Connect with us

Uncategorized

Clashes over Israel again define Eurovision — this time under the shadow of the Holocaust

VIENNA — Lisa Wegenstein is putting shakshuka on the menu. She hopes it won’t get her any hate.

Wegenstein, 59, runs Kantine, a laid-back café and bar in Vienna’s Museumsquartier, a hip museum area next to the historic inner city. Kantine has been a local staple for the past 23 years, with a generous cocktail happy hour, a stylish indoor bar and cozy tables in the backyard. And since May 4, it has sported a purple-and-blue sticker for the Eurovision Song Contest on the glass door, with an Israeli flag on each side.

Kantine is one of the 21 temporary “Eurofan Cafés” across Vienna. From May 12 to 16, the ESC will take place in the city, after Austrian sopranist Johannes “JJ” Pietsch won last year’s competition in Basel, Switzerland. Eurovision is Europe’s glitzy song contest: think American Idol meets the Olympics. It’s popular: 80,000 guests are expected to come to Vienna for the event — which features two semi-finals and a grand finale — planning to watch the shows and celebrate at public viewings, parties and cafés.

Vienna’s coffeehouse culture was enshrined as an intangible cultural heritage by UNESCO in 2011. This is why the ORF, Austria’s public broadcaster — which this year organized the ESC — has come up with a plan, together with the association of Viennese coffeehouse owners: Different cafés “adopt” participating countries and their fans, hosting cultural programs and adapting the menu. Originally, no cafés were assigned to adopt Israel — the only competing country left behind.

Behind the seemingly small incident brews a massive debate. The anxieties that Israel’s participation has caused have implications far beyond the ESC’s fan base. Vienna’s authorities are on high alert, fearing protests and terror attacks. With the contest taking place in a city that once had a sizable Jewish community, it once again raises uncomfortable questions about the thin line between political protest and antisemitism.

“That’s a scandal,” Lisa Wegenstein, who is the founder of an annual human rights film festival, remembers thinking when she heard that Israel had no café. Her maternal grandfather is Jewish, and while she only found out about her Jewish heritage as a teenager, she sports a massive gold “chai” on her chain.

“I wanted to stand up against antisemitism,” she says. So she volunteered to host Israel at Kantine.

Controversy amid celebration

Israel’s participation in the song contest has long caused controversy, especially since the Hamas massacre of Oct. 7, 2023, and the subsequent war in Gaza. Last year, Israeli participant Yuval Raphael, herself a survivor of the Nova music festival massacre, triggered anti-Israel demonstrations on the streets of Basel. In 2024, Israeli singer Eden Golan was only able to leave her Malmö hotel in disguise for the same reason. 2024’s winner, Swiss singer Nemo returned their trophy in December 2025 in protest against Israel’s continued participation in the contest.

After JJ won last year, he said in an interview that he’d rather not have Israel join the contest in Vienna. Spain, Ireland, Slovenia, Iceland and the Netherlands are not participating this year in protest against Israel’s involvement.

Vienna has enhanced security measures for the main event venue, Stadthalle, which has space for up to 10,000 people. A massive demonstration against Israel is scheduled for May 16, the day of the finals, in central Vienna. On May 15, a “song protest” will take place in the Prater, a park close to the inner city. The event will also commemorate Nakba Day, the organizers have said.

Wegenstein has had talks with the security team of the Museumsquartier and the police. She‘d rather not share any details. “Maybe we’ll be overrun, maybe we‘ll be boycotted,” she said, “I have no clue.”

Rising antisemitism

Austria is walking a thin line. The country‘s history weighs heavily on its handling of Israel-related issues: Long deemed Hitler’s first victim — it became part of Nazi Germany in 1938 — it was only in the 1990s that the country admitted to its complicity in the Holocaust.

That catastrophe decimated Austria’s Jewish community. Up until 1938, more than 200,000 Jews lived in Austria. Jews made up 10% of Vienna’s population. Today, there are around between just 10,000 and 15,000 Jews in Austria. Almost all of them live in the capital. Jewish institutions were heavily guarded even before the Oct. 7 attack; antisemitism has spiked even further since that day.

Roughly three-quarters of all incidents are Israel-related antisemitism, according to the Israelitische Kultusgemeinde, Austria’s Jewish community.

“I wasn’t surprised by the protests against Israel’s participation in the ESC,” said Isolde Vogel, who researches antisemitism at the Documentation Center of Austrian Resistance, a scientific organization researching fascism and its consequences in Austria. “The protests are not about criticising politics or the military, but about demonization fantasies. Israel isn’t a regime that can be equated to Russia.”

She added that KAN, Israel’s public broadcaster — which organizes Israel’s participation in Eurovision — is not close to the government, but independent.

“Excluding Israel would be the end of the independence of KAN,” says Alkis Vlassakakis. He has just given an almost two-hour tour through a temporary exhibition about Eurovision, which he co-curated at QWien, a small museum focused on queer topics.

Vlassakakis, 61, who was born in Greece, is an artist, actor, and die-hard Eurovision fan. He wears a black t-shirt that says “Merci chéri”, the title of a song by Austrian singer Udo Jürgens, which led to Austria’s first Eurovision victory in 1966. “Merci chéri” is also the name of Vlassakakis’ podcast, which he has been hosting together with the former Green party politician Marco Schreuder since 2019.

A mirror to society

It’s no coincidence that the song contest has become a queer fan favorite.

Maybe it’s because of the flamboyance and the cheesy tunes, maybe because of the message of love, tolerance and fun. In 1961, French singer Jean-Claude Pascal won the contest with the song “Nous les amoureux” about a secret love. “Was it a Romeo-and-Juliet-type story? A love story across classes? Or a queer story? You can read into it what you want,” explains Vlassakakis, who is openly gay. “The contest has always mirrored what is possible in society.”

In a somewhat ironic twist of history, the first transgender singer to win the ESC was the Israeli singer Dana International, who brought the ESC to Tel Aviv in 1999, accelerating a cultural shift within Israel that made Tel Aviv a destination for LBGTQ+ tourists.

If this year’s Israeli entry, 28-year-old French-Israeli Noam Bettan, were to win, would young queer Eurovision fans come and celebrate in Tel Aviv of 2027?

Probably not — at least not all of them. The queer community is experiencing a generational shift, Vlassakakis observed. There are younger people who have joined the protest movement, boycotting ESC events because of Israel’s participation. One popular queer ESC event is not taking place this year, officially due to security concerns.

“I hope that afterwards we’ll say that we didn’t need all the security measures,” Lisa Wegenstein of Kantine said. Right now, she’s focusing on fine-tuning her cafe’s cultural program — which will include readings, as well as musical performances by mostly Jewish local artists — and organizing people to hang around and engage in calm, meaningful debates about Israel, if necessary. Think a low-key, voluntary “awareness team.”

The Viennese Jewish community has been very supportive, she says. “Some have asked if they should come and help in the kitchen.”

Wegenstein rejected the offer, because her kitchen is too small. She also still needs to find a suitable shakshuka recipe. What if the guests don’t like the Israeli eggs-in-tomato-sauce brunch staple? That, at least, is the kind of hate she can deal with.

The post Clashes over Israel again define Eurovision — this time under the shadow of the Holocaust appeared first on The Forward.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Uncategorized

Orthodox Jewish man stabbed in midtown Manhattan

(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.

Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.

The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.

He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.

According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.

The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.

In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.

Louis Keene contributed reporting.

The post Orthodox Jewish man stabbed in midtown Manhattan appeared first on The Forward.

Continue Reading

Uncategorized

VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

Continue Reading

Uncategorized

Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News