Uncategorized
Rabbi Harold Kushner, whose works of practical theology were best-sellers, dies at 88
(JTA) — Rabbi Harold Kushner, one of the most influential congregational rabbis of the 20th century whose works of popular theology reached millions of people outside the synagogue, has died.
Kushner, who turned 88 on April 3, died Friday in Canton, Massachusetts, just miles from the synagogue where he had been rabbi laureate for more than three decades.
Kushner’s fairly conventional trajectory as a Conservative rabbi was altered shortly after arriving at Temple Israel of Natick when, on the day his daughter Ariel was born, his 3-year-old son Aaron was diagnosed with a fatal premature aging condition, progeria.
“When Bad Things Happen to Good People,” published in 1981, represented Kushner’s attempt to make sense of Aaron’s suffering and eventual death, just days after his 14th birthday. It was turned down by two publishers before being released by Schocken Books, a Jewish publisher.
In the book, Kushner labors to reconcile the twin Jewish beliefs in God’s omnipotence and his benevolence with the reality of human suffering. ”Can I, in good faith, continue to teach people that the world is good, and that a kind and loving God is responsible for what happens in it?” he writes.
Ultimately, he concludes that God’s ability is limited when it comes to controlling the hazards of life that result in tragedy on a widespread and smaller scale, such as the Holocaust and the death of a child.
It is a view that runs afoul of traditional Jewish teaching about God, and it earned Kushner critics among some Orthodox Jews and also drew rebuttals from other Jewish theologians. But it resonated widely for a long time and with many people, Jewish and non-Jewish, rocketing to the top of The New York Times’ best-seller list. More than 4 million copies have been sold in at least a dozen languages.
He scaled back his duties at his synagogue, then stepped away, as other books followed, tackling topics equally as daunting: the meaning of life, talking to children about God, overcoming disappointment. “To Life: A Celebration of Jewish Being and Thinking,” published in 1993, became a go-to resource for people exploring Judaism, while “Living a Life That Matters: Resolving the Conflict Between Conscience and Success,” published in 1986, was another best-seller.
“I think that Rabbi Kushner was successful because he catered to everybody,” Carolyn Hessel, the director of the Jewish Book Council, said in 2017 when it revived the Lifetime Achievement Award to honor Kushner. “He reached everybody’s heart. It wasn’t just the Jewish heart. He reached the heart of every human being.”
Kushner was born in Brooklyn and educated in the New York City public schools. After his ordination at the Jewish Theological Seminary in 1960, he went to court to have his military exemption waived.
For two years he served as a military chaplain in Oklahoma before assuming his first pulpit, as an assistant rabbi at another Temple Israel, this one in Great Neck, New York.
Four years later he moved to Natick, where he remained even as he became a celebrity. In 1983, with his book a best-seller and demanding more of his time, Kushner cut back to part-time at the synagogue. Seven years later he stepped down to devote himself fully to writing.
The congregation, believing their then-55-year-old rabbi too young to be named rabbi emeritus, made Kushner their rabbi laureate, a title held by only a handful of American spiritual leaders.
It would be one of a growing number of accolades: Kushner was honored by the Roman Catholic organization the Christophers as someone who made the world a better place, and the organization Religion in America named him clergyman of the year in 1999. In 2004 he read from the book of Isaiah at the state funeral of President Ronald Reagan.
He remained involved in the Conservative movement after leaving the pulpit, serving as a leader in the New England region of its rabbinical association and, with the novelist Chaim Potok, editing its 2001 Etz Hayim Torah commentary.
“My seminary training was all about Jewish answers. My congregational experience has been more in terms of Jewish questions,” Kushner told JTA in 2008. “I start with the anguish, the uncertainty, the lack of fulfillment I find in the lives of the very nice, decent people who are in this synagogue and who are my readers. And Judaism is the answer.”
He added, “How do I live a fulfilling life is the question. And Judaism is the answer.”
Kushner’s wife, Suzette, died in 2022, 45 years after their son Aaron. Kushner is survived by his daughter, Ariel Kushner Haber, and two grandchildren.
—
The post Rabbi Harold Kushner, whose works of practical theology were best-sellers, dies at 88 appeared first on Jewish Telegraphic Agency.
Uncategorized
VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
Uncategorized
Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
Uncategorized
‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
