Features
Gail Singer- covering the arts spectrum

By GERRY POSNER
I have often written in this paper about the huge contribution that Winnipeg Jews have made to the arts. To tackle this topic and omit Gail Singer would be a major omission.
I suspect many readers might be familiar with Gail’s works, but they may not realize that she is the same Gail Singer from Winnipeg and the same Gail Singer who ran a prominent business in Osborne Village for several years in the late 60s and early 70s known as Kitchen Things. Well, that was just the beginning.
Gail’s career has been both varied and long. To compress it into an article for the JP&N is not to do justice to all that she has accomplished (and, I might add, is still accomplishing to this day). As Gail likes to put it “her biography reminds the reader of Neapolitan ice cream: many colours and flavours.” In a broad way, her work has encompassed both life-changing documentary productions and late-in-life full time art school; through it all the undercurrent is food in all forms.
A product of the south end of the city (though the first eight were in the north end), a graduate of Kelvin High School, and later the University of Manitoba, Gail Singer had an entrepreneurial bent with her store in Winnipeg. Later, she moved into the early days of cable broadcasting (though she did not realize that then) with a cable-style local news show for what was then a newly “wired in” vast co-op housing community. She helped create an art video for the legendary “Assessippi Show” at the Winnipeg Art Gallery. She then made educational TV for isolated northern locations, worked with labour unions, Indigenous people and bureaucracies. She soon moved into documentaries.
But it was film that attracted Gail and which led her moving to Toronto. In Toronto, Gail began her film initiation with films championing the people of the north, their traditional aboriginal practices and the injustices committed against them. (Gail was ahead of her time). As a result of her work, she was approached by the National Film Board to delve into another area featured in the news even to this day, and that is battered women, a subject previously unknown to the River Heights-born and bred Singer. Gail spent time in a women’s shelter to understand better how isolated these women were.
The film that resulted, “Loved, Honoured and Bruised”, changed Singer’s life and indeed thousands of other women’s lives (the film was translated into a dozen languages).
Lawmakers took notice and the film was awarded a number of prizes around the world. It was not long after that Singer attracted the attention of John Hirsch, then the head of CBC Drama and a name familiar to readers of the JP&N, with the result that she was soon involved in making more award winning films such as “Portrait Of An Old Lady” and short dramas like “Is Everyone Here Crazy?”.
The next major project Singer launched was with with the National Film Board in Montreal: a story bout illegal abortion clinics operating in Columbia, Peru, and Thailand. That film was ultimately named as one of the ten most influential documentaries in the world, even garnering a special citation at the Oscars.
After a short break, Singer retuned to her roots and did her first feature film, set in Winnipeg in the 1950s. Does anyone recall the movie, “True Confection”, followed by a comedy, “ Wisecracks”, about female comedians? That was Gail Singer. Her first dramatic script was nominated for several awards and Singer was delighted when the BBC gave her film rave reviews. “Wisecracks” was her biggest financial success and the film still runs on network and cable television.
Along the way, Singer taught part time at Ryerson, York and the University of Toronto. Her success as a filmmaker was followed by an award as the YWCA Outstanding Woman of the Year and an appointment as the Barker Fairley Chair in Canadian Culture at the University of Toronto.
Singer briefly morphed her talents into TV as a director in a series about food. One of the more well known shows was “Loving Spoonfuls”, which told stories about ethnic grandmothers and the foods they brought with them to Canada from countries all over the world. Readers might recall other former Winnipeggers playing a large part in that show, including producer Allan Novak, and host David Gale.
Her Winnipeg links were recognized over the past decade when Gail was invited to headline the “Distinguished Speaker “ program at the Winnipeg Art Gallery. (Singer entertained the audience that night with an a cappella version of “These Foolish Things Remind Me Of You”). Recently, Gail was thrilled to participate on a panel at the invitation of former Winnipegger Leo Panitch on the significance of the 100th anniversary of the Winnipeg General Strike.
Recently Gail was involved with advising on a project in which seniors were taught how to make a film on YouTube – thereby creating new skills for many people living in seniors’ residences. As well, she has directed various sequences of CBC dramatized productions over the years and, most recently (until halted in mid-film ) was involved in a documentary about the young heroes and heroines of Grassy Narrows: the politicians, writers, painters, singers, music producers and actors, all of them despite terrible neglect by all levels of government of this Ojibway community.
What does all of this add up to for Gail? If you ask her, she is grateful for a lifetime of unexpected projects in unrelated fields with twists and turns along the path. She presently lives in a home in Toronto with a dog, a fridge filled with good things for people to eat, a bar, and more books than she could ever read. And aside from making soup for less privileged folks in the pandemic, Gail has resumed another passion- art. In short, Gail Singer could be the poster child for versatility in the Arts. It has been a remarkable run and the run continues to this day.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.

Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.

