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Judy Blume is having a moment. Here’s why Jewish women love her work.
(JTA) — As a young teenager growing up in Manhattan, Nina Kauder found it nearly impossible to ask her mother difficult questions about puberty or her Jewish identity, for two reasons.
Her mother had fled the Holocaust as a child and was, in Kauder’s words, “very tough” to talk to. And by the time Kauder was a teen, her mother was terminally ill. She got her first period just months after her mother’s death.
So Kauder, now 58 and a health coach, turned to Judy Blume.
She remembers reading Blume’s 1970 young adult classic “Are You There God? It’s Me, Margaret,” about a sixth grader with a Jewish father and Christian mother, in her closet with a flashlight after bedtime.
“I’m reading in there, devouring her book, learning about boys, learning about breasts, learning about brassieres, learning about religion, about identity, about growing up in the United States — learning about all of that,” she said.
Kauder isn’t alone. Blume’s 29 books, which have sold over 90 million copies and been translated into 39 languages, have been touchstones for women — especially Jewish American women — for multiple generations. Her protagonists deal with a range of teen issues, from bullying to sex to loneliness to menstruation, in a realistic way, but they also grapple with issues of Jewish identity as they come of age, adding an extra layer of relevance for young Jewish readers.
Blume is having a moment with the recent release of a documentary about her life and career streaming on Amazon Prime titled “Judy Blume Forever” and a major on-screen adaptation of “Are You There God? It’s Me, Margaret,” which debuted on Friday to warm reviews. The topics Blume has written about since 1969 have remained relevant: her books still regularly land on banned book lists as states continually debate what young readers should be able to access. (Several of her books were banned in states including Texas, Florida, Utah and Pennsylvania last year.) She regularly speaks out on the dangers of book banning, which she attributes to fear, explaining that “because fear is contagious, some parents are easily swayed.”
The documentary tells the story of Blume’s life and career, beginning with her secular Jewish upbringing in Elizabeth, New Jersey. Born in 1938, Blume was seven when World War II ended, and she describes a nervous childhood in the film. Her mother reassured her that the war happened far away and that they were safe.
“Did I believe that?” Blume asks in the film. “I don’t know. I was a Jewish girl and this happened because you were a Jew. I was an anxious child.”
She also connects her childhood anxiety to her prolific imagination: “I felt adults kept secrets from the kids. I hated those secrets. I think I had to make up what those secrets were. That fueled my imagination.”
“Are You There God? It’s Me, Margaret” centers on an 11-year-old who moves to a new town with her parents and has intimate conversations with God. Margaret longs to feel normal, to start growing breasts and get her period along with her friends. She also struggles with her religious identity; her mother is Christian and her father is Jewish, and neither set of grandparents approved of the union. Margaret sets out on a quest to learn about and pick a religion, all the while wondering why she only feels God’s presence when she’s alone.
Rachel McAdams and Abby Ryder Forstson in the film adaptation of “Are You There God? It’s Me, Margaret.” (Lionsgate)
During the war, Kauder’s mother had “survived in France as a hidden child, [hidden] by the nuns in a Roman Catholic environment.” Subsequently, growing up, Kauder “didn’t have a Jewish or a religious or a spiritual influence at all.” She identified with Margaret.
“Here comes Judy Blume’s book, which for different reasons has a Jewish and a Catholic influence, but she’s trying to figure it out,” Kauder said.
To Jessye Ejdelman, a 31-year-old software engineer who attends a Modern Orthodox synagogue in New York City and is raising her children in a Yiddish immersive household, the book is also a strong expression of American Jewishness: of “not being sure where you fit as a Jew and not being sure where God fits as a Jew and as an American.”
To Edjelman, the Margaret character demonstrated something meaningful about the Jewish relationship to God. “The literal wrestling with God in a way is very like Jacob. I think of Judy Blume when I think of that, like that wrestling with God, that uncertainty.”
But the book’s relevance in her teenage years went beyond religion.
“[Like in] ‘Are You There God? It’s Me, Margaret,’ I was also a girl who was waiting for my first period to come,” she said. “I remember pretending to have my period and I really related to Margaret as a character because of that… Like I was just waiting to not be awkward or weird or ugly or a child… Many, many women relate to that feeling.”
In the 1970s, after her writing career and the women’s liberation movement took off, Blume decided to leave the suburbs and her first marriage. “I wanted to see the world. I wanted to travel everywhere,” she explains in the film.
After her divorce, her books became more explicitly drawn from her own life. In 1977, Blume wrote what she calls her “most autobiographical novel,” the book “Starring Sally J. Freedman as Herself,” about her post-war Jewish childhood. It includes a scene where the young characters grapple with their fear of the Nazis by playing make-believe.
Elisa Zuritsky, 53, a TV writer and producer behind shows like “Sex and the City,” “Odd Mom Out” and “Smash,” remembers watching “The Brady Bunch” on TV in the early 1970s — a time when Jewish themes were far less common on screen — and hoping they might include a Jewish moment or character.
“I started reading Judy Blume books and the thrill that there were any Jewish characters in her books and heroines and narrators of her stories was monumental, I think, for me,” said Zuritsky, who grew up attending Jewish day school in Philadelphia. “I so rarely saw Jews anywhere in the popular culture that I consumed.”
Rereading the books as an adult, Zuritsky said, “what struck me the most, and what I think I was responding to as a kid, was how unadorned and unapologetically honest she let her narrators be.” She aspired to be just as honest in her own writing about women’s life experiences.
“There’s a direct line between reading Judy Blume books and being an adult writing for ‘Sex and the City.’ It’s pulling from the same well,” she said. “The bar was set for me personally by [Judy Blume].”
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The post Judy Blume is having a moment. Here’s why Jewish women love her work. appeared first on Jewish Telegraphic Agency.
Features
Comparing European, American, and French Roulette at Canadian online casinos
Roulette is the most popular table game at online and land-based casinos alike. You can easily find a seat at the table, place your bets, and hope that the wheel turns in your favour. But you have surely noticed that the roulette section is quite rich, featuring at least a dozen different tables. Most of them come with a different design and different rules. The most popular roulette variants are American Roulette, European, and French Roulette. In this article, we will try to explain the main differences between each one.
French VS European Roulette
We’ll first compare the French versus the European version of roulette since they are the most similar. The layout of the bets and the wheel is basically the same. Even the table layout is pretty much the same at most online casinos. Depending on the provider some differences can be found, like the layout of the table or the order of the numbers of the wheel. But as far as the odds and gameplay are concerned, European and French Roulette are basically the same.
Both roulette variants have a single 0 on the board and the same number of slots on the wheel and numbers on the table. There are 36 additional numbers you can bet on, along with the standard Red or Black and Odd or Even bets. This means both games come with a house edge of 2.7%. So, the only difference comes from the introduction of two basic rules in French Roulette.
- La Partage
- En Prison
La Partage
This rule applies to even money bets, and in case the ball lands on the 0 slot. The term comes from the French word which means to divide. All even money bets are divided into half, and the player gets one half, while the other half goes to the house. This rule works greatly in your favour, especially if you’re playing on higher bets.
En Prison
The En Prison bet is also applied to even money bets and only when the ball lands on 0. Instead of counting as a loss, the bets are held on the table for the following spin, and if you win, you get your bet back. Even though you don’t actually win anything extra, the En Prison rule gives you a chance to get your money back without a loss.
The introduction of these rules lowers the house edge on French Roulette down to 1.35%. This is why many players prefer the French version, as the odds are better for the player.
French VS American Roulette
The main and pretty much only crucial difference between American and French roulette is the 00 and the layout of the slots on the wheel. The added 00 on the American version means that the house edge is higher. It climbs up to 5.26%, which is almost double the house edge on European Roulette and a massive difference from the 1.35% on the French version.
Since there is an added 00 number, the layout of the slots on the wheel is different. On the table, the 00 is next to the 0, so it doesn’t make a big difference to the layout of the table. But the rules in American roulette are quite simple. If your number doesn’t come up, you lose the bet. There are no extra rules like in the French version.
Conclusion
If you go by the odds alone, it turns out that the best roulette variant to play at Canadian online casinos is French roulette. But this doesn’t mean you will lose more when you play American or European Roulette. Many players prefer to play the American wheel as it’s faster and more exciting. With the right strategy and some luck on your side, you can easily make a profit on any type of roulette game.
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Universities Must Be Forced to Address Antisemitism
University of California, Santa Barbara student body president Tessa Veksler on Feb. 26, 2024. Photo: Instagram
JNS.org – “Never would I have imagined that I’d need to fight for my right to exist on campus,” laments Shabbos Kestenbaum, a student at Harvard University who is suing the school because “antisemitism is out of control.”
Jewish students have suffered an unrelenting explosion of hate on American higher education campuses—so far with little relief. They have endured antisemitic rhetoric, intimidation, cancellation and violence. But those charged with keeping campuses safe—whether administrators who govern student and faculty behavior or federal agencies responsible for ensuring that schools adhere to civil rights protections—are failing in their jobs.
Many Jewish students have complained to their colleges’ administrators about the injustices. But instead of responding with measures to ensure Jewish students’ safety—like stopping pro-Hamas protestors from hijacking campuses or expelling militants who incite Jew-hatred— administrators have largely shown indifference. In some cases, college authorities have made things worse for Jewish students by appeasing the riotous, pro-Hamas mobs who have been primary perpetrators of Jew-hatred on campus.
Snubbed by college administrators, Jewish students and their supporters have appealed for federal protection, filing Title VI complaints with the US Department of Education’s Office of Civil Rights (OCR), the body tasked with enforcing protections under the Civil Rights Act. Unfortunately, the OCR, which has the power to levy severe financial punishments against colleges that neglect students’ Title VI rights, has so far rewarded negligent universities with little more than slaps on the wrist.
Until college and university boards of trustees begin hiring administrators committed to Jewish students’ safety—and until the OCR begins seriously punishing antisemitic perpetrators—we can expect no respite. Safe to say, colleges and universities run by arrogant, apathetic administrators will not change until their jobs and schools’ survival are threatened.
College/university administrators don’t take antisemitism seriously. Their reactions to Jewish students raising concerns about Jew-hatred range from indifference to outright hostility. For example, when Mohammed Al-Kurd, who the Anti-Defamation League says has a record of “unvarnished, vicious antisemitism,” came to speak at Harvard, Shabbos Kestenbaum and other Jewish students complained to administrators.
Rather than cancel Al-Kurd’s appearance, which would have been the appropriate action, the administrators ignored the students’ complaints. “Harvard’s silence was deafening,” Kestenbaum wrote in Newsweek. Kestenbaum said he “repeatedly” expressed concerns to administrators about the antisemitism he experienced, but as his lawsuit alleges, “evidence of uncontrolled discrimination and harassment fell on deaf ears.”
Administrators at Columbia University reacted to Jewish students’ complaints about antisemitism even more cynically. In fact, during an alumni event, several administrators exchanged text messages mocking Jewish students, calling them “privileged” and “difficult to listen to.”
When Rep. Elise Stefanik (R-N.Y.) asked the presidents of Harvard, MIT and the University of Pennsylvania if calling for genocide against Jews violated their schools’ codes of conduct, none could say “yes.” The presidents of Harvard and UPenn have since resigned. Good riddance.
Some college/university administrators have outrageously granted concessions to pro-Hamas students. For instance, Northwestern University agreed to contact potential employers of students who caused campus disruptions to insist they be hired, create a segregated dormitory hall exclusively for Middle Eastern, North African and Muslim students, and form a new investment committee in which anti-Zionists could wield undue influence. Brown University agreed to hold a referendum on divestment from Israel in October.
Similar appeasements were announced at other colleges and universities, including Rutgers, Johns Hopkins, the University of Minnesota and the University of California Riverside.
So far, OCR has failed to take concrete action against antisemitism on campus. This is evident in recent decisions involving the City University of New York (CUNY) and the University of Michigan. CUNY was ordered to conduct more investigations into Title VI complaints and report further developments to Washington, provide more employee and campus security officer training, and issue “climate surveys” to students.
The University of Michigan also committed to a “climate survey,” as well as to reviewing its case files for each report of discrimination covered by Title VI during the 2023-2024 school year and reporting to the OCR on its responses to reports of discrimination for the next two school years.
Neither institution was penalized financially, even though the Department of Education has the power to withhold federal funds, which most colleges and universities depend on. There are now 149 pending investigations into campus antisemitism at OCR. If these investigations yield toothless results similar to those of CUNY and Michigan, it is highly unlikely that colleges and universities will improve how they deal with antisemitism.
Putting an end to skyrocketing antisemitism on campus involves three things.
First, donors and governments at every level should withhold funds from colleges that fail to hire administrators who will take antisemitism as seriously as they take pronoun offenses or racism directed at people of color.
Second, the OCR must mete out serious consequences to Title VI violators in the form of funding cuts. This may require legislation that specifically mandates withdrawing funding from offending parties. A bill recently introduced by Rep. Nicole Malliotakis (R-N.Y.)—the University Accountability Act—may be ideal, as it is designed to financially penalize institutions that don’t crack down on antisemitism.
Third, if OCR won’t act, Jewish students and their supporters should turn to the courts. Lori Lowenthal Marcus, the legal director of the Deborah Project, a public-interest Jewish law firm, argues that the CUNY settlement demonstrates the futility of going to OCR and that going to court is more likely to produce “a clearly delineated and productive result,” such as punitive and compensatory fines. As of late May, at least 14 colleges and universities are facing lawsuits over their handling of antisemitism on campus since Hamas’s Oct. 7 massacre.
As long as college administrators are allowed to ignore antisemitism on campus and as long as OCR and other government institutions fall short in punishing Jew-hatred, antisemitism will continue to plague Jewish students.
The post Universities Must Be Forced to Address Antisemitism first appeared on Algemeiner.com.
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Candace Owens Claims US ‘Being Held Hostage by Israel,’ Suggests Zionists Killed JFK
Political commentator Candace Owens claimed on Friday that the US is being held “hostage” by Israel and suggested that AIPAC, the foremost pro-Israel lobbying organization in the US, was behind the assassination of former US President John F. Kennedy.
“It seems like our country is being held hostage by Israel,” Owens, a right-wing provocateur, said during the opening segment of her YouTube show, where she interviewed far-left commentator Briahna Joy Gray.
“I’m going to get in so much trouble for that. I don’t care,” Owens lamented.
Gray, who was the guest for this episode, was recently fired from The Hill‘s TV show, Rising, after aggressively cutting off and rolling her eyes at the sister of an Israeli hostage who said that Hamas sexually assaulted women during the terror group’s Oct. 7 massacre across southern Israel and that people should believe those women. Gray, who claimed her firing was politically motivated, had repeatedly cast doubt on the sexual violence perpetrated against Israeli women during the Hamas-led onslaught.
However, Owens said that part of the reasons she was addressing the subject was that people were being fired because they were “not happy … when an innocent Palestinian kid dies” or for “critiquing a foreign nation.”
Also on Friday’s show, Owens claimed US Rep. Thomas Massie (R-KY) was “wading into some dangerous waters” when, during an interview with host Tucker Carlson, he spoke about how effective the American Israel Public Affairs Committee (AIPAC) is at lobbying members of Congress and suggested the group should have to register as a foreign agent that is acting on behalf of Israel.
The reason it was dangerous, Owens said, was because “we know there was once a president that wanted to make AIPAC register, and he ended up shot … so Thomas Massie better be careful.”
Owens was referencing the fact that Kennedy wanted the American Zionist Council, a lobby group, to register as a foreign agent. However, there is no evidence the group had anything to do with Kennedy’s assassination.
Owens and The Daily Wire, which was co-founded by conservative and Jewish political commentator Ben Shapiro, parted ways after Owens flirted with antisemitic conspiracy theories for a number of months, especially following the outbreak of the Israel-Hamas war.
“In all communities there are gangs. In the black community we’ve got the Bloods, we’ve got the Crips. Well, imagine if the Bloods and the Crips were doing horrific things, murdering people, controlling people with blackmail, and then every time a person spoke out about it, the Bloods and the Crips would call those people racist,” Owens said while still at The Daily Wire. “What if that is what is happening right now in Hollywood if there is just a very small ring of specific people who are using the fact that they are Jewish to shield themselves from any criticism. It’s food for thought, right? … this appears to be something that is quite sinister.”
Additionally, after getting into a spat with an outspoken and controversial rabbi, Shmuley Boteach, she said, “Are you going to kill me? Are you going to kill me, because I refuse to kowtow to you, and I think it’s weird that you and your daughter are promoting and selling sex toys, that’s why I deem you an ‘unholy rabbi?’”
“You gross me out. You disgust me. I am a better person than you, and I do not fear you,” Owens continued.
The list of controversial incidents involving Owens continued to grow longer with time. In one case, she “liked” an X/Twitter post that promoted the antisemitic “blood libel.” The post read, in response to Boteach, “Rabbi, are you drunk on Christian blood again?”
The “blood libel” is a medieval anti-Jewish slur which falsely claims that Jews use the blood of non-Jewish children in their religious rituals.
The post Candace Owens Claims US ‘Being Held Hostage by Israel,’ Suggests Zionists Killed JFK first appeared on Algemeiner.com.
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