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Rabbis, teachers, survivors: 18 Jews whose deaths diminished our communities in 2022
(JTA) — All year long, the Jewish Telegraphic Agency reports about the deaths of Jewish newsmakers in our community. To close out the year, we wanted to turn our attention to people who may not have been such household names but whose stories deserve to be remembered.
Here, with the help of readers who shared the names of people they are remembering, we recall 18 Jews who shaped their local communities and made a difference in the lives of those close to them. They include rabbis whose impact extended for decades, teachers who inspired generations of students and activists who were working to build a better world. May their memories be a blessing.
Harriet Bograd
A champion of emerging Jewish communities in far-flung places.
Harriet Bograd, center, her husband Ken Klein, left, and daughter Margie on a visit to the Sefwi Wiawso Jewish community in Ghana in an undated photo. (Courtesy Kulanu, Inc)
Harriet Bograd, who as president of the nonprofit Kulanu supported emerging Jewish communities in Africa, Asia and other places far beyond the usual centers of Jewish life, died on Sept. 17 in a Manhattan hospital. She was 79. A Yale-educated lawyer and a stalwart at the West End Synagogue, she was inspired by a visit in 2004 to a remote village in Ghana, where about two dozen families considered themselves Jewish. In the years to come, she and Kulanu would provide support to emerging Jewish communities in Uganda, Tanzania, Nigeria, Cameroon, Madagascar, Indonesia, Pakistan, Guatemala, the Philippines and more. She once said of her work at Kulanu, “after the Holocaust and the decimation of Jewish communities in Arab lands, the idea [is] that we’re establishing Jewish communities that have their own richness and variety.”
Henry Berg-Brousseau
Transgender activist from Kentucky
Henry Berg-Brousseau (Courtesy Human Rights Campaign)
Henry Berg-Brousseau grew up in Louisville, Kentucky, and studied history, political science and Jewish studies at George Washington University, where he was a founding member of an LGBTQ+ fraternity. He had recently gotten a major promotion at the Human Rights Campaign when he died by suicide in his Arlington, Virginia, home, on Dec. 16 at age 24. “Henry spent his life working to extend grace, compassion and understanding to everyone but especially to the vulnerable and marginalized. This grace, compassion and understanding was not always returned to him,” his mother, the Kentucky state legislator Karen Berg, wrote in a statement that criticized lawmakers who advance anti-LGBTQ views. She added, “He was doing work that was important to him to make the world a more accepting place. At 24 years old. he had finally found a community but that could not undo the brokenness that he already felt.”
Rabbi Simcha Krauss
Orthodox advocate for women’s rights
Rabbi Simcha Krauss speaks at a dinner hosted by Yeshivat Eretz HaTzvi in his honor on Feb. 5, 2014. (Courtesy Yeshivat Eretz HaTzvi)
Rabbi Simcha Krauss, a leading figure of Modern Orthodox Judaism who was a forceful advocate for women’s rights within Orthodoxy, died Jan. 20 at 85. Krauss’s efforts, which included creating a rabbinical court to support “agunot” — women whose husbands refused to divorce them — frequently earned him scorn from traditionalists within Orthodoxy. But many others saw him as a “gentle giant” who wielded his years of study and experience to fight for women’s rights in Jewish law. Krauss was born in Romania and came to the United States in 1948. Coming from a long line of rabbis, Krauss studied at Yeshiva Rabbi Chaim Berlin in Brooklyn, and later studied with the Modern Orthodox luminary Rabbi Joseph Soloveitchik. Krauss led the Young Israel of Hillcrest for 25 years. During his years in Queens, Krauss taught Talmud at Yeshiva University and began to get more involved in issues related to the role of women in Orthodoxy. He moved to Israel in 2005, and in 2014 came back to New York to found the International Beit Din, or religious court, to work on agunot cases. “Some say it is a modern revolution,” he told the Jerusalem Post. “I say that’s the way you should do it.”
Rabbi David Weiss Halivni
A survivor and scholar who teased out the many voices of the Talmud
Survivor and Talmud scholar Rabbi David Weiss Halivni was associated with Columbia University for 35 years. (Chaim Meyersdorf/Wikimedia Commons)
Rabbi David Weiss Halivni, the Talmud scholar and Columbia University professor, died June 29 at age 94. A Holocaust survivor and refugee raised in Sighet, Romania, he earned his doctorate and taught for many years at the Conservative movement’s Jewish Theological Seminary in New York, until leaving the institution in 1983 over its decision to ordain women rabbis. He later became dean of the rabbinical school of the Union for Traditional Judaism, a movement created by rabbis and scholars who similarly broke with the Conservative movement. In works like his multi-volume opus “Mekorot u’Mesorot,” or “Sources and Traditions,” he galvanized the world of Talmud study by treating Jewish text as a living, mutable conversation across generations, as opposed to a static document. Halivni’s approach to learning was the “corollary to loving the text so much that you just had to understand it to its fullest, whatever tools would enable you to do so,” wrote Rabbi Ethan Tucker in an appreciation.
Moris Albahari
A remnant of a Ladino-speaking past
Moris Albahari, shown in a documentary about his story called “Saved by Language,” was a pillar of Sarajevo’s Jewish community. (Courtesy of Brian Kirschen)
Moris Albahari was 11 when the Ustaša, Bosnia’s Nazi collaborator force, came to deport him and his large family to Jasenovac, the country’s equivalent of Auschwitz. A former teacher working as an Ustaša guard in the town of Drvar, where the train stopped, warned Albahari’s father, David, about their destination, and David was able to help his son escape from the train. Because Moris knew Ladino, the Jewish language that is mixture of medieval Spanish, Hebrew, Aramaic, Turkish and other languages, he was able to speak with the Italian soldier who saved him. Ladino would save him several more times before the end of the war, but afterwards, with most of Sarajevo’s Jews dead or forever dispersed, he spoke the language largely at home. At one point the director of Sarajevo’s airport, Albahari was a leader within Bosnia’s Jewish community. “It is a terrible loss, especially for Sarajevok,” said Eliezer Papo, a Sarajevo-born Jew and scholar of Ladino in Israel. “We’re not speaking just in terms of prominent members of the community, we’re speaking in terms of family members.”
Rachel Brodie
A “master Jewish educator” whose influence was vast
Rachel Brodie (Courtesy of J. The Jewish News of Northern California)
Rachel Brodie was unassuming and humble yet through her work as an educator had a vast influence on the Jewish community in the Bay Area of California, where she lived, and beyond. Brodie was the co-founder Jewish Milestones, an educational resource for Jewish lifecycle ceremonies that launched in 2004 as The Ritualist. She also served as “chief Jewish officer” at the Jewish community Center of San Francisco, a position created just for her, from 2011 to 2016. “To be in Rachel’s presence was to be illuminated by her wit, her laughter, and her fierce and tender heart,” wrote the founders of the Jewish Studio Project in Berkeley, where she had been a senior educator. “To learn with her was to be stimulated, delighted, and transformed.” Brodie, 55, died on April 11 after falling at her home in Berkeley.
Rabbi Steven Sager
“Leader, mentor, poet” in North Carolina and beyond
Rabbi Steven Sager at Beth El Synagogue in Durham, North Carolina, in 2017. (Courtesy Anna Carson DeWitt)
When Rabbi Steven Sager died May 15 at 71 after an extended battle with pancreatic cancer, he was mourned not only by his family and his congregants at Beth El Synagogue in Durham, North Carolina, from which he retired in 2011 after 32 years, but by a rabbinic and Hebrew poetry community spanning the globe. “Steve was a beautiful and deep human being,” the Israeli poet Rivka Miriam wrote. “I generally do not believe in translation, especially translation of poetry. It seems to me that every language has an inner secret that cannot be transposed into another vessel. Yet, when Steve translated my poems I had a different feeling — I felt he entered an inner layer, one that lies beneath any language, a layer carrying a hidden code.”
Nate Geller
Devoted to building stronger Jewish communities
Nate Geller, at his home in Teaneck, New Jersey. A colleague’s daughter made the “Nate” sign, which he took home and hung on his mantel. (Courtesy)
Nate Geller died on Jan. 24 at age 63, after a struggle with leukemia that he faced with characteristic humility, faith and optimism. His death was a blow to his colleagues at 70 Faces Media (JTA’s parent company); to his synagogue community in Teaneck, New Jersey; and to the Jewish communal world to which he had dedicated his life since graduating from the Hornstein Program in Jewish Communal Service at Brandeis University in 1983. In the hours after his death, chat rooms and email boxes filled up with loving tributes to Nate, remarkable for their consistency: Friends and colleagues remarked on his gentleness, his passion for Jewish learning, his commitment to Israel, his willingness not just to hear but to listen when a colleague kvelled or kvetched. Most of all, they remembered his devotion to his family: his wife Lyn Light Geller, herself a gentle and passionate force among “Jewish professionals,” his grown children Aliza, Ariana and Koby, Koby’s wife Talia, and their kids, Annaelle and Judah. Said one colleague and fellow congregant, “There is an enormous Nate-shaped void in the world now.”
Hedi Fried
A voice for Holocaust remembrance in Sweden
Holocaust survivor Hedi Fried stands between Sweden’s culture minister and handball player Linnea Claeson during a counterprotest against a neo-Nazi demonstration in Stockholm, Aug. 25, 2018. (Pontus Lundahl/AFP via Getty Images)
Born in 1924 in Sighet, in what was then Hungary and is now Romania, Hedi Fried survived Auschwitz and settled in Sweden, where she became a psychologist and advocate for Holocaust survivors. She created Cafe 84, a salon for survivors in Stockholm, and spoke widely about her experiences during the Holocaust, gathering some of the most common exchanges in “Questions I Am Asked About the Holocaust,” published in English in 2019. “Your solidarity was boundless and no question too difficult to answer. You were brave, generous, dedicated and extremely wise,” Christina Gamstorp, the director of Stockholm’s Jewish museum, wrote in a remembrance. “Now your voice has fallen silent but not your message. It lives on in everyone who met you, in your texts, books, films and your belief that man is still good — and that it is possible to build a society free from antisemitism and racism, which threaten our entire existence.” Fried, who had three children, died in November at 98.
Rabbi Sy Dresner
The “most arrested rabbi in America”
Rabbi Martin Freedman, right, and Rabbi Israel Dresner,center, are taken to the Tallahassee city building where they were charged with unlawful assembly after they and 10 other “Freedom Riders” were arrested attempting to eat at the Tallahassee airport in June 1961. (Getty Photos)
Rabbi Israel “Sy” Dresner, who demonstrated with Martin Luther King Jr. and was sometimes called the “most arrested rabbi in America,” died Jan. 13. He was 92. A Freedom Rider in the 1960s, Dresner built a career as a social justice-oriented Reform rabbi who was active in the fight against the Vietnam War and was a vocal opponent of Israel’s occupation of the West Bank. Dresner was born on the Lower East Side in 1929 to an Orthodox family and grew up in Brooklyn, where his father ran a delicatessen. He attended yeshivas as a child but went on to become a Reform rabbi after serving in the Korean War and working on a kibbutz in Israel. “We came as Jews who remember the millions of faceless people who stood quietly, watching the smoke rise from Hitler’s crematoria,” he said after an arrest in 1964 outside a segregated motel in St. Augustine, Florida. “We came because we know that, second only to silence, the greatest danger to man is loss of faith in man’s capacity to act.”
Eli Evans
‘Poet laureate of Southern Jews’
Eli Evans, seen here in a picture from a trip to Israel in the 1970s, was “equally at home in New York.” (Courtesy Josh Evans)
Born in 1936 in Durham, North Carolina, where his father would become the first Jewish mayor and his mother the founder of Hadassah’s first chapter in the South, Eli Evans remained tied to his native home despite spending his adult life in New York City, where he was a prominent grant-maker whose giving fueled the creation of “Sesame Street” in both the United States and Israel. He wrote several memoirs about Southern Jews and also included the South in his philanthropy, which he pursued at multiple foundations according to an activist philosophy that helped launch the Children’s Defense Fund, seeded the South with Black lawyers who became local civil rights leaders and built ties between Israeli and Egyptian scientists after their countries made peace in 1979. “Eli was a Southern gentleman who interacted with the Jewish establishment and strengthened American Jewish life, without losing his Southern Jewish soul,” said Brandeis University professor of American Jewish history Jonathan Sarna. “It was a privilege to have known him.” Evans died July 26 in Manhattan of complications of COVID-19, after a period of declining health.
Sheryl Grossman
A lifelong advocate for people with disabilities
Sheryl Grossman was a Jewish disability activist. (Screenshot from 2021 JDAIM Interview Series at Towson University)
Sheryl Grossman stood small, at just 4’3″ and 48 pounds, but in the world of Jewish disability advocacy she loomed large, as both the founder of a Facebook group for people living with Bloom’s Syndrome and as a board member of Yad Hachazakah, the Jewish Disability Empowerment Center. She died March 28 at age 46, the result of a Bloom’s Syndrome-linked cancer. “I don’t think anyone will ever know just how much work Sheryl did during the pandemic to help Jewish communities support their most vulnerable neighbors who were in the hospital or isolated at home with COVID,” said Shoshana Finkel, a law student who met Grossman when she was an intern at the American Association of People with Disabilities. “She didn’t feel the need to share her accomplishments; that was never what the work was about for her.”
Dara Goldman
A professor of Spanish and Jewish studies in her prime
Dara Goldman was a professor of Spanish and Jewish studies at the University of Illinois. (Courtesy U of I)
Dara Goldman was preparing for graduation at the University of Illinois, where she was a professor of Spanish and chair of the Program in Jewish Culture and Society, and for the American Jewish Historical Society conference, when she died May 13 of a heart attack. She was 51. A graduate of Columbia and Emory universities, Goldman produced scholarship so diverse that she was affiliated with eight units within the University of Illinois; most recently, she was researching Jewish cultural production in Cuba, where she brought resources for the Jewish community during her research trips, and co-edited a volume on 21st-century Jewish writing. “With her characteristic wit, she would often joke that she was a Jewish woman who took a wrong turn at diaspora,” said a remembrance published by the university. “But jokes aside, she could be at the same time a Jewish woman from New Jersey and an adopted daughter of Puerto Rico and Cuba, two cultures that she knew intimately and loved very deeply. … The echoes of her inimitable, hearty laughter will resonate within our halls for a long time.”
Yaakov Shalev
A beloved family man whose story was Israel’s
Yaakov Shalev, seated third from right, helped organize Iraqi Jews’ exodus to Israel. (Courtesy Asaf Shalev)
“When I arrived for a visit with family in Israel in my early twenties, my septum piercing outraged nearly everyone at our Shabbat morning gathering. Even my younger cousins badgered me to remove it. It took my elderly grandfather, Yaakov Shalev, to quiet everyone down and declare that I am his same beloved grandson, with or without the piercing.
“Calm, open-minded, steadfast, Saba Yaakov, as we called him, passed away peacefully in February at age 92 in Holon, with his five children at his side. He spent his last few hours listening to the melodies of his youth in Baghdad, the music of giants such as Umm Kulthum, Mohammed Abdel Wahab, and Fairuz.
“Saba Yaakov helped organize the exodus of Iraqi Jewry to Israel in 1950 and then enlisted in the Israeli military as an airplane mechanic. He taught himself how to build houses and became a successful contractor in the 1960s. But he soon decided the stress was too much and opened a shop in south Tel Aviv where he fabricated canvases for Israeli artists and framed their paintings. He kept the shop running for more than 40 years, going to work every day until he was in his eighties.” — Asaf Elia-Shalev, JTA reporter
Trude Feldman
A journalist who specialized in Yom Kippur interviews
Trude Feldman interviews Jimmy Carter in the White House in 1978. (Jimmy Carter Presidential Library)
The daughter of a rabbinical family, Trude Feldman launched her career covering the 1961 trial of Nazi mass murderer Adolf Eichmann in Jerusalem, where she put her training as a Hebrew teacher to use by teaching the language to the Nazi’s lawyer. (She also taught Hebrew to famed converts Sammy Davis Jr. and Elizabeth Taylor, and to Paul Newman on the set of “Exodus.”) But it was in her coverage of American presidents that Feldman truly made her mark, becoming famous for scoring presidential exit interviews and Yom Kippur interviews, which she would pitch as an opportunity for redemption. That’s what got her the first interview with Bill Clinton after he copped in 1998 to yes, having sex with that woman. The mainstream media mocked her for her softballs — “Saturday Night Live” once did so in a sketch — but those close to her understood their value. “The joke, however, was on everyone else,” her nephew, Rabbi Daniel Feldman, wrote in a remembrance. “Paired with her signature persistence, her style more often elicited not puff but profundity, more sincerity than sugar. The unique access she earned — baffling to some, understood to the astute, acknowledged by all — yielded memorable results.”
Harlene Winnick Appelman
A revolutionary leader in Jewish education
Harlene Winnick Appelman in an undated photo provided by the Covenant Foundation.
Born in upstate New York, Harlene Appelman’s career in Jewish education took off in 1982 when she became the director of family life education at Congregation Shaarey Zedek in Southfield, Michigan, a Detroit suburb. There, she pioneered interactive Jewish learning, bringing children out of dry frontal settings into a more tactile experience of Judaism. After joining the board of the Covenant Foundation, which funds and promotes Jewish education, in 1994, she became its director in 2005 and held that role until 2021, allowing her to influence a generation of Jewish educators. Many of them mourned her death at 75 on Aug. 18; the cause was cancer. “I am one of an entire congregation of Jewish educational leaders who Harlene mentored, supported, prodded and constructively critiqued, promoted, and made feel special,” wrote Rabbi Shira Koch Epstein, in an online remembrance. “I hope that in her memory, I will find ever new ways to help more Jewish rabbis and educators feel seen, heard, capable, and motivated.” This month, the Covenant Foundation initiated a new prize, in Jewish family education, in Appelman’s honor.
Tom Tugend
An indefatigable journalist
Tom Tugend in his Los Angeles home, Aug. 3, 2021. (Jacob Gurvis)
Tom Tugend was 13 when he and his family left their home in Berlin in 1939. He was 97 when he died Dec. 7 in Los Angeles, where he had lived for most of his life. In the intervening decades, he fought in the U.S. Army and the Israel Defense Forces; covered Jewish news for a wide array of publications, including JTA; and enjoyed 66 years of marriage during which he and his wife raised three daughters. “His authenticity came through to anyone who knew him,” said one of them, the journalist Alina Tugend. “He was a hero to many people.”
Judah Samet
A two-time survivor of antisemitic terror
Judah Samet stands next to his portrait, part of Luigi Toscano’s “Lest We Forget” project at the University of Pittsburgh in 2019. (Photo by Hector Corante, courtesy of Holocaust Center of Pittsburgh)
Judah Samet became a national face of Pittsburgh’s 2018 Tree of Life synagogue shooting because he survived: He had been running late that day, so was not inside the building when 11 of his fellow congregants were murdered. Months later, he was President Donald Trump’s guest to the State of the Union address. The experience was both very different Samet’s childhood in Hungary, where he was born in February 1938, and in some ways similar. As a young child, Samet was forced by the Nazis from his home and shipped with his family first to a labor camp in Austria and then to the Bergen-Belsen concentration camp. After a stop in Israel, he moved to Pittsburgh in the 1950s, ultimately joining his father-in-law’s jewelry business there and remaining a committed community member until his death at 84 on Sept. 27.
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A century-old Jerusalem photo album sparks search for forgotten images of the Western Wall
(JTA) — When David Freedman discovered a long-forgotten photo album in his parents’ Montreal basement last year, he found nearly 100 pages of century-old photographs from his grandfather’s year in British Mandate Palestine, capturing Jerusalem street scenes, market stalls and holy sites.
The photographs were not only century-old and in near-perfect condition, but included figures who would later become central to Jewish medical and political history, among them Israel’s future first president Chaim Weizmann, Jerusalem ophthalmologist Abraham Ticho, malaria researcher Israel Kligler, future British prime minister Winston Churchill and Herbert Samuel, Britain’s first high commissioner for Palestine.
David Freedman said he knew he had “struck gold” when he found the album, which had been untouched for decades. “I realized in disbelief I was looking at extraordinary images of Jerusalem,” he said.
Though Freedman said the album showed his grandfather’s “passion for skillful, impromptu photography,” it was images of a site that epitomizes endurance that are having the broadest impact.
Freedman’s pictures of the Western Wall has inspired a public appeal by the Tower of David Jerusalem Museum, which is asking people to look through old albums and attics for photographs, postcards and other visual material that could help expand the historical record of Judaism’s holiest site.
The request comes ahead of a major exhibition opening in 2027 marking 60 years since the 1967 Six-Day War brought the wall, known in Hebrew as the Kotel, under Jewish control for the first time in nearly two millennia.
Although the Western Wall is now one of the most photographed sites in the world, museum curators say the visual record of earlier decades remains surprisingly fragmented, with many of the most intimate images likely still tucked away in private collections and family albums.
“The Western Wall, the Kotel, in its simplest form, is a structure of ancient stones. Yet its true meaning has never resided in the stones alone — it has been shaped and elevated by the countless individuals who have stood before it over the centuries,” Eilat Lieber, the museum’s director and chief curator, said in a statement.
Next year’s exhibition, titled “Eyes on the Wall” and curated by Shimon Lev and Yael Brandt, will be the first large-scale exhibition dedicated entirely to the Western Wall, the museum said, and will trace its transformation over nearly 2,000 years. It will be one of the major exhibitions staged by the Tower of David Museum since it reopened in 2023 after a $50 million renovation of its ancient citadel complex.
The wall, the exposed section of an ancient retaining wall around the Temple Mount, the site of the biblical Jewish temples, has long been Judaism’s most sacred places of prayer and pilgrimage. From 1948 until the 1967 Six-Day War, when Israel captured the Old City and East Jerusalem from Jordan, Jews were barred from going there.
Among its most iconic images was David Rubinger’s photograph of three Israeli paratroopers standing at the wall shortly after its capture, looking upward in a mixture of awe and disbelief. The picture was taken 59 years ago this week.
Abraham Orkin Freedman, a Canadian physician and Zionist activist, took his photographs before the site was so contested. He arrived in Palestine in July 1920, just as Britain was replacing military rule with a civil administration, and stayed until 1922, serving during that period as managing director of Hadassah Hospital. His grandson David, also a doctor, said the album’s timing gives it much of its historical value, with photographs that capture people in the streets, as well as the terrain and buildings of Jerusalem during the nascent years of the British Mandate.
Among the images Freedman uncovered, the one that struck him most was a photograph of women praying side by side with men at the oldest part of the Western Wall, a scene far removed from the gender-separated prayer sections at the site today. The question of mixed-gender prayer at the Wall remains politically charged, with a recent High Court order to advance the egalitarian section followed by Knesset moves to strengthen Chief Rabbinate control over prayer at the site.
After recognizing the album’s significance, Freedman met with his family who decided collectively to give it to the Tower of David Jerusalem Museum for safekeeping, research and public access. Freedman said the family was proud the album had found “a new home, not many meters from where my grandfather once stood.”
Lev said he hoped the appeal would bring more discoveries like Freedman’s into public view, expanding the visual record of the Western Wall beyond official archives.
“There is something profoundly moving in the moment when an intimate private photograph transcends its original purpose and becomes an important historical testimony,” Lev said.
This article originally appeared on JTA.org.
The post A century-old Jerusalem photo album sparks search for forgotten images of the Western Wall appeared first on The Forward.
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5th man charged in March arson of London’s Hatzola ambulances
(JTA) — Britain’s Crown Prosecution Service announced Tuesday that an 18-year-old man has been charged in connection with the March arson attack that destroyed four ambulances owned by Hatzola, a Jewish volunteer emergency service.
Subhan Ahmed, a British national, was charged on Monday with “assisting an offender” in connection with the arson.
The ambulances were set ablaze in the early morning of March 23 in Golders Green, a heavily Jewish neighborhood in London. The incident spurred increased patrols in Jewish communities.
The charge is the latest development in an investigation being led by the Metropolitan Police’s counter-terrorism unit.
Four others have already been charged in connection with the attack.
Three British nationals — 20-year-old Hamza Iqbal, 19-year-old Rehan Khan and 18-year-old Judex Atshatshi — along with a 17-year-old dual British and Pakistani national were all charged in April with “committing arson, destroying or damaging property, and being reckless as to whether life would be endangered.”
The four have remained in custody ahead of a trial planned for January. Ahmed, meanwhile, was released ahead of a June 16 court date.
The ambulance arsons came at the early edge of a wave of incidents that have put London Jews on edge and induced the city’s police force to step up their presence in Jewish communities. The incidents have included multiple incendiary devices placed near synagogues as well as the stabbing in April of two Jewish men in Golders Green. The Metropolitan Police reported last week that antisemitic hate crimes in the capital rose 72% in May.
Following the announcement of Ahmed’s charge, the Community Security Trust, a Jewish organization, thanked the police and the Crown Prosecution Service “for their ongoing work investigating this attack and other arson incidents targeting the Jewish community.”
It added in a statement, “These are very serious allegations, and it is right that those responsible are being held accountable.”
This article originally appeared on JTA.org.
The post 5th man charged in March arson of London’s Hatzola ambulances appeared first on The Forward.
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Israel boycott battle intensifies at Venice Art Biennale, testing tradition of inclusion
The anti-Israel protests that disrupted the opening of the Venice Art Biennale continue to escalate, with more than 100 artists and curators declaring last week that they will bring legal action against Biennale authorities if their names are not removed from consideration for what in normal times are coveted awards for best artist and best national exhibition.
It’s just the latest battle between activists seeking to shut down Israel’s art exhibition in Venice and the Biennale’s administration who are committed to keeping it open.
Chaos erupted in the streets on the third day of the biennale’s opening last month as demonstrators engulfed the Via Garibaldi chanting Palestinian liberation slogans during their march toward an art exhibit hosted by Israel, held back by Italian police in riot gear. The demonstration was organized by the Art Not Genocide Alliance (ANGA), a coalition of artists and art industry workers campaigning to ban Israel from participating in the world’s most prestigious art show.
ANGA’s agenda is reverberating throughout the Biennale, which is structured around a main international show that this year is hosting 110 invited artists, 100 national exhibitions and 31 official art shows. Many of the artists now threatening legal action first signed a letter this past March demanding that the directors of the Biennale exclude Israel’s exhibition from the show.
Just before the exhibition opened, the Venice Biennale’s five-member international jury — which oversees the prestigious Golden Lion for best artist and best national pavilion — announced that, in keeping with the spirit of the main international exhibition curated by the late Cameroonian art impresario Koyo Kouoh, who appointed them, it would “refrain from considering those countries whose leaders are currently charged with crimes against humanity by the International Criminal Court” — namely, Russia and Israel.
Belu-Simion Fainaru, representing the Israeli pavilion, reportedly responded by threatening that if he were excluded from consideration for the awards, he would sue the Biennale in the European Court of Human rights on grounds of antisemitism and nationality-based discrimination. Facing potential legal liability, all five jurors took the unprecedented step of quitting. The Biennale administration then announced that the juried awards would be replaced with Visitor Lions Awards, a popular vote by visitors to the show.
It’s that substitute award that the ANGA-allied artists are now renouncing.
There also have been attempts from the other end of the political spectrum to silence artists representing South Africa and Australia because of alleged anti-Israeli biases. Indeed, the 2026 Biennale, which opened on May 9 and runs through November 26, has become a referendum on artistic freedom of expression and on the place in the cultural sphere of the movement to boycott Israel. “Boycott the Genocide Pavilion,” the brochure ANGA demonstrators handed out at their demonstration stated, “For decades, the Venice Biennale has handed Israel an international stage to culturewash its occupation of Palestine,” and stated that in doing so Biennale authorities are helping to “normalize the ongoing decimation of an entire population.”
The president of the Venice Biennale, Pietrangelo Buttafuoco, has refused to cede ground. “Closing the door to some means making openness to others more fragile,” he argued in an impassioned speech announcing the opening of the Biennale’s 61st International Exhibition, adding, “if the Biennale began selecting not works but affiliations, not visions but passports, it would cease to be what it has always been: a place where the world meets, especially when the world is torn apart.”
Serene space
When I stepped into the Israeli exhibition, it seemed to be an invitation to leave behind the fractious world outside. The transcendent artwork, inspired by Paul Celan’s poetry, consists of a large rectangular pool in a tranquil space where the only interruption is the soothing sound of dripping water.
Given Israel’s destructive bombing campaigns, first in Gaza and now in southern Lebanon, presenting Fainaru and his serene artwork to represent the country is a fraught choice. Fainaru lives in Haifa, one of Israel’s most culturally diverse cities, and is a professor at Haifa University, where he told me the rector is Palestinian and more than 50% of his students are Arabs. Fainaru said that his art is about bringing people together and “collective consciousness,” and he argued it should be viewed outside of the political prism that has roiled the Biennale in recent years. “This environment is becoming more and more about boycott, censorship, limitation of freedom, exclusion,” he said, adding “that’s changing the meaning and role of art.”
Some observers who study censorship say the national pavilions at the Venice Biennale have always functioned as cultural diplomacy and in many instances are a form of “artwashing,” a term that refers to the ways that governments and corporations utilize art exhibits to obscure or gloss over unethical policies.
“Clearly they are an attempt to make a country look better, but on the other hand there is something in the art that exceeds the national ambitions,” Svetlana Mintcheva, former director of programs at the U.S,-based National Coalition Against Censorship, said in a phone interview, adding: “It’s counterproductive to censor because it then homogenizes everyone in that particular country as holding particular ideas and that’s not the case.”
The censorship campaign against Israel and Russia took place against the backdrop of the main international exhibition “In Minor Keys,” which emphasizes anti-colonialist themes and the utility of art as a means of reconnecting to local and indigenous practices. The leitmotif of the show, which primarily emphasizes art from the African diaspora, chimes with ANGA’s agenda to give voice to a Palestinian culture that the group claims has been sidelined by Israel’s “colonial expansion.”
Some artworks in the international exhibition address the Palestinian displacement and trauma, while none deal with Hamas’s Oct. 7 massacre or Israel’s wounds.
Gazan artist Mohammed Joha, who signed a March 26 ANGA petition calling for the exclusion of the Israeli pavilion, is exhibiting No Shelter, which the artist made while witnessing the conflict in Gaza. The work consists of collages made from discarded paper, fabric and cardboard intended to call attention to the cycles of destruction and rebuilding that Palestinians endure. Haitian artist Manuel Mathieu’s Genocide portrays a dark sea alongside what looks like pummeled charred flesh. British Ethiopian artist Theo Eshetu’s Garden of the Broken Hearted includes a rotating dais with a live olive tree, a symbol of Palestinian resilience.
And Kouoh and her team gave pride of place in her show to artists who have been victims of Israel’s conflicts. The very first exhibit to greet visitors at the entrance of the massive Arsenale, a brick linear hall serves as the main exhibition space, which t originally was part of Venice’s Renaissance-era ship building complex, features the poem “If I must Die,” by Palestinian poet Refaat al-Areer, which he posted to social media in late 2023, about a month before he was killed along with several of his family members by an Israeli airstrike in Gaza. The poem, which has become a rallying cry for Palestinian activists, sits below a canvas portraying a disembodied face with penetrating eyes against a fractured background by Issa Samb, a Senegalese artist known for his anti-colonial themes.
The subsequent exhibition at the Arsenale is a monumental multi-media installation titled Khalil by Australian artist Khaled Sabsabi, a former refugee from the 1976 Lebanese Civil war. Sabsabi is also representing Australia at its national pavilion in the nearby Giardini fairground.
Khalil, which was originally intended to be displayed at the Australian Pavilion, was intended as a meditation on Sufi mysticism. It consists of digital projections on a canvas painted in acrylic with swirling shapes, accompanied by sonorous background music and the piped in scent of Oud, which is used in Middle Eastern perfumery.
But Kouoh’s invitation to Sabsabi to exhibit at the Arsenale, which she extended after he was temporarily disinvited from showing the work at the Australian Pavilion, appears to have as much to do with his notoriety as it does his artistic merit. Sabsabi’s commission to exhibit at the Australian Pavilion was canceled after conservative Australian members of parliament and right-wing newspapers denounced him as promoting antisemitism and terrorism over work he had produced in the past, notably YOU, a 2007 multimedia piece that portrays multiple images of former leader Hezbollah leader Hassan Nasrallah.
Australia’s Museum of Contemporary Art (MCA), where the You is on permanent display, originally described the artwork on its website as “obscuring Nasrallah’s face with beams of light that shine from his eyes and mouth, suggestive of a divine illumination.” But last year, after Sabsabi was dropped from representing the Australian Pavilion, the MCA engaged in an act of self-censorship by removing the section of text deifying Nasrallah and updating the description of the artwork to inform viewers that: “The Australian Government listed the entirety of Hezbollah as a proscribed terrorist organization in 2021.”
Meanwhile, subsequent larger furor in the international arts community over Sabsabi’s being censored led to an independent review, which resulted in the reinstatement of his invitation to show at the Australian Pavilion, greatly raising his profile.
Another controversial figure is Gabrielle Goliath, the video and performance artist invited to represent South Africa, was the only artist to be officially banned. Elegy, the work she had planned to show, is a performative piece about gender and LGBT violence that has also addressed the killing and displacement of Palestinian women. But Goliath’s commission was canceled and the South African pavilion shuttered by the country’s culture minister Gayton McKenzie, a vocal supporter of Israel, who reportedly deemed Elegy “highly divisive in nature and relates to an ongoing international conflict that is widely polarizing.”
After an unsuccessful lawsuit accusing the South African government of unlawfully revoking her commission, Goliath was relegated to presenting Elegy in a rented church in Venice. This version of the work she exhibited there features eight “funereal screens,” with women singing and commemorating female victims of violence, including a murdered South African student and the Palestinian poet Heba Abunada, who was killed in an Israeli airstrike on Gaza in 2023.
The closing of the South African pavilion didn’t stifle Goliath’s voice and, as with Sabsabi, the controversy over her being canceled may have given her a larger platform. After Venice, Elegy will be traveling to London before moving onto Milan.
It’s difficult to imagine Fainaru’s message of “collective consciousness” finding a similar welcome in arts venues throughout Europe and the United States.
Recent events in Venice and elsewhere suggest that the cultural boycott campaign is gaining momentum, putting freedom of expression under increasing strain. And it’s not just principles that are at stake. Closing Israel’s exhibition in Venice and further marginalizing Israeli artists works at cross-purposes with efforts to achieve mutual understanding and peace in the Mideast. “The price of cultural boycotts is quite high, says Mintcheva of the National Coalition Against Censorship, “because you limit any kind of exchange and you limit understanding of dissent within a country like Israel.”
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