Uncategorized
With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
—
The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
Uncategorized
Could a foie gras ban remove chopped liver from the deli menu?
Could an effort to defend ducks and curb the cruelty that some believe creates foie gras accidentally outlaw a favorite staple in Jewish delis? One Jewish resident of Washington D.C. fears that could be the case.
A measure on the ballot in Washington next Tuesday would bar the sale or distribution of “any fattened bird liver product within the District of Columbia.”
Activists say the legislation aims to ban the sale of any product resulting from force-feeding a bird, including foie gras. But the D.C. ordinance defines “fattened bird liver product” as “any food product or by-product made from the livers of birds fattened through any method or practice … regardless of marketing terminology.” It includes foie gras, pâtés, spreads, and processed meat products derived from the livers of “ducks, geese, chickens, turkeys, guineas, or squabs.”
“I am a fan of all things liver,” said Jordan Weissmann, an editor at the Progressive Policy Institute, who calls himself a libertarian when it comes to gastronomic matters. “I grew up eating chopped liver. I’m a fan of schmaltz and all pâtés, but there are much bigger issues facing Washington D.C. right now. So I was not going to get too fired up about this.”
Then a friend suggested he look at the language of the ordinance. Its lack of specificity, leaving enforcement up to interpretation, ruffled his feathers.
“My eyes popped out of my head,” he told the Forward. “It sounds like a sweeping ban. I immediately fired off a tweet.” That post and the conversation it generated has since gone viral, garnering thousands of views and hundreds of comments.
Pro-Animal DC, the campaign that drafted the ban, insists that’s not the intention. The law simply seeks to end the torture of farm-raised fowl.
“When laws are enforced this would not affect Jewish delis or chopped chicken liver,” said Natalie Fulton, media and content lead for Pro-Animal DC. She said when regulators enforce laws, they look at their entirety. They don’t look at “a sentence taken out of context.”
In addition to ending the sale of poultry products, the proposed ordinance also makes force-feeding birds illegal within the District. It doesn’t regulate possession of force-fed products or affect what Bubbe puts in the blender.
Fulton acknowledges that the definition of poultry, including chickens, is quite broad.
“We basically put that in there to make sure foie gras producers wouldn’t just shift to chickens. I’m not even sure it’s possible biologically. It safeguards if someone tries to get around the law that way.” If the initiative passes, she said, the City Council can clarify the language to prevent any confusion.
French for “fatty liver,” foie gras is the liver of a duck or goose that has been deliberately fattened by force-feeding, a process the industry calls gavage.
Workers insert a tube down the bird’s esophagus to pump in grain and fat, causing the liver to swell with fat until it is many times its normal size. The organ is then harvested, deveined, and seasoned in a variety of ways before it is baked in a terrine or pan-seared.
Mark Caro, author of The Foie Gras Wars, a book about a local war between Chicago chefs that escalated into a nationwide and international debate and a citywide ban of foie gras that lasted two years before it was repealed, writes that chopped liver is in fact a direct descendant of foie gras, which was once central to Jewish cuisine.
“The most-repeated theory is that foie gras survived thanks to Jews who had learned of force-feeding practices while under Roman rule and carried the tradition around Europe as they kept getting kicked out of countries,” Caro wrote. It even became the topic of a Talmudic commentary on animal cruelty by 11th Century French rabbi Rashi, as Judaic law prohibits tza’ar ba’alei chayim, or the suffering of animals.
But there were practical reasons to force feed geese at the time, Caro wrote. In the Mediterranean, Jews could cook with olive oil. In Babylonia, they could use sesame oil. But as Jews migrated north and west across Europe, they needed something besides pork fat, beef fat and butter to conduct heat in their skillets. The chosen alternative was poultry fat, or schmaltz, extracted from fattened goose livers.
In his book, Caro also includes the story of Holocaust survivor and third-generation Hungarian goose farmer Moshe Friedman, who in 1948 began producing fat goose livers on a kibbutz in the new Jewish state, and made it one of Israel’s first exports.
Israel is now one of 20 countries that bans foie gras produced by force feeding. California, New York City, Pittsburgh, Portland, Ore., and Brookline, Mass. all prohibit stores and restaurants from selling products from force-fed ducks and geese. A similar measure is on the ballot this fall in Denver.
Weissmann just hopes the Denver ordinance is more precise.
“You’d have to be an overzealous vegan to throw all the pâté out of Whole Foods,” he said. “You never know.”
The post Could a foie gras ban remove chopped liver from the deli menu? appeared first on The Forward.
Uncategorized
DSA to LA mayoral favorite Nithya Raman: BDS or our endorsement — pick one
When Nithya Raman told Jewish Angelenos last month that she believed the Boycott, Divestment and Sanctions movement was a “legitimate” form of protest, she didn’t go far enough for the Democratic Socialists of America, whose national leadership threatened to expel her for not championing the Israel boycott outright.
The organization’s staunchly anti-Zionist politics have long clashed with Raman, a progressive councilmember who is running for mayor of Los Angeles — and in a dead heat with incumbent Karen Bass in a recent L.A. Times poll. Though she has called the war in Gaza a genocide, Raman has never been a hardliner on Israel, raising the question of whether the DSA would dig in its heels or back a popular candidate who doesn’t meet all of its criteria.
The answer arrived on Monday night in a pair of resolutions by the DSA’s National Political Committee, which together struck some form of compromise. The committee voted not to expel Raman — at least not before the election. But it threatened to revoke the LA chapter’s earlier endorsement if she does not commit to supporting BDS in a town hall that the LA chapter is expected to convene on Saturday.
Even that measure, though, may not have teeth. It’s unclear whether the LA chapter will actually convene for such a meeting — or whether the national organization even could pull the local group’s endorsement. In a statement following the vote, DSA-LA co-chair Leslie Chang said the chapter was standing by its endorsement.
”Our members voted in a supermajority, democratic decision to support her campaign and we are excited to continue knocking on doors for Nithya and our entire slate through Nov. 3,” Chang said.
The expulsion timeline, on the other hand, gives her until Jan. 1 to endorse BDS and sign on to DSA’s campaign to stop the shipment of weapons for Israel out of Los Angeles International Airport. (Municipal authorities have limited direct legal jurisdiction over international aviation and cargo regulations.)
The lengthy resolutions reflect the fierce competition between ideology and pragmatism inside the DSA as its members increasingly run for and win public office. With Zohran Mamdani at the helm of New York City, a Raman victory would mean DSA members run City Hall in the country’s two largest cities. But many in the organization believe Raman’s politics dilute the brand.
Raman, who in 2020 became the first DSA member elected to LA’s City Council, has sought to thread a needle on Israel during her time in office and on the campaign trail. DSA’s Los Angeles chapter voted to censure her after she accepted an endorsement from Democrats for Israel–Los Angeles, a liberal Zionist group. At the time, Raman told DFI-LA she believed Israel had a right to exist, departing from DSA dogma.
She also touts her support for the Jewish community after Oct. 7. In the wake of the attack, Raman — whose district includes some of the city’s largest Jewish neighborhoods — criticized the DSA for a statement she said was “unacceptably devoid of empathy.”
She has also disappointed some Jewish constituents by supporting a ceasefire in Gaza in early 2024 and by telling controversial left-wing influencer Hasan Piker earlier this year she believed the war was a genocide. She reiterated the genocide remark at the Jewish community forum Sept. 29, crossing what the local Jewish federation said was a “red line” for political candidates.
Thanks to a wave of support from less-active DSA members, the Los Angeles chapter endorsed Raman Sept. 2 by a 937 to 484 vote.
The Raman campaign declined to comment for this story.
‘For a Fighting Anti-Zionist DSA’
DSA-LA’s endorsement came under the microscope of the National Political Committee after it was revealed that the chapter had failed to include a question about BDS in its candidate questionnaire.
The omission of BDS violated a rule about pro-Palestinian policy the national organization passed last year. Known as R22, the rule outlines conditions for revoking endorsements or expelling a member if they make certain pro-Israel statements, such as saying that Israel has “a right to defend itself” or opposing BDS.
Chapter leaders called the missing question an “oversight.”
Meanwhile, Raman’s language on the Israel boycott — if not her stance on the issue — has changed over time.
Back in 2020, when she was running for council, Raman told the Jewish Journal of Greater Los Angeles, “I absolutely do not support BDS,” adding, “At a time when hate crimes are rising in LA and across the world, it is dangerous for a candidate to be so closely aligned with a political movement bent on demonizing Israel and the Jewish people.”
She has spoken less forcefully against boycotting during her campaign. In the Jewish community forum last month, she said that while BDS was a legitimate form of peaceful protest, it was not part of her platform or her focus on LA.
Massive groans in the Skirball auditorium when Nithya Raman defends BDS as a “legitimate form of protest.” Question from @AJCGlobal. https://t.co/W2Uml0lPMI
— Louis Keene (@thislouis) September 30, 2026
In a statement to LA’s DSA chapter sent in advance of Monday’s vote, Raman’s stance on BDS was vague, seemingly supporting BDS as a form of pressure on Israel but stopping short of adopting it herself.
“I believe the best way for working Angelenos to stand in solidarity with Gaza is through non-violent protest, legislative action and diplomatic pressure, including BDS,” Raman said.
DSA members on X appeared split on whether the statement satisfied the requirements of R22.
A second round of questions
The questions Raman will be expected to answer at an Oct. 31 town hall are a familiar list of anti-Zionist litmus tests. In addition to receiving a point-blank question about her support for BDS, she will be asked to make two commitments: to refrain from any affiliation with “Zionist lobby groups” and to oppose any legislation that harms Palestinians.
She will also be asked to oppose legislation “that would allow direct financial donations of any kind to Israel and/or settler NGOs who carry out the mission of Israeli settlement and Palestinian dispossession/displacement, such as the Jewish National Fund,” and to condemn weapons shipments from LAX.
If the meeting doesn’t happen by Oct. 31, the resolution says, the national committee will order DSA-LA to pull the endorsement. And if DSA-LA refuses to comply — either by not holding a meeting or maintaining its endorsement — the chapter and its leadership could be censured.
DSA-LA leadership didn’t seem particularly troubled by the possibility of a break from the national committee.
“As DSA-LA is a membership-driven organization,” Chang, its co-chair, said, “any decision around our electoral strategy lies with our members and we will be maintaining our endorsement of Nithya and all our candidates.”
Meanwhile, the resolution calling for Raman’s expulsion if she has not complied by Jan. 1 adds that if she doesn’t win Nov. 3, “all deadlines and proposed disciplinary votes for CM Raman and the LA chapter in this proposal shall be null and void.”
If she does not win the election, Raman’s council term will end in 2028.
The post DSA to LA mayoral favorite Nithya Raman: BDS or our endorsement — pick one appeared first on The Forward.
Uncategorized
What can we make of the initial results of the Israeli elections?
אַ גרױסער יום-טובֿ איז געפֿײַערט געװאָרן אין ישׂראל, דעם 27סטן אָקטאָבער — אַ יום-טובֿ פֿאַר דעמאָקראַטיע און אַ יום-טובֿ פֿאַר ייִדן.
דאָ האָבן אַלע רעגיסטרירטע בירגער פֿון 18 יאָר און עלטער געהאַט די מעגלעכקײט צו שטימען פֿאַר אײנער פֿון 35 פּאָליטישע פּאַרטײען: סײַ ייִדישע און סײַ ניט-ייִדישע פּאַרטײען, כּדי אױסצוקלײַבן אַ נײַע רעגירונג פֿאַר אַ קאַדענץ װאָס — לױטן געזעץ — דאַרף אױסהאַלטן 4 יאָר. אין דער אמתן איז זעלטן װען עס האַלט אַזױ לאַנג אױס, נאָר אין די װאַלן פֿון 2022 האָט בנימין נתניהוס רעגירונג טאַקע אױסגעהאַלטן.
עטלעכע פֿאַקטן וועגן די איצטיקע װאַלן
- איבער 12,000 שטימערטער זײַנען געװען צעשפּרײט איבער אַרום 1,200 ייִשובים.
- טױזנטער ישׂראלים מיט שטימרעכט זײַנען ספּעציעל אָנגעפֿלױגן פֿון אַנדערע לענדער, כּדי אָנטײלצונעמען אין די װאַלן. צװישן זײ — די װעלט-באַרימטע אַקטריסע גל גדוט (גאַל גאַדאָט) װאָס האָט לעצטנס באַקומען אַן ערן־דאָקטאָראַט פֿון בר־אילן אוניװערסיטעט.
- צענדליקער טױזנטער סאָלדאַטן האָבן געשטימט פֿאַרן וואַלטאָג, דעם 27סטן. די רעזולטאַטן װעלן שפּעטער צוגעגעבן װערן און קענען האָבן אַ ממשתדיקע השפּעה אױף דעם אַרױסקום.
- עס האָבן געשטימט 5,695,682 פֿון די בירגער מיט שטימרעכט (7,331,981). דאָס איז אַרום 77.7% — דער העכסטער פּראָצענט מענטשן וואָס האָבן געשטימט במשך פֿון לאַנגע יאָרן.
די פּרעלימינאַרע רעזולטאַטן מיט אַ טאָג שפּעטער
לױט די אַנקעטעס פֿון עטלעכע טעג פֿאַר די װאַלן האָט מען פֿאָרױסגעזאָגט אַז פֿון די מעגלעכע 120 כּנסת־ערטער װעלן בערך 52 גיין פֿאַר די שותּפֿים פֿון נתניהון; 54 פֿאַר די קעגנערס פֿון נתניהו, און 14 פֿאַר די אַראַבישע פּאַרטײען.
װי נאָר דאָס װײלן האָט זיך געשלאָסן 10 אַ זייגער אין אָוונט , האָבן די פֿאַרשײדענע אױספֿרעג-פֿירמעס שױן אָנגעהױבן אַרױסזאָגן זײערע נבֿיאות. עס איז שוין אָנגענומען, אַז זײַט-בײַ-זײַט מיט אַ צאָל וויכטיקע שטימערטער, שטעלט מען אױס שטימקעסטלעך, און מע בעט די װײלער אַרײַנװאַרפֿן אין קעסטל אַ קאָפּיע פֿון זײער אױסװײל. בערך 600 אַזעלכע שטימקעסטלעך האָט מען אויפֿגעשטעלט איבער אַ צאָל ייִשובים. די אויספרעג-פֿירמעס באַאַרבעטן די דאָזיקע „פּאַראַלעלע“ רעזולטאַטן צוזאַמען מיט געװיסע אַנדערע פֿאַקטאָרן און מאַכן אַ סך-הכּל פֿון װי עס װעלן אפֿשר אױסזען די לעצטגילטיקע רעזולטאַטן.
די פֿיר הױפּט טעלעװיזיע־סטאַנציעס האָבן אַלע געהאַט אָנגעשטעלט אױספֿרעג-פֿירמעס, און דרײַ פֿון זײ האָבן געהאַט מער אָדער װײניקער די זעלבע רעזולטאַטן: אַז נתניהוס בלאָק האָט פֿאַרשפּילט. די פֿערטע טעלעװיזיע־סטאַנציע, ארוץ 14, װאָס רעכנט זיך פֿאַר אַ גרױסן שטיצער פֿון די רעכטע און פֿון נתניהון – האָט לרובֿ געגעבן ענלעכע רעזולטאַטן, אָבער אָנגעװיזן אַז נתניהו װעט זײַן דער געװינער.
װי אַ רעזולטאַט פֿון די דאָזיקע מוסטער-שטימען, האָבן נאָך האַלבער נאַכט געמאָלדן סײַ גדי אײַזנקאָט פֿון דער „ישר“ פּאַרטײ, װאָס האָט באַװיזן 23 שטימען, סײַ נפֿתּלי בענעט פֿון דער „ביחד“ פּאַרטײ מיט יאיר לפּיד (מיט 12 שטימען) — אַז נתניהו און זײַן בלאָק האָט פֿאַרשפּילט.
נתניהו, דאַקעגן, האָט זיך ניט אונטערגעגעבן, און דעקלאַרירט אַז ער האָט די גרעסטע פּאַרטײ, און אַז מע דאַרף װאַרטן אױף די אמתע שטימען, װאָס מע װעט צומאָרגנס דערגאַנצן. און מיט דעם איז מען געגאַנגען שלאָפֿן – אַז נתניהוס קעגנערס האָבן געװוּנען.
אַ גאַנצע נאַכט האָט מען געציילט די אמתע שטימען. אין דער פֿרי האָבן מענטשן זיך אױפֿגעװעקט צו גאָר אַן אַנדער רעאַליטעט. סײַ נאָכן אױססאָרטירן און אָפּצײלן בערך אַ דריטל פֿון די שטימען 7 אַ זייגער אין דער פֿרי, סײַ ווען מע האָט שוין איבערגעציילט 50% מיט צוויי שעה שפּעטער, האָט אױסגעזען אַז נתניהו און זײַן בלאָק פֿון דער איצטיקער רעגירונגס קאָאַליציע װעט האָבן די מערסטע ערטער אין דער כּנסת און װעט קענען צוריק װערן די אָנפירענדיקע פּאַרטיי אין לאַנד.
די אַראַבישע פּאַרטײען האָבן אויך געהאַט גרױס דערפֿאָלג. זײערע שטיצערס זײַנען אַרױס אין די טױזנטער צו שטימען (מע זאָגט אַז בן-גבֿיר און זײַן פּאַרטײ האָט זײ אָנגעבייזערט) און באַקומען אַ גרעסערע צאָל ערטער אין כּנסת װי װען עס איז. די פֿאַרגרעסערטע צאָל אַראַבישע װײלער האָבן אױך פֿאַרגרעסערט דעם מינימום צאָל שטימען װאָס אַ קלענערע פּאַרטײ האָט געמוזט אָנזאַמלען כּדי צו דערגרייכן דעם מינימום פֿון 4 ערטער. אױב אין די פֿריִערדיקע װאַלן פֿון 2022 האָט אַ פּאַרטײ באַדאַרפֿט אַרײַנציִען 155,000 שטימען, איז שאַרף געװאַקסן דער מינימום נעענטער צו 184,000 צוליב דער הױכער צאָל װײלער (ייִדן און ניט-ייִדן) װאָס זײַנען אַרױס שטימען.
נאָכן איבערציילן בערך 77% פון די שטימען הײַנט ביז 2 אַ זייגער נאָך מיטאָג, ווערן די 120 כּנסת־מיטגלידער אײַנגעטיילט אַזוי: נתניהוס בלאָק — 54, די קעגנער — 49 און די אַראַבישע פּאַרטייען — 17.
צי די רעזולטאַטן וועלן זיך בײַטן נאָך דעם ווי מע האָט איבערגעציילט 100% וועט מען נאָך זען. מע דאַרף אויך אין זינען האָבן די עטלעכע הונדערט טױזנט שטימען פֿון די סאָלדאַטן. דאָס קען נאָך אַרױסראַטעװען יועז הענדעלס „מילואימניקים“ פּאַרטײ, וואָס איך האָב באַשריבן אין אַ פֿריִערדיקן אַרטיקל.
סך-הכּלען און מעגלעכע אױסקומען
געװיסע פּאַרטײען פֿון נתניהוס בלאָק האָבן פֿאָדערונגען װאָס קענען זײַן פֿאַר אים שװער אױסצופֿירן. למשל, די חרדים האָבן געזאָגט אַז זײ װעלן זיך דאָס מאָל ניט פֿאַראײניקן מיטן ליכּוד, כּל־זמן מע װעט ניט באַפֿרײַען צענדליקער טױזנטער פֿרומע יונגעלײַט פֿון מיליטער-דינסט. בן-גבֿיר האָט געפֿאָדערט אַז ער זאָל זײַן דער פֿאַרטײדיקונג־מיניסטער. אַנדערע פּאַרטײען װעלן זיכער האָבן נאָך פֿאָדערונגען.
עס קען זײַן, אַז נתניהו װעט װעלן זיך אָפּטשעפּענען פֿון די קאָפּװײטיקן פֿון זײַנע ביז-איצטיקע שותּפֿים, און זוכן זיך צו פֿאַראײניקן מיט געװיסע פּאַרטײען פֿון זײַנע פּאָליטישע קעגנערס.
די מערסטע ציוניסטישע פּאַרטײען װאָס האָבן זיך קעגנגעשטעלט נתניהוס בלאָק, װעלן זיכער ניט װעלן זיך פֿאַראײניקן מיטן ליכּוד כּל־זמן נתניהו איז אין דער שפּיץ. צי װעט ער זײַן גרײט צו זײַן אויפֿן צװײטן אָרט? לױט די איצטיקע געזעצן קען ער ניט װערן אַ מיניסטער אַזוי לאַנג ווי מע פֿירט קעגן אים אַ משפּט. צי װעט עמעצער צוליב דעם אײַנפֿירן אַן ענדערונג אינעם געזעץ?
די װאָס האָבן הײַנט אפֿשר דעם גרעסטן כּוח זײַנען די צװײ אַראַבישע פּאַרטײען. װי פּראַגמאַטיש װעלן זײ קענען זײַן? זײ װעלן כּמעט װי זיכער זיך ניט פֿאַראײניקן מיט אַ טײל פֿון נתניהוס בלאָק. די גרעסערע גרופּע האָט זיך אױסגעדריקט אַז זײ זײַנען גרײט אַלץ צו טאָן כּדי נתניהו זאָל ניט קענען צוריק װערן דער פּרעמיער. פֿון דער אַנדערער זײַט זײַנען ליכּודס אײנציקע מעגלעכע שותּפֿים די פּאַרטייען אין דער אַנטי-נתניהו מחנה. די מערסטע פֿון זײ האָבן צוגעזאָגט זײערע װײלער אַז זײ װעלן קײנמאָל ניט װערן שותּפֿים פֿון די אַראַבישע פּאַרטײען.
אין מײַן פֿריִערדיקן אַרטיקל האָב איך דערציילט וועגן דעם קאַנדידאַט יואבֿ סעגאַלאָװיטש – דעם געוועזענעם, פֿאַרדינסטפֿולן הויפּט פֿון דער ישׂראל־פּאָליציי וואָס פֿיגורירט אויפֿן צווייטן אָרט אין דער איסלאַמישער רע״ם פּאַרטײ. איז מעגלעך אַז די ציוניסטישע פּאַרטייען וועלן זײַן גרייט צו מאַכן אַ קאָאַליציע מיט זיי? ס׳קלינגט אוממעגלעך אָבער אין דער ישׂראל־פּאָליטיק קענען תּמיד פֿאָרקומען סורפּריזן.
The post What can we make of the initial results of the Israeli elections? appeared first on The Forward.
