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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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Reshaping the Diaspora: Israeli Migration Is Changing Jewish Life Across Europe
Pro-Israel demonstrators gathered at Bebelplatz in central Berlin on Nov. 30, 2025, before marching toward the Brandenburg Gate. Participants held Israeli flags and signs condemning rising antisemitism in Germany. Photo: Michael Kuenne/PRESSCOV/Sipa USA via Reuters Connect
Even as antisemitic incidents across Europe reach levels unseen in decades following Hamas’s Oct. 7, 2023, massacre across southern Israel, Jews and Israelis continue to move to the very cities where Jewish identity feels most fraught — creating an unlikely, though often uneven, pattern of demographic renewal at the heart of today’s Jewish diaspora. It is a quiet shift that persists against all odds: growth where fear might suggest retreat.
Despite an increasingly hostile social and political climate, Jewish life in much of Europe is not shrinking. In some places, it is holding steady — and in others, growing. Indeed, according to recent demographic reports, Israeli immigrant communities in Europe are among the fastest-growing Jewish communities in the world.
In Berlin, Hebrew can be heard on park benches and in co-working spaces. In Amsterdam, Jewish schools report steady enrollment and new Hebrew-speaking parents arriving each semester. In London cafés, Israeli students trade WhatsApp groups for housing and internships, while British Jewish institutions describe newcomers who arrive anxious but eager to build communities. Meanwhile, new Chabad houses continue to open across the continent.
Today, Europe is home to nearly 30 percent of all Israelis living outside the country — roughly 190,000 to 200,000 people — with their population steadily increasing across the continent, according to a report from the Institute for Jewish Policy Research (JPR).
JPR data shows that Israel-born Jews now make up nearly 50 percent of the Jewish population in Norway, 41 percent in Finland, and over 20 percent in Bulgaria, Ireland, Spain, and Denmark.
Over the past decade, the number of Israeli-born Jews has grown significantly in Baltic countries (135 percent), in Ireland (95 percent), in Bulgaria (78 percent), in the Czech Republic (74 percent), in Spain (39 percent), in the Netherlands (36 percent), in Germany (34 percent), and in the UK (27 percent).
Europe today is witnessing both rising antisemitism and a growing presence of Israelis — a dynamic that upends long-held assumptions about Jewish life on the continent and challenges popular narratives about Jewish “safety” and migration in the post-Oct. 7 era. Demographers, Jewish leaders, and recent residents describe a moment defined not by disappearance, but by movement, recalibration, and — in some places — cautious renewal.
“You can really see the growth in recent years,” said Shai Dotish, who lives in Berlin and serves as the director of community development at Israeli Community Europe (ICE) — a nonprofit organization dedicated to supporting Israeli immigrants in 16 cities across the continent. “Our Shabbat dinners keep getting bigger, services are fuller, events are livelier. You can feel a vibrant, thriving Jewish life across the cities we serve.”
A Post–Oct. 7 Europe Transformed
The paradox is clear: antisemitism has reached levels not seen in decades, yet European Jewish communities are being stabilized — and in some cases subtly grown — by Israeli arrivals. Europe today hosts more Israel-born Jews than ever before, and many are arriving even as hostility rises.
“There’s no denying the risk and rising antisemitism, but Jewish life isn’t shrinking — it’s growing,” Doitsh told The Algemeiner, adding that ICE is even opening new centers in other European countries to meet higher demand for community services.
This quiet influx is unfolding against one of the most challenging climates European Jews have faced in the 21st century.
Governments and Jewish security organizations across the continent have documented a dramatic rise in anti-Jewish hate crimes since the Oct. 7 atrocities. Germany recorded more than 2,000 antisemitic incidents in 2024 — nearly double pre-Oct. 7 levels. While Germany’s Jewish population has grown in some urban centers, the rise in antisemitic crimes has prompted heightened security in schools, synagogues, and community hubs.
In the UK, the Community Security Trust (CST) — a nonprofit charity that advises Britain’s Jewish community on security matters — recorded 1,521 antisemitic incidents from January to June this year. This was the second-highest number of antisemitic crimes ever recorded by CST in the first six months of any year, following 2,019 incidents in the first half of 2024.
Last month, hundreds of anti-Israel demonstrators gathered outside St. John’s Woods Synagogue in London to protest the war in Gaza. In widely circulated social media videos, protesters are seen chanting, “We don’t want no two states, Palestine 48,” and “From the river to the sea, Zionism is f– treif.”
France presents a similar pattern. According to the French Interior Ministry, the first six months of 2025 saw more than 640 antisemitic incidents, a 27.5 percent decline from the same period in 2024, but a 112.5 percent increase compared to the first half of 2023, before the Hamas-led invasion of southern Israel.
Across the country, Jewish families have reported removing mezuzot, changing children’s school routes, and avoiding synagogues unless armed security is present.
In France, rising antisemitism and economic factors have led to slight declines in the number of Jewish households, particularly in Paris and Marseille. While French Jews continue to live, work, and participate in communal life, emigration to Israel and other European countries slightly outpaces arrivals.
Smaller European nations — including Spain, Belgium, and Central/Eastern European states — have seen modest Israeli migration, sometimes doubling small local communities.
Amid this increasingly fraught climate, Doitsh said a real sense of vulnerability persists, affecting people’s daily lives as community members and families take new precautions about where they go and what they wear.
For the first time in years, ICE-sponsored events across multiple countries have even had to introduce security. He also noted that organizers are changing event locations and keeping addresses private.
“The community is now dealing not only with antisemitism but with violence, hostility, and open hatred. Many people feel unsafe in their daily lives,” Dotish said.
Yet fear has had a counterintuitive effect: strengthening community life.
“Antisemitism has reinforced community ties,” said Professor Sergio DellaPergola, chairman of JPR’s European Demography Unit and a leading scholar of Jewish population studies. “People seek solidarity and connection. When they feel vulnerable, they look for their own community.”
The Truth Behind the Numbers: An Uneven Trend
Though Israeli-born Jewish communities in Europe have grown substantially in recent years, the trend remains complex and uneven throughout the region.
“This is not a moment of large waves of Jewish migration,” Dr. Daniel Staetsky, senior research fellow at JPR, told The Algemeiner. “What we are observing are moderate but meaningful movements, and they vary significantly by country.”
While the total Jewish population in Europe may not be growing substantially in absolute number, its composition is changing dramatically. This shift reflects two interconnected trends: the demographic decline of native European Jews and the rising number of Israeli Jews relocating to the continent. Even modest arrivals can have a significant impact against the backdrop of an aging Jewish population.
“In Western Europe, immigration from Israel has helped stabilize Jewish populations and, in some cases, create slight increases,” DellaPergola told The Algemeiner. “But these increases occur against a background of demographic decline, especially in countries like Germany and Italy, where fertility is very low.”
In other words, Israeli immigration helps keep European Jewish populations stable, masking the underlying decline of “native” communities where low fertility would otherwise shrink the absolute number of Jews.
Western European nations such as Germany and the Netherlands have seen their Jewish numbers bolstered in recent years by Israelis seeking economic opportunities, academic programs, and, paradoxically, a sense of stability.
In Germany, Israeli arrivals are concentrated in Berlin, Frankfurt, and Munich. Hebrew-language classes and Jewish cultural programming have expanded, stabilizing what would otherwise be a declining population due to low fertility. Security concerns remain elevated, but the communities themselves report renewed energy.
In the Netherlands, slow but steady Israeli immigration helps counterbalance demographic decline. Amsterdam schools, synagogues, and youth programs increasingly rely on this influx.
“Immigration from Israel has played a stabilizing role for countries like the Netherlands,” Staetsky said. “It is not large enough to reverse aging or lower fertility, but it slows decline and creates demographic balance.”
Meanwhile, Britain’s Jewish community has remained largely steady at around 313,000, compared with approximately 300,000–320,000 a decade ago.
According to a 2018 JPR study, high birthrates among Haredi Orthodox Jews are responsible for the recent growth in the number of British Jews after decades of decline. Births in the British Jewish community have reportedly exceeded deaths every year since 2006, implying “Jewish demographic growth in the United Kingdom.”
France’s Jewish population, at roughly 438,500 today, was estimated to be over 500,000 in the mid-2010s — a gradual decline tied in part to emigration and rising antisemitism.
Eastern European Jewish communities, particularly in the Baltics, are also shrinking due to low fertility and ongoing migration, as increasing numbers make aliyah to Israel.
DellaPergola told The Algemeiner that this trend reflects long-term structural factors rather than a sudden ideological shift.
“There is a dynamic flow,” he said. “Many Israelis move to Europe, but simultaneously many European [Jews] move to Israel. You have arrivals and departures, and the result in most countries is relative stability.”
However, DellaPergola also acknowledged that the war in Israel has dramatically altered migration patterns.
In 2024, approximately 80,000 Israelis left the country while only 24,000 returned, creating an unprecedented negative migration balance of almost 58,000 people, according to the Israeli Bureau of Statistics.
“I expect this trend to continue into 2025, marking a second consecutive year of negative migration, something unprecedented,” DellaPergola said.
Some of these emigrants may be responsible for the recent growth of Israeli communities in Europe, according to Staetsky.
Earlier this year, a study by the Israel Democracy Institute found that over one in four Israelis are contemplating leaving the country, pointing to the high cost of living, security and political concerns, and “the lack of a good future for my children” as key factors. Of those considering emigration, the European Union is the top destination (43 percent), surpassing North America and Canada (27 percent).
A Demographic Paradox
Staetsky emphasized that most Jewish migration today is not driven by ideology or fear alone.
“Migration trends reflect a balance of economic and social considerations,” he told The Algemeiner. “People move where they believe opportunity is strongest.”
Europe’s future as a Jewish center is far from assured. Fertility rates across the continent remain low. Political volatility is rising. Trust in public institutions varies sharply by country. For many Israeli families abroad, Europe is not necessarily a permanent destination but part of a global career trajectory.
This uncertainty is not abstract. For some Israelis living in Europe, it has become deeply personal. Take the case of Benjamin Birley — an Israeli Jew living in Rome and a social media influencer — whose experience lays bare the strain many Jews say they now feel in their everyday lives.
Birley came to Italy to pursue a doctoral degree and has spent the past several years there. But he says the climate has shifted sharply, with the Israeli–Palestinian conflict seeping into daily interactions in ways he describes as “unbearable.” Even though he must return to finish his program, he has decided to leave Europe temporarily and go back to Israel “to get some fresh air and breathe.”
“Italy in general has a lot of anti-Israel sentiment,” Birley told The Algemeiner. “There is just a relentless Palestinianism that is always in the media, in the culture, in your local café.”
“If you’re Jewish or Israeli and you’re openly Jewish or Israeli in Italy, you have to be prepared for endless conversations and debate and hostility with random people who literally have no idea what they’re speaking about. And for me that was just not a sustainable way to live,” he said.
DellaPergola cautioned against long-term predictions. “I believe it is not worth making projections given the difficult and uncertain times European Jewish communities are experiencing,” he said.
If there is a takeaway, it is not a grand demographic narrative but a more complex and human one: Israelis and Jews are weighing fear against opportunity, identity against mobility, history against present-day realities. They are choosing Europe not because it is uniquely safe, but because it still offers possibility — even amid threat.
The story of Jews in Europe after Oct. 7 is not retreat. It is one of presence and a quiet reshaping of diaspora patterns in a world where the old certainties no longer hold.
While Europe’s Jewish future remains uncertain, it is being rewritten, not erased.
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Students Form ‘Human Swastika’ at California High School, Post Image With Hitler Quote
Students forming “human swastika.” Photo: Screenshot.
Eight students at Branham High School in the city of San Jose came together last week to form what police described as a “human swastika” on the campus’ football field in another disturbing antisemitic incident at a California K-12 school.
The students captured the moment in a photograph and later posted it to social media, captioning it with a quote by Adolf Hitler.
Authorities in San Jose have launched a hate crime investigation into the incident, according to local media outlets.
School officials denounced the students’ actions.
“Our message to the community is clear: this was a disturbing and unacceptable act of antisemitism,” Branham High School principal Beth Silbergeld said in a statement. “Many in our community were rightly appalled by the image. Personally, I am horrified by this act. Professionally, I am confident that our school community can learn from this moment and emerge stronger and more united.”
According to the Bay Area Jewish Coalition (BAJC), which supports the local Jewish community,
“This incident did not occur in isolation,” BAJC spokesperson Tali Klima told The Algemeiner on Tuesday. “Over the past two years, we have seen a troubling pattern in which Jews are increasingly demonized and targeted. While the circumstances differ from those of Nazi Germany, the common thread is the deliberate spread of harmful narratives.”
Klima continued, “The fact that eight students felt emboldened to engage in this hateful behavior on campus (and then post publicly) reflects an educational environment that has allowed extremist political agendas which are blatantly antisemitic into our schools. The district and state must take decisive action to restore a climate of tolerance, respect, and inclusion for Jewish students and the broader community.”
California’s state government recently approved legislation for combating K-12 antisemitism which called for establishing a new Office for Civil Rights for monitoring antisemitism in public schools, appointing an Antisemitism Prevention Coordinator, setting parameters within which the Israeli-Palestinian conflict may be equitably discussed, and barring antisemitic materials from the classroom.
State lawmakers introduced the measure, also known as Assembly Bill (AB) 715, in the California legislature following a rise in antisemitic incidents, including vandalism and assault. The list of outrages includes a student group chanting “Kill the Jews” during an anti-Israel protest and partisan activists smuggling far-left, anti-Zionist content into classrooms without clearing the content with parents and other stakeholders.
Elsewhere in California, K-12 antisemitism has caused severe psychological trauma to Jewish students as young as eight years old and fostered a hostile learning environment, as previously reported by The Algemeiner.
In Berkeley United School District (BUSD), teachers have allegedly used their classrooms to promote antisemitic stereotypes about Israel, weaponizing disciplines such as art and history to convince unsuspecting minors that Israel is a “settler-colonial” apartheid state committing a genocide of Palestinians. While this took place, high level BUSD officials allegedly ignored complaints about discrimination and tacitly approved hateful conduct even as it spread throughout the student body.
At Berkeley High School (BUSD), for example, a history teacher forced students to explain why Israel is an apartheid state and screened an anti-Zionist documentary, according to a lawsuit filed last year by the Louis D. Brandeis Center for Human Rights Under Law and the Anti-Defamation League (ADL). The teacher allegedly squelched dissent, telling a Jewish student who raised concerns about the content of her lessons that only anti-Zionist narratives matter in her classroom and that any other which argues that Israel isn’t an apartheid state is “laughable.” Elsewhere in the school, an art teacher, whose name is redacted from the complaint for matters of privacy, displayed anti-Israel artworks in his classroom, one of which showed a fist punching through a Star of David.
In September 2023, some of America’s most prominent Jewish and civil rights groups sued the Santa Clara Unified School District (SCUSD) in California for concealing from the public its adoption of ethnic studies curricula containing antisemitic and anti-Zionist themes. Then in February, the school district paused implementation of the program to settle the lawsuit.
One month later, the Louis D. Brandeis Center for Human Rights Under Law, StandWithUs, and the ADL filed a civil rights complaint accusing the Etiwanda School District in San Bernardino County, California, of doing nothing after a 12-year-old Jewish girl was assaulted, having been beaten with stick, on school grounds and teased with jokes about Hitler.
Antisemitism in K-12 schools has increased every year of this decade, according to data compiled by the ADL. In 2023, antisemitic incidents in US public schools increased 135 percent, a figure which included a rise in vandalism and assault.
California is not alone in dealing with the issue. Pennsylvania has a significant K-12 antisemitism problem as well, a fact acknowledged recently by a surrogate of the administration of Gov. Josh Shapiro following Congress announcing an investigation into antisemitism in the School District of Philadelphia (SDP) and a disturbing anti-Israel statement at a high school in the Wissahickon School District.
“Governor Shapiro takes a back seat to no one on these issues, and as he has repeatedly spoken out about antisemitism, and this kind of hateful rhetoric is unacceptable and has no place in Pennsylvania — especially not in our classrooms,” Rosie Lapowsky, a spokesperson for Shapiro, said in a statement first shared with Fox News Digital. “This is a matter the governor has made clear the district needs to take very seriously.”
Follow Dion J. Pierre @DionJPierre.
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Jewish Groups Slam Basque Government for Honoring Anti-Israel UN Rapporteur Francesca Albanese
Francesca Albanese, UN special rapporteur on human rights in the Palestinian territories, attends a side event during the Human Rights Council at the United Nations in Geneva, Switzerland, March 26, 2024. Photo: REUTERS/Denis Balibouse
Jewish communities in Spain and France have condemned the Basque government’s decision to award UN Special Rapporteur Francesca Albanese a human rights honor, citing her long record of making antisemitic remarks, promoting anti-Jewish hatred, and seemingly legitimizing Hamas’s terrorist attacks on the Jewish state.
Last week, the government of the Basque Region in northern Spain announced that Albanese will receive the 2025 René Cassin Human Rights Award, named after French Jewish human rights and Zionist activist René Cassin – author of the Universal Declaration of Human Rights.
“Through her work at the United Nations, Francesca Albanese has played a key role in exposing human rights violations, challenging impunity, and advocating for the effective enforcement of international norms that protect people in conflict and occupied territories,” the announcement read.
Albanese’s work “is marked by legal rigor, independent judgment, and a strong ethical commitment that should guide all those working to uphold human rights on the international stage,” it continued.
In a joint statement on Monday, the Federation of Jewish Communities in Spain (FCJE) and the Representative Council of Jewish Institutions of France (CRIF) denounced the decision, arguing it undermines the principles that Cassin stood for.
“René Cassin, author of the Universal Declaration of Human Rights, Nobel Peace Prize laureate, and fervent defender of justice, held an unwavering commitment to peace, human dignity, and the right of the Jewish people to live in security,” the statement read.
“Awarding this prize to Ms. Albanese constitutes a distortion of Cassin’s legacy and a serious misunderstanding of the values of human rights,” it continued.
Communiqué conjoint – La Fédération des Communautés Juives d’Espagne @fcjecom et le Conseil Représentatif des Institutions Juives de France (Crif) expriment leur profond désaccord avec l’attribution, par le Gouvernement basque, du Prix René Cassin 2025 des droits de l’Homme à…
— CRIF (@Le_CRIF) December 5, 2025
Albanese is set to receive the award at a ceremony on Wednesday in Bilbao, a city in northern Spain.
The World Jewish Congress (WJC) also condemned the Spanish government’s decision, voicing support for the Jewish communities in Spain and France and calling the move “deeply troubling.”
“Albanese has repeatedly advanced narratives that minimize or excuse violence against Jews and has a documented record of antisemitic rhetoric,” WJC posted on X.
The Basque Government’s decision to award the 2025 René Cassin Human Rights Prize to Francesca Albanese is deeply troubling. Albanese has repeatedly advanced narratives that minimize or excuse violence against Jews and has a documented record of antisemitic rhetoric.
We support… https://t.co/ZT5QfOgzpa
— World Jewish Congress (@WorldJewishCong) December 5, 2025
Despite objections from several governments including France, the United Kingdom, Germany, Canada, and the Netherlands, as well as numerous NGOs, Albanese was reappointed earlier this year for a three-year term amid concerns about her controversial remarks and alleged pro-Hamas stance.
Since taking on the role of UN special rapporteur on human rights in the Palestinian territories in 2022, Albanese has been at the center of controversy due to what critics, including US and European lawmakers, have described as antisemitic and anti-Israel public remarks.
In the months following Hamas’s Oct. 7, 2023, massacre across southern Israeli communities, Albanese accused Israel of perpetrating a “genocide” against the Palestinian people in revenge for the attacks and circulated a widely derided and heavily disputed report alleging that 186,000 people have been killed in Gaza as a result of Israeli actions.
She has also previously made comments about a “Jewish lobby” controlling America and Europe, compared Israel to Nazi Germany, and stated that Hamas’s violence against Israelis — including rape, murder, and kidnapping — needs to be “put in context.”
Last year, the UN launched a probe into Albanese for allegedly accepting a trip to Australia funded by pro-Hamas organizations.
In the past, she has also celebrated the anti-Israel protesters rampaging across US college campuses, saying they represent a “revolution” and give her “hope.”