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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
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How would Jews fleeing Europe have fared under Trump’s anti-immigration policies?
Donald Trump’s vision of foreigners worthy of emigrating to the United States appears to boil down to this: white, Nordic, Christian, politically conservative, not obese, and not a potential drain on public services. It’s a fantasy that’s reminiscent of Nazi values, and one that is being rejected by many Americans.
Trump’s Thanksgiving Day responses to the Washington, D.C. shooting of two National Guard members — one of whom has died — are among the most overtly racist statements he has ever made in public. Trump said he would stop migration from “all Third World Countries” and deport foreign nationals who are “non-compatible with Western Civilization.”
Trump has faced accusations of racism since he was a young real estate developer working with his father. During his first term as president, Trump said America should welcome more immigrants from places like Norway, rather than from Haiti, El Salvador, and African nations — which he dismissed as ‘shithole countries.” Trump, during his second term, has been enacting something like a purity code: Hispanics guilty of nothing more than being in the country illegally get deported; right-wing extremists who tried to carry out a coup in his name get pardons.
About 66,000 migrants are currently locked up under Trump’s immigration crackdown — the largest detention population in U.S. history. Many have no criminal record. Social media is flooded daily with videos of ICE agents smashing car windows, masked men in battle gear dragging immigrants from vehicles, and children left crying as parents are hauled away in handcuffs. Each outrage carries the same message: You are not wanted here.
More than 250 Venezuelan migrants were sent to El Salvador’s notorious CECOT prison, branded by critics as a ‘black hole of humanity.”
Other migrants have been spirited away to South Sudan and countries where they had never set foot — their destinies left unknown.
The Trump administration’s unequal treatment of white South Africans and Palestinian survivors of Gaza is an infuriating display of heartlessness and racism. Even though Afrikaners were the architects and beneficiaries of apartheid’s cruelty, they have been promised the lion’s share of America’s drastically reduced refugee slots. Meanwhile, Gazan Palestinians — whose homes have been destroyed, whose loved ones have been killed by the tens of thousands, and who have endured famine for months — are excluded entirely. In Trump’s America, whiteness and ideological alignment matter more than human suffering.
I can’t help but think of the plight of refugees in postwar Europe after Nazi Germany’s defeat. Up to 60 million people were uprooted across the continent. Some 11 million refugees crowded into Allied‑run displaced persons camps, including hundreds of thousands of Jews, Roma, and other survivors of Nazi camps.
Most of these souls would not pass muster in Trump’s America. His new guidance to embassies and consulates instructs visa officers to screen out applicants who are overweight, elderly, or suffering from chronic conditions — diabetes, heart disease, depression. Applicants must prove financial self‑sufficiency, English proficiency, and the ability to work without reliance on public benefits. Yet multitudes of Europe’s postwar refugees were sick, stripped of education, and dependent on government support just to survive. Compassion has no place in Trump’s transactional brain; these are not the kind of people he would deem worthy of America’s embrace.
What Trump apparently did not see coming was the backlash against his terror campaign against foreigners. In towns and cities across the country, neighbors have rallied as immigrant friends, business owners, and longtime contributors to their communities were hunted down and disappeared. Vigils, marches, and local resolutions have sprung up, with ordinary citizens insisting that their communities will not be defined by terror.
Charlotte offers one example: when ICE launched Operation Charlotte’s Web in November, agents stormed immigrant neighborhoods and even a church, prompting pastors to prepare sanctuaries and residents to organize vigils and rapid‑response patrols. In St. Paul, Minn., rapid‑response networks sprang up to protect immigrant families, alerting neighbors when ICE vans appeared and mobilizing lawyers to defend detainees. During Trump’s first major sweep, in Los Angeles, mass protests turned the city into a showcase of resistance rather than submission.
Community members have demonstrated an incredible fearlessness in their efforts to protect immigrants from federal agents — shouting at them to identify themselves, to show a warrant, and that they’re not welcome in the neighborhood. Sometimes the agents have retreated, getting back into their van or SUV without making an arrest.
ICE agents’ attempts to arrest a 16‑year‑old high school student in Rhode Island this month offers a stirring example of community compassion in action. The teen, interning for Superior Court Judge Joseph J. McBurney in Providence, was misidentified by agents who surrounded the judge’s car and threatened to smash the windows. McBurney stood firm, insisting they had the wrong person. Only after confirming his words did the agents back down, and the boy was freed.
In several communities, high school students, peers and teachers have stepped in to defend migrant classmates against ICE and Border Patrol agents prowling neighborhoods, often accused of racial profiling based on skin color or accents.
In Oregon, nearly 300 students walked out of McMinnville High School to protest the ICE arrest of a classmate during lunch break and demanded school administrators create protocols to alert migrant students whenever ICE agents are spotted nearby.
“Honestly, after what happened to that kid, the 17-year-old, I don’t feel safe going to school,” fellow student Alexis Hernandez Flores told KOIN 6 News.
As depressing and alarming as the past several months have been — as Trump has brought the United States to the abyss of autocracy — I have found reason for hope in ordinary citizens’ bold actions to protect foreigners in their midst from illegal and racist roundups. From Chicago to Charlotte, from Los Angeles to Providence, neighbors, churches, and even judges have refused to be silent. Their defiance recalls what was missing in Nazi Germany: a public willing to stand up, to insist that fear and violence will not define their communities.
If Trump sends federal agents into neighborhoods to arrest and deport foreign nationals who are deemed “non-compatible with Western Civilization,” as he has threatened, the backlash will surely become louder, and the resistance against him stronger.
The post How would Jews fleeing Europe have fared under Trump’s anti-immigration policies? appeared first on The Forward.
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Most American Jews believe Zohran Mamdani will make NYC Jews less safe, Israeli poll finds
(JTA) — More than two-thirds of American Jews believe that New York City Mayor-elect Zohran Mamdani will make the city’s Jews less safe, according to a new survey by a nonpartisan Israeli research institute.
The finding came in the Jewish People Policy Institute’s latest Voice of the Jewish People Index, which surveyed 745 American Jews about a range of topics last month, just 10 days after Mamdani was elected. It offers the latest insight into Jewish sentiments about Mamdani, whose staunch criticism of Israel has drawn attention, and at times allegations of antisemitism, from Jews around the world.
The survey found that 67% of respondents believed Mamdani’s election would make New York City’s Jews less safe, while 6% believed they would be more safe and 18% believed he would make them neither more or less safe.
Among Jews identifying as politically conservative, 93% said they believed Mamdani would make New York City Jews less safe. Concerns were lower among liberal-leaning Jews, but still one third of respondents who identified as “strongly liberal” said they believed Mamdani would make Jews less safe.
Over half of respondents said they felt “worried” about the election of Mamdani, while 11% said they were “afraid.” Another 13% said they were “hopeful.”
A different poll in August found that 58% of Jewish New Yorkers believed the city would be less safe for Jews under Mamdani.
The Jewish People Policy Institute conducts regular surveys of Jewish sentiment, drawing on a pool of Jews who have agreed to be part of a survey pool. The institute notes that as a result, “the survey tends to reflect the attitudes of ‘connected’ American Jews, that is, those with a relatively strong attachment to the Jewish community and/or Israel and/or Jewish identity.”
It found that 70% of respondents identified as Zionist, while 12% identified as “not a Zionist, but a supporter of Zionism.” Additionally, 7% identified as “neither a supporter nor an opponent of Zionism,” 5% identified as a post-Zionist and 3% identified as an anti-Zionist.
Among strong liberal respondents, 52% identified as Zionists, while 79% of strong conservatives identified as Zionists.
Asked whether they believed that Zionism is racism, a charge frequently leveled by Israel’s critics, 59% of respondents said they believed that Zionism is “not at all racism.” Among strong liberal respondents, the proportion was 28%, compared to 86% of strong conservatives.
The survey also asked respondents about their perception of antisemitism coming from the political left and right in the United States. In recent months, calls to condemn right-wing antisemitism among Jewish conservatives have revealed growing rifts within the party.
Among the survey’s respondents, 62% said they were worried about antisemitism from both the left and the right, while 20% said they were more worried about antisemitism on the left and 17% were more worried about it on the right. Among strong liberals, just 5% were worried about antisemitism on the left while just 1% of conservatives were worried about antisemitism on the right.
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Palestinian restaurant opening near Columbia names its location to honor girl killed in Gaza, campus protesters
(JTA) — A Palestinian restaurant in New York City has named its new location “Hinds Hall” after the moniker pro-Palestinian protesters at Columbia University gave to a campus building they occupied last spring.
In a post on Instagram on Thursday, the restaurant, Ayat NYC, which has eight locations, announced that its new storefront in Morningside Heights would be renamed in solidarity with the protesters at Columbia.
“It stands right next to Columbia University where students stood up for Gaza and renamed Hamilton Hall, a campus building to Hinds Hall and we choose to stand with them and carry that name forward,” the post read.
Critics of Columbia’s pro-Palestinian protests at the time accused its participants of antisemitism and calling for violence against Jews. In June, a report by the Columbia University Task Force on Antisemitism found that over half of its Jewish student body had experienced discrimination and exclusion after Hamas’ Oct. 7, 2023, attack on Israel.
The new location for the restaurant, which is owned by restaurateur Abdul Elenani and his wife, Ayat Masoud, faced criticism from some of the neighborhood’s Jewish residents, who say they have been overwhelmed by pro-Palestinian symbols and sentiment since Columbia became an epicenter of the encampment movement last year.
Ayat wove pro-Palestinian advocacy into its practices throughout the war in Gaza. In January 2024, one of its locations drew a public outcry after its menu featured the phrase “From the River to the Sea,” a phrase frequently used by pro-Palestinian activists that Jewish watchdogs view as a call for Israel’s destruction. Afterwards, the location hosted a free Shabbat dinner for over 1,300 people that drew anti-Zionist and pro-Palestinian Jews and others.
“Our restaurants will not only ever serve food. It will serve memory, truth, and responsibility,” the new post from Ayat NYC continued. “The least we can do is carry her name in our hearts and on our storefront so that everyone who walks by knows that Hind mattered and every single child matters.”
The location’s name, which was also adopted in a song by rapper Macklemore, pays homage to Hind Rajab, a 6-year-old Palestinian girl who was killed in Gaza in January 2024. (The Israeli military denied responsibility for her death, but a Washington Post investigation found that Israeli armored vehicles were present in the area.)
Her heavily publicized death, and the phone call she made to paramedics with the Palestine Red Crescent Society while stranded in a vehicle, also inspired the docudrama “The Voice of Hind Rajab,” which won a top prize at the Venice Film Festival in September.
“Her name carries the weight of all the children whose voices were silenced and whose blood was treated like it meant nothing,” the post by Ayat NYC continued.
An opening date has not yet been set for the Upper West Side location. A new location opened in late October in Astoria, the Queens neighborhood that is home to Mayor-elect Zohran Mamdani and home to a thriving pro-Palestinian activist community.
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