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‘From a shtetl to a diaspora’: How a Palisades synagogue exiled by fire forged through
Jewish tradition carves grief into discrete periods of time. Shiva lasts a week. Shloshim — the post-funeral period when one does not receive a haircut — is 30 days. For the death of a parent, one says kaddish for 11 months. After a year, mourning officially concludes.
But what of the destruction of a home — or a whole neighborhood? At Kehillat Israel, some 250 families lost theirs in the Palisades fire that ignited last Jan. 7, including three members of the synagogue’s clergy team. Another 250 or so families were displaced. And as the first anniversary of the fire arrives, the vast majority remain dispersed across Los Angeles County and beyond, unsure if or when they will return to the place they call home.
“The pace of healing is different in a situation in which we haven’t been able to fully move on,” Rabbi Daniel Sher, Kehillat Israel’s associate rabbi, said in an interview. “When you add infrastructure and city conditions and all the different nuances and circumstances, a year becomes very short.”
One of the few Pacific Palisades institutions spared by the flames was the synagogue, a fixture of the seaside community since the 1950s. But that, too, has been inaccessible to the congregation; with the building closed anyway for smoke damage remediation, Kehillat Israel — formerly Reconstructionist, now unaffiliated — broke ground on a planned interior renovation that is expected to be complete in March.
So for the last year, as hundreds of congregants wrangle with insurance companies and homeowner associations, await construction permits or weigh rebuilding, they have met in smaller, often makeshift settings. Weekly services are held in a children’s museum in nearby Santa Monica; a synagogue close by has been hosting KI’s religious school. Sher and senior rabbi Amy Bernstein, both of whom are still living with their families in temporary housing, have traveled around town to serve — and preserve — their community.
“We went from a shtetl to a diaspora,” Sher said. “So our members are still members, but our gathering points feel different.”
An unimaginable disaster
The blaze, one of the largest in the history of L.A., killed 12, destroyed nearly 7,000 structures and left the Pacific Palisades, an upscale town known for its coziness and exclusivity, virtually unrecognizable. Whole neighborhoods were wiped out, with countless iconic local landmarks badly damaged or reduced to rubble. KI members who lost their homes will never recover the ketubahs, menorahs and kiddush cups that infused their Jewish lives with meaning.
Yet the people whose homes were damaged, but not destroyed, have struggled as well. Thousands of Palisades residents had their insurance policies canceled months before the fire after the California insurance commissioner blocked an attempted rate hike; In lieu of private insurance, those homes were covered under the California FAIR Plan, the state’s last-resort insurer, which covers physical damage but not smoke damage, debris removal or alternative living expenses.
“Almost everybody was underinsured,” said Matt Ross, the president of KI’s board of trustees. “It’s a much more expensive process to rebuild than I think almost anybody realized.”
In the first days following the fire, the synagogue was able to help cover incidentals for congregants who were struggling to get money from their insurers. And with the support of members and the local Jewish federation, KI covered membership dues this year for everyone displaced by the fire.
Still, the months that followed have been an ongoing nightmare for many congregants. People described fighting with their insurance adjusters, navigating inscrutable municipal bureaucracy and being at the mercy of their neighbors — who hold the power to block new construction in some HOAs.
While Kehillat Israel escaped the flames, it did not dodge insurance trouble. Ross said that last summer, with remediation ongoing — and with the synagogue’s claim still open — the building’s insurer informed KI that it would not renew its policy. When they finally found replacement coverage, it was many times more expensive — taking a five-figure annual premium well into the six figures.
“It’s absolutely outrageous. It is really stunning,” said Ross, who also lost his home in the fire. “These are the kinds of challenges that not only individuals, but a synagogue or other house of worship faces.”
Community in exile
With congregants spread out across the Southland, the synagogue’s programming has moved to meet them, often in far-flung or esoteric locations.
A congregant hosted a Sukkot gathering in Hermosa Beach — nearly 20 miles away (and a lifetime in traffic) from KI’s main sanctuary — and other events as far east as Hollywood and north in the San Fernando Valley. The synagogue threw a Purim party at a bowling alley and celebrated Hanukkah at a brewery. It didn’t hide from joy.
“There are moments where you’re laughing,” Bernstein said, “and actually for a second forget that you’ve been through this horrible, horrible ordeal.”
The most emotionally fraught Jewish event on the calendar was Passover. “I think for a lot of our folks, they had hosted Seder in the past, and they weren’t quite ready to figure out how to host not in their home,” Sher said. The synagogue hosted a Seder at a Bel Air hotel, where 300 people ate matzo and maror and shared the story of Jewish redemption.
And while no family heirloom can ever be replaced, new ones were being created. A national Judaica drive allowed L.A. wildfire victims to pick out ritual items from a veritable trove of donated candlesticks, prayer shawls and mezuzahs. Separately, KI organized a ketubah-and-vow-renewal ceremony, in which around 20 couples who had lost their Jewish marriage contracts in the fire signed new ones — and bore witness to each other’s marital vows.
That event was hosted at Leo Baeck Temple, one of countless local synagogues that have lent support to KI and other affected congregations in the past year. Sher said he and Bernstein had helped lead bar and bat mitzvah ceremonies in more than a dozen different sanctuaries in the last year.
“Anyone who’s going to pretend that this year hasn’t been weird, they’re being inauthentic,” Sher said. “But the fact that I still get to see that same bar and bat mitzvah family — just a different location, in a different venue, at a different moment — shows that we’re not going to be held back from these limitations. We’re still going to find ways to be together.”
Grieving alone, together
For the rabbis of Kehillat Israel, the scale of the tragedy could be hard to wrap one’s head around. On the one hand, no congregants perished in the fire — a clear blessing, or even a miracle. But there were well over a thousand who needed comforting — as did the rabbis themselves, who had been rendered homeless.
Bernstein, the synagogue’s senior rabbi, said that at first, she was just happy there was something she could do.
But days turned to weeks turned to months and she had barely been able to grieve her own losses: generations of family photos and correspondence; a lifetime of fine art collected from all over the world; a pair of shoes for every occasion and mood; and, of course, the home where she had raised her daughter.
When she finally took time off last August — seven months after the fire — she realized she had waited too long.
“When we’re being of service, that alleviates some anxieties and sense of vulnerability,” Bernstein said, “but it masks other ways that you’re exhausting what few resources you have left.”
For the last year, Bernstein, her daughter and their German shepherd have been living in Santa Monica, in the home of a generous congregant. The insurance money for her former home went to her HOA, which is approaching a vote on whether to rebuild it; Bernstein said even she wasn’t sure it made financial sense.
Like many congregants in the Palisades diaspora, she’s stuck in a holding pattern, wanting to buy new things but having nowhere to put them, as the rest of the world has seemingly moved on. The only people who get it are going through it themselves.
“There is this sense of belonging to a club no one wants to belong to,” she said. “But also it’s a real sense that we’ve been through something together, and we feel a little different than others who have no clue about what’s happened to us.”
Sher’s family, which has been living in Brentwood for the past year, is currently debating whether to rebuild on the lot that previously held their home, or find a different one.
He wasn’t sure how he’d be feeling on Wednesday, the first anniversary of the day he, Bernstein and so many others lost their homes.
Sher planned to take the day off work — attending a community gathering in the morning and spending the afternoon with his wife and three children.
“I’m going to give myself space for the fact that I’m not entirely sure where my head’s gonna be,” he said. “Again, this is a slow process, and it’s not over yet, but being gracious and kind to yourself along the way has been one of the main messages that we’ve really leaned on in order to have the wherewithal to do all of this.”
Plotting a comeback
Even as efforts to rebuild homes drag on, there is excitement about the future. Turnout at events has been strong all year, with more than 1,000 joining their High Holiday livestream, in addition to the hundreds who attended in person. In late May, Kehillat Israel will be marching their Torah scrolls back into the main sanctuary for the first time, honoring Cantor Chayim Frenkel’s 40th year at the synagogue.
No synagogue wants to be displaced from its sanctuary. But silver linings abound if you know where to look. The renovation was long overdue, and congregants who enter Kehillat Israel this spring will find a larger Torah ark and an entryway that, according to Sher, “really says you’re stepping into something special.”
Reopening their building will also afford KI another privilege — that of welcoming in Palisades faith communities whose buildings did not survive the fire.
To this day, it remains unclear how much of the congregation will eventually return to the Palisades. One longtime member estimated 80% would be back — another guessed closer to three-fifths. Considering the members who had moved away but wanted to remain part of KI, Bernstein said satellite events and Zoom offerings would likely become a fixture.
Having endured this trauma together, the congregation will benefit from a perspective they could not have gained otherwise. Bernstein and Sher both brought up the resilience they had seen develop in their children over the past year. And the community, pressed into action by their circumstance, had been brought closer to each other and, maybe, to something holy.
Sher joked that he used to see more congregants in line at the farmer’s market than in prayer services. Now, he said, “We’ve had people come to our big events more excited than ever before, because they want to spend that time together and because we understand each other’s hardship. And that is really profound.”
The post ‘From a shtetl to a diaspora’: How a Palisades synagogue exiled by fire forged through appeared first on The Forward.
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Clavicular cuts a path across Tel Aviv, dividing pro-Israel influencers over his record of antisemitism
(JTA) — TEL AVIV — When Israeli influencer Aaron Morali realized that the celebrity drawing a crowd at the Loullie beach club on Saturday night was Braden Peters — better known as Clavicular — he alerted staff.
He knew that in addition to being a prominent “looksmaxxing” influencer, Peters had appeared alongside the white supremacist Nick Fuentes singing Ye’s “Heil Hitler” and otherwise consorted with antisemites.
“We thought maybe he was a big influencer supporting Israel,” Morali told the Jewish Telegraphic Agency. “But we very quickly understood that he wasn’t.”
Peters was soon asked to leave the club. But elsewhere along the beach in Tel Aviv, Clavicular has gotten a warm reception. Even though he is closely associated with an online ecosystem steeped in antisemitism, a number of pro-Israel and Jewish influencers have enthusiastically filmed content with him in Israel, and crowds of young Israelis have gathered around him as he livestreams from beaches and nightclubs.
The welcome has bewildered many of Peters’ own followers. His livestreams from Israel have been filled with comments accusing him of selling out, urging him to “kiss the wall” — a reference to the Western Wall that has become a taunt in some far-right online circles — and mocking him for embracing Israel.
In addition to becoming well known for his efforts to optimize his physical appearance, Peters drew attention in January when he was part of a group at Miami’s Vendôme nightclub — including Fuentes and the manosphere influencers Sneako and Andrew Tate — singing along to ‘Heil Hitler,’ the Ye song that samples a speech by Adolf Hitler.
Amid a backlash, Peters doubled down. “I am not sorry. I don’t apologize for what I did,” he said at the time. “I would do it again today.”
Now, Clavicular’s visit to Tel Aviv has raised questions about why he was admitted to Israel given the country’s recent record of denying entry to right- and left-wing figures with records of antisemitic and anti-Israel activity. The Ministry for Diaspora Affairs and Combating Antisemitism declined to comment about Clavicular’s entry into Israel.
It has also exposed a divide in the pro-Israel influencer community. Some influencers have sought to partner with Clavicular to film content, attempting to springboard into his vast audience and taking pride in presence at a time when Israel is widely seen as a pariah. Others have decried his presence, his content objectifying Israeli women and the readiness of fellow Jews to overlook his antisemitic activity.
Orthodox Jewish influencer Golda Daphna posted a series of Instagram videos criticizing Peters during his visit. In one video, she played a recording in which Peters, after being shown a photo of an Israeli woman, says, “Does she want to have sex? Just tell the girls I’m looking to have sex in a bathroom.” In another post, Daphna criticized fellow pro-Israel influencers who collaborated with him, writing, “Whoever gives this behavior a platform, in my opinion, has ended their career.”
Eden Sisson, another influencer involved in hasbara, or public diplomacy on Israel’s behalf, similarly urged Israeli women not to appear in Peters’ videos. “Don’t give him the attention he’s looking for. If he approaches you with a camera, think twice before participating,” she wrote. Referring to his past use of Nazi slogans and symbols, she added, “Someone who has chosen to use Nazi slogans and symbols in the past does not deserve your trust.”
The influencer Hallel Abramowitz-Silverman, writing in the Jerusalem Post, denounced what she said was “a growing culture within parts of Israel’s advocacy and creator community that mistakes influence for integrity.” She added, “Somewhere along the way, we started believing that if someone has enough followers, we should be grateful they’re willing to talk to us at all — even if they have spent years platforming hatred, extremism, or misogyny.”
Peters could not be reached for comment via multiple channels and multiple attempts by JTA. He told The Free Press that he had come to Israel because it was “unexplored territory” for major influencers, few of whom have broadcast from the country, which he said was “viral.”
Among those willing to engage with Peters was Rabbi Yossi Farro, who has built a large social media following by wrapping tefillin on celebrities and what he calls “powerful Jews.”
Farro met Peters for lunch at the Royal Beach Hotel in Tel Aviv and later posted a video presenting him with a necklace combining the OpenAI logo and a Star of David, joking that it amounted to “ChatGPT mogging David,” using internet slang meaning to outshine or dominate someone. Farro later wrote that Peters was “loving Israel and Israel is loving him.”
Farro did not respond to multiple requests for comment.
Meanwhile Shira Braun, an influencer whose bio says she is “representing Jewish & Israeli women,” appeared in videos with Clavicular in which she was presented as his girlfriend. She said she had received death threats as a result.
Their collaborations with Peters drew swift criticism from other pro-Israel creators, who argued that collaborating with someone associated with antisemitism risked legitimizing him while exposing Israelis to manipulation.
“If he approaches you with a camera, think twice before participating,” Channel 12 personality Hagar Amgar warned on Instagram. “A few seconds of footage can be edited, taken out of context, and shared with millions of people.”
Some prominent advocates went further. Yoseph Haddad, the Arab Israeli activist and influencer, called for Peters to be deported.
Peters also briefly crossed paths with Topaz Luk, a longtime adviser to Prime Minister Benjamin Netanyahu, at the Tel Aviv nightclub Shlavata. Peters has said he hopes to film a “collab” with Netanyahu himself, whom he calls “The Big Yahu.”
Luk described the encounter as coincidental in an interview with the Israeli outlet Walla. He said Peters “asked to express regret over his antisemitic statement,” and said the influencer told him he was in Israel to show the truth about the country and planned to meet Holocaust survivors and issue a public apology. Luk was skeptical: “We’ll wait and see,” he told the outlet.
Peters’ connection to online antisemites continued during his Israel visit. He shared a post by Fuentes during his trip. And his stream chat has been filled with antisemitic and anti-Israel comments, with viewers deriding him as a sellout, hurling slurs and mocking the trip; his former friend, the streamer Sneako, who has espoused Islamist views, publicly lamented the visit, while an AI-generated image of Peters kissing the Western Wall circulated on X.
Peters has also commented repeatedly on stream about Israeli women, calling them “Stacys,” looksmaxxing slang for attractive women.
In response to backlash from his fans over the visit to Israel, Peters told The Free Press that he is “not a political guy” and that the trip was not about wading into the Israeli-Palestinian debate.
Peters’ presence in Israel has puzzled many of his critics.
The Ministry of Diaspora Affairs and Combating Antisemitism has recently urged the Population and Immigration Authority, which has the power to permit or deny entry to Israel, to bar prominent figures on both the right and left who have drawn allegations antisemitism and anti-Israel activity.
In May, Israel denied entry to the streamer Tyler Oliveira, who had made the Hasidic community in Kiryas Joel, New York, and the Orthodox community of Lakewood, New Jersey, the targets of his content. He was deported back to the United States after landing at Ben Gurion Airport, and Diaspora Minister Amichai Chikli confirmed the decision on X, resurfacing a month-old post in which Oliveira had asked whether Israel would let him into the country and replying with one word: ‘No.’”
Peters has a lengthy record of run-ins with the law in the United States, one standard by which those who seek to visit Israel are sometimes denied. He was charged with unlawfully discharging a firearm in Florida after appearing to shoot a dead alligator in the Everglades on a livestream, resolving the case in May through a plea deal that carried six months of probation and 20 hours of community service.
He was arrested earlier this year in Arizona on suspicion of drug possession and using a fake ID. Maricopa County prosecutors subsequently dropped the charges, citing no reasonable likelihood of conviction. He is also being sued in civil court by an influencer who alleges he sexually assaulted her when she was 16. His lawyer has denied the claims, calling them unproven.
Morali, who rose to fame as a cast member on “Love Island Israel,” has joined the growing chorus asking why Peters was allowed to enter Israel in the first place. “Obviously we welcome everybody to Israel, but whoever is posting content against us or doing something controversial, that’s a bit more tricky,” he told JTA.
Morali said he was at the club for a night out with friends when he spotted Peters standing outside. The video he filmed of Peters standing outside the nightclub, which he captioned, “We don’t need any antisemites here. Am Israel Chai,” quickly went viral.
According to Morali, after Peters entered the beach club with his security detail and began approaching patrons and trying to film content, security began to take notice. Loullie did not respond to a JTA request for comment but confirmed the account to Israeli media.
“We decided to tell the right people about it so something could be done, because we didn’t feel comfortable having someone with his camera in everyone’s face, filming something that could potentially harm our country,” Morali said. “They removed him right away. And I must say, I’m proud of them for doing that.”
This article originally appeared on JTA.org.
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How Shabbat bound Lindsey Graham to Joe Lieberman
Lindsey Graham did not always know what time Shabbat started, but he always knew when it ended. That was the joke the South Carolina Republican made while remembering his close friend, the late Sen. Joe Lieberman, at a memorial service in Washington in 2024.
In his remarks, Graham said that while traveling around the world with his Senate colleague, Lieberman, an observant Jew and author of a book about Shabbat, always knew exactly when sundown arrived on Friday, no matter where they were. After years of traveling together, Graham joked, he learned to recognize when Shabbat ended on Saturday “so we didn’t have to do this anymore.”
This past Saturday evening, almost exactly as Shabbat came to a close, Graham died after suffering an apparent heart attack at his Capitol Hill townhouse. Emergency dispatch audio indicates first responders were called to his home at around 8:30 p.m. after a report of chest pains.
The two politicians from different sides of the aisle first became close when Graham joined the Senate in 2003, joining an already close friendship between Lieberman and Sen. John McCain, who died in 2018. Despite disagreeing on many domestic issues, Graham and Lieberman bonded over shared views about American leadership abroad, traveling together to the world’s most dangerous conflict zones in the years after the Sept. 11 attacks. The three senators, who became known as the “Three Amigos,” also made repeated trips to Israel.
At Lieberman’s memorial, Graham recalled one of their more memorable trips together, accompanying McCain during his 2008 presidential campaign to visit the Western Wall in Jerusalem. Graham said he was pinned against the ancient stones by photographers scrambling for the perfect shot and injured his knee. “They crushed me against the wall, and I began to wail,” Graham joked, referencing the site’s English name, the Wailing Wall. Lieberman, he recalled, helped pull him back to his feet.
Months later, during a meeting with the Dalai Lama in Colorado, Lieberman brought the Tibetan spiritual leader over to Graham and asked if he could heal his injured knee. The Dalai Lama placed a hand on it and asked if it felt any better. “No,” Graham replied.
“I didn’t think so,” the Dalai Lama quipped.
A strong ally of Israel
Israel occupied a central place in Graham’s political career. He was one of Congress’ strongest supporters of the U.S.-Israel alliance, pushed for a tough approach toward Iran and backed efforts to expand peace between Israel and its Arab neighbors. Axios reported Sunday that Graham spent his final weeks working on a renewed push aimed at normalizing relations between Saudi Arabia and Israel.
In a Sunday appearance on Fox News, Israeli Prime Minister Benjamin Netanyahu revealed that he and Graham disagreed over Israel’s recent proposal to phase out U.S. military assistance in the coming years, amid growing criticism of aid to Israel from both parties. Graham “went ballistic,” Netanyahu said. “He said, ‘No way. You can’t do that.’ He was so concerned with our security, which he believed was your security, that he actually fought the prime minister of Israel on keeping America’s aid – or actually increasing it.”
As news of Graham’s death spread Saturday night, Jewish organizations and leaders mourned his passing and reflected on the legacy he leaves as one of the Senate’s strongest advocates for Israel and Jewish causes.
In his farewell to Lieberman two years ago, Graham concluded: “One of the best things that ever happened to Lindsey Graham was to meet Joe Lieberman. So until we meet again, my amigo, God bless.”
For those who watched their friendship over the years, it is hard not to imagine that somewhere beyond this world, McCain, Lieberman and Graham have found each other once again.
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I was there when the lights went out and New York was plunged into darkness
I’m the lifelong resident of a vast and complicated metropolis that smugly prides itself on never stopping. Subways, buses and cabs running day and night, bodegas and diners open 24/7, hundreds of thousands of people at work or out partying somewhere, bike couriers and truck drivers making deliveries — all in a town with a million moving parts, where the show always goes on — until, suddenly, it doesn’t.
I was reminded of that one evening not long ago in a drab Chinese restaurant uptown on Broadway, clutching a pair of wooden chopsticks poised to shovel another mound of chicken and walnuts into my mouth.
Music was playing softly over the house PA system. The melody suddenly sounded strangely familiar, but oddly out of place in those surroundings. I froze mid-bite, trying to place what I was hearing. Then it hit me. I glanced at my dinner companion Ann Aptaker, author of the Cantor Gold noir crime novels.
“Wow,” I said. “Do you hear that?”
She paused, tilted her head slightly, then raised an eyebrow.
“Yes,” she said. “It’s Threepenny Opera!”
Sure enough, the song drifting through the room was Kurt Weill and Bertolt Brecht’s wickedly jaunty tango, “Ballad of Immoral Earnings.” Even stranger, it was a track from my favorite production of the show: the Lincoln Center revival from decades ago, starring the late, great Raul Julia as Mack the Knife and Ellen Greene as his favorite prostitute, Jenny Diver.
“Of all things! What a weird song to play while people are eating,” I mused.
“I don’t think I’ve ever heard it in a restaurant before,” she agreed. “And certainly not a Chinese place.”
“They must have good taste in musicals.”
Shrugging, we resumed picking away at our dinner. A minute later another song from the same show began to play. We gaped at each other.
“They’re playing the whole album!” I sputtered. “What are the odds?”
Ann frowned and paused. then suddenly whirled to reach into the pocket of her denim jacket hanging behind her chair. She pulled out her phone, and the music instantly grew louder. We both laughed. She must have leaned back against her jacket and set off her music app. Whew — mystery solved!
But hearing those distinctive strains of Weill’s score transported me back to one of the hottest summers New York City had ever endured.
It was 1977, the year I attended an outdoor performance of Threepenny Opera at the Delacorte Theater in Central Park. My mother and a roommate from Pratt had joined me that night.
The Delacorte sits beneath the stone towers of Belvedere Castle, lit by floodlamps like a fairytale illustration, open to the sky and the sounds of the city beyond the trees. On a good night it can feel magical. On this particularly sweltering night, the air hung over us in the audience like a damp blanket as Philip Bosco, who had replaced Raul Julia for this summer staging, swaggered across the stage as Mack the Knife, and Ellen Greene reprised her role as Jenny.
And then — just as she was belting out her furious solo number, Pirate Jenny — all the lights shut off. Greene’s mic abruptly went dead, and the band lurched sourly out of tune before grinding to a halt.
We were plunged into pitch darkness. For a moment, there was silence.
Then the crowd began to buzz nervously. Was this part of the show? I’d seen the play several times before, and knew that it most definitely was not.
A few awkward minutes later, some of the cast reappeared wielding flashlights. While the tech crew worked on the electricity, the band filled the darkness with some lively jazz. Rubber-limbed dancer Tony Azito pranced around jovially in the flickering beams, easing the mood for a spell. But that age-old theater adage, the show must go on, was about to bite the dust.
The house manager finally stepped up on stage to make an announcement: “Ladies and gentlemen, we just learned that there’s been a massive power failure at Con Edison. It’s not just us; the whole city is dark!”
We didn’t know it yet, but this was the Big Blackout of July 13, 1977, and there we were, thousands of us stranded smack in the middle of Central Park. There wasn’t even much of a moon out that night, so it was really, really dark.
“Well, this is some pickle,” Mom said.
We wondered how the hell we were going to get out of there.
I vividly recalled the last big blackout in New York City, the one in 1965. I was just a young kid back then and safely at home, so it had actually been fun. While my mother lit a few Sabbath candles, my little sister and I roamed from room to room pretending we were in a haunted house. Meanwhile, our poor Dad had to trudge back to Brooklyn from midtown Manhattan — a five-hour hike in hot leather shoes.
But this time felt very different. I was far from the safety of home, trapped in the middle of what might as well have been a forest at night. Central Park is beautiful when you can see it. In pitch darkness it’s downright hazardous.
“Guess we’ll all just have to sleep in the park tonight,” I cracked. Neither Mom nor my Pratt roomie were laughing.
Thankfully, a phalanx of city cops eventually arrived to help guide us out. Audience members, cast and crew all joined hands as we carefully made our way along the park’s winding paths, stepping over roots and curbs, catching one another when someone stumbled. Our only illumination came from a few scattered police car headlights.
A walk that normally takes ten minutes took forever, but eventually we emerged onto Central Park West.
The scene was eerie. Streetlamps were dark. Traffic lights were out. Cars sat frozen in the intersections. Not a single apartment window was lit. For a city that never sleeps, it felt as if someone had suddenly flipped off the master switch.
Then I spotted something: “Look, the buses are still running!”
A city bus was rumbling slowly toward us, brightly lit inside. With the subways dead, getting back to my dorm in Brooklyn would have been impossible, so Mom’s place on the Upper East Side looked like the safest destination. She had temporarily split with my Dad and was living there with a roommate at the time.
The three of us squeezed aboard along with what felt like half the audience, and somehow made it across town to First Avenue. As we approached my mother’s high-rise, a dreadful thought suddenly hit me.
“Mom, what floor are you on again?”
“Twenty-five,” she replied grimly.
Of course both elevators were dead. We trudged up 25 flights of stairs in complete darkness, arriving exhausted and panting. My mother fumbled with her key, finally opening the door to reveal Sylvia, her gravel-voiced, seen-it-all Long Island roommate, standing there with her ever-present cigarette tip glowing in the dark.
“Come on in, darlings,” she rasped dryly. “Join the party.”
Sylvia had lit a few candles around the apartment, the only light we’d see that night.
Outside, the city was far from peaceful. While we tried to sleep on sofa cushions on the floor, one of the worst nights of unrest in New York history was unfolding in the streets below. Store windows were smashed. Shops were looted. Garbage cans were set on fire.
Lying there in the dim glow of flickering candlelight, hearing distant sirens punctuated by the sudden crash of breaking glass somewhere in the darkness below, I felt a growing sense of dread. An evening that had begun with music and theater had improbably ended with Manhattan plunged into darkness, its fragile machinery suddenly exposed.
By morning the city looked as though it had survived a world war.
This resilient burg has been battered and bruised over the years, enduring terrorist attacks, blackouts, blizzards, hurricanes, floods, garbage strikes, transit strikes, and the occasional collapse of its aging infrastructure. Yet somehow it manages to reset and lurch forward each time, improvising solutions the way Tony Azito danced in the dark that night at the Delacorte.
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