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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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After attacks, Jewish security watchdogs warn of ‘most elevated and complex threat environment’ in recent history
(JTA) — A string of recent synagogue attacks across North America and Europe has left security officials sounding the alarm bells.
“We are in the midst of the most elevated and complex threat environment the Jewish community and this country has seen in modern history,” said Kerry Sleeper, chief of threat management and information sharing for the Secure Community Network, a Jewish security organization.
Sleeper’s comment came during an SCN webinar on Friday, held in response to the previous day’s attack on Temple Israel in West Bloomfield, Michigan, where an assailant rammed into the synagogue armed with rifles and smoke bombs.
Though the attack was successfully thwarted by existing security measures, Mitchell Silber, executive director of the Community Security Initiative, said in an interview that Jewish institutions may now need additional layers of protection.
“This might be a bit of a tipping point where we’ve gone to a new level, where really what’s required to secure a Jewish institution in the U.S. starts to look like almost a Europeanization of security,” Silber said.
That would include posting multiple armed guards outside entrances and requiring increased screening before entry, he said. Many European synagogues also require attendees to go through security screening at some distance from the building, rather than at their doors.
“Unfortunately that seems to be where we are right now — the Jewish community has to up its game in terms of the external security of its locations,” he said.
Currently, a shutdown at the Department of Homeland Security since Feb. 14 is halting the review of millions of dollars in security funding for nonprofits, constraining the ability of Jewish institutions and other vulnerable groups to upgrade their security infrastructure.
The Temple Israel attack came within two weeks of attacks in Austin, Texas, and at Old Dominion University in Virginia. Those other attacks were not on Jewish institutions, but Sleeper, a former FBI assistant director, said the “various motivations of the attackers appear to be affiliated with the war between the U.S., Israel and Iran.” He added that the assassination of Ayatollah Ali Khamenei in Iran, and President Donald Trump’s stated desire to facilitate a regime change, have “contributed to the extremely high threat environment.”
Meanwhile, things have escalated outside the United States. Three Toronto-area synagogues were hit with gunfire over the last couple of weeks, and a synagogue in Rotterdam was targeted by an arson attack early Friday morning, allegedly by a group that has also claimed credit for an explosion at a synagogue in Belgium.
The flurry of attacks has the entire Jewish world on edge going into Shabbat — and some watchdogs say things could soon get worse.
“It is not entirely shocking to those of us who’ve watched this space for a long time,” said Mike Jacobson, a senior fellow at the Washington Institute for Near East Policy who served in the State Department’s Counterterrorism Bureau. “I would think things would continue to ratchet up again, at least in the short term.”
He pointed to the Iranian Revolutionary Guard Corps’ activation of sleeper cells — their agents lying in wait until called to action to commit an attack — across the West, as a danger to vulnerable targets, which includes Jewish communities.
Another source of danger, Jacobson said, comes from copycat attacks.
“There’s also this mix that makes it really hard to sort out in the initial stages, where you’ve got people, not only who may be directly tied to Iran, but people who are so-called ‘inspired’ by this,” Jacobson said. “Those are often really hard for law enforcement to get advance notice on.”
Not always does the threat come from direct orders from Iran, he said. “It’s often difficult to tell: Is this something that is directly tied to the organization, or is this something that is more by someone inspired [by the IRGC]?”
He added, “They are trying to inflict pain in as many directions as they can.”
As security organizations encourage increased caution and awareness of suspicious activity, they are also emphasizing that those measures shouldn’t come at the expense of gathering in communal Jewish spaces.
“We’re not going to let the terrorists take away our confidence or the ability to embrace our religion,” said Michael Masters, SCN’s national director, during the Zoom webinar.
Masters’ sentiment is also shared by congregational leaders like Rabbi Adam Roffman, of Congregation Shearith Israel in Dallas.
“Sure, security is something we think a lot about, and we’ve done our best to protect ourselves,” Roffman said. “And at the same time, the life of this community goes on.”
At Temple Israel, Shabbat services are being streamed from the nearby country club that served as a reunification center for families after the attack. The synagogue wrote on Facebook: “We’re so glad you’re joining us tonight as our community comes together to welcome this much needed Sabbath.”
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Muslim advisor to Trump’s Religious Liberty Commission resigns to protest ‘Zionist political agenda’
(JTA) — The Trump administration’s Religious Liberties Commission was wracked again this week over anti-Israel sentiment, as a second affiliated individual has exited while claiming it had been hijacked by a “Zionist political agenda.”
Sameerah Munshi, a Muslim member of a board that advises the commission, announced late Thursday that she would be stepping down. Her reason, she said, was to protest the dismissal of commissioner Carrie Prejean Boller, who was ousted last month after she used a hearing on antisemitism to expound on her objections to Israel and Zionism.
“In this country, people of faith are having their free expression stripped away, and even their lives put at risk, because of their deeply held beliefs about Palestine, all for the sake of a Zionist political agenda,” Munshi wrote in a resignation letter she posted to Substack. “The removal of a Catholic commissioner for expressing dissenting views grounded in her faith is the exact affront to free expression and religious liberty that I spoke out against.”
Munshi posted her resignation to X just before 10 p.m. Thursday, hours after an attacker drove a car into a Michigan synagogue while a preschool was in session. She did not mention the incident in her letter, which she said instead was timed to Prejean Boller’s formal ousting by Trump earlier that day.
The Council on American-Islamic Relations praised both Munshi and Prejean Boller on Friday for their “courage.”
“Ms. Prejean Boller and Ms. Munshi fulfilled the commission’s stated purpose by opposing all forms of anti-religious bigotry and standing up for every person’s right to express their religious beliefs, including opposition to Israel’s genocide in Gaza,” the council said in a statement. “The commission is now clearly meant to protect Israel from criticism, not to protect religious freedom for the American people.”
Munshi is a recent Brown University graduate and onetime director of the Muslim organization Coalition of Virtue. She was embraced by the Christian right after publicly opposing a change in a Maryland public school system’s policy allowing parents to opt their children out of curriculum, including LGBTQ material, that went against their religious beliefs. The policy Munshi protested was eventually taken to the U.S. Supreme Court, which ruled in favor of parents who had challenged the school.
Munshi’s biography on the commission’s website was still active as of Friday. It states, “Sameerah has courageously spoken out against forcing children to learn radical gender ideology in schools.”
Munshi had been outspoken for weeks about her support of Prejean Boller, with whom she was ideologically aligned on Israel, after Prejean Boller’s remarks during the antisemitism hearing caused a firestorm.
Like Prejean Boller, Munshi is also a follower of Candace Owens, the right-wing pundit who has embraced a number of antisemitic conspiracy theories. She praised Owens’ conversation with Jewish pro-Palestinian academic Norman Finkelstein last fall, writing on Instagram that Owens had a “rare willingness to confront uncomfortable truths head-on,” and suggested future guests for Owens to interview.
Munshi has been aligned with Prejean Boller since the fall, when Prejean Boller approached her after Munshi testified to the commission in favor of public schools’ rights to protest Israel. “Carrie has been wonderful. We’ve become pretty good friends at this point, and we’ve shared a lot,” Munshi told Middle East Eye.
On her Instagram before last month’s antisemitism hearing, Munshi wrote that the two of them had pushed the commission to invite “fair witnesses” to the hearing that would have reflected their own perspectives, including Finkelstein, left-wing Israeli academic Miko Peled, anti-Zionist rabbi Yaakov Shapiro, and David Spevak, an American Jewish activist and descendant of Holocaust survivors who has compared Jewish summer camps and cultural programs to the Hitler Youth.
After Prejean Boller’s performance at the hearing, during which she told Jewish witnesses that her Catholic faith compelled her to oppose Israel and Zionism, Munshi defended her from blowback from Jewish groups and the Trump administration. The Wall Street Journal wrote in an editorial that the two “left together and appeared to be texting amid the hearing,” appearing to allege collusion in Prejean Boller’s line of attack.
“Christian views and beliefs were targeted as ‘antisemitic’ for merely expressing concerns about the ongoing conflation between criticism of the state of Israel and anti-Jewish animus,” Munshi wrote on her Substack in February. “During the hearing, an attempt was made by a collection of ‘Israel First’ actors to redefine antisemitism to include all criticism of Israel, smear many concerned citizens as bigots, and even gatekeep what counts as ‘real’ Judaism by confining it to Israel-first Jews.”
Trump established the Religious Liberties Commission last year, with the order’s text stating that it would “offer diverse perspectives on how the Federal Government can defend religious liberty for all Americans.” Munshi was one of three Muslims on the commission and the only Muslim woman; all three were chosen to serve in an advisory capacity, rather than as full commissioners.
In her resignation letter Munshi also said she was resigning in protest of the Trump administration’s war with Iran, which she wrote was being done “at the urging of a genocidal state.”
“I support America over Israel, and unfortunately that means I cannot support Trump or this government,” Munshi continued.
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Oklahoma attorney general accuses officials of rigging vote on proposed Jewish charter school
(JTA) — Oklahoma’s attorney general is accusing a state board of trying to rig the legal fight over a proposed Jewish charter school — a dispute that could open the door for publicly funded religious charter schools across the United States.
Attorney General Gentner Drummond filed a motion this week asking an Oklahoma County district judge to intervene after the Statewide Charter School Board rejected an application to open the Ben Gamla Jewish Charter School, a virtual statewide school that would combine secular studies with Jewish religious instruction.
Drummond alleges that the board engineered its vote so the rejection would focus only on the school’s religious character, strengthening the legal case for the school’s supporters, who are preparing a federal lawsuit challenging Oklahoma’s ban on religious charter schools.
“A state agency that deliberately hobbles its own legal position is not doing its job — it is betraying Oklahoma taxpayers. I will not allow that,” Drummond said in a statement.
He added: “The Board deliberately suppressed those findings to manufacture a cleaner path to federal court. I will not allow this Board to rig the record at taxpayers’ expense.”
Drummond asked the court to order the board to issue a new rejection letter detailing all of the reasons the proposal was deficient.
The dispute centers on the National Ben Gamla Jewish Charter School Foundation, led by former Florida Democratic Rep. Peter Deutsch. The group applied to open a statewide online charter school serving kindergarten through 12th grade students beginning next school year.
The proposal called for a curriculum combining secular coursework with daily Jewish religious studies. If approved, it would have become the nation’s first publicly funded religious charter school.
Jewish groups in Oklahoma have opposed the proposal, saying they prefer not to be thrust into the middle of a debate over church-state separation and that there is little demand for such a school among local Jewish residents.
The charter board voted earlier this week to reject the application, citing a 2024 Oklahoma Supreme Court ruling that charter schools must remain secular.
That ruling overturned a previous effort to open a Catholic charter school, St. Isidore of Seville Catholic Virtual School. An appeal to the U.S. Supreme Court ended in a 4–4 tie after Justice Amy Coney Barrett recused herself, leaving the state court decision in place.
Several board members said the precedent left them no choice but to reject Ben Gamla’s application.
At the same time, the board has signaled it may support the school’s broader constitutional argument in court. The board hired the conservative Christian legal group First Liberty Institute to represent it in the expected litigation and has indicated it could back the school’s position once a lawsuit is filed.
Drummond, who also fought the Catholic charter school proposal, said the legal question about religious charter schools had already been settled by the state courts and insisted his objection to the board’s vote was procedural rather than religious.
Among the issues he says the board improperly left out was a discrepancy in Ben Gamla’s projected enrollment.
Deutsch initially said the online school would serve about 40 high school students, but the formal application projected enrollment of 400 students across grades K-12.
State officials also raised questions about the composition of the school’s governing board. Oklahoma law requires a charter school board to include a parent or grandparent of a student. Ben Gamla listed Brett Farley, executive director of the Catholic Conference of Oklahoma, as its parent representative.
Supporters of the school have said they plan to challenge Oklahoma’s prohibition on religious charter schools in federal court, arguing that excluding religious schools from charter programs violates the Constitution’s protections for religious freedom.
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