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Queer Jews fought to join the Celebrate Israel Parade. This year, I marched in drag.

(JTA) — “Look mom, he’s a beautiful butterfly,” a child shouted, pointing at me, as I marched up Fifth Avenue in drag on June 4 at the Celebrate Israel Parade.

I could only imagine how meaningful it would have been for me as a kid to see drag included as part of this annual Jewish communal celebration on Fifth Avenue. I didn’t know that boys were allowed to be beautiful. Worse, I thought that there was something shameful about my own longing to embrace my femininity. Certainly, growing up, there were many who seemed only too happy to reinforce that shame. Now, strutting proudly in the parade in a fabulous pink sundress and 9-inch heels is my way of creating a Jewish world where one’s whole self belongs.

Drag helps me find joy in not fitting neatly into boxes or binaries. As a queer Jew who grew up in an Orthodox family, non-binary identity is not just a helpful framing for my gender, it also best captures my approach to religion and my relationship with Israel. Not quite a man and not quite Orthodox, I am equally not quite a woman and kind of Orthodox. While I may not label myself a Zionist, I most certainly celebrate Israel and consider the nation central to my Judaism.

For me, these internal conflicts create the tension that energizes my art. The ability to hold seemingly opposing identities at once provides an authenticity that is both thrilling and freeing. Perhaps this is why I am so drawn to drag. What better art form to express the full spectrum of identity with all its contradictions, complications, and kaleidoscopic colors? I find drag the most exciting and self-actualizing way to fully show up in a parade that celebrates the complexity of Jewish heritage and homeland.

My drag also pays homage to the unapologetic fighting spirit that allowed queer Jews into the parade in the first place. Today, the Jewish Community Relations Council-NY (the parade’s producers) fully embraces the LGBTQ marching cluster and makes us feel like valued members of the Jewish community. But queer organizations were not always welcome at this event. When New York’s gay synagogue attempted to March in the early 1990s, its invitation was rescinded when Orthodox day schools (which still appear to make up the majority of marching schools) threatened to pull out from a parade with an LGTBQ contingent.

As a closeted teen in yeshiva, I remember feeling crushed when I read about the parade’s gay ban. The internalized message was clear: I’m not wanted and there is no place for me in this Jewish community. I recall feeling angry that it seemed like queer Jewish organizations just gave up and gave in to homophobia without a fight. This fury became a drive that helped create JQY (Jewish Queer Youth), the organization I co-founded whose mission is to support LGBTQ youth from Orthodox homes.

It was not until years later, in 2012, when a 16-year-old JQY member named Jon asked if we could march in the Celebrate Israel parade, that I knew it was time to reopen the fight for queer inclusion. That year JQY organized a cluster of queer Jewish organizations and applied to march as an official LGBTQ contingent. At first there was little resistance and our application was accepted. But two weeks before the parade, I was contacted by the parade’s director, informing me that the banner for our marching group must have “no reference to a LGBT or Gay and Lesbian community.” Apparently, once again Orthodox schools were threatening to boycott the parade if queers were to be allowed to march under an LGBT banner.

This time, however, JQY would not back down. I made it clear to the parade director that his request to erase our community identity is unacceptable and that we intended to show up on parade Sunday ready to march with a banner that read “Gay, Lesbian, Bi, Trans Jewish Community.” I told the director that he was welcome to call the police and deal with the optics of arresting queer Jews attempting to celebrate Israel.

Soon after, I began getting phone calls from leaders of the largest queer Jewish organizations. To my surprise, instead of being encouraging, they pressured me to stand down and compromise. Their concern was that my position made queer Jews seem “divisive.” I nearly gave in to these calls for appeasement until I spoke with Larry Kramer, the gay activist, playwright and personal hero of mine. Larry’s words still ring true today. “They were wrong then and they are wrong now,” he said. “The pressure to not be divisive is just a convenient and cowardly device for professionals to hang their internalized homophobia [on].”

The JQY team devised a plan. Prior to the parade’s pushback, we had already received an invitation to a pre-parade wine-and-cheese reception hosted by Fox TV, which was televising the parade that year. I would attend the event with Jon, the JQY member who inspired this parade advocacy, and we would speak to every journalist in the room, letting them know how excited and thankful we were that, for the first time ever, there would be an LGBTQ marching cluster.

When we approached the parade director who was flanked by Fox TV execs, we shook his hand and loudly congratulated him on the incredible milestone for queer inclusion. Cornered and in the spotlight, his response could not have been more perfect. “Yes, we are so proud to have an LGBTQ cluster this year,” he said. We had won.

(Noam Gilboord, the chief operating officer of JCRC-NY, confirmed this account. He said he had not been aware of the pushback against JQY at the time and noted that a highlight of his parade experience this year was handing an Israeli flag to a friend’s trans daughter, who was marching with her community.)

That Sunday our LGBTQ Community cluster had more than 100 marching participants made up of queer Jews of all ages and denominations, as well as friends, family, and allies. We received an overwhelmingly supportive reaction from the crowd, made up of mostly Orthodox Jews. We felt like we were healing old wounds and breaking new ground. Most importantly, we demonstrated that Jewish unity means including the LGBTQ Jewish community by name.

The organizers of the parade were so impressed with our contingent that they awarded us the Most Enthusiastic Participation Award. With subsequent yearly participation, our LGBTQ cluster has become a parade staple and highlight for onlookers. It is one of JQY’s proudest accomplishments.

JQY leads the first-ever LGBTQ contingent in the Celebrate Israel parade in 2012. (Robert Saferstein)

I believe that it is precisely JQY’s focus on uplifting complex identities that made our case to join the parade so strong. For most of our teens, celebrating Israel is part of what it means to both be Jewish and part of the Jewish community (the nation of Israel). Participation in the parade for them is about belonging, not support for any political structure or agenda. It makes sense that Jewish queer youth want to experience communal belonging in an LGBTQ-affirming way. Yet there are still those on the extreme political right and left who refuse to see this nuance and put our participants at risk.

In 2017 our LGBTQ contingent was targeted, infiltrated and sabotaged by members of Jewish Voice for Peace, an anti-Israel activist group. The protesters physically pushed, surrounded and blocked terrified queer Jewish minors who were bravely marching in front of their Orthodox families. Little did our teens know that it was bigotry from the left that would come for them that day.

This year we were particularly wary of marching among a predominantly Orthodox crowd — not because the Orthodox community has gotten more religious or pious, but because of reports that the Orthodox community has become more influenced by a political right that increasingly targets the LGBTQ community. One of the most influential public figures on the right is Ben Shapiro, an Orthodox Jew who, besides being fixated on canceling companies that work with trans people, recently published an article blaming LGBTQ acceptance for the “failure of modern Orthodox Judaism.”

Our contingent this year was mostly met with smiles, cheers and applause. However, it was difficult to ignore the handful of people on nearly every block who covered their children’s faces, displayed angry thumbs down signs and even shouted homophobic or transphobic slurs as we passed. Over the last few years I have noticed an uptick in these kinds of negative responses. It would be negligent not to connect this change to the recent nation-wide scapegoating of trans youth, drag artists, and LGBTQ acceptance.

This week, for the first time ever, the Human Rights Campaign declared an LGBTQ state of emergency in the United States, after lawmakers in 45 states proposed anti-trans bills in 2023. Of those, 24 have proposed “Don’t Say Gay” laws that criminalize discussion of LGBTQ issues in public schools, and lawmakers in 14 states have proposed anti-drag laws. Politicians and pundits with huge platforms are openly describing queer advocates as “groomers,” conveying that there is a pedophilic sexual agenda to the call for LGBTQ human rights and dignity.

This is the environment that LGBTQ Jewish youth live in today and experienced while marching in front of the Jewish community at this year’s parade. This is why I chose to march in drag. Marching is an exercise in building resilience and self-esteem in the face of adversity. My message is to not be afraid, to never back down and to be as magnificent as possible. These principles are the foundations of drag.

Drag is a queer art form that empowers us to express ourselves with every color imaginable. Drag elicits joy and entertainment by subverting expectations and turning gender expression into theatrical performance. It is an artistic genre that can be innocent or scandalous. The form ranges from family-friendly fun like “Mrs. Doubtfire” and Drag Queen Story Hours, to hit TV shows like “RuPaul’s Drag Race” and the more adult fare found in late night bars.

At the Celebrate Israel parade, drag is as natural an aesthetic for queer marchers as Bukharan music and garb are to the Russian-speaking Jewish community cluster.  For many LGBTQ Jews, drag is as much a part of our culture and heritage as the celebration of Israel. This year, I was the first participant to march in drag. Next year, I hope many more will follow. Because let’s face it, nothing lights up a parade quite like a fabulous drag queen.


The post Queer Jews fought to join the Celebrate Israel Parade. This year, I marched in drag. appeared first on Jewish Telegraphic Agency.

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Jewish authors get a lifeline

Susan Blumberg-Kason, a Jewish author whose work explores Jewish history and identity, was deep into a book about Golda Meir’s Milwaukee childhood when her literary agent abruptly dropped her early last year.

The agent offered only a vague explanation, saying, “We can no longer champion your career.”

Blumberg-Kason was surprised at the 180-degree turn by an agent who had been with her for years. But she soon discovered three other Jewish writers in her online community also had been suddenly dropped by their agents with little explanation other than the same phrase she heard: “We can no longer champion your career.”

It didn’t feel like coincidence.

“It wasn’t just that she dropped me,” Blumberg-Kason said. “It was that suddenly several of us were hearing the exact same sentence. It felt coordinated. It felt like something had shifted under our feet.”

It turns out many other Jewish writers have had similar experiences over the past two years, since the beginning of the Oct. 7 war and the boom in anti-Israel and antisemitic ferment that followed. In writers’ groups and forums, Jewish authors describe a sense that their work is being railroaded because they are Jewish. They’ve lost agents, publishers and book events. Some report that editors have cooled the moment Jewish themes appeared in their work.

In May 2024, anti-Israel boycotters propagated a shared spreadsheet called “Is your fav author a Zionist?” that went viral, “outing” Jewish writers for any kind of connection to Israel.

Author Elissa Wald felt the anti-Jewish sentiment so strongly that she created the Never Alone Book Club for Jewish authors to give one another support. The group now has 3,500 members, a Facebook community and a Substack, and it hosts Jewish book events and shares resources for writers who no longer feel safe in mainstream literary spaces.

The challenging climate prompted UJA-Federation of New York to begin funding projects aimed at helping Jewish authors, awarding a total of $300,000 in grants to six organizations working in different areas of the literary ecosystem.

“Supporting Jewish writers is an important part of UJA’s overall strategy to confront rising antisemitism,” said Eric S. Goldstein, CEO of UJA-Federation of New York. “Efforts to marginalize Jewish voices in culture and the arts must be met by even greater efforts to ensure they’re heard.”

The organizations receiving UJA grants are helping Jewish writers with everything from publishing logistics and visibility to offering emotional support.

“Jewish writers were being dropped, disinvited, and sidelined — and many were questioning whether they could continue writing Jewish stories,” said Rina Cohen, who manages strategy across UJA’s Combating Antisemitism portfolio. “By supporting them with tools and resources, UJA is sending a clear message: You deserve to create freely, and we’ll stand behind you as you do.”

The Jewish Book Council used funding from UJA for a unique program to kick off the 100th anniversary of Jewish Book Month: The council designed and distributed 100 Jewish Book Kits to libraries and public spaces across New York City that offer a curated selection of Jewish literature, visual displays, QR codes and author highlights. The aim is to give librarians and community centers an accessible way to showcase Jewish books, helping make Jewish writing visible in the very spaces where many writers feared their work was being erased.

“Jewish books need visibility,” said Jewish Book Council CEO Naomi Firestone-Teeter. “We said: Let’s bring more Jewish books out into the world — into more readers’ hands — and build community around them. That’s what the kits do. They let people see Jewish books where they live their lives.”

Jewish Book Month 100 display kits designed by Eitan Gutenmacher were placed in strategic locations around New York, including this one at Carnegie East House, an assisted living facility, to bolster the visibility of Jewish authors. Photo by Scott Gordon

It’s not always clear that a Jewish writer’s professional setback stems from antisemitism. Publishing is a brutal industry, and even successful writers experience abrupt and opaque rejection.

But many Jewish writers say that what they’re experiencing suggests something nefarious. They’ve felt their Jewishness was treated as suspect in classrooms, critique groups or conferences. They’ve felt pressure from editors to strip Jewish elements from their work.

When the Jewish Book Council opened a portal inviting Jewish writers to share incidents affecting their creative or professional lives, over 400 authors wrote in.

“Some of what we see is subtle and hard to pinpoint, and some of it is very direct: events canceled, students pushed out of MFA programs for being ‘Zionists,’ bookstores refusing to stock books,” Firestone-Teeter said. “Things are not okay. This is not just the normal difficulty of publishing.”

In addition to the Jewish Book Council, UJA’s other five grants went to Artists Against Antisemitism, PJ Library, the Jewish Theological Seminary, the Jewish Life Foundation and 70 Faces Media (the parent organization of the Jewish Telegraphic Agency).

In October, 70 Faces Media held a one-day Jewish Authors’ Summit, offering writers practical tools, digital strategy training and community-building to navigate this increasingly hostile publishing environment.

PJ library will hold a Jewish children’s book festival for authors and families at New York’s 92nd St. Y on Jan. 11, 2026. In just the first few days, an unprecedented 3,500 registrants signed up.

The Jewish Theological Seminary held a literary festival in September that brought together 450 writers, students and community members for masterclasses, public panels and craft development.

The Jewish Life Foundation is creating a TV and podcast series, “The People of the Book with Josh Radnor,” that will spotlight Jewish authors and conversations about Jewish identity and culture.

Artists Against Antisemitism created a full-day gathering for 140 authors, the Jewish Writers Mifgash, that included pitch sessions with literary agents, professional development workshops, mentorship matching and mental health support. Project Shema, a training and support organization focused on contemporary antisemitism, led a session at the conference on how to recognize antisemitism in creative spaces.

Elizabeth Berkowitz, one of the event’s organizers, said several authors came away with promising leads.

“Agents were asking, ‘Can you send me the full? I want to see more,’” Berkowitz said. “We definitely had some shidduchs made — real follow-ups between writers and agents who were actively seeking Jewish authors.”

Zeeva Bukai, a longtime editor who said she’d experienced open hostility in a professional editing group, said just being around others experiencing the same challenges was a welcome relief.

“I realized it’s not just me experiencing this; other are too,” she said. “That validation was just as important as the tools we learned to deal with it.”

That’s the point, said the Jewish Book Council’s CEO.

“We want authors to know we’ve got you on the other side,” Firestone-Teeter said. “Your job is to keep writing. Our job is to deal with the industry issues and build a community that celebrates you and your work. Jewish writers need to feel confident writing the books only they can write.”

The post Jewish authors get a lifeline appeared first on The Forward.

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Iceland joins 4 other countries in boycotting Eurovision over Israel’s participation

(JTA) — The public broadcaster of Iceland announced on Wednesday that it will not participate in this year’s Eurovision Song Contest after Israel’s participation was confirmed by the European Broadcasting Union last week.

The decision drew support from prominent Icelandic artists, including the singer Björk and the former Eurovision representative Paul Oscar, as well as a supportive rally outside of the broadcaster’s Reykjavik headquarters.

The decision by the Icelandic public broadcaster Ríkisútvarpið, or RÚV, makes it the fifth country to bow out of the competition, following similar calls made by the public broadcasters of Ireland, Spain, the Netherlands and Slovenia. RÚV first signaled it would boycott competition with Israel in September.

The boycott decisions came after the EBU, which organizes the competition, dismissed calls for a vote on Israel’s participation last week. Instead, the EBU approved a new set of rules prohibiting voter interference from governments and third parties following allegations that Israel interfered in last year’s competition.

In a press release Wednesday, RÚV said its board had requested that the EBU remove Israel from the song competition, saying that such a move had the support of the Icelandic public.

“Given the public debate in this country and the reactions to the decision of the EBU that was taken last week it is clear that neither joy nor peace will prevail regarding the participation of RÚV in Eurovision,” it said in a press release. “It is therefore the conclusion of RÚV to notify the EBU today that RÚV will not take part in Eurovision next year.”

Iceland came in 25th out of 37 countries in the 2025 competition, where Israeli listeners noted that its song sounded remarkably similar to an Israeli pop hit. The Icelandic contestants denied knowing about the Israeli song before writing their own.

RÚV’s boycott decision came hours before the final deadline to withdraw from this year’s Eurovision, which is slated to take place in May in Vienna.

“We respect the decision of all broadcasters who have chosen not to participate in next year’s Eurovision Song Contest and hope to welcome them back soon,” said Eurovision director Martin Green in a statement, according to the BBC.

The post Iceland joins 4 other countries in boycotting Eurovision over Israel’s participation appeared first on The Forward.

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IDF Warns of Growing West Bank Threat, Presence of Iranian Weapons Amid Major Counterterror Operations

Israeli soldiers walk during an operation in Tubas, in the West Bank, Nov. 26, 2025. Photo: REUTERS/Mohamad Torokman

The Israel Defense Forces (IDF) is sounding the alarm over a growing terrorist threat from the West Bank, warning that Iranian-backed arms smuggling could spark an Oct. 7-style attack.

Concerns over the presence of significant Iranian-supplied firepower in the hands of Palestinian terrorists in the West Bank has prompted Israeli intelligence and security forces to intensify operations across the territory.

According to a new report from Israel’s Channel 14, a senior IDF official warned that the West Bank presents a growing threat to Israeli communities, with the potential to spark an attack similar to the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

“We have to start from the clear fact that weapons in Judea and Samaria [Israel’s preferred name for the West Bank] could upset the current stalemate,” the IDF official told Channel 14. 

However, while the military has prioritized preparing for large-scale scenarios, such as an Oct. 7-style attack, the senior IDF official also warned that more attention needs to be paid to “smaller” threats — like a situation in which a small group of terrorists infiltrates a settlement home and kills an entire family — an event he described as “highly probable.”

“We shouldn’t see this scenario only as an attack on dozens of communities. A single deadly strike is enough — we must also prepare for lethal, localized attacks,” the IDF official said. “Our responsibility is to protect both individuals and the broader community.”

He warned that terrorists in the West Bank are believed to possess arms capable of breaking Israeli defenses, including what he called “standard Iranian weapons.” However, he also noted that security forces are actively working to intercept these arms and dismantle any terrorist cell in the area.

On Tuesday, the IDF uncovered a major terrorist infrastructure in the Tulkarem area in the northern West Bank, including three rockets at various stages of assembly, explosive devices, operational equipment, and materials for making bombs.

According to Joe Truzman, a senior research analyst at the Foundation for Defense of Democracies (FDD), a Washington, DC-based think tank, Israeli officials should be closely monitoring the West Bank as the Palestinian terrorist group Hamas regroups and rearms in the Gaza Strip after two years of war. 

“Hamas and its allied factions understand that igniting violence in the territory would divert Israel’s attention during a critical time of rebuilding the group’s infrastructure in Gaza,” Truzman said last month.

“The release of convicted terrorists to the West Bank under the ceasefire agreement may be a factor in the resurgence of organized violence in the territory,” he continued.

At the time, the IDF completed a three-day, multi-branch military exercise in the West Bank called “Lion’s Roar,” designed to enhance operational coordination and joint capabilities in the region, with scenarios shaped by lessons learned from the Oct. 7 atrocities.

More than 180 Israeli Air Force aircraft supported ground troops during training for over 40 scenarios, including attacks on outposts, simultaneous terrorist infiltrations into multiple communities, urban combat, mass-casualty rescue and medical evacuation, multi-casualty response, intelligence integration, and real-time command and control.

“We have many lessons to implement from this exercise and from Oct. 7,” the IDF spokesperson said in a statement at the time.

“The IDF will continue to conduct regular exercises to ensure high readiness, strengthen cooperation among all troops, and maintain the security of residents in the area and of all Israeli civilians,” the statement read. 

According to a survey released earlier this year by the Jerusalem Center for Security and Foreign Affairs, 70 percent of all respondents — and 81 percent of Jewish respondents — expressed fear of an Oct. 7-style attack coming from the West Bank. In contrast, 53 percent of Arab respondents said they were not worried about such an attack.

“The stipulations of the ceasefire in Gaza, mainly the requirement for Hamas to fully disarm in future phases, should also be applied to the terrorist organization’s operatives in the West Bank,” Aaron Goren, research analyst at FDD, said at the time.  

“Otherwise, Israel may face a threat from Hamas, which, unlike in Gaza, where it is relatively contained, is dispersed amongst Israeli communities in the West Bank,” he continued. 

Earlier this year, the IDF arrested a Hamas and Fatah terror cell from Ramallah that was planning a bombing attack on a bus in Jerusalem, with investigators saying the group intended to remotely detonate an explosive device smuggled into Israel.

As of February, Israeli security forces had foiled nearly 1,000 terrorist plots over the past year, with senior military officials increasingly worried that the volatile situation in the West Bank could lead to a large-scale attack similar to the Oct. 7 onslaught against Israeli settlements and communities near the security barrier.

In response to these concerns, the IDF has established a special command to address potential threats in the West Bank and launched a nearly unprecedented counterterror operation in the northern part of the territory.

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