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Visiting Jerusalem, Ron DeSantis tries out his Jewish stump speech
JERUSALEM (JTA) — Ron DeSantis may not have declared that he’s running for president yet, but his incipient campaign was on full display Thursday at a conference in Jerusalem, where he ran down a laundry list of issues relevant to Israel and American Jews.
Most of the Florida governor’s remarks reflected what has become Republican orthodoxy in the post-Donald Trump era: He supports Israeli West Bank settlements as well as keeping Jerusalem under full Israeli control. He wants the United States to be more aggressive toward Iran’s nuclear program. He vehemently opposes the movement to boycott Israel.
And he declined to take a position on the Israeli government’s effort to sap the Israeli Supreme Court of much of its power — which President Joe Biden has repeatedly criticized as a danger to Israeli democracy.
“We must also, in America, respect Israel’s right to make its own decisions about its own governance,” he said. “You’re a smart country. You figure it out. It shouldn’t be for us to butt into these important issues.”.
He also pushed back at claims that his legislation has led to the banning of Holocaust books in his state, calling them “fake narratives” (though multiple Holocaust books have been banned). And, at a press conference, he signed a bill that aims to penalize antisemitic harassment. He also touted a new bill that gives vouchers worth thousands of dollars to parents who send their children to private schools.
“We’ve really seen a historic migration of American Jews and Israeli Americans moving to southern Florida,” he said. “It’s really, really boomed, and I think Florida’s policies have really reinforced that.”
DeSantis, who landed in Israel yesterday, was the keynote speaker at a conference on Thursday hosted by the Jerusalem Post at the Museum of Tolerance here. He received multiple standing ovations and cheers throughout the morning. At a press conference after his speech, some of his supporters sat among the journalists and clapped at his responses.
Israel is the latest on a four-stop international trip by DeSantis, who is expected to announce later this year that he will challenge former President Donald Trump for the Republican presidential nomination. On the trip, he is meeting with Israeli Prime Minister Benjamin Netanyahu, President Isaac Herzog and other officials. His trip also includes stops in Japan, South Korea and the United Kingdom.
“If there’s any announcements, those will come at the appropriate time,” he said in response to a question about his potential candidacy.
In his speech, DeSantis described his past support for Israel, advocating for the 2018 move of the U.S. embassy from Tel Aviv to Jerusalem and, in 2019, holding a Florida cabinet meeting in Jerusalem. He also told the crowd that he baptized his children with water from the Sea of Galilee and said he put a note in the Western Wall asking God to protect Florida from hurricane season.
An affinity for the Bible also played a role in DeSantis’ position on the West Bank, which he called “disputed” rather than “occupied.” He referred to the territory by the term “Judea and Samaria,” which is the Israeli government’s standard term for the area and also emphasizes its place in the Bible. He spoke of visits to the northern West Bank settlement of Ariel, as well as to the City of David, a Jewish neighborhood and archaeological site in eastern Jerusalem.
“We visited the Biblical heartland of Judea and Samaria,” he said during his speech regarding a previous trip. Later, at the press conference, he said, “Those are the most historic Jewish lands there are, going back thousands and thousands of years.”
He also came out staunchly in favor of continued Israeli control of eastern Jerusalem, claiming that it is the best way to ensure religious freedom in the city. Palestinians aspire for the city’s eastern area to be the capital of a future Palestinian state.
“With Israeli sovereignty over the city of Jerusalem, people have the ability to practice their religion freely,” he said. “They have the ability to visit their sites freely. That would just actually not be true if that were in other hands.”
Although his Israel policies dovetail with those of Trump, and even though Trump’s Israel ambassador, David Friedman, was at the conference, DeSantis avoided saying the former president’s name in his speech, instead referring to “the previous administration.” He did say Trump’s name once during the press conference.
Following his speech, DeSantis announced partnerships with Israeli firms to develop tech products, and portrayed his state as an inviting home for Jews. He said the state had invested millions of dollars into synagogue security as well as Holocaust education. And he signed a bill that bans projecting threatening images on buildings without permission, as well as littering with the intent to intimidate.
Florida has seen an uptick recently in white supremacist activity. The Goyim Defense League, a far-right antisemitic group, relocated there last year. In October, several public spaces in Jacksonville displayed messages promoting the antisemitic ideas of rapper Kanye West. Neo-Nazis intimidated attendees at an Orlando-area Chabad center in February, and last week, police arrested a man for a March attack on a different Florida Chabad center.
“This is going to be able to provide more tools to be able to combat antisemitic activity,” DeSantis said. ״If you have a synagogue and someone shines a swastika-like image on that, they have a right to do the image for themselves, but putting it on someone else’s property, they’re defining that in this bill as a trespass.”
The signing of that bill, and DeSantis’ contention that he supports Holocaust education, comes as legislation he signed has enabled parents in the state to pursue bans of Holocaust literature. A South Florida school district library removed a Holocaust-themed novel by Jodi Picoult in March, and this month, a high school in the state removed a graphic novel adaptation of Anne Frank’s diary from its shelves.
Despite those instances and other bans parents are seeking, DeSantis claimed that there was no significant campaign to ban Holocaust books. He called that allegation the “book ban hoax.”
“Those are all fake narratives,” he said. “We’ve provided curriculum transparency for parents, to make sure that the curriculum used in school is transparent and to make sure everything is age appropriate and is not conflicting with Florida standards. And so, what parents have identified unfortunately are pornographic images in books.”
The legislation, which has targeted books about sexuality and gender, is at the center of DeSantis’ campaign to limit or ban discussion of those topics in schools. The law, called the “Parental Rights in Education” bill and dubbed by critics as the “Don’t say gay” bill, also bans discussion of LGBTQ topics between kindergarten and third grade, among other measures. It is one of a series of recent state laws limiting transgender rights.
That law is also at the center of DeSantis’ feud with Disney, the state’s largest employer, which just sued the governor for allegedly punishing the company for its criticism of the law. At the press conference, DeSantis said the suit is about Disney wanting “to be able to control things without proper oversight.”
DeSantis did not refer specifically to the Anne Frank graphic novel in his remarks, and said Florida had “beefed up” Holocaust education in the state. But a Jewish ally of his who accompanied him on the trip, Republican state Rep. Randy Fine, defended banning the book, which he called the “Anne Frank pornography book.”
“I read the diary of Anne Frank many times as a kid and I don’t remember any of that stuff that they put in that graphic novel,” Fine told the Jewish Telegraphic Agency. “And frankly that graphic novel is antisemitic. To sexualize the diary of Anne Frank in that sort of inappropriate way, it is antisemitic.”
When told that the passages, which are authentic and relate to Frank’s attraction to another girl as well as a description of her own genitalia, have been included in the diary for decades, Fine said that the graphic novel was inappropriate regardless because it depicted the passages in an image.
“It wasn’t just that the passages were in the book,” he said. “It was how they were visualized.”
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The post Visiting Jerusalem, Ron DeSantis tries out his Jewish stump speech appeared first on Jewish Telegraphic Agency.
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The play is about Birthright, but it’s about a lot more than Israel
Towards the end of Birthright, a new play that just made its New York City debut at the MCC Theatre, two characters are arguing over Israel and Zionism in the wake of Oct. 7. The talking points will be familiar to anyone who’s been ensconced in the discourse of the past few years: Izzy says that Zionism is and has always been a colonialist project, and Chaya blames the conflict on Palestinian leaders who rejected early two-state solutions.
As they argue, each is frantically Googling; their phone screens are projected onto the walls of the set. We can see the chasm between their echo chambers: Izzy goes to the Jewish Voice for Peace website, Chaya to The Jerusalem Post. Each time they focus on their own screen, the sound of the argument becomes muffled and indistinct until they resurface to throw a new piece of evidence into the conversation.
It’s a clever piece of production magic that effectively drives home the schism over Israel in the Jewish world, and our inability to hear each other.
Birthright, commissioned by Miami New Drama from Tony Award-winning playwright Jonathan Spector and here directed by Teddy Bergman, is nominally about the eponymous free trip to Israel. But really it’s about a group of six friends that formed on the trip, and their personal journeys — through Judaism, and through life — as the somewhat motley crew diverges and reconnects over the years.
The show is a long one, three and a half hours once you include its two intermissions. Each act depicts a single night, spaced over the course of nearly two decades — first, right after they’ve returned from their trip to Israel in 2006, then in their early 30s as their careers are taking off in 2016, and finally a year after Oct. 7. While the runtime is admittedly long, it allows for well-developed characters, which are essential to approaching such a touchy topic with any nuance, and the fast-paced dialogue keeps things moving briskly. (A reasonable helping of humor, including a Kanye reference in every act, doesn’t hurt.)
And the show does manage an astonishing amount of subtlety for a topic that has become so factionalized. The characters represent a reasonably diverse range of Jewish thought and experience, though certainly leaves some out. (There are no Jews of color or converts, for example, and no true right-wing hawks.)
There’s Chaya (Zoe Winters, best known as Logan Roy’s secretary and mistress on Succession), who grew up Conservadox, but spent college rushing a sorority and dyeing her hair blonde; she ends up working for the Democratic establishment. Noah (Eli Gelb, Tony-nominated for Stereophonic) is a political wonk with a Facebook-addled dad prone to right-wing conspiracy theories. Izzy (Molly Bernard), a queer Jew who eschewed law school, has worked on the Jewish left long before it became buzzy. Lev (Hale Appleman), a lost soul wanderer with a penchant for Jewish philosophy — he name-drops Abraham Joshua Heschel’s The Sabbath and Yosef Yerushalmi’s Zakhor — has family who survived the Holocaust. Alona (Molly Ranson), a sociology PhD who fell for an IDF soldier on the trip, eventually marries an Israeli and moves to Tel Aviv. And Emerson (Nate Mann), a musician, is barely aware that he’s Jewish when he lands on their trip half by accident.
This long summary represents only a smidgen of the events in the group’s lives. The play makes sharp use of production gimmicks, opening the second and third acts by projecting a montage of messages, summarizing the events of the group’s intervening years — and also cleverly reminding us of the quirks of bygone eras. Before the second act, we see wedding invitations and job announcements sent out by email, and then newborn photos posted on Facebook. Before the third, there are group chats on iMessage and then Whatsapp, where we see more birth announcements. Later, they exchange articles about the Israel-Hamas war.
This glut of information is how the show achieves its depth. On paper, one could slot some of these characters into obvious archetypes: The Zionist who makes aliyah, the queer anti-Zionist activist who has made politics her whole identity, the centrist liberal who staunchly supports Israel. But every character has real depth and pathos, and none of the action plays out to its stereotypical end.
When someone asks Izzy, the JVP-type activist, why she hates Israel so much, she doesn’t list out its sins; instead, she’s affronted. “I don’t hate Israel. I love it,” she says. “What it could be at its best.” She doesn’t believe she’s fighting against the nation, but for it.
Meanwhile, Alona, who made aliyah, does not launch into a speech about how Hamas has to be eradicated before the war can end; Bibi, the rest of the Israeli government and settlers, she says, are just as much of a “cancer” as any terrorist group.
Though the political discussions are impressively nuanced, Birthright finds its true success in spending as much time on the rest of the characters’ lives as it does on their political stances. There are the complications of falling for a non-Jewish partner. The ways having children changes life in inalterable ways. Divorces. Substance abuse. The way a dream career can still disappoint. For a topic that is so often turned into a polemic, the play takes a broader view.
In presenting stories of real, believable Jewish lives that are not solely defined by their Judaism, the play demonstrates that Jewishness doesn’t mean just one thing to anyone. Instead, it explores the ways Jewish identity layers on, mingles with and sometimes challenges the rest of one’s choices, values and beliefs.
There are views left out of Birthright, to be sure. No one is right wing (the characters call their group “BirthLeft”), and in the first act they all make fun of their trip as a way to get Jewish kids laid. No one is truly hawkish about the war; in the first act, the characters make fun of George W. Bush and fantasize about working on Democratic campaigns. No one is making an argument, as plenty of people have in the past few years, that Palestinians should be exiled from Gaza or deserve to die.
But the overall point can apply equally: Judaism, and Israel, is not one clear thing. There’s no perfect answer. We aren’t all supposed to agree — but that doesn’t have to tear us apart. It’s a simple message, but one that is hard to believe these days; Birthright makes it feel tangible.
As Lev says when considering their Birthright trip, and his confused feelings about it. “History, Jewish history, it’s never been a straight line, and it’s never meant only one fixed thing. It’s more a thing you interpret, that you find meaning in.”
The new play Birthright is playing at the MCC Theater in Manhattan through Jul 26, 2026.
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New York Times hires Atlantic’s Yair Rosenberg to cover Jewish American life
(JTA) — The New York Times has hired Atlantic staff writer Yair Rosenberg to launch a national beat covering Jewish American life, bringing a widely known journalist on antisemitism and Jewish affairs to a newspaper whose coverage of Israel and the Jewish community has been under unusually intense scrutiny since the Oct. 7, 2023, Hamas attack.
The appointment, announced Monday by National Editor Nestor Ramos, creates a dedicated beat focused on American Jews at a moment when questions of antisemitism, Israel, religious identity and political polarization have moved to the center of public debate.
It is the first time that the newspaper, published in the city with the world’s largest Jewish population, has a beat dedicated to Jews.
“Over the course of 15 years chronicling Jewish life in America and abroad, Yair has taken on the biggest, thorniest stories on the beat,” Ramos wrote in a memo to staff. “Now, Yair will bring that boundless energy and deep expertise to a new religion beat on National focused on Jewish American life, chronicling a period of extraordinary tension but also possibility and reinvention.”
The move brings Rosenberg to a publication that he has occasionally criticized for its coverage of Jewish affairs, but without echoing some critics’ charges of institutional bias.
For the past five years Rosenberg has written The Atlantic’s “Deep Shtetl” newsletter, blending coverage of antisemitism, American politics and Jewish culture with essays on history, religion and popular culture. Before joining The Atlantic in 2021, he spent nearly a decade at Tablet, a magazine of Jewish affairs.
Over the years, Rosenberg has broken or advanced reporting on online extremism and antisemitism while also becoming known for explaining Jewish issues to a broad audience. His work has ranged from investigations into antisemitic disinformation networks to historical features. He has written about antisemitism on the far left and on the Republican right.
During the 2016 presidential campaign, an Anti-Defamation League study found Rosenberg was among the Jewish journalists most frequently targeted with antisemitic abuse on Twitter. Rosenberg became known for responding publicly to trolls and for developing technological tools — including an “Impostor Buster” bot — designed to expose white supremacists posing online as minorities in order to inflame social tensions. The effort drew widespread attention before Twitter eventually suspended the tool.
He later described those experiences in a New York Times guest essay titled “Confessions of a Digital Nazi Hunter,” and has remained a frequent public speaker on combating online hate while preserving free expression.
Ramos’s announcement emphasized that Rosenberg’s beat would extend beyond antisemitism.
“Yair knows better than most that these fraught moments are not all that define Jewish life today—not even close,” Ramos wrote, citing stories on Hanukkah traditions, Jewish representation in popular culture and other facets of American Jewish life.
The Times, through a spokesman, declined to comment beyond Monday’s announcement. Rosenberg did not respond to a request for an interview by press time.
The hire comes as The New York Times continues to navigate a complicated relationship with many Jewish readers.
For decades the newspaper has occupied an outsized place in American Jewish public life, employing prominent Jewish reporters and editors while producing influential coverage of religion, Israel and antisemitism. Yet the newspaper has also faced sustained criticism from parts of the Jewish community over its Israel coverage, criticism that intensified after Oct. 7 and the subsequent war in Gaza.
Media watchdog organizations, some Jewish communal leaders and a number of current and former journalists have accused the Times of factual errors, headline framing and insufficient skepticism toward claims made by Hamas officials in some early coverage of the conflict.
A May 2026 column by Nicholas Kristof, alleging systemic sexual violence by Israeli authorities against Palestinian detainees, was widely criticized for amplifying unverified claims and platforming biased sources. The Times stood by Kristof’s column in an editorial note.
Defenders of the Times argue that accusations of institutional anti-Israel bias often conflate disagreement over editorial judgments with evidence of systemic prejudice.
At Tablet and The Atlantic, Rosenberg occasionally criticized aspects of the Times’ reporting on both Israel and antisemitism. In a 2018 Tablet article he criticized The New York Times Book Review for offering a platform for the novelist Alice Walker to recommend a book by the English author David Icke that was heavily saturated in antisemitic conspiracy theories.
The next year he called out the Times for a profile of former CIA officer and would-be congressional candidate Valerie Plame that failed to mention her history of tweets sharing antisemitic theories. He has also regretted that the Times in 1937 dropped its subscription to the Jewish Telegraphic Agency syndication service because of the perception at the time that JTA’s coverage of Nazi Europe was alarmist.
Unlike some Jewish media watchdog groups, however, Rosenberg has not argued that the Times is institutionally or inherently biased against Israel or Jews. Against that backdrop, Rosenberg’s hiring is likely to be watched closely by Jewish readers across the political spectrum.
According to Ramos, Rosenberg will begin work July 20 and will be based in New York while traveling nationally for the beat.
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Canadian Museum for Human Rights opens ‘Nakba’ exhibit amid pushback from Jewish leaders
(JTA) — After weeks of backlash from Jewish groups and leaders, the Canadian Museum for Human Rights this weekend opened its exhibit on the Nakba, the narrative of Palestinian defeat and displacement upon Israel’s founding.
The Winnipeg, Manitoba, exhibit is called “Palestine Uprooted: Nakba Past and Present” and features photography, poetry and everyday objects that document the experience of Palestinian-Canadians impacted by the Nakba. Palestinians use the term, meaning “catastrophe,” to describe their mass displacement upon Israel’s establishment.
The exhibit has drawn fierce condemnation from some Jewish groups, including the Centre for Israel and Jewish Affairs.
“Materials that are one-sided and driven by a political agenda can contribute to discrimination, bullying and even assault targeting Jewish students,” the group wrote in a post on X last week. “The federal government must hold the CMHR’s leadership accountable for this egregious mishandling.”
The museum’s only Jewish board member, Mark Berlin, was upset enough by the exhibit to resign.
“Because the museum chooses to proceed with this exhibit in its present form despite repeated concerns raised by myself and members of the mainstream Jewish community and others seeking a more balanced and historically complete presentation, I can no longer, in good conscience continue to serve as a Trustee,” Berlin wrote in a resignation letter dated June 22.
In the letter, Berlin argues that the exhibit omits the context that “hundreds of thousands of Jews from Arab lands” were also displaced during the 1948 Arab-Israeli war.
“A story detached from the surrounding factual details is not the truth, it is just a story,” Berlin continued. “The museum has a statutory and moral obligation to tell the full truth, not to sacrifice it at the altar of politics.”
The museum has vigorously defended the exhibit. In a statement to the Jewish Telegraphic Agency, Isha Khan, the CEO of the museum, said that “focusing in this one exhibit on the human violations faced by of Palestinian Canadians does not negate the human rights violations faced by Jewish people.”
“Sharing the stories of one community in no way minimizes the experiences of another,” Khan continued.
Khan added that the exhibit had drawn “both criticism and support from Jewish Canadians.”
Several progressive Jewish groups in Canada, including Independent Jewish Voices, the Jewish Faculty Network, and United Jewish Peoples’ Order, defended the exhibit in a joint statement Thursday, writing that it was the “result of dedication, persistence, care and advocacy, especially from the Palestinian Canadian community.”
“We are proud to celebrate a Canadian institution that has remained steadfast in the face of unfounded criticism and pressure and chose to move forward with integrity,” the statement continued. “We hope this historic opening, and the ongoing inclusion of the exhibition in the Museum, encourages learning, reflection and action.”
The dispute over the exhibit comes as Jews in Canada have faced a spate of antisemitic attacks in recent months, including in March, when shots were fired at three Toronto-area synagogues. In 2025, there were 6,800 antisemitic incidents in Canada, marking a 9% rise from 2024, according to B’nai Brith’s annual audit of antisemitic incidents.
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