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Israeli drama film ‘Concerned Citizen’ tackles gentrification and race issues in Tel Aviv
(JTA) — The Israeli satirical drama film “Concerned Citizen” opens with the sacrosanct rituals of a bourgeois Tel Aviv life: a robot vacuum slides gracefully across the floor; lush house plants are watered; vegetables are blended into green juice. The score from the Bellini opera “Norma” plays in the background.
Then a car alarm rudely interrupts the utopia.
It only gets worse from here for Ben and Raz, a progressive Israeli gay couple (played by actors Shlomi Bertonov and Ariel Wolf, who are also a couple in real life) living in a pristine renovated apartment in a gentrifying neighborhood in south Tel Aviv. When Ben, a landscape architect, plants a tree on their block, his seemingly innocent desire to improve the neighborhood quickly goes awry, and a series of events forces him to face his own repressed prejudices and hypocrisy.
With the tension of a thriller, “Concerned Citizen,” the second feature film by Israeli writer-director Idan Haguel, tackles the universal themes of privilege and multicultural tension in gentrifying cities, using the hyper-specific lens of Neve Sha’anan — the south Tel Aviv neighborhood that’s home to many of the country’s foreign workers and asylum seekers, as well as the city’s notoriously rundown (but culturally vibrant) Central Bus Station.
After making its world premiere last year at the famed Berlin International Film Festival, the movie debuts in select U.S. theaters on Friday and will also be available to rent on Amazon and Apple TV+.
Ben and Raz’s apartment, a hot commodity in one of the world’s most expensive cities, is the axis around which much of the drama revolves. In one scene, a French-Jewish woman looks into buying the apartment sight unseen. Their neighbors include both the extremely vulnerable and the privileged: immigrants from Eritrea in one apartment, and a writer plotting his move to Berlin with his foreign wife in another.
Idan Haguel spoke with the Jewish Telegraphic Agency about the film and his personal connections to it. After losing his suitcase, Haguel chatted on his phone from a cafe in Berlin before heading to New York for the film’s American release.
This conversation has been edited and condensed.
JTA: Tell me a little about yourself and how you became a filmmaker.
IH: I was born in the suburban city Rishon LeTsiyon and I always didn’t know what to do with my life. After the army I decided to go to film school. I wanted to be a scriptwriter, to do comedies. I discovered filmmaking, directing, and I gradually fell in love with that part. Then after school, I became a journalist because I couldn’t make a film — it was very difficult for me to get into that world. When my journalism career ended abruptly by the closing of the magazine, I decided that it’s now or never. I made my first feature film, that was a film called “Inertia.” That film is based on childhood memories of my grandparents. My grandparents were immigrants from Lebanon, Romania and Thessaloniki in Greece.
“Concerned Citizen” is partially about immigration. Why was it important to you to focus on the immigrant experience?
I was drawn into the irony, and, some may say, hypocrisy of living in a country that historically was formed by the narrative of [the Jew] being the immigrant of the world, not accepted into other countries, that in some ways still holding that grudge against countries that weren’t receptive to the immigrant Jew and pushed immigrants out. Of course, there is the horror story of Germany and the Holocaust and that’s the extreme end of mistreating “the other.” So living in a country formed by immigrants, [contrasted with] the way we behave to immigrants who are not part of the ethos of the Jewish immigrant narrative — I was drawn into that irony, although it wasn’t an intellectual process. It was more based on the experience of living in that neighborhood in south Tel Aviv, being marinated in the dilemmas and the daily complexity of living in Neve Sha’anan as a bourgeois, middle class person. After a few years I wanted to comment on that. I wanted to be brutally honest with myself and about myself. So my daily life and the life of my neighbors and friends became the material with which I wrote this fictional movie.
And you shot the film in your old apartment!
That was the mindfuck of the whole production, because I made the story close to me but I left a distance. I used my experience but I created these characters who are very close but very different. I shot the therapy scenes in my therapist’s clinic. I shot the building scenes in my building on my street. Everything became very, very close and it was really an “Alice in Wonderland” experience. Looking into a mirror and everything is morphing and making you look different and look differently at yourself and your life.
Can you talk about the south Tel Aviv neighborhood where the film is set, Neve Sha’anan?
It’s the outskirts of the center of Tel Aviv. It was always an immigrant neighborhood. But it changed over the years, it became working immigrants. In the 90s, there were the Romanian immigrants, and then it was Chinese immigrants who came to work in Israel. And over the last 15 years it has become immigrants from Africa, combined with older people who have lived there years and new people who are the more gentrifiers of the neighborhood, artists and gay people and those who are more economically stable. So now the neighborhood is comprised of sex workers, immigrants, junkies, dealers, and gay people. It’s a mix, but the prices have gone low, and people who didn’t have enough money to buy property in the city center started buying there. So the neighborhood has this tension of people who want to live a more bourgeois life, but they’re in the middle of the neighborhood with people who don’t have rights, who are immigrants, who don’t know if tomorrow the government will kick them out. People from all over the world. But it’s become a haven for investors and the neighborhood is in the middle of being gentrified and changed.
So it’s a very interesting setting to live in and to make a film in. It’s very dense. It’s one of the less homogenic and more diverse areas in Israel. Israel prides itself on the diversity of Jewish people coming from Arab countries, coming from Europe. But they’re all Jewish and they share a common mentality and they’re all citizens of Israel. Neve Sha’anan is more diverse – it’s people from India, China, Eritrea, Sudan, the Ivory Coast. I feel it’s a missed opportunity by Israeli society that instead of accepting these people legally and into our society, they are trying to hold back and fight against it. It’s also very ironic that Israel is becoming a state that aspires to have a government like this. It’s mind-boggling. It’s like, we learned nothing from history and our own history. It’s like people don’t want to connect dots. They just want to see the cruel history that they experienced as the Jewish people and feel like it was something personal that happened to them, and like they cannot be the victimizers at all.
You’ve said that this film is very much about the idea of who’s the victim and who’s the victimizer.
When you raise yourself and your children on the narrative of being a victim and perpetuating historical trauma it’s very hard to notice other people’s traumas, and the fact that you are creating traumas for other people. Because you’re constantly in trauma and you’re always dealing with your own trauma and you’re always the victim and you’re the center of the world, but you are not the center of the world. I think it should change. But no one cares what I think! Sometimes I don’t care about what I think.
What was the casting process like?
The casting process was through meeting people and going to plays. [I turned to] the Holot theater company to cast the Eritrean community in Israel. It was cast mainly by meeting actors from the group, having conversations with them. Basically they wanted to participate in the film and I was very lucky about that. They’re a group that used to be based in Holot outside of a temporary incarceration open prison for immigrants who don’t have permits to stay in Israel. They put them in an open prison in the desert close to the Negev.
There’s an interesting scene between the French-Jewish woman (played by Flora Bloch) who is trying to move to Israel and Ben that I thought was a very revealing moment about the ways that Jewishness is expressed when Jews are a minority in the country versus when they are the majority in the country. The French woman is concerned by France’s antisemitism and wants to move to Israel, while Ben is tortured by the complexities of living as a privileged Jewish Israeli person. Can you say something about what that scene meant to you?
One of the things I’m proud about this film is that I feel like it deals with subjects which are not easy subjects to address. But I think we managed to create a balance between comedy and drama that I’m very proud of. I think it allows the film to be self explanatory. It can reveal its deep themes and make you think, in an entertaining way. Again, it’s about irony. It’s about hypocrisy. It’s about human nature. Knowing how to experience your own point of view, and being unable to be in another person’s point of view. It’s human nature, and it’s ever-fascinating to me.
And it also happens to me a lot of times with the fact that I can be in my own shoes and identify my own narrative so much but it’s hard for me to even experience a person who is experiencing the same thing as me but in a different language in different settings. But the resemblance is there so it’s very ironic. And I think that scene is about that.
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Lebanon’s Internal Splits Over Talks With Israel Trip Up Saudi Mediation Efforts
An Israeli military vehicle drives past destroyed buildings in Lebanon, as seen from the Israeli side of the Israel-Lebanon border, April 30, 2026. Photo: REUTERS/Shir Torem
A growing rift between top Lebanese officials has thrown a wrench into Saudi efforts to help Lebanon’s leaders forge a united position over historic negotiations with Israel, Lebanese sources and foreign officials told Reuters on Thursday.
Saudi Arabia, which sponsored the 1990 agreement that ended Lebanon’s 15-year civil war, has deepened its engagement in recent days with Lebanon, where a shaky US-brokered ceasefire has failed to fully halt the nearly two-month war between Israel and Iran-backed terrorist group Hezbollah.
Ties between Riyadh and Beirut had been strained for years due to Hezbollah’s power over Lebanese politics and security, but the Sunni kingdom sees an opening after the group was severely weakened by war with Israel in 2024.
The US intended for the April 16 truce between Israel and Lebanon to allow for direct talks on a peace deal, potentially shaking up Lebanon’s internal dynamics and its role in the region. But Lebanese leaders remain at odds over the negotiation format and ultimate goal.
Lebanon’s President Joseph Aoun has defended face-to-face talks with Israel in Washington, and has said the ceasefire should be transformed into “permanent agreements.” Although he has stopped short of explicitly calling for a peace deal, two sources familiar with Aoun’s position told Reuters he had privately expressed his readiness to normalize ties with Israel to stop the war.
Speaker of Parliament Nabih Berri, a Hezbollah ally, is opposed to direct talks, reflecting the Shi’ite terrorist group‘s position. Berri believes Lebanon should seek a non-aggression pact with Israel but not a full peace deal, two Lebanese sources familiar with his position told Reuters.
PLANS DERAILED
Last week, Saudi envoy to Lebanon Prince Yazid bin Farhan visited Beirut to encourage Aoun, Berri, and Lebanese Prime Minister Nawaf Salam to set out a single position on the talks and to signal their unity through a tripartite meeting, according to two senior Lebanese political sources who met with bin Farhan and a Western official briefed on the talks.
But plans to hold such a meeting this week were derailed by rising tensions, all three sources said, after Berri publicly accused Aoun of making statements about negotiations that were “inaccurate, to say the least.”
There was no immediate response to requests for comment from Aoun’s office or from the Saudi government media office. Aoun met Salam on Thursday, the presidency said in a statement, without mentioning Berri.
The splits between Aoun and Berri, who hold their positions according to a power-sharing system that divides Lebanon’s top posts by religion, reflect broader divisions within Lebanese society over the negotiations with Israel.
Some Lebanese see direct talks and a swift peace deal as the only way to end a long history of Israeli invasions into Lebanon.
But Hezbollah and much of its broader Shi’ite Muslim constituency, who have borne the brunt of Israel‘s attacks, are firmly opposed to face-to-face talks and to normalizing ties. Some people protesting against talks earlier this month called for the government to be toppled.
Saudi Arabia’s intervention with Lebanese leaders was driven by the risk of such instability – as well as its concern that Lebanon was moving towards peace with Israel too swiftly, according to a Gulf source with knowledge of the matter, the two senior Lebanese political sources and the Western official.
Bin Farhan sought and received reassurances that Hezbollah would not seek to topple the Lebanese government, and cautioned Lebanese leaders last week that Beirut’s progress towards peace with Israel should not outpace Saudi Arabia’s, the four sources said.
Riyadh’s longstanding position has been that it will only sign up to the Abraham Accords normalizing ties with Israel if there is agreement on a roadmap to Palestinian statehood.
SAUDI KEEN FOR ‘DETENTE’ BETWEEN LEBANON AND ISRAEL
US President Donald Trump, keen to expand the accords, said this month he would invite Aoun and Israeli Prime Minister Benjamin Netanyahu to the White House for talks.
Bin Farhan advised Lebanese authorities against Aoun meeting Netanyahu soon, the two senior Lebanese political sources said.
However, Saudi Arabia does want Lebanon to work towards a “detente” with Israel that would halt instability, the Gulf source and one of the Lebanese sources said.
Israeli strikes have killed more than 2,500 people in Lebanon and displaced more than 1.2 million since the latest round of fighting between Israel and Hezbollah began on March 2, according to Lebanese authorities. Israel says the vast majority of those killed have been Hezbollah terrorists, who started the conflict by firing drones and rockets at the Jewish state.
The April 16 truce, which facilitated separate negotiations over the Iran war, stopped strikes on Beirut and its southern suburbs but not on other parts of Lebanon.
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Initial Australian Inquiry Into Bondi Beach Shooting Calls for Counterterrorism Reforms
People stand near flowers laid as a tribute at Bondi Beach to honor the victims of a mass shooting that targeted a Hanukkah celebration at Bondi Beach on Sunday, in Sydney, Australia, Dec. 16, 2025. Photo: REUTERS/Flavio Brancaleone
An interim report into last year’s Bondi Beach mass shooting on Thursday advised increased security around Jewish public events and further gun reforms among 14 initial recommendations, but found Australia’s legal and regulatory frameworks did not hinder security agencies in preventing or responding to the attack.
Prime Minister Anthony Albanese said his government would adopt all the initial recommendations made by the Royal Commission, the nation’s most powerful inquiry, into the Dec. 14 shooting at a Jewish Hanukkah celebration at Sydney’s Bondi Beach, which left 15 dead.
While the report did not propose urgent changes, it outlined recommendations to strengthen Australia’s counter–terrorism capabilities, Albanese told reporters.
“This is as the government envisaged – that the first task of the Royal Commission, the priority, was to look at the security elements of these issues,” he said.
Five of the recommendations remain classified due to sensitive national security concerns, Albanese added.
The attack at Bondi Beach stunned Australia, a country known for its strict gun laws, and prompted widespread calls for enhanced measures against antisemitism and tighter firearm controls. Authorities have said the alleged perpetrators, a father and son duo, were inspired by the Islamic State terrorist group. It was the deadliest mass gun attack in the country in three decades.
The Royal Commission was established in January following mounting pressure from Jewish advocacy groups and victims’ families, who criticized Albanese’s initial hesitation in launching the inquiry.
The 154-page interim report recommends a comprehensive review of the country’s joint counter–terrorism teams, with findings to be submitted to police commissioners and the director-general of security within three months.
It also calls for expanded security protocols during Jewish High Holy Days of Rosh Hashanah and Yom Kippur, to include other high-profile Jewish festivals and events.
Additional measures include updating the counter–terrorism handbook promptly and involving senior government officials in counter–terrorism exercises, and accelerating efforts to implement a proposed national gun buyback plan.
“The review has revealed aspects in which counter–terrorism capability at federal and state levels could be improved,” the report noted.
Public hearings by the commission are scheduled to start next week, with a final report due by the end of the year.
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Vessel Carrying Grain Ukraine Says Stolen by Russia Will Not Unload in Israel, Kyiv Says
A farmer operates a combine during the start of the wheat harvesting campaign in a field near the town of Starobilsk (Starobelsk) in the Luhansk Region, a Russian-controlled area of Ukraine, July 9, 2025. Photo: REUTERS/Alexander Ermochenko
A vessel carrying grain that Ukraine says was stolen from areas occupied by Russia will not unload in Israel, Ukraine said on Thursday, after Kyiv requested Israel to seize the cargo.
Ukraine‘s prosecutor general, Ruslan Kravchenko, said on the Telegram app that the vessel, Panormitis, left Israel‘s territorial waters and departed into neutral waters following “a range of procedural measures taken by Ukraine.”
“On the basis of the materials provided by the Ukrainian side within the framework of international legal cooperation, the competent Israeli authorities have begun to process the request,” he said.
Israel‘s foreign ministry said, however, that Ukraine‘s request for legal assistance, submitted late on Tuesday, “contained significant factual gaps and did not include any supporting evidence.”
In the meantime, the ministry said, it was informed that the vessel that was supposed to enter the port next week decided to depart from Israel‘s territorial waters.
The Panama-flagged vessel‘s manager was not immediately available for comment.
SIGNAL TO OTHER VESSELS
Ukrainian Foreign Minister Andrii Sybiha, writing on X earlier on Thursday, said the vessel would not be unloading in Israel, describing it as a “welcome development” which “demonstrates that Ukraine‘s legal and diplomatic actions have been effective.”
Sybiha added that Ukraine will continue to track the vessel and warn against any operations with it.
“This is also a clear signal to all other vessels, captains, operators, insurers, and governments: do not buy stolen Ukrainian grain. Do not become part of this crime,” Sybiha said.
The Jerusalem Post and other outlets earlier on Thursday cited a statement from Israel‘s Grain Importers Association saying that the company importing the grain had been forced to turn away the vessel.
Zenziper, the company named in the reports as the importer, did not immediately respond to an emailed request for comment.
Kyiv considers all grain produced in the four regions that Russia claimed as its own since invading Ukraine in 2022 as well as Crimea, annexed by Russia in 2014, to be stolen and has protested over its export by Russia to other countries.
Moscow has not commented on the legal status of grain harvested in regions that remain internationally recognized as Ukrainian.
Ukraine and Israel traded diplomatic barbs this week as Kyiv condemned what it said were purchases of grain produced in Ukrainian territory currently occupied by Russia, while Israel said Kyiv had not produced evidence for its allegations.