Connect with us

Uncategorized

With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories

(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.

On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”

Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result. 

But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories. 

“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.

The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)

The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”

Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.

But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.

“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”

“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”

Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)

Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.

“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part. 

“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”

Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.” 

What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.

Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”

Orit Fouks Rotem (Courtesy of Kino Lorber)

“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.” 

In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.

Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.

She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)

Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds. 

In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.

There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.

“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”

Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.

Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.” 

Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.

“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”

For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.

Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew. 

“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.

“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”


The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Spanish Authorities Question Steel Workers Over Alleged Israeli Arms Sales, Sparking Outrage

Containers are seen in the Port of Vigo, Spain, March 13, 2025. Photo: REUTERS/Nacho Doce

Spanish authorities on Tuesday raided a steel factory near Bilbao, northern Spain, questioning staff over suspected violations of the country’s arms embargo on Israel – a move that has sparked outrage among local Jewish leaders and government officials, who denounced it as blatant intimidation.

According to the Spanish news outlet El Debate, police in Basauri – a town in Spain’s northern Basque Country – questioned staff at Sidenor Group, a steel manufacturer and trader, as part of a criminal investigation into alleged illegal arms sales to Israel.

José Antonio Jainaga, president of Sidenor, is accused of “smuggling and aiding in crimes against humanity or genocide by selling unauthorized batches of steel to Israel Military Industries,” according to the report.

However, Jainaga denied “any irregularity in the sales of steel to Israel” in testimony last year, asserting that the steel produced by Sidenor and exported to Israel was not “among the products subject to special control” by the Spanish government. 

The Action and Communication on the Middle East (ACOM) group, a leading pro-Israel organization in Spain, strongly condemned the government’s latest actions as part of a “pattern of political pressure on economic actors for ideological reasons” and an “authoritarian drift and threat to democratic standards.”

“What should have been an administrative compliance process is increasingly perceived as a show of force by a government that has strayed from the standards of transparency, proportionality, and legal certainty promoted by the European Union,” ACOM wrote in a post on X.

“The combination of state intervention with a political climate that tolerates — and sometimes encourages — aggressive activism against Israel and its partners creates a scenario in which civil liberties and the legal security of companies and citizens are steadily eroded,” the statement read.

ACOM also accused Spanish Prime Minister Pedro Sánchez of turning the country into one of Europe’s most hostile toward Israel, alleging the move was meant to divert attention from corruption scandals within his Spanish Socialist Workers’ Party and from recent electoral setbacks.

Since the start of the war in Gaza, Spain has launched a fierce anti-Israel campaign aimed at undermining and isolating the Jewish state on the international stage.

In September, the Spanish government passed a law to take “urgent measures to stop the genocide in Gaza,” banning trade in defense material and dual-use products from Israel, as well as imports and advertising of products originating from Israeli settlements.

More recently, Spanish officials also announced a ban on imports from hundreds of Israeli communities in the West Bank, eastern Jerusalem, and the Golan Heights. 

Among all European Union members, Spain is the second country to take such action, following Slovenia — one of the bloc’s smallest economies — which became the first EU member to ban Israeli products in August, and potentially to be joined by Ireland, where parliament is currently working on a similar measure.

As a major trading partner, Israel exports roughly $850 million in goods to Spain each year — about half the value of Spanish exports to Israel — with products from the West Bank and the Golan making up only a small fraction of those shipments, according to the Israel Export Institute.

Last year, the Spanish government also announced it would bar entry to individuals involved in what it called a “genocide against Palestinians” and block Israel-bound ships and aircraft carrying weapons from Spanish ports and airspace.

Spain has also canceled a €700 million ($825 million) deal for Israeli-designed rocket launchers, as the government conducts a broader review to systematically phase out Israeli weapons and technology from its armed forces.

Amid this increasingly hostile stance toward the Jewish state, the Sánchez administration is facing mounting pressure from the country’s political leaders and the Jewish community, who accuse the government of stoking antisemitic hostility.

In December, Spanish authorities granted Airbus, the European aerospace and defense company, exceptional permission to produce aircraft and drones using Israeli technology at its Spanish plants – a move that reflects growing pressure from companies and domestic interests against the government’s push for trade sanctions on Israel over the war in Gaza.

Continue Reading

Uncategorized

Antisemitic Incidents in UK Surged After Lethal Attack at Manchester Synagogue on Yom Kippur

Police officers stand outside the Manchester synagogue, where multiple people were killed on Yom Kippur, in what police have declared a terrorist incident, in north Manchester, Britain, Oct. 6, 2025. Photo: REUTERS/Hannah McKay

Antisemitic incidents in the United Kingdom spiked to their highest levels last year following the deadly attack at Heaton Park Synagogue in Manchester on Yom Kippur, the holiest day in Judaism, according to newly released data.

The Community Security Trust (CST), a nonprofit charity that advises Britain’s Jewish community on security matters, revealed in an annual report published on Tuesday that Oct. 2, the day of the car-ramming and stabbing attack that left two Jewish worshippers dead and three seriously wounded, saw 40 recorded antisemitic incidents. Another 40 such outrages occurred the next day.

These were the two highest daily totals for antisemitic incidents in 2025. More than half of the incidents included direct responses to the Manchester violence, with some celebrating what transpired.

Melvin Cravitz and Adrian Daulby, the Jews killed in the attack by Jihad Al-Shamie on Oct. 2, are the first victims of a lethal antisemitic terrorist attack in the UK since CST began tracking incidents in 1984.

In its latest report, the CST identified the surge in incidents as a perennial pattern following terrorist attacks targeting Jews.

Overall, CST recorded 3,700 antisemitic incidents in the UK in 2025, the second-highest total ever in a single calendar year and an increase of 4 percent from the 3,556 in 2024.

This is the first report in which more than 200 incidents occurred in every month. The year averaged 308 antisemitic incidents each month — an exact doubling of the 154 monthly average in the year before the Hamas-led Oct. 7, 2023, massacre across southern Israel.

“The tensions that exist in our society have not abated and are both deeper and more long-standing than anything we have experienced in modern times,” said Chief Constable Mark Hobrough, the UK’s national head for policing hate crimes, who called the figures “unacceptably high.”

Antisemitic incidents had fallen from the record high of 4,298 in 2023, which analysts say was fueled by Hamas’s Oct. 7 attack — the biggest single-day massacre of Jews since the Holocaust — when Palestinian terrorists slaughtered 1,200 people, kidnapped 251 hostages, and engaged in sadistic acts of brutal barbarism that one Israeli NGO described in a 2025 report as the “tactical use of sexual violence.”

According to CST’s report, “the enduringly high incident levels and type of content reported since the initial Hamas attack on Oct. 7, 2023, partly reflect the unprecedented length of the subsequent war, its geographical reach from Gaza to Lebanon and Iran, and its consequent continued foregrounding in media, politics and public debate. Anti-Israel protests have persisted, as did vigils for the hostages held in Hamas captivity and marches against antisemitism.”

Similar to the data observed in its latest report of increased antisemitic incidents following the Manchester synagogue attack on Yom Kippur, CST’s prior research also affirmed the trend in noting that 416 of 2023’s incidents took place in the week after the Oct. 7 massacre.

A surge of UK incidents also occurred on the day of and in the two days following the antisemitic terrorist attack at Bondi Beach in Sydney, Australia which left 15 dead. The alleged perpetrators are a father and son team. The father, Sajid Akram, has reportedly praised Islamic State and a top Al Qaeda propagandist.

“Two years of intense anti-Jewish hatred culminated in a jihadi terror attack at a synagogue on the holiest day of the Jewish calendar,” CST chief executive Mark Gardner said in a statement. “The terror attack then triggered even more antisemitism, showing the depths of extremism faced by Jews and all our British society.”

Gardner said the increase in violence and terrorism “makes CST even more determined to keep protecting our community, giving it strength and dignity so it can lead the life of its choice.”

Home Secretary Shabana Mahmood said in response to the report that the government was “providing record funding for security at synagogues, Jewish schools, and community centers.” She vowed, “I will go further to strengthen police powers so they can crack down on intimidating protests.”

Anti-Israel sentiment fueled antisemitism, according to the CST’s data, which showed that 1,977 incidents involved references to Israel, Palestine, the Hamas attack, or the ensuing war in Gaza. “This was true of 52 percent of the incidents reported in 2024, 43 percent of those in 2023, and 15 percent of those in 2022: a year unaffected by a significant trigger event in the region,” CST noted.

According to the report, 170 incidents in 2025 involved an assault, which represents a drop of 16 percent from 2024’s 202.

Geographically, the CST identified the majority of incidents (61 percent) occurring in Greater London (1,844) and Greater Manchester (425) since “these hubs of Jewish life are where the majority of the UK’s Jewish community resides and remain the main targets of anti-Jewish prejudice.” Other hot spots for antisemitism in the UK included West Yorkshire (131), Hertfordshire (126), Scotland (101), Sussex (68), Essex (67), and West Midlands (67).

“In all walks of life, Jewish people have been attacked, targeted, ostracized and excluded,” said John Mann, who serves in the House of Lords and as the country’s independent adviser on antisemitism. “Anti-Jewish racism is present in every sector and every corner of society.”

A further trend that CST identified was the evolving nature of antisemitism in the UK, noting that far right and far left narratives have begun to blend together in an expression of what political scientists have described as the “horseshoe theory” wherein extremists from both sides of the ideological spectrum come to unite around recognizing their common enemy.

“The far-right discourses pervading Israel-related antisemitism showcase the mechanism of contemporary anti-Jewish hate, wherein traditional doctrines of extreme left-wing and extreme right-wing antisemitism overlap in their centralizing demonization of Israel, Zionism and, to varying degrees of unambiguity, Jews,” the report stated.

Continue Reading

Uncategorized

Trump is poised to reinforce Iran’s regime — despite Netanyahu’s pressure

President Donald Trump’s Wednesday meeting with Israeli Prime Minister Benjamin Netanyahu took place with an air of urgency around Iran. Yet the men left their three-hour conclave without resolving a fundamental divergence: Israel is deeply suspicious of any agreement with the Islamic Republic, and Trump has a visible preference for keeping diplomacy alive.

So visible, in fact, that Trump announced on Truth Social after the meeting that negotiations with Iran will continue. Where does that leave Israel, which is deeply concerned that Trump, in search of a quick win, will go for a deal that eases sanctions — strengthening the Iranian regime at precisely the time when it seems brittle enough to fall? And what about Iranian critics of the regime, who have good reason to feel betrayed by an American president who encouraged them to protest, and now seems poised to pursue accommodation with the authorities who had protesters killed en masse?

Of course, nothing in the Trump era can be analyzed with absolute certainty. Strategic misdirection is a recognized feature of even normal statecraft, and Trump has elevated unpredictability into something close to doctrine. Yet even allowing for that ambiguity, the meeting made clear that Israel and the United States are not aligned on an absolutely key issue — a potentially perilous state of affairs.

What does Israel want?

Israel does not trust the Iranian regime, for myriad reasons. The Islamic Republic’s missile programs, its sponsorship of proxy militias, and its long record of hostility toward Israel are viewed as elements of a single strategic problem.

Because of that deep and deeply justified mistrust, Israel is wary of any deal that might stabilize or legitimize the regime — a risk raised by Trump’s interest in a new nuclear deal. Israeli leaders are concerned about long-term risk. A renewed agreement focused narrowly on nuclear restrictions would almost inevitably entail sanctions relief or broader economic normalization. Such measures, from Jerusalem’s perspective, would strengthen the very Iranian system that has spent decades spreading havoc across the region.

That doesn’t mean Israel would prefer immediate military confrontation, or that it will speak out against any deal. An agreement that would dismantle Iran’s expanding missile range, including systems capable of reaching Europe, and cut funding from its network of allied armed groups — Hezbollah in Lebanon, Shiite militias in Iraq, the Houthis in Yemen, and the Palestinian factions Hamas and Islamic Jihad — would possibly be of interest. Trump has so far not publicly stressed those demands.

Israel is politically divided, but when it comes to Iran, a broad consensus cuts across political lines. The regime must fall or radically change, for the sake of human rights within Iran’s borders, and that of a healthy regional future outside them.

What does Trump want?

The American position is less straightforward, largely because it is filtered through Trump’s distinctive political style, and his limited regional knowledge. Trump often appears unbothered by expert and public opinion; he seeks drama, through visible wins, deals, and dramatic reversals. He will present any outcome as an amazing achievement that no predecessor could have hoped for — even if he ends up signing an agreement that looks quite a lot like former President Barack Obama’s 2015 nuclear deal, which he walked away from in 2018.

Trump’s broader worldview might provide insight. Unlike earlier American administrations that explicitly championed democracy promotion, with mixed results, Trump’s national security posture has consistently downplayed ideological missions. His rhetoric and policy frameworks have reflected skepticism toward efforts to reshape other societies’ political systems, instead emphasizing transactional relationships and the avoidance of prolonged entanglements.

This orientation is reinforced by his political base. A significant segment of MAGA-aligned voters wants a more isolationist foreign policy. Within that framework, negotiations that promise de-escalation and risk reduction are politically attractive. Military confrontation, by contrast, carries unpredictable costs.

Trump’s posture, oscillating between threats of force and enthusiasm for negotiation, reflects the strange truth that American political alignments on Iran defy traditional expectations, with hawkishness losing favor on the right. He has preserved the military option while simultaneously projecting optimism about a deal. Meanwhile, a huge and growing armada is parked in the waters near Iran.

What does Iran want?

Assessing Iranian intentions is notoriously difficult. The regime’s history of opaque decision-making, tactical deception, and disciplined negotiation complicates any definitive reading.

Yet certain baseline assumptions are reasonable. First, the regime seeks survival. Whatever ideological ambitions authorities may harbor, self-preservation remains paramount. Sanctions relief, economic stabilization, and reduced risk of direct confrontation with the U.S. all serve that objective.

Second, Iran is unlikely to accept a permanent prohibition on uranium enrichment, particularly at civilian levels. Tehran has consistently framed demands for “zero enrichment” as infringements on sovereignty — a defensible position under the Nuclear Non-Proliferation Treaty.

Third, the regime has strong incentives to resist constraints on its missiles and militias, even though the militias are completely indefensible. But the regime exists, essentially, to export jihad, and those groups have been a central pillar of Iran’s project for decades.

Could the Iranian regime be brought down?

This question lurks behind every discussion of Iran, though policymakers rarely address it directly. Regime change, while rhetorically invoked at times, presents immense practical challenges. Many observers doubt that aerial strikes alone could produce political collapse. Modern regimes, particularly those with entrenched security apparatuses, rarely disintegrate solely under external bombardment. Iran’s leadership has demonstrated resilience under severe economic and military pressure, maintaining internal control despite periodic unrest.

That means meaningful regime destabilization would almost certainly require fractures within the state’s military, intelligence, and security forces, or coordinated ground dynamics that external actors can neither easily predict nor control. Such scenarios introduce enormous risks, including civil conflict, regional spillover and severe disruptions to global energy markets.

The regime’s brutality may reinforce its durability. A leadership willing to impose extreme domestic repression is less vulnerable to popular pressure than one constrained by public accountability. Last month Trump suggested the U.S. would support the protesters; that pledge appears to no longer be on his radar. The protesters were not seeking a better nuclear deal — which is now his apparent sole focus — but better lives.

So what happens now?

All of this suggests that Israel will be unhappy with any outcome to this period of tensions. It is much less likely that pressure from Trump will bring real reform to the Iranian regime is than that Trump will sign off on a deal that seems counter to Israel’s long-term interests.

In the coming days, it may become clearer whether Netanyahu persuaded Trump to expand the scope of negotiations to include Iran’s missile program and its network of proxy militias. It is also possible that talks will collapse, and that military action will follow.

But this much is clear: If the regime survives intact and is strengthened in the process, that would be a profound tragedy. For 47 years, the Islamic Republic has oppressed its own people while exporting instability across the Middle East. That is roughly the same span of time that communism endured in Eastern Europe before popular unrest finally brought it down.

Only a month ago, there was a palpable sense that the Iranian people were courageously pressing for a similar reckoning. To reward a weakened and discredited regime at such a moment by helping it stabilize itself — in exchange for promises about uranium enrichment alone — would be a historic missed opportunity.

The post Trump is poised to reinforce Iran’s regime — despite Netanyahu’s pressure appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News