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Israeli drama film ‘Concerned Citizen’ tackles gentrification and race issues in Tel Aviv
(JTA) — The Israeli satirical drama film “Concerned Citizen” opens with the sacrosanct rituals of a bourgeois Tel Aviv life: a robot vacuum slides gracefully across the floor; lush house plants are watered; vegetables are blended into green juice. The score from the Bellini opera “Norma” plays in the background.
Then a car alarm rudely interrupts the utopia.
It only gets worse from here for Ben and Raz, a progressive Israeli gay couple (played by actors Shlomi Bertonov and Ariel Wolf, who are also a couple in real life) living in a pristine renovated apartment in a gentrifying neighborhood in south Tel Aviv. When Ben, a landscape architect, plants a tree on their block, his seemingly innocent desire to improve the neighborhood quickly goes awry, and a series of events forces him to face his own repressed prejudices and hypocrisy.
With the tension of a thriller, “Concerned Citizen,” the second feature film by Israeli writer-director Idan Haguel, tackles the universal themes of privilege and multicultural tension in gentrifying cities, using the hyper-specific lens of Neve Sha’anan — the south Tel Aviv neighborhood that’s home to many of the country’s foreign workers and asylum seekers, as well as the city’s notoriously rundown (but culturally vibrant) Central Bus Station.
After making its world premiere last year at the famed Berlin International Film Festival, the movie debuts in select U.S. theaters on Friday and will also be available to rent on Amazon and Apple TV+.
Ben and Raz’s apartment, a hot commodity in one of the world’s most expensive cities, is the axis around which much of the drama revolves. In one scene, a French-Jewish woman looks into buying the apartment sight unseen. Their neighbors include both the extremely vulnerable and the privileged: immigrants from Eritrea in one apartment, and a writer plotting his move to Berlin with his foreign wife in another.
Idan Haguel spoke with the Jewish Telegraphic Agency about the film and his personal connections to it. After losing his suitcase, Haguel chatted on his phone from a cafe in Berlin before heading to New York for the film’s American release.
This conversation has been edited and condensed.
JTA: Tell me a little about yourself and how you became a filmmaker.
IH: I was born in the suburban city Rishon LeTsiyon and I always didn’t know what to do with my life. After the army I decided to go to film school. I wanted to be a scriptwriter, to do comedies. I discovered filmmaking, directing, and I gradually fell in love with that part. Then after school, I became a journalist because I couldn’t make a film — it was very difficult for me to get into that world. When my journalism career ended abruptly by the closing of the magazine, I decided that it’s now or never. I made my first feature film, that was a film called “Inertia.” That film is based on childhood memories of my grandparents. My grandparents were immigrants from Lebanon, Romania and Thessaloniki in Greece.
“Concerned Citizen” is partially about immigration. Why was it important to you to focus on the immigrant experience?
I was drawn into the irony, and, some may say, hypocrisy of living in a country that historically was formed by the narrative of [the Jew] being the immigrant of the world, not accepted into other countries, that in some ways still holding that grudge against countries that weren’t receptive to the immigrant Jew and pushed immigrants out. Of course, there is the horror story of Germany and the Holocaust and that’s the extreme end of mistreating “the other.” So living in a country formed by immigrants, [contrasted with] the way we behave to immigrants who are not part of the ethos of the Jewish immigrant narrative — I was drawn into that irony, although it wasn’t an intellectual process. It was more based on the experience of living in that neighborhood in south Tel Aviv, being marinated in the dilemmas and the daily complexity of living in Neve Sha’anan as a bourgeois, middle class person. After a few years I wanted to comment on that. I wanted to be brutally honest with myself and about myself. So my daily life and the life of my neighbors and friends became the material with which I wrote this fictional movie.
And you shot the film in your old apartment!
That was the mindfuck of the whole production, because I made the story close to me but I left a distance. I used my experience but I created these characters who are very close but very different. I shot the therapy scenes in my therapist’s clinic. I shot the building scenes in my building on my street. Everything became very, very close and it was really an “Alice in Wonderland” experience. Looking into a mirror and everything is morphing and making you look different and look differently at yourself and your life.
Can you talk about the south Tel Aviv neighborhood where the film is set, Neve Sha’anan?
It’s the outskirts of the center of Tel Aviv. It was always an immigrant neighborhood. But it changed over the years, it became working immigrants. In the 90s, there were the Romanian immigrants, and then it was Chinese immigrants who came to work in Israel. And over the last 15 years it has become immigrants from Africa, combined with older people who have lived there years and new people who are the more gentrifiers of the neighborhood, artists and gay people and those who are more economically stable. So now the neighborhood is comprised of sex workers, immigrants, junkies, dealers, and gay people. It’s a mix, but the prices have gone low, and people who didn’t have enough money to buy property in the city center started buying there. So the neighborhood has this tension of people who want to live a more bourgeois life, but they’re in the middle of the neighborhood with people who don’t have rights, who are immigrants, who don’t know if tomorrow the government will kick them out. People from all over the world. But it’s become a haven for investors and the neighborhood is in the middle of being gentrified and changed.
So it’s a very interesting setting to live in and to make a film in. It’s very dense. It’s one of the less homogenic and more diverse areas in Israel. Israel prides itself on the diversity of Jewish people coming from Arab countries, coming from Europe. But they’re all Jewish and they share a common mentality and they’re all citizens of Israel. Neve Sha’anan is more diverse – it’s people from India, China, Eritrea, Sudan, the Ivory Coast. I feel it’s a missed opportunity by Israeli society that instead of accepting these people legally and into our society, they are trying to hold back and fight against it. It’s also very ironic that Israel is becoming a state that aspires to have a government like this. It’s mind-boggling. It’s like, we learned nothing from history and our own history. It’s like people don’t want to connect dots. They just want to see the cruel history that they experienced as the Jewish people and feel like it was something personal that happened to them, and like they cannot be the victimizers at all.
You’ve said that this film is very much about the idea of who’s the victim and who’s the victimizer.
When you raise yourself and your children on the narrative of being a victim and perpetuating historical trauma it’s very hard to notice other people’s traumas, and the fact that you are creating traumas for other people. Because you’re constantly in trauma and you’re always dealing with your own trauma and you’re always the victim and you’re the center of the world, but you are not the center of the world. I think it should change. But no one cares what I think! Sometimes I don’t care about what I think.
What was the casting process like?
The casting process was through meeting people and going to plays. [I turned to] the Holot theater company to cast the Eritrean community in Israel. It was cast mainly by meeting actors from the group, having conversations with them. Basically they wanted to participate in the film and I was very lucky about that. They’re a group that used to be based in Holot outside of a temporary incarceration open prison for immigrants who don’t have permits to stay in Israel. They put them in an open prison in the desert close to the Negev.
There’s an interesting scene between the French-Jewish woman (played by Flora Bloch) who is trying to move to Israel and Ben that I thought was a very revealing moment about the ways that Jewishness is expressed when Jews are a minority in the country versus when they are the majority in the country. The French woman is concerned by France’s antisemitism and wants to move to Israel, while Ben is tortured by the complexities of living as a privileged Jewish Israeli person. Can you say something about what that scene meant to you?
One of the things I’m proud about this film is that I feel like it deals with subjects which are not easy subjects to address. But I think we managed to create a balance between comedy and drama that I’m very proud of. I think it allows the film to be self explanatory. It can reveal its deep themes and make you think, in an entertaining way. Again, it’s about irony. It’s about hypocrisy. It’s about human nature. Knowing how to experience your own point of view, and being unable to be in another person’s point of view. It’s human nature, and it’s ever-fascinating to me.
And it also happens to me a lot of times with the fact that I can be in my own shoes and identify my own narrative so much but it’s hard for me to even experience a person who is experiencing the same thing as me but in a different language in different settings. But the resemblance is there so it’s very ironic. And I think that scene is about that.
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The post Israeli drama film ‘Concerned Citizen’ tackles gentrification and race issues in Tel Aviv appeared first on Jewish Telegraphic Agency.
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‘Scarier Than the Holocaust’: Survivor of Nazi Camps, Oct. 7 Dies at 92
Daniel Louz speaks at Auschwitz-Birkenau as part of the annual March of the Living, May 2024. Photo: Screenshot
Less than two weeks after lighting a Holocaust Remembrance Day torch and saying the Oct. 7, 2023, attack on Israel was scarier than the Nazis’ genocide of European Jews, Daniel Louz, who escaped Nazi persecution as a child and survived the Hamas massacre at Kibbutz Be’eri eight decades later, has died at 92.
The nonagenarian lit a torch at the Israeli Holocaust Remembrance Day ceremony at Kibbutz Yad Mordechai, where the annual Holocaust and Heroism Memorial Rally has been held for decades. In an interview with the Yedioth Ahronoth newspaper before the ceremony, he spoke prophetically – and with humor – about his declining health.
“You see me happy and smiling in the photo, but my health is really not good,” he said. “Soon I will have to return my soul to the Creator, but I make an effort for the camera.”
Born in France, Louz was a child when Nazi Germany invaded in 1940. He and his family were held in three concentration camps in France, separated for years between different camps, with his mother and sister in one place and his father in another. The family survived, but most of his relatives, including 10 aunts and uncles and two cousins, did not.
Two years ago, on Holocaust Remembrance Day, Louz visited Auschwitz-Birkenau with the annual March of the Living, where he also took part in a torch-lighting ceremony.
Louz immigrated to Israel in 1949. He first lived on Kibbutz Nirim in the Negev and later made his home at Kibbutz Be’eri.
“I began to breathe again,” Louz said of the move to Israel.
Louz described the events of Oct. 7, 2023, in Be’eri, one of the communities hit hardest during the Hamas-led attack. On Oct. 6, like many Be’eri residents, Louz marked the kibbutz’s anniversary. The next morning, Hamas terrorists stormed the community. Of the kibbutz’s roughly 1,200 residents, 101 were murdered and 30 were kidnapped. Hundreds of homes were destroyed and more than two years later, most of the community is still living elsewhere.
Louz was inside his home as the attack unfolded.
“We were already hostages in our own home, when Hamas terrorists entered the kibbutz,” he said.
“It was a deathly fear. It was even scarier than I remember as a child during that war,” he added.
Louz said he had not recovered from the trauma of the attack and expressed his hope for an end to war, adding that while he no longer believed he would live to see peace himself, he hoped his grandchildren would.
At Birkenau, Louz tied the memory of the Holocaust directly to the massacre in southern Israel.
“We, the survivors of the Holocaust, who established a home and a state – that constitute our great victory over the Nazis and antisemitism – light this torch in memory of those who perished in the Holocaust, and in memory of those murdered on Oct. 7,” he said, his voice shaking.
Approximately 2,500 Holocaust survivors were in areas directly affected by Oct 7, according to Israel’s Ministry of Welfare and Social Affairs. Roughly 2,000 of these survivors were forced to evacuate their homes from the Gaza envelope and northern Israel due to the subsequent war.
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An Indiana town had no Jewish cemetery. When its mayor died, it built one
When Marcus Levy died in Aurora, Indiana, in September 1871, the city gathered.
Levy was 63 years old, a native of Prague, and the mayor of Aurora. After the upheavals of 1848, he left Europe and arrived in New York a stranger and without means before making his way west. He came to Aurora around 1855 and, over the years, served as city treasurer, county treasurer, school trustee, and then mayor at the time of his death.
He was unmarried and died a poor man after a failed business investment. At his funeral, one fraternal resolution noted the “entire absence of any one related to him by blood.” But he did not die unknown. He had, as The Israelite newspaper of Cincinnati put it, gained the respect of those around him through “his integrity, his talents, and his goodness of heart, both in his private and public life.”
His funeral was held in the Methodist Episcopal Church, the largest building in town. Rabbi Goldammer of Cincinnati had traveled roughly 40 miles to Aurora to officiate. When Levy’s death was announced, one local report noted, “the grief of his friends and the public at large was no less poignant.”
Aurora marked the death formally. The town council recorded its “unfeigned sorrow,” described Levy as “a competent, faithful, and honest public official,” ordered Council Hall draped in mourning for 30 days, and directed city officers to attend the funeral as a group.
At 1 p.m., according to an account of the day, the services began. The church was filled to capacity, and probably more than half of those who came could not get in. One account estimated the attendance at more than 4,000 people.
Then the procession formed.
A German band led. The Aurora lodge of Masons followed in full regalia. Then came the Odd Fellows lodges, also in regalia. Another band. The hearse. Ladies and gentlemen “of the Jewish faith” in carriages. Citizens on foot.
The procession moved under direction through the city to River View Cemetery. One account said it extended nearly three miles. Another called it the largest funeral procession Aurora had ever seen.
At the graveside, rites were performed. The Masons and Odd Fellows conducted their fraternal ceremonies. Afterward, Rabbi Goldammer read the Jewish funeral service.
‘The wind is favorable’
The burial itself had nearly taken place elsewhere.
Because Aurora’s Jewish population numbered just four families, local Jews had first agreed to send Levy’s remains to Cincinnati, where there was an established Jewish cemetery.
But Aurora resisted that plan. According to one report, the “impressive desire of the community” was to keep within the city “as a dear memory” the remains of the man they had respected for so many years. Another account stated Levy’s friends in the city, “irrespective of religious belief,” insisted that he should be buried where he had spent so much of his life.
And so he was.
Levy was interred in River View Cemetery, and Rabbi Goldammer consecrated the ground. Yet the work did not end with the funeral. Rabbi Isaac M. Wise later explained that the Jews of Aurora and neighboring Lawrenceburgh, “few in numbers,” attempted to purchase three adjoining lots so that Levy’s grave might become part of a Jewish burial ground.
A second effort followed: to place “an appropriate monument” above Levy’s grave.
To raise the money, local Jews turned outward. Wise wrote that Abram Epstein and Joseph Meyer of Aurora took the matter in hand and invited him to lecture in the city for the benefit of the monument fund. Wise had refused other outside engagements that winter, but he went to Aurora on Jan. 20, 1873.
The lecture was held in the Presbyterian church. Its pastor, the Rev. A.W. Freeman, with the unanimous consent of his congregation, offered the building for the occasion. Wise described it as “a very pleasant and spacious building.” Before the lecture, Freeman’s daughter played the organ, and four local vocalists, including “one of the most respected bankers of the place and his lady,” sang a quartet.
Though revival meetings were underway in two other churches that same evening, Wise said the church was well filled with “a highly intelligent class of people,” who listened patiently for an hour and a quarter as he lectured on episodes from Jewish history and the world’s progress since then.
Afterward, Freeman, who had introduced Wise, rose and proposed a vote of thanks, which was unanimously approved.
Wise did not know how much money had been raised. He hoped only that the work would continue until the fund was sufficient to erect “a respectable monument” to Levy. He added that he would willingly serve again for that purpose.
A local writer had remarked that the event would be a curious spectacle, a Jewish rabbi speaking in a Christian church before a Christian audience. Wise rejected the novelty. There was nothing peculiar in it, he wrote, for one “to whom all men are equals whatever their creeds, languages, or places of nativity may be.” He added, “We worship one God and love one human family,” and told readers afterward, “We are steering in that direction, and the wind is favorable.”
In Aurora, a Jewish mayor died, and the town did not send him away.
They buried him and then worked to mark the ground.
The post An Indiana town had no Jewish cemetery. When its mayor died, it built one appeared first on The Forward.
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Mediators Still Seek to Bridge US, Iran Gaps Despite No Face-to-Face Talks
People walk past a billboard with a graphic design about the Strait of Hormuz on a building, amid a ceasefire between US and Iran, in Tehran, Iran, April 27, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Work has not halted to bridge gaps between the United States and Iran, sources from mediator Pakistan said, despite the absence of face-to-face diplomacy after President Donald Trump called off a trip by his envoys over the weekend.
Iranian sources disclosed Tehran’s latest proposal on Monday, which would set aside discussion of Iran‘s nuclear program until the war is ended and disputes over shipping from the Gulf are resolved. That is unlikely to satisfy Washington, which says nuclear issues must be dealt with from the outset.
Hopes of reviving peace efforts have receded since the US president scrapped a visit on Saturday by his envoy Steve Witkoff and son-in-law Jared Kushner to Islamabad, the Pakistani capital, where Iranian Foreign Minister Abbas Araqchi shuttled in and out twice over the weekend.
Araqchi also visited Oman over the weekend and went to Russia on Monday, where he met President Vladimir Putin and received words of support from a longstanding ally.
OIL PRICES RISE AGAIN
With the warring sides still seemingly far apart on issues including Iran‘s nuclear ambitions and access through the crucial Strait of Hormuz, oil prices resumed their upward march when trade reopened on Monday. Brent crude was up around 3.5% at around $108.8 a barrel by 1500 GMT.
“If they want to talk, they can come to us, or they can call us. You know, there is a telephone. We have nice, secure lines,” Trump told “The Sunday Briefing” on Fox News.
“They know what has to be in the agreement. It’s very simple: They cannot have a nuclear weapon; otherwise, there’s no reason to meet,” Trump said.
Araqchi expressed a different perspective, telling reporters in Russia that Trump requested negotiations because the US has not achieved any of its objectives.
ISLAMABAD REOPENS AFTER LOCKDOWN TO HOST TALKS
Senior Iranian sources, speaking on condition of anonymity, told Reuters the proposal carried by Araqchi to Islamabad over the weekend envisioned talks in stages, with the nuclear issue to be set aside at the start.
A first step would require ending the US-Israeli war on Iran and providing guarantees that Washington cannot start it up again. Then negotiators would resolve the US blockade and the fate of the Strait of Hormuz, which Iran aims to reopen under its control.
Only then would talks look at other issues, including the longstanding dispute over Iran‘s nuclear program, with Iran still seeking some kind of US acknowledgment of its right to enrich uranium for what it says are peaceful purposes.
In a sign that no face-to-face meetings are planned any time soon, streets reopened in Pakistan’s capital Islamabad, which had been locked down for a week in anticipation of talks that never took place. The luxury hotel that had been cleared out to serve as a venue was again taking reservations from the public.
Pakistani officials said negotiations were still taking place remotely, but there were no plans to convene a meeting in person until the sides were close enough to sign a memorandum.
SHIPPING SNARLED BY BOTH SIDES
Although a ceasefire has paused the US-Israeli strikes on Iran that began on Feb. 28, no agreement has been reached on terms to end a war that has killed thousands and driven up oil prices. Both sides could be settling in for a test of wills.
Iran has largely blocked all shipping apart from its own from the Gulf through the Strait of Hormuz since the war began. This month, the United States began blockading Iranian ships.
Six tankers loaded with Iranian oil have been forced back to Iran by the US blockade in recent days, ship-tracking data shows, underscoring the impact the war is having on traffic.
Between 125 and 140 ships usually crossed in and out of the strait daily before the war, but only seven have done so in the past day, according to Kpler ship-tracking data and satellite analysis from SynMax, and none of them were carrying oil bound for the global market.
With his approval ratings falling, Trump faces domestic pressure to end the unpopular war. Iran‘s leaders, though weakened militarily, have found leverage with their ability to stop shipping in the strait, which normally carries a fifth of global oil shipments.
However, experts have warned that the Iranian economy is on the verge of collapse, especially if the US blockade continues to slash Iran’s oil exports.