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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.
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Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’
(JTA) — Colombia’s outgoing president, Gustavo Petro, sparked fierce condemnation from Israeli and Latin American leaders after he tweeted the phrase “Heil Hitler” Sunday in response to an op-ed endorsing a candidate in the country’s upcoming presidential election.
Petro, a left-wing president in the final weeks of his term ahead of the country’s June 21 runoff election, posted the Nazi phrase in response to an op-ed supporting right-wing presidential candidate Abelardo de la Espriella.
Petro subsequently defended his use of the Nazi slogan, arguing that he was critiquing the language used by the op-ed’s author, which he said included “fascist phrases.”
His defense came after criticism from Israeli leaders and others who said the “Heil Hitler” comment was inappropriate.
Israel’s ambassador to the United Nations, Danny Danon, called on the Colombian leader to “come to your senses and apologize” before Wednesday, when he is slated to preside over a debate at the United Nations Security Council.
“President of Colombia, @petrogustavo, whatever is going on in your personal life, there are lines that must never be crossed,” Danon wrote in a post on X. “Using Nazi slogans is a disgraceful low from which there is no coming back.”
Israel’s Foreign Ministry also decried the post, writing on X that it was a “total loss of moral compass and an indelible stain on Colombia’s legacy.”
The episode comes amid shifting norms about the use of Holocaust analogies and language in political discourse. After being considered out of bounds for a long time, people on both the right and the left have increasingly shed those norms amid growing political polarization and extremism around the world.
The “Heil Hitler” post was not the first time Petro has landed in hot water for invoking the Holocaust. In the wake of Oct. 7, Petro drew backlash from Jewish and Israeli leaders for likening the actions of Israel to Nazi Germany. On social media, he has repeatedly called political rivals Nazis, including last month when he wrote in a post on X that Israel’s national security minister, Itamar Ben-Gvir, had behaved like a “true Nazi” after he posted videos taunting detained activists from a Gaza-bound aid flotilla.
In 2024, Petro also severed diplomatic ties with Israel, accusing the country of commiting genocide in Gaza, an accusation Israel has denied. Espriella, who was endorsed by President Donald Trump, has vowed to renew diplomatic ties with Israel.
On Monday, 24 Latin American lawmakers signed onto a statement condemning Petro’s rhetoric, warning that his repeated use of references to Naziism risked distorting Holocaust memory.
“The use of references to Nazism must not become a rhetorical tool to discredit political or ideological positions. Democratic leaders have a responsibility to promote a respectful public debate that is conscious of the weight of words,” the statement read.
The statement was initiated by the Coalition of Latin American Legislators Against Antisemitism, which is led by the Combat Antisemitism Movement. The signatories included lawmakers from Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, Guatemala, Honduras, Mexico, Panama, Paraguay, Peru, the Dominican Republic and Uruguay.
Shay Salamon, CAM’s executive director of Latin American affairs, said in a statement that Petro’s invocation of the phrase reflected a “troubling record of antisemitic expressions and conduct” by the Colombian leader.
“When a leader uses the authority of his office to stigmatize the Jewish people or trivialize their historic suffering, silence is no longer an option,” Salamon said.
The post Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’ appeared first on The Forward.
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Israel looms large as Maine heads to the polls in Graham Platner’s Senate primary
(JTA) — As Graham Platner wrapped up his campaign for the Maine Democratic Senate nomination Tuesday, he ended it the way he began: by taking aim at AIPAC, the pro-Israel lobby and political funder.
The Democrat’s first online ad, released in August, boasted that, unlike his competitors, he would never get AIPAC’s endorsement because he believed Israel had committed genocide in Gaza. Last week, he suggested that AIPAC funding meant his Republican opponent was “bought and paid for by Benjamin Netanyahu,” drawing allegations of antisemitism from a range of Jewish groups.
Along the way, Platner has courted multiple rounds of controversy over Israel and Jews. And in the race’s final days, new reports about Platner’s past behavior toward women have fueled anti-Israel rhetoric among some of his supporters — and further splintered Democratic support for the oyster farmer and political neophyte whose spirited run for office has alarmed many Jewish leaders.
Now, Mainers are heading to the polls with Israel and antisemitism allegations looming large.
Platner, 41, ran as a populist promising to inject progressive energy into a Senate race where both the incumbent Republican and the establishment Democratic pick, Gov. Janet Mills, are in their 70s. (Mills suspended her primary campaign as Platner soared in polls, but she remains on Tuesday’s ballot.) In an election cycle when anti-Israel rhetoric is surging on the left, Platner — who has Jewish extended family, including a stepbrother who lives in Israel and works on Israel policy issues for the Foundation for Defense of Democracies — embraced the stance by making genocide accusations a key part of his stump speech.
That has earned him support in some corners. In a viral video from a rally over the weekend, a Platner supporter dismissed concerns about his tattoo of the Totenkopf symbol, a skull-and-crossbones image worn by Nazi concentration camp guards, which Platner tattooed over earlier this year amid criticism even as he insisted that he hadn’t known it was a Nazi symbol.
Then the supporter asserted that if Platner had a different tattoo, it would have been a dealbreaker for her: an Israeli flag.
“I don’t support genocide, and he doesn’t either, and that would show that he’s being inconsistent,” the woman told the New York Sun.
The exchange exacted disbelief from some. “Are you kidding me? A tattoo of the Israeli flag is worse than a Nazi symbol?” tweeted Democratic Rep. Josh Gottheimer of New Jersey, who is Jewish. “This should not be welcome in the Democratic Party!”
Pro-Israel donors have responded accordingly, shoring up the war chest of Republican Sen. Susan Collins.
“Susan Collins’s latest financial report just came out. A staggering one-third of her money raised this quarter came directly from AIPAC,” Platner tweeted on June 1. “Senator Collins is bought and paid for by Benjamin Netanyahu, and she votes accordingly.”
Collins has described herself as broadly “pro-Israel” but also recently provided a crucial vote for a measure to end the joint U.S.-Israeli war in Iran. OpenSecrets, the nonpartisan campaign finance information website, confirmed to the Jewish Telegraphic Agency that its analysis of public Federal Election Commission data showed that a third of donations to Collins in the previous quarter were gifts from individuals who used the pro-Israel lobby as an intermediary. Collins also received a small donation directly from the group’s super PAC.
Still, Platner’s tweet ignited sharp criticism for suggesting that AIPAC represented Israeli influence, rather than donations by American supporters of Israel.
The Anti-Defamation League said the remark “invokes classic antisemitic rhetoric” and added, “Such accusations call up the age-old dual loyalty trope that casts Jewish Americans as more loyal to Israel than their own country.”
The Nexus Project, an antisemitism watchdog that is more forgiving of some forms of criticism of Israel than the ADL, also criticized the tweet.
“The insinuation that the government of Israel is ‘buying’ or directly controlling any politician who receives AIPAC funding or any American political donor that donates through a pro-Israel conduit is reductive and wrong,” Jonathan Jacoby, Nexus’ president, told JTA in a statement.
Undeterred, Platner on Saturday again invoked AIPAC while going after a member of his own party: Democratic Sen. John Fetterman of Pennsylvania, a staunch Israel supporter. Fetterman had recently criticized Platner in harsh language, telling CNN, “When I was growing up, if someone had a clear Nazi tattoo on them, you probably could conclude that they’re a Nazi sympathizer.”
Fetterman, Platner said in response, had “become a stooge for AIPAC and the Republican party.”
Reached for comment on the phrasing of his AIPAC remarks, a Platner campaign spokesperson said, “Whether it’s private equity, billionaires, corporations, super PACs, etc., Graham is committed to getting money out of politics.”
Amid the mounting scandals, Platner met with Senate Minority Leader Chuck Schumer last week to shore up support for his candidacy among Democratic leaders. Speaking with reporters afterward, Schumer — who is Jewish, considers himself a leader on fighting antisemitism and had said he would support Platner’s campaign after Mills dropped out — repeatedly dodged questions about his confidence in Platner.
Some anti-Israel voices claim that the criticism reflects a conspiracy by Israel to prevent Platner from taking office.
“If you want a handy list of people who work for Israel, look at everyone criticizing Graham Platner now, especially Democrats,” the progressive influencer Cenk Uygur tweeted on Friday. “I get why Republicans want to tear him down. But Democrats attacking their own candidate only happens when they are ordered to do so by their handlers.”
His supporters, meanwhile, went on the offensive after a report in The New York Times cited multiple ex-girlfriends who said he had engaged in abusive and bullying behavior during their relationships.
The story featured as its most prominent voice Lyndsey Fifield, a Republican operative and former staffer at the conservative Heritage Foundation. In the article, Fifield claimed that Platner had known about his Totenkopf tattoo when he was dating her despite the candidate’s public insistence that he hadn’t recognized its Nazi origins. Platner had called his tattoo “my Totenkopf” while with her, Fifield told the Times, sharing a text in which she referred to the tattoo as a Nazi symbol before Platner said he was aware of what the tattoo represented.
Platner “has a Nazi tattoo on his chest,” Fifield texted her friends last summer, according to the Times. “It’s a Totenkopf … I will personally go campaign for Collins.”
Speaking to Maine’s public radio after the Times story ran, Platner denied Fifield’s claim. In another interview with MS NOW, Platner struggled to sort out the timeline of Fifield’s text to her friends about his tattoo, which occurred before he said he knew about the tattoo’s origins. Reached for comment, a Platner campaign spokesperson pointed to a previous interview the candidate held with JTA, in which he noted his “direct family connection to Judaism” and positive associations with Jewish religious tradition. Platner has also cast doubt on Fifield’s account, alleging that she is the sole source for reports about his knowledge of his own tattoo.
Reached for comment, Fifield told JTA by email, “I’ve been a vocal Zionist since college. I’ve been a proud conservative since then as well. Both of those things were true when I dated Graham.” Fifield is also close with the Jewish conservative commentator Bethany Mandel, with whom she formerly co-hosted a podcast.
To JTA, Fifield added, “If not being an antisemite is enough to fuel a mob of conspiracy theorists, it says something very dark about our culture.”
Some of Platner’s defenders have suggested the Times article was fueled by pro-Israel adversaries. Online, pro-Palestinian commentator Mehdi Hasan called Fifield “an anti-Palestinian racist and bigot,” sharing a tweet of hers in which she mocked the concept of “a Palestinian museum” and wrote, “What are their accomplishments, inventions, or other notable figures apart from terrorists and bombs made from the water pipes Israel gave them to pipe in free water for their people?”
Others have pointed out that the reporter who wrote the article, Katie Glueck, was co-president of Students for Israel at Northwestern University when the chapter won an “Activist of the Year” award from pro-Israel lobbying group AIPAC in 2009.
“The most shocking part of this story is that the NYT had a former AIPAC Activist of the Year (Katie Glueck) write a piece devoted to detailing unsubstantiated claims from a professional Republican activist (Lyndsey Fifield) on how a left Democratic Senate candidate who has promised to take on Israel (Platner) was a lousy boyfriend and sold it as a legit journalistic scoop,” tweeted Marcus Stanley, the director of studies at the Quincy Institute for Responsible Statecraft, an anti-interventionist think tank.
In a statement to JTA, a New York Times spokesperson defended Glueck’s participation in the article.
“Katie Glueck has covered politics for over a decade and is one of the best journalists in media at producing incisive coverage of candidates and campaigns,” the Times’ Charlie Stadtlander wrote in an email. “She approached this article about Graham Platner’s past personal conduct with the same independence she brings to all of her reporting.”
Stadtlander added that the Times stands behind its reporting “of the accounts from Ms. Fifield and the other women, who provided a revealing look at the behavior of a major candidate for the U.S. Senate.”
The drumbeat of criticism has tempered excitement among some Democrats about Platner and his potential to flip a Senate seat. Even California Rep. Ro Khanna, a leading critic of Israel in Congress, offered indirect criticism of Platner and his defenders on CBS News’ “Face the Nation” over the weekend, where he said Platner’s supporters shouldn’t go after his accusers and “should not attack the New York Times reporters who wrote this story.”
“I know those reporters. They’ve written things critical of me. That’s what journalists do,” Khanna said. “Our party doesn’t attack the press. Our party believes that you treat women with equality and respect in all aspects of their lives.”
Still, he continued to signal support for Platner, saying that “he’s taken accountability for that period of his life.” Khanna also spoke at a rally for Platner in Maine over the weekend.
While Platner does not have many prominent Jewish supporters in Maine, and has seen the Jewish Democratic Council of America pointedly withhold its own support of his bid, one of his most visible Jewish allies in the state says he will stand by him.
“I’m still very much in Camp Platner,” Steven Koltai, the chair of J Street Maine who helped organize a Passover seder with the Platner campaign, told JTA following the latest revelations.
Koltai suggested that Platner’s past behavior paled in comparison to the president’s: “Thanks to President Trump, the bar for public office in America has been set at a level that even a subterranean earth worm could overcome.”
Asked about Platner’s comments regarding Collins and AIPAC specifically, he signaled a degree of difference with his candidature: “Of all Senator Collins’s votes, her votes on aid to Israel are very low on my list of complaints about her voting record.”
Platner is expected to sail through the primary. Most recent polls suggest that he and Collins are running neck and neck heading into November.
The post Israel looms large as Maine heads to the polls in Graham Platner’s Senate primary appeared first on The Forward.
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The Yiddishist Yeshiva is open for registration
ס׳האָט זיך לעצטנס געשאַפֿן אַ נײַער סאָרט לייענקרײַז דורך פֿייסבוק, וווּ מע לערנט תּורה אויף ייִדיש צוזאַמען.
אינעם לייענקרײַז, וואָס הייסט „די ייִדישיסטישע ישיבֿה“, לייענט מען חומש מיט רש״י — סײַ אויפֿן אָריגינעלן לשון־קודש סײַ אויף ייִדיש־טײַטש. „די גרופּע איז אָפֿן פֿאַר אַלע מינים מענטשן,“ האָט דערקלערט דער לינגוויסט און ייִדיש־אַקטיוויסט לייזער בורקאָ, וועלכער האָט אָרגאַניזירט די גרופּע. „פֿרויען און מענער, ייִדן און נישט־ייִדן, געי און ׳גלײַך׳. נײַע תּלמידים דאַרפֿן פֿאַרשטיין ייִדיש גוט, אָבער זיי דאַרפֿן נישט האָבן קיין תּורהדיקן הינטערגרונט.“
די גרופּע טרעפֿט זיך יעדן דינסטיק דורך פֿייסבוק. נאָך מער פּרטים אָדער כּדי זיך צו פֿאַרשרײַבן, שטעלט זיך אין קאָנטאַקט מיט בורקאָ, אויפֿן אַדרעס leyzertag@gmail.com אָדער דורך פֿייסבוק.
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