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Why a liberal Zionist rabbi isn’t taking to the streets over Israel’s judicial reform plan
(JTA) — Israel’s 75th anniversary was supposed to be a blowout birthday party for its supporters, but that was before the country was convulsed by street protests over the right-wing government’s proposal to overhaul its judiciary. Critics call it an unprecedented threat to Israel’s democracy, and supporters of Israel found themselves conflicted. In synagogues across North America, rabbis found themselves giving “yes, but” sermons: Yes, Israel’s existence is a miracle, but its democracy is fragile and in danger.
One of those sermons was given a week ago Saturday by Rabbi Ammiel Hirsch of Manhattan’s Stephen Wise Free Synagogue, expressing his “dismay” over the government’s actions. Hirsch is the former head of ARZA, the Reform movement’s Zionist organization, and the founder of a new organization, Amplify Israel, meant to promote Zionism among Reform Jews. He is often quoted as an example of a mainstream non-Orthodox rabbi who not only criticizes anti-Zionism on the far left but who insists that his liberal colleagues are not doing enough to defend the Jewish state from its critics.
Many on the Jewish left, meanwhile, say Jewish establishment figures, even liberals like Hirsch, have been too reluctant to call out Israel on, for example, its treatment of the Palestinians — thereby enabling the country’s extremists.
In March, however, he warned that the “Israeli government is tearing Israeli society apart and bringing world Jewry along for the dangerous ride.” That is uncharacteristically strong language from a rabbi whose forthcoming book, “The Lilac Tree: A Rabbi’s Reflections on Love, Courage, and History,” includes a number of essays on the limits of criticizing Israel. When does such criticism give “comfort to left-wing hatred of Israel,” as he writes in his book, and when does failure to criticize Israel appear to condone extremism?
Although the book includes essays on God, Torah, history and antisemitism, in a recent interview we focused on the Israel-Diaspora divide, the role of Israel in the lives of Diaspora Jews and why the synagogue remains the “central Jewish institution.”
The interview was edited for length and clarity.
Jewish Telegraphic Agency: You gave a sermon earlier this month about the 75th anniversary of Israel’s founding, which is usually a time of celebration in American synagogues, but you also said you were “dismayed” by the “political extremism” and “religious fundamentalism” of the current government. Was that difficult as a pulpit rabbi?
Rabbi Ammiel Hirsch: The approach is more difficult now with the election of the new government than it has been in all the years of the past. Because we can’t sanitize supremacism, elitism, extremism, fundamentalism, and we’re not going to. Israel is in what’s probably the most serious domestic crisis in the 75-year history of the state. And what happens in Israel affects American Jewry directly. It’s Israeli citizens who elect their representatives, but that’s not the end of the discussion neither for Israelis or for American Jews. At the insistence of both parties, both parties say the relationship is fundamental and critical and it not only entitles but requires Israelis and world Jews to be involved in each other’s affairs.
For American Jewry, in its relationship with Israel, our broadest objective is to sustain that relationship, deepen that relationship, and encourage people to be involved in the affairs in Israel and to go to Israel, spend time in Israel and so forth, and that’s a difficult thing to do and at the same time be critical.
American Jews have been demonstrating here in solidarity with the Israelis who have been protesting the recent judicial overhaul proposals in Israel. Is that a place for liberal American Jews to make their voices heard on what happens in Israel?
I would like to believe that if I were living in Israel, I would be at every single one of those demonstrations on Saturday night, but I don’t participate in demonstrations here because the context of our world and how we operate is different from in Israel when an Israeli citizen goes out and marches on Kaplan Street in Tel Aviv. It’s presumed that they’re Zionists and they’re speaking to their own government. I’m not critical of other people who reach a different perspective in the United States, but for me, our context is different. Even if we say the identical words in Tel Aviv or on West 68th Street, they’re perceived in a different way and they operate in a different context.
What then is the appropriate way for American Jews to express themselves if they are critical of an action by the Israeli government?
My strongest guidance is don’t disengage, don’t turn your back, double down, be more supportive of those who support your worldview and are fighting for it in Israel. Polls seem to suggest that the large majority of Israelis are opposed to these reforms being proposed. Double down on those who are supportive of our worldview.
You lament in your book that the connections to Israel are weakening among world Jewry, especially among Jewish liberals.
The liberal part of the Jewish world is where I am and where the people I serve are by and large, and where at least 80% of American Jewry resides. It’s a difficult process because we’re operating here in a context of weakening relationship: a rapidly increasing emphasis on universal values, what we sometimes call tikkun olam [social justice], and not as a reflection of Jewish particularism, but often at the expense of Jewish particularism.
There is a counter-argument, however, which you describe in your book: “some left-wing Jewish activists contend that alienation from Israel, especially among the younger generations, is a result of the failures of the American Jewish establishment” — that is, by not doing more to express their concerns about the dangers of Jewish settlement in the West Bank, for example, the establishment alienated young liberal Jews. You’re skeptical of that argument. Tell me why.
Fundamentally I believe that identification with Israel is a reflection of identity. If you have a strong Jewish identity, the tendency is to have a strong connection with the state of Israel and to believe that the Jewish state is an important component of your Jewish identity. I think that surveys bear that out. No doubt the Palestinian question will have an impact on the relationship between American Jews in Israel as long as it’s not resolved, it will be an outstanding irritant because it raises moral dilemmas that should disturb every thinking and caring Jew. And I’ve been active in trying to oppose ultra-Orthodox coercion in Israel. But fundamentally, while these certainly are components putting pressure on the relationship between Israel and Diaspora Jewry, in particular among the elites of the American Jewish leadership, for the majority of American Jews, the relationship with Israel is a reflection of their relationship with Judaism. And if that relationship is weak and weakening, as day follows night, the relationship with Israel will weaken as well.
But what about the criticism that has come from, let’s say, deep within the tent? I am thinking of the American rabbinical students who in 2021 issued a public letter accusing Israel of apartheid and calling on American Jewish communities to hold Israel accountable for the “violent suppression of human rights.” They were certainly engaged Jews, and they might say that they were warning the establishment about the kinds of right-wing tendencies in Israel that you and others in the establishment are criticizing now.
Almost every time I speak about Israel and those who are critical of Israel, I hold that the concept of criticism is central to Jewish tradition. Judaism unfolds through an ongoing process of disputation, disagreement, argumentation, and debate. I’m a pluralist, both politically as well as intellectually.
In response to your question, I would say two things. First of all, I distinguish between those who are Zionist, pro-Israel, active Jews with a strong Jewish identity who criticize this or that policy of the Israeli government, and between those who are anti-Zionists, because anti-Zionism asserts that the Jewish people has no right to a Jewish state, at least in that part of the world. And that inevitably leads to anti-Jewish feelings and very often to antisemitism.
When it came to the students, I didn’t respond at all because I was a student once too, and there are views that I hold today that I didn’t hold when I was a student. Their original article was published in the Forward, if I’m not mistaken, and it generated some debate in all the liberal seminaries. I didn’t respond at all until it became a huge, multi-thousand word piece in The New York Times. Once it left the internal Jewish scene, it seemed to me that I had an obligation to respond. Not that I believe that they’re anti-Zionist — I do not. I didn’t put them in the BDS camp [of those who support the boycott of Israel]. I just simply criticized them.
Hundreds of Jews protest the proposed Israeli court reform outside the Israeli consulate in New York City on Feb. 21, 2023. (Gili Getz)
You signed a letter with other rabbis noting that the students’ petition came during Israel’s war with Hamas that May, writing that “those who aspire to be future leaders of the Jewish people must possess and model empathy for their brothers and sisters in Israel, especially when they are attacked by a terrorist organization whose stated goal is to kill Jews and destroy the Jewish State.”
My main point was that the essence of the Jewish condition is that all Jews feel responsible one for the another — Kol yisrael arevim zeh bazeh. And that relationship starts with emotions. It starts with a feeling of belongingness to the Jewish people, and a feeling of concern for our people who are attacked in the Jewish state. My criticism was based, in the middle of a war, on expressing compassion, support for our people who are under indiscriminate and terrorist assault. I uphold that and even especially in retrospect two years later, why anyone would consider that to be offensive in any way is still beyond me.
You were executive director of ARZA, the Reform Zionist organization, and you write in your book that Israel “is the primary source of our people’s collective energy — the engine for the recreation and restoration of the national home and the national spirit of the Jewish people.” A number of your essays put Israel at the center of the present-day Jewish story. You are a rabbi in New York City. So what’s the role or function of the Diaspora?
Our existence in the Diaspora needs no justification. For practically all of the last 2,000 years, Jewish life has existed in the Diaspora. It’s only for the last 75 years and if you count the beginning of the Zionist movement, the last 125 years or so that Jews have begun en masse to live in the land of Israel. Much of the values of what we call now Judaism was developed in the Diaspora. Moreover, the American Jewish community is the strongest, most influential, most glorious of all the Jewish Diasporas in Jewish history.
And yet, the only place in the Jewish world where the Jewish community is growing is in Israel. More Jewish children now live in Israel than all the other places in the world combined. The central value that powers the sustainability, viability and continuity of the Jewish people is peoplehood. It’s not the values that have sustained the Jewish people in the Diaspora and over the last 2,000 years, which was Torah or God, what we would call religion. I’m a rabbi. I believe in the centrality of God, Torah and religion to sustain Jewish identity. But in the 21st century, Israel is the most eloquent concept of the value of Jewish peoplehood. And therefore, I do not believe that there is enough energy, enough power, enough sustainability in the classical concept of Judaism to sustain continuity in the Diaspora. The concept of Jewish peoplehood is the most powerful way that we can sustain Jewish continuity in the 21st century.
But doesn’t that negate the importance of American Jewry?
In my view, it augments the sustainability of American Jewry. If American Jews disengage from Israel, and from the concept of Jewish peoplehood, and also don’t consider religion to be at the center of their existence, then what’s left? Now there’s a lot of activity, for example, on tikkun olam, which is a part of Jewish tradition. But tikkun olam in Judaism always was a blend between Jewish particularism and universalism — concern for humanity at large but rooted in the concept of Jewish peoplehood. But very often now, tikkun olam in the Diaspora is practiced not as a part of the concept of Jewish particularism but, as I said before, at the expense of Jewish particularism. That will not be enough to sustain Jewish communities going into the 21st century.
I want to ask about the health of the American synagogue as an institution. Considering your concern about the waning centrality of Torah and God in people’s lives — especially among the non-Orthodox — do you feel optimistic about it as an institution? Does it have to change?
I’ve believed since the beginning of my career that there’s no substitute in the Diaspora for the synagogue as the central Jewish institution. We harm ourselves when we underemphasize the central role of the synagogue. Any issue that is being done by one of the hundreds of Jewish agencies that we’ve created rests on our ability as a community to produce Jews into the next generation. And what are those institutions that produce that are most responsible for the production of Jewish continuity? Synagogues, day schools and summer camps, and of the three synagogues are by far the most important for the following reasons: First, we’re the only institution that defines ourselves as and whose purpose is what we call cradle to grave. Second, for most American Jews, if they end up in any institution at all it will be a synagogue. Far fewer American Jews will receive a day school education and or go to Jewish summer camps. That should have ramifications across the board for American Jewish policy, including how we budget Jewish institutions. We should be focusing many, many more resources on these three institutions, and at the core of that is the institution of the synagogue.
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Soccer helped my family survive the Nazis. Our community has lost sight of that story’s meaning
A new exhibit at the Holocaust Museum LA should be telling my great-grandfather’s story as part of its study of soccer, Jews and the Holocaust. But it won’t, because the museum failed to internalize the great moral lesson that my family learned from surviving the Holocaust: to never value the safety of one group over that of others.
The museum describes The Beautiful Game: The Untold Story, which opened this week, as an exploration of “the deep and often overlooked relationship between Jewish life and the global game.” It could have been curated specifically to tell my family’s story, because it was soccer that saved them from the Holocaust.
Pavel Mahrer, my great-grandfather, was a Jewish professional soccer player for Czechoslovakia. He played for teams in Teplitz and Prague, as well as at the 1924 Olympics. In the 1920s and 1930s he moved across the Atlantic to play for the Brooklyn Wanderers and for a Jewish team, New York Hakoah. His son Jerry was born during that time; eventually, the fact that Jerry held American citizenship would save much of the Mahrer family from the Holocaust.
During the Shoah, Pavel became the star player in the league at the Theresienstadt ghetto. He once wrote to his wife, as they were imprisoned separately, “tell our boys that I played soccer again and even played well and was successful.” Soccer brought him joy during those years of total despair. He avoided transport to Auschwitz — possibly because he was a famous athlete — and eventually reunited with his family in New York after the war.
The Holocaust Museum LA exhibit doesn’t tell that story, but it wanted to. My family pulled out of the exhibit because we didn’t want our story told by an institution that we think has faltered in holding true to the back half of its stated mission of inspiring “a more dignified and humane world.”
‘Never Again’ for whom?
We had already been in contact with the exhibit curators when the museum became entangled in a public relations crisis last fall over an Instagram carousel featuring a cover image of six interlocking arms of different colors with the text: “’Never Again’ can’t only mean never again for Jews.”
Further slides added: “Jews must not let the trauma of our past silence our conscience” and “To be Jewish is to remember and act.”
Finally, I thought, a Jewish institution that will stand against genocide and violence, full stop. Not just genocide and violence against Jews.
Over the past few years, I’d watched the Jewish institutions I grew up respecting make excuses for or ignore Israel’s assault on Gaza. At best, they remained silent as Israel killed innocent civilians in the name of the Jewish people. At worst, they supported Israel’s actions unreservedly.
But here was one Jewish institution that was sending the right, albeit subtle, message.
My family agreed that this was a museum that was teaching the history and lessons of the Holocaust in a way we wanted to support. We had told the museum of our interest in loaning them Pavel’s 1924 Paris Olympics jersey and photos of his soccer career for the exhibit, and grew more excited for the collaboration.
But not everyone had the same reaction to the post that we did. Comments flooded the museum’s page claiming that the phrase “Never Again” was only for Jews, and criticizing the museum for generalizing the Holocaust — as if Jews have a monopoly on being victims of genocide. I figured the museum must have been prepared for some backlash, but had decided it was worth upsetting some to show that they cared for all.
I was wrong.
The museum deleted the post, then issued an apology, calling the post “easily open to misinterpretation by some to be a political statement reflecting the ongoing situation in the Middle East.” To us, it read as if they were apologizing for giving the appearance of caring about Palestinian lives. The apology post drew outrage as well — although not in the comments section, which was disabled.
A humane world for everyone
The apology felt like cowardice to me and my family. So we asked to meet with Beth Kean, the museum’s CEO. By the time we connected with her over Zoom in October, the apology post had been deleted as well. We wanted to understand what was behind their decision to post, remove, apologize and then act like none of it ever happened.
After the meeting, we understood that the museum hadn’t expected the response to the first post; some museum staff, horrifyingly, had received death threats. But we didn’t get a good answer as to how capitulating to hateful comments and violent threats aligned with the stated mission of the museum. We were promised an updated public statement that would specifically state the museum’s humanitarian goals; but if one was ever published, I didn’t see it.
We decided that we no longer felt comfortable lending the material that told Pavel’s story to the museum. I take pride in being the descendant of Holocaust survivors, and I’m especially proud that my family has always told our story in a way that emphasizes that the safety of all peoples is and has always been intertwined. I don’t think Pavel would be proud to see his story used to help suggest in any way that Jewish lives should be valued over others.
I didn’t expect the museum to change its mind because of a thirty minute Zoom call with my family, but its willingness to, in my eyes, bend on its principles left me disheartened. If we can’t take stories of Jewish suffering and strength — like that of my family — and apply their lessons to the suffering that is occurring to this day around the world, what is the point of telling them?
I’m a soccer player myself. Every time I score a goal or make a tackle I think of how I wouldn’t be alive if it wasn’t for this beautiful game. I feel a kinship with other players, other soccer fans, because we share that love of the game. It brings us joy, it brings us hope.
I find my family’s story compelling not just because it is a story about Jews during the Holocaust, but because it is a story about survival — a story about luck, talent and both good and terrible timing. The drive to survive, and the need to ensure others’ survival, should be universal. If the message that our Jewish institutions send is that Jewish survival matters most, who is that message for? How can we expect the rest of the world to care about our safety if we don’t do anything to prove that we care about theirs?
Dani Mahrer is a former Jewish educator who now works in renewable energy in Los Angeles.
The post Soccer helped my family survive the Nazis. Our community has lost sight of that story’s meaning appeared first on The Forward.
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Eliya Smith says plot is what happens when you’re busy doing nothing
Eliya Smith’s dad has seen her play Dad Don’t Read This. He’s kvelled at its every iteration.
“He’s always like, ‘Are people gonna know that I’m Dad?’” Smith, 28, said on the day of the Knicks Victory Parade. The streets of the West Village, where we met for coffee, were teeming with orange and blue; she was wearing a baseball cap with some sort of bird, a heron or maybe a penguin, swallowing a fish.
“I always think it’s funny that he’s like, ‘I’m here and I have no complicated feelings.’”
Smith’s father isn’t the title character of the piece, which is about four high school friends, the computer game The Sims and the existential angst of adolescence, but technically he is. Smith started writing the show about a decade ago, during Thanksgiving break from Harvard. She needed the pages printed and emailed them to her father with the injunction as a kind of title page. (The following page read, “If you’re reading this page, it means you started to read. Stop reading.”)
The play is a work of fiction, as are all its characters. But the real-life command became a guiding principle — and the first lines — of the show.
“There is like a sort of frame of, ‘This play isn’t for you,’” said Smith, a former Forward editorial fellow who, last year made her Off-Broadway debut with the play Grief Camp. “I think the audience should reckon with the experience of watching it. Not that I’m like, ‘Fuck you for coming to my play,’ I’ll always be grateful, but I think my favorite parts of the play are when it really feels like they’re like doing the play for each other.”
Dad Don’t Read This is what Smith calls her first real, full play. Unsatisfied with her earlier attempts, she took a crack at writing what she knew: boredom and Ohio (in her mind synonymous) and the endless hours she spent in her basement chatting with friends. That and The Sims, the life simulator where players construct the world and circumstances of flailing, gibberish-spewing suburbanites.
“When I was in high school, I feel like I would sometimes play The Sims and be like, ‘If only it were this easy,’” Smith said. She had a cheat code that could defy Maslow’s Hierarchy of Needs: When a Sim had to pee, you could drag the need away. She found herself thinking, “’I wish I could do that for myself, that I could just like drag away the sadness.”
In the show, this sentiment is embodied by Mal (Amalia Yoo, hot off her turn as another high schooler in the midst of a best friend breakup in John Proctor is the Villain), who tries to manipulate her friends the way she does her pixilated people.
Smith isn’t Mal, but the character’s Ohio ennui (Smith’s from Columbus) and some of her feelings are true to her high school self. OK, Smith’s like her in one way: She, like Mal, had a cousin who gave her a Sims cheat code for unlimited money.
The connection between the world of The Sims, and the control it signifies, has a natural extension in playwriting.
“You become a playwright because you have control issues,” Smith conceded. “When I’m writing it on the page, I can manipulate the characters how I want, and then we start rehearsing it, and I lose a little more control, and then it’s like the more the play becomes its own thing.
“I think it is actually the reason I became a playwright, because I love the moment where my desire to control everything is sort of overruled,” Smith said. Still, it’s often painful for her to be present as her words are performed.
About the hat — the one with the bird — she often feels the need to wear one when she sits in the audience, not to be incognito (she’s been told it makes her more conspicuous) but to block some of her field of vision so she doesn’t have to see some patron sigh or look at their phone.
Smith and I move from the coffee shop — whose vibe she compares, no shade, to the fast fashion brand Brandy Melville — over to the Greenwich House Theatre, where Dad Don’t Read This just transferred from St. Luke’s Theatre in midtown, earning a New York Times Critic’s Pick.
We plop into swivel chairs in the dressing room and catch up. Eliya left the Forward in 2021 to go to grad school at UT Austin. She’s only really been living in New York full time for about a year, calling Park Slope home. Life in Austin, she said, felt almost like an extension of high school in Ohio. She’d drive around bored with her friends. She misses the heat.
“I feel like there’s a sort of leveling thing that happens,” she said between sips of her iced coffee. “I feel like in New York you like get off the subway and you somehow are supposed to not be sweaty from being like packed in with hundreds of other people underground, and I feel like in Texas it’s so hot that it’s just totally fine, everyone is kind of disheveled and gross, and it’s just like what the vibe is, and I feel like it’s really equalizing, like ‘We’re all like looking not our best,’ and I liked that.”
She has yet to write her Texas play — or her New York one.
“I feel like everything I write is on a five-year delay,” said Smith, whose produced plays often circle the Buckeye State. (Last season’s Grief Camp took place in Virginia, but also followed young people; another play, about Holocaust memory, was called Deadclass, Ohio and, aptly, played at the New Ohio Theatre in Manhattan.) “Until I was like 23 I was like I can only write about being 17.”
Her new projects, Two Girls, a metatheatrical work about a shock porn video, and Biography (her least autobiographical piece to date), are departures.
It’s hard to explain the exact vibe of Dad Don’t Read This. Some have likened Smith’s work to Annie Baker, who she knows from UT Austin. I propose, in moments, it approaches Chekhov at a sleepover. Smith says she would never compare herself to the Russian master, but is happy to sing his praises. Though I meant this as a compliment, it could be seen as critique: On the surface, there isn’t much of a plot.
“I often joke that I don’t like plot,” Smith said. “But that actually isn’t true. I rigorously plot all my plays, it’s just the plot is like: This character is deeply wounded because of the perceived subtext from a line about a soda, and to me, that is plot.”
She also believes Top Gun: Maverick is the best movie ever in part because of how much happens. You can tell she is sincere, while knowing this is somewhat absurd to discuss in the same breath as The Cherry Orchard.
“You can have great art like Top Gun: Maverick, that is very sort of like there’s a story and these are all the beats, and you can also have Chekhov where the plot is like a wound that you couldn’t even name.”
Ineffable feelings are the engine of Dad Don’t Read This. Mal and her friends try and fail to articulate just what is going on in their little lives, where the inconsequential is the only thing that matters.
While firmly of a generation — it’s set in 2014, the actors are a few years younger than Smith — the play has found older admirers. Helen Shaw of The New York Times ranked it one of her top shows of the season. The New Yorker’s Adam Gopnik will participate in a “Dad Affinity Night” on June 28.
The key to its connection may well be what’s absent from the stage — smart phones and social media are nowhere to be seen. It’s intentional.
“We like don’t have boredom anymore, because we have phones, and so I’ve been trying to figure out how do I put characters in a situation where they can be extremely bored and where that can be dramatically intriguing,” Smith said. “And also, like, how do I make boredom resonate with an audience that doesn’t experience boredom because we look at our phones, and I do feel like being bored in Ohio is like something that I knew so intimately.”
Onstage at the Greenwich House Theatre, boredom lives. And it’s riveting.
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Shots fired in Jewish neighborhood of Montreal
(JTA) — Montreal police said an alleged shooter in a neighborhood known for its large Jewish population had been “neutralized” after killing one police officer and wounding another officer and a civilian Monday.
“A suspect has been neutralized,” the official police account posted on X after advising residents Côte-des-Neiges to stay indoors. “Two police officers and one citizen have been injured. The police operation is still underway. Continue to avoid the area. Further details to follow.”
The Montreal Gazette later reported that the suspect and the civilian also were dead.
It was not clear if the intended targets were Jewish, but a Chabad emissary in the neighborhood told Ynet, an Israeli news site, that a nearby building was targeted and that he was sheltering about 100 people.
The Yeshiva World News news site posted a video of a SWAT team swarming around a home belonging to a family affiliated with Chabad, the Orthodox Jewish movement.
Côte-des-Neiges was the scene of postwar Jewish settlement as Jewish families ascending from the working to the middle class moved west from the area of St. Laurent Boulevard. The area, with treelined streets studded with duplexes and low-rise apartment buildings, had a friendly neighborhood ambience and lacked the anti-Jewish restrictions some of the wealthier enclaves maintained at the time.
There are a number of Jewish schools and synagogues in the area, including the Spanish and Portuguese synagogue, the oldest congregation in the country, established in 1768 and which moved to the neighborhood in 1947. The neighborhood is now the site of a large Chabad community and a number of Jewish restaurants and delis.
This is a developing story.
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