Uncategorized
I can’t forget what the Nazis did to my family, but I can be grateful to a repentant Germany
(JTA) — Picture a cute-looking, 6 1/2-year-old girl with curly braided hair. She is standing on a sidewalk, on a cold, dreary day in Leipzig, Germany, together with her parents and my wife and me. My granddaughter Vivi is staring intently at a 75-year-old worker, kneeling on the ground. He is digging a hole through the pavers to install several 4” x 4” brass plaques mounted on cement cubes — memorials to relatives who perished at the hands of the Nazis more than 80 years ago.
In February, we traveled 9,500 miles round-trip to dedicate 12 Stolpersteine plaques in memory of relatives I never knew, or even knew I had. (All 16 of my family members would have stood with us that day, but Germany’s airport worker strike canceled the others’ flights.) They were just some of my late father’s aunts, uncles and cousins who were murdered in the Holocaust, and we regarded the ceremony as a pseudo-levaya, a quasi-funeral that would be the final act of respect and farewell Hitler had denied my relatives.
I couldn’t have imagined, 60 years earlier when I first visited Germany, that I would ever return in a spirit approaching forgiveness, or that I’d feel a deep connection to a country that was once synonymous with brutality, pain, humiliation and suffering.
Stolpersteine, a German word meaning “stumbling block,” refers to a design brilliantly conceived by the non-Jewish German artist Gunter Demnig in the early 1990s. Installed in front of the homes where innocent Jewish victims last freely lived, the brass plaques simply and artistically memorialize, honor and personalize those brutally persecuted. On each plaque are engraved the victim’s name, dates of birth and death. As Demnig once said, “A person is only forgotten when his or her name is forgotten.” Hence, 100,000 of his plaques throughout Europe remind us that Jews are part of a shared history, and a common memory.
Whether consciously or not, the “stumbling pedestrian” instantly recalls the extraordinary evil unleashed by ordinary people, on once vibrant Jewish communities, and the terrorized Jewish neighbors who lived within them. This evil was driven by a blind loyalty to a gratuitous hatred of “the other,” meaning non-Aryans.
Who were these relatives I recently memorialized? Recently uncovered documents suggest my relatives were all decent, law-abiding citizens who contributed to Leipzig’s economy, enriched its cultural life and strengthened its social fabric. Sadly, being model citizens did not spare them from torturous fates.
One of those relatives, Elfriede Meyerstein, my paternal grandfather’s sister, was born Feb. 27, 1871 in Breslau. At 20, she came to Leipzig where her husband Menny ran a textile trading company with his family. They lived at the same address for many years. By 1931, after Menny’s death, she lived with her daughter Käthe Huth.
The Nazis, once in power, immediately expropriated Elfriede’s assets, comprising foreign stocks meticulously accumulated by Menny. The Nazi “Ordinance on the Registration of Jewish Assets” of April 26, 1938, forced her to surrender those securities to the state. In 1939, shortly after Kristallnacht on Nov. 9-10, 1938, the Nazis collected a “reimbursement tax” as “atonement,” from Elfriede and the rest of Germany’s Jewish community, for the damage Nazis did that night.
Just prior to her Sept. 19, 1942 deportation to Theresienstadt at age 71, Elfriede was forced to sign a “home purchase agreement,” the Nazis’ final act of expropriation. The document falsely and cynically promised her a “retirement home,” with free lifetime accommodation, food and medical care, but paid for by her, in advance. The Reich Security Main office confiscated 65,000 Reichsmarks ($300,000 in today’s currency). Her “retirement home” was in a ghetto with disastrous hygienic conditions, starvation, and no medical care. Elfriede died one month later.
After considerable soul-searching and three visits to Germany, spaced over 60 years, my attitudes and feelings today, vis a vis Germany and its citizens, are dramatically different from when I first visited in 1966.
Then, I came with unprocessed emotional baggage. In 1939, my father, Ralph Meyerstein, fled Dusseldorf and my mother, Cecily Geyer, fled Dresden, both for England. My paternal grandparents, Alfred and Meta Meyerstein, were deported from Dusseldorf on Nov. 8, 1941, to Minsk, where they were killed. My maternal grandmother, Salcia, was deported to Riga in January 1942; in November 1943 she was sent to Auschwitz and murdered.
My parents met in Ware, a small town north of London, where some German Jews took refuge. They moved to London where they married during the Blitz and we came to the United States in December 1947.
The German-issued ID card of Max Israel Meyerstein, the author’s great-uncle, who was murdered by the Nazis in 1942 at the age of 80. (Courtesy Michael Meyerstein)
As an only child, I shouldered much of my parents’ guilt over abandoning their parents, even though it was their parents who, thankfully, had urged them to flee Germany. When retelling their survival story, my eyes still well up with tears, revealing a lifetime of trauma I’ve absorbed on their behalf. That first visit felt almost adversarial in tone. It was I, representing my parents’ personal losses and those of the Jewish people, versus Germany and Germans. I reacted viscerally to hearing guttural Deutsch being spoken. I eyeballed Germans on the street and asked myself: How old are they? Did they commit heinous crimes against my family and my people?
By 2018, when I dedicated a Stolpersteine in my maternal grandmother’s memory, my judgmental attitudes and harsh feelings had softened. Maybe I realized that 75 years later, the ordinary citizen on the street could not be held responsible for the carnage of the Holocaust. Also, working with non-Jewish German volunteers in planning the ceremony showed me their humanity, sensitivity and outright remorse for Nazism’s impact on my family and their German state. Their kindness was an atonement for a past not of their making.
My visit in February shed further light on my evolving relationship with Germany and Germans. Today’s Germany is doing teshuva, or repentance, by strengthening democracy, creating an inclusionary society, responding resolutely to far-right extremism, educating its young about the Holocaust, offering sanctuary to Jews fleeing Russia and Ukraine and being a true friend to the State of Israel. It also is supporting Jewish communal institutions, paying reparations to Israel, to individual victims and their descendants.
My relationship became much more nuanced upon learning that Germany was once home to five generations of my family, as far back as 1760, in the small town of Grobzig where Matthias Nathan Meyerstein was born. On our visit to its mid-17th-century Jewish cemetery, I gazed incredulously at the graves of Meyersteins. I saw schutzbriefen, documents issued by the reigning duke, that assured my ancestors protection, commercial privileges and religious rights. In the old Leipzig Jewish cemetery, I visited 12 relatives’ graves from the 1800s and 1900s, which reflected much about their secure socio-economic status.
Before my retirement, I never knew that Grobzig or Leipzig or other towns were in my family’s history. This discovery led to one conclusion: Unquestionably, 1933 to 1945 was a tragic anomaly in human history, and especially Jewish history. However, I must also gratefully acknowledge the Germany that sustained my family for over 300 years, and Jewish communal life for 1,700 years.
Nazi Germany’s ill-treatment and intolerance of “the Other” still affects me today as I mourn my relatives’ death. On the other hand, I feel heartened by this sentiment written by a non-Jewish German who funded research about my family: “For me, as I am part of this country and its history, it will be a never-ending task to find ways to deal with this horrible past and most importantly, never to forget,” she wrote.
Navigating this complex relationship with Germany and Germans is intellectually and emotionally messy for Jews. My engagement with “the Other,” however, has been profoundly satisfying.
—
The post I can’t forget what the Nazis did to my family, but I can be grateful to a repentant Germany appeared first on Jewish Telegraphic Agency.
Uncategorized
Why is this chef opening a kosher Israeli restaurant in LA right now?
How do you explain Malka, the new kosher Israeli restaurant in Beverly Hills?
I’m not talking about the food — I haven’t eaten there yet — I’m talking about the fact that it’s opening at all. Why would Eyal Shani — many of whose restaurants worldwide have faced protests, vandalism and physical attacks — dare to open another restaurant at this particularly fraught time?
“The whole situation is leading me to open more, more, more,” Shani told me when we met last week. “That is my reaction as a Jewish man. If they are trying to kill you, you should make a lot of children. And these are my children.”
We were sitting in the empty restaurant on the ground floor of the boutique SIXTY Hotel. Shani, who is 67, wore a T-shirt and dark khakis. With his stubbly beard and unruly gray hair, he could pass for an intense, very post-grad philosophy major. He put a plate of farmers market green grapes between us.
The night before, at a pre-opening event for journalists, influencers and, it seemed, models, the same space was packed. Piles of fresh raw vegetables — a Shani signature — filled the long bar counter along with perfect rectangles of toasted focaccia topped with either steak tartare or smoky eggplant caviar. The crowd swelled, the music blared, trays of mojitos and palomas disappeared. It was signature Shani — a frolic of nature, noise and Israeli food.
Now, the large, modern space — a rare high-end restaurant in Los Angeles’ ever-struggling kosher restaurant scene — was quiet. Shani leaned back into an earth-toned banquette and reflected for a moment on how those two words, “Israeli food,” have become so toxic, especially following Oct. 7.
Demonstrators accuse Israeli chefs of passing Palestinian food off as Israeli and of being complicit in their government’s actions. Shani’s business partner, Shahar Segal, did engage in marketing work with the Gaza Humanitarian Foundation, the controversial U.S.-Israeli organization established to feed Gazans. But Israeli restaurants around the world with no such involvements have faced similar protests, as have Jewish-owned restaurants with no ties to Israel.
Malka’s opening follows the closure of Shani’s restaurants Miznon in Melbourne and Gila & Nancy in Berlin, both targeted by mobs chanting anti-Israel slogans.
The rioters in Melbourne entered MIznon, threw chairs, chanted “Death to the IDF!” and only stopped when the two owners of a nearby pizza place — both Lebanese — confronted them.
“In the end, they succeeded to kill the restaurant,” Shani said. “They almost killed our staff there.”
Shani happened to be at the restaurant in Berlin when dozens of protesters surrounded it, shouting, “Stop feeding genocide!”
He raced into the kitchen, put together some food platters and went outside to offer the demonstrators the opportunity to eat and talk.
“They didn’t want to eat,” he said. To them, he added, “Eating from an Israeli is like eating from Satan.”
Shani rejected the charge commonly leveled at Israeli chefs — that they have stolen Palestinian foods and recast them as Israeli.
“I always declare that I took a lot of inspiration from the Palestinians,” he said.
In 1989, Shani opened his first restaurant, Oceanus in Jerusalem. He was 29 and, he said, he knew nothing about food except that he loved bringing people together around it. He wanted to make something like the fresh focaccia an Italian Jewish neighbor once served him. The closest thing to it was the Arabic laffa Shani would buy from a closet-sized bakery in West Jerusalem.
“I had a cook, a Palestinian man from Hebron, a very talented man,” Shani said. “I loved him. He said, ‘Eyal, no problem, my grandmother makes it every day.’ He showed me.”
Shani brushed the finished bread with olive oil and showered it with fresh rosemary.
I told Shani that I ate at the now-closed Oceanus at the tim and to this day remember being served, when we sat down, fragrant sheets of his focaccia-laffa.
“It was a hybrid,” Shani said, “Palestinian, Italian and new Israeli. Each one is getting influenced by the other. You can’t do it with just one brain.”
Malka, a strictly kosher restaurant, presents a different kind of challenge to Shani, who is not an observant Jew. His Michelin-starred Manhattan restaurant Shmone offers, for instance, “A mountain of grilled calamari, okra, tomatoes and yogurt.”
But the chef who turned flour, yeast and water into a hybrid Palestinian-Israeli-Italian flatbread revels in facing constraints like kashrut.
“Each culture leads with its limitations,” he said. “These limitations are a blessing — they’re shaping your creation.”
The kosher stricture against cooking meat together with dairy products didn’t faze him.
“Take me off dairy, put a beautiful bottle of olive oil in front of me — what are the limitations?” he said. “And if there would be no olive oil anymore in the world, I would quit, I would not cook.”
Beyond the kitchen, Shani said he wanted to reach more Israelis with his food. About 70% of Israelis are strictly kosher or prefer it.
“So how can it be that we’re only cooking for the hipsters in Tel Aviv?” Shani said. “It’s unfair.”
The marketplace has rewarded Shani’s ability to combine local ingredients and techniques with creativity and showmanship. The chef has around 70 restaurants — neither he nor his publicist knew the exact number — including Malka’s in Tel Aviv, Miami and New York.
And the backlash isn’t close to stopping him. Shani just announced a new restaurant project in, yes, Melbourne.
“It doesn’t make me frightened,” he said. “It’s the way my personality reacts. I think it’s the instinct of survival. You just keep going.”
The post Why is this chef opening a kosher Israeli restaurant in LA right now? appeared first on The Forward.
Uncategorized
An unvarnished look at Polish Hasidic life before the Holocaust
In the decades before the Holocaust, Warsaw still teemed with Hasidim. Muranowska Street was virtually lined with shtiblekh (prayer and study houses), each with its own dynastic affiliation. But one day, a young man established a new shop on the street and brazenly kept it open on the Sabbath. Modernity had arrived.
Some Hasidim didn’t seem too concerned. As we read in the new English translation of Yechiel Hofer’s Hasidic Warsaw: Reb Zalmen and the Aleksander Shtibl, the protagonist, Reb Zalman, dismissed the whole scandal. The Sabbath, he shrugged, was simply too holy to be violated by people so unworthy. And in truth, Warsaw’s Hasidic enclaves continued to thrive, albeit in a more concentrated form.
Most Yiddish authors assumed the inevitable demise of Jewish tradition. In story after story, we read about pious, aging parents watching helplessly as their sons and daughters reject their ancestors’ ways to become Zionists, revolutionaries, assimilationists and, of course, Yiddish writers. Nobody, it seemed, could hold back the tide of progress.
But many interwar Polish Hasidic leaders were actually galvanized by the challenge of secularization. They launched ambitious, transnational fundraising initiatives, refurbished thousands of heders [traditional primary schools], and built hundreds of Hasidic yeshivas and Bais Yaakov girls’ schools. And as Hofer’s book shows, their shtiblekh recovered and proliferated down to the bitter end.
Hasidic Warsaw is one of the few works of modern Yiddish literature to present Hasidism as something other than moribund. Reminiscent of I.B. Singer’s In My Father’s Court, but more gracious, Hofer’s stories bring us into one corner of this impossibly thriving world: a Warsaw shtibl attended by followers of the Aleksander Rebbe. Reb Zalman, an irritable luftmensch (unemployed dreamer), is the shtibl’s most zealous member and the Hofer family’s most frequent Sabbath guest.
Reb Zalman’s pauper’s arrogance exasperates even his fellow Hasidim, who cannot resist pranking him. They appoint him “Purim Rabbi,” ply him with liquor, and get him to accept bribes. They lure him out of his Hasidic enclave to experience Gentile taunts and glares. Some try to help him gain a livelihood, but he proudly self-sabotages. Their most lucrative scheme, a tavern in the shtibl, fails because Reb Zalman decides to give all the liquor away.
Then there is Reb Zalman’s misogyny. He disdains his kind host, Hofer’s mother, who is “strictly observant, pious and indeed a Hasid in her own right.” She tactfully challenges his prejudices by recounting stories of her Grandmother Brayndl, a passionate follower of a Hasidic group called the Porisover Hasidim, who used to travel regularly to see the Rebbe, Reb Yankev Hersh [and] was deeply respected at the Rebbe’s court.” Yet Reb Zalman scoffs at even the most revered Hasidic women.
Hofer, in short, doesn’t romanticize interwar Hasidism. But he doesn’t dismiss it either. His family’s Sabbath table, he writes, provided even the ungrateful poor with a slice of Heaven. In the Aleksander shtibl, “deep seriousness combined with high-minded joy reigned.” Reb Zalman’s gift for quirky storytelling almost redeemed him in Hofer’s eyes.
Jonathan Boyarin is among the few scholars able to grasp not only the external, quantitative significance of the Polish Hasidic shtibl but its inner life: imperfect men swaying in prayer, chants, and study, occasionally halting to make a toast with vodka and herring or recount another edifying story. Yet Boyarin remains deeply attuned to Hofer’s gentle irony.
Hasidic Warsaw, with its multitude of stories-within-stories, is in a sense a work of collective authorship. We behold a community of storytellers constantly striving to make each other better by means of humorous, cautionary tales. Secularist Yiddish writers drew liberally from such stories, stylizing and serializing them to great acclaim while assuming the demise of the very movement that sustained them. But only physical annihilation could do that.
The reader of Hasidic Warsaw is left with a deep sense of loss. Without storytelling, how can we hope to regain that kind of connectedness? How can future Jewish literature emerge as easily and naturally? In honoring the art of storytelling, Hasidic Warsaw reminds us of yet another world that was lost in the Holocaust.
The post An unvarnished look at Polish Hasidic life before the Holocaust appeared first on The Forward.
Uncategorized
Peter Lorre, decades after ‘Casablanca,’ is the breakout star of ‘Coyote Vs. Acme’
The character actor Peter Lorre died in 1964. The doctor Peter Lorre is alive, quite possibly immortal and has never looked better.
In Coyote Vs. Acme, the long-awaited legal comedy in which Wile E. Coyote sues the mega-corporation behind all his contraption needs for decades of grievous injury, the Good Doctor is seen smuggling evidence outside of Acme labs. Soon thereafter, the company’s security forces him to step into a black hole in the ground that is then rolled up like an old carpet.
As a man who knows too much, he’s a threat to the business.
If it seems strange that the Hungarian-born Jewish performer known for his turn as a child murderer in M and black market peddler Ugarte in Casablanca should be revived as a whistleblower, you may be forgetting his earlier appearances in the Looney canon.
The first was as himself, voiced by Mel Blanc, sitting with a crowd of celebs in Ciro’s nightclub and admiring an oversized bubble covering up a burlesque performer. That short from 1941 scans as uncomfortably close to the house style of the Der Stürmer cartoonists. In subsequent episodes, Lorre was caricatured as a mad scientist, though shrunk down considerably even as his role grew.
In Hair-Raising Hare, Dr. Lorre lures Bugs Bunny into his castle in the hopes of feeding him to the gargantuan red monster Gossamer. (A flashing neon sign on his lair indicates that he is an “Evil Scientist.”) Bugs gets the upper hand by providing a manicure to the tennis-shoed behemoth, jousting him into a tin can and ultimately spooking him by drawing his attention to the fourth wall.
When Daffy Duck tricks his way into Lorre’s suburban home in Birth of a Notion, the diminutive doc tries through a series of booby traps to recover his wishbone for a science experiment. (Stan Freberg voices Lorre in this one.) When Daffy manages his escape, Lorre’s eyes turn toward his dog, Leopold, prompting the pooch to make his exit.
In these treatments Lorre is a lonely, depressive psychopath of the sort Lorre excelled at playing. His revival for 2003’s Looney Tunes: Back in Action reimagined him as a different sort of villain: an underling for the Acme Corporation.
What Coyote Vs. Acme does is revolutionary not just for exploring the liability implications of cartoon case law, but for the redemption it offers Lorre, a kind of fitting tribute to a Hollywood legend whose life and career was cut tragically short by chronic pain and addiction.
This Lorre, who’s had a bit of a glow-up, sacrifices himself to sound the alarm for Acme’s evil R&D methods. It’s an apt arc for a refugee from Nazi Germany, among whose most recognizable work is his role in perhaps the greatest anti-fascist film of all time. While Ugarte takes advantage of refugees desperate for exit visas in Casablanca, the real Lorre helped many flee Europe ahead of World War II, just as cartoon Lorre works on behalf of his fellow toons. (His role as a complicit scientist also recalls his lone directorial effort, The Lost One, in which he plays a Nazi chemist haunted by the war.)
Coyote Vs. Acme’s Lorre also plays piano — not with a disembodied hand — and is revealed to be in a long-lasting — 80-plus years! — marriage with Tweety’s doting owner Granny.
With the film marking the largest-ever opening for Ketchup Entertainment, which snagged the distribution rights after Warner Bros opted to ditch the flick for a tax write-off, it’s too soon to tell if it will herald a Looney Tunes renaissance. However it shakes out, it has singlehandedly upped Peter Lorre representation in the films of 2026.
For those who don’t despise him — or who give him any thought — that’s victory enough.
The post Peter Lorre, decades after ‘Casablanca,’ is the breakout star of ‘Coyote Vs. Acme’ appeared first on The Forward.
