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Rachel Freier is one unusual woman: civil court judge, parademic, Hasid and mother of 6
Rachel “Ruchie” Freier was the first Hasidic woman to be elected a civil court judge in New York. That is just one of many accomplishments for this mother of six who blows away preconceived ideas about what religious Jews can accomplish in the secular world.
Freier also formed B’Derech, a nonprofit that helps provide education for adolescents in the Hasidic community. And she became a paramedic after she helped found Ezras Nashim, an all-women’s volunteer EMT service. What unites her various roles is a desire to serve God, she says, and that’s what keeps her rooted in her religious upbringing.
In our interview, she discusses the changing public perception of Hasidim and relations between religious and secular Jews.
There have been a string of books and TV series on Jews who have rejected Hasidism. What do you think of the negative portrayal of Hasidism in the media?
That’s a great question, and it’s always bothered me going back years ago. I think now that there’s so much social media and so much more access, Hasidim are coming forward and opening up. A little bit of that misunderstanding has been cleared. When people choose to be insular—and for good reasons—these are going to be the side effects of insularity. While there’s a lot of good to be done when you want to insulate your family and your children from outside forces, there’s some information that the outside should get to know.
You are the first Hasid to serve in many of your roles. Do you feel pressure to represent all Hasidim in public life?
I always make it very clear that I just speak for myself. But when I speak my own opinion, it opens up a lot of windows and doors that were shut previously. So, it wasn’t like some umbrella agency said, “Ruchie here is our representative. Listen to what she’s saying because she is the voice of the people.” No, and the fact that I’m not any official representative gives me much more latitude to sit down on the sofa and just talk and share things without thinking about what my boss wants me to say. I only have to answer to God.”
Are you stretching what is considered acceptable for women to accomplish in your community? And do you face any kind of backlash?
It depends on what capacity. I do many things in terms of serving in law and being a judge. I don’t have backlash for that. In my volunteer work, where I created a volunteer EMS agency for women, I have backlash. It depends on who you’re referring to because people have to understand that Hasidim are not monolithic. We don’t always agree on everything. And that’s perfectly fine.
You have six children, grandchildren, and a full career and public life. What is the secret to juggling it all?
One thing I have is a very supportive husband and a supportive mother. If you don’t have the support of your family, of your loved ones, then you’re really climbing an uphill battle. That’s what makes it possible. And the other thing is I pray a lot. I’m doing this with the intention only of creating a kiddush Hashem, to sanctify God’s name. That’s my only goal. I don’t do this for any financial gain. I do it because I feel that the more we understand each other, the more bridges can be made. I speak to diverse audiences, and they always say, by the time I finish speaking, that we have more in common that unites us than that which divides us.
That’s one of the themes of the Z3. What is the state of relations now between religious and secular Jews right now?
As time has gone on, and the Hasidim have multiplied and become a larger population, we’re more open to understanding that while we’re insular, there are segments of society that we can participate in. We see they have gone on to college and have gone out to work. They can’t be ignored anymore. Maybe in the past generation, we were dealing with Holocaust survivors, and they were happy just rebuilding and sticking together as a tight-knit community. Now, as third-generation Americans, we are participating more in the American system in a good way.
How does your background in Judaism impact the decisions you make in a legal setting?
What’s really interesting is the court itself is always looking for diversity on the bench, And the reason for that is to have a bench that’s more understanding of the people that we serve. Everybody’s a human being with their own unique background—whether it’s someone on the bench with a strong Jewish background or a Catholic background. The fact that I have a religious upbringing helps the bench with the Torah values of pursuing justice. And the Mishnah is replete with admonishing judges on how they have to behave. The religious values that I was raised with give me the foundation that I need to be the best judge that I can be.
You mentioned that you speak to a diverse group of people in your work. What do you think unites us all as Jews?
What unites us, first of all, is our heritage, that we’re one nation. And no matter how you look at another person, at the end of the day, that’s one very important part that unites us. But what happens is there’s so much fluff that gets in the way. The typical thing that I’m going to hear from anybody who doesn’t really know Hasidim is, “They don’t work.” I know so many people who really work hard to make a living. It’s one of these statements that have been passed down for decades. They also say, “They don’t like us. They hate us.” How do you know? You ever invite someone to your home for a Shabbos dinner and try to be friendly? Maybe if you were friendly, you’d get a different reaction. Sometimes, stereotypes and politics get in the way. That’s why I like the Z3 concept. Take them out of where they’re always sitting, put them in a different place, put them together, and say, “Talk. Just start talking.” And it may just change the way you think.
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The post Rachel Freier is one unusual woman: civil court judge, parademic, Hasid and mother of 6 appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”