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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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13-Year-Old Boy Brutally Assaulted in Paris in Second Antisemitic Attack in Less Than a Week
Tens of thousands of French people march in Paris to protest against antisemitism. Photo: Screenshot
In a shocking second antisemitic attack in less than a week, a 13-year-old boy in Paris was brutally beaten Monday by a knife-wielding assailant, prompting authorities to open a criminal investigation and step up security amid a rising tide of antisemitism.
On his way to a synagogue in Paris’s 18th arrondissement, the schoolboy was physically attacked by a group of five assailants who beat him, pressed a knife to his throat, called him a “dirty Jew,” and stole his belongings, the French news outlet Le Parisien reported.
According to the Paris prosecutor’s office, the victim was walking to a synagogue, clutching his kippah in his hand rather than wearing it for fear of being recognized, when five attackers confronted him; stole his AirPods, sneakers, and coat; and forced him to empty his pockets.
The boy also told authorities that he was shoved, punched in the face, and threatened with a knife to his throat before his attackers stole his belongings, shouting antisemitic remarks throughout the assault.
Local police have arrested and taken an 18-year-old suspect into custody after he was recognized during the assault by someone on a video call with the victim. The four other attackers remain at large as of this writing.
The prosecutor’s office has opened an investigation into armed robbery and armed violence, committed as a group and aggravated by discrimination, as authorities continue to work to identify and apprehend the remaining suspects.
This latest antisemitic attack marks the second such incident in less than a week, underscoring a growing climate of hostility as Jews and Israelis face a surge of targeted assaults.
Over the weekend, three Jewish men wearing kippahs were physically threatened with a knife and forced to flee after leaving their Shabbat services near the Trocadéro in southwest Paris’s 16th arrondissement, European Jewish Press reported.
As the victims were leaving a nearby synagogue and walking through the neighborhood, they noticed a man staring at them. The assailant then approached the group and repeatedly asked, “Are you Jews? Are you Israelis?”
When one of them replied “yes,” the man pulled a knife from his pocket and began threatening the group. The victims immediately ran and found police officers nearby. None of the victims were injured.
Like most countries across Europe and the broader Western world, France has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
According to the French Interior Ministry, the first six months of 2025 saw more than 640 antisemitic incidents, a 27.5 percent decline from the same period in 2024, but a 112.5 percent increase compared to the first half of 2023, before the Oct. 7 atrocities.
Last week, a Jewish primary school in eastern Paris was vandalized, with windows smashed and security equipment damaged, prompting a criminal investigation and renewed outrage among local Jewish leaders as targeted antisemitic attacks continued to escalate.
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Over 90% of American Jews Feel Less Safe After Recent Antisemitic Attacks, Survey Finds
A friend organized a vigil for Yaron Lischinsky and Sarah Lynn Milgrim, both Israeli embassy workers who were allegedly murdered by an anti-Israel activist, in Washington, DC on May 22, 2025. Photo: ZUMA Press Wire via Reuters Connect
Nearly all Jews in the United States feel less safe after a recent wave of antisemitic attacks, and the majority have changed their behavior over the last year as a result, according to a major new survey.
The American Jewish Committee (AJC) on Tuesday published its annual State of Antisemitism in America report, revealing a growing level of fear among American Jews — especially the 31 percent directly targeted by antisemitic hate themselves in the past year. Of those who reported being the target of antisemitism, 80 percent said they changed their behavior in response.
“We need Americans to wake up to the reality of what their Jewish neighbors are experiencing,” AJC CEO Ted Deutch said in a statement announcing the report.
The AJC’s researchers found that 91 percent of American Jews feel more unsafe in the country following last year’s antisemitic attacks against Pennsylvania Gov. Josh Shapiro’s residence in April and pro-Israel demonstrators in Boulder, Colorado in June, in addition to the slayings of Israeli embassy staffers Sarah Milgrim and Yaron Lischinsky at the Capital Jewish Museum in May.
Seventy-eight percent of survey respondents said they feel less safe as a Jewish person in the US because of Hamas’s Oct. 7, 2023, invasion of southern Israel. During the onslaught, Hamas-led Palestinian terrorists perpetrated the biggest single-day massacre of Jews since the Holocaust, killing 1,200 people and kidnapping 251 hostages.
“Right now, in America, when Jews gather, whether at synagogue or a community event, it’s routinely behind metal detectors and armed guards,” Deutch said. “No one in America should have to change their behavior because of what they believe, but that’s how most Jews are living their lives. What we’re asking for is what every other minority group expects in America: the freedom to be who we are without fearing for our safety.”
The report documents that 55 percent of Jewish respondents to the survey said they changed their behavior in response to fears of antisemitism, while 17 percent noted they have considered leaving the US in the past five years as a result of rising hate, an increase from 13 percent in 2024.
Majorities of American Jews are attuned to the threats of online hate and the dangers of the popular large language model (LLM) chatbots marketed as so-called “artificial intelligence,” including SpaceX’s Grok, OpenAI’s ChatGPT, and Anthropic’s Claude.
Seventy-three percent of American Jews who were surveyed said they have experienced online antisemitism, and 65 percent expressed concerns at either the “very” or “somewhat” levels that LLM chatbots will spread more bigotry against Jews.
In addition, 69 percent of American Jews worry that information and misinformation from LLMs will inspire antisemitic incidents, according to the data.
More American Jews surveyed in 2025 said they saw antisemitism on social media platforms than those in 2024. Jews reporting seeing antisemitism on billionaire Meta CEO Mark Zuckerberg’s Facebook social media website rose from 47 percent in 2024 to 54 percent last year, while those experiencing the hate on his Instagram photo-sharing app shot up from 32 percent to 40 percent.
American Jews seeking to enjoy online videos also reported rising bigotry targeting them on Alphabet’s YouTube (increasing from 27 percent to 38 percent) and Oracle’s TikTok (up from 18 percent to 23 percent).
The picture of life for younger American Jews is much more dire than for the middle-aged and elderly, with 47 percent of respondents 29 and younger saying antisemites had personally targeted them in the last year. This compares to 28 percent for Jews 30 and older.
The survey also affirms reports in recent years of increased antisemitism at the outposts of American academia.
Among Jewish college students, 42 percent said they experienced antisemitism while on campus, and 25 percent reported feeling or being excluded from a group or event because of their Jewish identity.
Jewish institutions remain widely under threat, with 28 percent of respondents saying that antisemites had targeted at least one synagogue, Jewish school, or community organization where they affiliated.
The survey also found that the protest slogan “globalize the intifada,” which references previous periods of sustained Palestinian terrorism against Jews and Israelis and has been widely interpreted as a call to expand such violence, provokes fear among 88 percent of Jewish respondents, with 27 percent saying they would feel “very unsafe” hearing the words. Among the general public, only 13 percent of respondents said they knew the phrase while 32 percent had heard the similar controversial war cry “from the river to the sea, Palestine will be free.”
More Americans (73 percent) knew the “Free Palestine” chant. The AJC noted that the alleged killer of Milgrim and Lischinsky “is reported to have shouted ‘Free Palestine’ during the shooting. The alleged attacker in Boulder is also reported to have yelled ‘Free Palestine’ as he threw a Molotov cocktail at the crowd of people gathered to support hostages held by Hamas in Gaza, ultimately leading to the death of 82-year-old Karen Diamond.”
In a parallel survey the AJC conducted of the American general public, researchers found that 70 percent of respondents called antisemitism a problem, 63 percent said it had increased since Hamas’s Oct. 7 atrocities, and 45 percent had seen or heard an antisemitic incident in the last 12 months.
Deutch on Tuesday highlighted some of the key findings in an op-ed published by the New York Post announcing the report.
“Among Americans who know a Jewish person, only 54 percent said they had personally seen or heard one or more antisemitic incidents in the last year,” Deutch wrote. “Among those who don’t know any Jews? Thirty-two percent.”
Deutch continued, “I am not advocating for special attention or treatment for my community. I’m calling for, rather, the same care, awareness, and collective outrage we would rightly see if these daily assaults were being made against members of any other religious or ethnic group in the United States.” He warned that “the fortress of metal detectors and bulletproof glass we’ve built around the Jewish community is a physical sign of the deep cracks undermining the foundation of our society.”
Holly Huffnagle, the AJC’s director of antisemitism policy, warned in a statement that tolerating the spread of antisemitism “corrodes social trust, legitimizes extremism, and weakens the democratic institutions that protect everyone, making a clear, dedicated government response not just optional, but necessary.”
The AJC’s survey took place between Sept. 26 and Oct. 29, 2025. Researchers drew data from responses provided by 1,222 Jews, ages 18 and up, as well as 1,033 adults in the general population. The margin of error for Jewish respondents was +/-3.7 percent while for the general population it was 3.4, at a 95 percent confidence level.
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China Played Key Role in Iran’s Digital Crackdown on Protesters, Report Shows
Protesters march in downtown Tehran, Iran, Dec. 29, 2025. Photo: Screenshot
The Iranian regime used Chinese and Russian technology to silence dissent during recent nationwide anti-government protests, imposing near-total internet shutdowns and disrupting satellite communications to suppress public scrutiny, according to a new study.
On Monday, the international human rights organization Article 19 released a new report examining digital cooperation between China and Iran, detailing Beijing’s role in expanding Tehran’s digital repression apparatus.
“In its pursuit of total control over the digital space, Iran borrows directly from the Chinese digital authoritarian playbook,” Michael Caster, head of Article 19’s Global China Program, said in a statement.
“From Chinese companies embedded inside Iran’s infrastructure, to Iran’s support for China’s ‘cyber sovereignty’ principles based on censorship and surveillance, both countries align in their ambition to disconnect their populations from the open, global internet,” he continued.
According to the report, China has provided material and technical support to Iran since at least 2010, bolstering its surveillance and censorship capabilities as Chinese firms including ZTE, Huawei, Tiandy, and Hikvision continue operating in the country despite international sanctions.
“Emulating China’s infrastructure of oppression helps Iran entrench power, sidestepping accountability and exercising full control over the information environment,” Article 19’s head of resilience, Mo Hoseini, said in a statement. “That way, dissent is not just silenced, it is prevented from ever surfacing.”
The study also explains that Iran is seeking to replicate China’s “Great Firewall” through its National Information Network, a system designed to restrict access to the global internet while centralizing censorship and embedding surveillance deep within national infrastructure.
As international scrutiny over the regime grows, new estimates show that tens of thousands of people were killed by Iranian security forces during an unprecedented crackdown on nationwide protests last month.
Two senior Iranian Ministry of Health officials told Time magazine that as many as 30,000 people could have been killed in the streets of Iran on Jan. 8 and 9 alone. Some reports have put the figure even higher, suggesting the regime could have perpetrated one of the deadliest crackdowns in modern history — all under cover of digital darkness.
With authorities enforcing an internet blackout for weeks, the actual number of casualties remains difficult to verify. Activists fear the internet shutdown is being used to conceal the full extent of the crackdown on anti-regime protests.
According to Craig Singleton, a Stanford professor and senior fellow at the Foundation for Defense of Democracies (FDD), a Washington, DC-based think tank, surveillance technology supplied by Chinese exporter Tiandy Digital Technology Co. has strengthened Iranian security forces’ ability to identify and track protesters.
The equipment, including network video recorders, has been deployed during both the current unrest and previous waves of nationwide protests.
Chinese surveillance firm Tiandy is helping Iran track, identify, and repress innocent protesters—moving from street cameras to knock-on-the-door arrests.
This is digital authoritarianism in action.@SecScottBessent @HowardLutnick @Secrubio @BrendanCarrFCC @FDD
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— Craig Singleton (@CraigMSingleton) January 13, 2026
China expressed support for the Iranian regime last month amid the protests, hoping Tehran would “overcome” the unrest and “uphold stability.”
If the regime in Iran was seriously weakened or potentially collapsed, it would present a problem for a strategic partner of Beijing.
China, a key diplomatic and economic backer of Tehran, has moved to deepen ties with the regime in recent years, signing a 25-year cooperation agreement, holding joint naval drills, and continuing to purchase Iranian oil despite US sanctions.
China is the largest importer of Iranian oil, with nearly 90 percent of Iran’s crude and condensate exports going to Beijing
Iran’s growing ties with China come at a time when Tehran faces mounting economic sanctions from Western powers, while Beijing itself is also under US sanctions.
According to some media reports, China may be even helping Iran rebuild its decimated air defenses following the 12-day war with Israel in June.
The extent of China’s partnership with Iran may be tested as the latter comes under increased international scrutiny over its violent crackdown on anti-regime protests.
However, as The Algemeiner previously reported, Iran’s relationship with China has proven weaker than official statements from both countries would suggest, filled with limits and skepticism even as Tehran faces unprecedented military challenges from both the US and Israel.