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For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness

(JTA) — Jewish stories have had top billing on Broadway this season — and Jewish audiences have been flocking to the theater.

Audiences have lined up to see Tom Stoppard’s “Leopoldstadt,” the multigenerational saga of a Jewish family in Vienna, and the devastating consequences of the Holocaust upon its ranks. They have packed the house for “Parade,” a musical retelling of the infamous antisemitic show trial and subsequent lynching of Leo Frank in Marietta, Georgia, in 1915. And just off Broadway, “The Wanderers” (which closed April 2) invited us into the slowly disintegrating marriage of two secular Jews born to mothers who dramatically left the Satmar sect of ultra-Orthodox Judaism, a show replete with intergenerational trauma and a pervasive sense of ennui. 

None of these shows offers a particularly lighthearted evening at the theater. So why have they proven so popular? Critics have penned countless reviews of the three plays, analyzing the quality of the productions, the scripts, scores, performances of principal actors, set and design. But for our new book exploring what audiences learn about Judaism from Jewish cultural arts, my colleague Sharon Avni and I have been interviewing audience members after seeing “Leopoldstadt,” “Parade” and “The Wanderers.” We are interested in turning the spotlight away from the stage and onto the seats: What do audiences make of all this? What do they learn?

Take “Leopoldstadt,” for example, a drama so full of characters that when it left London for its Broadway run the production team added a family tree to the Playbill so that theatergoers could follow along. “Leopoldstadt” offers its audience a whistle-stop introduction to modern European Jewish history. In somewhat pedantic fashion, the family debates issues of the day that include Zionism, art, philosophy, intermarriage and, in a searing final scene, the memory of the Holocaust. 

For some of the theatergoers that we interviewed, “Leopoldstadt” was powerful precisely because it packed so much Jewish history into its two-hour run time. It offered a basic literacy course in European Judaism, one they thought everyone needed to learn. Others, however, thought that this primer of Jewish history was really written for novice audiences — perhaps non-Jews, or assimilated Jews with half-remembered Jewish heritage, like Stoppard himself. “I don’t know who this play is for,” one interviewee told us. “But it’s not me. I know all this already.”  

Brandon Uranowitz, left, who plays a Holocaust survivor, confronts Arty Froushan as a young writer discovering his Jewish roots, in the Broadway production of Tom Stoppard’s “Leopoldstadt.” (Joan Marcus)

Other interviewees thought the power of “Leopoldstadt” lay not in its history lessons, but in its ability to use the past to illuminate contemporary realities. I spoke at length with a woman who had been struggling with antisemitism at work. Some of her colleagues had been sharing social media posts filled with lazy caricatures of Jews as avaricious capitalists. Upon seeing “Leopoldstadt,” she realized that these vile messages mirrored Nazi rhetoric in the 1930s, convincing her that antisemitism in contemporary America had reached just as dangerous a threshold as beheld European Jews on the eve of the Shoah.

We heard similar sentiments about the prescience of history to alert us to the specter of antisemitism today from audiences who saw “Parade.” Recalling a scene where the cast members wave Confederate flags during the titular parade celebrating Confederate Memorial Day, Jewish audiences recalled feeling especially attuned to Jewish precarity when the theater burst into applause at the end of the musical number. “Why were we clapping Confederate flags?” one of our interviewees said. “I’ve lived in the South, and as a Jew I know that when you see Confederate flags it is not a safe space for us.” 

“Parade” dramatizes the popular frenzy that surrounded the trial of Leo Frank, a Yankee as well as a Jew, who was scapegoated for the murder of a young Southern girl. Jewish audience members that we interviewed told us that the play powerfully illustrated how crowds could be manipulated into demonizing minorities, comparing the situation in early 20th century Marietta to the alt-right of today, and the rise of antisemitism in contemporary America.

What we ultimately discovered, however, was that audience perceptions of the Jewish themes and characters in these productions were as varied as audiences themselves. Inevitably, they tell us more about the individual than the performance. Yet the fact that American Jews have flocked to these three shows — a secular pilgrimage of sorts — also illustrates the power and the peril of public Jewish storytelling. For audience members at “Leopoldstadt” and “Parade,” especially, attending these performances was not merely an entertaining evening at the theater. It was a form of witnessing. There was very little to be surprised by in these plays, after all. The inevitable happens: The Holocaust destroys Jewish life in Europe, Leo Frank is convicted and lynched. Jewish audiences know to expect this. They know there will be no happy ending. In the secular cultural equivalent to saying Kaddish for the dead, Jewish audiences perform their respect to Jewish memory by showing up, and by paying hundreds of dollars for the good seats.

The peril of these performances, however, is that audiences learn little about antisemitism in reality. The victims of the Nazis and the Southern Jews of Marietta would tell us that they could never have predicted what was to happen. Yet in “Parade” and “Leopoldstadt” audiences are asked to grapple with the naivete of characters who believe that everything will be all right, even as audiences themselves know that it will not. By learning Jewish history on Broadway, audiences are paradoxically able to distance themselves from it, simply by knowing too much.  

In the final scene of “Leopoldstadt,” Leo, the character loosely based on Stoppard himself, is berated by a long-lost relative for his ignorance of his family’s story. “You live as if without history,” the relative tells Leo. “As if you throw no shadow behind you.” Audiences, at that moment, are invited to pat themselves on the back for coming to see the show, and for choosing to acknowledge the shadows of their own Jewish histories. The cold hard reality, however, is that a shadow can only ever be a fuzzy outline of the truth.


The post For theatergoers at Broadway’s recent spate of Jewish shows, attendance is a form of witness appeared first on Jewish Telegraphic Agency.

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Xi Tells Trump That Mishandling of Taiwan Could Lead to ‘Dangerous’ Place

Chinese President Xi Jinping inspects an honor guard with US President Donald Trump during a welcome ceremony at the Great Hall of the People, in Beijing, China, May 14, 2026. Photo: REUTERS/Maxim Shemetov/Pool

China’s President Xi Jinping warned US President Donald Trump on Thursday that mishandling the countries’ disagreements over Taiwan could push China-US relations to a “dangerous place,” as the two leaders met for a closely watched summit.

Xi‘s remarks on Taiwan, the democratically governed island claimed by Beijing, came in a closed-door meeting of the leaders of the world’s two largest economies that ran more than two hours, China’s foreign ministry said.

They represented a stark – if not unprecedented – warning during a pomp-filled occasion that was otherwise friendly and relaxed, although the US summary of the talks made no mention of Taiwan.

According to Chinese state media Xinhua, Xi, referring to Taiwan, told Trump: “If handled poorly, the two countries could collide or even enter into conflict, pushing the entire China-US relationship into an extremely dangerous place.”

Taiwan has long been a flashpoint in the US-China relationship, with Beijing refusing to rule out the use of military force to gain control of the island and the United States bound by law to provide Taipei with the means to defend itself.

US Secretary of State Marco Rubio, who is with Trump in China, confirmed to NBC News that the issue of Taiwan was discussed, saying the Chinese “always raise it on their side, we always make clear our position and we move on to the other topics.”

The US summary of the talks focused on the leaders’ shared desire to reopen the key waterway of the Strait of Hormuz, effectively closed due to the Iran war, and Xi‘s apparent interest in buying American oil to reduce China’s dependence on Middle East supplies.

With Trump‘s approval ratings dented by a war with Iran that shows no signs of abating, the first visit by a US president to China in nearly a decade has taken on added significance as he searches for economic wins.

“There are those who say this may be the biggest summit ever,” Trump told Xi in brief opening remarks, after a ceremony that featured an honor guard and throngs of children waving flowers and flags at Beijing’s Great Hall of the People.

Xi told Trump that preparatory negotiations between US and Chinese economic and trade teams in South Korea on Wednesday had reached “balanced and positive outcomes,” China’s foreign ministry said in a summary.

The talks aimed to maintain a fragile trade truce struck when the leaders last met in October, where Trump suspended triple-digit tariffs on Chinese goods and Xi backed away from choking global supplies of vital rare earths.

Treasury Secretary Scott Bessent, who led Wednesday’s talks, said he expected progress on establishing mechanisms to support future bilateral trade and investment, and an announcement about large Chinese orders for Boeing aircraft.

CHINA’S RED LINES

Trump expected Xi to raise the thorny issue of US arms sales to Taiwan, he said earlier this week. With the status of a $14 billion package awaiting Trump‘s approval still unclear, China has reiterated its strong opposition to the sales.

“US policy on the issue of Taiwan is unchanged as of today,” Rubio told NBC.

Trump did not respond to a reporter’s shouted question whether the leaders had discussed Taiwan as he posed with Xi later for photos at the Temple of Heaven, a UNESCO World Heritage Site where emperors once prayed for good harvests.

Taipei said there was nothing surprising from the summit and that China’s military pressure is the real threat to peace.

Underscoring its outsized importance to the US economy, Taiwan, an island of 23 million people, is the United States’ fourth-largest trading partner, behind China, which has about 1.4 billion people.

LOBSTER SOUP AND BEIJING DUCK

At a lavish state banquet attended by senior officials and business executives, Xi told the audience that the China-US relationship was the most important in the world.

“We must make it work and never mess it up,” Xi said, before guests tucked into a 10-course dinner that included lobster soup, Beijing roast duck and tiramisu.

The leaders will take tea and lunch together on Friday before Trump departs.

Joining Trump on his visit are a group of CEOs looking to resolve issues with China, from Elon Musk, viewed in China as a visionary and occasional villain, to Nvidia CEO Jensen Huang, a late addition to the delegation.

The United States has cleared around 10 Chinese firms to buy Nvidia’s powerful H200 AI chip, but not a single delivery has been made so far, Reuters exclusively reported.

TRUMP INVITES XI TO WASHINGTON

Trump entered the talks with a weakened hand.

US courts have hemmed in his ability to levy tariffs at will on exports from China and other countries, while the Iran war has boosted inflation at home and elevated the risk that Trump‘s Republican Party will lose control of one or both legislative branches in November’s midterm elections.

Though the Chinese economy has faltered, Xi does not face comparable economic or political pressure inside China, where he rules an authoritarian regime that, unlike the US, has little tolerance for dissent.

As well as Boeing jets, Washington is looking to sell farm goods and energy to China to cut a trade deficit that has long irked Trump. Beijing, for its part, wants US curbs eased on exports of chip-making equipment and advanced semiconductors, officials involved in the planning said.

Trump is expected to encourage China to convince Iran to make a deal with Washington to end the conflict, as a fifth of global supplies of oil and natural gas travel through the Strait of Hormuz in normal times.

But analysts doubt Xi will be willing to push Tehran hard or end support for its military, given Iran’s value to Beijing as a strategic counterweight to the United States.

Rubio told Fox News that it was in China’s interest to help resolve the crisis as many of its ships are stuck in the Gulf and a slowdown in the global economy would hurt its exporters.

Iran’s Fars news agency reported on Thursday that an agreement had been reached to let some Chinese ships pass.

Trump on Thursday invited Xi for a reciprocal trip to the White House on Sept. 24, in what would be his first visit to Washington since 2015 and his first to the United States in the US president’s second term.

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US Senate Blocks Latest Bid to Rein in Trump Iran War Powers, Support Grows

An American flag flies outside the US Capitol building at sunset, on Capitol Hill in Washington, DC, US, Jan. 30, 2026. Photo: REUTERS/Kylie Cooper

US Senate Republicans on Wednesday blocked the latest Democratic-led effort to end the Iran war until it is authorized by Congress, but the measure edged closer to passage as a third Republican voted to advance the bill.

The Senate voted 50-49 not to advance the war powers resolution, nearly along party lines. Three Republicans joined every Democrat but one in backing the measure sponsored by Senator Jeff Merkley of Oregon.

It was the seventh time this year that President Donald Trump‘s fellow Republicans in the Senate had blocked similar resolutions.

Republicans Rand Paul of Kentucky, Susan Collins of Maine, and Lisa Murkowski of Alaska voted in favor of moving ahead, while Democrat John Fetterman of Pennsylvania voted with Republicans to block it.

The vote was the first in the Senate since the conflict hit a 60-day deadline on May 1 for Trump to come to Congress about the war. Trump declared then that a ceasefire had “terminated” hostilities against Iran.

Under a 1973 US war powers law passed in response to the Vietnam War, a US president can wage military action for only 60 days before ending it, asking Congress for ​authorization or seeking a 30-day extension due to “unavoidable military necessity regarding the safety of United States Armed Forces” while withdrawing forces.

Democrats disputed Trump‘s assertion that the deadline did not apply because of a ceasefire, saying the conflict is ongoing.

“There’s not a cessation of war hostilities,” Merkley told reporters before the vote, citing the US blockade of Iranian ports and strikes on Iranian ships and Iran‘s blockade of the Strait of Hormuz and attacks on US ships and tankers.

“Both sides are still engaged in hostilities, and so I don’t accept that the 60-day clock is suspended,” he said.

Merkley and other Senate Democrats said they planned to bring up another war powers resolution next week, and every week until the war ends or Trump comes to lawmakers for authorization.

Democrats in the House have also introduced war powers resolutions, also blocked by Republicans.

Democrats have called on Trump ​to come to Congress for authorization to use military force, noting that the US Constitution says that Congress, ​not the president, can declare war. They have warned that Trump may have pulled the country into a long conflict without setting out a clear strategy.

Republicans – and the White House – say Trump‘s actions are legal and within his rights as commander-in-chief to protect the US by ordering limited military operations.

Some congressional Republicans have accused Democrats of filing the war powers resolutions only because of their partisan opposition to Trump.

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King Charles Visits Jewish Area of London Hit by Antisemitic Attacks

Britain’s King Charles III greets residents in Golders Green in North London following the attack on Jewish residents, Britain, May 14, 2026. Photo: Richard Pohle/Pool via REUTERS

King Charles was greeted by cheering crowds on Thursday when he visited an area of London which has suffered a spate of antisemitic attacks in recent weeks, in a show of support for Britain’s fearful Jewish communities.

The monarch met two victims of a recent stabbing attack when he made the unannounced visit to Golders Green, which is home to a sizeable Jewish population and has borne the brunt of the recent antisemitic incidents across the British capital.

“Thank you, your majesty, for coming today to Golders Green to bring comfort and encouragement to our Jewish community!” Britain’s Chief Rabbi Ephraim Mirvis, who was there to greet the king, ​said on X.

Last month, two Jewish men were stabbed in the area in an attack being treated by police as terrorism, while in other incidents in Golders Green, four Jewish community ambulances were torched and a memorial wall targeted.

During his trip, Charles met the two stabbing victims at a Jewish Care charity center as well as other religious and civic leaders.

The visit was Charles‘ latest demonstration of backing for the Jewish community, after he visited a synagogue in northern England following an attack last year that left two worshippers dead and agreeing in March to become the patron of a charity that provides security for Britain’s estimated 290,000 Jews.

The recent attacks have led Mirvis to say the Jewish community was facing a sustained campaign of violence and intimidation.

The government has also raised its national terrorism threat level to “severe” from “substantial” with Prime Minister Keir Starmer saying Jewish people were living in fear.

The king‘s visit comes on the same day that an article written by his younger son Prince Harry was published in which he said a rise in antisemitism in Britain was deeply troubling, and that any anger over events in the Middle East should not spill over into hatred.

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