Local News
Winnipeg Symphony Orchestra to feature “Violins of Hope” at December 3 concert
By Myron Love On Saturday, December 3, the Winnipeg Symphony Orchestra will be featuring a program with a strong emphasis on music with Jewish connections – pieces for example such as Prokofiev’s “Over-ture on Hebrew Themes,” Joseph Achron’s “Hebrew Melody, Op. 33,” Marc Lavry’s “Three Jewish Dances,” and John Williams’ “Theme from Schindler’s List” in a concert featuring two violins that were saved from the Holocaust.
“In a moving and unforgettable program, the audience will hear the stories behind both of the violins and experiences in performance the sounds the owners heard as they played them,” notes Brent Johnson, the WSO’s associate director, education and community. “This concert will offer a musical journey from Holocaust to hope.”
The violins will be played by Concert Master Gwen Hoebig and Sonia Lazar, a member of the WSO’s first violin section. Lazar (who is married to Ezra Lazar, the son of Matthew and Nola) is eagerly looking forward to playing one of the violins. She and Hoebig will also be doing solo performances.
This concert, notes Jim Manishen, the WSO’s artistic consultant, was originally supposed to have been performed two years ago – but was shut down by Covid. The story behind it begins in 2016 when Shelley Fain-tuch, the Jewish Federation of Winnpeg’s former community relations director, first heard the two violins being played while attending an AIPAC conference in Washington, D.C. “I was in a cafeteria,” she recalls. “At the sounds of the violins, everyone went silent.”
As soon as she returned to Winnipeg, Faintuch contacted Jim Manishen about arranging a concert featuring the violins.
Faintuch explains how the violins that were saved from the ashes of the Holocaust came to reemerge in public. It began when someone in Israel brought a violin to Amnon and Avshalom Weinstein for repairs. While examining the violin, the two Israeli violin builders saw black ash inside and realized that this was a violin that had come from a concentration camps. The word got out and soon the brothers were receiving many more violins for repair that had come out of the camps. Over time, the brothers amassed a collection of several of these violins.
“These violins of hope have been played in concerts by prestigious symphony orchestras throughout America,” Faintuch says.
Of the two violins that are coming to the WSO, it is known that one of them, a Stradivarius, was owned by the Hecht family, originally from Billefeld in Germany. The family fled to Holland after the Nazis came to power. In Amsterdam, Mrs. Hecht – whose first name was Fanny, and who played the violin, became friendly with a neighbour, Helena Visser, who was also a violin player. Before the Nazis rounded up all the Jews in Amsterdam – including the Hechts – Fanny Hecht gave her violin to her neighbour for safekeeping.
The Hecht family, Fanny and Alex, and their sons, Fritz and Ernst, were all murdered by the Nazis.
When the Visser family, on a visit to Yad Vashem, learned the fate of the Hecht family and, subsequently – about the Violins for Hope, they donated the Hecht violin to Amnon and Avshalom.
The provenance of the second violin at the concert isn’t known.
Avshalem, Shelley Faintuch notes, will be in attendance at the concert and will be telling the story of the violins.
In addition to the appearance of the violins at the concert, Brent Johnson notes, the instruments will be part of a Holocaust awareness program in schools – featuring presentations by Faintuch and performances by Sonia Lazar at several Winnipeg high schools, including Grey Academy.
“We are also offering students a special discounted price for the concert of $25,” Johnson adds. “Students can order up to six tickets at our special price.”
The violins from VOH will be arriving in Winnipeg on November 22.
Johnson notes that, prior to the concert, there will be an extended pre-concert talk, from 6:40-7:10 – with appearances from Shelley Faintuch, Avshalom Weinstein. and WSO conductor Daniel Raiskin.
Jim Manishen reports that, following the concert, the two violins will be loaned to the Canadian Museum for Human Rights where they will be on display until March. While at the museum there will be numerous outreach programming presentations once again involving Shelley Faintuch and Sonia Lazar – including a special presentation and performance on Jan. 27, 2023 (International Holocaust Remembrance Day) at the CMHR Garden of Contemplation featuring violinist Victor Schultz.
Johnson reports that more than 1400 tickets have already been sold for the concert so interested readers should consider ordering tickets as soon as they can by phoning the box office at 204 949-3999 or going online at wso.ca .
Adds Jim Manishen: “These violins have to be played and heard.”
And Johnson concludes that “in a moving and unforgettable program, the audience at the concert will hear the stories behind both violins and experience in performance the sounds the owners heard as they played them – a musical journey from Holocaust to hope.”
Local News
Beneficiary agencies of the Jewish Federation have received $210,000 less this year than last year as of September 1
By BERNIE BELLAN
For the first time in at least 10 years the Jewish Federation of Winnipeg has reduced the amount distributed to its 12 beneficiary agencies from what had been distributed the previous year. The funds were distributed September 1 for 2023-24.
The total amount distributed this year was $210,000 less than what was distributed in both 2022 and 2021 and is actually $500,000 less than the total that was requested by the beneficiary agencies. (The amount distributed last year was $216,000 less than what the beneficiary agencies had requested.)
In explaining why allocations are being reduced this year, the Federation reported that “Over the past few years, the Federation and community have collectively faced significant challenges, placing a strain on our financial resources. In response to these challenges, the Federation stepped in during our community’s time of need, dedicating over $200,000 from our reserves to sustain our beneficiary agencies.” (In a later explanation it was clarified that $100,000 was taken from Federation reserves in each of 2022 and 2021.)
It was further noted that the decrease in funds to be allocated to agencies represents a 7% decrease over the previous year. Dipping into reserves was described as an “unsustainable practice.” It was also noted that the Federation “notified our beneficiaries of a probable reduction in the amount of funding available well ahead of the allocation request deadline.
In describing the pressures that the Federation’s Allocations Committee faced this year in coming up with its allocations, committee chair Brent Schacter said that “We knew after the budget process last year we were going to be in a bind.” Schacter further elaborated that the two whammies that hit this year were the ongoing repercussions of Covid along with the rapid increase in inflation.
In discussing the pressures that the Allocations committee faced this year, it should also be noted that although the amount raised by the Combined Jewish Appeal – while not much more than the previous year ($6.3 million as opposed to $6.25 million), the negative effects of the drop in allocations are somewhat mitigated by two things:. A good portion of the amount raised by the CJA is in the form of “designated funds,” given by large donors and, while those funds are not available to the B & A committee to distribute, many of the beneficiary agencies did receive large distributions from those “designated funds.”
As well, the Jewish Foundation of Manitoba increased its total distributions this year by $1.3 million over the previous year. While the Foundation’s gifts were spread among a very wide number of recipients, a number of the Federation’s beneficiary agencies did benefit from the increase in Foundation distributions.
Still, the challenges facing the Federation in meeting the needs of the community are leading to a major reassessment of how Federation planners are implementing budgetary planning.
A number of new innovations have now been adopted by the B & A committee, including:
- New application forms – one for agencies requesting more than $250,000 and one for agencies requesting less
- Beneficiaries were asked to state the anticipated outcomes of projects/programs that receive Federation funding, and to develop indicators so that they can measure those outcomes.
- Site visits took place along with periodic meetings with agencies as a whole throughout the year to ensure that the committee gets a more complete picture of beneficiaries’ activities, challenges, and plans.
In describing the process that the Federation undertook to “streamline” the budget allocation process, Federation President Gustavo Zentner said “Lay leadership and management had a responsibility to look at the business model.”
It was determined that the Federation needed “a more effective way of managing the allocations process,” Zentner stated, including “more meaningful communication with the agencies to bring to light their projects.”
Not only does the Federation want to improve its own fundraising process, Zentner continued, “We also want to help agencies to raise funds on their own.”
Despite the reductions in allocations available to agencies this year, Zentner stressed that “we wanted to address the needs of those members of the community who are most in need.”
Brent Schacter added: “We want to see people dig a little bit deeper” when it comes to giving. The Combined Jewish Appeal is now into its fundraising campaign for the 2023-24 fiscal year.
A total of 17 lawyers were appointed King’s Counsel by Order in Council on August 29. Six members of our Jewish community were among those appointed. Although appointments as King’s Counsel are usually accompanied by biographical information about those appointed, there was no press release issued by the Manitoba Government announcing the appointments. When we contacted the Manitoba Government news room to ask why there was no biographical information available, the response we received referred to KC appointments announced in February (no surprise there – these are bureaucrats we’re dealing with). When we asked again why there was no biographical information available about the most recent batch of KC appointments we were told “the Province of Manitoba is in the middle of an election blackout and department communications are limited as a result. News Room has nothing further to add.”
As a result, we present here photos of Jewish recipients of KC appointments, but without any further information.
Myron Love It was in the summer of 1984 when Kayla Gordon was appearing in the Rainbow Stage production of “Kismet,” that the long time actor/director/producer/photographer found herself doing her make-up sitting next to Nia Vardalos, the writer and star of “My Big Fat Greek Wedding” fame, who was also appearing in the production.
“We both were playing opposite each other in the comic roles as the Ayahs to the Wazir (the main lead), and we began talking about our plans for the future,” Gordon recalls. “Nia was talking about moving to Toronto and joining the Second City company. As for me, I was in a comedy troupe in Winnipeg and just found out I was pregnant with my first child. My plan was to stay in Winnipeg, even though I was a bit jealous that she was going off to pursue her dream and I was staying put. That was my ‘Kismet’ and I never looked back.”
Rainbow Stage is where Gordon began her career in musical theatre at the age of 17 in a production of “Fiddler on the Roof.” After a career of more than 40 years, both on stage and behind the scenes – it is fitting that one of the leading lights of community theatre in our city has been recognized for her contributions by Winnipeg’s longest-running theatre company. On Wednesday, August 17, Gordon was one of the five inductees to Rainbow Stage’s Wall of Fame under the “Builder” category. The award is given to someone who has been part of nurturing and building our theatre community.
“It was a wonderful surprise,” says the honoree. “It brings my career full circle.” Previous honours for Gordon include the Leadership Award from the Canadian Friends of the Hebrew University of Jerusalem and the Theatre Educator’s Award from the Winnipeg Theatre Awards for her long-time leadership within the arts community.
Gordon reports that the induction ceremony, attended by about 100 friends and family members of the inductees and Rainbow Stage staff, was held just prior to the opening night performance of “The Little Mermaid,”,the second of three shows the company is putting on this summer and early fall.
“It was also special to have one of my grandchildren, my husband Art Maister, my mom Ethel, and my aunt Evelyn Hecht at the induction ceremony,” she adds. (Evelyn also performed at Rainbow Stage in the 1950s.)
Gordon notes that while she appeared onstage in seven Rainbow Stage productions – from 1977 to 1993, she was honoured not for her acting, but for her role as a nurturer of talent through teaching acting and musical theatre at the University of Winnipeg for 18 years, as well as teaching at the University of Manitoba, Prairie Theatre Exchange and The Manitoba Theatre for Young People – also, later as the Artistic Director of Winnipeg Jewish Theatre for over 10 years and Winnipeg Studio Theatre, which she founded in 2006.
“I get a lot of satisfaction watching actors I’ve directed and students I have taught and nurtured performing at Rainbow Stage and other venues in the city,” Gordon notes. Many of them have gone on to work professionally and have appeared across Canada, as well as in Broadway productions. Some of them include: Alexandra Frohlinger (Soul Doctor/Broadway), Samantha Hill (Phantom of the Opera/Broadway), Jaz Sealey (Aladdin/Broadway), Andrea Macasaet (Six/Broadway), and Nyk Bielak (Book of Mormon/Broadway).
Gordon was an actor and high school drama teacher at West Kildonan Collegiate for the first 15 years of her career. By the mid-1990s she found herself becoming more interested in working behind the scenes as a director/producer. In 1994, she became the Winnipeg Jewish Theatre’s second artistic director – succeeding WJT founder Bev Aronovitch – a role she played until 2006. Following her time at WJT Gordon observed that local theatres were not hiring many female theatre directors.
“I realized that if I wanted to work as a director, I would have to create my own projects,” she recalls. So, she started Winnipeg Studio Theatre (WST) in 2006. Soon after forming the company, she invited her longtime theatre associate Brenda Gorlick to run the StudioWorks Academy, a program for emerging artists.
In 2021 she stepped down from her position at WST. “I am still interested in directing – but without the added pressures of being a producer or the full-time responsibility of running a professional theatre company,” she observes. “I like having the freedom to pick and choose the projects I want to work on.” I still plan to work on independent contracts directing theatre and creating entertainment for special events or fundraising activities in the community.”.Last year she produced and directed the Jewish Federation of Winnipeg’s Negev Gala tribute honouring Gail Asper and Michael Paterson. As well, stepping down from her responsibilities with WST has also allowed Gordon to devote more time to her other passion – photography. “I have been interested in photography since I was 15,” she recounts. “My father Ralph had a dark room in our basement.”
Over the past couple of years, she has achieved accreditation with the Professional Photographers of Canada in four different areas of photography: street photography (her favourite), portraiture, performing artists, and figure study. And, last year, she co-authored a coffee table book – “The Murals of Winnipeg,” with fellow photographer Keith Levit as a fundraiser for Take Pride Winnipeg, with 80 pages of photos, which sold out in two weeks and the funds will go to emerging mural artists. (That story can be found on the jewishpostandnews.ca website.)
Kayla is grateful to have stayed in Winnipeg and she sums up her career, and how and why she managed to work in theatre all these years with a quote from Henry Winkler (aka ‘The Fonz’) “I live by tenacity and gratitude. Tenacity gets you where you want to be, and gratitude allows you not to be frustrated along the way”.
