.
The Museum is contributing to concerns surrounding the rise of antisemitism. The Museum has failed to mention that during the same era as the Nakba, hundreds of thousands of Jewish people were displaced from Middle Eastern and North African countries, with many forced to leave because of their religion.
Context matters. Yes, 750,000 Palestinians were displaced, but what happened during the same era also left hundreds of thousands of Jewish people without homes. When a visitor with no historical context walks in to see what the “Jewish” people did to the Palestinians, of course they’re going to blame the Jews. Because it makes me, a Jewish person, look terrible.
In my view, the exhibit contributes to concerns about growing antisemitism by presenting an incomplete historical narrative.
But then, as Jewish people, we need to know when it’s time to move forward. We need to focus on how we can positively portray the Jewish community and show the world who we are, rather than allowing others to define us through a one-sided historical narrative.
Noah Strauss is a 15-year-old Gray Academy student
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Trump is still going after Palestinians in the U.S. Jews must keep protesting those antidemocratic efforts
Mohsen Mahdawi, a 35-year-old Palestinian, has been a permanent resident of the United States for the past 14 years. And as the U.S. government presses ahead with efforts to deport him over his pro-Palestinian advocacy at Columbia University, more than 1,000 Jews have come forward to defend him by signing an open letter I authored.
Why? At a time of particularly fractious division in the Jewish community over issues related to the Israeli-Palestinian conflict, how is it possible that so many Jews have come together in support of a Palestinian activist?
One key reason is that the government is seeking to infringe upon the rights of someone who neither engaged in acts of violence nor supported them. In July, the Second Circuit Court overruled a prior district court judge’s dismissal of the deportation case against Mahdawi, giving new energy to the government’s efforts.
Mahdawi has committed no crime; the government has not even bothered to accuse him of doing so. Instead, he simply gave voice to his belief in the necessity of freedom for his people.
Jews of all ideological stripes can and should agree that it is wrong to penalize someone for the expression of their political views. They don’t need to go far back in time to recall that such tactics have often been used against Jews themselves — in the Soviet Union to suppress refuseniks who sought to manifest their identity as Jews; in the U.S. during the McCarthy era; and, most ominously, during the dark age of Nazi totalitarianism.
In drafting an open letter defending Mahdawi, focused on the attack on his political rights, I hoped that a diverse range of Jews would be willing to acknowledge that whether they agree or disagree with Mahdawi, the government’s targeting of him represents a threat to all of us.
I know Mahdawi personally. We met at a peace-building retreat in the summer of 2024. He was an enormously compelling presence who drew people together through his preternatural calmness and clarity of purpose.
Since then, I have come to see him as a unifier, not a divider. He’s an advocate of peace, not war. And he has the potential to become a leader of enormous charisma and potential.
So why has the Trump administration devoted so much attention to persecuting a Palestinian student who has repeatedly called out antisemitism, including at a Palestinian solidarity rally at Columbia?
The sad reality is that Mahdawi, like his fellow Columbia student Mahmoud Khalil, is being persecuted for the crime of being Palestinian.
The U.S. State Department came up with the logic-defying claim, in March 2025, that Mahdawi’s activities at Columbia “would have a potentially serious adverse foreign policy consequences and would compromise a compelling U.S. foreign policy interest.” If this administration truly wishes to advance its foreign policy interests, then it should focus on reconstructing Gaza and building a framework for peace between Israelis and Palestinians, not targeting a devoted adept of non-violence like Mahdawi.
Many who signed the letter in support of Mahdawi joined in for the simple reason that they believe it is un-American to discriminate against people on the basis of their political views. Some who added their names felt, as I did , that there was another compelling reason to sign on: that Mahdawi’s activism gives the lie to the prevalent myth that to be pro-Palestine is to be antisemitic. This proposition gets buried in the raging discourse around antisemitism and Israel today.
It is essential to recognize that support for the cause of Palestinian freedom and self-determination is not the political or moral equivalent of antisemitism. It is a precondition to a world in which Israeli Jews and Palestinians live peaceably together. And it is a cause that Jews, by virtue of their own historical experience of exile, should be eminently capable of both understanding and supporting.
Mohsen Mahdawi perfectly exemplifies the position. He is fierce in his advocacy for Palestinian rights. And he is fierce in his opposition to all forms of identity-based discrimination, including and especially, antisemitism. He deserves better from the U.S., and we Jews must vigorously oppose the profound miscarriage of justice being directed against him.
David N. Myers teaches Jewish history at UCLA.
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Lawmakers seek 100-foot buffer zone around houses of worship to protect prayer goers from protests
(JTA) — A bipartisan group of lawmakers introduced a federal legislation Thursday in the House and Senate aimed at protecting houses of worship from disruptive demonstrations, following a series of protests outside of synagogues this year.
The Right to Worship Act was introduced by Sens. Ted Cruz, a Texas Republican, and Elissa Slotkin, a Michigan Democrat, alongside Reps. Brad Knott, a North Carolina Republican, and Tom Suozzi, a New York Democrat. It would establish a 100-foot “buffer zone” around houses of worship during religious services — mirroring similar legislation recently enacted in New York.
“The First Amendment guarantees every American the right to freely exercise their faith, and Congress has a duty to ensure that guarantee is met,” Cruz said in a statement Thursday.
The legislation would also establish civil penalties for offenders and provide pathways for individuals, including state attorneys, to seek court orders and damages in federal court. While the legislation would target protesters who knowingly disrupt scheduled religious services, houses of worship would not be required to make their schedules public.
The bill’s sponsors say the measure is aimed at conduct rather than the content of protesters’ speech.
“No one should have to push through a hostile crowd or shout over a bullhorn in an attempt to pray,” said Jonathan Greenblatt, the CEO and national director of the Anti-Defamation League, which helped lawmakers draft the legislation.
It’s the latest attempt at passing federal legislation aimed at insulating houses of worship from protest, following Suozzi’s “SACRED Act” legislation, a similar bill he introduced in April but which has not progressed in the House.
Those efforts have now been joined by Slotkin, who is Jewish, and Cruz, who has often taken aim at antisemitism within the Republican coalition over the past year.
“Exercising your right to worship should not require you to exhibit particular courage as you enter your synagogue, church, mosque, temple, mandir, or gurdwara,” Suozzi said in a statement.
The New York City Council passed a local buffer zone bill in March following a series of pro-Palestinian protests outside of synagogues that hosted Israeli real estate expos. While Jewish groups and leaders heavily advocated for the measure, it also faced opposition from civil rights leaders who said it would have a chilling effect on First Amendment protections.
This article originally appeared on JTA.org.
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