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In Israel, a struggle to reconcile grief and joy as Sukkot and Oct. 7 coincide

(JTA) — On the second anniversary of the Hamas massacre, Israelis grappled with how to mark the date which overlapped with the first day of Sukkot, when Jewish tradition requires festivity.

The government postponed official remembrances until the day after the Simchat Torah holiday that bookends Sukkot rather than the Gregorian anniversary. Prime Minister Benjamin Netanyahu came under fire for initially failing to acknowledge Oct. 7 directly, writing a social media post that read simply “Happy Sukkot.”

The convergence of the festival’s religiously required joy with the memory of mass death set off a broader debate over whether celebration and grief could coexist. Some religious leaders and community groups, including the Reform movement, urged weaving remembrance into holiday rituals — lighting candles, reading names, adding prayers for the fallen — while others argued that Sukkot’s happiness should remain intact, with official mourning deferred.

Some Israelis traveled south to visit sites of the attacks, including at official memorials at some of the kibbutzes that were devastated on Oct. 7, but larger crowds were expected on Wednesday, the first of the intermediary days of Sukkot. Travel is prohibited on the first day for those who adhere to traditional interpretations of Jewish law.

Even among the bereaved, observance varied. British-Israeli Gaby Young Shalev, whose younger brother Nathanel Young, a soldier, was killed in action on Oct. 7, said her family chose to celebrate the festival with friends and relatives before turning to commemoration.

“I tried not to think about the fact that it’s Oct. 7. Because I really think it’s important that we don’t let these atrocities of Oct. 7 ruin our chagim,” she said, using the Hebrew word for Jewish festivals.

But once the holiday day ended on Tuesday evening, Young, her parents and sister Miriam went to Tel Aviv’s Yarkon Park for the Oct. 7 memorial organized by Kumu (“Rise Up”), an initiative set up by families of victims and hostages as a counterpoint to the official state ceremony.

The event was livestreamed globally and screened simultaneously at Hostages Square. It opened with released hostage Agam Berger performing the theme from “Schindler’s List” on violin. Between speeches from hostage relatives, bereaved families and released captives, well-known Israeli musicians performed on a stage that was a tableau of symbols: a burned-out car like those destroyed along the Gaza border, encircled by red crown anemones — the national flower and an emblem of remembrance — a bullet-riddled bomb shelter, and 48 suspended yellow chairs representing each hostage still in Gaza.

Singer Yuval Rafael, who survived the Nova festival massacre and later represented Israel at Eurovision, sang with Daniel Weiss, whose parents were murdered by Hamas. Zvi Zussman, father of Maj. Gen. (res.) Ben Zussman, killed in December 2023, recited the Yizkor prayer, while Elchanan Danino, whose son Ori was kidnapped and later murdered in captivity, recited the Mourner’s Kaddish.

Eurovision contestant Eden Golan addressed the livestream in English, saying the nation “had been holding its breath” for two years and calling for the release of the 48 hostages still held in Gaza. She performed “I’m Coming Home” as images of hostages filled the screen behind her. The crowd erupted in chants of “Everyone, Now,” the slogan that has become shorthand for demanding their return.

Unlike last year, the memorial was open to the general public and drew an estimated 30,000 people. In 2024, 50,000 tickets had been reserved by the public but organizers were forced to curtail attendance to the press and victims’ families amid security threats. For Young, the crowd’s size this year conveyed a collective response beyond those most directly affected.

“It’s a reminder that it’s not just about the bereaved families or the families of hostages,” she said. “The whole country is mourning.”

At last year’s memorial, Young told the Jewish Telegraphic Agency that it was the first time her brother’s death had truly sunk in. In the months before, she said, her family’s grief had been buffered by “happy” distractions — the birth of her twins, her parents’ aliyah from the United Kingdom, and the flurry of projects created in Nathanel’s memory. But as another year passed and she returned to the same spot this October, the sense of loss felt sharper. The passage of time, she said on Tuesday, had made his absence harder, not easier.

“We realize that Nathanel’s not just on a long holiday, but that he’s not actually coming back,” she said. The release last month of the army’s year-long investigation into what happened on his base that morning, she added, made the loss feel newly immediate. Still, “we live life with a lot of purpose,” she said. “We keep his spirit alive by asking, even in the most everyday situations, what would Nat do?”

Young said she resonated deeply with an image shared on stage by fellow bereaved speaker Tomer Zak, whose parents and younger brother were killed in the attacks. Zak compared herself to a tree that had lost its leaves but whose roots remained strong. For Young, the metaphor captured the tension between devastation and resilience.

“When other people look at it from the outside they’re like, how can this person continue with their lives? But the memory and the light from the person we lost, from Nathanel, makes us keep going, makes us stronger. It gives us these magic powers — you basically want to do all these things for them,” she said.

To that end, the family have set up a memorial fund in his name to support projects for youth at risk, including young people with ADHD and other forms of neurodivergence, reflecting what she described as Nathanel’s determination to overcome his own setbacks in life and help others do the same.

A few miles east in Bnei Brak, the atmosphere was strikingly different. Late at night, Hasidic music blasted from the Beit Hashem synagogue during a simchat beit hashoeva — a Sukkot celebration where worshippers dance and play music late into the night during the holiday’s midweek nights. Men in fur streimels streamed inside while children chased one another through the narrow alleys.

Asked about the tension between celebration and mourning, several attendees said they were unaware the Gregorian anniversary of Oct. 7 had arrived. Down the road, emissaries of the Chabad-Lubavitch movement had erected a roadside sukkah draped with yellow Mashiach flags — contrasting with the yellow hostage ribbons ubiquitous at the Tel Aviv memorial — and were handing cotton candy to children.

Yossi, one of the Chabad volunteers, said the date did not change their message. “We pray every day for the return of the hostages and the safe return of the soldiers. In all our daily prayers and also when we read from the Torah,” he said.

A woman in a tank top said that despite identifying herself as secular, the attack’s timing would fix the memory to the Hebrew calendar. “I can’t separate from the fact that it happened on Shabbat and also such a joyous festival — Simchat Torah. [Hamas] took that from us forever.”

In Holon, south of Tel Aviv, Eyal Golan spent the day at home. His youngest sister Shirel, a Nova festival survivor, died by suicide shortly before the first anniversary of the attacks. He could not bring himself to attend a memorial, he said, but added that looking after his two small daughters, the youngest of whom is a newborn, took precedence.

“The mental is affecting the physical,” he said of the migraines he was suffering. “I felt a sense of emptiness all day and I struggled with my own PTSD just to function.”

As the event in the Yarkon Park wrapped up, the crowd stood to sing Israel’s national anthem. For Young, the moment tied mourning to resolve. “It’s a collective grief but also a collective hope, that’s how I felt at the end of ‘Hatikvah.’ Yes, we are all grieving, but there’s something with Am Yisrael, with the Jewish people and with Israeli people. We keep going.”

The post In Israel, a struggle to reconcile grief and joy as Sukkot and Oct. 7 coincide appeared first on The Forward.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons

If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.

Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.

“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.

A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.

Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.

“Falcons were up 28-3 at Dunkirk,” that tweet read.

The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.

All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.

The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

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