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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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‘Israel is politics’: Was a woman kicked out of a salon for supporting Israel or being Israeli-American?
An Israeli-American woman who was denied service at a Northern Virginia eyebrow salon is now taking legal action against the business.
The Brandeis Center for Human Rights Under Law is filing a civil rights complaint on behalf of Jessica Walton, who was at Karimi Brows in Alexandria, Virginia, on Aug. 6 when Fatana Karimi, the shop’s owner, recorded and posted a video of her telling Walton to leave the store. The video has received more than 270,000 likes and garnered concern from antisemitism watchdog groups.
“This case is about a basic civil rights principle,” says Omer Wiczyk, senior counsel at the Brandeis Center. “A business that is open to the public cannot reclassify a customer’s Israeli identity as objectionable politics.”
The two sides disagree about whether Karimi’s decision was made based on Walton’s ethnicity, identity or politics.
Karimi said in a TikTok video that her decision to deny service to Walton was not about Walton’s identity but her politics. “Any ethnicity or nationality or person who comes from a certain religion, any religion, comes to me and tells me that they support Israel, I would kick them,” she said.
Karimi said she “would have, you know, let it slide by” if Walton had denounced the Israeli government and called the Israel-Hamas war a genocide.
Walton, in the video taken at Karimi Brows, characterized the dispute as being about her identity. “I had no idea that you would do this based on my ethnicity,” she said.
According to the complaint, Walton said she did not discuss politics and only mentioned she was Israeli-American before Karimi asked her to leave the studio.
In another video, Karimi explained that Walton said she was Israeli-American “three different times” before Karimi started “throwing shots back at her.” Karimi said that in that moment, she was imagining Palestinian people, “looking at me saying, ‘But I thought you supported us? Why are you playing nice with the girl that is the reason we’re going through this?’”
“I was like, ‘the gloves are f—ing off,’” Karimi said. “‘I’m not doing your f—ing brows. Get out of my f—ing face.’”
The complaint also says that before the camera started rolling, “Ms. Karimi stated that, for her, ‘Israel is politics.’ ”
Politics-based discrimination would not necessarily constitute a civil rights violation, said Michael Helfand, a professor at the Pepperdine Caruso School of Law. However, if Karimi was placing special scrutiny on Walton’s beliefs because of her Israeli identity, it would — facts that the parties dispute.
“I think this gets you into the question of how you want to classify anti-Zionism,” says Helfand. “I think that’s a bigger question that the law hasn’t fully wrapped its head around.”
Both women said they have received violent messages online following the incident, including death and rape threats. Karimi said her Yelp reviews were spammed with negative comments from users she doubted had been to the store.
The post ‘Israel is politics’: Was a woman kicked out of a salon for supporting Israel or being Israeli-American? appeared first on The Forward.
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Vance meets with Temple Israel rabbi on Michigan visit
(JTA) — Vice President JD Vance recently met with representatives of Temple Israel in Michigan to offer “his support in the wake of the attack on our community,” clergy from the synagogue told the Jewish Telegraphic Agency.
Vance’s Monday meeting with representatives of the suburban Detroit synagogue that had been attacked by a terrorist in March came as the vice president has upped his outreach to Jewish voters ahead of a likely 2028 presidential run. He also invited a rabbi and security guard to a rally Monday in the Detroit suburb of Sterling Heights, where he called them out from the podium and said he was “honored” to have them attend.
The Reform synagogue’s clergy later offered more details about his outreach, telling JTA that he had met with one rabbi, as well as with a security officer who had stopped the assailant from harming anyone at the preschool that was in session.
The meeting was held at Vance’s request, Rabbi Jen Lader told JTA, and the vice president did not visit the synagogue itself.
“This was an important opportunity to ask for the Vice President’s support in the fight against antisemitism, and for additional security funding through the Jewish American Security Act,” Lader wrote in an email to JTA, referring to a bipartisan bill introduced in the U.S. House this summer to increase federal funds for both Jewish organizations and synagogue security.
Lader continued, “We’ve made the same requests to elected officials on both sides of the political aisle.”
Later that day the vice president traveled to Las Vegas, where he met in a closed-door session with members of the Republican Jewish Coalition, who have been riled by his close relationship with podcaster Tucker Carlson and other points of contention.
Vance sought to draw a contrast with Abdul El-Sayed, Michigan’s Democratic U.S. Senate candidate, who spent the weekend offering apologies for his earlier comments about the temple attack, when he appeared to describe the attack as a response to Israel’s incursion in Lebanon.
Some Michigan Jewish leaders are publicly mobilizing against El-Sayed, a harsh critic of Israel: As of press time, more than 400 Jews in the state, including some who hold prominent community positions, have signed a petition pledging to vote for the GOP candidate, former U.S. Rep. Mike Rogers, in the Senate race.
A representative for Vance did not respond to a request for comment on the vice president’s Temple Israel meeting or for his views on the Jewish American Security Act.
At the RJC meeting, where he also received a standing ovation but did not address his Carlson ties, attendees told JTA that Vance highlighted his outreach to Temple Israel.
The nation’s largest Reform synagogue, Temple Israel was attacked in March by a man who had recently lost family in an Israeli strike on a Hezbollah position in Lebanon. In two statements following the attack, El-Sayed initially condemned it outright. He then changed his wording to include what he now says was “context” about Israel’s war in Lebanon, including the phrase, “Hurt people hurt people.”
Speaking with the state Democratic Party’s Jewish caucus at the party convention on Saturday, El-Sayed apologized for those remarks, saying, “I made a mistake.” He also attended the caucus’s “Summer Simcha” fundraiser the next day, where he repeated his apology and asked for forgiveness. He told JTA the “context” he’d sought to include in his initial remarks was related to “violence in all its forms, in all circumstances.”
Temple Israel clergy have declined to comment to JTA on El-Sayed’s two apologies for his past comments. Lader had penned an op-ed in The Free Press criticizing his response.
Vance’s Michigan visit also included a rally in Sterling Heights, where he discussed the synagogue attack and called it “a terrible, antisemitic terrorist attack.”
“It could have been so much worse, ladies and gentlemen,” Vance told the crowd, who had given the Temple Israel personnel a standing ovation. “That guy showed up at that synagogue, at that school with a desire to kill a lot of children, and he killed precisely zero children because of the brave security guards who did their job and did it very well.”
Vance also called El-Sayed, a progressive and a Muslim, “very, very evil” from the podium.
“Abdul El-Sayed made an apology for the very people who would perpetrate violence against hundreds of innocent American school children,” Vance told the crowd. “You’ve got to ask yourself, if he’s willing to empathize, not with the children who almost had their lives destroyed at the most innocent and what should be the safest place in the world, their school, what is he going to do when he goes to Washington, D.C. when the cameras aren’t on?”
Vance added, “What I see is a man who has sympathy and compassion for people who share his religion, but have nothing for people who don’t. A person who will apologize for a murderer so long as he looks the right way, but will not understand the plight of an innocent child if that person has the wrong faith.”
The Jewish voters petition, titled “Michigan Jews Against Extremism,” was spearheaded prior to El-Sayed’s apologies but has picked up more signatures in their aftermath.
The petition’s language states that “many” of the signatories “have been fiercely supportive of Democratic candidates and principles,” but that all of them “declare our intent to vote for Mike Rogers for US Senate in 2026.”
“If El-Sayed were to win the general election in this important swing state, we fear the far-left and anti-Jewish elements in the Democratic Party would become dominant, including in the imminent 2028 presidential race,” the petition says. “We cannot allow him to become the Democratic standard-bearer or Michigan’s senator.”
The petition specifies that their vote for Rogers “does not require that we agree with him on every issue or that we support President Trump.”
Benji Rosenzweig, a real-estate agent and music podcaster based in West Bloomfield, was one of the letter’s signers.
“I’ve watched Abdul El-Sayed, for the last number of months, surround himself with people who cheer for the destruction of our families and the annihilation of our community,” Rosenzweig told JTA. He signed the petition before El-Sayed’s apologies but wasn’t swayed by them: “What he said was, ‘I’m sorry that you were hurt.’ That’s not an apology.”
Rosenzweig describes himself as a “centrist” who holds “liberal values,” and who would have voted for El-Sayed’s primary opponent, U.S. Rep. Haley Stevens, in the general November election if she had won the nomination. He recently met Rogers at an event, he said, and told him that “I will be holding him accountable to the liberal values that I still value.”
As of press time, the petition’s signatories include Brian Hermelin, current president of the Jewish Federation of Metropolitan Detroit; Mark Davidoff, CEO of the Michigan Israel Business Accelerator; Rabbi Eli Mayerfeld, CEO of the Zekelman Holocaust Center in Farmington Hills; Amy Newman, CEO of Jewish Family Service of Metro Detroit; and David Victor, past president of the pro-Israel American Israel Public Affairs Committee.
The petition included their names but not their titles, suggesting they were signing as individuals and not as representatives of their organizations. The list also includes the names of several people who had previously told JTA they would commit to fundraising for Rogers if El-Sayed won the Democratic primary.
Local rabbi Asher Lopatin, currently on leave from his role as community relations director for the Ann Arbor Jewish federation, has stumped for Rogers but told JTA he does not have a formal role with the campaign. In the Forward this week, Lopatin again urged the state’s Jewish Democrats to back Rogers over El-Sayed.
“To show the Democrats that such candidates should never be nominated, we must show them that such candidates can never win,” the rabbi wrote on Monday.
The El-Sayed campaign did not return a request for comment from JTA about the petition.
For the approximately 100,000 Jews in Michigan, the question of whether to vote for El-Sayed has proven hugely divisive. At the same Sunday event that hosted the candidate, state Attorney General Dana Nessel, who is Jewish and has publicly sparred with El-Sayed over his rhetoric, implored the crowd to “place the needs of the world above even our own self-interest and, yes, even our own survival” — suggesting that Jewish voters should put their own feelings of personal safety aside in order to elect a Democrat.
Nessel’s comment, coming one day after she sat out a state Democratic convention over what she said was fear of antisemitic harassment, has sparked some backlash outside of Michigan. Ron Halber, CEO of the Jewish Community Relations Council of Greater Washington, called the attorney general “an absolute embarrassment.”
Mark Goldfeder, who runs the litigation group National Jewish Advocacy Center, wrote on the social network X, “Jewish voters can care deeply about democracy, climate, health care and the welfare of their neighbors while still treating Jewish safety as entirely nonnegotiable.”
Rosenzweig said he had once been an admirer of Nessel but that he was “really sad” over what he interpreted as her suggestion that voting for Abdul “may put Jewish people in danger, but do it anyways.”
“If Abdul wins she gets to say, ‘Well, Jews are endangered,’” he said. “It’s just such a crazy place to put people in.”
This article originally appeared on JTA.org.
The post Vance meets with Temple Israel rabbi on Michigan visit appeared first on The Forward.
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Spain’s prime minister blames Israel, Russia for disinformation around Ceuta border crisis
(JTA) — MADRID — Spanish Prime Minister Pedro Sánchez said on Monday that Israel and Russia spread disinformation about Spain’s migration policy after a rush of migrants arrived in Ceuta, a Spanish exclave in North Africa.
Over 72,000 migrants crossed into Ceuta between July 30 and July 31, with at least 100 people dying in the attempt, according to local authorities. Sánchez, along with Morocco’s Interior Ministry, have blamed the surge on human trafficking networks that exploited misinterpretations of a change in Spain’s border policy.
In Sánchez’s first interview since the border crisis, he also said that Israel and Russia organized internet campaigns to undermine Spain’s government during the chaotic aftermath. Online theories proliferated widely after the Ceuta crossings, including some that said Israel orchestrated the crisis.
“After July 30th and 31st, there was an expansion of these hoaxes and this disinformation by social networks associated with both Russia and Israel, and with an international far-right movement that always uses migration, not only to attack Spain, but also to attack Europe and divide it,” Sánchez said in an interview with the Spanish radio network Cadena SER.
Sánchez said research from the European Union’s European External Action Service showed that Israel and Russia were behind disinformation campaigns, without giving further details on the evidence. The EEAS did not immediately respond to the Jewish Telegraphic Agency’s request for comment.
He added that it was “evident” that Israel and Russia were motivated by Spain’s political positions “regarding the genocide in Gaza and Putin’s invasion of Ukraine.”
Sánchez is among Europe’s most vocal critics of Israel’s conduct in Gaza and Iran.
Israeli Foreign Minister Gideon Sa’ar said Monday that Sánchez was “lying shamelessly,” adding that the statements “will not distract from Sánchez’s disgraceful failure to manage his country’s affairs.”
Kremlin spokesperson Dmitry Peskov also told the Russian state broadcaster RBC that Russia had no involvement in the migrant crisis or disinformation campaigns.
Spanish-Israeli diplomatic ties, first established in 1986, have deteriorated since the start of the Gaza war in 2023, with Madrid since recognizing Palestine as a state and banning ships carrying arms to Israel from docking in its ports. By 2026, both countries had recalled their ambassadors.
This article originally appeared on JTA.org.
The post Spain’s prime minister blames Israel, Russia for disinformation around Ceuta border crisis appeared first on The Forward.
