Features
Gail Singer- covering the arts spectrum
By GERRY POSNER
I have often written in this paper about the huge contribution that Winnipeg Jews have made to the arts. To tackle this topic and omit Gail Singer would be a major omission.
I suspect many readers might be familiar with Gail’s works, but they may not realize that she is the same Gail Singer from Winnipeg and the same Gail Singer who ran a prominent business in Osborne Village for several years in the late 60s and early 70s known as Kitchen Things. Well, that was just the beginning.
Gail’s career has been both varied and long. To compress it into an article for the JP&N is not to do justice to all that she has accomplished (and, I might add, is still accomplishing to this day). As Gail likes to put it “her biography reminds the reader of Neapolitan ice cream: many colours and flavours.” In a broad way, her work has encompassed both life-changing documentary productions and late-in-life full time art school; through it all the undercurrent is food in all forms.
A product of the south end of the city (though the first eight were in the north end), a graduate of Kelvin High School, and later the University of Manitoba, Gail Singer had an entrepreneurial bent with her store in Winnipeg. Later, she moved into the early days of cable broadcasting (though she did not realize that then) with a cable-style local news show for what was then a newly “wired in” vast co-op housing community. She helped create an art video for the legendary “Assessippi Show” at the Winnipeg Art Gallery. She then made educational TV for isolated northern locations, worked with labour unions, Indigenous people and bureaucracies. She soon moved into documentaries.
But it was film that attracted Gail and which led her moving to Toronto. In Toronto, Gail began her film initiation with films championing the people of the north, their traditional aboriginal practices and the injustices committed against them. (Gail was ahead of her time). As a result of her work, she was approached by the National Film Board to delve into another area featured in the news even to this day, and that is battered women, a subject previously unknown to the River Heights-born and bred Singer. Gail spent time in a women’s shelter to understand better how isolated these women were.
The film that resulted, “Loved, Honoured and Bruised”, changed Singer’s life and indeed thousands of other women’s lives (the film was translated into a dozen languages).
Lawmakers took notice and the film was awarded a number of prizes around the world. It was not long after that Singer attracted the attention of John Hirsch, then the head of CBC Drama and a name familiar to readers of the JP&N, with the result that she was soon involved in making more award winning films such as “Portrait Of An Old Lady” and short dramas like “Is Everyone Here Crazy?”.
The next major project Singer launched was with with the National Film Board in Montreal: a story bout illegal abortion clinics operating in Columbia, Peru, and Thailand. That film was ultimately named as one of the ten most influential documentaries in the world, even garnering a special citation at the Oscars.
After a short break, Singer retuned to her roots and did her first feature film, set in Winnipeg in the 1950s. Does anyone recall the movie, “True Confection”, followed by a comedy, “ Wisecracks”, about female comedians? That was Gail Singer. Her first dramatic script was nominated for several awards and Singer was delighted when the BBC gave her film rave reviews. “Wisecracks” was her biggest financial success and the film still runs on network and cable television.
Along the way, Singer taught part time at Ryerson, York and the University of Toronto. Her success as a filmmaker was followed by an award as the YWCA Outstanding Woman of the Year and an appointment as the Barker Fairley Chair in Canadian Culture at the University of Toronto.
Singer briefly morphed her talents into TV as a director in a series about food. One of the more well known shows was “Loving Spoonfuls”, which told stories about ethnic grandmothers and the foods they brought with them to Canada from countries all over the world. Readers might recall other former Winnipeggers playing a large part in that show, including producer Allan Novak, and host David Gale.
Her Winnipeg links were recognized over the past decade when Gail was invited to headline the “Distinguished Speaker “ program at the Winnipeg Art Gallery. (Singer entertained the audience that night with an a cappella version of “These Foolish Things Remind Me Of You”). Recently, Gail was thrilled to participate on a panel at the invitation of former Winnipegger Leo Panitch on the significance of the 100th anniversary of the Winnipeg General Strike.
Recently Gail was involved with advising on a project in which seniors were taught how to make a film on YouTube – thereby creating new skills for many people living in seniors’ residences. As well, she has directed various sequences of CBC dramatized productions over the years and, most recently (until halted in mid-film ) was involved in a documentary about the young heroes and heroines of Grassy Narrows: the politicians, writers, painters, singers, music producers and actors, all of them despite terrible neglect by all levels of government of this Ojibway community.
What does all of this add up to for Gail? If you ask her, she is grateful for a lifetime of unexpected projects in unrelated fields with twists and turns along the path. She presently lives in a home in Toronto with a dog, a fridge filled with good things for people to eat, a bar, and more books than she could ever read. And aside from making soup for less privileged folks in the pandemic, Gail has resumed another passion- art. In short, Gail Singer could be the poster child for versatility in the Arts. It has been a remarkable run and the run continues to this day.
Features
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Features
Musings from Dizengoff Street – by Bruce Brown
(August 8, 2026)
Outside Basimta Café in Central Jerusalem. Love the red shirt against a tiny sea of black. Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat. For the last six weeks Israeli headlines shouted about the cafe chaos. With the ultra-religious blocking entrances and storming the café. While shouting ‘Shabbos! Shabbos!’ Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas. So the wife and I thought we would check it out. And. Yes. Buy something to support the business. Uproar. Not. Blocked entrances. Not. Storming the café. Not. Albeit there were police barriers separating the devout protesters from the coffee drinkers. The protesters being just a few dozen black clad, pious Jews. Mostly teenagers. And yes. Shouting ‘Shabbos! Shabbos!’ Certainly underwhelming in its reported mayhem. Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed. If you do, you’re misinformed.” But I did enjoy my iced matcha.
(August 6, 2026)
Here we go again. Another round of forever negotiations. As someone who negotiates for a living. The way things are going in the straits. If I had to recommend a book on the subject to a new hire. Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well. I would choose the latter.
(August 3)
Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head. For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party. No less a political earthquake in my little shtetl. Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections. Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold. In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system. To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies. Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019.
(August 1)
Although both sides say they are open to diplomacy. Neither really trusts the other. And American military action, or its threat, continues. I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison. Possibly this weekend. Yikes! Prompting me, at 2:30 AM, to dash around the house stocking my safe room. Bottled water. Canned food. Medicines. Documents. The beat goes on….
If it’s crazy here. It’s insane in Italy. With a recent online ‘Jew Hunt’ in the Milan area. Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels. The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected. Although they deny involvement?! This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy. I’ll stick with stocking the saferoom.
Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York. But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic. Maybe Mandami should be arrested! Or at least impeached. For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.
Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS
Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.
As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?
Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?
Seemed like an appropriate way to end this musing.
Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s some information about Bruce – and awards he’s received for his writing:
Bruce Brown. Canadian born. Now living in Israel (for a long time). Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night. He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025. And wrote the 1998 satire, “An Israeli is….” Bruce’s musings are political, social, economic and personal. With lots of biting, contrarian, sardonic and irreverent insight.
Features
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