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Israeli drama film ‘Concerned Citizen’ tackles gentrification and race issues in Tel Aviv

(JTA) — The Israeli satirical drama film “Concerned Citizen” opens with the sacrosanct rituals of a bourgeois Tel Aviv life: a robot vacuum slides gracefully across the floor; lush house plants are watered; vegetables are blended into green juice. The score from the Bellini opera “Norma” plays in the background.

Then a car alarm rudely interrupts the utopia. 

It only gets worse from here for Ben and Raz, a progressive Israeli gay couple (played by actors Shlomi Bertonov and Ariel Wolf, who are also a couple in real life) living in a pristine renovated apartment in a gentrifying neighborhood in south Tel Aviv. When Ben, a landscape architect, plants a tree on their block, his seemingly innocent desire to improve the neighborhood quickly goes awry, and a series of events forces him to face his own repressed prejudices and hypocrisy.

With the tension of a thriller, “Concerned Citizen,” the second feature film by Israeli writer-director Idan Haguel, tackles the universal themes of privilege and multicultural tension in gentrifying cities, using the hyper-specific lens of Neve Sha’anan — the south Tel Aviv neighborhood that’s home to many of the country’s foreign workers and asylum seekers, as well as the city’s notoriously rundown (but culturally vibrant) Central Bus Station. 

After making its world premiere last year at the famed Berlin International Film Festival, the movie debuts in select U.S. theaters on Friday and will also be available to rent on Amazon and Apple TV+.

Ben and Raz’s apartment, a hot commodity in one of the world’s most expensive cities, is the axis around which much of the drama revolves. In one scene, a French-Jewish woman looks into buying the apartment sight unseen. Their neighbors include both the extremely vulnerable and the privileged: immigrants from Eritrea in one apartment, and a writer plotting his move to Berlin with his foreign wife in another. 

Idan Haguel spoke with the Jewish Telegraphic Agency about the film and his personal connections to it. After losing his suitcase, Haguel chatted on his phone from a cafe in Berlin before heading to New York for the film’s American release. 

This conversation has been edited and condensed. 

JTA: Tell me a little about yourself and how you became a filmmaker. 

IH: I was born in the suburban city Rishon LeTsiyon and I always didn’t know what to do with my life. After the army I decided to go to film school. I wanted to be a scriptwriter, to do comedies. I discovered filmmaking, directing, and I gradually fell in love with that part. Then after school, I became a journalist because I couldn’t make a film — it was very difficult for me to get into that world. When my journalism career ended abruptly by the closing of the magazine, I decided that it’s now or never. I made my first feature film, that was a film called “Inertia.” That film is based on childhood memories of my grandparents. My grandparents were immigrants from Lebanon, Romania and Thessaloniki in Greece. 

“Concerned Citizen” is partially about immigration. Why was it important to you to focus on the immigrant experience? 

I was drawn into the irony, and, some may say, hypocrisy of living in a country that historically was formed by the narrative of [the Jew] being the immigrant of the world, not accepted into other countries, that in some ways still holding that grudge against countries that weren’t receptive to the immigrant Jew and pushed immigrants out. Of course, there is the horror story of Germany and the Holocaust and that’s the extreme end of mistreating “the other.” So living in a country formed by immigrants, [contrasted with] the way we behave to immigrants who are not part of the ethos of the Jewish immigrant narrative — I was drawn into that irony, although it wasn’t an intellectual process. It was more based on the experience of living in that neighborhood in south Tel Aviv, being marinated in the dilemmas and the daily complexity of living in Neve Sha’anan as a bourgeois, middle class person. After a few years I wanted to comment on that. I wanted to be brutally honest with myself and about myself. So my daily life and the life of my neighbors and friends became the material with which I wrote this fictional movie.

And you shot the film in your old apartment! 

That was the mindfuck of the whole production, because I made the story close to me but I left a distance. I used my experience but I created these characters who are very close but very different. I shot the therapy scenes in my therapist’s clinic. I shot the building scenes in my building on my street. Everything became very, very close and it was really an “Alice in Wonderland” experience. Looking into a mirror and everything is morphing and making you look different and look differently at yourself and your life.

Can you talk about the south Tel Aviv neighborhood where the film is set, Neve Sha’anan? 

It’s the outskirts of the center of Tel Aviv. It was always an immigrant neighborhood. But it changed over the years, it became working immigrants. In the 90s, there were the Romanian immigrants, and then it was Chinese immigrants who came to work in Israel. And over the last 15 years it has become immigrants from Africa, combined with older people who have lived there years and new people who are the more gentrifiers of the neighborhood, artists and gay people and those who are more economically stable. So now the neighborhood is comprised of sex workers, immigrants, junkies, dealers, and gay people. It’s a mix, but the prices have gone low, and people who didn’t have enough money to buy property in the city center started buying there. So the neighborhood has this tension of people who want to live a more bourgeois life, but they’re in the middle of the neighborhood with people who don’t have rights, who are immigrants, who don’t know if tomorrow the government will kick them out. People from all over the world. But it’s become a haven for investors and the neighborhood is in the middle of being gentrified and changed. 

So it’s a very interesting setting to live in and to make a film in. It’s very dense. It’s one of the less homogenic and more diverse areas in Israel. Israel prides itself on the diversity of Jewish people coming from Arab countries, coming from Europe. But they’re all Jewish and they share a common mentality and they’re all citizens of Israel. Neve Sha’anan is more diverse – it’s people from India, China, Eritrea, Sudan, the Ivory Coast. I feel it’s a missed opportunity by Israeli society that instead of accepting these people legally and into our society, they are trying to hold back and fight against it. It’s also very ironic that Israel is becoming a state that aspires to have a government like this. It’s mind-boggling. It’s like, we learned nothing from history and our own history. It’s like people don’t want to connect dots. They just want to see the cruel history that they experienced as the Jewish people and feel like it was something personal that happened to them, and like they cannot be the victimizers at all. 

You’ve said that this film is very much about the idea of who’s the victim and who’s the victimizer.  

When you raise yourself and your children on the narrative of being a victim and perpetuating historical trauma it’s very hard to notice other people’s traumas, and the fact that you are creating traumas for other people. Because you’re constantly in trauma and you’re always dealing with your own trauma and you’re always the victim and you’re the center of the world, but you are not the center of the world. I think it should change. But no one cares what I think! Sometimes I don’t care about what I think.

What was the casting process like?

The casting process was through meeting people and going to plays. [I turned to] the Holot theater company to cast the Eritrean community in Israel. It was cast mainly by meeting actors from the group, having conversations with them. Basically they wanted to participate in the film and I was very lucky about that. They’re a group that used to be based in Holot outside of a temporary incarceration open prison for immigrants who don’t have permits to stay in Israel. They put them in an open prison in the desert close to the Negev. 

There’s an interesting scene between the French-Jewish woman (played by Flora Bloch) who is trying to move to Israel and Ben that I thought was a very revealing moment about the ways that Jewishness is expressed when Jews are a minority in the country versus when they are the majority in the country. The French woman is concerned by France’s antisemitism and wants to move to Israel, while Ben is tortured by the complexities of living as a privileged Jewish Israeli person. Can you say something about what that scene meant to you? 

One of the things I’m proud about this film is that I feel like it deals with subjects which are not easy subjects to address. But I think we managed to create a balance between comedy and drama that I’m very proud of. I think it allows the film to be self explanatory. It can reveal its deep themes and make you think, in an entertaining way. Again, it’s about irony. It’s about hypocrisy. It’s about human nature. Knowing how to experience your own point of view, and being unable to be in another person’s point of view. It’s human nature, and it’s ever-fascinating to me.

And it also happens to me a lot of times with the fact that I can be in my own shoes and identify my own narrative so much but it’s hard for me to even experience a person who is experiencing the same thing as me but in a different language in different settings. But the resemblance is there so it’s very ironic. And I think that scene is about that.  


The post Israeli drama film ‘Concerned Citizen’ tackles gentrification and race issues in Tel Aviv appeared first on Jewish Telegraphic Agency.

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How a monument to a Jewish Confederate ended up in a storage unit, next to a vacuum cleaner

Behind an orange roll-up door at a self-storage facility in New Orleans, sits a vacuum cleaner, some lighting gear and a cardboard box.

Inside the box is a Confederate monument, one of the strangest Jewish heirlooms in America.

It is granite, four and a half feet tall, 1,600 pounds and shaped like a thick tombstone. It lies on its side on a crushed wooden pallet because it can no longer stand up. A third of it once sat underground, and when Charlotte, North Carolina, chipped it out of a sidewalk in the summer of 2020, the buried end came out ragged. It carries a few gouges where a protester swung a hammer. Until the city scrubbed it, it also carried three letters in black spray paint: BLM.

“There it sits to this day,” said Kenneth Hoffman, executive director of the Museum of the Southern Jewish Experience, half a mile away in New Orleans, “and possibly will sit forever.”

The stone is one of the last left standing — or, more precisely, lying down — from a century-long campaign in which American Jews built monuments across the South to Judah P. Benjamin, the Confederacy’s Jewish secretary of state, because, for a time, he represented their own acceptance in the South. The monument’s fall tells the story of what changed — not just about Benjamin, but about the Jews who once celebrated him.

Its journey from a Charlotte sidewalk to a New Orleans storage unit involves a Yiddish-speaking ex-convict, the United Daughters of the Confederacy, an antisemitic banker, two Polish-born rabbis, a dollar bill pulled from a stranger’s wallet, and a retired lawyer whose wife descends from the man who once hid Benjamin from the Union Army.

What nobody has figured out is what to do with it.

The brains of the Confederacy

Benjamin was a New Orleans lawyer, a sugar planter who owned 140 enslaved people, and a U.S. senator from Louisiana. When the South seceded, Confederate President Jefferson Davis made Benjamin attorney general, then secretary of war, then secretary of state. The two men worked side by side as much as 10 hours a day. Benjamin’s face was engraved on the Confederate $2 bill, likely the only paper money issued in America to feature a Jewish person.

He was known as “the brains of the Confederacy” — a phrase that started as an insult, the old canard of the Jewish puppet master, a way of pinning the Civil War’s loss on the one Jew in the cabinet. He married a Catholic woman, never joined a synagogue and was not a practicing Jew, but none of that mattered. A senator from Ohio sneered that Benjamin was an “Israelite with Egyptian principles.”

When the Confederacy collapsed, Benjamin ran. He disguised himself as a Frenchman who spoke no English, hid in a Florida swamp and slipped out to sea. He made it to London, reinvented himself as a barrister, and died wealthy and free in Paris in 1884, never having answered for any of his past.

That flight is why there are so few monuments to him. Davis went to prison. The generals surrendered and lived out their lives in the South. Benjamin escaped and never came back.

“Some considered Judah Benjamin a kind of traitor,” said Jonathan Sarna, the noted Brandeis University historian of American Jewry.

So the Lost Cause never fully claimed him. Southern Jews claimed him instead.

‘Judah P. Benjamin Nite’

The commemoration campaign that followed has been reconstructed largely by David Weinfeld, an assistant professor at Rowan University who is working on a book called Southern Jews and the Lost Cause. It was indifferent to geography.

Jewish war veterans presented a Benjamin portrait to Atlanta Mayor William Hartsfield in 1954 for the city’s collection of “Confederate Heroes and Statesmen.” Weinfeld found that Alabama’s B’nai B’rith opened its 1962 state convention with a dinner-dance called “Judah P. Benjamin Nite,” and offered to fund a monument at the state capitol honoring him as “a son of the Jewish people.”

Alabama didn’t have a strong connection to Benjamin, which was precisely the appeal there. He “provided a means for southern Jews to prove their southernness regardless of what former Confederate state they resided in,” writes Weinfeld.

David Weinfeld, an assistant professor at Rowan University, is writing a book called "Southern Jews and the Lost Cause."
David Weinfeld, an assistant professor at Rowan University, is writing a book called “Southern Jews and the Lost Cause.” Photo by Benyamin Cohen

Sarna puts the calculation more starkly. Jewish safety in the South depended on being counted as white, and Southern Jews understood the alternative.

“Why did they want to be white?” he asked. “Because the alternative was to be Black.”

The stakes weren’t abstract. In the years around those celebrations, synagogues across the South were bombed and set on fire, and rabbis who backed integration were punished for it. “There were people whose response was, ‘If we want to continue to be here in the South, this is the price we have to pay,’” Sarna said.

It was a bargain, mostly unspoken: stay loyal to the white South and you will be well treated. Many Southern Jews upheld their end of it. Plenty, Sarna said, “had prejudices not different from those of their non-Jewish counterparts.”

The United Daughters of the Confederacy embraced Benjamin right back. “They understood that celebrating a Jew made the Confederacy look tolerant,” Weinfeld told a room of scholars at the American Jewish Historical Society’s conference this June in Cleveland.

The Daughters chartered a Judah P. Benjamin chapter in Bradenton, Florida, in 1914, and after World War I began sponsoring Benjamin markers across the South.

In 1924, the Daughters bought Belle Chasse, Benjamin’s old Louisiana plantation, and a New Orleans rabbi spoke at the dedication, consecrating the house to “the impulse of patriotism.” The next year they bought the Gamble Plantation in Ellenton, Florida, where Benjamin is said to have hidden from Union troops, and gave it to the state. It remains a state park officially named the Judah P. Benjamin Confederate Memorial. With B’nai B’rith’s support, the UDC raised a monument in Sarasota in 1942 — pink Georgia marble, crowned with a bronze sundial — and another in Fayetteville in 1944.

The Sarasota dedication came six weeks after Pearl Harbor, and the Birmingham News found in it a wartime moral. Honoring Benjamin was fitting “especially so right now, when the United States is at war with totalitarian forces whose ringleader, Nazi Germany, proclaims and practices racial and religious intolerance,” the paper wrote. The monument was “in a way a part of the answer of the South, the land of the Confederacy, to Adolf Hitler’s assault upon those freedoms which Southerners and all Americans hold dear.”

It was a memorial to a slaveholding Confederate, offered as the South’s rebuttal to Hitler.

The Charlotte fiasco

In Charlotte, the arrangement broke down in public.

According to Weinfeld’s extensive research, the local UDC chapter was preparing to host the 1948 state convention and wanted a marker for the spot where Benjamin sheltered for a week in April 1865, in the home of a Jewish merchant named Abraham Weill. The chapter’s historian, Josephine Yarbrough, needed money. She wrote to Harry Golden.

Weinfeld has traced what happened next through Golden’s own account and contemporaneous records.

Golden was about the least Confederate man in North Carolina. Born in what is now Ukraine, raised on the Lower East Side, he had served federal prison time for mail fraud before reinventing himself in Charlotte as publisher of the one-man newspaper the Carolina Israelite.

Harry Golden reading a copy of his newspaper, the Carolina Israelite, in 1968.
Harry Golden reading a copy of his newspaper, the Carolina Israelite, in 1968. Photo by Bettmann/Getty Images

Golden would go on to become a best-selling humorist and an ally of Martin Luther King Jr. during the civil rights movement. But in 1948, he called Benjamin “one of the greatest Jews America has ever produced.” He signed up the city’s two synagogues, Temple Israel and Temple Beth El, which agreed to buy the granite and present it to the Daughters as a gift.

Then came the letter.

A non-Jewish New York banker with Charlotte in-laws warned UDC members across the state that the Daughters were being used for Jewish propaganda. Charlotte’s so-called good Jews, he wrote, were “good only because they are as yet unrevealed.”

That was all it took. The local Daughters voted to yank their name off the stone, then went to the city council to stop the marker from being erected. They argued it would block passengers boarding city buses. The state and national organizations overruled them, and both synagogues voted to press on.

On Oct. 1, 1948, police blocked off South Tryon Street for the unveiling. The mayor came. A Presbyterian minister delivered the keynote. And the Jewish blessings came from two rabbis — Aaron Tofield of Temple Israel and Philip Frankel of Temple Beth El — both born in Poland. Three years after the Holocaust ended, two immigrant rabbis from the old country stood on a Southern sidewalk and consecrated a monument to the Confederacy.

Hidden in plain sight

The stone did what stones do. It stood there.

Charlotte changed around it — the streetcars, then the skyscrapers, then the FedEx store it eventually fronted. The inscription was right there for anyone who bothered to crouch down and read it. You could ship a package, grab a coffee and walk right past a monument to the Confederate secretary of state.

Charlotte’s Jewish community never forgot, exactly. During her years in Beth El’s pulpit, which ran from 1998 to 2016, Rabbi Judith Schindler used the marker to teach the congregation’s teenagers about Jews in the Confederacy.

In August 2017, white supremacists marched in Charlottesville, Virginia, to protest the planned removal of a statue of Confederate General Robert E. Lee, and a counterprotester was killed. Soon after, Beth El’s board voted unanimously to push Charlotte to move the marker somewhere else — or find some other use for it. The answer was the same every time: North Carolina law barred removing Confederate monuments unless they were relocated somewhere equally prominent.

Then, in June 2020, artists painted a “Black Lives Matter” street mural along South Tryon, directly in front of the stone. The monument looked out over the M in “Matter.”

Days later, somebody spray-painted “BLM” across most of the granite and went at it with a hammer. The granite mostly won. “They probably whacked at it several times,” Hoffman said, “and it really only took out a few chips.”

On June 17 of that year, Temple Israel and Temple Beth El — the same two congregations that had paid for the stone in 1948 — wrote to Charlotte’s mayor, city council and city manager. This time, they demanded the monument be removed.

“We should neither celebrate the Confederacy nor honor the legacy of white supremacy,” they wrote. “The monument does not belong in a place of prominence within our city, just like German cities do not memorialize or erect statues to Nazis.”

A week later, Schindler and Mike Wirth, an artist in her congregation, placed a vinyl wraparound banner over the monument. On it was a quote from Emma Lazarus: “Until we are all free, we are none of us free.”

A rabbi and her congregant placed a vinyl wraparound banner over the monument shortly before it was removed in June 2020.
A rabbi and her congregant placed a vinyl wraparound banner over the monument shortly before it was removed in June 2020. Photo by Mike Wirth

City workers then pried the monument out of the sidewalk, “sort of to the relief of everyone,” Hoffman said. The city scrubbed off the spray paint, declared the marker damaged and put it in municipal storage.

Then, hundreds of miles away and north of the Mason-Dixon line, a retired lawyer read a book.

The dollar

Barrett Freedlander was reading a biography of Judah Benjamin when he hit a half-page passage about a monument in Charlotte. He was shocked. He was also, he realized, related to the story.

Freedlander, 84, is a retired Baltimore attorney. His wife, Laura, is the great-great-granddaughter of Abraham Weill — the merchant who sheltered Benjamin, and whose name is misspelled “Abram Weil” on the stone.

“The only reason I cared about it,” he said, “is because of the family connection.”

That connection runs deeper than Benjamin. Richmond was days from falling. Confederate President Davis, worried about the “disorganized bands of troops roving about the country,” put his wife and their four children on a southbound train — and handed her a pistol and “showed me how to load, aim and fire it,” Varina Davis wrote.

When they arrived in Charlotte, the rented house was packed up and nobody in town would help a family everyone assumed would be arrested.

Except one man.

“The agent, Mr. A. Weill, an Israelite, came to meet us there and gave us every assistance in his power,” Varina wrote in her memoir, “and when he found there were no conveniences for cooking, he sent our meals from his own house for several days, refusing, with many cordial words, any offer to reimburse him.”

Freedlander thinks he knows why the Confederate first lady reached for the word “Israelite,” and why a Jewish merchant was the only person in Charlotte willing to take in a family the rest of the city was shunning. “Only the persecuted would appreciate her issues,” he said.

The Weills prospered. Weill helped found the synagogue in Wilmington, North Carolina, where relatives still belong. His granddaughter Laura married Julius Cone, a Greensboro textile tycoon. The family fortune allowed sisters Claribel and Etta Cone to buy the Matisses and Picassos that are the crown of the Baltimore Museum of Art.

So when Freedlander learned the marker had disappeared into municipal storage, he started making calls. A staffer in the mayor’s office said the city had no use for it and was willing to let it go. But the manager of the warehouse where it sat called Freedlander back with a complication: the city couldn’t simply hand over public property. He was obligated to charge for it.

“How much?” Freedlander asked. One dollar. Freedlander offered to send a check. The man said not to bother and paid it himself, out of his own wallet.

Freedlander’s original idea was to put the monument in his own backyard. “My wife didn’t want it,” he said.

A friend mentioned the new Museum of the Southern Jewish Experience in New Orleans. Another friend of Freedlander’s, a Baltimore executive whose company hauls computer equipment around the country, priced out the job, got into four figures, then called back and said he’d do it for free. It was history, he said.

Monument vs. museum

The stone arrived in New Orleans via truck in November 2022. It was lowered onto the pavement outside the Museum of the Southern Jewish Experience’s offsite storage with a jack lift, and has not moved since.

Charlotte municipal workers cleaned graffiti off a monument to Judah P. Benjamin and then removed the entire stone from the ground.
Charlotte municipal workers cleaned graffiti off a monument to Judah P. Benjamin and then removed the entire stone from the ground. Courtesy of Museum of the Southern Jewish Experience

Hoffman’s first instinct had been to display it. The stone, he realized, tells three tales at once: the Civil War, when Benjamin rose to the Confederate cabinet; 1948, when the two Charlotte synagogues paid for a monument to him; and 2020, when it was defaced during the summer of Black Lives Matter protests.

Last October, when the Southern Jewish Historical Society held its conference in New Orleans, Hoffman and Weinfeld convened a roundtable of historians to figure out what to do with the monument. One idea floated that seemed to gain consensus was to display the marker alongside a light projection restoring the graffiti.

For now, the monument remains in storage. Hoffman said that if and when it goes up, it will be “with its full context. Not like it’s a historical marker.”

Samantha Baskind, an art historian at Cleveland State University, thinks the museum should not wait to display it.

“Yes, originally the statue commemorates Benjamin as a distinguished Jewish American and Confederate statesman,” she said. “But the fact that it was defaced during Black Lives Matter protests makes it acquire a second history. The graffiti isn’t merely vandalism in a conventional sense. It documents a moment when Americans were publicly reevaluating Confederate symbols.”

Which means the object now holds a double meaning: why Benjamin was honored in the 20th century, and why so many people rejected that honor in the 21st.

Baskind knows firsthand the cost of institutional flinching. In 2022, she curated an exhibition of 19th-century Jewish American artists for a gallery at Princeton, including work by Moses Jacob Ezekiel, a Jewish sculptor who spent part of his career producing Confederate monuments. Baskind, who wrote a book about Ezekiel, had written labels confronting Ezekiel’s Lost Cause loyalties head-on. Late in the process, the venue that was planning on showing the exhibition canceled it.

“It was almost devaluing what your students are capable of thinking about,” Baskind said. “And isn’t that what we do in an educational environment?”

Samantha Baskind is an art history professor at Cleveland State University.
Samantha Baskind is an art history professor at Cleveland State University. Photo by Benyamin Cohen

Her verdict on the Charlotte stone is unambiguous. The city should never have cleaned it. “I wouldn’t see it as damage. It’s part of the object’s history.” The graffiti “deserves interpretation and not concealment.”

And the question a museum ought to ask, she said, isn’t whether Benjamin was good or bad. “The more interesting question is: Why did different generations understand him so differently?”

Early in the 20th century, American Jews saw a success story. Today most see a man who helped run a slaveholding rebellion that waged war on other states. “Neither perspective should replace the other,” Baskind said. “A museum explains how and when those shifts occurred.”

Then she offered the distinction she believes the argument comes down to. “A monument exists to honor,” she said. “A museum or gallery exists to explain.”

Visitors to the Museum of the Southern Jewish Experience can still find Judah Benjamin there. He’s in a display case in an exhibit about Jews, slavery and the Civil War: two Confederate $2 bills bearing his portrait, one from 1862, one from 1864. Both are blank on the back.

The two Confederate $2 bills, featuring the portrait of Judah P. Benjamin, on display at the Museum of the Southern Jewish Experience in New Orleans.
The two Confederate $2 bills, featuring the portrait of Judah P. Benjamin, on display at the Museum of the Southern Jewish Experience in New Orleans. Courtesy of Museum of the Southern Jewish Experience

“Which tells you something about the financial solvency of the Confederacy,” Hoffman said. “Save money. Just print it on one side.”

Half a mile away, one of the last monuments American Jews built to the highest-ranking Jew in the Confederacy, and to the standing he seemed to promise them, lies in a cardboard box in the dark, its graffiti scrubbed, its chips intact, waiting for somebody to decide what it means.

Freedlander hopes to take a trip to Wilmington later this month with some of his grandchildren to visit family graves — including that of Abraham Weill, the man who helped a fleeing family when nobody else in town would, and got a monument he never asked for.

“I’m a bystander to all this,” Freedlander said. “I’m just the messenger. But I did want to preserve it.”

The post How a monument to a Jewish Confederate ended up in a storage unit, next to a vacuum cleaner appeared first on The Forward.

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Iran appoints AMIA bombing suspect to National Security Council

(JTA) —

For the second time this year, Iran has named a wanted suspect in the 1994 bombing of the AMIA Jewish community center in Buenos Aires to a top security role.

A spokesman for the Islamic Republic’s president, Masoud Pezeshkian, said Monday that Mohsen Rezaei had resigned as an adviser to the supreme leader, Ayatollah Mojtaba Khamenei, and would assume the role of secretary of Iran’s powerful Supreme National Security Council. Rezaei is a former commander of the Islamic Revolutionary Guards Corps.

Rezaei is wanted by Argentina and is subject to an Interpol Red Notice issued at Argentina’s request over his alleged role in the 1994 attack, which killed 85 people and remains the deadliest terrorist attack in Argentina’s history.

Earlier this year, Ahmad Vahidi, another suspect in the AMIA case and also the subject of an Interpol Red Notice, was appointed IRGC commander.

In a landmark ruling in 2024, an Argentine court held Iran and its proxy in Lebanon, Hezbollah, responsible for the bombing, setting the stage for international legal action.

In June 2025, Argentina’s federal judiciary ordered that 10 Iranian and Lebanese suspects accused in connection with the deadly 1994 AMIA bombing be tried in absentia. Rezaei and Vahidi are among them.

The eight other suspects accused by the late AMIA special prosecutor, Alberto Nisman, are: former Iranian Intelligence Minister Ali Fallahijan, former Iranian foreign minister Ali Akbar Velayati, former Iranian ambassador Hadi Soleimanpour, former Iranian cultural attache in Buenos Aires Mohsen Rabbani and former Iranian diplomat Ahmad Reza Asghari, as well as suspected Hezbollah operatives Salman Raouf Salman, Abdallah Salman and Hussein Mounir Mouzannar.

The post Iran appoints AMIA bombing suspect to National Security Council appeared first on The Forward.

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Israel and AIPAC on the ballot in the Minnesota Senate and U.S. House races

(JTA) — A pair of Democratic primaries in Minnesota on Tuesday are among a string of high-profile battles between progressive and moderate candidates, where Israel and the pro-Israel lobby serve as key wedge issues.

The state’s highest-profile race is the U.S. Senate primary between Rep. Angie Craig, who has been endorsed by the pro-Israel lobbying group AIPAC, and Lieutenant Gov. Peggy Flanagan, who says she would reject AIPAC’s money and accuses Israel of committing a genocide.

The most recent data gathered in late July through early August has Craig with a 2-percentage point lead, within the 5.3% margin of error. Another poll, conducted in late July by a group supporting Flanagan, shows her with a 14-point lead. The Democratic nominee, whether it be Flanagan or Craig, is expected to win the general election in November.

The race, and the candidates’ sparring over AIPAC, comes as the lobby and Israel under the leadership of Prime Minister Benjamin Netanyahu have become increasingly unpopular among Democratic voters. Israel is also an issue in the Democratic gubernatorial primary in neighboring Wisconsin taking place on Tuesday. 

Flanagan has referred to Craig as “AIPAC’s candidate” in the Senate race, which prompted Craig to distance herself from the group’s spending during a TV debate in June.

“AIPAC has not contributed at all, the PAC, to my Senate campaign,” said Craig, whose wife, Cheryl Greene, is Jewish. “Not one penny.”

Flanagan countered that, while AIPAC itself has not donated to Craig’s campaign, it has held fundraisers for the four-term congresswoman. AIPAC did not respond to a request for comment.

Just last week in Michigan’s Democratic Senate primary, progressive Abdul El-Sayed defeated the moderate Rep. Haley Stevens, whose AIPAC endorsement was the frequent target of opposition attacks.

Flanagan has drawn the support of American Priorities, a pro-Palestinian super PAC that aims to counter AIPAC. The group spent about $54,000 on ads boosting her candidacy, according to FEC filings.

Flanagan’s platform includes blocking offensive weapons sales to Israel — a position that all but seven Senate Democrats voted for in April — and advancing a two-state solution that “allows for a secure Israel and Palestinian self-determination.”

Craig, who also backs a two-state outcome, voted against the recent amendment proposed by Kentucky Rep. Thomas Massie that would have halted $3.3 billion in military aid to Israel.

In a statement explaining her vote, Craig panned Netanyahu and the war in Iran, but wrote that the amendment would endanger Israelis and American troops and allies in the region. After the vote, Flanagan wrote, “A vote to send $3.3 billion of taxpayer money to fund additional weapons of war to Benjamin Netanyahu is unconscionable. Enough.”

Craig has the endorsement of a number of Democrats in Congress and the Senate, including House Minority Leader Hakeem Jeffries. She is also endorsed by lobbying group Democratic Majority for Israel, former Democratic presidential contender Pete Buttigieg, and Minneapolis’ Jewish mayor, Jacob Frey, who rose to national prominence for his response to the deadly results of the deployment of immigrant enforcement officials in his city.

Flanagan has drawn endorsements from a swath of major progressive figures including Vermont Sen. Bernie Sanders, Massachusetts Sen. Elizabeth Warren, and outspoken pro-Palestinian Reps. Ro Khanna of California and Ilhan Omar of Minnesota. Flanagan is also endorsed by the state’s Democratic Party affiliate, the Democratic Farmer Labor Party.

On Sunday Sanders posted on X,”There is a reason why the super PACs and billionaires are flooding Minnesota with $20 million to defeat Peggy Flanagan. Same thing as Michigan. They do not want somebody in the Senate who will stand up for the working class.”

Spending by political action committees affiliated with AIPAC has also come to the fore in the Democratic primary race for the House seat that Craig is vacating.

The most moderate of the three leading candidates is State Sen. Matt Klein, who has expressed support for the U.S.-Israel relationship and is endorsed by DMFI. Last-minute spending by outside groups has sparked accusations that AIPAC is indirectly involved.

“AIPAC is coming after me,” said former Lakeville mayor Matt Little, one of Klein’s opponents, in a video.

Klein’s two opponents — Little and state Rep. Kaela Berg — both accuse Israel of committing a genocide, and have both speculated that AIPAC is behind some of the Klein spending.

Berg supports placing conditions on U.S. aid to Israel and halting weapons sales, and Little says the U.S. must end all military aid and weapons sales to the country. On the policy page of his campaign website, Little refers to Hamas’ Oct. 7 attack as “an act of wanton slaughter against innocent civilians” and says that people should condemn “the anti-Semitism that followed.”

Berg is listed as “primary approved” by the liberal Jewish Middle East advocacy group J Street, while Little has been boosted by American Priorities, which has spent about $64,000 in his favor. He is also endorsed by the DFL and Congressional Progressive Caucus leader Rep. Pramila Jayapal.

The latest polling in the district — conducted at the end of May by a group that favors Klein — found Little leading Klein with a 7-percentage point lead, and Berg trailing by another 3 points. 39 percent of voters were undecided, and Little and Klein were about even after voters received more information about the three candidates.

Craig has declined to endorse any of the candidates to replace her.

The post Israel and AIPAC on the ballot in the Minnesota Senate and U.S. House races appeared first on The Forward.

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