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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.
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Man charged in a Jewish journalist’s death vandalized a Jewish business days before
The unsolved murder of a Jewish man in a public park, a synagogue desecrated with motor oil and feces, a bagel shop splattered with dirt, and the sudden and tragic death of a Jewish journalist.
Those incidents within a few miles of each other in a heavily Jewish neighborhood of Queens have put the Jewish community in that borough on alert since May. Ronnie Perry, who works at Benny’s Brick Oven Kosher Pizza in the neighborhood, said he can’t help but see a pattern.
“You know what the common denominator is, right?” Perry said.
Though investigators have not determined the motives in each case, prosecutors on Monday charged the same man who allegedly caused the death of the journalist with a hate crime for allegedly vandalizing the bagel shop.
“I was beyond horrified,” said Rachel Sales, daughter of the killed journalist, Cara Trager. “The fact that this guy did a hate crime … days before means that he could have been apprehended before my mom was killed.”
Perry, whose pizzeria is just a block from the vandalized bagel shop, told the Forward that the string of troubling incidents have rattled the community, and there’s not a lot visibly Jewish businesses like his can do to bolster security.
Nily Rozic, the Jewish state Assembly member who represents the Queens district where many of those attacks took place, said the incidents are more than just property damage or isolated violence.
“It really makes people feel like they’re being targeted as a community,” she said.
Last week, prosecutors charged Dawood Faisal, 22, with a hate crime for destroying property at Bagels & Co, a bagel shop on the corner of a major thoroughfare in Fresh Meadows that advertises itself as kosher in neon lights and displays Israeli flags. On two separate occasions in May, Faisal allegedly knocked over multiple plant stands outside the shop and, in one instance, hurled dirt at the outside wall of the store.
In May, Faisal was arraigned on charges of manslaughter for the death of Trager, a Queens-based journalist who was also active in her Jewish community. Faisal allegedly sped over 75 mph through two red lights and collided with two cars, propelling one into a crosswalk where it struck Trager and her husband, Michael, who survived.
Prosecutors have not presented any evidence that Trager was specifically targeted by Faisal, and authorities are not investigating the crash as a hate crime, according to a spokesperson for District Attorney Melinda Katz.
But even before the vandalism charge, Michael Trager told the Jewish Telegraphic Agency that he believed that Faisal had been “looking to do damage in a heavily Jewish area.”
Sales told the Forward her mom was passionate about fighting antisemitism, and the two often discussed the uptick in anti-Jewish hate crimes — including the bagel shop’s vandalism days before Cara Trager’s death on May 29.
“This is a tragedy for the entire Jewish community to understand, and beyond the Jewish community, this is a tragedy for New Yorkers, for Americans, to see that hate crimes don’t end at vandalism. People could die,” Sales said. “My mom died.”
Just a week before the car crash, Albert Itzkowitz, a local rabbi and former kosher bakery owner, was shot and killed while visiting Kissena Park in Queens. Police are investigating the incident as a murder but have not identified any suspects.
His family is calling for the killing to be investigated as a hate crime.
“Daddy was visibly Jewish. He was targeted in broad daylight. He was killed in a public park where he should have been safe,” his daughter, Leah Livshitz, said at a press conference in June. “His family deserves answers. The Jewish community deserves answers.”
Then in July, two Orthodox congregations in Queens were desecrated with feces and motor oil. Police are also investigating that vandalism as a hate crime.
Rozic, the first and only Israeli-born New York state Assembly member, said even as investigations are ongoing, she understands the incidents as “interconnected” and has heard from Jewish constituents who feel afraid.
“Context is important,” Rozic said. “When incidents like this are followed by additional violence, it compounds the fear and the trauma of the community.”
Anti-Jewish hate crimes have increased by 8.5% in New York City this year — with 205 reported versus 189 for the same period last year, according to data from the NYPD.
Mayor Zohran Mamdani, who previously represented a Queens district in the statehouse, has noted his administration’s 800% increased investment in the office of hate crime prevention. But in recent weeks, he has faced backlash from some Jewish New Yorkers after he released a video referring to Israeli Prime Minister Benjamin Netanyahu as a “war criminal” and calling on New Yorkers to protest the Israeli leader’s planned visit to the United Nations in September. Mamdani has defended his comments on Netanyahu as “critiques of a political leader, not of people of a specific faith.”
The post Man charged in a Jewish journalist’s death vandalized a Jewish business days before appeared first on The Forward.
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He stumbled upon Leonard Bernstein’s stubble on his way to finding a ‘Lost Mozart’
David Israel needed an electric razor, so he borrowed Leonard Bernstein’s.
It was the early ‘90s and Israel was about to make his first trip overseas as a representative of the Bernstein estate at the London Symphony Orchestra. He knew that European outlets had a different voltage and so he phoned up the maestro’s daughter Jamie to ask if he could use the one at the Dakota, where Israel worked as an editor, preparing the definitive scores for Mass, West Side Story and On the Town after Bernstein’s death in 1990.
“I took a red eye, so I’m there in the morning, and I was going to shave,” Israel told me in a video call from his home in Malibu. “All of Lenny’s gray stubble comes falling out into the sink. And I thought, ‘Well, if I get a piece of Scotch tape, I could save this, and we could clone him at some point.’ And so I did.”
Israel, who has composed music for Paul Taylor and Twyla Tharp, knew he had a story to tell about his picaresque early days in the world of classical music. His second novel, The Lost Mozart is a kunstleroman that borrows quite a bit from life and, like the stubbly attempt to revive Leonard Bernstein, is about an effort to bring genius back to life.
The story follows Noah Wideman, like Israel a graduate of the Hartt School of Music in Hartford, Connecticut, who stumbles on a fragment of an unfinished Mozart string quartet. An unprecedented 627th composition from a life that lasted only 35 years.
Together with a crew of older men — a legendary classical music radio announcer, his partner and their collector friend in possession of the titular sketch — Noah works to finish what Amadeus started.
Noah, a gifted pasticheur, is primed for the task and, due to an early job at ASCAP, where he surreptitiously recorded the music playing at strip clubs that failed to pay their annual licensing fee, his skills as a detective.
Completing the work of one of the greatest musical geniuses is an act of chutzpah, something Israel knows something about. His own lost Mozart moment came shortly after college, when he made a play for the legacy of another great.
He knew Bernstein socially through the dean of the Hartt School, and chose the college in part because he knew the maestro often came to visit. Israel was scheduled to have dinner with him in 1990, but Bernstein died a month earlier. Israel produced a memorial concert and, on March 13, 1991, was at a party where he ran into Bernstein’s former assistant, who ran the publishing arm of his estate.
“We were just chit-chatting in the kitchen after this concert at this party, and he said, ‘What are you going to do when you graduate?’” Israel recalled. “And I said, ‘ I’m going to work for you,’ and that’s how the job came to be.”
Israel immersed himself in Bernstein’s scores and correspondence, in much the same way Noah dives into the Mozart archive. Bernstein was an idol, but Israel reveres Mozart, and picked him as a subject over Bach or Beethoven in part because of how prolific he was.
“The reason why I felt like this was good material for a novel is because by 2023, which is when I was writing the book, it seemed like the only way you could experience new Mozart was through fiction,” Israel said.
Not anymore. In June, just a couple of months before Israel’s pub date, a curator at France’s National Library found a notebook with sketches from the 22-year-old Mozart, who was in Paris to audition as a court musician at Versailles.
There’s more to the story, Israel said, including Wolfgang’s oft-overlooked older sister Maria Anna, a composer and musician in her own right who got top billing in the siblings’ early tours through the courts of Europe.
The sequel, Israel tells me, will feature her as another “lost Mozart,” and draw from Israel’s own time working on Bernstein’s archive, including his impromptu jam session with Yo-Yo Ma.
“It’s one of the funniest scenes in the first few chapters,” Israel promises. He can’t yet say more about what happens at the Dakota. Readers will have to discover those lost movements for themselves.
The post He stumbled upon Leonard Bernstein’s stubble on his way to finding a ‘Lost Mozart’ appeared first on The Forward.
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Michigan’s Senate race has become a referendum on Israel — and the future of the Democratic Party
Tuesday’s primary contest for an open U.S. Senate seat in Michigan has become a proxy fight over the Gaza war and a referendum on Israel supporters’ influence in Democratic politics. Democratic voters will decide whether to nominate Dr. Abdul El-Sayed, who is leading in the polls after assailing his opponent as beholden to the campaign fundraising group AIPAC, or Rep. Haley Stevens, a reliable supporter of Israel who has condemned what she called “inflammatory rhetoric” from El-Sayed.
Following a string of primary victories by insurgent Democrats who made condemning Israel central to their campaigns — from New York to New Jersey, Pennsylvania and Colorado — the outcome will become the clearest test yet of whether the vocally anti-Israel progressive movement may come to define the Democratic Party.
Recent polls show El-Sayed with growing momentum, leading Stevens by as much as 16 points.
Michigan, home to one of the country’s largest Arab-American communities, was already a national hot spot for voter pushback on pro-Israel politics as the birthplace of the 2024 “uncommitted” movement that protested President Joe Biden’s support for Israel’s war in Gaza by submitting blank ballots in the presidential primary.
It also has an influential Jewish community that has become deeply invested in the race — and with some El-Sayed supporters among them.
Tuesday’s winner will have to prevail in the November general election, and success is not guaranteed: While Democrats are a majority of registered voters in Michigan, Republican President Donald Trump won the state in 2016 and 2024.
With Democrats counting on winning Michigan as they aim to retake the Senate, the questions looming over Tuesday’s primary aren’t just about the party’s direction on Israel — they’re also about whether running against Israel is a winning message in a swing state.
Democrats are facing a difficult path to winning Senate control even as polls show growing dissatisfaction with the Republican agenda.
A look at three possible scenarios shows the high stakes of the race for the Democratic Party and the place of Israel in U.S. politics:
An El-Sayed victory
An Emerson College survey of 700 voters shows El-Sayed leading Stevens by 16 points, despite more than $60 million of outside spending attacking him. AIPAC’s super PAC, United Democracy Project, has spent $30.6 million backing Stevens, according to recent FEC filings. AIPAC also raised several million dollars for Stevens by directing its donors to online portals that funnel money directly to the candidate’s campaign. All in all, the Michigan contest is AIPAC’s largest investment this election cycle.
If El-Sayed wins, he would become the first Muslim nominated by a major party for the U.S. Senate and would immediately become one of the most prominent figures on the Democratic left. It would echo the victory of Zohran Mamdani in last year’s mayoral race as the city’s first Muslim mayor and the most prominent democratic socialist in office, with Jews divided between fierce opposition and fiery support.
But the immediate political meaning would be about AIPAC.
The progressive frontrunner has transformed AIPAC’s investment in the race into a centerpiece of his campaign message. Backed by Sen. Bernie Sanders of Vermont, El-Sayed used AIPAC as a political foil and a symbol of everything he says is wrong with Democratic politics: super PAC money, billionaire influence and demands for unconditional support for Israel. A poll of Michigan voters conducted by Data for Progress in April found that 64% of likely Democratic primary voters would be less inclined to support a candidate backed by AIPAC.
At a recent virtual town hall hosted by Progressive Democrats of America, El-Sayed compared his possible victory to David defeating Goliath. “AIPAC, if you’re listening, burn your money, come back and burn it again in the general,” he said. “I’m happy to burn your money for you, and then we can get onto the business of governing and asking whether or not our foreign policy ought to be dictated to us by the interests of a foreign government.”
An El-Sayed win would mark a reversal from AIPAC’s last confrontation with Stevens’ opponents in Michigan. In 2022, Stevens defeated Jewish Rep. Andy Levin by 20 points in a rare incumbent-versus-incumbent House primary after redistricting. Levin argued that the group was trying to punish him for criticizing Israeli policy and supporting Palestinian rights. AIPAC celebrated Levin’s defeat as proof that even a Jewish incumbent could not survive after crossing the organization. (Levin is supporting El-Sayed.)
It would also create immediate questions about how El-Sayed would operate in Washington.
Would he support Sen. Chuck Schumer, the highest-ranking Jewish elected official in American history and one of Stevens’ most powerful allies, as Democratic leader if Democrats win the majority? And would he give Senate progressives new leverage over key votes on Israel?
What if El-Sayed loses the general election?
For Democrats worried about electability, the primary is only the first test.
The winner will face former Republican Rep. Mike Rogers, who narrowly lost Michigan’s 2024 Senate election and is now running with a largely unified Republican Party behind him.
Michigan remains one of the country’s key battlegrounds. President Donald Trump carried it in 2016, lost it in 2020 and won it again in 2024. Sen. Elissa Slotkin, a moderate Democrat who was an intelligence analyst in the CIA and served three tours in Iraq, won her race even as Trump carried the state.
Recent polls found Rogers leading El-Sayed by single digits.
Some Michigan Jewish Democrats are already considering whether they could support El-Sayed, vote for the Republican, or leave their ballot blank in November. Jewish voters make up just 1.4% of the electorate in the state.
Stevens has sharpened those concerns in the final days of the campaign. She accused El-Sayed of blaming “all of your problems on Jewish Americans,” warning that his rhetoric would lead to defeat in the face-off with Rogers. El-Sayed, who has courted Jewish voters without moderating his views on Israel, rejected accusations of antisemitism.
“I love and revere Judaism and the Jewish people,” he said.
A November loss would have consequences far beyond Michigan.
Democrats are already facing an uphill battle for Senate control after the collapse of Graham Platner in the competitive Maine Senate race.
Losing the seat being vacated by Sen. Gary Peters would further divide Democrats. Party leaders would almost certainly blame El-Sayed’s ideology, his vocal opposition to Israel and the progressive groups that elevated him for losing a swing state. AIPAC, meanwhile, would claim vindication despite losing the primary.
Speaking with reporters on Sunday, El-Sayed said he’s confident Democratic voters will rally behind his candidacy as they reckon with what is at stake.
What if Stevens survives?
A Stevens victory would offer a very different lesson.
It would show that experience, establishment support and a strong general-election argument can still overcome anger about AIPAC, even in the state where the uncommitted movement began. Even a narrow victory would preserve AIPAC’s reputation as one of the most effective forces in Democratic primaries.
But it would say more about Stevens and her personality. She first entered Congress in the 2018 Democratic wave, capturing a Republican-held suburban district. She then survived redistricting and defeated Levin in the bruising 2022 primary.
Stevens has the backing of Gov. Gretchen Whitmer, Schumer and much of Michigan’s Democratic establishment. And she leads Rogers in a November matchup.
By Wednesday morning, Democrats will know who won Michigan. It may take until November or even longer to know whether Tuesday’s vote marked the beginning of a new era in Democratic politics or another chapter in the party’s divide over Israel. Nonetheless, Democratic leaders still have to reunite a coalition fractured over Gaza and manage a growing progressive wing in the House.
The fight extends down the ballot
The Senate contest is not the only Michigan race testing the strength of the progressive left.
In Detroit’s 13th Congressional District, state Rep. Donavan McKinney, a member of the Democratic Socialists of America, is challenging incumbent Rep. Shri Thanedar with the support of Justice Democrats. The group, which helped launch Alexandria Ocasio-Cortez and other members of the Squad, made McKinney its first congressional endorsement in four years.
In Michigan’s 7th District, former climate activist William Lawrence is running against two centrist Democrats in the primary, making an end to all U.S. military aid to Israel a key part of his campaign. The seat was previously held by Slotkin.
On a state level, Abbas Alawieh, one of the leaders of the uncommitted movement in Michigan, is running for a seat in the state legislature in a Dearborn-area district with a large Arab and Muslim population. In a sign of his growing profile, Alawieh recently met with former Vice President Kamala Harris.
AIPAC and the debate over Israel is also spilling into a neighboring state Senate race. Pro-Israel donors are spending heavily to back Justin Onwenu against former State Rep. Abraham Aiyash, an outspoken critic of Israel’s war in Gaza.
It has also reached the University of Michigan’s Board of Regents. Michigan Democrats nominated Amir Makled, an attorney who represented pro-Palestinian protesters, after he defeated incumbent Regent Jordan Acker at the party convention. Makled faces scrutiny for past Hezbollah praise and antisemitic posts. Republican regent candidates Lena Epstein and Michael Schostak, both Jewish, have campaigned on antisemitism and campus safety. That race will be decided in November.
The post Michigan’s Senate race has become a referendum on Israel — and the future of the Democratic Party appeared first on The Forward.
