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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds

(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.

That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.

Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.

Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.

“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games. 

“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.

Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.

In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.

“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”

For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.

“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”

Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.

The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition. 

In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.

A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.

“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”

For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.

Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.

Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game. 

“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.” 

Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover. 

“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”

The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices. 

As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.

The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs. 

“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”

Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game. 

“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”  

For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.

“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”

An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together. 

Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.

The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative. 

“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”

Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”

Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee. 

“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”

Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.

“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”

But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.

“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”


The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.

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Norman Podhoretz, Commentary editor and archetypal Jewish neoconservative, dies at 95

(JTA) — Norman Podhoretz, the journalist and public intellectual who charted a path from Jewish liberal to pro-Israel neoconservative that would become well worn, has died at 95.

Podhoretz was the influential editor of Commentary magazine for 35 years, after being appointed to run the American Jewish Committee’s thought journal at 30 in 1960.

He initially continued in the magazine’s liberal tradition. But over the course of the 1960s, he became disillusioned by the left. He lamented the radicalism that became prevalent in campus antiwar activism. He also objected to a mounting critique of Israel and its occupation of Palestinian territories within the New Left following the Six-Day War in 1967.

By the decade’s end, Podhoretz had openly refashioned himself as what would become known as a neoconservative — someone his friend and intellectual ally Irving Kristol would describe as “a liberal who has been mugged by reality.”

Many of the most prominent neocon intellectuals were Jewish and, like Podhoretz, from New York City. Commentary became a central platform for their outlook on civil rights, the threat of communism and especially foreign policy, where Podhoretz was known as a particular expert. He argued strenuously against the Soviet Union and expressed steep concern about the U.S. detente with Russia as communism collapsed. He also advocated an interventionist U.S. foreign policy in support of promoting democracy abroad, causing him to support foreign wars that many liberals opposed.

Israel was a focus for Podhoretz, an observant Jew who was a longtime member of Manhattan’s Congregation Or Zarua. He believed that Israel was essential for both Jewish safety and U.S. interests and argued in support of its military pursuits. He soured early on the prospects for a peaceful resolution of the Israeli-Palestinian conflict. He also warned early — and seemingly presciently — that Jews could not rely on left-wing values to keep them or their homeland safe.

Podhoretz made waves in 2016 for endorsing Donald Trump in his first run for president, at a time when many traditional Republicans could not countenance him. He argued that Hillary Clinton would continue Barack Obama’s policies including the Iran nuclear deal that Obama struck, which Podhoretz called “one of the most catastrophic actions that any American president has ever taken.”

By the time he retired as Commentary’s editor in 1995, Podhoretz had embraced mainstream conservative views on a range of social issues, too, opposing abortion and gay rights. He also rejected his early liberal views on immigration, saying in 2019 that contemporary immigrants did not want to assimilate the way his parents’ generation had sought to.

“I was always pro-immigration because I’m the child of immigrants,” he told the Claremont Review, a leading journal of contemporary conservatism. “And I thought it was unseemly of me to oppose what not only had saved my life, but had given me the best life I think I could possibly have had.”

Born in 1930 in Brooklyn to parents who immigrated from Galicia, now Poland, Podhoretz attended public schools but also got a rich Jewish education at the urging of his father, a Yiddish-speaking immigrant who worked as a milkman. In addition to learning Hebrew, Podhoretz worked at Camp Ramah and took classes at the Jewish Theological Seminary while attending Columbia University, from which he graduated in 1950.

The final of his dozens of books, published in 2009, attempted to explain why most U.S. Jews are liberals — and why they should not be.

“He was a man of great wit and a man of deep wisdom and he lived an astonishing and uniquely American life,” his son John Podhoretz, who succeeded him as Commentary’s editor, wrote in a remembrance for the magazine announcing his father’s death. “And he bound himself fast to his people, his heritage, and his history. His knowledge extended beyond literature to Jewish history, Jewish thinking, Jewish faith, and the Hebrew Bible, with all of which he was intimately familiar and ever fascinated.”

Norman Podhoretz is survived by four children, 13 grandchildren and 16 great-grandchildren, according to the remembrance. His wife, the social commentator and critic of feminism Midge Decter Podhoretz, died in 2022.

The post Norman Podhoretz, Commentary editor and archetypal Jewish neoconservative, dies at 95 appeared first on The Forward.

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I’m a neuroscientist. Here’s why Ahmed al Ahmed’s bravery at Bondi Beach strains our narratives.

(JTA) — We tend to think of human behavior as deeply shaped by group lines. Again and again, research in social psychology and social neuroscience, along with everyday experience, shows how easily people come to see themselves as members of distinct groups, how quickly an “us” and a “them” emerge, and how rapidly loyalty on one side gives way to suspicion on the other, sometimes even when those divisions are thin or arbitrary.

As a fiction writer and a doctoral student in cognitive neuroscience who studies how narratives shape our perception of the world, I think often about how events like this strain the explanatory stories we rely on to make sense of why people act as they do. These patterns of group loyalty are familiar and empirically robust. People genuinely experience themselves through group identities.

And yet sometimes a single human action cuts across these categories, exposing the limits of the narratives we use to understand how people act in the world.

That is what we have experienced this week in the story of Ahmed al Ahmed, the Muslim fruit-seller who intervened, at great personal risk, to try to stop a deadly attack on Jews celebrating Hanukkah in Sydney.

Al Ahmed’s action was not only an act of exceptional bravery, but a direct challenge to the worldview advanced by so many figures today. By knowingly risking his life to protect Jews outside his own group and identity, he crossed the very boundary that many insist cannot be crossed, revealing a simple truth: that human moral action cannot be reduced to rigid theories of group loyalty alone.

Perhaps one of the most prominent proponents of a growing online current that frames human life as fundamentally governed by group identity is the white supremacist livestreamer Nick Fuentes. He has repeatedly advanced antisemitic claims, arguing that Jews are incapable of full civic loyalty, that they put their own group first, and that Jewish Americans are ultimately more loyal to Jews as a group or to Israel than to the United States itself. He has said about Jews, “They have this international community across borders, extremely organized, that is putting the interests of themselves before the interests of their home country.” In Fuentes’ framing, human existence is a competition between groups, and moral loyalty is by definition exclusive. He is careful to insist that these claims are not antisemitic, presenting them instead as a hard-headed and honest description of human nature.

A similar logic appears in the rhetoric of Thomas Rousseau, the leader of the extremist group Patriot Front, who describes the United States as being locked in an inevitable racial struggle. Rousseau has framed this worldview in stark terms, declaring that white people are “being relentlessly erased on all sides, by the Jew, by non-whites who hate us,” a statement that casts social and political life as an existential battle between fixed identities.

But the worldview advanced by figures like Fuentes and Rousseau collapses when confronted with a single human act such as that of Ahmed Al Ahmed. If human life were truly governed only by intergroup competition and instinct, there would be no room for a person to knowingly risk his life for strangers from another group, let alone in the midst of mortal danger. Yet this is precisely what happened. Al Ahmed risked his life to protect members of a group to which he did not belong. This altruistic act directly contradicts the theories advanced by Fuentes and Rousseau and exposes them for what they truly are, not neutral descriptions of reality but ideological narratives imposed upon it. Beneath the edgy aesthetics, viral memes, and provocative social media packaging, these claims amount to recycled pseudo-intellectual arguments, longstanding tropes of racism and antisemitism that have circulated throughout history under different guises.

Understanding Al Ahmed’s act, however, requires moving beyond abstract theory to the explanations offered by those closest to the event. Two interpretations have emerged in media accounts of why he risked his life. One, expressed by his father, presents the act in simple and universal terms. His father said that “Ahmed was driven by his sentiment, conscience and humanity.” The other explanation, voiced by Lubaba Alhmidi AlKahil from within the Muslim and Syrian community after visiting Al Ahmed in the hospital, situates the act within a specific moral culture and identity. As she put it, this kind of response is “not strange for a Syrian individual,” coming from a community with strong bonds that has learned to refuse injustice. What is striking is that these two explanations can exist side by side without canceling one another, a possibility that figures like Nick Fuentes and those who share his worldview struggle to grasp because they are locked into a rigid, binary understanding of human motivation.

One might argue that Al Ahmed’s act was a rare exception in a world otherwise governed by group conflict and self-interest. But the reality is that every day, people risk their lives to protect others across lines of identity. Adam Cramer dove into the water to save a drowning girl. Lassana Bathily hid Jewish shoppers during the Hyper Cacher attack in Paris. Mamoudou Gassama saved a child he did not know. Wesley Autrey jumped onto subway tracks to rescue a stranger, and Henri d’Anselme confronted a knife attacker to protect children. Seen in this light, Ahmed Al Ahmed stands within a long human tradition that includes, even in more distant history, figures such as Raoul Wallenberg and Chiune Sugihara, who risked their lives to save others during the Holocaust.

Evolutionary research itself points in the same direction. Across species, altruistic behavior appears again and again, from dolphins that keep injured companions afloat so they can breathe, to rats that will free trapped cage mates. Far from an anomaly, altruism is a recurrent feature of social life, and our brains have a remarkable capacity for empathy and for understanding the experiences of others, far beyond the lines of group identity and social belonging. Fuentes and those like him may insist that people are loyal only to their own group, but reality erodes this impoverished and intellectually lazy theory on a daily basis.

Crucially, these acts do not testify only to universal altruism abstracted from identity. In many cases, they emerged from deeply held group identities and moral traditions. Cultural, religious, and national affiliations did not prevent these individuals from acting on behalf of others. They often supplied the very moral language and sense of responsibility that made such action possible. Universal concern and particular identity therefore do not stand in opposition. They coexist, with specific histories serving not as barriers to moral action but as sources from which it can arise.

That is precisely what figures like Nick Fuentes and those who share his worldview fail to account for. Their politics rests on a rigid vision of identity as a closed framework, one that leaves no room for moral action that crosses its prescribed boundaries. The horrific attack at Bondi Beach, and the courage of Ahmed Al Ahmed within it, remind us that moral action often arises neither from abandoning identity nor from clinging to it defensively, but from inhabiting it fully while remaining open to others.

In an age shaped by clickbait, algorithms and relentless simplification, such moral complexity is difficult to sustain. Political arguments reward camps and slogans. But the actual behavior of people like Ahmed Al Ahmed escapes the internet’s simplified categories and points instead toward a richer form of conduct, one that can be called, quite simply, humanity.

The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.

The post I’m a neuroscientist. Here’s why Ahmed al Ahmed’s bravery at Bondi Beach strains our narratives. appeared first on The Forward.

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The Israel news we don’t hear – and the forces that silence us

I spent part of Shabbat reading about the stunning performance of the Israeli stock market — which is up dramatically since Oct. 7, outpacing the gains of the S&P by a significant margin.

The 35 Israeli stocks with the largest market capitalizations are up a whopping 90 percent since Oct. 7. Meanwhile, the S&P 500 was up 60 percent during that same time period.

I wondered why I had not read more about this, and was struck by what Eugene Kandel, the chairman of the Tel Aviv Stock Exchange, told Investors Business Daily.

“Israel was, and still is, under a PR attack from ideological actors, who finance huge campaigns against us,” Kandel said. “But even during these two years, the collaboration with so many organizations, companies, governments and investors did not stop despite threats and protests.”

Why aren’t we hearing about those collaborations?

Then the news of the Bondi Beach Hanukkah shooting broke. Instantly, all the peace of Shabbat dissipated, along with all the thoughts of collaborations — and who is covering what and why, and in which language.

Instead, I thought again of how terrorists worldwide seem to own a well-thumbed Jewish calendar. The date and timing of this massacre — on yet another Jewish holiday — was no accident, and Jews around the world know this.

We are living through a sustained campaign to make Jews afraid to be Jews. Attacks on Jewish holidays are an effort to erase Jewish joy, Jewish observance, and in the case of Hanukkah, Jewish history.

And perhaps we are also under a sustained campaign to minimize Jewish achievement.

Some politicians take notice

Some politicians are making efforts to look at the often-exhausting layers of what is happening and find ways to name them.

I appreciate the effort to find language for all of this. Representative Brian Mast, the chair of the House Foreign Affairs Committee and a Florida Republican, commented that he discerns a “very specific network that is in place that works together to sow antisemitism that is now, in many cases, working on the left and right across the media, to go out there and put this wedge in this relationship.”

He was referring to the U.S.-Israel connection.

Speaking at a Hudson Institute conference on antisemitism, he called this network a “very, very serious global threat across multinational organizations, media across the globe and adversaries and terrorist organizations.”

When he said “media,” I thought of the minimal coverage of the Israeli stock exchange and the strength of Israeli stocks.

The relief of acknowledgment

I felt a strange sigh of relief as I read Mast’s comments. It was the relief of actual acknowledgment. It was the relief of hearing someone trying to name things, even though I’m not sure if “network” is the best possible word.

Because something must be said.

What I noticed the day after the Bondi Beach massacre was the deep silence. The silence came from so many people that maybe “network” was the right word for it.

I went to a non-denominational holiday party this week, and no one mentioned what had happened in Australia. I wondered what the conversation would have been like if the shooting had happened at a Christmas tree lighting, or a drag story hour that turned into carnage. What would the conversation have been if any other group, but the Jewish community, had been targeted?

It’s unlikely that there would be total silence. Total non-acknowledgment. No words in a room of people who work with words.

The threat we face is not just the threat Representative Mast detailed, or the PR threat Kandel described. It’s also the silence, a silence so loud that it is visible as candlelight in the darkness.

How to respond to silence

I don’t know how to answer silence, but maybe some wiser people out there do.

Late last night, I saw a reel of a very long line of cars with menorahs on their roofs driving along the New York State Thruway, not far from the Palisades Mall, just a short drive from where I grew up.

The line of cars went on and on. The silent message was Do not be afraid. And I saw it as a response to Bondi Beach.

I hope there are more Hanukkah menorahs lit tonight, not less. And I also hope that we can consider bringing layers of truth into the light. Sometimes, layers represent both a dose of reality and an antidote against despair.

Yes, a father and son attacked the Jewish community on a holiday. But it is deeply important and also true that an unarmed Muslim father and fruit seller named Ahmed al Ahmed jumped on one of the gunmen and undoubtedly saved many lives.

The video of that heroic act should be watched by all.

It is a reminder that perhaps there is another “network” out there, a network of those who object to hatred. And it is a reminder that generalizations can only take us so far; as my mentor James Alan McPherson taught me, a story is about an individual at an individual moment in time.

Ahmed al Ahmed showed us all the power of an individual. And the power of a single layer in any truth, and in any story.

As for all those under-discussed Israeli companies holding on in wartime, through boycotts, pushing up the index by 90 percent since the worst day in Israeli history, continuing to collaborate with partners around the globe despite a PR onslaught to isolate them — even in this darkness, and in this silence, we see you.

The post The Israel news we don’t hear – and the forces that silence us appeared first on The Forward.

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