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Douglas Murray: A Champion of Israel

By JEREMY ROSEN Among Israel’s most articulate or fearless non-Jewish supporters is the British journalist, author, and commentator, Douglas Murray. He has been a clarion call for the justice, morality, and human rights that Israel represents — as opposed to the violent, terroristic, and anti-Western positions of Hamas.
More than most people outside of our community, Douglas has helped keep our spirits high and reassured us that all is not lost to the ignorant, venal voices that have all but overwhelmed us these past 10 months.
Murray is currently an associate editor of the conservative British political and cultural magazine, The Spectator  — one of the last bastions of objectivity and honesty in the media today. Of course, I am biased, because he supports Israel in its battle for survival against terrorists and murderers. Just watch him on YouTube if nowhere else — I challenge you not to be impressed by his manner, his style, and his content. His opponents try their best to disparage and delegitimize him, and he stands his ground magnificently.
Murray was born in London in 1979, and won scholarships to Eton College and Cambridge University. At 19, Murray published Bosie: A Biography of Lord Alfred Douglas that won him an award and launched his career as a gay journalist followed by a play, Nightfall, about the Swedish diplomat Raoul Wallenberg.
In 2017, Murray wrote The Strange Death of Europe; Immigration, Identity, Islam. It spent almost 20 weeks on The Sunday Times bestseller list in non-fiction. Murray has also written controversially about identity politics. In 2022, Murray published The War on the West: How to Prevail in the Age of Unreason. 
Bernard-Henri Levy has said of Murray, “Whether one agrees with him or not,” he is “one of the most important public intellectuals today.” People like Ayaan Hirsi Ali and columnist Sohrab Ahmari, have praised Murray’s work.
Murray has said, “If you don’t believe that Israel has the right to stop a group that has proposed repeatedly since its existence that it wants to annihilate Israel, if you believe that Israel doesn’t have the right to try and stop this enemy, then of course you don’t believe Israel has the right to live. You believe Israel has the right to die.”
He spent around six months in Israel following the Oct. 7 attacks, visiting conflict zones and writing in defense of Israel’s actions. Murray has criticized anti-Israel protests and rhetoric in Western countries as being largely motivated by antisemitism and support for terrorism rather than genuine concern for Palestinians. He has described some protests as “terrorist marches.”
Murray has argued that much of the criticism of Israel stems from either explicit antisemitism, anti-Western ideology, or ignorance about the realities of the conflict, all exploited by malicious actors. He has criticized the use of the term Zionism as a slur. He has also criticized the international media for being “focused not on the atrocities Hamas committed against Israel but on the response of Israel to the terrorists of Hamas,” and not showing sympathy to Israeli victims.
In April 2024, he received an honorary award from Israeli President Isaac Herzog for being a “friend to the Jewish people and fighting the resurgence of antisemitism” due to his coverage of the recent attacks and massacre of civilians by Hamas, which was fomented and aided by Iranian financing. Murray has traveled to Israel and to Gaza multiple times, and has reported firsthand instead of relying on subjective secondhand sources.
Of course, none of this implies that Israel has not made mistakes, whether military, politically, or ideologically. But the overwhelming weight of one-sided criticism only makes a peaceful resolution to the conflict less likely.
What kind of person has the courage and the individuality to take such an unpopular stand? Only someone who knows alienation because of his difference and what it is to feel prejudice and rejection. Douglas Murray is a reminder that not everyone in the non-Jewish world is against us.
The author is a writer and rabbi, currently based in New York.
The post Douglas Murray: A Champion of Israel first appeared on Algemeiner.com.

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Orthodox Jewish man stabbed in midtown Manhattan

(New York Jewish Week) — An Orthodox Jewish man is in stable condition after being stabbed on Wednesday evening in the Diamond District of midtown Manhattan. Police are investigating the attack as a possible hate crime.

Police told the Jewish Telegraphic Agency that the NYPD’s Hate Crimes Task Force is investigating the incident as a possible antisemitic attack, and Manhattan Shomrim — the Jewish community watch group — has asked people to share footage as police search for the suspect. No arrests have been made.

The victim was identified by police as a 26-year-old man, and Orthodox Jewish outlet COLLive identified him as a resident of Crown Heights, the neighborhood that is home to the Chabad-Lubavitch Hasidic movement’s headquarters.

He was taken to Bellevue Hospital in stable condition. Police said they were called at about 5:50 p.m. on Wednesday after the man was stabbed in the back with “an unknown sharp object” on 47th Street near Fifth Avenue. ABC7 reported that the victim told investigators he believed he was stabbed with a needle or syringe.

According to the Chabad website, which published an interview with the victim, he is a recently ordained Hasidic rabbi named Joseph, who commutes to Midtown each day to wrap tefillin with Jewish merchants. The attacker, Joseph told the website, was a woman who seemed to be following him prior to the stabbing.

The attack comes as Jewish New Yorkers have been targeted in more than half of the hate crimes committed in New York City this year, despite making up about 12% of the city’s population.

In July, an assailant stabbed two men on the Upper West Side, including one who was leaving a synagogue, while yelling “Allahu akbar,” and was charged with committing hate crimes.

Louis Keene contributed reporting.

The post Orthodox Jewish man stabbed in midtown Manhattan appeared first on The Forward.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

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