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Queer Jews fought to join the Celebrate Israel Parade. This year, I marched in drag.
(JTA) — “Look mom, he’s a beautiful butterfly,” a child shouted, pointing at me, as I marched up Fifth Avenue in drag on June 4 at the Celebrate Israel Parade.
I could only imagine how meaningful it would have been for me as a kid to see drag included as part of this annual Jewish communal celebration on Fifth Avenue. I didn’t know that boys were allowed to be beautiful. Worse, I thought that there was something shameful about my own longing to embrace my femininity. Certainly, growing up, there were many who seemed only too happy to reinforce that shame. Now, strutting proudly in the parade in a fabulous pink sundress and 9-inch heels is my way of creating a Jewish world where one’s whole self belongs.
Drag helps me find joy in not fitting neatly into boxes or binaries. As a queer Jew who grew up in an Orthodox family, non-binary identity is not just a helpful framing for my gender, it also best captures my approach to religion and my relationship with Israel. Not quite a man and not quite Orthodox, I am equally not quite a woman and kind of Orthodox. While I may not label myself a Zionist, I most certainly celebrate Israel and consider the nation central to my Judaism.
For me, these internal conflicts create the tension that energizes my art. The ability to hold seemingly opposing identities at once provides an authenticity that is both thrilling and freeing. Perhaps this is why I am so drawn to drag. What better art form to express the full spectrum of identity with all its contradictions, complications, and kaleidoscopic colors? I find drag the most exciting and self-actualizing way to fully show up in a parade that celebrates the complexity of Jewish heritage and homeland.
My drag also pays homage to the unapologetic fighting spirit that allowed queer Jews into the parade in the first place. Today, the Jewish Community Relations Council-NY (the parade’s producers) fully embraces the LGBTQ marching cluster and makes us feel like valued members of the Jewish community. But queer organizations were not always welcome at this event. When New York’s gay synagogue attempted to March in the early 1990s, its invitation was rescinded when Orthodox day schools (which still appear to make up the majority of marching schools) threatened to pull out from a parade with an LGTBQ contingent.
As a closeted teen in yeshiva, I remember feeling crushed when I read about the parade’s gay ban. The internalized message was clear: I’m not wanted and there is no place for me in this Jewish community. I recall feeling angry that it seemed like queer Jewish organizations just gave up and gave in to homophobia without a fight. This fury became a drive that helped create JQY (Jewish Queer Youth), the organization I co-founded whose mission is to support LGBTQ youth from Orthodox homes.
It was not until years later, in 2012, when a 16-year-old JQY member named Jon asked if we could march in the Celebrate Israel parade, that I knew it was time to reopen the fight for queer inclusion. That year JQY organized a cluster of queer Jewish organizations and applied to march as an official LGBTQ contingent. At first there was little resistance and our application was accepted. But two weeks before the parade, I was contacted by the parade’s director, informing me that the banner for our marching group must have “no reference to a LGBT or Gay and Lesbian community.” Apparently, once again Orthodox schools were threatening to boycott the parade if queers were to be allowed to march under an LGBT banner.
This time, however, JQY would not back down. I made it clear to the parade director that his request to erase our community identity is unacceptable and that we intended to show up on parade Sunday ready to march with a banner that read “Gay, Lesbian, Bi, Trans Jewish Community.” I told the director that he was welcome to call the police and deal with the optics of arresting queer Jews attempting to celebrate Israel.
Soon after, I began getting phone calls from leaders of the largest queer Jewish organizations. To my surprise, instead of being encouraging, they pressured me to stand down and compromise. Their concern was that my position made queer Jews seem “divisive.” I nearly gave in to these calls for appeasement until I spoke with Larry Kramer, the gay activist, playwright and personal hero of mine. Larry’s words still ring true today. “They were wrong then and they are wrong now,” he said. “The pressure to not be divisive is just a convenient and cowardly device for professionals to hang their internalized homophobia [on].”
The JQY team devised a plan. Prior to the parade’s pushback, we had already received an invitation to a pre-parade wine-and-cheese reception hosted by Fox TV, which was televising the parade that year. I would attend the event with Jon, the JQY member who inspired this parade advocacy, and we would speak to every journalist in the room, letting them know how excited and thankful we were that, for the first time ever, there would be an LGBTQ marching cluster.
When we approached the parade director who was flanked by Fox TV execs, we shook his hand and loudly congratulated him on the incredible milestone for queer inclusion. Cornered and in the spotlight, his response could not have been more perfect. “Yes, we are so proud to have an LGBTQ cluster this year,” he said. We had won.
(Noam Gilboord, the chief operating officer of JCRC-NY, confirmed this account. He said he had not been aware of the pushback against JQY at the time and noted that a highlight of his parade experience this year was handing an Israeli flag to a friend’s trans daughter, who was marching with her community.)
That Sunday our LGBTQ Community cluster had more than 100 marching participants made up of queer Jews of all ages and denominations, as well as friends, family, and allies. We received an overwhelmingly supportive reaction from the crowd, made up of mostly Orthodox Jews. We felt like we were healing old wounds and breaking new ground. Most importantly, we demonstrated that Jewish unity means including the LGBTQ Jewish community by name.
The organizers of the parade were so impressed with our contingent that they awarded us the Most Enthusiastic Participation Award. With subsequent yearly participation, our LGBTQ cluster has become a parade staple and highlight for onlookers. It is one of JQY’s proudest accomplishments.
JQY leads the first-ever LGBTQ contingent in the Celebrate Israel parade in 2012. (Robert Saferstein)
I believe that it is precisely JQY’s focus on uplifting complex identities that made our case to join the parade so strong. For most of our teens, celebrating Israel is part of what it means to both be Jewish and part of the Jewish community (the nation of Israel). Participation in the parade for them is about belonging, not support for any political structure or agenda. It makes sense that Jewish queer youth want to experience communal belonging in an LGBTQ-affirming way. Yet there are still those on the extreme political right and left who refuse to see this nuance and put our participants at risk.
In 2017 our LGBTQ contingent was targeted, infiltrated and sabotaged by members of Jewish Voice for Peace, an anti-Israel activist group. The protesters physically pushed, surrounded and blocked terrified queer Jewish minors who were bravely marching in front of their Orthodox families. Little did our teens know that it was bigotry from the left that would come for them that day.
This year we were particularly wary of marching among a predominantly Orthodox crowd — not because the Orthodox community has gotten more religious or pious, but because of reports that the Orthodox community has become more influenced by a political right that increasingly targets the LGBTQ community. One of the most influential public figures on the right is Ben Shapiro, an Orthodox Jew who, besides being fixated on canceling companies that work with trans people, recently published an article blaming LGBTQ acceptance for the “failure of modern Orthodox Judaism.”
Our contingent this year was mostly met with smiles, cheers and applause. However, it was difficult to ignore the handful of people on nearly every block who covered their children’s faces, displayed angry thumbs down signs and even shouted homophobic or transphobic slurs as we passed. Over the last few years I have noticed an uptick in these kinds of negative responses. It would be negligent not to connect this change to the recent nation-wide scapegoating of trans youth, drag artists, and LGBTQ acceptance.
This week, for the first time ever, the Human Rights Campaign declared an LGBTQ state of emergency in the United States, after lawmakers in 45 states proposed anti-trans bills in 2023. Of those, 24 have proposed “Don’t Say Gay” laws that criminalize discussion of LGBTQ issues in public schools, and lawmakers in 14 states have proposed anti-drag laws. Politicians and pundits with huge platforms are openly describing queer advocates as “groomers,” conveying that there is a pedophilic sexual agenda to the call for LGBTQ human rights and dignity.
This is the environment that LGBTQ Jewish youth live in today and experienced while marching in front of the Jewish community at this year’s parade. This is why I chose to march in drag. Marching is an exercise in building resilience and self-esteem in the face of adversity. My message is to not be afraid, to never back down and to be as magnificent as possible. These principles are the foundations of drag.
Drag is a queer art form that empowers us to express ourselves with every color imaginable. Drag elicits joy and entertainment by subverting expectations and turning gender expression into theatrical performance. It is an artistic genre that can be innocent or scandalous. The form ranges from family-friendly fun like “Mrs. Doubtfire” and Drag Queen Story Hours, to hit TV shows like “RuPaul’s Drag Race” and the more adult fare found in late night bars.
At the Celebrate Israel parade, drag is as natural an aesthetic for queer marchers as Bukharan music and garb are to the Russian-speaking Jewish community cluster. For many LGBTQ Jews, drag is as much a part of our culture and heritage as the celebration of Israel. This year, I was the first participant to march in drag. Next year, I hope many more will follow. Because let’s face it, nothing lights up a parade quite like a fabulous drag queen.
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The post Queer Jews fought to join the Celebrate Israel Parade. This year, I marched in drag. appeared first on Jewish Telegraphic Agency.
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Helen Mirren criticizes Israel at film festival after being called ‘evil Zionist’ in viral video
(JTA) — British actor Helen Mirren criticized Israel at a film festival in Italy, in her first public comments since security footage of a November incident where she was accused by a stranger of being an “evil Zionist b—h” went viral late last month.
“Evil forces are rising everywhere, even in a country like Israel,” Mirren said in an interview with journalists at the Taormina Film Fest in Sicily, according to reports in entertainment media. “How could you possibly repeat the actions of what was done to you as people to other people? Crimes against humanity, it’s called.”
The Academy Award-winning actor, who is 80, is being honored with a lifetime achievement award from the festival on Friday. Her many roles have included playing former Israeli Prime Minister Golda Meir in the 2023 biopic “Golda,” which she premiered in Jerusalem.
Mirren is not Jewish but has a long history of connection to Israel, dating back to 1967, when she traveled with a Jewish boyfriend to work for a month on a kibbutz in the country’s north.
She referenced that period in her comments at Taormina.
“I saw it from the inside and I saw some things that disturbed me from the inside in Israel at that time,” she said, according to Deadline. “I’m talking about six months after the Six Day War.”
Mirren has previously criticized the Israeli government. While promoting “Golda” in early 2023, she said she believed that Meir would be “utterly horrified” by Israel’s current leadership, which she referred to as a “dictatorship.”
But she also spoke favorably about Israel during the promotional events, which shortly preceded the Hamas attack that began the war in Gaza.
“I believe in Israel, in the existence of Israel, and I believe Israel has to go forward into the future, for the rest of eternity,” she told the country’s Channel 12 in August 2023. “I believe in Israel because of the Holocaust.”
During the November incident, the person who accosted Mirren and her husband Taylor Hackford appeared to reference those comments, saying, “She said Israel should last forever because of the Holocaust, and she was very happy that Palestinians’ houses were gone.”
Hackford responded, “F–ck off,” and Mirren did not say anything in the video.
At Taormina, the actor offered a more nuanced characterization of her beliefs while also praising Israel’s creative and intellectual communities.
“I grew up in Europe post-Second World War and the realization in my parents’ generation of what had happened in the Holocaust was so profound, so important,” Mirren said. “Therefore, the creation of Israel was a very important moment, although maybe it was done in completely the wrong way, in the wrong place, I don’t know. But something had to happen after the horror.”
According to Variety, she also said, “The evil is always lurking, waiting to take over, even in a place like Israel. I played Golda Meir and worked in a country that was the idealistic Israel, and I always thought it was a country that would never do wrong, but of course they were doing wrong, even then.”
About the viral video showing her being accosted, Mirren told journalists at the festival she believes she was “attacked by mistake by a man who was maybe a little over passionate or maybe mentally not quite stable.”
She added, “I don’t know whether he read things on the Internet or thought he read something which he hadn’t read, I don’t know.”
Though London’s Metropolitan Police initially said it was possible for an incident to be investigated as an antisemitic hate crime even if the victim is not Jewish, it will not be investigating further, as Mirren and Hackford have decided not to press charges.
The post Helen Mirren criticizes Israel at film festival after being called ‘evil Zionist’ in viral video appeared first on The Forward.
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After dozens of Jewish girls get lost in NY creek tunnel, antisemitic comments follow online
(JTA) — When dozens of Jewish girls emerged from a storm drain in Nyack, New York, Wednesday after becoming lost on a school trip, local officials described the episode as a fortunate ending to a potentially dangerous situation.
On social media, however, the incident quickly drew a slew of antisemitic comments.
“They can’t help it. Roaches and rats love the sewers,” wrote one Facebook user on a post by the Rockland Daily.
“Those tunnels were promised to them 3,000 years ago,” another user wrote, referencing the common online antisemitic phrase ridiculing the Jewish connection to Israel.
Many of the comments also referenced the 2024 incident at the Chabad-Lubavitch movement’s world headquarters in Crown Heights, Brooklyn, in which a group from the movement attempted to dig an unauthorized tunnel beneath the building.
“From the tunnels in Brooklyn to the tunnels in nyack! The black coats never disappoint 🤣🤣🤣🤣🤣🤣🤣,” one user wrote. “There drawn to tunnels. Natural instinct😂,” another wrote.
The girls, students from the Toras Emachu school in Monsey, New York, had been visiting Nyack Memorial Park on a school trip when they entered a large drainage culvert located in the park, according to the Orangetown Police Department.
While walking through the tunnel system, the students got lost but were heard by individuals in the town who alerted police, according to Nyack Mayor Joseph Rand.
“First responders immediately came to the scene and located all the girls at various points in Nyack,” Rand wrote in a post on Facebook. “Technically, none of the girls were ‘rescued,’ because they all came out in their own power, but everyone’s lucky that the authorities responded and figured out where all the girls were as quickly as they did.”
Rand said that roughly 70 students were on the trip, and there were no serious injuries beyond some “cuts and scrapes.”
Nyack Village Administrator Andy Stewart told the Jewish Telegraphic Agency that the school group had not been given a permit to host a field trip in the park Wednesday, and while there was “definitely concern over the violation of that law,” he wasn’t sure how the local government would follow up with the school.
“This is a group that did not have a permit, and so we didn’t know they were there, and they made no plans with the village,” Stewart said.
The Toras Emachu school did not respond to numerous requests for comment from the Jewish Telegraphic Agency.
But while local town officials handle the response to the incident, for some Jewish groups, the online response underscored how an innocuous incident can become a vehicle for antisemitic rhetoric.
“Unfortunately, internet comment sections have become havens for antisemitic memes and conspiracies, and commenters emboldened by relative anonymity will jump at any opportunity to demonize Jews,” Nate Wolfson, the communications director for the Nexus Project, told the Jewish Telegraphic Agency about the incident. “In this case, a story of dozens of children getting lost on a field trip is appallingly used to spread stereotypes about Jews, including comparing them to rats.”
Wolfson added that the references to the Chabad tunnel incident had been “especially troubling,” adding that the story had been “routinely used by antisemites to spread truly vicious and dangerous conspiracies about child sex trafficking.”
Some Nyack residents also called out the spate of antisemitic comments about the incident online.
“This was not hard to find. It was not buried. It was not one bad comment from one bad actor. It was thread after thread of people in this county saying the same old bullshit about Jewish people like it was nothing,” wrote one resident in a post on Facebook alongside a series of screenshots of antisemitic comments. “If all it takes is one local news story for your contempt to come spilling out, the contempt was already there.”
The post After dozens of Jewish girls get lost in NY creek tunnel, antisemitic comments follow online appeared first on The Forward.
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The battle between tradition and revolution in Soviet-Yiddish culture
די סאָװעטיש־ייִדישע קולטור איז געװען עסטעטיש אָדער אידעאָלאָגיש פֿילזײַטיק, לכל־הפּחות אין משך פֿון די ערשטע פּאָר צענדליק יאָר. דאָס איז דער עיקר־טעזיס פֿון דער װאָגיקער שטודיע „רױטע ייִדן: דער ייִדיש־סאָװעטישער קולטור־פּראָיעקט“ פֿון דער ליטעראַטור־פֿאָרשערין דאַריע װאַכרושאָװאַס (אוניװערסיטעט פֿון מינכען).
דער ציל פֿון דער פֿאָרשונג איז צו לאָזן דעם הײַנטיקן לײענער הערן די פֿאַרשײדענע שטימען אינעם אַלגעמײנעם כאָר פֿון סאָװעטישע ייִדישע ליטעראַטן, קינסטלער און כּלל־טוער.
ווי האָבן אָט די פֿיגורן פֿאַרשטאַנען די צוקונפֿטיקע ייִדישע קולטור? װי אַזױ האָבן זײ בדעה געהאַט צונױפֿצוברענגען ייִדישקײט און סאָװעטישקײט? װוּ שטײט די סאָװעטישע ייִדישע קולטור אױף דער ייִדישער װעלטמאַפּע? דאָס זײַנען די פֿראַגן, װאָס װאַכרושאָװאַ באַהאַנדלט.
זי גיט זיך ספּעציעל אָפּ מיט לינגװיסטישע פּרטים — טערמינען, מעטאַפֿאָרן, אימאַזשן — װאָס מען האָט גענוצט אין די קריטישע װיכּוחים פֿון יענער תּקופֿה. דערבײַ באַטראַכט זי ניט נאָר די מער באַקאַנטע ליטעראַרישע טעקסטן, נאָר אַ ברײטערן פֿאַרנעם פֿון מקורים פֿון צײַטונגען.
װאַכרושאָװאַ פּרוּװט צו אַנטפּלעקן די פֿילשטימיקײט פֿונעם סאָװעטיש־ייִדישן קולטורעלן פּראָיעקט. זי איז ספּעציעל פֿאַראינטערעסירט אין פֿאַרשײדענע װיזיעס פֿון דער צוקונפֿט פֿון ייִדיש אין סאָװעטן־פֿאַרבאַנד, װאָס מען האָט אַרומגערעדט אין די 1920ער יאָרן.
דאָס בוך באַשטײט פֿון דרײַ טײלן. אינעם ערשטן באַטראַכט װאַכרושאָװאַ כּלערלײ עסטעטישע מאַניפֿעסטן און קינסטלערישע פּראָגראַמען פֿון ייִדישער קולטור, װאָס מען האָט אַרױסגעגעבן נאָך דער ערשטער װעלט־מלחמה אין קיִעװ, מאָסקװע, לאָדזש, װאַרשע און בערלין.
דער צװײטער טײל איז געװידמעט דעם נסתּרס זאַמלונג רײַזע־פֿאַרצײכענונגען „דרײַ הױפּטשטעט“(1934). דער לעצטער חלק אַנאַליזירט די סטיליסטישע און לינגװיסטישע אַספּעקטן פֿון סאָװעטישע ליטעראַרישע איבערזעצונגען אױף ייִדיש פֿון רוסיש און אײראָפּעיִשע שפּראַכן.
די יאָרן נאָך דער ערשטער װעלט־מלחמה זײַנען געװען אַ בלי־תּקופֿה פֿון ייִדישן אַװאַנגאַרד אין ליטעראַטור און קונסט. אין װאַרשע זײַנען דערשינען די זשורנאַלן „רינגען“, „אַלבאַטראָס“, „כאַליאַסטרע“, „די װאָג“; אין בערלין — „מילגרױם“; אין קיִעװ — דיאַלמאַנאַכן „אײגנס“ און „אױפֿגאַנג“. לרובֿ האָבן די דאָזיקע פּובליקאַציעס ניט לאַנג געדױערט, אָבער זײ האָבן געמאַכט דרײסטע פּראָקלאַמאַציעס װעגן דער רעװאָלוציע אין דער ייִדישער קולטור.
למשל, אינעם ערשטן נומער פֿון דער סאָװעטישער קאָמוניסטישער צײַטונג „דער עמעס“ דעם 7טן נאָװעמבער 1920 האָט פּרץ מאַרקיש פֿאַרעפֿנטלעכט אַן אַרטיקל „אױף די װעגן פֿון ייִדישער דיכטונג“. עס איז מערקװירדיק, באַמערקט װאַכרושאָװאַ, װאָס דער דאָזיקער מאַניפֿעסט פֿון דער נײַער סאָװעטישער ייִדישער פּאָעזיע פֿאַרמאָגט ניט קײן מאַרקסיסטישע קאָמוניסטישע מליצה.
אַנשטאָט דעם רעדט מאַרקיש װעגן טיפֿע איבערלעבונגען, װאָס פֿאַרכליניען דעם מענטשן אין דער צײַט פֿון דער רעװאָלוציע. די רעװאָלוציע האָט גורם געװען אַן איבערבראָך אין דער טראַדיציע, „און טאַקע דערפֿאַר קאָנען די דיכטער פֿון אונדזער נײַער שטורעמדיקער תּקופֿה ניט שאַפֿן קײן מאָנומענטאַלע װערק, זײ זײַנען קױלן־גראָבערס […] פֿאַר נײַע תּקופֿות, פֿאַר קומעדיקע דורות,“ שרײַבט מאַרקיש.
אָבער מיט פֿיר יאָר שפּעטער האָט מאַרקיש זיך באַרעכנט װעגן דער המשכדיקײט פֿון דער ייִדישער קולטור. אין אַ רעפֿעראַט אין װילנע אין 1924 האָט ער געזאָגט, לױטן באַריכט אין דער װילנער צײַטונג „טאָג“: „ניטאָ קײן צװײ ליטעראַטורן, ס’זײַנען בלױז פֿאַראַן צװײ ליטעראַרישע עפּאָכעס, מיט פֿאַרשײדענע פֿאָרמעס, אָבער מיט אײן גרונד־ליניע, אײן ענדציל.“
דאָ האָט מאַרקיש פּראָקלאַמיט די המשכדיקײט צװישן די קלאַסיקער װי מענדעלע, שלום־עליכם און פּרץ און דער נײַער ליטעראַטור, װי מאַרקיש אַלײן, װאָס איז אַנטשטאַנען נאָך דער ערשטער װעלט־מלחמה.
אָט די צװײ קעגנזײַטיקע דעות װעגן דער ליטעראַרישער אַנטװיקלונג — אַן איבערבראָך אָדער המשכדיקײט — האָבן באַשטימט צװײ שטרעמונגען אין דער אַלװעלטלעכער ייִדישער ליטעראַטור נאָך דער ערשטער װעלט־מלחמה, סײַ אין סאָװעטן־פֿאַרבאַנד, סײַ אין פּױלן און סײַ אין אַמעריקע.
אין אונטערשייד צו דער הײַנטיקער אַמעריקאַנער שיטה אין ייִדיש־פֿאָרשונגען, װאָס פּרוּװן כּסדר צופּאַסן ייִדישע טעקסטן צו דער הײַנטיקער מאָדע אין ליטעראַרישער טעאָריע, איז װאַכרושאָװאַס מעטאָד דער עיקר אַ פֿילאָלאָגישער.
זי באַזירט אירע אױספֿירן אױף אַ גרונטיקן אַנאַליז פֿונעם שפּראַכלעכן סטיל פֿון ייִדישע מקורים. אַזאַ צוגאַנג מאַכט אירע אַרגומענטן גלײַכצײַטיטק מער װאָגיק און מער ניואַנסירט. זי דערװײַזט פּינקטלעך, װי אידעיִשע און עסטעטישע חילוקי־דעות צװישן ייִדישע ליטעראַטן האָבן זיך אַנטפּלעקט דורך שאַטירונגען אין זײער זאַצבױ, װאָקאַבולאַר, אינעם אױסקלײַב פֿון גערמאַנישע, סלאַװישע און לשון־קודשדיקע קאָמפּאָנענטן.
װאַכרושאָװאַ באַמערקט, אַז כּסדר שאַצט מען אָפּ די פּאָזיציעס פֿון סאָװעטישע שרײַבער, אַזעלכע װי מאַרקיש און דוד בערגעלסאָן, פֿונעם שפּעטערן שטאַנדפּונקט, װען מען איז שױן געװױר פֿון זײער טראַגישן אומקום. זי פּרוּװט, להיפּוך, לײענען זײערע טעקסטן דורך דעם מיטצײַטלערישן שפּאַקטיװ. זי ברענגט דעם לײענער אַרײַן אינעם סאַמע ברען פֿון קריטישע װיכּוחים פֿון די 1920ער יאָרן.
אַן אינטערעסאַנטער בײַשפּיל פֿון דעם, װי אַזױ מען האָט זיך געפּרוּװט צופּאַסן צו די נײַע סאָװעטישע באַדינגונגען, זײַנען דעם נסתּרס פֿאַרצײכענונגען װעגן די שטעט כאַרקעװ, לענינגראַד און מאָסקװע אינעם זאַמלבוך „הױפּטשטעט“. דאָס איז געװען זײַן פּרוּװ אַריבערצוגײן פֿונעם סימבאָליסטישן סטיל פֿון זײַנע פֿריִערדיקע דערציילונגען צו דעם רעאַליסטישן סטיל פֿונעם זשאַנער פֿון רײַזע־פֿאַרצײכענונג.
װאַכרושאָװאַ האַלט, אַז דער נסתּר האָט בכּװוּן אָפּגעהיט עלעמענטן פֿון זײַן סימבאָליסטישן סטיל – אַזעלכע װי ריטמישע איבערחזרונגען פֿון די אײגענע װערטער אין אײן זאַץ, דער שװערלעכער דײַטשמערישער זאַצבױ, דער ניט־פֿאַרלאָזלעכער נאַראַטאָר – כּדי אונטערצורײַסן די פּאָזיטיװע שטימונג, װאָס עס האָט געפֿאָדערט די אָפֿיציעלע סאָװעטישע ליטעראַטור. „הױפּטשטעט“ איז אַ דאָקומענט פֿון דעם נסתּרס אַנטױשונג אינעם פּראָיעקט פֿון אױפֿבױען די ייִדישע קולטור אינעם סאָװעטן־פֿאַרבאַנד, פֿאַרסך־הכּלט װאַכרושאָװאַ.
װי אַ צאָל אַנדערע ייִדישע און ניט־ייִדישע מחברים, װאָס זײַנען געשטאַנען אױף די ראַנדן פֿון דער אָפֿיציעלער סאָװעטישער ליטעראַטור, האָט דער נסתּר געפֿונען אַ מקום־מקלט אין איבערזעצערישער אַרבעט. ער האָט איבערגעזעצט אויף ייִדיש די װערק פֿון די רוסישע קלאַסיקער לעװ טאָלסטאָי, פֿיאָדאָר דאָסטאָיעװסקי, איװאַן טורגענעװ, און פֿון אַ היפּשער צאָל דײַטשישע, פֿראַנצײזישע און אַנדערע שרײַבער.
איבערזעצונגען פֿון דער רוסישער און אײראָפּעיִשער בעלעטריסטיק און דיכטונג, פֿון פּאָליטישער און װיסנשאַפֿטלעכער ליטעראַטור אױף די סאָװעטישע מינאָריטעט־שפּראַכן זײַנען געװען אַ װיכטיקער עלעמענט פֿון דער סאָװעטישער קולטור־פּאָליטיק, און ייִדיש איז ניט געװען קײן אױסנאַם. דערצו איז דאָס געװען אַ מער־װײניקער סטאַבילע פּרנסה, װײַל די האָנאָראַרן האָבן באַצאָלט מלוכישע פֿאַרלאַגן.
דװקא די איבערזעצונגען האָבן אַ סך בײַגעטראָגן צו דער אַנטװיקלונג פֿונעם אײגנאַרטיקן סאָװעטישן נוסח פֿון ייִדיש. איבערזעצונגען זײַנען אויך געװאָרן אַ װיכטיק ליטעראַריש פֿעלד פֿאַר שפּראַכלעכע עקספּערימענטן, בפֿרט װען די פּאָליטישע באַדינגונגען זײַנען אין די 1930ער יאָרן געװאָרן אַלץ שװערער, פֿאַרסך־הכּלט װאַכרושאָװאַ. אַזױ האָט זיך די ייִדישע שפּראַך װײַטער אַנטװיקלט, ניט געקוקט אױף דעם פּאָליטישן דרוק.
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