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Heirs of German-Jewish banker sue for restitution of one of van Gogh’s most famous paintings
(JTA) — Heirs of a German-Jewish banker are suing a Japanese insurance company for the return of one of Vincent van Gogh’s famed “Sunflowers” paintings or at least $750 million in punitive damages.
In December, Julius H. Schoeps, Britt-Marie Enhoerning and Florence Von Kesselstatt, heirs of Paul von Mendelssohn-Bartholdy, filed a 98-page complaint with an Illinois federal court alleging that Mendelssohn-Bartholdy was forced to sell the painting in 1934 as the result of “racially exclusionary Nazi policies and concomitant coercion calculated to evict Jews from the economy and society of Germany.” They argue that the painting should be returned to his heirs as stipulated in his will.
A Sompo Holdings representative Courthouse News Service that the company “categorically rejects any allegation of wrongdoing and intends to vigorously defend its ownership rights in ‘Sunflowers.’” It displays the painting in a museum housed in its Tokyo headquarters building.
“It is a matter of public record that Yasuda Fire & Marine Insurance Company [Sompo’s predecessor] purchased the Vincent van Gogh ‘Sunflowers’ work at public auction from Christie’s in London in 1987. For over 35 years, the Sompo Museum of Fine Art in Tokyo, Japan has proudly displayed ‘Sunflowers,’” the statement reads.
Sompo International did not return a request for comment in time for publication.
The complaint alleges that Yasuo Goto, president of the Yasuda Fire & Marine Insurance Co. — which was incorporated into Sompo Holdings in 2002 — was aware of the painting’s previous owner when he purchased it at the Christie’s auction in 1987. It was sold for $39.9 million, at the time a record high price for a painting sold at an auction.
In 2001, a Yasuda representative wrote to the Art Institute of Chicago ahead of an exhibition including the painting that the company was “deeply concerned” and that its provenance had not been further investigated. The company displayed the “Sunflowers” work at the Art Institute anyway, and, according to the complaint, concealed the story behind its original sale from U.S. authorities, in violation of the National Stolen Property Act of 1934.
“By knowingly and fraudulently exploiting a Nazi-tainted painting in the U.S. for commercial gain, Sompo Holdings has violated multiple U.S. domestic and foreign policies,” the complaint states.
Representatives for the heirs declined to speak on the record.
Some art experts have argued the painting, the most famous in van Gogh’s “Sunflowers” series, is a forgery.
Paul von Mendelssohn-Bartholdy was a member of the prolific German-Jewish Mendelssohn family, whose members included composer Felix Mendelssohn and Jewish philosopher Moses Mendelssohn. In the late 1700s, family members founded the Mendelssohn & Co. banking house, which became the largest private bank in Berlin. Facing Nazi persecution, they were forced to close Mendelssohn & Co. in 1938.
According to the complaint, Nazi laws that targeted Jewish banks crippled Mendelssohn-Bartholdy financially, forcing him to sell some works in his art collection — which included pieces by Pablo Picasso, Vincent van Gogh, Pierre-Auguste Renoir and Georges Braque. He died in Germany in 1935 of a heart attack.
Other members of the family were forced into exile, committed suicide while under arrest by the Gestapo or went into hiding and abandoned their Jewish names.
The complaint is only the latest in an ongoing saga as Mendelssohn-Bartholdy’s heirs seek restitution of his collection. Thus far, they have filed lawsuits against the Museum of Modern Art, the Guggenheim Museum, the Andrew Lloyd Webber Foundation, the National Gallery of Art in Washington, D.C., and the German state of Bavaria for the restitution of five paintings by Pablo Picasso.
Settlements were reached on three of the cases while one — against the National Gallery of Art — resulted in the return of Picasso’s “Head of a Woman” to the family. The case against Bavaria is ongoing, as the Bavarian State Painting Collections refuses to refer the case to the German commission established to address disputed ownership over Nazi-era looted art.
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‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards
At last year’s Academy Awards, Anora — a frenetic, somewhat ambiguously Jewish look at a Jewish enclave of New York, took home best picture, original screenplay, director and actress for its Jewish lead Mikey Madison. This year, we have a film that feels, in some ways, quite parallel, while cranking the Yiddishkeit to 11: Josh Safdie’s breathless picaresque Marty Supreme, set on the Lower East Side, is up for best picture and its star, Timothée Chalamet is a favorite for best actor.
There’s also Blue Moon, Richard Linklater’s portrait of Jewish lyricist Lorenz Hart’s breakup with composer Richard Rodgers (Ethan Hawke is up for best actor). And One Battle After Another, a campy and absurdist satire about the infiltration of white supremacists in the U.S. government, is poised to have a massive night, with the blockbuster Sinners serving as its main competition.
That all goes to say that it’s another great year for Jewish stories at the Oscars, with some really compelling fodder for discussion about the place that Jews occupy today in arts and media. What stories are we telling and how are they received?
Here, as ever, the Forward culture team is here to break it all down for you, live as it unfolds. Of course, we cover Jewish movies all year. But at the Academy Awards, we get to see how the rest of the world feels about these movies. We will be updating this story with our thoughts throughout the ceremony.
Traditionally, as we begin these Oscars roundtables, we discuss what we’re all wearing and eating. What’ve we got?
Olivia: brown sweater and jeans; no food but aggressively chewing mint gum. I will later be drinking some of the seltzer I got from Brooklyn’s Seltzer Fest today.
Mira: I did a bunch of cooking for the week so I have vegetarian avgolemono soup and Alison Roman’s fennel salad. (I’m obsessed with this salad.) I am proudly wearing hard pants.
PJ: I am reheating some chicken from last night. Wearing a blue sweater with a little toggle and jeans. How many of Stellan Skarsgård’s large adult sons are here? In other l’dor v’dor news, Bill Pullman just mentioned how they filmed the Spaceballs sequel with his son Lewis.
Talya: I believe I’m wearing the exact same sweater I donned for this event last year — where’s my award for consistency? And, as always, sweatpants; I cannot comprehend suffering through this event in jeans.
Discussion of Israeli-Palestinian protests on the red carpet
Mira: Love a toggle. Speaking of outfits, anyone have thoughts on Odessa A’zion’s spangled red carpet set? She is one of the only people who styles herself on the red carpet, which I do respect.
Olivia: A’Zion’s outfit kind of looks like she forgot to tie whatever was supposed to be holding it up. I don’t think it looks bad, just like it’s falling down.
PJ: It wouldn’t look out of place hanging from the window of a VW van with shag carpet and some Tibetan prayer flags.
Mira: Of note, the past several years have seen protesters approaching people on their way into the ceremony, and a lot of pins on the red carpet taking a stance on the Israel-Hamas war, largely pro-Palestinian ones. We’re seeing less of that this year — though not none. Javier Bardem posted a photo of him wearing a pin reading “no to the war” in Spanish, along with another pin featuring Handala, a cartoon boy considered a symbol of Palestinians. The team of The Voice of Hind Rajab, nominated for best foreign film, are also wearing red pins with a white dove.
PJ: Those have replaced the red hand ArtistsforCeasefire pins, which some said recalled the bloody palms of Palestinians who killed IDF soldiers in 2000.
Olivia: A reporter for ABC in a pre-recorded segment asked executive producers and showrunners for the ceremony Raj Kapoor and Katy Mullan if anything would get bleeped, such as mentions of Trump, Israel and Palestine. Recently, the BBC removed director Akinola Davies Jr’s call for a “Free Palestine” from their BAFTA stream. Kapoor asserted that the night’s production team supports free speech, but we’ll see what transpires over the course of the night.
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US Sends Additional Arms to Israel to Sustain Iran Operations
The first of two Terminal High Altitude Area Defense (THAAD) interceptors is launched during a successful intercept test. Photo: US Army.
i24 News – The United States has recently increased shipments of munitions to Israel to support ongoing Israeli air operations against Iran.
According to reports broadcast by the public radio network Kan Reshet Bet, several weapons deliveries have arrived in Israel in recent days as part of what officials describe as an ongoing airlift aimed at sustaining the pace of military strikes.
Since the start of the campaign, Israeli forces are believed to have dropped more than 11,000 bombs on targets across Iran.
The shipments come as reports emerge about a potential shortage of ballistic missile interceptors in Israel. US officials told the news outlet Semafor that Israel’s interceptor stockpiles have been heavily used during the conflict.
According to those sources, Washington had already been aware for months that supplies could become strained, though it remains unclear whether the United States would be willing to share its own interceptor reserves. Israeli officials have since rejected claims that such a shortage exists.
Unlike the Iron Dome, which is designed to intercept short-range rockets and projectiles, ballistic missile interceptors serve as Israel’s primary defense against long-range missile threats. Fighter jets can also be used to attempt interceptions, though this method is considered a supplementary measure to missile defense systems.
Meanwhile, the Israeli government has taken additional budgetary steps to support the war effort. During an overnight vote between Saturday and Sunday, ministers approved a roughly 1 billion shekel reduction across various ministry budgets to help finance classified military purchases linked to Operation “Roar of the Lion.”
The government had already approved a 3 percent cut in ministry budgets, a move expected to increase the defense budget by approximately 30 billion shekels as the conflict continues.
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Pope Leo Decries ‘Atrocious Violence’ in Iran War, Urges Ceasefire
Pope Leo XIV leads the Angelus prayer from a window of the Apostolic Palace, at the Vatican, March 15, 2026. Photo: REUTERS/Matteo Minnella
Pope Leo made an impassioned plea on Sunday for an immediate ceasefire in the expanding Iran war, lamenting “atrocious violence” that he said had killed thousands of non-combatants and caused suffering across the region.
As the US-Israeli war on Iran enters its third week, the first US pope warned that violence would not bring the justice, stability and peace that the peoples of the region long for.
“For two weeks, the peoples of the Middle East have been suffering the atrocious violence of war,” the pope said at his weekly Angelus prayer in St. Peter’s Square.
“In the name of Christians in the Middle East and of all women and men of good will, I appeal to those responsible for this conflict: Cease fire!” Pope Leo said.
IDEA THAT WAR SOLVES PROBLEMS IS ‘ABSURD’
Leo added that the situation in Lebanon – ravaged by a war between Israel and the Iran-backed Lebanese group Hezbollah – was also a cause of “great concern.”
“I hope for paths of dialogue that can support the country’s authorities in implementing lasting solutions to the serious crisis currently underway, for the common good of all the Lebanese people,” the pope said.
During a visit to a Rome parish later, the pope said war could never resolve problems and hit out at people who invoke God to justify killings.
“Today many of our brothers and sisters in the world are suffering because of violent conflicts, caused by the absurd claim that problems and disagreements can be resolved through war, when instead we must engage in unceasing dialogue for peace,” he said during his homily.
“Some even go so far as to invoke the name of God to justify these choices of death, but God cannot be enlisted by darkness. Rather, He always comes to bring light, hope and peace to humanity.”