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Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII

It’s Switzerland in 1945 and the war has just ended. A group of deeply traumatized, ragged-looking Jewish teenagers recently liberated from Buchenwald have been sent to live in a former Swiss school building.

A young Swiss woman named Klara cares for them, while her new husband, Johann, runs her family’s textile business, whose success is dependent on the work of unrepentant Nazis living in comfort in Swiss exile. Johann’s brother, Egon, home from the war after five years working as a Swiss border guard, is wracked by guilt for having to turn away Jewish mothers and children at the frontier. His new postwar job in the attorney general’s office: hunting down ex-Nazis.

This is the premise of “Labyrinth of Peace,” an engrossing Swiss drama set in the immediate aftermath of the Holocaust that is now available exclusively on ChaiFlicks, the Jewish streaming service in North America, Australia and New Zealand.

Shot in Switzerland and released in the country to great acclaim in 2020, the six-episode series is fraught with drama, romance and moral struggles.

“Labyrinth of Peace” is the brainchild of award-winning Swiss-Italian screenwriter and director Petra Volpe, who wanted to tell the compelling story of a little-known chapter of postwar history while also spotlighting the morally questionable role Switzerland took during and after the war.

“Switzerland wanted to show that they were on the right side of history, since they knew they had failed the Jews by locking down the country” during the Holocaust, and therefore took in Jewish refugees after the war, Volpe said in an interview from her home in Brooklyn. “When actual refugees arrived and they weren’t cute children younger than 12, and someone asked where the little boys were, the rabbi said of the youngest ones, ‘They were all gassed.’ Switzerland wasn’t happy when teenagers showed up. They didn’t treat them as nicely as they should have.”

The Buchenwald Boys, as they were called, had lost their childhoods and most of their families during the war years. More than 60,000 Jews died in Buchenwald — including my great-grandfather, after he, my grandfather and uncle were arrested on Kristallnacht and sent to the concentration camp. But some 900 youths survived and were among those liberated by U.S. forces.

Jewish refugee agencies came to their rescue, and they were sent to various sites in France, England and Switzerland for rehabilitation. “Labyrinth of Peace” turns the story of a group sent to Switzerland into an absorbing historical drama that belies the myth of Swiss neutrality and demonstrates how guilt and moral conflicts ran through families even after combat ended.

“Labyrinth of Peace” illuminates a little-known chapter of postwar history while spotlighting the morally questionable role Switzerland took during and after World War II. (ChaiFlicks)

In the series, the recently liberated Buchenwald Boys find themselves at the heart of many more interests than anyone first realizes.

One of the teens, Herschel, falls in love with the Swiss Klara, whose father’s textile factory profited handsomely during the war. The family home is rich in sumptuous detail, from silk damask wall coverings to lush oriental carpets covering the floors to the gold-rimmed Limoges tea pot from which servants pour drinks. Nearby, the Buchenwald Boys live in empty classrooms without sufficient food or clothing, after arriving in the country wearing little but rags.

In real life, the 370 or so Buchenwald Boys who were sent to Switzerland became political pawns, Volpe says. They were promised several months of rest and rehabilitation, but their stay in Switzerland was cut short when authorities in pre-state Israel told them they were going to Palestine. Most didn’t want to go; some asked to settle in Australia and others wanted to stay in Switzerland.

“Everyone just wanted to bring them to Israel and get them out of sight,” said Volpe, who is not Jewish but is married to a Jewish man. “There’s collective guilt.”

In the series, the character of Egon is based on a real Swiss border guard whose story is known from frequent letters he wrote home to his wife. Egon is introduced to viewers as he arrives home just in time for his brother’s wedding to Klara. He is wracked with guilt and anger.

“Every day he had to drag mothers and young kids back across the border and it’s killing him,” Volpe said.

Desperate for expiation, Egon gets drawn into the U.S. authorities’ search for Nazis who moved to Switzerland and are living under cover with adopted names and identities.

Meanwhile, his brother Johann — Klara’s husband — is trying to transform his father-in-law’s textile business into a success by producing a low-cost synthetic alternative to nylon. Johann touts the achievement as a pure Swiss creation, but it turns out that it’s the work of a Nazi chemist working under an assumed name in the family lab — putting Johann in a morally dubious position and creating conflict with his wife.

Many Nazis who fled Germany after the war found new lives in Switzerland, where their pasts largely were overlooked. The same happened in America, too; the U.S. government put ex-Nazi scientists to work developing military hardware and even rockets for the country’s fledgling space program.

The setting for “Labyrinth of Peace” is a verdant Swiss school where Jewish teens recently liberated from the Buchenwald concentration camp are sent to be rehabilitated. (ChaiFlicks)

“Switzerland imported the knowledge of German war criminals,” said Volpe, who grew up near Zurich, lived in Berlin for 20 years as an adult and has resided in New York for the past decade. “They tried to hire scientists from the chemical industry. Swiss economic success is based on knowledge we took from the Nazis.”

Volpe’s series shatters the notion of Switzerland’s ostensible neutrality and demonstrates how many Swiss shared in the war’s sins.

“War criminals were treated like royalty in Switzerland because they had money, and refugees were treated like criminals,” observed Volpe.

“Labyrinth of Peace” was a hit when it aired on Swiss national television, and last year won awards at several Jewish film festivals in the United States. The series is now available nationwide on ChaiFlicks, the subscription streaming service that focuses on Jewish and Israeli content.

For Holocaust Remembrance Day on April 18, the JCC of Manhattan will screen two episodes from the series followed by a Q&A with Volpe.

At the end of the series (no spoilers!), Klara and a friend are shown driving while she opens a thin book that Herschel, the eldest of the Buchenwald Boys who fell in love with her, wrote and gave her. In his introduction Herschel writes, “I have done my best to prevent what was meant to be prevented. The eradication of us and our history.”

“The main message in his diary is: ‘They didn’t erase our voice and I can still tell my story,’ Volpe said. “That’s a form of victory also, and a very important message.”

Watch “Labyrinth of Peace” here.


The post Swiss historical drama ‘Labyrinth of Peace’ shatters the myth of Switzerland’s neutrality in WWII appeared first on Jewish Telegraphic Agency.

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France Moves to Criminalize Anti-Zionism Amid Surging Wave of Antisemitism Targeting Jews, Israelis

French Prime Minister Sebastien Lecornu delivers a speech at the National Assembly in Paris, France, Jan. 20, 2026. Photo: REUTERS/Sarah Meyssonnier

The French government is moving to criminalize anti-Zionism in a sweeping bid to confront a deepening surge in antisemitism targeting Jews and Israelis across the country, as officials warn of a growing climate of fear and intimidation nationwide.

Speaking at the annual gathering of the Representative Council of Jewish Institutions of France (CRIF), the main representative body of French Jews, Prime Minister Sébastien Lecornu announced that the government would introduce a bill criminalizing anti-Zionist expressions, signaling a move to tackle antisemitism in all its forms, not just traditional manifestations.

“To define oneself as anti-Zionist is to question Israel’s right to exist. It’s a call for the destruction of an entire people under the guise of ideology,” the French leader said.

“There is a difference between legitimate criticism of the Israeli government and rejecting the very existence of the Jewish state. This ‘blurring’ must stop,” he continued.

“Calling for the destruction of the State of Israel is calling to endanger the lives of a people and cannot be tolerated any longer,” Lecornu added. “Hatred of Jews is hatred of the Republic and a stain on France.”

The European Jewish Congress (EJC) commended Lecornu’s announcement, praising him “for his clear and principled commitment to criminalize calls for the destruction of any state, including Israel.”

During the ceremony, CRIF president Yonathan Arfi warned that Jewish communities in France are under mounting threat, stressing the urgent need for action against the country’s rising antisemitism.

“Antisemitism knows no truce. The conflict in the Middle East has acted as a catalyst. But the hatred growing in our country is a French problem, and there is no reason to expect a rapid decline,” Arfi said.

In April, the French government is expected to endorse a private bill proposed by Jewish Member of Parliament Caroline Yadan, who represents French citizens abroad — including thousands living in Israel — with backing from right-wing parties likely ensuring the majority needed to pass the legislation.

Yadan explained that the bill is designed to combat emerging forms of antisemitism, emphasizing the urgent need for stronger legal measures to protect Jewish communities in France.

“This is a clear statement: Our Republic will not become accustomed, will not look the other way, and will never abandon the Jews of France,” the French lawmaker said.

Like most countries across Europe and the broader Western world, France has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

According to the French Interior Ministry’s annual report on anti-religious acts, antisemitism in France remained alarmingly high last year, with 1,320 incidents recorded across the country.

Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases, the report warned that antisemitism remains “historically high,” with more than 3.5 attacks occurring every day.

The most recent figure of total antisemitic incidents represents a 21 percent decline from 2023’s record high of 1,676 incidents, but a 203 percent increase from the 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.

Even though Jews make up less than 1 percent of France’s population, they accounted for 53 percent of all religiously motivated crimes last year.

Between 2022 and 2025, antisemitic attacks across France quadrupled, leaving the Jewish community more exposed than ever.

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Hamas Invokes Oct. 7 Conspiracies Blaming Israel in English — While Openly Taking Credit for the Attack in Arabic

The personal belongings of festival-goers are seen at the site of an attack on the Nova Festival by Hamas terrorists from Gaza, near Israel’s border with the Gaza Strip, in southern Israel, Oct. 12, 2023. Photo: REUTERS/Ronen Zvulun

As the US-backed peace plan for Gaza moves toward reconstruction, members of Hamas have invoked conspiracy theories to blame Israel for the Palestinian terrorist group’s Oct. 7, 2023, invasion of the Jewish state — a different story than the one that Hamas has told in Arabic celebrating its role in leading the massacre.

In a Feb. 9 interview, Hamas media representative Osama Hamdan alleged that “the real attack was by the Israeli forces, and they were shot by the helicopters, and there were missile strikes against them under the slogan that there were Hamas militants [among them].”

The interview was conducted in English for the Norwegian Broadcasting Company (NRK) by Afghan-Norwegian anchor Yama Wolasmal. Following Hamdan’s comments, Wolasmal appeared in disbelief, pressing Hamdan in connection to videos published by Hamas’s armed wing, the Qassam Brigades, that show insignia-wearing militants shooting civilians at the Nova music festival in southern Israel.

“If these [Palestinian men donning Qassam Brigades headbands] were not your fighters, then who were they?” the anchor asked.

Hamdan repeatedly claimed they were Israeli forgeries, even when asked to clarify for the record.

The comments echo conspiracy theories that have circulated primarily in English-language activist spaces, which claim that most Israeli civilian casualties in the Oct. 7 onslaught were either self-inflicted or the result of Israeli fire, while Hamas fighters targeted only soldiers.

Coming from a senior Hamas official, the claim marks a departure from the organization’s usual messaging. In Arabic media, Oct. 7 is a major source of pride for Hamas’s leadership, and one of the main triumphs of its ruling tenure in Gaza. In video of a speaking engagement commemorating the one-year anniversary of the Oct. 7 attack, Hamdan himself commended the “1,400 fighters who chose to enter” and attack Israel.

Other prominent Hamas officials have referred to the success of the Oct. 7 invasion and used the attack as a rallying cry. In one of many such instances, the chairman of the Hamas Political Bureau, Khalil al-Hayya, bragged that the Islamist group was planning a “new Oct. 7” against Israel. In a propaganda pamphlet published by Hamas titled “Al-Aqsa Flood: Two Years of Perseverance and Wishing for Liberation,” the Oct. 7 massacre was described as “a blessed moment of rebirth.”

In contrast, the message that Hamas and allied militant factions were responsible for few civilian casualties is far more prevalent among Western pro-Palestinian audiences. While Hamas attempts to project an image of military might, daring, and resilience to its domestic and Arab audience —positioning itself as the leader of a historical assault and ensuing national war — it has also made use of the media to project weakness and victimization to its Western audience.

In order to sustain the latter image in Western media spaces, Hamas has denied or recast documentation of its fighters’ actions on Oct. 7. To this end, Western sympathizers of the organization have pushed claims that minimize and deny the actions of Hamas terrorists and attribute them to Israeli misinformation. They insist that Qassam Brigades fighters killed only Israeli military personnel and did not participate in wanton violence and sexual cruelty, despite extensive documentation from Israeli investigations, survivor testimony, and statements by Hamas fighters themselves.

Proponents of this narrative, including Hamdan in his interview earlier this month, frequently point to an article published in Haaretz in November 2023, which claimed that Israeli helicopters accidentally opened fire on some festivalgoers at Nova amid operational chaos. Another line from the investigation mentioned that pilots at one point “fired indiscriminately,” although this referred to shooting at the gap in the border fence to prevent the passage of fighters to and from Gaza.

Even as the initial report was preliminary, it was quickly picked up by numerous anti-Israel media figures and decontextualized to imply that Israeli helicopters had been the chief killers at Nova and elsewhere — committing a “false flag” massacre that could then be blamed on Hamas to justify the ensuing Israel–Hamas war in Gaza.

Some proponents of this theory often invoke the so-called “Hannibal Directive” — an Israeli military protocol introduced in 1986 to prevent the capture of Israel Defense Forces personnel by terrorist groups. It was abandoned by the military’s top brass in 2016. The protocol reportedly sanctioned use of force to prevent soldiers from being taken hostage, even if it resulted in increased civilian and military casualties.

Critics of Israel have cited the Hannibal Directive to falsely imply that Israeli forces deliberately fired on kidnapped civilians to prevent them being taken hostage. Figures across the political spectrum, from far-left journalist Max Blumenthal to far-right internet personality Nick Fuentes, have amplified such claims. Variations of these arguments have also appeared in coverage by outlets such as Al Jazeera and Middle East Eye, which have highlighted the helicopter-fire allegations and questioned Israeli casualty narratives.

Hamas diplomat Bassem Naim made similar claims to Hamdan’s on Oct. 9, 2023, when he alleged that “Hamas have not killed any civilians” in an English interview with Sky News.

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U2’s New EP References Holocaust, Hitler, Women’s Rights Protests in Iran, Deceased Palestinian Activist

The Irish rock band U2. Photo: BANG Showbiz

The Irish rock band U2 released an EP on Wednesday titled “Days of Ash” that addresses a wide range of topics, including the “Women, Life, Freedom” uprising in Iran, the Holocaust, the killing of a Palestinian activist, ICE raids in the United States, and the Russia-Ukraine war.

“Days of Ash,” which was released on Ash Wednesday and is now available on all streaming platforms, is the first time U2 is releasing a collection of new music since 2017. The EP features five new tracks – “American Obituary,” “The Tears Of Things,” “Song Of The Future,” “One Life At A Time,” and “Yours Eternally” (ft. Ed Sheeran & Taras Topolia) – and the recitation of the poem “Wildpeace,” written by Israeli poet Yehuda Amichai. The poem is read on the EP by Nigerian artist Adeola Fayehun. It begins with the following lines: “Not the peace of a ceasefire / not even the vision of the wolf and the lamb / but rather as in the heart when the excitement is over / and you can talk only about a great weariness.”

In a new interview with the U2 fanzine “Propaganda,” which is being relaunched as a one-off digital zine to accompany the new EP, lead singer Bono talked about the music referencing Nazi leader Adolf Hitler, concerns about antisemitism, his condemnation of the Hamas-led terrorist attack in southern Israel on Oct. 7, 2023, and his criticism of Israeli Prime Minister Benjamin Netanyahu for how he is managing the Israel-Hamas war.

The title for “The Tears of Things” is a reference to the 2025 book by Richard Rohr titled The Tears of Things: Prophetic Wisdom for an Age of Outrage. The book is about the Jewish prophets and imagines a conversation between Italian sculptor and artist Michelangelo and his marble statue of the Bible’s King David.

“If you put a man into a cage and rattle it long enough/A man becomes the kind of rage that cannot be locked up … The tears of things/Let the desert be unfrozen,” Bono sings in the track. He also sings about “six million voices silenced in just four years,” which is a reference to the six million people killed in the Holocaust. Bono told “Propaganda” the same song includes a reference to a true story about Mussolini and Hitler meeting. Hitler’s name in the song is replaced by the word “shadow,” Bono explained.

“Mussolini came to see me/A shadow by his side,” Bono sings. “Church bells ring, a vanishing/Then the vanishing denied/Six million voices silenced in just four years/The silent song of Christendom/So loud everybody hears.”

The track concludes with the lyrics: “River, sea and mountain/Desert, dust and snow/Everybody is my people/Let my people go.”

Bono told “Propaganda” it is “the moral force of Judaism that helped shape Western civilization.”

“Some of my favorite bits … some of the greatest hits of Western civilization … were gifted to us by brilliant Jewish minds … mathematicians, scientists … writers … not to mention singwriters,” added the singer-songwriter, who said he comes from a “Judeo-Christian tradition.”

“There has never been a moment when we have needed the moral force of Judaism more than right now,” he explained. “And yet, it has rarely in modern times been under such a siege. From where I stand, as a person with a limited view, Judaism, one of the great and noble religions, is being slandered by far-right fundamentalists from within its own community … I could argue the same about Christianity or Islam.”

Antisemitism “has been a scourge for millennia,” and “was rising long before Oct. 7 and the resulting war in Gaza,” Bono said. “As with Islamophobia, antisemitism must be countered every time we witness it. The rape, murder, and abduction of Israelis on Oct. 7 was evil, but self-defense is no defense for the sweeping brutality of Netanyahu’s response,” he continued.

The musician also talked about how the Israel-Hamas war has resulted in “deep knock-on effects for the Jewish diaspora and their safety … As if all Jews are to blame for the actions of Netanyahu, Smotrich, and Ben Gvir.” He was referring to Israel’s Finance Minister Bezalel Smotrich and National Security Minister Itamar Ben Gvir.

When asked later on in the interview about criticism he has faced, especially in Ireland, for not speaking out enough against the conflict in Gaza, Bono said, “I’ve written on Israel and Gaza, but in terms of actions I’ve been focused on the things I know more about.”

Bono also told “Propaganda” that the song “One Life at a Time” on the new EP is inspired by Palestinian activist and filmmaker Awdah Hathaleen, whose was killed last year by an extremist Israeli settler in the West Bank. Hathaleen was featured in the Oscar-winning documentary “No Other Land,” which focuses on Israel’s demolition of Palestinian homes in the West Bank village of Masafer Yatta and criticizes Israel’s military actions. The lyrics of “One Life at a Time” do not reference Hathaleen by name, but the band’s lyric video for the track features a picture of Hathaleen’s face, as well as image of Israel’s West Bank security barrier and the Dome of the Rock.

“Song of the Future” honors the 2022 Women, Life, Freedom movement and uprising in Iran as well as the protesters killed, including 16-year-old Iranian Sarina Esmailzadeh, who was beaten to death by Iranian security forces. Esmailzadeh is the “star of our song,” Bono told “Propaganda.”

“This new EP is a response to current events, inspired by the many extraordinary and courageous people fighting on the frontlines of freedom,” U2 said. “Four of the five tracks are about individuals – a mother, a father, a teenage girl whose lives were brutally cut short – and a soldier who’d rather be singing but is ready to die for the freedom of his country.”

The first track of the EP, “American Obituary,” is dedicated to Renee Good, a mother of three and protester who was fatally shot on Jan. 7 in Minneapolis, Minnesota, by a US Immigration and Customs Enforcement (ICE) agent during a protest.

The track “Yours Eternally” is about the war in Ukraine.

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