Uncategorized
With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
—
The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
Uncategorized
Ossoff vs. Collins: The choices facing Jewish voters in the Georgia Senate race
(JTA) — Georgia Jews will choose between a Democratic politician who wants to limit arms sales to Israel and a Republican with ties to white nationalists when they head to vote Tuesday in a Senate race that will help determine which party controls the chamber.
The race pits incumbent Jewish Sen. Jon Ossoff – widely expected to be a 2028 presidential contender – against GOP Rep. Mike Collins. The Republican challenger has received a good deal of media attention, as well as attacks by his opponent, over family members’ and former employees’ far-right political views. Ossoff, meanwhile, sparked outrage among some in the Jewish community when he became one of the earliest Senate Democrats to vote to halt certain arms sales to Israel.
Collins’ son-in-law, David Alan Scheer II, has invoked the Jewish Bolsheviks conspiracy theory propagated by Nazi Germany that blamed Jews for atrocities committed by the Soviet Union. He has also complained about Holocaust education and media on the subject.
“They don’t tell us the history of Germany before World War II,” Scheer said in a YouTube video last year, titled “I’m NOT a Judeo Christian.”
He continued, “All we’re told is Germany bad, Hitler evil, don’t ask questions. Holocaust, Holocaust, Holocaust. Here’s 50 movies every year about the Holocaust and why it’s so bad.”
In the same video, Scheer also said that “Jewish executives run the entire mainstream media complex” as well as “homosexual propaganda, they run all of the fraudulent banking systems and insurance scams. They are behind this orchestrated downfall of what was once the most prosperous nation in the world.” Israeli newspaper Haaretz has reported that Scheer apparently lives in a house built on property owned by Collins.
The Collins campaign did not return the Jewish Telegraphic Agency’s request for comment. But elsewhere Collins has addressed Scheer’s statements by saying, “I don’t believe or support those views.”
Scheer did not respond to a request for comment.
Meanwhile, a former Collins staffer had posted Nazi imagery and an image of what appeared to be himself in KKK robes, The Washington Post reported in August. Collins replaced another staffer — his chief of staff Kip Talley — in 2024 after Slate reported that he was in a group chat with streamer Nick Fuentes, widely accused of being one of the internet’s foremost antisemites, and white supremacist Richard Spencer. Slate reported that the chat was dedicated to trying to help Charles Johnson, who has been accused of promoting Holocaust denial and was in jail at the time.
In a statement, Talley told Slate that he acted “solely in my personal capacity after hearing concerns that an acquaintance I have known for years was being mistreated in custody and denied basic medical care.”
The Georgia congressman also appeared at last year’s New York Young Republican Club gala, which drew controversy as it hosted white nationalists and a number of officials from Germany’s far-right AfD party. Fuentes said that he received an invitation that was later rescinded, and Jewish New York City Council member Inna Vernikov backed out of the event and suggested the decision was connected to antisemitism on the right.
Collins has responded to questions about his connections to these white nationalist elements by saying he condemns “all forms of antisemitism” and hate, and citing his support for Israel.
J Street, the liberal Jewish Middle East advocacy group, homed in on Collins’ far-right connections in a 15-second ad released last week that ended with the message, “Mike Collins: Dangerously extreme for Georgia.”
The attack ad was the first released in J Street’s $3 million campaign this year to take down six Republican candidates who are backed by the pro-Israel lobbying group AIPAC. In a piece for the Atlanta Jewish Times, Collins wrote earlier this month that he supports Israel “because my faith tells me to and because it is the right policy for America.”
Ossoff, meanwhile, has long targeted Collins over his white nationalist ties, calling him a “notorious bigot, antisemite and extremist” in June. Ossoff told Collins during a debate that he “hired half the Third Reich to staff your congressional office.”
The quip drew some pushback. “Jon Ossoff, my advice to him is, if you start calling your political opponents Nazis, maybe it’s time to shut up,” said The Atlantic’s center-right staff writer David Brooks, during a PBS NewsHour conversation about personal attacks in this year’s U.S. Senate races. “That’s just not what we do here in this country.”
Meanwhile, Collins’ Jewish supporters have said that Ossoff’s status as a Democrat — a party that increasingly includes strident anti-Zionist voices — is more damning than the headlines around Collins.
“At a time of rising antisemitism, at a time when Jewish Americans need friends, Mike Collins has been a friend to the Jewish community,” Sam Markstein, spokesperson for the Republican Jewish Coalition, told JTA. He said that Collins was “a friend to the Jewish community in the aftermath of Oct. 7” and pointed to his voting record on Israel.
Eric Levine, an RJC board member, said he has not been involved in this particular race but that extremes “must be condemned” on both sides.
“It is never a good thing to have ties to antisemitic/far-right figures,” he told JTA in a text. “I will also say, it is never a good thing to have ties to antisemitic/far left figures like Hasan Piker, [New York Mayor] Zohran Mamdani, [Michigan Senate candidate] Abdul el-Sayed and much of the DSA/Democratic caucus.”
Piker, an anti-Israel streamer who has campaigned with some left-wing Democratic candidates, has drawn heat for remarks about American Jews’ connection to Israel. Earlier this year, he named Ossoff positively as a “dark horse” contender for the 2028 Democratic presidential nomination. Ossoff later distanced himself from Piker and has said he will not run for president in 2028. Ossoff endorsed El-Sayed after he won the Democratic nomination in Michigan.
Ossoff has also come under fire for his decision to vote to block certain arms sales to Israel during the height of the Gaza war in November 2024, a position that he has generally stuck to since then.
In July 2025 he voted to block a sale of rifles to Israel, citing mass starvation in Gaza caused by “the policies of Prime Minister Benjamin Netanyahu’s government,” but voted against a resolution that would block an air-to-ground munitions sale.
Ossoff wrote at that time that the U.S. “must continue to support the Israeli people, who face the persistent threat of rocket and missile attack and have been subjected to intense aerial bombardment from Iran, Lebanon, and Yemen.”
Though Ossoff called his commitment to Israel’s security “ironclad” in a Senate floor speech ahead of the arm sales vote, some Jewish voters and organizations said it rang hollow.
Michael Morris, publisher of the Atlanta Jewish Times, penned an open letter this August blasting Ossoff for “lying to me and your constituents” about his support for Israel.
Ossoff’s first vote against weapons in November 2024 spurred another critical letter from several Georgia Jewish organizations including synagogues, Jewish schools, the local Anti-Defamation League chapter and other groups. His vote also drew the attention of AIPAC, which released 30-second ads attacking U.S. senators — including Ossoff — who had voted to block weapons sales.
Asked about Collins’ far-right ties, Morris told JTA he did not believe they were disqualifying.
“Most of the complaints about him are about his son-in-law who is a virulent antisemite,” Morris said in a text. “But his son-in-law does not get to vote, and as a father of 4 girls I can tell you that we do not get ANY say in who our girls marry, so from that standpoint, I am not concerned.”
Morris also said that neither President Donald Trump nor President Joe Biden condemned the most extreme among their voters, and opined that when it comes to Collins’ own extreme backers, he “can maintain their support without taking in their position.”
A number of readers disagreed with Morris’ sharp criticism of Ossoff, however, and wrote letters to the editor expressing their disapproval, as well as their concern about Collins.
“Mike Collins has peddled antisemitism. He has surrounded himself with bigotry while refusing to denounce white supremacy,” wrote a reader named Richard Mitchell, who said he is from Atlanta. “These values do not represent Georgians and are fundamental to why I will not be supporting Collins this election.”
Halier Soifer, CEO of the Jewish Democratic Council of America, which has endorsed Ossoff, wrote in a statement to JTA that her organization recognizes Ossoff’s “steadfast support for Israel’s security and future as a Jewish and democratic state.”
“Georgia voters should remember that a vote for Mike Collins is a vote for Donald Trump, and Collins is one of the most extreme candidates on the ballot,” she wrote.
This article originally appeared on JTA.org.
The post Ossoff vs. Collins: The choices facing Jewish voters in the Georgia Senate race appeared first on The Forward.
Uncategorized
Arab parties have rarely been full partners in governing Israel. It’s time to let them into the tent of Abraham.
Like a goal-line pileup in football, with half the players signaling a touchdown and the other half celebrating a defensive stop, everyone is claiming victory in Israel’s election. Prime Minister Benjamin Netanyahu points to Likud’s status as Israel’s largest party. His opponents point to the loss of his governing majority. Did Netanyahu win? Did the opposition win? Those of us watching from the stands are waiting for the referee’s signal, unsure of what exactly is going on in the field.
The arithmetic is straightforward. In Israel’s 120-seat Knesset, a governing coalition needs 61 seats. Netanyahu’s bloc won 53. The principal Jewish-led opposition parties won 48. Israel’s Arab parties won an unprecedented 19 seats, nearly doubling their previous representation. Neither major bloc can govern alone. The election is over, but the overtime game of coalition politicking has just begun.
There are several paths forward. Netanyahu and his opponents could form a national unity government. Alternatively, either bloc could seek cooperation with Arab parties. The difficulty is that political leaders have drawn red lines against both possibilities.
Herein lies one of the most uncomfortable paradoxes of Israeli democracy: Arab citizens have exercised their democratic rights in extraordinary numbers, yet the very parties whose votes could break the political deadlock are those whom much of Israel’s political establishment refuses to consider as governing partners.
Arab parties have rarely been full partners in Israeli governing coalitions. During Israel’s early decades, Arab lists affiliated with the ruling party participated but enjoyed little autonomy. In the 1990s, Yitzhak Rabin relied on Arab parties from outside his coalition. In 2021, Mansour Abbas and his Islamist Ra’am party became the first independent Arab party to join an Israeli government. Ironically, Netanyahu himself had explored cooperation with Abbas earlier that year.
Since Oct. 7, political boundaries have hardened. The attack, the hostages, the war, the continuing grief and fear have shattered trust. Many Israeli Jews now regard cooperation with non-Zionist parties with profound suspicion. These anxieties cannot be dismissed; there remains a trauma through which much of Israeli society sees its present and future.
The predicament has been called a “dilemma from hell.” Either politicians find a way to cross red lines or Israel risks another election, another round of recriminations, another deepening of its internal divisions.
At the heart of this political dilemma lies a question as old as the Jewish people itself: Can the Jewish family make room for those who do not share its Jewish identity? Can we affirm our own destiny without excluding another?
The biblical precedent
This is not the first time the Jewish people have confronted the question of whether there is room in the Jewish family for those who do not share its identity. The question goes back to the very first Jewish family. In the biblical account, Abraham and Sarah are blessed with Isaac, their long-awaited son. But Isaac is not Abraham’s firstborn. Years earlier, Sarah had given her Egyptian maidservant Hagar to Abraham, and Hagar had borne Ishmael. When Isaac arrives, Sarah perceives Ishmael as a threat. Biblical commentators debate her motivations: Was Ishmael behaving dangerously? Was Sarah concerned about inheritance? Whatever her concerns may have been, Sarah’s demand is unequivocal: “Cast out that woman and her son.” Despite Abraham’s distress, Hagar and Ishmael are sent into the wilderness.
The first Jewish family could not find a way to live together.
Jewish, Christian and Islamic traditions have long associated Ishmael with the ancestry of Arab peoples. It raises the question. What if Isaac’s covenantal destiny had not required Ishmael’s expulsion? What if Abraham’s tent had been large enough for Isaac to remain Isaac, Ishmael to remain Ishmael, and both to know they belonged?
We cannot rewrite Genesis. But given the crossroads Israel faces today, we can ask whether its tragedy must remain ours.
Three considerations make this moment worthy of serious political imagination.
First, consider Israel’s internal political health. Imagine what cooperation across entrenched political divisions might communicate to Israeli society. Coalition politics have always required compromise: Religious parties negotiate military-service exemptions and yeshiva funding. Why should negotiations with Arab parties be categorically unthinkable?
Not all Arab parties are alike, and their differences matter. Mansour Abbas condemned the atrocities of Oct. 7 and has acknowledged Israel’s Jewish character. Surely the “Start-Up Nation” can devise an agreement that safeguards Israel’s security and Jewish character while giving Arab representatives substantive governance over the issues affecting their communities.
Second, consider Israel’s international standing. Israel faces mounting criticism and accusations of discrimination and apartheid. Arab participation in government would not resolve the Palestinian question or erase existing inequalities. But imagine the Jewish state’s democratic promise expressed not only through Arab citizens voting, or the oft-cited presence of Arab pharmacists, but through Arab representatives sharing responsibility at the highest levels of government. What happens in Israel does not stay in Israel. Those of us who defend Israel in the public square understand the significance such an arrangement could carry.
Third, and perhaps most importantly, consider Israel’s Arab citizens. Their communities face violent crime, inadequate policing, infrastructure deficiencies, housing shortages and educational disparities. Effective representation matters. As the saying goes, nobody brings a rental car to the car wash. People invest in institutions in which they have a stake. Giving Arab representatives governing responsibility would strengthen the sense that Israel belongs to all its citizens.
An Israeli friend offered a simple observation this week: “If everyone keeps their pre-election promises, we’re going to have another election.” His comment reminded me of hatarat nedarim, the Jewish legal institution for annulling certain vows. Judaism takes promises seriously. Yet Jewish law also recognizes, as reflected in the tradition of hatarat nedarim and the familiar words of Kol Nidre, that commitments made without full knowledge of future circumstances may, under prescribed conditions and for the greater good, be reconsidered. What good could be greater than the future welfare of the Jewish state?
Jews love invoking Abba Eban’s famous observation that the Arabs never miss an opportunity to miss an opportunity. I can’t help but wonder if this is a moment that future generations will turn that observation back on us.
Perhaps what appears to be a dilemma could become an opportunity to break political deadlock and reconsider entrenched patterns of exclusion – a moment calling for political imagination across the spectrum.
It is the great “what if” of our people, from the first Jewish family to the present day. What if Abraham had found a way to keep Ishmael in the fold? Israel’s leaders now have a chance to recognize possibilities that have longed seemed out of reach; its citizens have a chance to give those leaders the political room to act, and together the opportunity to summon the courage and collective imagination to build a Jewish and democratic state capacious enough for all who seek a place within the tent of Abraham.
The post Arab parties have rarely been full partners in governing Israel. It’s time to let them into the tent of Abraham. appeared first on The Forward.
Uncategorized
American Jews have fought BDS for 20 years. Israel’s election just handed them the winning move.
For decades, the American Jewish community has battled the Boycott, Divestment, and Sanctions movement against Israel. Now, in the aftermath of the election there, it has the opportunity to deal it the biggest blow yet. All it has to do is send one clear message to the Israeli opposition leaders: Join with the Arab parties.
Many Israelis, such as The Democrats party leader Yair Golan, are making the same argument. Arab Israelis voted in historic numbers in this week’s national election, winning a total of 19 seats with all votes counted. Together Zionist and Arab parties would, with 67 seats, become the country’s ruling coalition and bring an end to the government of Prime Minister Benjamin Netanyahu.
Opposition leader Gadi Eisenkot pledged not to bring Arab parties into his coalition, and doing so would be no easy task. But if pressure builds at home and abroad — and if he gets cover and encouragement from Jewish leaders around the world — he might find a way. It’s a big ask of Eisenkot and more conservative opposition members, but it’s the right ask.
Breaking that one promise would enable Eisenkot to keep many more. He could pass his top legislative priorities, including an independent inquiry into Oct. 7, a crackdown on Jewish terrorism in the West Bank and a restoration of democratic norms.
Those are the immediate — and sufficient — Israeli reasons. There is a more basic one: a democracy shouldn’t treat the votes of 20% of its citizens as treyf. And from abroad, there’s an added benefit, one that could have a long-term impact on Israel’s well-being: Undermining the BDS movement.
For a generation, the movement to boycott, divest and sanction the Jewish state has called on governments, businesses and institutions to pull their investments from Israel, cancel Israeli academics and performers, and ban the import of Israeli goods.
It hasn’t succeeded — yet. Israeli international exports surged to $169 billion in 2025, the highest ever, and more than 35 states have passed anti-BDS laws. But BDS has been notching some major wins: In June, United Auto Workers delegates voted — barely — to divest from Israel bonds, the first major union to do so. Internationally, at least 50 universities, institutions and academic groups ended cooperative programs with Israeli universities, and there have been more than 1,000 cases of academic boycotts, cancellation of student exchange programs and research grants.
Some of that is in direct response to the Gaza War, but the BDS movement has built the infrastructure that turned outrage over the war into concrete actions.
The BDS movement has also normalized, or tried to normalize, the idea that entities that do business with Israel are complicit in apartheid, that Israel is a sham democracy and that Zionism is racism. BDS supplies the vocabulary of anti-Israel diatribes on social media.
Now Israel’s election provides a historic opportunity to prove BDS wrong, to take the steam out of a movement that shows no sign of slowing. Bringing together Jews and Arabs in a ruling coalition would be the single greatest blow to BDS.
For decades, American Jewish leaders and organizations have lobbied government officials, organized counter-petitions and worked to stem the BDS tide.
That job can now either get much easier, or immeasurably more difficult. A Jewish-Arab ruling coalition that acts on the issues of crime and under-investment plaguing Israel’s Arab communities would belie BDS advocates’ claim that a Jewish state and democracy are mutually exclusive.
That same Jewish-Arab partnership would have to work toward resolving Israel’s occupation of the West Bank and the Gaza disaster — but those enormous tasks will be much easier with a strong majority and in a country not facing constant international pressure.
And if those 19 Arab seats amount to nothing? If the Jewish parties do all within their power to disempower Arab citizens who turned out in historic numbers?
Try arguing against the BDSers then. Try defending Israel as “the only democracy in the Middle East” when 20% of its citizens were just shut out of national representation.
Of course, there are other good reasons to bring the Arab parties into the government. One of them is written into Israel’s Declaration of Independence, which promises Arab inhabitants of the State of Israel, “full and equal citizenship and due representation in all its provisional and permanent institutions.”
For decades many Arab Israelis didn’t believe that sentence because they didn’t experience it. They stayed home, many because they refused to participate in a system that they believed would never truly serve them. This time, enraged by the Gaza War, fearful of violence in their own community and disgusted by the overt racism of Netanyahu’s Kahanist cabinet ministers, they chose to vote.
“I also wanted to show that Palestinians can participate when we choose to, and that our exclusion cannot be blamed on our refusal to enter the political arena,” wrote the journalist Nagham Zbeedat in Haaretz.
Seeing Arab Israelis dance in celebration when the election results were announced is a testament to the power of democracy and the hope it brings.
I know that what gives hope to American Jews like me instills fear in many Israelis. Palestinians from Gaza came over a border and slaughtered their loved ones.
But Palestinian citizens of Israel did not join the terror — something Hamas leader Yahya Sinwar counted on them doing. Arab Israelis were killed alongside their Israeli Jewish neighbors. And in many cases, they rescued Jews under attack.
American Jewish institutions need to step up and fight as hard for including Israeli Arabs in a new government as they do against boycotting Israel. Because fighting for democracy and fighting against BDS — it’s the same fight.
The post American Jews have fought BDS for 20 years. Israel’s election just handed them the winning move. appeared first on The Forward.

