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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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Israel antiwar protests spur intensifying government crackdown
TEL AVIV, Israel — It was a strange sight, even for wartime Israel: A line of police horses descended into the vast public bomb shelter beneath Tel Aviv’s Habima Square — hooves clattering against the concrete as officers led them to safety.
While the horses got a police escort, just a few feet away, 17 antiwar demonstrators were stuck on a police bus, pleading to be let off before the incoming barrage of Iranian missiles reached the city.
They had been detained as part of the ongoing crackdown on Israelis protesting against the war with Iran, carried out in the name of wartime public safety.
This round of arrests took place on Saturday night. “Our phones began buzzing with the pre-siren warning,” recalled Alon-Lee Green, co-director of the Jewish-Palestinian coexistence group Standing Together and now one of the leaders of a burgeoning antiwar movement. “We kept asking them to let us go down to the shelter. They refused, even though this is completely against the law. They told us it was our problem because we chose to come to the protest.”
When the siren sounded — signaling 90 seconds to take cover — the argument escalated. Onlookers tried to intervene, urging police to allow the detainees into the shelter. Instead the driver took off for a nearby residential building. The activists, some still in handcuffs, were rushed into the lobby and ordered to lie on the floor. “This was not a protected space. We were under a bunch of glass windows,” Green recounted. “If there had been a direct hit … they put our lives at risk in a very serious way.”
In the weeks leading up to Israel and the United States’ joint strikes on Iran, support for full-scale war among Israelis was high, with most people convinced that Prime Minister Benjamin Netanyahu’s dire warning of the immediate and existential threat posed by Iran and his promise to eliminate it “for generations” were both truths. As the war began, and Israelis found themselves rushing into bomb shelters, support remained widespread.
But as the fighting has continued to drag on, the antiwar movement has followed a sharp growth trajectory: from a small gathering of far-left activists outnumbered by the journalists reporting on them to multi-city demonstrations drawing more than 1,000 participants each week. The numbers are still modest compared to the tens of thousands who filled Israel’s streets weekly during the judicial overhaul protests and the hostage demonstrations after Oct. 7, but a significant jump given how popular the war was at its outset.
The rise of the protest movement coincides with a shift in public opinion. Support for the war, which began above 80%, has dropped into the high 60s in recent weeks — still a clear majority, but a meaningful decline for a conflict that initially drew near-unanimous backing. One month in, war fatigue has begun to set in. In addition to the growing death and injury toll and financial loss, Israelis are sleep-deprived, desperate for school to resume, and frustrated that the airport is still not operating at full capacity. They are also watching as the government slashes the state budget.
Organizers say they are encouraged by the rapid growth, even as they navigate the pitfalls of coalition-building. But for now, the movement faces a more immediate challenge: as crowds grow, so too does the force being used by uniformed and plainclothes Israeli police officers to disperse them.
Arrests, forcible removal of demonstrators and confiscation of equipment have now become regular occurrences. According to police, these are legitimate methods for dispersing protests, which they say violate Home Front Command directives restricting large gatherings during wartime. But with beaches and malls around the country packed with people, and Haredi communities holding massive funerals, weddings and holiday celebrations, critics have accused far-right National Security Minister Itamar Ben-Gvir of using those same restrictions as a pretext to silence dissent.
That debate has now moved from the streets to the courtroom. Just as Saturday’s protest was getting underway, Israel’s High Court of Justice ruled that blanket restrictions used to shut down demonstrations did not sufficiently account for the basic right to protest, which the court president stated exists even during wartime. The court ordered the state to raise the cap on demonstrations from 150 to at least 600 people, including at Habima Square.
The ruling came in response to a petition filed the day before by the Association for Civil Rights in Israel and activist Itamar Greenberg, following weeks of aggressive police dispersals. The court also raised concerns about selective enforcement, noting that similar restrictions were not being applied to other large gatherings.
By Saturday night, the decision was already being tested. As hundreds of demonstrators gathered once again at Habima Square, part of coordinated protests that also drew crowds in Haifa and Jerusalem, organizers said they were operating within the court’s guidelines. Police disagreed. Citing security concerns and Home Front Command restrictions, officers moved quickly and forcefully to disperse the crowd, confiscating amplification equipment and signs and arresting 17 people, including Green.
“But we learned afterwards that the police had begged Home Front Command to give the order that the protest was illegal, and they refused,” he said. “After 30 minutes, the police just decided to act on their own command and begin arresting people.”
IDF officials later confirmed to Haaretz that dispersing the demonstration had not been approved by the Home Front Command, saying the decision was made by police alone. The High Court is expected to revisit the issue this week, even as Justice Minister Yariv Levin has called on the government to consider defying any ruling that expands protest rights during wartime.
For Green, the past few weeks reflect a deeper societal shift. “What we’re seeing is the legitimization of political violence,” he said. “It starts with words — calling people traitors for opposing the war or supporting peace — and it slowly becomes something more.” In recent months, a spate of right-wing provocateurs have begun harassing and intimidating journalists, politicians, and protesters with whom they disagree. Prominent leaders, including Green, have also been targeted at their homes.
He added: “When the public sees that it’s becoming dangerous to speak out, to organize, to protest — that violence is an acceptable way to silence a political camp — it changes the entire public space.”
Both Green and Greenberg stress that the antiwar movement is not the first, nor the primary, target of such force. “By no means did this start with our movement,” Greenberg noted. “It begins with the Palestinians. They bear the brunt of police brutality. But that’s how fascism works — people remain silent, and eventually it comes for them.”
Green agrees. “It’s a slow but powerful process of stripping legitimacy from an entire political camp,” he said, “and giving permission to act against it with violence.”
While that threat has surely kept individuals at home, the movement as a whole continues to expand. It now includes veterans of the antigovernment movement, first-time demonstrators, and public figures such as Hadash-Ta’al political party lawmakers Ofer Cassif and Ayman Odeh — even as many prominent opposition figures remain absent.
For Greenberg, the growth is both intentional and complicated. “We not only expected it,” he said. “We were trying to make it happen as soon as possible.”
“As someone who identifies as a radical anti-Zionist, I understand the limits of my political power. We are a small group. But we are part of this society, and we can still create a movement of resistance to this war.”
That has required letting go of control. “We started this, but now we are part of something bigger,” he said. “There are people at the protests whose views I totally disagree with … but right now we have one mutual goal, to stop this war. I cannot afford to be picky.”
Green suggests that tension is central to the movement’s future. “This is where we see Standing Together’s role — to help build as wide a coalition as possible,” he said, describing efforts to bring together more than 50 groups around a broadly shared platform. “Anti-war, anti-government, anti-abandonment, pro-life. Whoever can agree to this can be in the tent.”
It is a fragile coalition. “Right now, we still feel that our specific voice is being heard loudly and clearly,” he said. “But what happens when it grows to 10,000 people and suddenly we are in the minority?”
“It becomes about finding a balance,” Greenberg continued, “Continuing to show up at largest protests and representing the anti-occupation bloc but also making sure that we are developing separate ways to express our specific beliefs.”
For Green, however, the moment feels larger than any one single cause or agenda.
“I think we’re facing a moment where all the different fronts are uniting,” he said. “People are starting to understand that whether you are coming from a humanitarian viewpoint or from a solidarity viewpoint or anti-government or even self-interest, it’s all connected to one overarching question: Are we going to find a way to live here in peace or are we are going to be stuck in this constant state of war, forever fighting, stealing, assassinating, running to shelters, our children missing school?”
As the protests continue to grow — even amid efforts to suppress them — organizers believe they have opened a space that did not exist just weeks ago.
“We have the opportunity,” Green said, “to present a different way.”
The post Israel antiwar protests spur intensifying government crackdown appeared first on The Forward.
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Jewish Georgetown Student Defeats $10 Million Lawsuit Filed by Fired Official Who Promoted Antisemitism
Anti-Israel demonstration on the campus of Georgetown University in Washington, DC in September 2024. Photo: Bryan Olin Dozier via Reuters Connect
A Jewish undergraduate student has defeated a $10 million lawsuit brought by a fired Georgetown University administrator who filed the claim because the student’s efforts to criticize the official’s sharing of antisemitic invective on social media contributed to the termination of their employment.
The student’s victory parries a barrage of accusations which the former administrator, Aneesa Johnson, lobbed at the student, Georgetown, and others. It also vindicates the free speech rights of Jewish students denouncing antisemitism at the highest levels of university governance, according to the student’s legal counsel, provided by The Louis D. Brandeis Center for Human Rights Under Law and Gibson Dunn.
“This ruling is a victory for every student who has ever feared speaking out against antisemitism on campus,” Brandeis Center chairman Kenneth Marcus said in a statement. “A young woman raised her voice about hateful content posted by a university administrator — and was sued for it. Today, the court made clear that kind of retaliation has no place in our legal system. The Brandeis Center will always stand with those who refuse to stay silent.”
As previously reported by The Algemeiner, Johnson’s appointment to Georgetown’s Walsh School of Foreign Service (SFS) in 2023 drew widespread criticism, as she had a history of writing hateful statements about Jews and Israel.
Those statements went back as far as 2015, according to an investigation of her social media activity that was led by Canary Mission. In July of that year, Johnson tweeted: “Ever since going to [Northwestern University] I have a deep seated [sic] hate for Zio [sic] b—ches. They bring out the worst in me.” Johnson also said, “You know why I call them Zio b—ches, because they’re dogs.”
“Zio” is an antisemitic slur brought into prominence by former Ku Klux Klan leader David Duke. While the term, derived from “Zionist,” has generally been deployed by white supremacists and other far-right extremists, it has more recently been used as well by anti-Israel activists on the progressive far left to refer to Jews in a derogatory manner.
A week following the aforementioned posts, Johnson, a member of Students for Justice in Palestine (SJP), retweeted an unflattering picture of an Orthodox Jew and captioned it, “When the whole world hates you bc you a thief and you grow up looking like shaytan [the devil] #GrowingUpIsraeli.”
Six years later, in 2021, Johnson said on a podcast that US support for Israel is due to the influence of “the really powerful Zionist lobby that advocates for policies, statements, voting patterns that benefit the State of Israel.”
Having been hired to be the “primary point of contact” for master’s students on “everything academic” at the SFS, Jewish advocacy groups protested that any Jewish student should be forced to interact with Johnson. Georgetown University heeded their complaints and ultimately fired Johnson and in doing so set off the events which placed a Jewish undergraduate in the middle of a lawsuit seeking a windfall of damages.
The March 31 ruling dismissed the complaint as undermining the “marketplace of ideas,” freeing the student to move on with life.
“This retaliatory lawsuit … sought to punish her exercise of First Amendment rights and chill the expression of countless others,” Gibson Dunn partner Elizabeth Papez said in a statement. “We’re especially pleased that the court agreed our client’s First Amendment defense ‘packs a strong punch’ and compels dismissal with prejudice. The ruling sets a precedent that courts will not tolerate the use of the judicial system to punish those who speak out against antisemitism.”
The Brandeis Center’s legal advocacy has delivered a slew of victories for Jewish students and faculty in 2026.
In March, the organization negotiated a major agreement to settle a lawsuit it filed against the University of California, Berkeley in 2023 over its allegedly failing to address a series of incidents of campus antisemitism which culminated in anti-Zionist students establishing “Jewish-free zones” where pro-Israel advocates were barred from speaking.
The details of the settlement call for for Berkeley’s using the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism as a reference tool, stating a “reaffirmation” of antisemitism as a violation of the code of conduct, conducting an annual survey of the Jewish student body, and appointing an official to manage the school’s compliance with Title VI of the Civil Rights Act, which prohibits discrimination at universities receiving taxpayer money to fund research and other operations. UC Berkeley will also pay the Brandeis Center $1 million as reimbursement for “outside attorneys’ fees and costs incurred” during litigation of the suit.
Joined by the StandWithUs Saidoff Law, the Brandeis Center announced on April 1 that City College of San Francisco (CCSF) upheld the findings of an investigation which found that a Jewish professor, Abigail Bornstein, experienced antisemitic discrimination during a series of explosive confrontations in which now-former CCSF employee Maria Salazar-Colon called her “colonizer,” “Dumb-stein,” and demanded that she “shut the f—k up.”
Those utterances, combined with other comments related to Israel, indicated Salazar-Colon’s awareness of Bornstein’s Jewishness and her willingness to degrade her over it, the Brandeis Center and StandWithUs said — noting that a trivial discussion on college “governance,” not politics or the Middle East conflict, set the staff member off. Salazar-Colon then continued targeting Bornstein through email, denouncing her again as a “colonizer” and making other crude statements. She ultimately drove Bornstein off campus, where she attempted to work remotely while filing formal complaints with the university and the local police department.
“The college did the right thing here. They brought in an independent investigator. They made clear that this was about discrimination based on Bornstein’s protected identity, that being Jewish — not union advocacy — and that’s important and a necessary distinction that we don’t often see being recognized,” Brandeis Center counsel Deena Margolies told The Algemeiner during an interview. “I’m seeing many more of these disciplinary matters in the employee context, and I notice that what often happens is that when a Jewish professor or staff member is targeted or files a complaint, there is often a cross complaint, a baseless complaint which is retaliatory. And yet, they always end up coming through.”
Follow Dion J. Pierre @DionJPierre.
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Iran’s Internet Blackout Hits Record Length as Regime Tries to Crush Dissent in Digital Darkness
People attend the funeral of the security forces who were killed in the protests that erupted over the collapse of the currency’s value in Tehran, Iran, Jan. 14, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iran’s internet blackout became the longest such nationwide shutdown ever recorded over the weekend, as the regime continued to face mounting military pressure, internal unrest, and growing isolation.
According to NetBlocks, an internet-monitoring watchdog that tracks global connectivity disruptions, Iran’s blackout entered its 37th consecutive day on Sunday, making it the longest nation-scale internet shutdown on record after authorities severed internet access as the war with the US and Israel broke out in late February.
The blackout continued on Monday, with the general public cut off from international networks for over 888 hours.
With the regime attempting to suppress internal opposition and silence domestic dissent, the blackout has effectively cut millions of Iranians off from independent reporting on the war and access to global news.
“We constantly find ourselves searching for ways to reconnect, just to be able to hear reliable news,” a 47-year-old woman in the central city of Isfahan told AFP on Saturday.
“Being without internet feels like being without oxygen to me. I feel trapped and suffocated,” a 53-year-old man in Tehran also said.
Iranian authorities have even warned that citizens suspected of accessing internet through virtual private networks (VPNs) — tools that bypass government censorship — could face arrest or imprisonment.
According to state media reports, Iranian security forces have arrested several citizens in recent weeks for using the Starlink satellite internet system, which allows users to bypass state-controlled terrestrial infrastructure.
Iran’s latest internet shutdown marks the second nationwide blackout in less than two months, after authorities previously imposed an 18-day outage in January during mass anti-government protests, which security forces violently crushed, leaving tens of thousands of demonstrators tortured or killed.
Human rights groups warn the regime has repeatedly used nationwide internet shutdowns as a tool to intensify its crackdown on opposition movements and conceal ongoing abuses from international scrutiny.
In recent years, Iranian authorities have accelerated efforts to sever the country’s reliance on the global web by advancing the regime-backed “National Internet” project aimed at consolidating state control over digital communications and information flows.
Meanwhile, the Islamist regime continues to face relentless pressure from US and Israeli strikes as the conflict escalates and prospects for negotiations become increasingly fragile.
In one of its latest attacks, Israel announced that Iran’s Islamic Revolutionary Guard Corps (IRGC) intelligence chief Brig. Gen. Majid Khademi and Quds Force special operations commander Asghar Bagheri were both killed over the weekend.
This latest strike on leadership represents a “significant blow to Iran’s intelligence leadership at a time when the regime is already under sustained pressure,” an Israeli security official told Fox News.
According to the Israel Defense Forces (IDF), Khademi orchestrated overseas terrorist operations and oversaw surveillance targeting Iranian civilians during the regime’s brutal crackdown on protests.
Part of Iran’s elite military force, Bagheri coordinated the recruitment of terrorist operatives across the Middle East and directed deadly attacks against US and Israeli targets abroad.
On Monday, Israeli Defense Minister Israel Katz announced the IDF also struck Iran’s largest petrochemical facility in Asaluyeh, a blow that has effectively taken offline the two plants responsible for roughly 85 percent of the country’s petrochemical exports, crippling a key pillar of Iran’s economy and export capacity.
Katz described the strikes as “a severe economic blow to the Iranian regime, amounting to tens of billions of dollars.”
“Israeli Prime Minister Benjamin Netanyahu and I have instructed the IDF to continue to attack the national infrastructure of the Iranian terror regime with all its might,” the Israeli defense chief said.
“The Iranian terror regime will discover that the continued aggression against Israel and the cowardly and criminal fire at Israeli citizens will lead to the deepening of the economic and strategic damage it is paying and the collapse of its capabilities,” he continued.