Connect with us

Uncategorized

Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII

It’s Switzerland in 1945 and the war has just ended. A group of deeply traumatized, ragged-looking Jewish teenagers recently liberated from Buchenwald have been sent to live in a former Swiss school building.

A young Swiss woman named Klara cares for them, while her new husband, Johann, runs her family’s textile business, whose success is dependent on the work of unrepentant Nazis living in comfort in Swiss exile. Johann’s brother, Egon, home from the war after five years working as a Swiss border guard, is wracked by guilt for having to turn away Jewish mothers and children at the frontier. His new postwar job in the attorney general’s office: hunting down ex-Nazis.

This is the premise of “Labyrinth of Peace,” an engrossing Swiss drama set in the immediate aftermath of the Holocaust that is now available exclusively on ChaiFlicks, the Jewish streaming service in North America, Australia and New Zealand.

Shot in Switzerland and released in the country to great acclaim in 2020, the six-episode series is fraught with drama, romance and moral struggles.

“Labyrinth of Peace” is the brainchild of award-winning Swiss-Italian screenwriter and director Petra Volpe, who wanted to tell the compelling story of a little-known chapter of postwar history while also spotlighting the morally questionable role Switzerland took during and after the war.

“Switzerland wanted to show that they were on the right side of history, since they knew they had failed the Jews by locking down the country” during the Holocaust, and therefore took in Jewish refugees after the war, Volpe said in an interview from her home in Brooklyn. “When actual refugees arrived and they weren’t cute children younger than 12, and someone asked where the little boys were, the rabbi said of the youngest ones, ‘They were all gassed.’ Switzerland wasn’t happy when teenagers showed up. They didn’t treat them as nicely as they should have.”

The Buchenwald Boys, as they were called, had lost their childhoods and most of their families during the war years. More than 60,000 Jews died in Buchenwald — including my great-grandfather, after he, my grandfather and uncle were arrested on Kristallnacht and sent to the concentration camp. But some 900 youths survived and were among those liberated by U.S. forces.

Jewish refugee agencies came to their rescue, and they were sent to various sites in France, England and Switzerland for rehabilitation. “Labyrinth of Peace” turns the story of a group sent to Switzerland into an absorbing historical drama that belies the myth of Swiss neutrality and demonstrates how guilt and moral conflicts ran through families even after combat ended.

“Labyrinth of Peace” illuminates a little-known chapter of postwar history while spotlighting the morally questionable role Switzerland took during and after World War II. (ChaiFlicks)

In the series, the recently liberated Buchenwald Boys find themselves at the heart of many more interests than anyone first realizes.

One of the teens, Herschel, falls in love with the Swiss Klara, whose father’s textile factory profited handsomely during the war. The family home is rich in sumptuous detail, from silk damask wall coverings to lush oriental carpets covering the floors to the gold-rimmed Limoges tea pot from which servants pour drinks. Nearby, the Buchenwald Boys live in empty classrooms without sufficient food or clothing, after arriving in the country wearing little but rags.

In real life, the 370 or so Buchenwald Boys who were sent to Switzerland became political pawns, Volpe says. They were promised several months of rest and rehabilitation, but their stay in Switzerland was cut short when authorities in pre-state Israel told them they were going to Palestine. Most didn’t want to go; some asked to settle in Australia and others wanted to stay in Switzerland.

“Everyone just wanted to bring them to Israel and get them out of sight,” said Volpe, who is not Jewish but is married to a Jewish man. “There’s collective guilt.”

In the series, the character of Egon is based on a real Swiss border guard whose story is known from frequent letters he wrote home to his wife. Egon is introduced to viewers as he arrives home just in time for his brother’s wedding to Klara. He is wracked with guilt and anger.

“Every day he had to drag mothers and young kids back across the border and it’s killing him,” Volpe said.

Desperate for expiation, Egon gets drawn into the U.S. authorities’ search for Nazis who moved to Switzerland and are living under cover with adopted names and identities.

Meanwhile, his brother Johann — Klara’s husband — is trying to transform his father-in-law’s textile business into a success by producing a low-cost synthetic alternative to nylon. Johann touts the achievement as a pure Swiss creation, but it turns out that it’s the work of a Nazi chemist working under an assumed name in the family lab — putting Johann in a morally dubious position and creating conflict with his wife.

Many Nazis who fled Germany after the war found new lives in Switzerland, where their pasts largely were overlooked. The same happened in America, too; the U.S. government put ex-Nazi scientists to work developing military hardware and even rockets for the country’s fledgling space program.

The setting for “Labyrinth of Peace” is a verdant Swiss school where Jewish teens recently liberated from the Buchenwald concentration camp are sent to be rehabilitated. (ChaiFlicks)

“Switzerland imported the knowledge of German war criminals,” said Volpe, who grew up near Zurich, lived in Berlin for 20 years as an adult and has resided in New York for the past decade. “They tried to hire scientists from the chemical industry. Swiss economic success is based on knowledge we took from the Nazis.”

Volpe’s series shatters the notion of Switzerland’s ostensible neutrality and demonstrates how many Swiss shared in the war’s sins.

“War criminals were treated like royalty in Switzerland because they had money, and refugees were treated like criminals,” observed Volpe.

“Labyrinth of Peace” was a hit when it aired on Swiss national television, and last year won awards at several Jewish film festivals in the United States. The series is now available nationwide on ChaiFlicks, the subscription streaming service that focuses on Jewish and Israeli content.

For Holocaust Remembrance Day on April 18, the JCC of Manhattan will screen two episodes from the series followed by a Q&A with Volpe.

At the end of the series (no spoilers!), Klara and a friend are shown driving while she opens a thin book that Herschel, the eldest of the Buchenwald Boys who fell in love with her, wrote and gave her. In his introduction Herschel writes, “I have done my best to prevent what was meant to be prevented. The eradication of us and our history.”

“The main message in his diary is: ‘They didn’t erase our voice and I can still tell my story,’ Volpe said. “That’s a form of victory also, and a very important message.”

Watch “Labyrinth of Peace” here.


The post Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Montenegro’s tiny Jewish community navigates uncertain territory as hostility toward Israel increases

(JTA) — PODGORICA, Montenegro — At the entrance to Nikšić, Montenegro’s second-largest city, a vintage fighter jet painted in the colors of the Israeli Air Force perches atop a giant concrete pedestal, as if about to take flight.

The monument, unveiled in 2024, commemorates “Operation Velvetta” — a top-secret plan that ferried 17 Supermarine Spitfire aircraft from Czechoslovakia, via what was then Yugoslavia, to Israel in 1948. The brazen scheme, carried out under the noses of British and Soviet spies, helped ensure the fledgling Jewish state’s military superiority during its War of Independence.

At the monument’s base, a bronze plaque in Serbian, English and Hebrew calls it “a permanent reminder to the unbreakable friendship of Montenegro and Israel.”

Yet lately, that friendship is being tested in ways not seen since Montenegro — smallest of the six republics that once comprised Yugoslavia — declared its independence in 2006.

“Yes, there’s antisemitism here. It’s much better than some other places, but the situation has changed,” said Rabbi Ari Edelkopf, who heads the Religious Jewish Community of Montenegro in Podgorica, the capital. “When I came here, I never believed we’d need 24-hour security. But since Oct. 7, we’ve had Free Gaza marches in all the major cities. My office is following every antisemitic portal here in Montenegro,” he said, referring to websites that report local news. “We’re paying a lawyer to monitor all this.”

A replica of a Supermarine Spitfire fighter jet honors the 1948 “Operation Velvet” in Nikšić, Montenegro — a monument unveiled in 2024 that symbolizes Montenegro’s historic friendship with Israel. (Larry Luxner)

Several recent incidents involving Israeli visitors to this Connecticut-sized country of 625,000, have unnerved the local Jewish community, which numbers fewer than 1,000, even as the capital is on the verge of getting a major new Jewish cultural center set for completion this fall.

In the Adriatic beach resort of Budva, a recent violent brawl between local Montenegrins and some 20 Israeli tourists has triggered alarm among both local Jews and Israeli tourists.

It’s still unclear who or what provoked the incident, which took place after midnight July 12 at a beach bar where the Israelis — 12 men and eight women — had been drinking. Edelkopf said he believed the incident had begun with a personal altercation but escalated when the locals realized the tourists they were sparring with were Israeli.

According to an Israeli government alert about the incident, the locals “shouted ‘Free Palestine’ and ‘F*** Israel’” after learning about the origins of the tourists, who the alert said were not wearing indicators of their national or religious identity.

“Then they came back with a few friends and really beat the hell out of them,” said Edelkopf, a Chabad rabbi who’s originally from Los Angeles and who’s lived in Montenegro for nine years.

“They put out cigarettes on their faces, and threw metal chairs and tables at them. It was horrible and very aggressive,” he said. “Most of the Israelis were injured; one of them had a broken jaw.”

The Israeli government assisted in helping the Israeli tourists expedite their flights out of Montenegro, though one member of the group remained in the country while hospitalized, according to Israel’s National Center for Combating Antisemitism, an initiative of the Diaspora ministry. The ministry’s alert said that police failed to intervene.

Rabbi Ari Edelkopf, a Los Angeles-born Chabad emissary, reads a story about himself in a Podgorica newspaper in April 2026. Edelkopf heads the Religious Jewish Community of Montenegro. (Larry Luxner)

“I am waiting for the Montenegrin government to take action,” Edelkopf told JTA from his Podgorica synagogue, which was previously a private house. “Until now, they have not offered any official response.”

Despite the recent hostilities, the rabbi said, Montenegro has long welcomed Israeli tourists as well as residents. And Jews have been living here for millennia before Yugoslavia existed.

Ruins dating from the 4th century C.E. indicate a flourishing Jewish community in Kotor, not far from Budva along the Adriatic. In fact, one of the country’s most important religious sites is the presumed tomb of Shabbatai Zvi, located in nearby Ulcinj. The 17th-century Jewish false messiah died shortly after his exile there in 1673 by the Ottoman Empire, which ruled much of the present-day Balkans.

While most Montenegrins are Eastern Orthodox Christians, about 20% are Muslims of either Bosnian or Albanian origin. In 1992, after communism collapsed and Slovenia, Croatia, Bosnia and Macedonia broke away from the former Yugoslavia, the remaining two republics — Serbia and Montenegro — created the new Federal Republic of Yugoslavia.

In 2006, Montenegro declared independence following a referendum on the issue, and six years later, then-Prime Minister Igor Lukšić granted Judaism recognition as the country’s fourth official religion, alongside the Eastern Orthodox Church, the Catholic Church and Islam.

“The Jews are very well accepted here,” said Nikolla Camaj, vice-president of Montenegro’s parliament and one of five ethnic Albanians in the 81-member body. “Officially we have very good relations with Israel, and people support the idea that Israel must be protected. But there’s a problem because in Montenegro we have a lot of Muslims — Albanians and Bosniaks — and they don’t like what’s happening in Palestine.”

A pro-Palestinian mural painted on the side of a Podgorica apartment building has been the site of multiple pro-Palestinian rallies in Montenegro. (Larry Luxner)

In Podgorica, a huge mural painted on an apartment building two blocks from the municipal bus terminal depicts Gazan refugee children, a slice of watermelon symbolizing the Palestinian resistance, and the declaration “Montenegro Stands With Palestine.”

In early July, Israeli tourists visiting Plav — a resort town near Montenegro’s borders with Kosovo and Albania — were harassed by a local couple, who called the visitors “baby killers.”

That doesn’t surprise Edelkopf at all.

“Local people are being fed articles translated from very strong anti-Israel news outlets,” the rabbi said. “The main TV channels and online portals here are filled with lies and garbage against Israel, and the people have started to believe that Israel is committing genocide.”

Even so, Israeli tourists keep coming. In 2025, according to official figures, 110,249 of them visited Montenegro — up from 73,513 the year before — most of them via direct flights from Tel Aviv. A Facebook group for Israelis planning trips to Montenegro has more than 80,000 members, who swap advice and share photos and tips from their trips.

A citizen of Montenegro beats a pot next to a placard reading “Zionism Is Not Dead Yet, And We Don’t Know When It Will Be” that features a swastika inside a Jewish star during a pro-Palestinian rally in Podgorica, Sept. 14, 2025. (Savo Prelevic / AFP via Getty Images)

Israel has no embassy in this country; instead, it’s represented by Avivit Bar-Ilan, Israel’s resident ambassador in Serbia, who could not be reached for comment.

Montenegro’s few Jews are split between Edelkopf’s traditional Orthodox Jewish synagogue and the local progressive Jewish congregation led by its president, Nina Ofner Bokan.

A computer science engineer, Ofner Bokan, 41, has represented her community since 2020. Last September, she was reelected unanimously for a five-year term. She’s also senior advisor to the president of the Montenegrin parliament, and a vice-president of the World Jewish Congress.

“We feel very protected here, and we have an amazing relationship with all the other religious communities,” Ofner Bokan said. “Over the years, we’ve made strong connections. … Jews can walk with a kippah or a Star of David without any problem.”

Last October the community held its 12th annual Mahar conference in Budva, which featured speeches by several dignitaries including Deputy Prime Minister Budimir Aleksić.

Nina Ofner Bokan, president of the Jewish community of Montenegro, is also vice president of the World Jewish Congress and senior advisor to the president of the Montenegrin Parliament. (Larry Luxner)

“Montenegro is recognized as a country that cherishes diversity, fosters dialogue, and stands as a nation where the Holocaust did not occur and where antisemitism has never had — and will never have — any foundation,” Aleksić assured his audience. “We are proud of that fact.”

Ofner Bokan’s Jewish congregation was founded in 2011, and she is its third president. In November 2024, she and other local Jews held a ceremony to mark the groundbreaking of the first purpose-built synagogue in Montenegrin history. Ar Ashem is slowly taking shape on a donated plot of land fronting Radosava Burića Street, she said, and will be finished in February.

With around 150 active members, the congregation’s spiritual leader is Luciano Moše Prelevic, who, like Edelkopf, claims to be Montenegro’s chief rabbi. The two communities have nothing to do with each other — and that hasn’t changed even with a recent influx of Jews from warring Russia and Ukraine.

“Ours is the one that signed the contract in 2012 with the government recognizing the Jewish community,” said Ofner Bokan, whose parents were from the Serbian city of Novi Sad. “But in public, Jews are not going to talk badly about each other. If we do, then what will other people think?”

A sign at the construction site of Montenegro’s new Jewish cultural center, as seen in April 2026, shows that it is planned for completion in November 2026. (Larry Luxner)

Edelkopf, who with his wife Chana has eight children, spent 17 years in Russia running the Chabad outpost in Sochi. But he was deported in March 2017 after a Russian court determined that he was a “threat to national security” and came directly to Montenegro.

“We are officially the Religious Jewish Community of Montenegro,” he said, while acknowledging deep divisions among the Jews of this relatively tiny country. “We do have things we need to improve, and we are not proud of that.”

One relative newcomer is Tatiana Nirman, who is originally from St. Petersburg, Russia. Soon after the war with Ukraine broke out in February 2022, she moved to Montenegro and now directs cultural programming for the 150 or so Jews she estimates now live in Budva, the resort town where the brawl took place.

“We’re here in Montenegro because it’s a beautiful, comfortable country, and one of the few places we could come on a Russian passport,” said Nirman, 40, who lives in the coastal town with her husband and two children. She adds that about 80% of her programs on art, music, Jewish history and cooking are in the Russian language.

Also living in Budva is Anna Davidi, 51, an Armenian-born Jew whose ancestors were from Iran. During the Nagorno-Karabakh War of the 1990s, Davidi’s family moved to Ukraine, where she studied music in Khmelnytskyi.

She married a Jewish man from Breslov with whom she had a son and daughter, but later divorced and relocated to Montenegro after realizing there was little to keep her in Ukraine.

“What attracted me was Montenegro’s exceptionally clean and beautiful nature, and the high level of tolerance among its people,” said Davidi, who moved here in 2012. “My brother, his wife and I came to Montenegro simply to explore it as a possible place to live. And almost from the moment we arrived, we fell in love.”

A former fashion designer and restaurant owner with a degree in psychology, Davidi landed a job in real-estate upon moving to Montenegro, and now represents an Israeli company involved in land sales. She said she sees both Montenegro and Israel, where she travels regularly to see her children and grandchildren, as important stops on her Jewish journey.

“When I look back, I see that my long road toward Israel has passed through several countries and generations: my ancestors came from Iran; I was born in Armenia; from there I moved to Ukraine; from there I moved to Montenegro,” Davidi recalled. “I hope that my next destination — perhaps the final station on this long journey — will be Jerusalem.”

This article originally appeared on JTA.org.

The post Montenegro’s tiny Jewish community navigates uncertain territory as hostility toward Israel increases appeared first on The Forward.

Continue Reading

Uncategorized

Israeli court delays Ben-Gvir’s plans for an Israeli ‘Crocodile Alcatraz’

(JTA) — An animal welfare group’s appeal to an Israeli court is delaying plans to surround a high security prison for Palestinians with Nile crocodiles.

The proposed 560-foot moat was first floated by far-right National Security Minister Itamar Ben-Gvir in December. If built, it would surround a special wing at Ketziot Prison in southern Israel holding Palestinian security prisoners, including members of Hamas’ Nukhba force who took part in the Oct. 7, 2023, invasion of Israel.

“Anyone who murdered, massacred and raped and behaved like an animal deserves to be guarded by an animal just like them,” a statement from Ben-Gvir’s ministry said at the time.

The project moved forward last month after Environmental Protection Minister Idit Silman reclassified crocodiles from protected wildlife to “tended wild animals,” allowing security agencies to house them at their facilities. Her nod came despite objections from Israel’s Nature and Parks Authority and her ministry’s legal adviser, who said Silman did not have the required legal authority to make the reclassification..

After Silman’s announcement, Ben-Gvir shared an AI-generated image of himself petting a crocodile on a leash alongside the caption, “Are you thinking of attempting to escape? Think again.”

Let the Animals Live, an animal welfare group, petitioned against Silman’s decision. The Jerusalem District Court on Aug. 2 issued a temporary order barring the crocodiles’ transfer. The state has until Aug. 16 to respond.

The petition argues that using crocodiles as prison guards would cause the animals severe suffering, removing them from an environment not amenable to their thriving, and could endanger both the public and the reptiles. Let the Animals Live also contends that Silman lacked the authority to create what amounts to a new legal category for wildlife through a ministerial declaration rather than legislation.

The Israel Nature and Parks Authority said in a statement that there was no sufficient professional basis for using crocodiles at security facilities and warned that the plan posed significant risks to public safety, the environment and the animals’ welfare, including the possibility that the crocodiles could escape.

Ben-Gvir accused the court of siding with terrorists after the injunction was issued. “Once again the legal system is on the side of the terrorists and against the people of Israel,” he wrote on social media.

His ministry has allocated 21 million shekels, about $7 million, for the project, according to Channel 12 News. The plans include provisions for feeding and caring for the crocodiles, as well as specially designed resting areas.

The proposal was inspired by Florida’s “Alligator Alcatraz,” the remote migrant detention center promoted by the Trump administration. Unlike Ben-Gvir’s plan, animals were not brought to the Florida facility or kept as a man-made security barrier. Officials instead pointed to the alligators, crocodiles and pythons already inhabiting the surrounding Everglades as a deterrent to escape. Florida shut down Alligator Alcatraz in June because of difficulties meeting operational costs. It also faced lawsuits.

Senior Israel Prison Service officials visited the Hamat Gader crocodile farm in January to learn how the animals are kept in captivity.

Yosi Mousanejad, the Hamat Gader site’s manager, told Channel 14 that the delegation came “to study” the animals. They appeared not to know that crocodiles are largely inactive during the winter, he said, a factor that could limit their effectiveness as a year-round security measure.

Mousanejad also told the Kan broadcaster that he had no intention of supplying any of the farm’s roughly 200 crocodiles to the prison system.

This article originally appeared on JTA.org.

The post Israeli court delays Ben-Gvir’s plans for an Israeli ‘Crocodile Alcatraz’ appeared first on The Forward.

Continue Reading

Uncategorized

This Jewish museum is lending art across America — with one condition

Take a stroll through the Cleveland Museum of Art. Look closely in the Korean art galleries, and you will find a Jewish ritual spice container.

Among its collection of Italian Baroque art, you’ll stumble upon a marble Jewish marriage panel.

In the Middle East galleries, 19th-century Torah finials from Tbilisi, Georgia, blend seamlessly with the Islamic art that surrounds them.

Until recently, none of those objects were there. Like many art and history museums across the U.S., Cleveland had almost no Jewish ceremonial art on display. The few that do often display it in separate galleries exclusively reserved for Jewish art.

Now, Cleveland is just one of about a dozen museums across the country participating in a quiet initiative led by New York’s Jewish Museum, which is lending works from its collection to institutions that have little or no Jewish works on view. The Jewish Museum has one condition: don’t put them in a Judaica gallery.

“Jewish culture exists because for 3,500 years it’s been wandering the global diaspora,” said James Snyder, the director of the Jewish Museum, the art museum at the helm of the initiative. “How it looks is a function of its engagement, not its disengagement.”

An Iraqi menorah adorned with peacocks belongs in a Middle East gallery, he argues, where visitors can see that the peacock was a common decorative motif across the region’s art, regardless of religion. A German Torah crown belongs among European decorative arts to tell the story about how, for centuries, Jewish ceremonial silver was largely crafted by non-Jewish silversmiths after Jews were barred from joining silver-making guilds.

Hanukkah Lamp, Baghdad, 19th–early
20th century. Courtesy of The Jewish Museum

The initiative addresses a longstanding absence of Jewish ceremonial art in many of the country’s leading encyclopedic museums — institutions that showcase works from civilizations around the world and throughout history. Museum directors across the country who spoke to the Forward admitted that before collaborating with the Jewish Museum, they lacked Jewish ritual art in their galleries.

Bill Griswold, the director of the Cleveland Museum of Art, told the Forward that while the museum has had significant collections of Islamic, Christian, Buddhist and Hindu works, it “didn’t have a single important object of Jewish ceremonial art.” This, despite the fact that Cleveland has one of the country’s largest Jewish populations.

At the Toledo Museum of Art, curator Robert Schindler said there was “exactly zero Judaica” there until November 2025, when the museum purchased a rare 12th-century Afghan kiddush cup for $4 million — a record price for Judaica. The Toledo museum also joined the Jewish Museum’s lending initiative; a 13th-century synagogue inscription from Cairo will be displayed in a gallery that intends to compare different world religions.

“It’s a gap in the collection, and it’s a gap in the stories and narratives that we’re telling,” said Schindler. “This is sort of a very active way of trying to reckon with, and also make up for some of the things that we just didn’t collect previously.”

A visitor examines a Moroccan mezuzah case on display at the Cleveland Museum of Art. Courtesy of The Cleveland Museum of Art

Jewish Museum curator Danny Smith-Salfati calls the partnerships “artistic interventions,” each one tailor-made. Staff from the Jewish Museum work alongside local curators to identify objects that naturally fit within existing galleries. They also train docents on the Jewish significance of the objects and how they fit into the historical narrative of the gallery where they are placed.

Museum directors say the response has been overwhelmingly positive. At the Detroit Institute of Arts, hundreds of visitors have shown up for events dedicated to the viewing of objects that include one of the oldest known Torah shields in the world and a casket from the 15th century adorned with zodiac symbols.

Judith Dolkart, the museum’s deputy director, said the interest has prompted the museum to think seriously about adding Jewish ceremonial art to its permanent collection.

Griswold said the Cleveland museum has welcomed more guests in this calendar year than in recent history, a surge he attributes in large part to interest in the works on loan from the Jewish Museum.

“When I’ve been in the galleries, and these works have been on view, there have been people gathered around these vitrines [glass cases], fascinated to discover something really new in the context of our collection,” he said.

Torah Pointer, Italy, 18th century. Silver, carved coral, semi-precious stones. Courtesy of The Jewish Museum

Snyder began his tenure at the Jewish Museum in October 2023, just three weeks after the Oct. 7 attacks on Israel. He found himself navigating a moment of extraordinary tension. Museums across the country are still wrestling with pressure to take a stance on the conflict, confronting challenges such as disputes over public-facing staff members wearing keffiyehs to work and protests and vandalism tied to accusations that museum officials were providing support to Israel during the Gaza War. Jewish museums were not immune to that strife. According to a survey by the Council of American Jewish Museums, 81% of Jewish museums in North America and Europe reported antisemitic or anti-Israel harassment after Oct. 7.

“Museum staff were making statements that were shifting to the left, and shifting to pro-Palestinian, anti-Israeli,” Snyder said. “Museum boards were shifting the other way: pro-Israeli, shocked, horrified, and that was producing conflict in museums … it was in every museum in town.”

Once he took the helm, Snyder created a post-Oct. 7 action plan to help the Jewish Museum navigate the moment, which included a directors’ talk series and an educational program for staff on the Middle East, racism and antisemitism, and exhibits about the traumas of the war. He also thought hard about the museum’s approach to curation, seeking to explicitly draw connections between Jewish objects and the places and cultures in which they developed.

Chunghi Choo (b. 1938, Inchon Korea; lives and works in Iowa City, Iowa), Spice Container, Iowa City, Iowa, United States, 2004. The piece was a part of the first rotation of works at the Cleveland Museum of Art. Courtesy of The Jewish Museum

“A culturally specific museum is segregating itself,” he explained. “What you need to do is show that Jewish culture has been in the global diaspora longer than any other single culture for 3,500 years, demonstrating resilience and engagement worldwide.”

Suddenly, Snyder began receiving calls from directors of encyclopedic museums across the country. How could they build a collection of Jewish art and artifacts in their spaces?

His answer was blunt. “You really can’t today,” he told them. Most major Judaica already belongs to museums or private collectors, and when important objects do come to market, private buyers often outbid institutions, he said. Instead, he offered them another solution: borrow from the Jewish Museum.

“Take a dozen from us and don’t put them in a room,” Snyder recalled telling museum directors. “Sprinkle them. Take something from the Italian Renaissance, German Baroque, British Imperial, American Colonial, Asian…”

Smith-Salfati says this initiative fulfills part of the Jewish Museum’s mandate.

“We’re introducing Jewish material and Jewish concepts and Jewish ideas that are not widely known,” he said. “And debunking myths about what Judaism is and looks like.”

Snyder agrees.

“We see part of our job as dispersing Jewish culture across the landscape of our own American diaspora,” Snyder said. “It’s what we feel is our mandate — and one that’s all the more relevant because of the times we’re in.”

The post This Jewish museum is lending art across America — with one condition appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News