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In an unusual alliance, Jewish media and striking journalists are uniting to cover the Pittsburgh synagogue shooting trial
PITTSBURGH (JTA) — How many times should an alleged synagogue shooter’s name be mentioned in a news story about his trial, now beginning after more than four years?
For the Pittsburgh Union Press last month, the answer was seven. For the Pittsburgh Jewish Chronicle, it was an uneasy five, in a departure from its usual answer of zero — a number chosen out of deference to a community devastated by the shooting.
The slight difference was the only discrepancy between one set of stories published by the two news organizations covering the trial of Robert Bowers, accused of murdering 11 Jews in their synagogue here in 2018.
The anomaly offers a window into an unusual partnership between the two publications — the city’s Jewish paper and the news site established by striking staffers for the Pittsburgh Post-Gazette — born in February when it became clear that the trial would last months.
Pittsburgh Jewish Chronicle editor Toby Tabachnick was dreading the trial coverage, with a staff of just three on the editorial side: herself and two reporters, David Rullo and Adam Reinherz.
“I started getting really nervous. Like, how are we going to do this?” Tabachnick said on the eve of the trial, speaking at the federal courthouse where jury selection would soon begin. “Our regular reporters could have been here. But it would have been extremely taxing, difficult and emotional for us, because we’re so ingrained in the community too.”
Plus, she added, “In addition to this trial, which is going to be every day for three months, we’re covering the synagogues, events and the holidays, the lectures, we still have a regular community newspaper to put out.”
Tabachnick knew Andrew “Goldy” Goldstein, one of the Post-Gazette’s team that picked up a Pulitzer for their coverage of the massacre, from his time as a Pittsburgh Jewish Chronicle intern. She also knew he was on strike and wondered whether he could use the extra freelance opportunity.
Instead, Goldstein immediately offered up a better idea: Join with the Pittsburgh Union Progress, the strike paper, in a joint reporting project, organized in part through the Pittsburgh Media Partnership, an incubator for local journalism. (The Jewish Telegraphic Agency is raising funds for the coverage.)
Working together just made sense, Goldstein said. The Chronicle was deeply resourced and credible in the Jewish community, and the Progress had on board Torsten Ove, a local legend.
From left to right, Bob Batz of the Pittsburgh Union Progress, Toby Tabachnick of the Pittsburgh Jewish Chronicle and Andrew Goldstein of the Progress pose in the Joseph Weis Jr. Courthouse in Pittsburgh, April 21, 2023. (Ron Kampeas)
“We have the all-star federal courts reporter in Torsten and we have a lot of really great journalists who love Pittsburgh, love this community, and we’ll do our best to cover it,” Goldstein said, noting that the Chronicle would also have access to the Progress’s photographers. “But the Chronicle brings something different entirely to the table, which is, they’re so deeply sourced in the Pittsburgh Jewish community, and they have such an interest in this trial in particular.”
Newsroom collaborations have become more frequent in recent years as publications realize they can expand their impact and audience by working together. But while there are a growing number of relationships between local and national publications and between daily and investigative outlets, ties between mainstream newsrooms and community or ethnic media are less common.
S. Mitra Kalita, the founder and director of URL Media, a network of Black and Brown community news outlets that share content and revenue, said the value in such partnerships was not just in delivering relief as media staffs shrink, but also in sensitizing mainstream media to minority sensibilities.
“Talking about who [the ethnic media outlet is] serving and why we’re doing it this way — the spirit of real collaboration is a bit of that give and take,” she said. “We make mainstream media way better because it starts to infuse mainstream media with aspects of community and thus redefine the mainstream.”
The residual trauma of the massacre in the Pittsburgh collaboration made it all the more important for the mainstream reporters to be sensitive to the nuances that the Jewish media was bringing, she said.
“Especially a story like this one, which was such an attack on a community — a community that was singled out for their sheer existence, the strategy cannot be ‘let’s just work in parallel,” Kalita said. “It’s not going to work. It has to be kind of a cross-pollination and a real collaboration.”
That’s exactly what is happening, according to the reporters and editors involved in the project, with communication easy between each publication’s editor and expertise flowing in both directions.
Ove a denizen of the Joseph F. Weis Jr. Courthouse for so long that he can tell stories about a sizable stretch of the portraits of judges that line its corridor walls; he may be the only court reporter to seek an interview with a judge after his death, to ask him why he was haunting the place. (The judge never showed, but his widow was less than surprised to hear that he was still working.)
He led a passel of Chronicle and Progress staffers through the warren-like courthouse on the Friday before the trial, handily impressing them with his intimacy with the building — he knew the provenance of the paintings in each courtroom — and its staff. Soo Song, the assistant U.S. attorney who is leading the prosecution team, smiled and nodded as she passed.
Torsten Ove, left, of the Pittsburgh Union Progress and Adam Reinherz of the PIttsburgh Jewish Chronicle confer on the first day of jury selection for the Pittsburgh synagogue massacre trial, April 24, 2023. (Toby Tabachnick)
Ove showed the reporters how to access court records for free, and while they stood around him at one of the computer terminals, the teams’ different emphases emerged: Ove predicted that jury selection, which started last week and is expected to last as long as three weeks, would not be a news generator, because in his experience, it rarely has been.
Reinherz and Tabachnick, attuned to reporting on faith communities, were not so sure: Reinherz wondered whether believing Catholics, who reject the death penalty, would be eliminated, and Tabachnick wondered whether defense attorneys would seek to keep Jews off the jury — and how they would go about doing that.
Reinherz ended up covering the first day of jury selection. “Local and national reporters decided the Pittsburgh Jewish Chronicle should have one seat during the initial session of day one,” Reinherz explained in a story that appeared on both news sites. He noted that the first member of the public to enter the courtroom was Daniel Leger, one of two survivors of the attack.
Working together across platforms was odd, said Bob Batz Jr., the Progress’s interim editor, but he could get used to it.
“This is uncharted territory for someone like me, and I’ve been doing this for a long time, and we don’t, you know, we don’t collaborate,” he said.
“We compete!” Tabachnick interjected.
“What we’re doing is not common, and it’s not going to be easy,” Batz said. “Surely, we’re going to tick each other off about something or somebody is going to put the wrong word in or there’s a million things that can go wrong, but the breaking of ground where you’re actually working together, it just makes sense in so many ways on this story. We’re really trying to serve the community.”
Tabachnick said she saw added value in keeping journalists she admired in the limelight while they are on strike. Journalists at the Pittsburgh Post-Gazette went on strike back in October over wages and working conditions, in a crescendo of mounting tensions between the paper’s longtime owners and the staff that contributed to a newsroom exodus even in 2018, when the paper won a Pulitzer for its synagogue shooting coverage. The strike is now one of the longest in journalism history, and the staffers contributing to the Pittsburgh Union Progress are doing so despite earning well below than their regular salaries.
“I feel good about getting their names, their publication’s name out,” Tabachnick said.
Each story is running in essentially identical form on both publications’ websites, with a line crediting their collaboration. Tabachnick and Batz had a brief and friendly email exchange before each clicked “publish” on their story about debate among victims’ families about the appropriateness of the death penalty.
The Chronicle is minimizing appearances of the name of the accused killer, out of sensitivity to readers who may want to see their community members centered rather than their aggressor. Some researchers and law enforcement officials have also called on journalists not to print mass shooters’ names and photographs, citing evidence that doing so may contribute to their glorification and even copycat crimes.
Batz says he totally gets the Chronicle’s thinking, despite making a different choice in his newsroom.
“We’re still feeling our way, we’re still figuring this out,” Batz said. “They don’t name the defendant in their story, and they haven’t. And our guy Torsten who’s an all-star courts reporter, he’s going to use the guy’s name. And then in real time going back and forth on email and text we came up with his solution and that story was on both websites in minutes and it was really kind of cool.”
Tabachnick picked up the account of the previous night’s collaboration as if she’d been working across a desk from Batz for decades instead of online since February.
“The solution was that I realized that with the trial starting, it really didn’t make sense not to use his name at all anymore that we really needed to as a news organization,” she said. “But that didn’t mean we had to overuse his name. And I’m not saying Torsten overused his name. He used it as much as he needed to use it in terms of style, but I took out a few of them and replaced it with ‘the defendant’ and we were all happy.”
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France’s National Assembly Advances Bill to Combat Modern-Day Antisemitism
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
France’s lower house of parliament has advanced legislation targeting what it describes as “renewed forms of antisemitism,” including anti-Zionism and Holocaust minimization, drawing applause from Jewish leaders and sharp criticism from opponents who claim it could undermine free expression.
On Tuesday, the National Assembly’s Law Committee narrowly approved, by an 18-16 vote, a bill — introduced by Jewish MP Caroline Yadan — aimed at combating modern-day antisemitism and Israel-hatred amid growing hostility toward Jews and Israelis across France.
“Strong and decisive measures to send a clear message to our fellow citizens: France unconditionally protects everyone on its soil, guided by the force of the law, steadfast principles, and loyalty to its history,” Yadan wrote in a post on X.
Fière et émue de l’ADOPTION
, aujourd’hui en Commission des lois, de ma proposition de loi visant à lutter contre les formes renouvelées de l’antisémitisme.
Renforcement du délit d’apologie du terrorisme ;
— Caroline Yadan (@CarolineYADAN) January 20, 2026
With support coming largely from the governing majority and the far right and opposition from the left, the bill is now set to advance to the full assembly for further debate.
The new legislation seeks to strengthen existing law by punishing both explicit and implicit praise of antisemitism, equating praise of perpetrators with praise of antisemitic acts, and treating the downplaying or trivializing of terrorism as a form of support.
It would also reinforce laws against glorifying terrorism, establish a new offense for inciting the destruction of a state, and crack down on the trivialization and denial of the Holocaust.
“Today, anti-Jewish hatred in our country is fueled by an obsessive hatred of Israel, which is regularly delegitimized in its existence and criminalized,” Yadan said. This hatred, she continued, is “disguised under the mask of progressivism and human rights.”
“Antisemitism is never an isolated phenomenon,” the French lawmaker said. “It is always a warning. It is the first symptom of a violence that, sooner or later, spreads, expands, and strikes more broadly.”
“When it flourishes, it is our collective responsibility that falters. That is why we must act,” she added.
Debate over the bill comes as France continues to experience a historic surge in antisemitic incidents across the country following the Palestinian terrorist group Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
Yonathan Arfi, president of the Representative Council of Jewish Institutions of France (CRIF) — the main representative body of French Jews — welcomed the legislation, highlighting the importance of safeguarding freedom of expression while ensuring that hate speech threatening public safety is properly regulated.
“CRIF welcomes this initial adoption and underscores the importance of fighting hatred and discrimination within the Republic, whether antisemitic, racist, or in any other form,” the statement read
On the other hand, opponents of the bill warn that it could threaten free speech by blurring the distinction between antisemitism and legitimate criticism of Israel, potentially criminalizing ambiguous statements, irony, slogans, or political commentary.
“Turning public speech on the Israeli-Palestinian conflict into a penalized arena risks deepening divisions rather than easing them,” Socialist MP Marietta Karamanli said during the parliamentary debate.
La France Insoumise MP Gabrielle Cathala, representing the far-left political party, also opposed the legislation, arguing that it does little to effectively combat antisemitism.
“It does not protect Jews. It protects a policy – that of the State of Israel and its criminal leaders – a policy of apartheid, a colonial enterprise, and genocide of the Palestinian people,” she said.
According to experts and civil rights groups, anti-Israel animus has motivated an increasingly significant percentage of antisemitic incidents, especially following Hamas’s Oct. 7 atrocities, which resulted in the biggest single-day massacre of Jews since the Holocaust.
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US Congressional Challenger Says Incumbent Ritchie Torres ‘Bought, Controlled’ by Zionists
Jose Vega, a candidate for US Congress in New York’s 15th District, giving an interview. Photo: Screenshot
Jose Vega, a self-described journalist vying to unseat US Rep. Ritchie Torres (D-NY), claimed in a new campaign video that the incumbent was “bought and controlled” by Zionists while appearing alongside an anti-Israel social media personality.
On Tuesday, a video circulated around social media featuring Vega, who is running for US Congress as a Democrat/Independent, speaking with anti-Zionist pundit Erik Warsaw. The video featured images juxtaposing “Zio Rich Neighborhoods” and “Everyone Else Neighborhoods.”
“Zio” is an antisemitic slur brought into prominence by former Ku Klux Klan leader David Duke. While the term, derived from “Zionist,” has generally been deployed by white supremacists and other far-right extremists, it has more recently been used as well by anti-Israel activists on the progressive far left to refer to Jews in a derogatory manner.
“The Bronx is one of the poorest districts in America, but also has some of the richest Zionists millionaires in America, too,” Warsaw said in the video, standing next to Vega.
Nodding in agreement, Vega added, “Rich people like to live in areas where they can buy the politicians easily, like Ritchie Torres, who is bought and controlled by Zionist influencers and millionaires who all live in Riverdale.”
Riverdale, a leafy and affluent neighborhood nestled in the northwest portion of the Bronx, maintains a significant Jewish population. Vega implied that Torres only won because of low voter turnout from the heavily black and Latino areas of New York’s 15th Congressional District.
Torres responded to the video by lambasting his opponent and noting that Warsaw has praised podcaster Nick Fuentes, an avowed antisemite and Holocaust denier.
“My opposition sees antisemitism not as a tragedy but as a strategy,” Torres posted on X.
“One of my opponents appears in a despicably antisemitic video with Erik Warsaw, who once lionized Nick Fuentes — a notorious Holocaust denier — as a ‘hero.’ In that video, my opponent demonizes the Jewish residents,” the congressman continued.
My opposition sees antisemitism not as a tragedy but as a strategy.
One of my opponents appears in a despicably antisemitic video with Erik Warsaw, who once lionized Nick Fuentes—a notorious Holocaust denier—as a “hero.” In that video, my opponent demonizes the Jewish residents… pic.twitter.com/KVZ9CCPGyU
— Ritchie Torres (@RitchieTorres) January 21, 2026
Warsaw’s Instagram account features an array of videos making broadside attacks against Israel and invoking various antisemitic narratives. In one video, Warsaw promoted the “red ribbon campaign” — a direct parallel to the Israeli yellow ribbon campaign calling for the release of hostages kidnapped by Hamas — which accused the Jewish state of harboring 9,100 Palestinian “hostages” in prison. In another interview with political activist Diane Sare, Warsaw asked about the legitimacy of dual citizenship. In that clip, Warsaw sequenced a series of images accusing Israeli-Americans of having “dual loyalty,” invoking an antisemitic trope.
Vega, a progressive political organizer, entered the race in hopes of toppling Torres, an outspoken defender of Israel. Vega has thus far aligned himself with the far-left, anti-Israel arm of the Democratic party. On his social media profiles, Vega displays a Palestinian flag emoji next to his name.
Vega defines himself as an anti-establishment insurgent, seeking to upend the foreign policy status quo in Congress. On his website, Vega bemoans previous US foreign policy ventures in the Middle East, arguing that American intervention has made the region worse off. He claims that the plight of Gaza, which he has declared a so-called “genocide,” an extension of failed and immoral US foreign policy.
“The genocide taking place in the Gaza Strip and the West Bank is perhaps the most satanic manifestation of our foreign policy today, which regards Palestinians as just another roadblock to attaining strategic dominance in an area,” he wrote.
Torres, 37, a Bronx native who is both Afro-Latino and openly gay, has not shied away from supporting Israel. He has long framed his support for the Jewish state as part of a broader belief in liberal democracy and human rights and is known in Washington as one of the few progressive Democrats willing to challenge the party’s left flank on Middle East issues.
Beyond the Middle East, allies of Torres argue that since his election in 2020, he has secured federal funding for affordable housing, local infrastructure, and small-business relief while being instrumental in directing pandemic recovery aid to neighborhoods hardest hit by COVID-19.
New York’s 15th District, encompassing much of the South Bronx, remains overwhelmingly Democratic and majority black and Hispanic. The congressional district, one of the poorest in the nation, has a child poverty rate of 37 percent, according to the US Census Bureau, the highest in the country.
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YouTuber Ms. Rachel Apologizes for ‘Accidentally’ Liking Instagram Comment Calling to ‘Free America From Jews’
Ms. Rachel. Photo: Wiki Commons.
Children’s educator and YouTuber Ms. Rachel admitted on Wednesday that she “accidentally” liked an antisemitic comment on Instagram that called for America to be “free from the Jews.”
The YouTube star, who creates toddler learning videos, apologized for the apparent mistake after a social media user privately messaged her on Instagram and pointed out that Ms. Rachel liked the antisemitic comment left on one of her posts. The private message promoted Ms. Rachel, 43, to issue a public apology in a video that she posted Wednesday on Instagram for her 4.8 million followers.
The YouTuber, whose real name is Rachel Griffin Accurso, explained that she thought she deleted the hateful comment but accidentally hit “like and hide” instead. The avid critic of Israel, who has shared online posts accusing the Jewish state of “genocide” and has 18.6 million subscribers on her YouTube channel, got emotional in an Instagram video while explaining what happened.
“I thought I deleted a comment, and I accidentally hit ‘like’ and hide,’” she said in an Instagram video. “I don’t know how or why. I’ve accidentally liked comments before. It happens. I’m a human who makes mistakes. I would never agree with an antisemitic thing like the comment. We have Jewish family, a lot of my friends are Jewish. I delete antisemitic comments.”
The issue reportedly began when Ms. Rachel shared a statement from her notes app on Instagram that read “Free Palestine, Free Sudan, Free Congo, Free Iran.” A social media user who replied to the post wrote, “Free America from the Jews” and the comment garnered four likes including from Ms. Rachel, according to screenshots cited by the New York Post.
The children’s YouTube star insisted she was “so broken over” the incident.
“I feel like we can’t be human anymore online,” she complained in the video. “And I’m so sorry for the confusion it caused. I’m so sorry if anyone thought that I would ever agree with something horrible and antisemitic like that. I don’t.”
“I want to say that it’s OK to be human and it’s OK to make mistakes and I’m old, so I am not as good with touching things online, I guess. I have liked things by accident before,” she added. “Everyone who knows me knows I would never like that.”
In an earlier Instagram post about the incident, Ms. Rachel wrote that “people are allowed to make mistakes” and that she was “super sorry for any confusion it caused.”
“I delete antisemitism ANY time I see it. I am against all forms of hate including antisemitism against the Jewish people,” she added.
The watchdog group StopAntisemitism.org has previously accused Ms. Rachel of spreading Hamas propaganda and false information about Israel’s military actions in the Gaza Strip during the Israel-Hamas war.
Ms. Rachel lives in New York City and her husband is Broadway music director and composer Aron Accurso.