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Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII

It’s Switzerland in 1945 and the war has just ended. A group of deeply traumatized, ragged-looking Jewish teenagers recently liberated from Buchenwald have been sent to live in a former Swiss school building.

A young Swiss woman named Klara cares for them, while her new husband, Johann, runs her family’s textile business, whose success is dependent on the work of unrepentant Nazis living in comfort in Swiss exile. Johann’s brother, Egon, home from the war after five years working as a Swiss border guard, is wracked by guilt for having to turn away Jewish mothers and children at the frontier. His new postwar job in the attorney general’s office: hunting down ex-Nazis.

This is the premise of “Labyrinth of Peace,” an engrossing Swiss drama set in the immediate aftermath of the Holocaust that is now available exclusively on ChaiFlicks, the Jewish streaming service in North America, Australia and New Zealand.

Shot in Switzerland and released in the country to great acclaim in 2020, the six-episode series is fraught with drama, romance and moral struggles.

“Labyrinth of Peace” is the brainchild of award-winning Swiss-Italian screenwriter and director Petra Volpe, who wanted to tell the compelling story of a little-known chapter of postwar history while also spotlighting the morally questionable role Switzerland took during and after the war.

“Switzerland wanted to show that they were on the right side of history, since they knew they had failed the Jews by locking down the country” during the Holocaust, and therefore took in Jewish refugees after the war, Volpe said in an interview from her home in Brooklyn. “When actual refugees arrived and they weren’t cute children younger than 12, and someone asked where the little boys were, the rabbi said of the youngest ones, ‘They were all gassed.’ Switzerland wasn’t happy when teenagers showed up. They didn’t treat them as nicely as they should have.”

The Buchenwald Boys, as they were called, had lost their childhoods and most of their families during the war years. More than 60,000 Jews died in Buchenwald — including my great-grandfather, after he, my grandfather and uncle were arrested on Kristallnacht and sent to the concentration camp. But some 900 youths survived and were among those liberated by U.S. forces.

Jewish refugee agencies came to their rescue, and they were sent to various sites in France, England and Switzerland for rehabilitation. “Labyrinth of Peace” turns the story of a group sent to Switzerland into an absorbing historical drama that belies the myth of Swiss neutrality and demonstrates how guilt and moral conflicts ran through families even after combat ended.

“Labyrinth of Peace” illuminates a little-known chapter of postwar history while spotlighting the morally questionable role Switzerland took during and after World War II. (ChaiFlicks)

In the series, the recently liberated Buchenwald Boys find themselves at the heart of many more interests than anyone first realizes.

One of the teens, Herschel, falls in love with the Swiss Klara, whose father’s textile factory profited handsomely during the war. The family home is rich in sumptuous detail, from silk damask wall coverings to lush oriental carpets covering the floors to the gold-rimmed Limoges tea pot from which servants pour drinks. Nearby, the Buchenwald Boys live in empty classrooms without sufficient food or clothing, after arriving in the country wearing little but rags.

In real life, the 370 or so Buchenwald Boys who were sent to Switzerland became political pawns, Volpe says. They were promised several months of rest and rehabilitation, but their stay in Switzerland was cut short when authorities in pre-state Israel told them they were going to Palestine. Most didn’t want to go; some asked to settle in Australia and others wanted to stay in Switzerland.

“Everyone just wanted to bring them to Israel and get them out of sight,” said Volpe, who is not Jewish but is married to a Jewish man. “There’s collective guilt.”

In the series, the character of Egon is based on a real Swiss border guard whose story is known from frequent letters he wrote home to his wife. Egon is introduced to viewers as he arrives home just in time for his brother’s wedding to Klara. He is wracked with guilt and anger.

“Every day he had to drag mothers and young kids back across the border and it’s killing him,” Volpe said.

Desperate for expiation, Egon gets drawn into the U.S. authorities’ search for Nazis who moved to Switzerland and are living under cover with adopted names and identities.

Meanwhile, his brother Johann — Klara’s husband — is trying to transform his father-in-law’s textile business into a success by producing a low-cost synthetic alternative to nylon. Johann touts the achievement as a pure Swiss creation, but it turns out that it’s the work of a Nazi chemist working under an assumed name in the family lab — putting Johann in a morally dubious position and creating conflict with his wife.

Many Nazis who fled Germany after the war found new lives in Switzerland, where their pasts largely were overlooked. The same happened in America, too; the U.S. government put ex-Nazi scientists to work developing military hardware and even rockets for the country’s fledgling space program.

The setting for “Labyrinth of Peace” is a verdant Swiss school where Jewish teens recently liberated from the Buchenwald concentration camp are sent to be rehabilitated. (ChaiFlicks)

“Switzerland imported the knowledge of German war criminals,” said Volpe, who grew up near Zurich, lived in Berlin for 20 years as an adult and has resided in New York for the past decade. “They tried to hire scientists from the chemical industry. Swiss economic success is based on knowledge we took from the Nazis.”

Volpe’s series shatters the notion of Switzerland’s ostensible neutrality and demonstrates how many Swiss shared in the war’s sins.

“War criminals were treated like royalty in Switzerland because they had money, and refugees were treated like criminals,” observed Volpe.

“Labyrinth of Peace” was a hit when it aired on Swiss national television, and last year won awards at several Jewish film festivals in the United States. The series is now available nationwide on ChaiFlicks, the subscription streaming service that focuses on Jewish and Israeli content.

For Holocaust Remembrance Day on April 18, the JCC of Manhattan will screen two episodes from the series followed by a Q&A with Volpe.

At the end of the series (no spoilers!), Klara and a friend are shown driving while she opens a thin book that Herschel, the eldest of the Buchenwald Boys who fell in love with her, wrote and gave her. In his introduction Herschel writes, “I have done my best to prevent what was meant to be prevented. The eradication of us and our history.”

“The main message in his diary is: ‘They didn’t erase our voice and I can still tell my story,’ Volpe said. “That’s a form of victory also, and a very important message.”

Watch “Labyrinth of Peace” here.


The post Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII appeared first on Jewish Telegraphic Agency.

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Misguided Super Bowl Ad: Antisemitism Isn’t a Sticky Note — It’s an Institutional Failure

Anti-Israel demonstrators protest outside the main campus of Columbia University during the Columbia commencement ceremony in Manhattan, in New York City, US, May 21, 2025. Photo: REUTERS/Eduardo Munoz

It is an odd sign of the times that one of the clearest statements about antisemitism this year came not from a university president or a political leader, but from a $15 million Super Bowl commercial.

Robert Kraft’s advertisement was earnest, expensive, and plainly intended as a civic intervention. Kraft is not a marginal celebrity. He is one of the most prominent Jewish civic patrons in America. The fact that even he must purchase a national pulpit at Super Bowl rates is itself a measure of institutional retreat.

The ad depicts a Jewish teenager in a school hallway, targeted with a slur. Another student intervenes, covers the insult with a blue square, and offers solidarity. The message is simple: don’t ignore hate.

The impulse is understandable. Antisemitism is rising. Jewish students feel exposed. Institutions equivocate.

And yet the ad landed with a discomfort that is difficult to dismiss. As critics in The ForwardTablet, and the Jewish Journal all noted, the problem is not the intention. The problem is what the ad reveals.

The ad reflects the only kind of antisemitism that elite America still feels fully comfortable condemning: the obvious kind.

A crude insult. A bullying moment. A hate that is personal, adolescent, and safely detached from politics, ideology, and power.

But that is not the antisemitism American Jews are confronting right now.

The defining feature of antisemitism in the post–October 7 era is not that it is whispered in hallways. It is that it is rationalized in public.

It is not merely cruelty. It is permission.

It is the normalization of harassment as “activism.” The recycling of ancient hatreds in contemporary moral language. The steady refusal of elite institutions — many educational institutions, but colleges and universities most of all — to draw enforceable lines.

The Super Bowl ad is antisemitism for a society that cannot bring itself to talk about faculty, ideologies, and institutions.

The question is no longer whether antisemitism exists. The question is whether the institutions entrusted with moral authority will name it when it is inconvenient, and confront it when it is costly.

On that question, the record is bleak.

At Columbia University last week, police arrested protesters outside campus gates — an incident that included not only students but faculty participation. That detail matters. When professors are arrested alongside students, the story is no longer youthful excess. It is adult legitimization.

The most corrosive feature of the current moment is not simply student radicalism, but the way faculty and institutional actors increasingly supply the moral vocabulary that makes intimidation feel righteous.

Universities issue statements while disruptions become routine. Administrators cite “process” while Jewish students are told, implicitly, to endure it. Students are harassed on Monday; the campus receives an email about “values” on Tuesday; nothing happens on Wednesday.

The problem is not that Americans haven’t heard of antisemitism. The problem is that institutions have stopped punishing it.

This is not a crisis of awareness. It is a crisis of authority.

Which raises the deeper irony of Kraft’s approach: a $15 million advertisement is, in some sense, a substitute for the backbone our institutions no longer display.

It is philanthropy stepping in where leadership has retreated.

Bret Stephens made a version of this argument just days before the Super Bowl, in his State of World Jewry address at the 92nd Street Y, calling the fight against antisemitism “a well-meaning, but mostly wasted effort” and urging the Jewish community to redirect resources from awareness campaigns toward strengthening Jewish life itself. Stephens is right that awareness is not the bottleneck. But the answer is not merely identity-building. It is institutional enforcement. The crisis is not that Jews lack pride. It is that universities lack spine.

That may be the most revealing thing about the ad. It is an attempt to do, through symbolism, what our civic institutions are increasingly unwilling to do through enforcement.

The blue square is unobjectionable. But it also reflects a broader cultural habit: the preference for gesture over boundary, performance over consequence.

A hallway. A slur. A moment of interpersonal cruelty.

That is antisemitism as many Americans prefer to imagine it: isolated, obvious, juvenile — disconnected from the ideological infrastructures that now sustain it.

But the antisemitism American Jews increasingly confront is embedded in systems.

On many campuses, Students for Justice in Palestine chapters function less like protest clubs than like parallel moral ecosystems: separate communications channels, teach-ins, counter-programming designed not to engage speakers but to delegitimize them.

This is not spontaneous dissent. It is infrastructure.

And infrastructure is precisely what awareness campaigns do not touch.

That is why the problem persists. Confronting contemporary antisemitism requires naming not only hatred, but the respectable ideologies that now carry it.

Here we reach another familiar discomfort: the pressure to universalize.

Even Kraft’s campaign folds antisemitism into a broader effort against “all hate.” Again, the instinct is decent. But the move is familiar. Jews are permitted sympathy so long as their experience is immediately generalized.

The particularity of antisemitism is softened, and made safe for consensus consumption. But antisemitism is not merely one prejudice among others. It has a specific history, a specific structure, and a specific contemporary resurgence. Jews know, historically, that when elites insist on vagueness, trouble is already advancing.

There is also something telling in the ad’s narrative posture. The Jewish teen is passive. He does not speak. He does not resist. He is acted upon, rescued by an ally.

Solidarity matters. But Jews cannot rely on symbolic allyship in place of institutional accountability. A society that requires minority groups to depend on the kindness of bystanders rather than the firmness of institutions is not a healthy society.

And that may be the deeper point. Kraft’s ad is not offensive. It is diagnostic.

It reveals a culture that has difficulty naming antisemitism as it actually exists in 2026.

It reveals institutions that prefer statements to discipline, empathy to enforcement, and symbols to boundaries.

It reveals how far moral speech has been outsourced to philanthropy and branding because civic leaders and universities have proven unwilling to speak plainly when the costs are real.

A $15 million ad is, in this sense, an indictment — even if unintentionally — of everything that should not require an ad in the first place.

What American Jews need now is not another awareness campaign. We need institutions that enforce rules. Leaders who name what is happening. Universities that treat intimidation as intimidation and hate, not as “political expression.” Administrators who stop hiding behind process.

The blue square is fine as a gesture. But gestures are not enough.

Antisemitism will decline only when universities treat it the way they treat every other serious violation: with rules, consequences, and clarity — not symbols. A society that can only condemn antisemitism through commercials is a society that has lost the courage to confront it.

Note: According to the ADL’s 2024 Audit of Antisemitic Incidents, there were 9,354 antisemitic incidents in the United States in 2024, including an 84% increase on college campuses and 860 incidents in K-12 schools.

Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute. 

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Can We Ignore the Antisemitism in the Palestinian National Movement?

British Prime Minister Keir Starmer and US President Donald Trump (not pictured) hold a bilateral meeting at Trump Turnberry golf course in Turnberry, Scotland, Britain, July 28, 2025. Photo: REUTERS/Evelyn Hockstein

British Prime Minister Keir Starmer recently offered a formulation now familiar across Western democracies: you can support the cause of a Palestinian state without being antisemitic.

Millions do that. He does that. And yet — he acknowledged — the marches claiming to support that cause are saturated with antisemitic banners and rhetoric, leaving the Jewish community in England, in his words, “frightened and intimidated.”

At the level of abstract moral philosophy, the statement is unobjectionable. Of course, one can imagine support for Palestinian Arab self-determination free of antisemitism. But politics does not take place in one’s imagination. It takes place in movements, incentives, slogans, and consequences. And it is precisely here that this formulation collapses, due to multiple failures. 

The first failure is treating “support for a Palestinian state” as a free-floating moral posture rather than as a real-world political movement with a long, traceable history.  

Politics is not judged by what a cause could look like under ideal conditions. It is judged by how it actually operates over time. Movements reveal their moral character not through mission statements, but through what they tolerate, excuse, and normalize when mobilized in public.

When antisemitic imagery, chants, and conspiratorial claims appear often and predictably — across countries, languages, and decades — the issue is no longer a handful of bad actors. It is structural. At that point, the question is unavoidable: is the antisemitism a bug, or is it a feature?

A movement that repeatedly fails to police its own boundaries — and instead often embraces, recycles, and mainstreams some of the most virulent Jew-hatred in modern history — cannot plausibly claim moral neutrality.

The second flaw is the elevation of professed intent over outcome. Responsibility does not attach only to what one claims to believe. It attaches to what one knowingly enables.

One could reasonably argue that between World Wars I and II, Germany had been stripped of dignity and economic viability by the Treaty of Versailles. Taken alone, that argument was not antisemitic. But once grievance politics in Germany repeatedly trafficked in antisemitic conspiracy theories, racial mythologies, and eliminationist rhetoric, one had to look at what German nationalism actually stood for.

Good intentions did not negate predictable outcomes. They never do.

The Record Cannot Be Wished Away


The antisemitism embedded in the modern anti-Israel/pro-Palestinian movement is not new, marginal, or accidental.
Its founding political leadership included figures who openly allied with Nazi Germany during the Second World War, broadcasting antisemitic propaganda and helping recruit Muslim units for the Waffen-SS. Its charter documents and early manifestos drew directly from European antisemitic conspiracy literature.

In later decades, its most influential organizations repeatedly framed the conflict not as a territorial dispute but as a cosmic struggle against Jews — invoking blood libels, tropes about global Jewish control, and Holocaust denial or inversion. 

In recent years, these themes have not receded; they have intensified. Claims that Jews harvest organs, fabricate atrocities, control governments and media, or uniquely lack the right to national self-determination are not fringe slogans for the “Pro-Palestinian” movement. They are voiced by prominent activists, academics, and movement leaders — and then laundered through the language of “anti-Zionism” for supposed respectability.

This is not a historical footnote. It is the consistent pattern.

Which brings us to the question formulations like Starmer’s carefully avoid, but which any serious analysis must confront: If the cause is just, why does it so consistently require antisemitic language and behavior to sustain mass mobilization?

No other modern national cause routinely relies on Holocaust inversion, blood-libel-adjacent imagery, or claims of venal global Jewish control to generate energy and cohesion. No other liberation movement so frequently denies the very peoplehood of one particular nation while insisting on universal moral legitimacy for all others.

This is not accidental or incidental. It is diagnostic.

When the same antisemitic tropes surface wherever Israel is discussed — across groups or cultures that share little else — the burden of proof shifts. The problem is no longer a fringe prone to excess or “just some extremists.” It is the movement’s underlying moral architecture.

The appeal of Starmer’s statement lies in its reassurance. It allows leaders to affirm concern for Jewish safety rhetorically while continuing to validate a movement that, in practice, repeatedly produces hate, intimidation, vandalism, exclusion, and violence directed at Jews. 

We have seen this pattern before. Elites once spoke warmly of revolutionary justice while dismissing the guillotine as excess. They spoke of class liberation while ignoring gulags. Each time, abstraction functioned as moral anesthesia — allowing respectable people to look away from what was happening in plain sight.

Yes — one can imagine supporting Palestinian statehood without antisemitism. But politics cannot be judged only by what one can imagine. It is judged by what one enables, excuses, and refuses to confront once patterns become unmistakable.

A politics that hides behind abstraction while ignoring outcomes and reality is not principled. It is indulgent. And history has been relentlessly unforgiving to indulgence masquerading as moral seriousness.

Micha Danzig is a current attorney, former IDF soldier & NYPD police officer. He currently writes for numerous publications on matters related to Israel, antisemitism & Jewish identity & is the immediate past President of StandWithUs in San Diego and a national board member of Herut.

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Super Bowl ad combatting antisemitism draws criticism from Jews

Artificial intelligence, Uber Eats, Steven Spielberg’s next film — and antisemitism.

Those were among the topics competing for attention during Sunday’s Super Bowl ads. The antisemitism commercial showed a white Jewish high school student being taunted with the slur “Dirty Jew,” until a taller Black classmate steps in to defend him.

The high-profile spot was funded by New England Patriots owner Robert Kraft’s Blue Square Alliance Against Hate, formerly known as the Foundation to Combat Antisemitism.

For Kraft, 84, the moment was meant to model allyship. Through Blue Square, he has partnered with Hillel International and the United Negro College Fund to host “unity dinners” bringing together Jewish and Black students, and he told CBS News that he hopes Palestinian students attend as well. The ad, Kraft said, was about solidarity.

This is not Kraft’s first Super Bowl ad. In 2024, he paid for an ad featuring Martin Luther King Jr.’s speechwriter in a spot that leaned on similar themes of Black-Jewish collaboration and a shared history of Civil Rights activism. And he began running ads about antisemitism several years before that during Patriots games.

But instead of unifying viewers, the commercial quickly became one of the night’s most divisive spots. Critics — including many Jews — derided it as “dated” and “disconnected” from the way antisemitism actually shows up in 2025, especially on college campuses and online. To some, the ad seemed stuck in a moral universe where antisemitism is an interpersonal problem solved by a well-timed intervention, rather than a systemic one fueled by ideology, institutions and, increasingly, online indoctrination.

Online, the backlash was swift. Many Jewish commenters argued that the estimated $15 million Kraft spent on the campaign, which is also slated to air during the Winter Olympics, would have been better spent elsewhere.

A sharp backlash has emerged against the brand of advocacy that Kraft has undertaken, with some Jewish leaders decrying efforts to combat antisemitism as ineffective and misguided.

“What we call the fight against antisemitism, which consumes tens of millions of dollars every year in Jewish philanthropy and has become an organizing principle across Jewish organizations, is a well-meaning, but mostly wasted effort,” the center-right New York Times columnist Bret Stephens said in a “State of World Jewry” address last week in New York. Instead, he called for large-scale investment in Jewish day schools, cultural institutions, philanthropy, media, publishing and religious leadership.

Others simply found the ad tone-deaf and potentially even harmful.

In an open letter addressed to Kraft, Shabbos Kestenbaum, a Harvard graduate who sued the university over alleged antisemitism, put it bluntly. “You’re a smart guy,” he wrote, “but the people you have hired either are morons or are taking advantage of the money you pay them.”

Emily Tamkin, a contributing columnist at the Forward, posted on social media: “I know in my heart that somewhere in this country of ours a Jewish kid is getting bullied with a Post-it today because of that ad.”

“This Super Bowl ad was clearly well intentioned, but it missed the mark,” posted Margot Touitou, a Tel Aviv-based content creator. “If legacy orgs want to understand what antisemitism looks like for young Jews today, they need to actually be online and tapped into internet culture. Without that, campaigns like this won’t ever land, and that hallway scene especially felt stuck in a ‘90s movie, which just isn’t how Gen Z moves or experiences this stuff.”

The team behind the ad pushed back, insisting the criticism misunderstands its intent — and its data. In a letter to the Forward, Adam Katz, president of Blue Square Alliance Against Hate, said online use of the slur “Dirty Jew” has increased 174% over the past three years, arguing that the ad reflects real trends affecting younger Jews in particular. “We test all of our ads,” Katz wrote, adding that early results have been “promising.” He said the decision to set the ad in a high school was deliberate: “That is where we have seen the most concerning trends in antisemitism data.”

The Anti-Defamation League, whose independent research found the ad resonated with audiences, echoed that defense. ADL CEO Jonathan Greenblatt called the spot “powerful” and praised it as “a simple yet moving depiction of resilience in the face of discrimination.”

In response to the criticism, several groups released their own versions of the ad.

On Sunday, the Israel Defense Forces posted its own stark, 11-second video to social media. “This is our Super Bowl commercial,” the IDF wrote, over footage of soldiers carrying machine guns to a soundtrack from Bad Bunny, who performed during halftime. Eylon Levy, who served as an Israeli government spokesperson in the early months of the Gaza war, shared the clip and added a pointed rejoinder: “Much more inspiring for an American Jewish kid who’s getting called a ‘dirty Jew’ than hoping a taller, cooler Black kid will save him.”

Daniel Lubetzky, a Jewish philanthropist and founder of Kind Snacks, released his own version of Kraft’s ad, reimagining the bullied Jewish teen not as a victim in need of rescue, but as a future doctor: accomplished and confident. The video went viral almost immediately, drawing praise from viewers who found it more empowering, and scorn from others who felt it simply swapped one trope for another.

Together, the competing ads — and the arguments around them — revealed a deeper divide: not just over tactics, but over what kind of story American Jews want to tell about themselves at a moment when antisemitism feels both newly visible and painfully unresolved.

JTA contributed to this report.

The post Super Bowl ad combatting antisemitism draws criticism from Jews appeared first on The Forward.

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