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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.
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U.S. ambassador calls settlers who sieged Palestinian homes in Qusra ‘terrorists’
(JTA) — TEL AVIV – The West Bank settlement movement’s leadership joined with one of its most prominent defenders, U.S. Ambassador Mike Huckabee, in condemning an Israeli settler outpost set up in a Palestinian family’s yard.
Huckabee’s remarks are a signal of the degree to which a group of radicals is rattling Israeli politics and the U.S.-Israel relationship.
Israelis affiliated with the West Bank’s Tel Talpiot outpost, which is illegal under Israeli law, set up temporary structures at the entrances to Palestinian homes on the outskirts of the village of Qusra on Sunday.
Earlier this week, cables connecting the homes to the electricity grid and to solar panels were cut, and water pipes were damaged, leaving the Palestinian families unable to leave or bring in food. Israeli activists in the area who monitor settler attacks on Palestinians confirmed the account to the Jewish Telegraphic Agency.
Huckabee wrote on X on Thursday that Israeli forces had gone to Qusra at the U.S. Embassy’s request and described the people who set up the outpost as “Israeli terrorists.” He posted that “the IDF & Israel Police have gone at our request to remove the Israeli terrorists doing this.”
The language was a departure for the ambassador, who told Israel’s Channel 14 last September that the United States “respects Israel as a sovereign state and will not tell Israel what to do” regarding sovereignty in the West Bank. Huckabee has also consistently described the territory by its biblical names Judea and Samaria. He routinely takes to social media to dismantle what he says are lies depicting Israelis as unfairly treating Palestinians.
He has condemned settler violence before, but has rarely done so in language as blunt as what he used on Thursday. In July 2025, he visited the Christian village of Taybeh in the West Bank after an arson attack at its fifth-century church and called it an “act of terror and crime.”
The actions of Israeli settler extremists have been a major concern to Democrats in the U.S. Congress in recent months, adding fodder to their calls to condition aid to Israel on its behavior. Israeli Prime Minister Benjamin Netanyahu insists the reports are overblown, and that Palestinian violence is much more serious. President Donald Trump, who has often supported Netanyahu, has called on the prime minister to crack down on the violence, seeing it as an impediment to his hopes for a broader Middle East peace. Huckabee’s intervention suggests that the Trump administration is increasingly concerned about ending the violence.
Yisrael Ganz, who chairs the Yesha Council and governs the Binyamin Regional Council, condemned the outpost.
“The events in Qusra are serious and do not reflect our values or our way of conducting ourselves,” Ganz said. “There is no place for individuals to take matters into their own hands and establish an outpost in someone’s backyard, even when dealing with an illegal home or an attempt to seize control of the land. There is no justification whatsoever for violence against uninvolved civilians or security forces.”
He added that some were “exploiting these events as part of a campaign against the Jewish communities,” but that this “must not obscure the simple truth: What happened in Qusra was wrong and is unacceptable to us.”
Huckabee amplified Ganz’s statement later on Thursday, writing on X, “’Settlers’ are not the problem in Judea/Samaria. ‘Unsettlers’ are,” he wrote, describing them as “very small minority who do great damage to Palestinian families & to Israel.”
The village is located in Area B, territory that is under the civil jurisdiction of the Palestinian Authority and security control of the Israeli military and where Israeli settlement is not permitted. The Israel Defense Forces called such takeovers illegal and reprehensible on Tuesday. Overnight Wednesday, Israeli security forces said they demolished the structures at Qusra and detained one Israeli.
Marmar Odeh, a village representative, told JTA that the Israeli military remained inside Qusra, and footage circulating on social media showed Israeli soldiers stationed inside the homes of evacuated residents.
“I won’t be going anywhere. I am staying in my house and on my land,” Odeh said. “I may not be scared, but the children are all the time.”
In a voice memo recorded on August 12 and obtained by JTA, Aisha Abu Rida, a Qusra resident, spoke from inside one of the besieged homes.
“We are surrounded by settlers, but we are steadfast,” she said. “Despite the water and electricity being cut off, we will remain steadfast … and stay in our homes.”
By Thursday, the structures were gone, but settlers remained on the hillsides above the homes, Odeh said, an account supported by footage he provided to JTA. Soldiers had left most of the homes they had entered, residents said Friday, but were informed the military operation could last until Sunday.
One of the affected homes belongs to Loui Ridi, a Toledo, Ohio, business owner who was born in Qusra and has followed the standoff through security cameras installed at the property. JTA attempted to reach Ridi through several channels and was unsuccessful.
Asked whether the State Department shared Huckabee’s characterization and whether the Embassy had requested the Israeli operation, a State Department spokesperson did not directly reply. “We are in regular dialogue with partners about improving stability and security in the West Bank,” the spokesperson said. “We condemn criminal violence by any party in the West Bank. A stable West Bank keeps Israel secure and is in line with this administration’s goal to achieve peace in the region.”
In a statement to JTA, the Israeli military said soldiers had been deployed in Qusra since Thursday morning “to protect the residents and maintain security in the area” and that they had been instructed that “the Qusra residents will remain in their homes.”
It added that troops would not operate inside the Palestinian family’s home near the site “where the tent that was evacuated and dismantled had been erected” and said Civil Administration liaison officers were in contact with Qusra’s local leadership and “working to avoid disruption to the daily lives of the residents in the area.”
Footage circulating earlier in the week appeared to show Israeli soldiers praying alongside the settlers at the outpost. The military said that the incident is under review and that soldiers found to have taken part in illegal activity would be disciplined.
The designation of Area B is the source of the ambiguity, according to Hanan Greenwood, head of the spokesperson and public diplomacy unit at the Binyamin Regional Council.
The council’s jurisdiction covers the settlements themselves, Greenwood said, not Area B land, meaning Qusra sits inside the council’s footprint but outside its authority. Its residents fall under Palestinian Authority civil jurisdiction and pay the council no arnona, the Israeli municipal tax.
“Geographically, Qusra is very much in our area,” Greenwood said. “But in real life, it’s not that we could go there, and it’s not that the residents of Qusra pay us.”
He described the result as a governance vacuum. “It’s ours, it isn’t ours,” he said. “It’s a whole mess, and the reason is that there’s no sovereignty.”
Israeli rights groups reject that framing, arguing that the military has the authority to remove outposts and does not use it.
The Israeli rights group B’Tselem said the events reflect a broader pattern.
“What is happening in Qusra is not an isolated incident,” said Yuli Novak, the organization’s executive director. “Settler militias, backed by the Israeli military, are expanding their attacks into Palestinian villages and towns, seizing land, attacking homes and forcing families out. Israel’s ethnic cleansing of the West Bank is accelerating and expanding in plain sight.”
This article originally appeared on JTA.org.
The post U.S. ambassador calls settlers who sieged Palestinian homes in Qusra ‘terrorists’ appeared first on The Forward.
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Some young Jews are pulling back from Jewish life over Israel discourse, study finds
(JTA) — Nearly four in 10 Jewish young adults say events affecting Jews in recent years have led them to pull back from Jewish spaces or become more selective about where they participate, with disagreements over how Israel and the Palestinians are discussed as a leading reason, according to a new survey.
The survey, which was conducted by Sense Worldwide and commissioned by the Jim Joseph Foundation, found that 39% of respondents have engaged less, engaged more selectively or disengaged entirely from Jewish spaces due to “events affecting Jewish people in the last few years.”
Among those nearly 40% of respondents, 42% of them said that it was because their “views don’t align with how Israel/Palestine is discussed, and I don’t feel there’s room for nuance,” and 40% said they engaged less because they did not want to “experience biased, one-sided messaging.” Forty-eight percent said it was because “conversations often feel hostile, toxic, or unproductive.”
And among all respondents, when asked what would make Jewish experiences more appealing to them, 30% said that they would be attracted to experiences that were more cultural and less religious, and 26% said “spaces where non-Zionist and anti-Zionist views can be expressed without being labelled antisemitic.”
At the same time, the study found that young Jews have hardly abandoned Jewish life. Three-quarters of Jewish young adults in the United States say they regularly do something Jewish, though most are finding their connections outside of synagogues and traditional Jewish institutions, according to the study.
A small group of participants, 4%, also offered an explanation of the lasting impact that Jewish experiences had had on them. The study found that the clearest negative theme among those respondents was disillusionment around Israel and Zionism and the way it was presented in Jewish education or community spaces.
“A negative legacy I have been reflecting on is what I now understand to be a biased education/perspective on Israel,” one respondent wrote.
The study surveyed 2,071 Jewish adults aged 22 to 40 from December 2025 through April 2026. Respondents were sampled from panels created by NORC and GenLabs, and the margin of error was +/- 3.4%.
The survey found that 75% of Jewish young adults say they regularly do something Jewish in their lives, with 45% saying their only form of participation was informally, often at home with family or friends.
Just 30% said they regularly participate formally in Jewish life, including through institutions or organizations.
That divide was also reflected in where respondents said they most often feel a sense of Jewish connection. Fifty-five percent cited family and 44% cited Jewish friends, compared with 19% who cited Jewish community organizations or groups.
Sixteen percent said they found connection through social or political causes connected to Jewish identity, and 13% said they felt most connected through experiences related to Israel.
“The research gives us a much fuller and accurate understanding of where, how, and why Jewish young adults seek out and experience Jewish life,” said Stacie Cherner, the director of research and learning at the Jim Joseph Foundation, in a statement. “Now, importantly, we can begin to translate these insights to action.”
Another study of Jewish engagement across generations by the Jewish Federations of North America in March found that 40% of Jewish American adults describe themselves as engaged with their local Jewish community, while 60% were unengaged.
When asked how often they take part in “anything that feels Jewish,” 20% of respondents said very often or often, while 24% said sometimes, 33% said rarely and 22% said never, the new survey found. Those without earlier Jewish experiences were much less likely to participate at all.
Among those who rarely or never participate in Jewish life, 52% said it was because they “don’t feel a strong connection to Jewish life,” while 38% said it “feels too religious” and 36% said it “doesn’t feel relevant to my life right now,” the survey found.
Among the 11% who have engaged more with Jewish spaces in recent years, the most common reason was wanting to feel a stronger sense of solidarity with the Jewish community, cited by 71%.
And of that 11%, 61% said they wanted to “be around people who understand what I’m feeling,” and 54% said Jewish spaces felt safer or more supportive than other spaces. Eight percent said they sought spaces where non-Zionist and anti-Zionist views can be expressed without being labelled antisemitic.
This article originally appeared on JTA.org.
The post Some young Jews are pulling back from Jewish life over Israel discourse, study finds appeared first on The Forward.
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There’s a new Judaism in town — or maybe it’s very, very old
In a townhouse in Greenpoint, Brooklyn, a gathering for Tu B’Av was underway. There was chanting and breathwork, singing and ceremony. Several Brooklyn-based Jewish communities, including Temple of the Stranger and Lab/Shul, had come together for the experience.
These vibes are usually associated with Eastern traditions, paganism or indigenous American practices; most Westerners who want that form of spirituality go looking for it at Buddhist meditation centers or ayahuasca retreats, forms of engagement more often associated with the 1960s or ’70s counterculture movement than with a synagogue.
But a group of rabbis, leaders and spiritual seekers believe drum circles, chanting, meditation and mysticism are, in fact, just as core to Judaism as any rabbinic text — a sort of lost magic that has impeded vibrant, direct spiritual experience.
“I get this sense that my family believed God is dead, God died 2000 years ago when the Temple burned. Everything could only be archaeology,” said Rav Jericho Vincent, who grew up Haredi and now leads Temple of the Stranger, a Brooklyn based Ivri community. “I don’t accept God’s death.”
Instead, Vincent wants to teach a Judaism that is more alive, and more connected to the divine — one that can offer wisdom to Jews and non-Jews alike. To that end, at the Tu B’Av event, Becca Goldstein, a 34-year-old cultural entrepreneur and spiritual practitioner who is helping to build the new movement, announced a new name for what they were doing to those gathered for the ceremony: Ivri.
For some of the attendees, this was a word they’d already been using to describe their spiritual identity, and the announcement was met with celebrations. For others, it was confusing. Ivri is one the oldest words in the Torah for the ancestors of the Jewish people; it’s the Hebrew word for Hebrew. Weren’t they already Ivri?
Defining the term is complicated, not least because the burgeoning movement is more of a loose web of teachers and spiritual seekers than a clearly defined organization with official values or tenets; every single person I spoke to for this story used the word “mycelial” to describe it. (A mycelium is the underground network of thread-like connections between mushrooms.)
“There’s been something happening, certainly in American Judaism for a while now,” said Vincent, who has a book on Ivri Judaism coming out next year. “This mycelial network of a different way of doing and being Jewish that’s embodied and mystical.”
Because of this diffuse nature, it can be hard to pinpoint exactly what Ivri is; there are commonalities — a desire to cultivate a more spiritual and mystical Judaism, an emphasis on the feminine aspect of the divine, a tendency toward participatory rituals, and a strong sense that they are reaching back to ancient or lost Jewish practices. But there’s no central structure meting out decisions or defined set of tenets, and each group operates independently.
There is Vincent, and their Brooklyn-based community, Temple of the Stranger, and Amichai Lau-Lavie and Shira Kline of fellow Brooklyn-based Lab/Shul; their organizations lean into queerness and often incorporate theater into their services. There is Rabbi Zvika Klein in Berkeley, the spiritual leader of the congregation Chochmat HaLev in Berkeley, and Adena Phillips, founder of a group called Kimu that serves “Jewish spiritual seekers” — both also lead Shabbat at the Burning Man festival as part of a camp called “Milk and Honey.” There is Rabbi Jill Hammer, who co-founded the Kohenet Institute, which ordained Jewish priestesses from 2005 until it closed in 2024 due to leadership changes and the pandemic; she now leads Beit Kohenet, an organization offering classes and retreats on Jewish witchcraft and the divine feminine. There is Shefa, an organization that cultivates psychedelic use and exploration for Jews.
But whatever the throughline is, it’s magnetic, powerful and popular.
Chochmat HaLev’s membership has tripled in the past three years, regularly maxing out their sanctuary’s 300 person capacity on Friday nights. Their yearlong intensive Jewish learning course, “Go Deeper,” planned for 30 participants, had to cap its first cohort at 90.
The Big Jewish Gathering, a sort of coming-out event for the Ivri movement in Brooklyn, organized by Goldstein, sold out with a waiting list of well over 100 people. The Burning Man Shabbat draws at least a thousand festivalgoers each year to pray in the dust. Vincent has nearly 20,000 followers on Instagram.
Yet Ivri offerings are also controversial. The rituals are so unrecognizable to what people expect Judaism to be that several people I spoke to wondered whether the Ivri movement was really Jewish at all — or whether they wanted to be.
“It’s a totally post-halachic model,” said Shaul Magid, professor of modern Jewish studies at the Harvard Divinity School. (He attended, spoke at and wrote about the Big Jewish Gathering.) “If you write something about this, people will be scratching their heads like, ‘This is crazy.’”
Roots and branches

At the Big Jewish Gathering in January, dozens of Jewish thought leaders and groups came together for a weekend event in Brooklyn. Though the event didn’t advertise the term Ivri, in practice, it was a kind of coming out party for the movement.
The event had some more familiar forms of engagement, such as panel discussions. But there was also drumming and breathwork. Hammer led “Heelooleem,” a vineyard ritual based on biblical descriptions of ancient Jewish celebrations; participants sang and danced as they stomped grapes in a wooden basin.
These rituals may sound New Age-y, but Ivri practitioners argue they are in fact callbacks to Jewish practice that was lost.
“We can read about the libations in the temple. They’re like, ‘OK, why don’t we just do them — if they’re so powerful and so important, then why don’t we just do them?’” said Magid by way of example.
It’s clear that Jewish practice has changed over time. Women’s rituals and folk rituals were rarely recorded, meaning they were lost over the years. Centuries of persecution forced Jews to gather more quietly. And, after the Temple’s destruction, rabbis had to form a new tradition that could survive without being anchored to a particular land; in creating a new, portable religion, they shaped Jews into the people of the book.
Those in the Ivri movement feel that something important was lost in that process, including the wisdom of women, an ecstatic joy in prayer and Judaism’s connection to the earth. And, to critics who believe they are departing too far from tradition, they say that Judaism has always changed; they’re simply participating in that custom.
“When I hear those kinds of questions, I imagine them being asked of the rabbis who were forming what became rabbinic Judaism. How can you not have animal slaughter? How can you not have priests?” said Vincent. “I imagine the rabbis must have gotten that pushback, because they remade Judaism more than anything.”
The Ivri movement doesn’t want to get rid of existing wisdom — “I’m always trying to balance like, give me that quote from Rabbi Akiva, and also give me the wisdom of the mothers and aunties,” said Vincent. But they do want to add to it.
That said, many of the teachers I spoke to voiced a deep suspicion of preserving what was done purely for the sake of preservation, a tendency toward nostalgia-driven practice that they believe has reified.
“Too many people say, ‘I come to prayer services not because the prayer services are meaningful in any way but because it reminds me of the prayer services of my youth — even though I was bored out of my mind as a kid, and remain bored out of my mind,’” Krieger said. “I’m saying no, spiritual practice should be meaningful! It’s not just preserving tradition for the sake of preserving tradition.”
Hammer voiced a similar stance. “Ultimately rituals survived to support people. They exist to help people live in meaningful ways. And what can happen if you hold the rituals too tightly is that they become a kind of museum, like we’re going to do this thing to remember what our ancestors did,” she said. “And we forget what that was meant to do. We forget that the ritual was meant to transform.”
Making the old new again
Some of the boldness these leaders feel in designing rituals that are so different from what most Jews might expect may spring from the fact that many of them grew up more religious than the average American Jew. Krieger grew up Orthodox, as did Adena Phillips, who leads the Burning Man Shabbat with him. Goldstein went to a Conservative day school and an Orthodox synagogue. Vincent grew up Haredi.
Each felt unsatisfied with the Judaism they were raised with — restrictions around gender norms and limitations, a culture of social conservatism. And they felt the Judaism they were given was too cerebral, focused on studying texts instead of practicing them.
As Goldstein put it, “My experience is that it’s very hard to have a direct experience of the divine from your mind.”
Yet they also didn’t feel as though established progressive movements, like Reform Judaism, had the depth they were seeking.
“Their way of being progressive is watering down Judaism and making it as thin and vanilla as possible,” said Krieger. “There’s this myth that if you want to make Judaism accessible to people, lower the bar of what you’re asking of them.”
But, he pointed out, plenty of Jews and non-Jews alike are seeking a demanding spiritual practice, turning to rigorous practices like meditation or yoga that require specific diets and strict observance but also offer a deep experience of the divine. The issue isn’t that kashrut or Shabbat are too difficult; the issue, Krieger said, is that these people aren’t finding the transcendent experiences they crave in Judaism. But they want to.
“The folks I think of as being involved in this movement are folks who really don’t want the weak tea Judaism, the bagels and lox Judaism, or summoning in Native American teachers because we don’t have our own wisdom,” said Vincent. Instead, those drawn to the Ivri movement want to find that kind of spirituality within Judaism, without having to be an outsider appropriating or visiting another practice.

This has emboldened Ivri thinkers to look to the past, mining from folk tales, Kabbalah and biblical descriptions of celebrations to find what they seek within Judaism. On Shavuot, Krieger led a grief ritual based on the Shalosh Regalim, part of ancient Temple pilgrimage rituals in which pilgrims circled those grieving and ostracized. It was deeply based on real practices, but innovated to fit the modern moment; participants chanted the words to an ancient mourning song, stopping to share their stories and embrace. For Rosh Hashanah last year, Vincent designed a ceremony around the story of the binding of Isaac in which participants put Abraham on trial to interface with the tale’s traumatic themes.
And Magid pointed out that however woo-woo these rituals — often full of theater, witchiness and connection to the spirit world — might seem, they could arguably be seen as part of a Hasidic ultra-Orthodox tradition. To most people, an image of the black-hatted Orthodox Jew symbolizes the most Jewish kind of Jew, the most religious form of practice. But, the professor pointed out, the Judaism practiced in Hasidic sects is full of spirits and magic.
“If you grow up in a modern Orthodox world or a Conservative world, it’s very different. It doesn’t have that very aesthetic, mythical flavor to it,” he said. “The ultra-Orthodox world is a very magical world — all of these mythic stories about demons floating around.”
But Vincent, for their part, rejects a framework of comparison; they don’t want to cede an automatic legitimacy to the Judaism of the Haredi world.
“There is this pandemic of a spiritual inferiority complex. Even rabbis will tell me: ‘I don’t know enough, I’m not a good Jew,’” said Vincent. “We’re letting it be defined by ultra-Orthodoxy. Those of us who have seen the wizard behind the curtain understand that actually ultra-Orthodoxy is a post-Holocaust version of Judaism. We understand the ways in which it is different than the Judaism of a hundred years ago.”
The birth of a name

The Ivri movement is far from the first to try to build a new, more spiritual, more embodied, more radically open practice of Judaism. Many of the hallmarks of what the Ivri teachers point to in their spiritual practice might be familiar from both the Renewal movement, the Kohenet movement and even the neo-Hasidut of Martin Buber or Abraham Joshua Heschel.
Indeed, many of the Jewish communities and teachers in the greater Ivri movement identify, or previously identified at least loosely, with Renewal Judaism; Krieger and Vincent were both ordained through ALEPH and Vincent has studied with Hammer, of Beit Kohenet. So why the need for a new name?
To Hammer, the difference between Ivri and what came before is a cultural one. Zalman Schachter-Shalomi, the founder of the Renewal movement, died over a decade ago and his work grew out of 1960s counterculture. The Kohenet movement, too, was born decades ago now. Ivri feels like the product of a new generation.
“I also identify as a Kohenet, and I also identify as part of the Jewish Renewal movement. It’s not that Ivri would define me as a person or practitioner, but I’m finding it helpful,” she said. “Maybe if you think of a movement more as pieces of music that go together, but one comes after the other.”
Goldstein, who organized the Big Jewish Gathering, said meeting the cultural moment is a big focus of the movement — and one that draws funders.
“My bubbie’s voice comes to mind, she always says: ‘Why does your generation think so much and ask so many questions? Why can’t you just be and live and let live?’” she said. “We’re forced to right now because of identity. The Jewish identity signifiers that held up in our parents generation and grandparents generation aren’t working right now.”
Hammer echoed the sentiment, saying that many American Jews are too focused on “replicating the spiritual practice exactly,” becoming so rigid about both identity and prayer that they have forgotten that religion is supposed to be a living vehicle to create meaning and transformation.
Goldstein wants to find a Judaism that can speak not only to Jews, but show the rest of the world that Judaism has more to offer than the highly politicized identity that dominates today, an identity which is breaking down as Jews debate what their relationship to Israel, to the Holocaust and to persecution really should be. She believes the growing Ivri movement — which she is working to find funding and create new events and avenues to develop — can offer Jews a new way to relate to their Judaism that they feel joyous and proud to participate in.
Showcasing Jewish practices that have a spiritual appeal, and speak to today’s concerns — like climate change, a non-dual understanding of gender and a need for meaning — could make Judaism more accessible and appealing to Jews and non-Jews alike. (Most Ivri spaces welcome non-Jews to participate.) And it could give Jews a new way to relate to their Jewish identity, one that isn’t rooted in a Judaism these teachers see as rooted in a closely-held trauma that is doing damage.
Of course, the emerging school of Ivri Judaism won’t speak to everyone; however well-grounded in ancient traditions and practices it may be to stomp on grapes or chant in a circle, it just feels too woo-woo for some.
“Ideally we want people to follow a practice because it is transformative, and we can only find out what’s transformative if we experiment,” Hammer said. Even the changes that don’t end up sticking or stay on the fringes, she believes, get shape Judaism over time.
Of course, every Ivri leader acknowledged, not everyone wants to experiment. But that’s fine — there are already plenty of people who do. Their biggest problem is finding a space to fit them all in one room.
The post There’s a new Judaism in town — or maybe it’s very, very old appeared first on The Forward.

