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This Jewish New York City Council candidate has a prolific passion: serial sperm donation
(New York Jewish Week) — Jonathan David Rinaldi, 44, is a Republican who is running to represent New York’s District 24, which encompasses the Queens neighborhoods of Kew Gardens, Fresh Meadows, Briarwood and Jamaica. This week, he made headlines for protesting outside a motel in his district that, he claimed, was housing newly arrived migrants.
But last November, he gained local fame for a different reason. Rinaldi was featured in a post on Humans of New York, the viral social media project in which photographer Brandon Stanton posts portraits of New Yorkers he meets on the street, along with stories they relate in their own voices.
Rinaldi’s story was particularly eyebrow-raising: He said he had fathered at least 12 children over the course of two years through sperm donation — but not via sperm banks that pay donors, vet their health and limit their offspring. And he said he planned to keep going, in part because of his Jewish identity.
He said he was driven in part by his Jewish identity. “I explain to each [woman]: ‘This child will be born into a larger family. I have eighteen other children.’” Rinaldi said in the caption. “I’d like as many as God will give me. Why put your entire bloodline into one child when you can spread it out? Eighteen is a holy number in Judaism. And the next one is 36, so I’ll reassess then.”
In the Humans of New York post, Rinaldi detailed the process (“Fresh is better than frozen”) and said that he’s had sex with some of the women and wants to remain involved in their lives. “I’m what they call a ‘known donor,’” he said. “Everything is kinda handshake. I don’t charge the mothers. And they don’t expect any financial support.”
The post garnered a string of negative reactions from social media users. In response, Stanton wrote on Instagram that “stories from people you may not identify with, or even like, were a common part of HONY pre-pandemic. And will be again now that I’m back on the street.”
The post did not identify Rinaldi, but he confirmed to the New York Jewish Week over the phone that he was the person in the portrait and post. “I was interviewed once,” Rinaldi said. “It was taken out of context. I had a long conversation, a random conversation with somebody on the street.”
Rinaldi also confirmed that he donates his sperm — and has attempted to square that practice with Jewish tradition. He said that he has spoken with a rabbi to “try and figure out how to be as kosher as I possibly can and have as many children as the Bible commands,” and gave the name of a local Chabad rabbi. The rabbi declined to comment about Rinaldi but confirmed their relationship.
“It’s our responsibility as Jews blessed by God to have children,” said Rinaldi, who also has three children from a previous marriage. “Some of us are doing it extremely kosher, the way it’s supposed to be, you have a nice Jewish wife, you go to temple every day. For me, it didn’t work out that way.”
The Torah contains the commandment to “be fruitful and multiply,” which rabbis have traditionally interpreted as an imperative to have children. Rabbis have prohibited sperm donation, however, in part due to prohibitions on masturbation and on having children with an unknown father. Rabbi Moshe Feinstein, a leading 20th-century authority, wrote that it’s preferable for Jewish women who cannot use their husband’s sperm to use non-Jewish sperm for artificial insemination in order to avoid accidental incest in future generations.
Rinaldi said that he began donating sperm when the city was locked down due to the spread of COVID-19, and that he first donated to a friend. From there, he said, word spread of his donations. Rinaldi is what is called a “known donor,” or someone whose identity is known to the recipient and, potentially, their children. Known donors are legal in the United States, but serial sperm donation is discouraged by many countries, in large part because of the risk of biologically related offspring procreating together in the future. The Netherlands set up systems to curb a serial donor who fathered at least 100 children, while Israel barred an American Jewish man dubbed “the Sperminator” because of his extensive efforts to procreate from impregnating more women there. Ari Nagel’s own progeny tally neared 100 after a prolific pandemic, he revealed in 2021.
Rinaldi, too, said the pandemic had spurred his donations.
“At no point did I ever go to a sperm bank,” Rinaldi said. “At no point did I ever intend to do this. We were all at home, shut down. A lot of people desired families. This is not your typical sperm donor situation. … I was just blessed to even have the opportunity. I didn’t do it for money. I didn’t ask for anything. I just wanted to help families.”
He wouldn’t confirm how many children he has through sperm donation, though in the Humans of New York caption, he’s quoted as saying he had fathered 12 over the previous two years — and, at the time, three more were on the way. In an interview Wednesday with the New York Jewish Week, he responded to a question about how many children he has by repeating an idea he had alluded to in the caption: that according to Jewish tradition, the number 18 represents life.
“Eighteen is a holy number,” Rinaldi said in the interview. “It’s just what God has blessed me with. I’m doing this because I don’t believe in abortion. I am pro-life.”
Opposing abortion isn’t the only right-wing position Rinaldi holds. In an interview, he railed against the COVID-19 vaccine and compared vaccine requirements to the persecution of Jews during the Holocaust, a common line of criticism at the time. “You could have just worn a yellow unvaccinated star on your shirt,” he said, adding, “We were literally one thing away from them coming up to rounding up the unvaccinated.” He also said transgender people are “against Torah principles” and said schools are “not teaching kids God.”
On Tuesday, he and a group of Republican activists showed up at a Kew Gardens motel to protest migrants coming to the city, even though a lawyer for the motel said the owner is “not interested in signing a contract” to house migrants.
In District 24, Rinaldi will run against Democratic Council member Jim Gennaro, who has represented the district for more than a decade.
Rinaldi, who grew up in New York City, said his grandmother escaped Poland to Argentina during World War II. His grandfather also left Moldova at the time. Although both countries were occupied by the Nazis or their allies, Rinaldi said his grandparents were “against the tyranny of the left at that time.”
Rinaldi said he studied for his bar mitzvah at Yeshivas Ohr HaChaim, an Orthodox institution in Kew Gardens, and attended City College of New York in uptown Manhattan where he studied architecture, which is also reflected on a LinkedIn page that appears to belong to him.
He later worked in construction and design for over a decade and appeared on the HGTV reality television show “Million Dollar Contractor.”
When it comes to his sperm donation, however, Rinaldi is less comfortable being in the public eye, despite the Humans of New York post. “My lifestyle is nobody’s business,” he said.
“I am what it looks like when you don’t abort children,” Rinaldi said. “Let’s just focus on the issues if we can. I’m going to do the right thing for the community. My personal business is my personal business.”
Back in the Humans of New York post, Rinaldi suggested that he hoped to expand his personal business. He mused about practices that Jewish tradition has, for the past millennium, frowned upon: “My ultimate goal is to find two or three of the mothers who will be sister wives, because I’m gonna need help with all this,” he said. “But I know one thing: It will never be boring.”
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The post This Jewish New York City Council candidate has a prolific passion: serial sperm donation appeared first on Jewish Telegraphic Agency.
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Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
The post Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel appeared first on The Forward.
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Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
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Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
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