Uncategorized
With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
—
The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.
Uncategorized
Iranian Regime Crackdown Went Beyond Protesters, Hitting Bystanders Too, Witnesses Say
People attend the funeral of the security forces who were killed in the protests that erupted over the collapse of the currency’s value in Tehran, Iran, Jan. 14, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Art student Arash was walking home through the streets of Tehran when a shotgun blast ended his life. He had not shouted slogans, joined protesters, or raised a fist.
A friend, speaking by telephone from the Iranian capital, described the moment in a voice cracking with grief: Arash fell instantly, lifeless on the pavement. He was 22.
The friend, who spoke on condition of anonymity due to fear for his security, said they had paused on the sidewalk to watch a protest in nearby Vanak Square when security forces in black uniforms arrived and began firing randomly toward the demonstrators.
Arash’s death on Jan. 8 is an example of what witnesses say has been a reality of the country’s latest anti-government protests — bystanders uninvolved in the unrest caught in gunfire, or killed as they tried to flee the chaos.
Reuters was unable to independently verify this account or similar witness reports of deaths during the state’s crackdown on the unrest, and could not determine how many of the thousands killed were bystanders or people merely near the protests when they were shot.
But accounts from families and witnesses suggest that indiscriminate force used by security forces to crush the unrest killed many civilians who were not participating, leaving relatives to scour hospitals, morgues, and detention centers for answers.
UNLAWFUL LETHAL FORCE USED IN IRAN, AMNESTY REPORTS
Officials in Iran could not be reached for comment about the deaths described in this story as authorities began blocking telephone lines and internet connections from Jan. 8, when protests spread nationwide. From Jan. 13, Iranians have been able to make outgoing international phone calls, while calls into the country remain blocked.
There was no immediate response to requests for comment sent to the Iranian UN missions in Geneva and New York.
Authorities have blamed the unrest and deaths on “terrorists and rioters” backed by exiled opponents and foreign adversaries, the United States and Israel. State TV aired footage of burned police and government buildings, mosques and smashed banks it said had been attacked by “terrorists and rioters.”
The US-based HRANA rights group said it has so far verified 4,519 unrest-linked deaths, including 4,251 protesters, 197 security personnel, 35 people aged under 18 and 38 bystanders who it says were neither protesters nor security personnel.
HRANA has 9,049 additional deaths under review. An Iranian official told Reuters the confirmed death toll until Sunday was more than 5,000, including 500 members of the security forces.
The protests began on Dec. 28 as modest demonstrations in Tehran’s Grand Bazaar over economic hardship and quickly spread nationwide.
INDISCRIMINATE FIRE REPORTED BY WITNESSES
Within days crowds in cities and towns were calling for an end to clerical rule, and state TV showed footage of what it called “rioters” burning images of Supreme Leader Ayatollah Ali Khamenei.
Amnesty International said in a report it had documented security forces positioned on streets, rooftops — including those of residential buildings, mosques, and police stations — repeatedly firing rifles and shotguns loaded with metal pellets, often aiming at unarmed individuals’ heads and torsos.
It said the evidence points to a coordinated nationwide escalation in the security forces’ unlawful use of lethal force against mostly peaceful protesters and bystanders since the evening of Jan. 8.
The unrest has posed one of the gravest threats to Iran’s clerical establishment in years, with US President Donald Trump repeatedly threatening to intervene if protesters continued to be killed on the streets or were executed.
Iran‘s judiciary has indicated that execution of those detained during protests may go ahead.
Numerous accounts from inside Iran, including from people who have since left the country, said security forces fired live ammunition indiscriminately, turning streets — particularly on Ja. 8 and 9 — into what witnesses likened to war zones.
Among the victims was Fariba, a 16-year-old girl described by her mother, Manijeh, as curious and full of life.
On a night when she went with her mother to a nearby square simply to observe, security forces on motorcycles attacked the protesters.
‘THEY KILLED MY CHILD,’ SAYS MOTHER OF 16-YEAR-OLD
Manijeh clutched her daughter’s hand and sought shelter behind a parked car amid the gunfire. In the ensuing panic, she lost her grip and mother and daughter became separated.
“I searched street after street, screaming her name,” Manijeh recounted, sobbing over the phone. “She was gone.”
That night, the family scoured police stations and hospitals. They found Fariba two days later in a black body bag inside the Kahrizak Forensic Medical Center in south Tehran, shot in the heart, her body cold.
Officials told the family that “terrorists” had killed her.
“No,” her mother said. “I was there that night. The security forces opened fire on people. They killed my child.”
Videos on social media showed footage of families searching for their relatives among hundreds of body bags in morgues and the Kahrizak Center. Reuters verified the location of the videos as Kahrizak Center, although the identity of the people and the date when the videos were filmed could not be verified.
A physician who left Iran on Jan. 14 said hospitals were overwhelmed with gunshot victims. In Karaj, west of Tehran, a resident described security forces deploying automatic rifles against protesters and bystanders on Jan. 8.
Similar accounts emerged from the western city of Kermanshah, where Revolutionary Guards used armored vehicles and tanks to contain demonstrations.
‘THEY SMASHED DOORS, CURSING,’ SAYS BROTHER OF MISSING WOMAN
In Isfahan, the brother of a 43-year-old man recounted holding his sibling’s blood-soaked body after security forces shot him. “His only act was sheltering teenage protesters fleeing into his shop,” said Masoud, 38, by telephone.
Like other Iranians interviewed for this story, Masoud asked for his full name to be withheld for fear of reprisals.
In another case, the family of Nastaran, a 28-year-old elementary school teacher in Tehran, spent days searching for her after she visited a cousin on Jan. 9 and never returned.
They found her body in a warehouse near Tehran. She had been shot by security forces, said Nastaran’s father.
Authorities allowed retrieval only on condition of burial in the family’s hometown in central Iran and pressured them to blame “terrorists” — a claim the relatives rejected, he said.
Another family in the northern city of Rasht said security forces stormed their apartment after spotting their 33-year-old daughter, Sepideh, watching protests from a window.
“They smashed doors, cursing and yelling. They detained her. We don’t know where she is,” said Morteza, her brother.
“My sister’s two young children cry for her; her husband has been warned of arrest if he keeps searching for her.”
Uncategorized
Trump Warns Hamas: Give Up Weapons or Be ‘Blown Away’
Palestinian Hamas terrorists stand guard at a site as Hamas says it continues to search for the bodies of deceased hostages, in Beit Lahiya in the northern Gaza Strip, Dec. 3, 2025. Photo: REUTERS/Stringer
US President Donald Trump on Wednesday warned Hamas will be “blown away” if the Palestinian terrorist group doesn’t agree to disarm in accordance with his 20-point peace plan to end the war in Gaza.
It should be clear within three weeks whether Hamas will agree to give up its weapons, Trump added.
“That’s what they agreed to. They’ve got to do it. And we’re going to know … over the next two or three days — certainly over the next three weeks — whether or not they’re going to do it,” he said in a question-and-answer session following his speech at the World Economic Forum in Davos.
“If they don’t do it, they’ll be blown away very quickly. They’ll be blown away, Trump added.
His comments came one week after US special envoy Steve Witkoff announced the launch of phase two of Trump’s plan to end the conflict in Gaza, describing the process as “moving from ceasefire to demilitarization, technocratic governance, and reconstruction.”
Witkoff also warned Hamas, the Palestinian terrorist group that ruled Gaza before the war and still controls nearly half the enclave’s territory, to remain committed to the terms of the agreement.
“Phase Two establishes a transitional technocratic Palestinian administration in Gaza, the National Committee for the Administration of Gaza (NCAG), and begins the full demilitarization and reconstruction of Gaza, primarily the disarmament of all unauthorized personnel,” Witkoff posted on social media. “The US expects Hamas to comply fully with its obligations, including the immediate return of the final deceased hostage. Failure to do so will bring serious consequences.”
Under phase one of Trump’s peace plan, a ceasefire took effect and Hamas was required to release all remaining hostages, both living and deceased, who were kidnapped by Hamas-led Palestinian terrorists during the group’s invasion of and massacre across southern Israel on Oct. 7, 2023.
Everyone was released except for Master Sgt. Ran Gvili, the last remaining slain hostage in Gaza. Israeli Prime Minister Benjamin Netanyahu reportedly spoke last week with Gvili’s parents, who have adamantly opposed moving to the second phase of Trump’s plan until their son’s body is returned.
Gvili’s return “is at the top of Israel’s priorities,” Netanyahu’s office said in a statement, according to the Times of Israel. “Hamas is required to comply with the terms of the agreement and make a 100% effort to return all fallen hostages, until the very last one — Ran Gvili, a hero of Israel.”
In exchange for Hamas’s releasing nearly all the hostages, Israel freed thousands of Palestinian prisoners, including many serving life sentences for terrorism, and partially withdrew its military forces in Gaza to a newly drawn “Yellow Line,” roughly dividing the enclave between east and west.
Currently, the Israeli military controls 58 percent of Gaza’s territory, and Hamas has moved to reestablish control over the rest of the enclave. However, most of the Gazan population is located in the Hamas-controlled portion, where the Islamist group has been imposing a brutal crackdown.
The second stage of the US-backed peace plan is supposed to establish an interim administrative authority, a so-called “technocratic government,” deploy an International Stabilization Force (ISF) to oversee security in Gaza, and begin the demilitarization of Hamas.
However, Hamas has repeatedly refused to disarm, despite the plan’s call for the terrorist group to do so and relinquish any governing role in Gaza. Further Israeli military withdrawals are tied to Hamas’s disarmament.
Still, the peace plan is moving forward with a transitional technocratic Palestinian administration in Gaza. The newly established 15-member body is led by Ali Shaath, a former deputy minister in the Palestinian Authority.
The Palestinian technocratic body will be overseen by an international Board of Peace to govern Gaza for a transitional period. Nickolay Mladenov, a former UN Middle East envoy, will represent the board on the ground. Other members tapped by Mladenov include people from the private sector and NGOs.
It’s unclear how many total members will be on the Board of Peace. Trump has invited dozens of world leaders to join the US-led initiative, which he would chair and would initially seek to end the conflict in Gaza but then tackle wars elsewhere.
Since the start of the Israel-Hamas ceasefire in October, both sides have repeatedly accused each other of violations. Israel has carried out several operations targeting terrorist operatives as the Palestinian group ramps up efforts to reassert control over the war-torn enclave.
Efforts to advance the ceasefire deal have stalled, with no agreement on crucial next steps, including the start of reconstruction in the enclave and the deployment of the ISF.
The international force is supposed to oversee the Gaza ceasefire between Israel and Hamas, train local security forces, secure Gaza’s borders with Israel and Egypt, and protect civilians while maintaining humanitarian corridors.
Turkey, a longtime backer of Hamas, has been trying to expand its role in Gaza’s post-war reconstruction efforts, which experts warn could potentially strengthen Hamas’s terrorist infrastructure.
While Turkey insists on participating in the ISF, Israeli officials have repeatedly rejected any Turkish involvement in post-war Gaza.
Turkey will have a representative on the Board of Peace.
Uncategorized
US Military Starts Transferring Islamic State Detainees From Syria to Iraq
Members of the Syrian government security forces gather after they took control of al-Hol camp following the withdrawal of Syrian Democratic Forces (SDF), in Hasaka, Syria, Jan. 21, 2026. Photo: REUTERS/Khalil Ashawi
The US military said on Wednesday that its forces have transferred 150 Islamic State detainees from Syria to Iraq.
The move comes after the rapid collapse of the Kurdish-led Syrian Democratic Forces in northeast Syria triggered uncertainty over the security of around a dozen prisons and detention camps they had been guarding.
In a statement, the US military said the United States was able to transport 150 Islamic State fighters held at a detention facility in Hasakah, Syria, to a secure location in Iraq.
Ultimately, up to 7,000 ISIS detainees could be transferred from Syria to Iraqi-controlled facilities, the statement added.
“We are closely coordinating with regional partners, including the Iraqi government, and we sincerely appreciate their role in ensuring the enduring defeat of ISIS,” said US Admiral Brad Cooper, the head of US forces in the Middle East.
Syria on Tuesday announced a ceasefire with Kurdish forces from which it has seized swathes of territory in the northeast and gave them four days to agree on integrating into the central state, which their main ally, the United States, urged them to accept.
The lightning government advances in recent days and the apparent withdrawal of US support for SDF’s continued holding of territory represent the biggest change of control in the country since rebels ousted Bashar al-Assad 13 months ago.