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European Jewish student group sues Twitter over its handling of antisemitism and Holocaust denial
BERLIN (JTA) – Europe’s main Jewish student organization is fed up with the antisemitism, Holocaust denial and other hate speech burgeoning on Twitter — so they are taking the social media company to court.
The Brussels-based European Union of Jewish Students and the Berlin-based HateAid non-profit group on Wednesday announced they have sued Twitter in Berlin District Court for failing to uphold its own pledge to remove hate speech from the platform.
The action — which included the placement of a hashtag prop in front of the German parliament building, in an inversion of a symbol that Twitter itself popularized — was sponsored by the Berlin-based Alfred Landecker Foundation, as part of its Digital Justice Movement, started by HateAid.
The move comes as Germany prepares to mark International Holocaust Remembrance Day with ceremonies and events across the country.
But that is not enough, said Avital Grinberg, president of the EUJS, which represents some 160,000 European Jewish students. “Remembrance of the Shoah must not be merely expressed through emotional speeches, but also through clear positions, resolute action and protective laws,” she said.
The announcement of the lawsuit comes a day after Twitter reinstated the American Holocaust denier and white supremacist Nick Fuentes, the latest in a string of people who had posted antisemitic material to the platform to be allowed back since the billionaire Elon Musk bought it last year. Fuentes immediately tweeted antisemitic comments and was suspended again.
But the site does not remove antisemitism, according to the student group’s lawsuit. Armed with six specific cases in which they claim Twitter did not take complaints seriously, the Berlin law firm of Preu Bohlig sued Twitter on Tuesday, demanding the removal of antisemitic content that is illegal under German law, said Torben Duesing, a partner in the firm, at a press conference Wednesday in the German capital.
Their aim is twofold: to move a social media mountain, and to encourage targets of hate speech to speak up. The six cases — all of which were posted in the last three months — were not described, to avoid giving them further publicity, organizers said.
But the groups did say that in one case relating to Holocaust denial, Twitter had explicitly refused to remove the content.
Europe has been a challenging frontier for technology companies, which have had to take steps to ensure digital privacy and change their handling of misinformation because of European laws and regulations. Now, the students’ lawsuit aims to leverage Germany’s particularly vigorous laws barring Holocaust denial and the glorification of Nazi ideology to force the platform to remove it. There are similar laws in other EU countries.
The lawsuit focuses on clarifying whether Twitter has a contractual obligation to its users, under its legal terms of service, to remove antisemitic tweets that contain sedition, including trivialization and denial of the Holocaust.
Just because Twitter doesn’t respond adequately to complaints doesn’t mean one should give up trying, said German Jewish writer and activist Marina Weisband at the press conference. All Twitter users around the world agree to the terms of service, “which is designed to protect users” from hate speech, she said. But if Twitter doesn’t enforce these terms, what are they worth?
Twitter claims to share the view that “Jewish rights are human rights,” said Grinberg. “But the reality appears to be the opposite.”
There has as yet been no response to the suit from Twitter, which has not had a public relations team since shortly after Musk’s acquisition, when he slashed the staff. The company is already subject to an advertiser boycott that has sharply curbed its revenue, the result of a push by the Anti-Defamation League and others in response to Musk’s lack of action around hate speech on the platform.
The ADL released an analysis last year finding that Twitter removed only 5% of 225 tweets that it reported as “strongly antisemitic” — comments accusing Jewish people of pedophilia, invoking Holocaust denial, and sharing conspiracy theories — over nine weeks last summer. It also found that antisemitism spiked on the platform following Musk’s acquisition.
In 2021, a report by the British-based Center for Countering Digital Hate found that 84% of reported posts on social media platforms containing antisemitic hate were not reviewed by the platforms. According to the survey, Twitter intervened in only 11% of the cases.
Twitter does promise to police its platform and has lately has suspended the accounts of users whose antisemitic comments made headlines. That was true last year for Ye, the artist formerly known as Kanye West, and again on Wednesday for Fuentes after his reinstatement.
But more is needed, said the students and attorneys behind the European lawsuit.
“We know that one lawsuit is not enough to make Twitter a perfect place,” Josephine Ballon, HateAid’s lead attorney. “We know that it takes more than that, but we are convinced that it is precisely these kinds of lawsuits that will put new tools” in the hands of minority groups and individuals.
“Social media is the most important debate platform of our generation,” said Grinberg. The lawsuit, she said, is “the response of resilient Jews to the failure of Twitter, social media, politicians and the law.”
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The post European Jewish student group sues Twitter over its handling of antisemitism and Holocaust denial appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
