Features
Jack Micay: combining filmmaking with medicine
By Gerry Posner Ah yes, the Micay Family. Quite a bunch they were and are.
For readers over 50, many will have vivid memories of Athlete’s Wear owned and operated for so many years by the late Nathan ( Nonny) Micay. At its peak, this business was a very successful mail order and retail business in the team uniform and sporting goods field, employing over 100 people. I can picture it on Market Avenue. And of course, one could never forget Nathan’s brother, Archie Micay, a very well known corporate lawyer in Winnipeg and partner in the law firm of Walsh Micay. The name was, as one might suspect, not always Micay, nor McKay, but in fact Micanofsky, as in the original settlers in Winnipeg, Rachel and Morris Micanofsky. Rachel Micanofsky had her own story as she was a Lockshin, another long time well known family in Winnipeg.
Arising from the many grandchildren from Rachel and Morris was and is none other than Jack Micay, the oldest brother of three sons ( Harold and Ira) of Nonny and the late Faye Micay. Jack, in his own way, took the Micay family in directions not before explored. He grew up on Enniskillen Avenue in West Kildonan in a home later donated by his mother Faye Micay to Shalom Residences as a group home. Jack attended Talmud Torah and later Joseph Wolinsky Collegiate to the end of Grade 8. Next, he went to West Kildonan Collegiate before graduating from the then United college.
Jack Micay’s university education was not a straight path. What made the path uneven were his diverse interests and his willingness to stray from the course. What he ended up with ultimately was a BA in Philosophy and a medical degree from the University of Manitoba. But to get there, he indulged his passion for music and the arts. Upon graduation in 1969 with his BA, he went to New York and worked there for a summer as a researcher for a film company. And then, following another love, he travelled in Europe and Israel where he worked on a kibbutz. He had then a command of Hebrew and in fact is now working on rebuilding his Hebrew speaking abilities. He came home in June of 1970 and soon he was hired on at a film company operated by the late, great Douglas Letterman in Toronto as a researcher for a documentary series. One series led to another and Jack’s filmmaking experience grew quickly. Yet with all of this success, Jack was unsure as to what course to follow as he did have the science pre-requisites for Medicine. He applied and was accepted at the University of Manitoba Medical School and so he went there somewhat ambivalently, figuring that “ the system would spit me out.” He was wrong. He did take his last year at the University of Toronto.
Upon graduation, Jack interned at Mt. Sinai Hospital in Toronto. And then, in a forerunner of his future life, Jack split his life between medicine and filmmaking, with lots of travel thrown in. Jack basically would do short term locums in distant Ontario spots and in between, he did freelance shows for CBC. Find me anyone else with that background. Jack did his documentaries for “The Nature of Things” and “The Journal,” often on medical topics. Then Jack decided to upgrade his medical talents and moved for a year to New York to train at a hospital on Long Island in New York.
Now with all of that, Micay still found time to go to Nepal to visit a hospital near Mount Everest -which led to another CBC show featuring Sir Edmond Hillary. Micay thus began a 30-year friendship with Sir Edmund. You could say that Micay did not need to climb Everest, he was already doing his own ascent – just in his work. Micay even filmed in Winnipeg for his series with Sir Edmund on the Sherpas of Nepal. In fact, Micay was able to use his filming career to provide a decent income for himself. As he puts it, “I was sort of following my father’s steps, running my own mail order business selling (his films) to school boards, universities, libraries across the USA and Canada.” It all worked well until the internet destroyed this path. Mickey also was quite involved in creating what might be termed Science Musicals, which were one half hour classroom and educational TV films aimed at high school and university students with the goal to teach them basic science concepts in an entertaining way using humorous animation and songs… just part of the Micay magic.
Jack Micay was a doctor, now retired and a filmmaker, not yet retired. His educational and documentary productions have brought Micay over 45 prizes at film festivals around the world. Some of his more remarkable achievements were the science film world’s richest award as in the Grand Prize at Casa de las Ciencias in La Corona, Spain, not to mention his Grand and Gold Prizes at film festivals spanning the US, Canada, Italy the Czech and Slovak Republics and Bulgaria. This is just the tip of the iceberg insofar as the Micay accolades are concerned. Lest I forget, Jack is the father of three adult children: Nathan, Rachel and Jonathan, all of whom seem to have inherited their dad’s travel bug and one (Jonathan), who is a film maker like his father.
So, you take a kid – as in Jack Micay whose father Nathan was a well known entity in his own right, even though blind, and then have the son establish two careers, both of which he served and continues to serve with distinction (at least in filmmaking). and you have more than a remarkable story. I say it is all worthy of a Jack Micay documentary.
Uncategorized
Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
Features
They Deserve the Very Best”: The Doctors Bringing Specialist Care to Holocaust Survivors at Home
Features
The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
