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Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII
It’s Switzerland in 1945 and the war has just ended. A group of deeply traumatized, ragged-looking Jewish teenagers recently liberated from Buchenwald have been sent to live in a former Swiss school building.
A young Swiss woman named Klara cares for them, while her new husband, Johann, runs her family’s textile business, whose success is dependent on the work of unrepentant Nazis living in comfort in Swiss exile. Johann’s brother, Egon, home from the war after five years working as a Swiss border guard, is wracked by guilt for having to turn away Jewish mothers and children at the frontier. His new postwar job in the attorney general’s office: hunting down ex-Nazis.
This is the premise of “Labyrinth of Peace,” an engrossing Swiss drama set in the immediate aftermath of the Holocaust that is now available exclusively on ChaiFlicks, the Jewish streaming service in North America, Australia and New Zealand.
Shot in Switzerland and released in the country to great acclaim in 2020, the six-episode series is fraught with drama, romance and moral struggles.
“Labyrinth of Peace” is the brainchild of award-winning Swiss-Italian screenwriter and director Petra Volpe, who wanted to tell the compelling story of a little-known chapter of postwar history while also spotlighting the morally questionable role Switzerland took during and after the war.
“Switzerland wanted to show that they were on the right side of history, since they knew they had failed the Jews by locking down the country” during the Holocaust, and therefore took in Jewish refugees after the war, Volpe said in an interview from her home in Brooklyn. “When actual refugees arrived and they weren’t cute children younger than 12, and someone asked where the little boys were, the rabbi said of the youngest ones, ‘They were all gassed.’ Switzerland wasn’t happy when teenagers showed up. They didn’t treat them as nicely as they should have.”
The Buchenwald Boys, as they were called, had lost their childhoods and most of their families during the war years. More than 60,000 Jews died in Buchenwald — including my great-grandfather, after he, my grandfather and uncle were arrested on Kristallnacht and sent to the concentration camp. But some 900 youths survived and were among those liberated by U.S. forces.
Jewish refugee agencies came to their rescue, and they were sent to various sites in France, England and Switzerland for rehabilitation. “Labyrinth of Peace” turns the story of a group sent to Switzerland into an absorbing historical drama that belies the myth of Swiss neutrality and demonstrates how guilt and moral conflicts ran through families even after combat ended.
“Labyrinth of Peace” illuminates a little-known chapter of postwar history while spotlighting the morally questionable role Switzerland took during and after World War II. (ChaiFlicks)
In the series, the recently liberated Buchenwald Boys find themselves at the heart of many more interests than anyone first realizes.
One of the teens, Herschel, falls in love with the Swiss Klara, whose father’s textile factory profited handsomely during the war. The family home is rich in sumptuous detail, from silk damask wall coverings to lush oriental carpets covering the floors to the gold-rimmed Limoges tea pot from which servants pour drinks. Nearby, the Buchenwald Boys live in empty classrooms without sufficient food or clothing, after arriving in the country wearing little but rags.
In real life, the 370 or so Buchenwald Boys who were sent to Switzerland became political pawns, Volpe says. They were promised several months of rest and rehabilitation, but their stay in Switzerland was cut short when authorities in pre-state Israel told them they were going to Palestine. Most didn’t want to go; some asked to settle in Australia and others wanted to stay in Switzerland.
“Everyone just wanted to bring them to Israel and get them out of sight,” said Volpe, who is not Jewish but is married to a Jewish man. “There’s collective guilt.”
In the series, the character of Egon is based on a real Swiss border guard whose story is known from frequent letters he wrote home to his wife. Egon is introduced to viewers as he arrives home just in time for his brother’s wedding to Klara. He is wracked with guilt and anger.
“Every day he had to drag mothers and young kids back across the border and it’s killing him,” Volpe said.
Desperate for expiation, Egon gets drawn into the U.S. authorities’ search for Nazis who moved to Switzerland and are living under cover with adopted names and identities.
Meanwhile, his brother Johann — Klara’s husband — is trying to transform his father-in-law’s textile business into a success by producing a low-cost synthetic alternative to nylon. Johann touts the achievement as a pure Swiss creation, but it turns out that it’s the work of a Nazi chemist working under an assumed name in the family lab — putting Johann in a morally dubious position and creating conflict with his wife.
Many Nazis who fled Germany after the war found new lives in Switzerland, where their pasts largely were overlooked. The same happened in America, too; the U.S. government put ex-Nazi scientists to work developing military hardware and even rockets for the country’s fledgling space program.
The setting for “Labyrinth of Peace” is a verdant Swiss school where Jewish teens recently liberated from the Buchenwald concentration camp are sent to be rehabilitated. (ChaiFlicks)
“Switzerland imported the knowledge of German war criminals,” said Volpe, who grew up near Zurich, lived in Berlin for 20 years as an adult and has resided in New York for the past decade. “They tried to hire scientists from the chemical industry. Swiss economic success is based on knowledge we took from the Nazis.”
Volpe’s series shatters the notion of Switzerland’s ostensible neutrality and demonstrates how many Swiss shared in the war’s sins.
“War criminals were treated like royalty in Switzerland because they had money, and refugees were treated like criminals,” observed Volpe.
“Labyrinth of Peace” was a hit when it aired on Swiss national television, and last year won awards at several Jewish film festivals in the United States. The series is now available nationwide on ChaiFlicks, the subscription streaming service that focuses on Jewish and Israeli content.
For Holocaust Remembrance Day on April 18, the JCC of Manhattan will screen two episodes from the series followed by a Q&A with Volpe.
At the end of the series (no spoilers!), Klara and a friend are shown driving while she opens a thin book that Herschel, the eldest of the Buchenwald Boys who fell in love with her, wrote and gave her. In his introduction Herschel writes, “I have done my best to prevent what was meant to be prevented. The eradication of us and our history.”
“The main message in his diary is: ‘They didn’t erase our voice and I can still tell my story,’ Volpe said. “That’s a form of victory also, and a very important message.”
Watch “Labyrinth of Peace” here.
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A new Hebrew press in Berlin argues that Israel doesn’t own the language
(JTA) — Dory Manor and Moshe Sakal, who run a press for Hebrew literature in Berlin, are often asked if their business is Israeli.
The partners in life and publishing come from Israel, though they have lived in Berlin and Paris for the better part of two decades. But they say their publishing house, Altneuland, is neither Israeli nor European. Instead, they sought to create a home for Hebrew literature from around the world — open to Israeli writers, but free from Israeli state funding.
Altneuland is the first non-religious Hebrew publishing house to set up outside of Israel since the state was established. Manor and Sakal founded the press in 2024, and this fall, Altneuland will launch in the United States.
“I believe that the Hebrew language is not only a national language,” said Manor, the editor-in-chief. “Hebrew has always been a global language, and even modern Hebrew has been an international language — mostly European, but not only — before the creation of the State of Israel.”
Manor and Sakal have expanded their mission from Hebrew literature to publishing Jewish authors across languages, including German, French, Russian and Yiddish. The U.S. launch will include an original English-language book by Ruth Margalit, along with English translations of Hebrew novels by Noa Yedlin and Itamar Orlev.
Altneuland is also the German publisher of “The Future is Peace,” a New York Times bestseller by Israeli Maoz Inon, whose kibbutznik parents were killed on Oct. 7, 2023, and Palestinian Aziz Abu Sarah, whose brother died in 1990 after being tortured in an Israeli prison.
In a time when thousands of authors and publishers globally have pledged to boycott Israeli institutions over what they identify as a genocide perpetrated by Israel in Gaza, Manor and Sakal say that Altneuland is not a boycott. They work with writers who live in Israel and sell to Israeli bookstores. Establishing a Berlin-based publishing house made them ineligible for Israeli public funding so they could avoid the fraught question of accepting support from the government.
Sakal, the publisher, acknowledged that Israel was a center for Hebrew and Jewish literature, but said it doesn’t have to be the only center. “We are not replacing it,” he said. “We are doing something else.”
Altneuland allows the founders to work with Israelis while staying apart from the Israeli Ministry of Culture, which provides funding for Israel’s publishing industry, largely through literary awards.
In January, the ministry canceled its annual culture prizes. Culture Minister Miki Zohar, a member of Prime Minister Benjamin Netanyahu’s right-wing Likud party, cited the political bent of the prizes and said their cancellation was owed to the organizers “clearly ignoring artists whose opinions are held by most of the country.” The cuts came shortly after Zohar launched an alternative state film award ceremony, cutting funds to the Ophir Awards — Israel’s equivalent of the Oscars — after it awarded best film to “The Sea,” about a Palestinian boy in the West Bank who attempts to go to Tel Aviv and see the sea.
Israel’s literary world, which pays poorly and lacks broad recognition, depends heavily on state-sponsored prizes.
“This government is, for me, an enemy of Israel and not Israel itself,” said Manor. “So no, I’m not boycotting anyone, but I don’t want to deal with the current Israeli government. I do want to deal with Israeli readers, with Israeli writers.”
Those writers share many of Manor and Sakal’s political views. The founders’ goal is to make Altneuland a home for Jewish authors with a liberal outlook — especially those who feel pressured by rising nationalism, whether in Israel or elsewhere.
Margalit, a Tel Aviv-based journalist, will publish a collection of her political and cultural profiles in Israel through a collaboration between Altneuland and Pushkin Press. Her book, “In the Belly of the Whale: Portraits from a Fractured Israel,” is coming out in September.
Margalit said she was drawn to Manor and Sakal’s “humanist spirit,” along with their ability to publish the book simultaneously in English, Hebrew and German.
“At a time when so many people are quick to jump to labels or cancellations, it was bracing to find thoughtful partners who were similarly aggrieved about the political situation as I was,” she said.
Arad’s Hebrew novel, “Our Lady of Kazan,” will be published in German by Altneuland as “Kinderwunsch” in July. Arad, an Israeli-born writer, has lived in California for over 20 years and authored 12 books of Hebrew fiction. One Haaretz reviewer summed her up as “the finest living author writing in Hebrew” who was “in exile in the U.S.”
Arad’s books, often featured on bestseller lists in Israel, tend to deal with Israelis living abroad. The theme fits into the global perspective of Altneuland, targeting readers who are curious about crossing national boundaries.
“I’ve been thrilled to see that Israeli readers are willing — even eager — to read stories about Israeli expatriates,” said Arad. “The experience of living outside Israel, whether temporarily for work or study or on a more permanent basis, has become a central theme in Hebrew literature.”
Altneuland takes its tongue-in-cheek name from Theodor Herzl’s 1902 novel, literally meaning “old new land.” The founder of political Zionism envisioned a utopic, multicultural Jewish state where Jews and Arabs lived peacefully together.
“When we finally decided to call our press Altneuland, it was because our Alteuland, an ‘old new land,’ is a land without territories. It is the Hebrew language,” said Manor.
Berlin is a thriving hub for up to 30,000 Israeli expatriates. Among them is a growing community of writers and intellectuals, including some who left Israel out of frustration and anger at their government.
Manor and Sakal see another reason for making Berlin their home base. They view Altneuland as a continuation of Schocken Verlag, a Jewish publishing house in Berlin that improbably persisted through the 1930s. Schocken Verlag was a cultural lifeline for Jews under Hitler’s regime, publishing books by Franz Kafka, Heinrich Heine, Rabbi Leo Baeck and Shmuel Yosef Agnon, a founding father of modern Hebrew literature.
In 1939, the publishing house was finally forced to shutter and moved to British Mandate Palestine. The reestablished Schocken Books lives on today as part of Penguin Random House. But Manor and Sakal said their project aligns with the original Schocken Verlag — the one destroyed by Nazism.
“What we find in both models is the possibility of a Jewish cultural space that is cosmopolitan, multilingual, humanist, non-national, and not dependent on a single territory,” said Sakal.
Altneuland has faced skepticism, particularly from Israel. Publisher and editor Oded Carmeli said in Haaretz, “The truth is that there aren’t enough Hebrew readers outside of Israel to support a publishing house – not even a bookstore, not even a shelf in a bookstore – and even if there were enough readers, no store in Berlin or Madrid would maintain such a shelf, for fear of repercussions.”
The Altneuland duo said their risky proposition is working out so far. Most of their Hebrew readers remain in Israel, where they are printing books in the thousands and going into second printings on select titles. But they are also cultivating a readership in Germany, where they print smaller special runs of Hebrew-language editions.
Naomi Firestone-Teeter, the CEO of the Jewish Book Council, said that Altneuland has emerged as pressure mounts on Jewish authors from the right and the left through “book bans, boycotts and cancellations.” (The council itself was recently criticized by dozens of Jewish authors for a “bias toward centering Israeli and Zionist voices.”)
“In this moment, we see their effort to build another home for Hebrew literature and Israeli voices as a meaningful contribution to the Jewish literary landscape,” said Firestone-Teeter.
Altneuland’s books in German and English are the fruit of collaborations with Pushkin Press and New Vessel Press. Manor said they were “positively surprised” when they began talks about working with publishers in Europe and North America. Those conversations began in the immediate aftermath of Oct. 7, and continued against the backdrop of a rising international chorus that has accused Israel of committing genocide in Gaza. So far, no one has boycotted them.
“Usually we had interesting talks, very open talks with people who understood, in most cases, the nuances between our being a Hebrew publishing house and Israel as a state, Israel as a regime,” said Manor. “This is something that we could not predict when we created Altneuland.”
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Jewish library and Chabad near Buenos Aires attacked, Argentine Jewish advocates say
(JTA) — Counterterrorism officials in Buenos Aires are investigating after a Jewish library and a Chabad center in a suburb in the Argentine capital were attacked last week.
On Thursday night, a Molotov cocktail was thrown at the Israeli Literary Center and Max Nordau Library in La Plata, according to a statement published Friday by the center’s board of directors. Multiple individuals “threw a blunt object filled with fuel at the front of the library, breaking windows and causing material damage,” the board said, noting that the device did not ignite and no one was injured.
The library, a secular educational center founded in 1912 that promotes Argentine Jewish culture, said it is reinforcing security measures in light of the attack.
On Sunday, the Chabad of La Plata was also attacked, according to DAIA, the Argentine Jewish community group, which condemned both attacks. DAIA, which first reported the Chabad attack, did not describe the nature of the attack beyond reporting no injuries.
“We are deeply concerned about the recurrence and the short timeframe of these incidents,” DAIA said in a statement.
The Ministry of Security of the Province of Buenos Aires and the Complex Crimes and Counterterrorism Unit of the Buenos Aires Provincial Police are investigating both attacks.
La Plata’s Jewish population numbers about 2,000, and its Chabad center has existed for more than 25 years. Argentina as a whole is home to the sixth-largest Jewish community in the world and the largest in Latin America, mostly centered in Buenos Aires.
“These acts of violence threaten democratic coexistence and the values of respect and pluralism that we defend our neighbors,” La Plata Mayor Julio Alak said. “We will not allow hatred and intolerance to have a place in our city.”
Argentina is the site of some of the deadliest attacks on Jewish institutions in modern history. A 1992 bombing of the Israeli Embassy in Buenos Aires killed 29 people, while a 1994 attack on the AMIA Jewish community center left more than 80 people dead. Argentina’s president, Javier Milei, a pro-Israel and philosemitic economist, has advanced efforts to hold Hezbollah and Iran responsible for their alleged role in the attacks after years of foot-dragging by prior leaders.
The incidents in La Plata come as Jewish institutions around the world are on high alert amid a string of attacks since the start of the U.S.-Israel war on Iran in February. Several synagogues and Israeli outposts in Europe have faced arson attacks that a group seen as tied to Iran have claimed responsibility for staging. No one has been injured in those attacks.
Argentina has also faced homegrown antisemitism scandals. In September, a video of a group of Buenos Aires high school students on a graduation trip chanting “Today we burn Jews” went viral, earning condemnation from Jewish community advocates and even Milei himself. The group, from the private school Escuela Humanos, was traveling with Escuela ORT, a Jewish school.
Following the attacks in La Plata, comments on a local news outlet’s Instagram post about the attack on the local Chabad Sunday were filled with antisemitic tropes, including blood libel and false flag theories. Antisemitism watchdogs say false flag allegations, holding that an operation is staged to look like an attack in order to garner sympathy for the victim or attribute blame to another party, have flourished in recent years against Jews and Israel.
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Cornell’s Jewish president clashes with students following on-campus debate about Israel
(JTA) — Cornell University President Michael Kotlikoff and student protesters are trading accusations after an incident in which protesters surrounded the president’s car following an on-campus debate about Israel.
The protesters, from a group called Students for a Democratic Cornell, released a video appearing to show that President Michael Kotlikoff had backed up into one of them while a protester shouts that the car ran over his foot.
In response, Cornell released its own video depicting what it said was a “harassment and intimidation incident,” its enhanced version of which it said offered “complete footage of the parking lot interactions, instead of clips to support a narrative.” That video shows students surrounding the president’s car as he tries to exit his parking space. After he eventually departs, the students continue to mill around with no obvious indication of injury to any of them.
In a statement of his own, Kotlikoff said that despite being surrounded by protesters who banged on his car windows, he waited until his backup camera showed a clear path before maneuvering out of the spot.
“The behavior I experienced last night is not protest,” Kotlikoff said in his statement, released Friday night. “It is harassment and intimidation, with the direct motive of silencing speech. It has no place in an academic community, no place in a democracy, and can have no place at Cornell.”
In an Instagram post, the protesters rejected Kotlikoff’s claims that they banged on his car and that they had previous records of misconduct on campus. They also reiterated their allegation that he had struck them.
The incident marks a relatively rare example of a clash between a university and pro-Palestinian student protesters two years after the student encampment movement roiled campuses across the United States, including at Cornell. The Ivy League university, like many others, enacted new rules designed to constrain protests that have kept demonstrations at bay amid pressure from the Trump administration to curb what it said was antisemitism among protesters. In November, Cornell agreed to pay $60 million to resolve federal antisemitism allegations.
Kotlikoff became Cornell’s president in early 2025, saying at the time that he was “very comfortable with where Cornell is currently” following “two relatively peaceful semesters” in which there were only isolated incidents that violated university rules around protest. He soon rejected pro-Palestinian students’ demands to cut ties with the Technion university in Israel. But he also urged the campus to foster academic debate around the Israeli-Palestinian conflict.
The event that preceded his clash with students on Thursday represented a striking example of such debate. Sponsored by an ideologically diverse array of groups, including the pro-Israel advocacy groups StandWithUs and the Zionist Organization of America as well as the campus chapter of Students for Justice in Palestine, which has previously been suspended for violating university rules, the event was the second in a two-part “Israel-Palestine Debate Series.”
The series was organized by the Cornell Political Union according to a format its website says it has long maintained. The format features a lecture by a speaker followed by formal responses from students and an audience debate.
In the first event, held earlier in April, the Israeli historian Benny Morris lectured on the topic “The American-Israeli Alliance Serves America’s Interests.” Morris is a liberal Zionist critic of the Israeli government whose work has included foundational research on the founding of the state arguing that many Arabs were expelled, rather than fled, during the 1948 war.
The second, on Thursday, featured the pro-Palestinian Holocaust historian Norman Finkelstein, who lectured on the topic “Israel Was Not Justified in Its Response to October 7th.” Finkelstein, who has criticized Morris for showing a pro-Israel bias, has compared the plight of the Palestinians to that of Jews during the Holocaust, and Students for Justice in Palestine posted a picture of its members posing with him on Thursday.
Kotlikoff offered introductory remarks at the event, which promoted a no-technology policy designed “out of respect to student[s] who will be given the opportunity to speak openly on a divisive topic.”
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