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The Florida mom who got Amanda Gorman’s poem restricted says she’s sorry for promoting the Protocols of the Elders of Zion
(JTA) – Months before a Miami-area mother persuaded a local school to remove an Amanda Gorman poem from its elementary-aged library, she was posting antisemitic memes on her Facebook page.
Now, Daily Salinas is apologizing for one of those things — and unrepentant about the other.
“I want to apologize to the Jewish community,” Salinas told the Jewish Telegraphic Agency on Wednesday. She was saying sorry for a Facebook post she shared in March offering a summary of “The Protocols of the Elders of Zion,” a notorious antisemitic forgery written more than a century ago in Russia.
“I’m not what the post says,” Salinas said. “I love the Jewish community.”
The post came to light this week after the Miami Herald identified Salinas as the Miami Lakes, Florida, mother who petitioned her children’s school to limit students’ access to the Gorman poem. Gorman read the poem, called “The Hill We Climb,” at President Joe Biden’s inauguration.
Salinas also petitioned the school to restrict children’s books about the Black poet Langston Hughes and about Black and Cuban history. After a committee reviewed her challenges, the Miami-Dade County school district opted to restrict all but one book about Cuba from grades K-5, while leaving them available to middle school students.
Salinas challenged the Gorman poem — which she says she hasn’t read in its entirety — on the grounds that it contains “indirect hate messages.” The review committee said it “erred on the side of caution” in deciding to limit students’ access.
The Miami Herald did not mention Salinas’ social media activity. But after the story about her was published, a left-wing group, Miami Against Fascism, called attention to a Facebook account it identified as hers. The account, which JTA reviewed, features a flood of political posts reflecting right-wing ideologies — and the antisemitic Protocols.
Salinas’ post about the Protocols included a list of steps depicting how “Jewish Zionists” would achieve world domination. The graphic included stages such as “Place our agents and helpers everywhere,” “Replace royal rule with socialist rule, then communism, then despotism,” and “Sacrifice people (including Jews sometimes) when necessary.”
Reached by JTA on Wednesday, Salinas confirmed that the post about the “Protocols” was hers and apologized for it, saying she hadn’t read it beyond the word “communism.” Salinas said her aversion to communism stems from her Cuban identity. She added that English is not her first language.
“I see the word ‘communism,’ and I think it’s something about communism,” she said. “I didn’t read the words.”
Salinas said that her heart became “tight” with pain when she thought that people would see her as antisemitic for sharing the Protocols post. After speaking with JTA, Salinas deleted the post.
Salinas said she was speaking with JTA after declining to talk with other media outlets so that she could apologize. She said she is Christian and added, “We are super protective of the Jewish people.” She added that she has Jewish friends and is a fan of the Israeli Netflix series “Fauda.”
She said the books about Cuba that she challenged “don’t tell the whole story about Cuba, communism, the dictators, their people that are dying and trying to come to America.” The significant population of Spanish-speaking immigrants from countries with a history of communism, many of whom tend to be politically conservative, has played a growing role in the region’s culture wars.
Salinas’ Facebook feed reflects the kinds of right-wing memes that continue to circulate widely, although she told JTA that she did not post everything on it herself. Miami Against Fascism also shared video of Salinas with the Proud Boys, a far-right group with ties to antisemitic activists, as well as a video of her attending a school board protest last year with Moms For Liberty, a “parents’ rights” group active in pushing for book removals across the country. Such groups have been instrumental in leveraging laws signed by Florida Gov. Ron DeSantis that enable parents to challenge the presence of any book in school libraries. In some instances, those challenges have led to the removal of books about the Holocaust and Jewish culture.
Salinas told JTA she was not a member of either group and said she had just been in attendance at protests where they were both present. A Moms For Liberty media representative also told JTA Salinas was not a member of the group and said, “We denounce antisemitism in all its forms.”
Asked why she wanted the books removed in the first place, Salinas said she had just been expressing her “opinion” that they did not “support the curriculum” but declined to elaborate.
She said she had only read parts of the books. “They have to read for me because I’m not an expert,” she said. “I’m not a reader. I’m not a book person. I’m a mom involved in my children’s education.”
A representative of the school district told JTA in a statement that “no literature (books or poem) has been banned or removed,” and that “it was determined at the school” that Gorman’s poem was “better suited for middle school students.” In publicly available meeting minutes, the review committee said the “vocabulary” of Gorman’s poem was “determined to be of value for middle school students,” and similarly that the “content and subject matter” of the Hughes poems were determined to be for middle school readers. The district did not respond to JTA’s queries about Salinas’ Facebook activity.
Gorman said on Twitter that she was “gutted” by the removal in Salinas’ children’s school. “Often all it takes to remove these works from our libraries and schools is a single objection,” she wrote.
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The post The Florida mom who got Amanda Gorman’s poem restricted says she’s sorry for promoting the Protocols of the Elders of Zion appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”