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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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Purim gets creative in Israel, with festivities driven underground
TEL AVIV, Israel — On the corner of a sun-bleached side street in Tel Aviv’s Shuk Levinsky, costumed mannequins stand guard over a half-dark shop, their painted eyes fixed on a street gone strangely still. Cardboard boxes of sequined capes and feathered wings spill onto the sidewalk, untouched. The neighboring businesses are shuttered, heavy padlocks fastened across their metal doors.
On any weekday, the quiet would feel unusual in this bustling pocket of south Tel Aviv. But this is Purim week — normally the market’s most frenetic stretch of the year. In ordinary times, the sidewalks would be clogged with parents and teenagers clamoring for last-minute costume details, with vendors shouting prices over the din.
That was precisely the scene just 48 hours earlier, on the Friday before the Purim madness was set to begin. Despite weeks of speculation about a looming confrontation with Iran, most Israelis pressed ahead with their plans. Hamentaschen were baked, school carnivals assembled, parties confirmed. A meme circulated in school group chats: “Can someone let us know if we are supposed to be buying costumes or canned goods?”
Early Saturday morning, an answer came via the piercing trill of the emergency alert system. The United States and Israel had begun what officials described as “preemptive strikes” against Iran. Within hours, thousands of reservists were called up. Citizens scrambled for shelter plans. WhatsApp groups filled with instructions and anxieties. And as Iran launched retaliatory rockets, Israelis absorbed a different blow: Purim was officially canceled.
Hence, the shuk’s current ghost town atmosphere. Inside the darkened shop, Rotem Avidan sat at the register, scrolling on his phone.
“There’s no real reason to be open,” he said. “Mostly I was just bored at home. I’ll probably close up in a couple of hours.”
Avidan has been selling costumes in the shuk for more than 15 years and relies heavily on Purim sales. The day before the holiday is typically his busiest of the year. Instead, he estimates he’ll make about 80% of his usual income.
“It’s not terrible,” he said with a shrug. “But it’s just one more irregular year. We had corona. We had two years of war. This was supposed to be the year things finally went back to normal.”
The past two Purims were indeed subdued, shadowed by the war in Gaza and the fight to bring hostages home. Even celebrations that went ahead felt muted. With the last living hostages returned in October, many had hoped this would finally be an uncomplicated holiday.
To fully grasp why the cancellation hit so hard, one must understand Purim in Israel. This is not a single-event celebration. It is a multi-day spectacle that spills from nursery school classrooms into city streets. Municipal adloyadas — elaborate parades with floats and marching bands — draw families by the thousands. Teenagers roam in coordinated group costumes. It is not uncommon to find yourself seated on a bus beside an elderly woman in full clown makeup, or handed paperwork at the bank by a teller wearing butterfly wings.
None of which would be happening this year.
Children feel the loss most acutely. For many, Purim is the highlight of the school calendar: themed dress-up days, costume parades, parent-run carnivals, and the exchange of mishloach manot before a three-day vacation. On Sunday morning, children across the country woke to the bad news.
Teachers scrambled to salvage what they could. Virtual parades were arranged over Zoom. Students were asked to send photos in costume. Mishloach manot became neighborhood drop-offs.
In some cases, the children made their own Purim joy. In one Tel Aviv apartment building, the kids organized a costume party, complete with printed invitations for guests. Playgrounds around the country — at least those equipped with shelters — were filled with rambunctious children dressed as superheroes and princesses, their bleary-eyed parents dragging slightly behind them.
If children are Purim’s most visible protagonists, they are hardly its only devotees. For young adults, the holiday is the high point of Israel’s nightlife calendar — a sanctioned blur of themed raves and packed bars. This year, the bomb shelter became a stand-in for the nightclub.
Within hours of the first rocket fire, twentysomethings in Tel Aviv’s Florentin neighborhood had organized an impromptu party in a public shelter, complete with makeshift costumes and an amateur DJ. When video of the event went viral, social media flooded with young people asking about the nearest mesibat miklat — a “shelter party.”
Not everyone approved.
“Wow. How disconnected can you be?” one commenter wrote. “People have been killed and you can’t give up your Purim party for one year?”
By nightfall, hundreds had gathered — some in small, shared building shelters for private parties, others in larger municipal bunkers — determined to carve out a pocket of joy, even as Iranian missiles soared overhead.
Shahar Rubin, 24, hadn’t planned on going to a party when he and his friends noticed a stream of people heading into the Dizengoff Center parking garage. “We figured, why not?” he said.
Four stories underground, in one of the city’s largest public shelters, a DJ blasted music as costumed revelers danced beneath the fluorescent lights and exposed concrete.
“This is exactly why we come to Tel Aviv,” said Rubin, who is originally from the north. “There’s nothing like the Purim atmosphere here.”
After more than 400 days of wartime reserve duty in the Israel Defense Forces, the celebration felt like a rare exhale — and perhaps a brief one, before he is called up again. “It was a last hurrah of sorts,” he added, as he and his friends headed off in search of their next mesibat miklat.
Beyond the costumes and parties, Purim is anchored in four religious obligations: a festive meal, the exchange of food gifts, donations to the poor and — most famously — the public reading of Megillat Esther.
“According to Jewish law, men and women are required to hear the reading of the entire Megillah from a kosher scroll,” said Rabbi Nadav Berger, head of Hadar’s Beit Midrash in Jerusalem. “Because the obligation is about publicizing the miracle of Purim, there is a strong preference to do it in public, in a group of at least ten people.”
That preference became complicated as soon as Home Front Command restricted public gatherings.
By the time Shabbat ended, observant Jews were organizing small readings in private homes and shelters. Hadar put out a call for community members who owned kosher megillot.
“Owning a personal megillah isn’t as rare as owning a Torah scroll,” Berger explained. “Many people inherit one or receive one for a bar mitzvah or wedding. Hearing the Megillah in person is still our first recommendation, so we wanted to help facilitate that safely.”
For those unable to attend, Hadar is also offering Zoom options, drawing on halachic guidance developed during the pandemic. “The rulings get into the technical question of how to understand electronically transmitted sound,” Berger said. “But it goes without saying: no one is required to risk their life to hear the Megillah — or to fulfill any other Torah commandment. Safety overrides everything.”
He added: “Typically, one would perform a mitzvah all in one sequence, from beginning to end. But if a siren goes off while you are reading the megillah, it is perfectly acceptable to pause the reading, even for a few hours, until it is safe to return.”
For Berger, the tension between caution and celebration may be truer to Purim than one might expect for a holiday typically associated with pure, unadulterated joy. When he sent out Hadar’s revised Purim plans, he opened with Mordechai’s words to Esther: “Who knows. Perhaps it was for just such a moment that you attained royalty?”
“Meaning, you have to be responsible right now,” Berger explained. “You have to think about your situation and respond accordingly. That’s what we’re trying to do in light of all that’s happening.”
He went on, “If you read the Megillah, most of it is actually anxiety-provoking. It is a very tense story. The joy comes only at the end.”
“The hope,” he said, “is that this, too, is only the middle — and that Israel will once again return to celebrating Purim happily, joyously, as we do every year.”
The post Purim gets creative in Israel, with festivities driven underground appeared first on The Forward.
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Fears of Iranian Sleeper Cell Retaliation Grow in the West as Middle East War Escalates
Iran’s Supreme Leader Ayatollah Ali Khamenei listens to the national anthem as Air Force officers salute during their meeting in Tehran, Iran, Feb. 7, 2025. Photo: Office of the Iranian Supreme Leader/WANA (West Asia News Agency)/Handout via REUTERS
Fears of Iranian-backed terrorism are intensifying across Western countries, with officials warning Iran could mobilize terrorist sleeper cells and proxy networks in revenge for the unprecedented US-Israeli strikes on Saturday that killed Supreme Leader Ayatollah Ali Khamenei — prompting governments to raise threat levels and bolster security for Jewish and Israeli communities abroad.
Sleeper cells are covert operatives or terrorists embedded in rival countries who remain dormant until they receive orders to act and carry out attacks.
As the war in the Middle East continues to spread and escalate, officials in Germany have warned of potential Iranian retaliation targeting Jewish and Israeli institutions nationwide, prompting several federal states to step up protections and issue alerts as threat concerns mount.
“Retaliatory measures — including the possible activation of Iranian sleeper cells in Europe — cannot be ruled out,” Marc Henrichmann, who chairs the parliamentary oversight committee of the intelligence services in Germany, told the local newspaper Süddeutsche Zeitung.
“The Iranian regime has repeatedly shown that it extends its use of terror beyond its own borders,” Henrichmann said. “Federal and state security authorities remain on the highest alert level and will adjust protective measures whenever necessary.”
Roman Poseck, the interior minister of the German state of Hesse, added to German outlet Die Welt that it should “be assumed that there will be an increase in the abstract threat situation, especially for Jewish, Israeli, and American institutions.”
Meanwhile, Felix Klein, the German government’s commissioner for combating antisemitism, warned to the Funke media group that, following the outbreak of conflict with Iran, “we must assume an increased threat to Jewish life in Germany.”
In France, Interior Minister Laurent Nuñez also issued a heightened alert, warning of potential threats and urging regional authorities to reinforce security around Jewish places of worship.
“In light of the current international situation in the Middle East, I reiterate my instructions to remain vigilant and ask you to immediately implement enhanced security measures for Jewish places of worship and religious gatherings,” Nuñez told French newspaper Le Figaro.
The United States and Israel carried out a series of strikes on military and leadership targets across Iran — including senior officials and Islamic Revolutionary Guard Corps commanders — after negotiations over Tehran’s nuclear and missile programs failed to yield results.
Shortly after reports emerged that the US–Israeli joint operation may have killed Khamenei, US President Donald Trump released a message urging Iranians to consider a future beyond the current regime and expressing guarded hope that the moment could lead to meaningful change.
The escalation came weeks after the Iranian regime killed tens of thousands of civilians in a sweeping crackdown on last month’s anti-government protests. The outbreak of fighting also followed last June’s 12-day war between Iran and Israel, which concluded after the US joined and bombed Iranian nuclear sites.
Beyond Europe, fears of Iranian retaliation are rising in the US, as counterterrorism agencies warn that additional resources are being rushed into efforts to detect and disrupt potential revenge attacks on American soil.
Although no specific credible threats have been publicly disclosed, FBI Director Kash Patel said Saturday that US counterterrorism and intelligence agencies were operating under heightened alert, with personnel “working 24/7 … to address and disrupt any potential threats” on US soil.
“While the military handles force protection overseas, the FBI remains at the forefront of deterring attacks here at home – and will continue to have our team work around the clock to protect Americans,” Patel wrote in a post on X.
Amid growing fears of possible retaliation, Secretary of Homeland Security Kristi Noem also said authorities are “in direct coordination with our federal intelligence and law enforcement partners as we continue to closely monitor and thwart any potential threats to the homeland.”
Concerns over the activation of Iran’s sleeper cells have surged even further after a deadly mass shooting in Austin, Texas involving a suspect with alleged support for the Islamist regime and a separate gun attack on the gym of an Iranian dissident in Richmond Hill, Ontario. Both incidents stoked fears of politically motivated violence linked to the broader regional crisis in the Middle East.
On Sunday, a gunman opened fire at a bar in Austin’s West Sixth Street district, killing two people and injuring 14 others before being shot and killed by police.
Authorities later reported finding a flag of the Islamic Republic and photographs of Iranian leaders inside the suspect’s apartment, deepening concerns about potential links between the attack and broader political or ideological influences.
According to the FBI and the Joint Terrorism Task Force, there were indicators that could suggest a possible terrorism link.
In Canada, hours after the announced death of Khamenei, a boxing gym run by Iranian-Canadian dissident activist Salar Gholami was struck by gunfire overnight.
Tehran’s ability to coordinate or inspire attacks on American soil has long been a concern for US law enforcement and intelligence officials — a fear that only deepened after Trump ordered the assassination of Iranian General Qasem Soleimani in 2020.
Amid the 12-day war in June, NBC News reported that Iran had privately warned the United States that it could activate sleeper cells on American soil in response to military action. While no specific plots were publicly disclosed, US authorities increased domestic security measures and intelligence monitoring in anticipation of possible attacks. Vice President JD Vance said the Trump administration was examining the possibility of an Iran-backed homeland attack “very closely.”
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‘Death to America’: Campus Student Groups Express Solidarity With Iran, Call for Uprising Against US
A pro-Hamas activist wears a keffiyeh while marching from the City University of New York to Columbia University. Photo: Eduardo Munoz via Reuters Connect
Anti-Zionist student groups across the US proclaimed solidarity with the aims of Islamism and jihad following a joint military operation between the US and Israel which killed Iranian Supreme Leader Ayatollah Ali Khamenei and dozens of other high-level regime officials on Saturday.
“Death to America,” posted a group which calls itself Columbia University Apartheid Divest (CUAD), a Students for Justice in Palestine (SJP) spinoff which serves as an umbrella group for a consortium of revolutionary organizations, some of which are formally recognized by the university. “We yearn for the end of the US settler colonial project. This should not be a controversial position.”
In other posts, the group shared an April 24 tweet in which Khamenei told pro-Hamas college students, who were in the middle of convulsing higher education institutions with illegal building occupations and antisemitic hate crimes, that they are “on the right side of history” and another which said “Iran has every right to defend itself against zionist [sic] warfare.”
A torrent of criticism followed the comments, leading Columbia University to denounce CUAD for falsely claiming to be a university entity.
“The group that calls itself ‘CUAD’ is not a recognized student group, or affiliated in any way with the university,” the institution said on the X social media platform, pointing to a July 2025 statement by former interim president Claire Shipman which formally proscribed any official correspondence or communication with CUAD. “There is no evidence that anyone currently in control of their account is a current Columbia student, staff, or faculty member. They are illegally using the Columbia name.”
Dr. Asaf Romirowsky, executive director of Scholars for Peace in the Middle East, said American officials should take CUAD’s rhetoric seriously.
“Cheering on Hamas and supporting Iran, a state sponsor of terrorism that has scores of American blood on their hands, surely warrants consequences,” he said. “We already have a great and sensible law on the books which says that while we welcome anyone who wishes to come here, attend university, and get an education, we do not permit people who openly support and advocate for terrorism. Actively supporting terrorism while calling for death to America and chanting ditties that advocate the annihilation of the world’s sole Jewish state should be a red line that warrants expulsion and deportation for those on student visas.”
CUAD is not the only group which denounced what the US dubbed “Operation Epic Fury.” On Sunday, New York University’s SJP chapter announced an anti-US demonstration to “demand an end to this criminal war that benefits no one other than US corporate interests.”
Meanwhile, DMVSJP, a network of SJP groups operating in Washington DC, Maryland, and Virginia, implored socialists and other revolutionary groups to attend a demonstration outside the White House on Monday, charging that “another US-backed war would mean death and displacement abroad and repression at home.”
The University of Chicago’s SJP chapter cheered Iran’s retaliatory strikes against US assets in Bahrain.
Some protests have kicked off already, according to social media reports, and have seen members of Yale’s SJP chapter brandishing “Death to America” signs. Prior to the demonstration, the group parroted propaganda confected by what remained of Iran’s political leadership following this weekend’s strikes, accusing the US of “killing children, including civilians.”
In the United Kingdom, the Ahlul-Bayt Islamic Society of University College London said, “This is not the end to resistance. The Shia in the west [sic] must remain aware and ready.”
Writing to The Algemeiner on Sunday, Sabrina Soffer, research fellow at the Jerusalem Center for Security and Foreign Affairs, said SJP’s statements are indicative of an ideology which contradicts itself.
“Even after the death of one of the Middle East’s most brutal butchers, they cannot offer even a scintilla of credit to Israel or the United States for confronting a regime that has terrorized its own people for decades,” Soffer said. “They brand themselves ‘anti-war’ yet refuse to recognize that the only genuinely anti-war force in this equation is the one dismantling the infrastructure of terror and repression. Israeli and American actions aimed at weakening a violent theocracy are not acts of aggression against the Iranian people — they are part of a rescue operation on behalf of a population held hostage by its rulers.”
She added, “What is truly un-progressive is the arrogance of presuming to speak for Iranians while ignoring those who have risked imprisonment and death resisting the regime from within. It is entitlement masquerading as solidarity.”
Students for Justice in Palestine’s national office has previously discussed its strategy of using the anti-Zionist student movement as a weapon for destroying the US in a now-deleted tweet that was posted to X in September 2024.
“Divestment is not an incrementalist goal. True divestment necessitates nothing short of the total collapse of the university structure and American empire itself,” the organization said. “It is not possible for imperial spoils to remain so heavily concentrated in the metropole and its high-cultural repositories without the continuous suppression of populations that resist the empire’s expansion; to divest from this is to undermine and eradicate America as we know it.”
The tweet was at the time the latest in a series of progressive revelations of SJP’s revolutionary goals and its apparent plans to amass armies of students and young people for a long campaign of subversion against US institutions, including the economy, military, and higher education. Like past anti-American movements, SJP has also been fixated on the presence and prominence of Jews in American life and the US’s alliance with Israel, the world’s only Jewish state.
On the same day the tweet was posted, CUAD distributed literature calling on students to enlist in a holy war against Israel and the US.
“This booklet is part of a coordinated and intentional effort to uphold the principles of the thawabit and the Palestinian resistance movement overall by transmitting the words of the resistance directly,” it said. “This material aims to build popular support for the Palestinian war of national liberation, a war which is waged through armed struggle.”
Other sections of the literature were explicitly Islamist, invoking the name of “Allah, the most gracious” and referring to Hamas as the “Islamic Resistance Movement.” Proclaiming, “Glory to Gaza that gave hope to the oppressed, that humiliated the ‘invincible’ Zionist army,” it said its purpose was to build an army of Muslims worldwide.
“We call upon the masses of our Arab and Islamic nations, its scholars, men, institutions, and active forces to come out in roaring crowds tomorrow,” it added, referring to an event which took place in December. “We also renew our invitation to the free people and those with living consciences around the world to continue and escalate their global public movement, rejecting the occupation’s crimes, in solidarity with our people and their just cause and legitimate struggle.”
Follow Dion J. Pierre @DionJPierre.