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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness
(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.
Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui.
None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?
Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust.
For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”
Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)
Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.
We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.”
“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.
What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.
The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.
In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.
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Cornell Graduate Student Union Blasts Israel, Backs BDS While Committing to ‘Palestinian Liberation Struggle’
Cornell University students walk on campus, November 2023. Photo: USA Today Network via Reuters Connect
A graduate workers’ union at Cornell University has approved a resolution to adopt a statement titled “International Solidarity With the Palestinian Liberation Struggle” which espouses invective against Israel and calls for participation in the boycott, divestment, and sanctions (BDS) movement against the Jewish state.
“Cornell is implicated in the Israeli genocide of Palestinians through research, recruitment, and financial ties with the weapons industry, and endowment investments,” says the resolution, passed by Cornell Graduate Students United, a division of the United Electrical, Radio, and Machine Workers of America (UE). “Cornell’s complicity perpetuates its history from profiting from dispossession.”
Pronouncing its synthesis of classical Marxist themes and anti-Zionist propaganda, the statement continued: “The labor movement faces a once in a generation opportunity to build international worker solidarity after globalization has fractured the working class across lines of race, gender, legal status, and national borders. The Palestinian Trade Unions have urged us, as workers of the world, to end all forms of complicity with Israel’s crimes.”
Cornell UE, which announced the membership vote last week, added that it will follow up the resolution with a series of policies and actions intended to enforce it, including using union time, resources, and space to advocate anti-Zionism, pressure the university to “disclose” its investment holdings, and enforce BDS within the union by ensuring its members “refuse funding sources that are tied to the US and Israel militaries and weapons manufacturers and … find alternatives.”
Experts told the US Congress in September that antisemitism runs rampant in campus labor unions, trapping Jews in exploitative and nonconsensual relationships with union bosses who spend their compulsory membership dues on political activities which promote hatred of their identity and the destruction of the Jewish homeland.
Testifying at a hearing titled “Unmasking Union Antisemitism” held by the House Education and the Workforce Subcommittee on Health, Employment, Labor, and Pensions, the witnesses described a series of issues facing Jewish graduate students represented against their will by the UE.
In particular, Cornell University UE was accused of denying religious exemptions in several cases as well and followed up the rejection with an intrusive “questionnaire” which probed Jewish students for “legally-irrelevant information.”
During an interview with The Algemeiner after the hearing, Glenn Taubman, staff attorney for the National Right to Work Legal Defense Foundation (NRTW), said union antisemitism highlights the issues inherent in compulsory union representation, which he argued quells freedom of speech and association. He pointed to the case of Cornell PhD candidate David Rubinstein, who said he has experienced a climate of hatred that is impervious to correction because the ringleaders fostering it hold left-wing viewpoints.
“The only reason that David is forced to be represented by UE and is theoretically forced to pay them dues is because federal labor law allows that and in many cases requires it,” Taubman explained. “What I told the committee is that ending the union abuse of graduate students and people like David requires amending federal law so that unions are not the forced representatives of people who don’t want such representation.”
He added, “Unions have a special privilege that no other private organization in America has, and that is the power to impose their representation on people who don’t want it and then mandate that they pay dues because they quote-un-quote represent you. That is the most un-American thing that I can imagine.”
Campus antisemitism has drawn NRTW into an alliance with Jewish faculty and students across the US.
In 2024, it represented a group of six City University of New York (CUNY) professors, five of whom are Jewish, who sued to be “freed” from CUNY’s Professional Staff Congress (PSC-CUNY) over its passing a resolution during Israel’s May 2021 war with Hamas which declared solidarity with Palestinians and accused the Jewish state of ethnic cleansing, apartheid, and crimes against humanity. The group contested New York State’s “Taylor Law,” which it said chained the professors to the union’s “bargaining unit” and denied their right to freedom of speech and association by forcing them to be represented in negotiations by an organization they claim holds antisemitic views.
That same year, NRTW prevailed in a discrimination suit filed to exempt another cohort of Jewish MIT students from paying dues to the Graduate Student Union (GSU). The students had attempted to resist financially supporting GSU’s anti-Zionism, but the union bosses attempted to coerce their compliance, telling them that “no principles, teachings, or tenets of Judaism prohibit membership in or the payment of dues or fees” to the union.
“All Americans should have a right to protect their money from going to union bosses they don’t support, whether those objections are based on religion, politics, or any other reason,” NRTW said at the time.
Follow Dion J. Pierre @DionJPierre.
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Shabbat dinners for young adults were the new thing. Now OneTable is laying off staff.
When OneTable, a nonprofit that helps organize and fund Shabbat dinners for thousands of young adults each year, introduced its new chief executive in May, things seemed to be on the upswing. Amid a national rise in Jewish engagement, OneTable board chair Julie Franklin said the organization’s community was “thriving and bigger than ever before.”
Internally, though, the organization was facing a decline in funding, and on Tuesday it laid off 14 employees — about a quarter of its staff.
CEO Sarah Abramson informed staff of the impending layoffs in a companywide Zoom call Tuesday afternoon, according to a OneTable employee who was later informed that they were among those whose jobs were cut. The Forward granted the employee anonymity to discuss the situation.
The organization confirmed the layoffs in a statement.
“Our organization is undertaking a planned, strategic shift in staffing to ensure we effectively continue to empower young adults to craft their own personalized Shabbat practices filled with meaning, reflection, and community,” the statement said.
The cuts — which did not appear to include any executives, the employee said — come as OneTable, whose budget still exceeds $10 million, makes broader changes to its approach.
Oct. 7 changed Shabbat dinners
The organization typically gives hosts, who must be Jewish and are generally aged 21-39, a stipend of $10 per registered guest at their dinners. Guests looking for a Shabbat dinner can sign up to be matched with a host on the OneTable platform.
After Oct. 7, the employee said, the organization saw a new pattern emerge: Unique guests were down, with some hosts inviting the same few guests over and over. In recent months, OneTable began “graduating” — that is, discharging — some of those hosts in an effort to reduce costs and focus on the mission of bringing Shabbat to more people, the employee said.
In the statement about the layoffs, the company said that their participants have doubled to 80,000 annually since Oct. 7, and that the layoffs will allow them to “explore new engagement approaches including pilots launching in 2026.”
The organization also partners with local organizations to receive funding and to collaborate on larger dinner events. But several OneTable field managers were laid off, perhaps signaling a change to that model.
The future of a newer program for older adults, known as “50ish+,” is unclear.
An audited financial report from 2024, made public by OneTable on its website, reported just under $11 million in assets — down from just under $12 million the year prior, with net contributions and grants receivable also down from roughly $8.5 million to $7.4 million.
The previous CEO, Aliza Kline, co-founded the organization and served 10 years in the role before stepping down in 2024.
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Africa Becomes Center of Global Terrorism Amid ISIS Revivals, Al Qaeda Alliances
Islamic State – Central Africa Province released documentary entitled “Jihad and Dawah” covering group’s campaigns in northeastern Democratic Republic of Congo and battles against Congolese and Ugandan armies. Photo: Screenshot
Both independent analysts and the United States government have identified rising Islamist terrorist threats across Sub-Saharan Africa as a growing concern, now positioning the region at the center of attention regarding global jihadist terrorism.
Gen. Dagvin Anderson, commander of US Africa Command (AFRICOM), has started a series of visits to African partners, starting with Ethiopia, Somaliland, and Puntland.
“The whole reason I came here is because we have shared threats,” Anderson said. “I’m not new to this region; I understand what the issues are, and we’re here to help empower our African partners to address these threats in a united way.”
Just last week, AFRICOM coordinated with the government of Somalia to strike Islamic State (ISIS) and al-Shabaab targets.
“As we face the growing security threats, including the rise of terrorist activities in East Africa, the Sahel, and West Africa’s coastal regions, the collective efforts are more important than ever,” Anderson said. “Together we can build a more prosperous and secure future for the United States, for Africa, and most importantly, for our children.”
Anderson’s trip came after the Combating Terrorism Center at West Point released a report last month showing that, last year, 86 percent of all terrorism-related deaths occurred in just 10 countries, with seven of them in Africa and five in the continent’s Sahel region.
The report explained how the Sahel — a belt that runs across the African continent and is also called the Sahelian acacia savanna — dominates the map of terrorism deaths today.
“Where once the global terror threat was concentrated in the Middle East and North Africa, today it is centered in the Sahel, specifically in the tri-border region between Burkina Faso, Mali, and Niger,” the report’s four authors wrote before noting that, according to the 2025 Global Terrorism Index, the region comprised more than half of all terrorism-related deaths last year.
“The data shows that while countries such as Pakistan, Afghanistan, Syria, Somalia, and Nigeria have been largely steady when it comes to significant impact by terrorism over recent years, Sahelian countries (Burkina Faso, chief among them) have experienced a steep increase,” the analysts assessed. “In 2023 and 2024, Burkina Faso was most impacted by terrorism globally.”
Regarding the specific groups responsible for these slayings in the Sahel, the Africa Center for Strategic Studies primarily blamed an al-Qaeda-affiliate, Jama’a Nusrat ul-Islam wa al-Muslimin (JNIM), which it identified as being responsible for 83 percent of deaths in the region.
In August, a report from the Observer Research Foundation argued that “the African continent remains the principal theater of global jihadist activity.”
Colin Clarke and co-author Anoushka Varma, both of the Soufan Group, described the threat of JNIM. The group “has entrenched its position as the deadliest terrorist group in the Sahel, escalating attacks across Burkina Faso, Mali, and Niger, while making inroads into Benin, Ghana, and Togo — countries that had largely avoided jihadist violence until now,” they wrote. “In the first half of 2025, JNIM claimed to have carried out at least 280 attacks in Burkina Faso — double the number recorded during the same period in 2024 — and was responsible for approximately 8,800 fatalities across the Sahel that year.”
Another region of the continent drawing the concern of counter-terrorism analysts is the Horn of Africa (HOA), where the West Point researchers identified the “critical case” of the “the triangular confluence that has developed between the Houthis, al-Qaeda in the Arabian Peninsula (AQAP), and al-Shabaab.”
Despite the Houthis being backed by Shi’ite Iran and operating primarily out of Yemen, the West Point report noted that “there is even evidence that the Houthis have collaborated with Islamic State Somalia [a Sunni group], coordinating on intelligence and procurement of drones and technical training.”
Clarke and Varma also explained the unique threats operating in the HOA in their analysis, explaining that “both the Islamic State–Somalia Province (IS-Somalia) and al-Qaeda’s Somali affiliate, al-Shabaab, remain key drivers of regional instability.”
In April 2025, they wrote, al-Shabaab “launched a renewed offensive in Middle Shabelle, regaining territorial control not seen since the Somali federal government’s counteroffensive in 2022.” The analysts also identified that “IS-Somalia has attracted foreign fighters from Ethiopia, Djibouti, Kenya, and even among the Somali diaspora in the West.”
In addition to the increased violence in the HOA and Sahel African regions, two other alarming trends in terrorism that West Point’s researchers named are the wide involvement of Iran with organized crime gangs and the decreasing ages of first-time terrorist suspects.
The report stated that over the last five years, Iran has conducted 157 foreign operations, with 22 involving criminal groups and 55 involving terrorist groups. These range from “Hell’s Angels gang members in Canada to the Kinahan Cartel in Ireland.”
Likewise, the age range of terrorism offenders has transformed.
The authors stated that many analysts have identified “a new wave of extremism among children” and that “across Europe as a whole, nearly two-thirds of Islamic State-linked arrests in 2024 involved teenagers. This included the infamous August 2024 plot by three males aged 17 to 19 targeting a Taylor Swift concert in Vienna, Austria.”
In 2024, the United Kingdom reported that 20 percent of its terrorism suspects were legally classified as minors.