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For Many Palestinians, the ‘Day After’ Should Look Just Like the ‘Day Before’
JNS.org – More than nine months after the Israel-Hamas war began, many Palestinians are convinced that the “day after” in the Gaza Strip will be a return to the pre-Oct. 7 era, in which the Iran-backed terrorist group still has control of the coastal enclave. For them, the “day after” means going back to the day before the Hamas-led attack on Israel.
Today, Palestinians fall into two groups: those who hate Hamas but think that under the current circumstances it is impossible to remove it from power, and those who want Hamas to stay in power because they embrace it and its extremist ideology.
Opponents of Hamas contend that until the terrorist organization is totally destroyed, neither the Palestinian Authority nor any Arab state will be prepared to rule the Gaza Strip. And they do not see that objective being met more than nine months after the start of the war.
Recently, Abu Obaida, the spokesperson for Hamas’s military wing, claimed that his group has been successful in bringing thousands of new “fighters” into its ranks to replace those killed since the start of the war.
Even if Abu Obaida’s claim is exaggerated, its purpose is to demonstrate to Palestinians, Arabs and the international community that Hamas is not going anywhere. This is a form of warning to any party that would consider playing a role in the Gaza Strip the “day after.”
Over the past few months, Hamas has killed clan leaders and kidnapped and tortured political opponents to thwart the establishment of a new government.
In response to Hamas’s campaign of terror and intimidation, several clans in the Gaza Strip have released statements declaring their support for the terrorist group and denouncing any “conspiracy” to foster the rise of new leaders there.
That, however, does not mean that Hamas will prevent the Palestinian Authority or any other party from providing financial and humanitarian assistance to the residents of the Gaza Strip.
Furthermore, it does not imply that Hamas will impede any initiative to reconstruct Gaza. As long as these actions do not compromise Hamas’s authority, the organization will permit them to take place.
Where does the Palestinian Authority stand?
Not hiding their dissatisfaction in private, some P.A. officials are disappointed that Hamas still controls the Gaza Strip more than nine months after the war began.
“We thought it would only take a few weeks to remove Hamas from power,” stated one official. “However, several months later, Hamas remains in place and continues to have complete authority over civilian affairs. In addition, Hamas still has many fighters.”
Another P.A. official said that he had anticipated a fall in Hamas’s popularity among Palestinians as the war drags on and more Palestinians lose their lives.
“We see that the opposite has happened,” the official stated. “According to polls conducted after Oct. 7, Hamas’s popularity is rising. This is due to the widespread belief that Hamas is winning the battle. If you watched [the Qatari-owned network] Al-Jazeera, you would also come to the same conclusion—that Israel has been defeated,” he said.
The most recent public opinion poll, conducted by the Palestinian Center for Policy and Survey Research, showed that many Palestinians support Hamas and believe that the terrorist group will continue to rule the Gaza Strip after the war.
When asked who the public would prefer to control the Gaza Strip after the war, 61% (71% in the West Bank and 46% in the Gaza Strip) answered Hamas. Only 16% chose a new P.A. with an elected president, parliament and government, while another 6% chose the current P.A. but without its president, Mahmoud Abbas.
When asked to speculate about the party that will control the Gaza Strip after the war, a majority of respondents (56%) answered that it would be Hamas.
It is also interesting to see that an overwhelming majority of Palestinians (75%) oppose the deployment of an Arab security force in the Gaza Strip. In this regard, these Palestinians have actually endorsed Hamas’s stance, which opposes the deployment of non-Palestinian security forces in the Gaza Strip.
Hamas officials have gone as far as warning that such a force would be dealt with as an “occupying” party—implying that terrorists would target the troops. Egypt, Jordan and other Arab countries do not seem to be enthusiastic about dispatching troops to the Gaza Strip.
Similarly, the P.A., too, does not appear to be excited about returning to the Gaza Strip. That’s because it does not want to be accused of entering the Gaza Strip “atop an Israeli tank.” The P.A., in addition, is also afraid that it will be left alone to bear the burden of rebuilding Gaza because most Arab countries have consistently failed to fulfill their promises to help the Palestinians.
Despite the devastation, most Palestinians support Oct. 7
According to the latest poll, a vast majority of Palestinians (68%) said the terrorist group’s decision to launch the war on Israel was “correct.” Previous polls conducted by the same center have shown that more than 70% of Palestinians support the Hamas-led Oct. 7 attack.
There is virtually no debate among the Palestinians about the “day after” in the Gaza Strip, even though some in Israel and the United States appear to be obsessed with the idea. This is due to the widespread Palestinian belief that Hamas will somehow maintain its hold on power in the Gaza Strip after the war.
The Palestinians are probably the only ones who could force Hamas to relinquish control of the Gaza Strip. It remains to be seen whether or not the Palestinians who lost their homes and loved ones will rise against Hamas after the war or if a large number of them will take to the streets to express their support for the terrorist groups, either out of fear or genuine sympathy.
Originally published by the Jerusalem Center for Public Affairs.
The post For Many Palestinians, the ‘Day After’ Should Look Just Like the ‘Day Before’ first appeared on Algemeiner.com.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
