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With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds
(JTA) — Running a not-so-Zagat-rated deli, dropping into a Chinese restaurant for Christmas Eve dinner and acting out a bat mitzvah that involves a vampire — for contemporary board game fans, those can be all in an evening’s play.
That’s because a crop of new games aims to merge Jewish ideas and experiences with the aesthetics and language of games such as Dungeons & Dragons. Dream Apart places players in a fantastical reimagining of a 19th-century shtetl, for example, while J.R. Goldberg’s God of Vengeance draws inspiration from the Yiddish play of the same name. In the games in Doikayt, a collection released in 2020, players can literally wrestle with God.
Known as tabletop role-playing games because they ask players to take on a character, these games and their creators imagine exciting new worlds, subvert classic tropes in fun and irreverent ways, and reinterpret Jewish history and identity.
Tabletop role-playing games like Dungeons & Dragons and Call of Cthulhu have exploded in popularity over the past several years, with many — including at least one group of rabbis — picking up the Zoom-friendly hobby during the height of the COVID-19 pandemic. But the new Jewish games aim to do more than just provide a diversion or even an escape.
“Depending on your family, depending on your synagogue, depending on your community, you may have gotten more or fewer options of what Jewishness could mean in your imagination,” said Lucian Kahn, who created a trilogy of humorous Jewish role-playing games.
“What some of these games are doing is opening that up and pointing to alternate possibilities of imagining Jewishness, not as a way of converting anyone to anything else, but just as a way of showing the tradition is enormous,” he added.
Kahn is the creator of If I Were a Lich, Man, a trilogy of humorous games whose name is a mashup between a “Fiddler on the Roof” song and an undead character, the lich, that frequently appears in fantasy fiction and games. In the title game, players are Jewish liches — spellcasters whose souls, in the lore of Dungeons & Dragons, are stored in phylacteries, the Greek word for tefillin used by Jews in prayer. Representing the four children of the Passover seder, they debate how their community should address the threat of encroaching holy knights.
In some cases, the association of Jews with monsters has given rise to charges of antisemitism — the goblins of “Harry Potter” offer a prime example. But Kahn said he sees Jewish-coded monsters, and queer-coded villains, as figures of resistance.
“There’s a long tradition of looking at the monster and seeing that the reason why these are monsters is because the people who have oppressive power have decided that these are going to be the enemies of the ‘good’ oppressive powers,” Kahn explained. “But if you don’t agree with their ideology, if you’re seeing yourself as being a member of a marginalized community and being in opposition to these oppressive powers, then you can look at the qualities assigned to these monsters and some of them are qualities that are good.”
For Kahn, Jewish-coded monster characters also provide more of an inspiration than the archetypes of more traditional games.
“Maybe somebody thinks they’re insulting me or insulting Jews,” he said. “My response is: I like vampires and liches and trolls and goblins and think they’re much more interesting than bland white muscular humans running through the fields with a cross on their chest hacking at the same things with a sword over and over again.”
Kahn’s outlook has resonated in the tabletop role-playing game community. In February, he and Hit Point Press launched a Kickstarter to fund production of If I Were a Lich, Man. The campaign smashed its $5,000 goal, raising $84,590, enough to hit one of the campaign’s stretch goals of funding a grant to support independent zines about tabletop role-playing games.
The successful campaign means that Kahn’s three games will go into production. In addition to the game about liches, the trilogy includes Same Bat Time, Same Bat Mitzvah, in which players act out a bat mitzvah where one guest has been turned into a vampire, and Grandma’s Drinking Song, inspired by how Kahn’s Jewish great-great grandmother and her children survived in 1920s New York City by working as bootleggers during Prohibition.
In Grandma’s Drinking Song, players write a drinking song together as they act out scenes. Kahn, the former singer/songwriter and guitarist for Brooklyn Jewish queercore folk-punk band Schmekel, wanted to carry over elements of music into this game.
A throughline in all three games is the power of creative resistance to authority — a narrative that Kahn said strikes him as particularly Jewish.
“There are all these stories in Jewish folklore that are really overtly about finding trickster-y or creative ways of fighting back against oppressive and unjust governmental regimes, evil kings, bad advisors,” Kahn said. “One of the first stories I ever heard in my life was the Purim story, so it’s very embedded in my mind as a part of Jewish consciousness, when evil rulers come to power and try to kill us all, we’re supposed to find these outside-the-box ways of preventing that from happening.”
For some Jewish creators, Jewish holidays are an explicit inspiration. Like many Jewish kids of the ‘80s and ‘90s, Max Fefer, a civil engineer by day and game designer by night, grew up loving the picture book “Herschel and the Hanukkah Goblins,” which remains a popular festive text. But as Fefer notes, goblins are often associated with antisemitic stereotypes. Fefer’s first Jewish game, Hanukkah Goblins, turns the story on its head — players interact as the jovial goblins, who are here not to destroy but to spread the spirit of Hanukkah to their goblin neighbors.
Last year, Fefer launched a successful Kickstarter for another Jewish holiday-inspired tabletop role-playing game, Esther and the Queens, where players assume the roles of Esther and her handmaidens from the Purim story, who join together to defeat Haman by infiltrating a masquerade party as queens from a far-off land.
Esther and the Queens channels Fefer’s Purim memories and includes carnival activities, including Skee-Ball; a calm, relaxing Mishloach Manot basket-making; and a fast-paced racing game.
“All of our holidays, they’re opportunities for us to gather as a community in different ways,” Fefer said. “Watching this satirical, comedic retelling of the story of Purim and the Esther Megillah and coming together into a theater, in a synagogue, to watch these spiels and laugh together and spin the graggers when we hear Haman’s name — all of those things help us build identity and community, and I think games in particular surrounding identity, that’s a great way for a Jewish person themselves to feel seen in a game and reinforce their identity, and share their background with friends.”
Another pair of Jewish game creators, Gabrielle Rabinowitz and her cousin, Ben Bisogno, were inspired by Passover.
“The seder is kind of like an RPG in that it’s a structured storytelling experience where everyone takes turns reading and telling, and there’s rituals and things you do at a certain time,” Rabinowitz said. “It’s halfway to an RPG.”
The game became a pandemic project for the two of them, and alongside artist Katrin Dirim and a host of other collaborators, they created Ma Nishtana: Why Is This Night Different? — a story game modeled on their family’s seder. The game follows the main beats of the Exodus story, and in every game, there will be a call to action from God, a moment of resistance, a departure and a final barrier — but different characters and moments resonate depending on the players’ choices.
As an educator at the Museum of Natural History, Rabinowitz said she is often thinking about how to foster participation and confidence, and she wanted to create a game-play mechanic to encourage players to be “as brazen as her family is.” The result was an in-game action called “Wait! Wait! Wait!” — if players wish to ask a question, make a suggestion, disagree with a course of action or share a new perspective, they can call out “Wait! Wait! Wait!” to do so.
The game also includes a series of scenes that are actively roleplayed or narrated, and each includes a ritual — one that can be done in-person or an alternate remote-friendly version. For example, at one point each player must come up with a plague inspired by the new story they’re telling together, and in the remote version, players go camera-off after reciting theirs.
“The fact that it was created during the pandemic and a way for us to connect and other people to connect with each other is really the soul of the game,” Rabinowitz said. “After each person tells a plague, by the end, all the cameras are off and everyone stays silent for another minute. It’s a hugely impactful moment when you’re playing remotely. The design is interwoven in the game itself.”
Rabinowitz said by playing a story of a family undergoing these trials, the themes of family and identity deepen every time she plays the game.
“A lot of people say, ‘Wow, I’ve never felt more connected to this story,’” she said. “Embodying these characters gave me a feeling of relevance and that makes it feel important as a Jewish precept.”
For other creators, that deep connection comes in more lighthearted scenarios. Nora Katz, a theatremaker, game designer and public historian working at the Goldring/Woldenberg Institute of Southern Jewish Life (ISJL) by day, created the Jewish deli-centered game Lunch Rush, which was included in the Doikayt anthology.
“There’s also types of institutions that come up a lot in [tabletop role-playing games], especially sort of high fantasy,” she said. “Everyone meets in a tavern, there’s an inn, things like that. So the idea of a deli as a central gathering place in a world like that felt fun to me.”
An important element of Lunch Rush is that players must be eating while playing, so for Katz’s first round with friends, they got together with chocolate chip ice cream and dill pickle potato chips. She said the deli is a shared language, and her fellow players were all bringing in their own favorite things about delis they loved into the fictional place they were building together.
Tabletop role-playing games “at their core are about collaboration and relationships and storytelling and community, and for me, all of those things are also what Jewishness is about, to me they totally go hand in hand,” Katz said.
The games are not meant to be for Jewish players only. Rabinowitz said the guidebook for Ma Nishtana includes essays to encourage people to further engage with the narrative.
“Jewish players, non-Jewish players, priests, non-religious people, all different people have played it and almost all of them have told us it’s given them a new way of thinking of how they relate to religious tradition, and I didn’t really set out to do that,” Rabinowitz said. “I feel really privileged to have helped create that space.”
Rabinowitz and Bisogno also commissioned other creators to build alternate backdrops for their game, so it can be repurposed to telling the story of another oppressed people’s fight for freedom. Players can interact as embattled yaoguai, spirits from Chinese mythology; explore a Janelle Monáe-inspired Afrofuturist world; play as Indigenous land defenders; or unionize as exploited workers at “E-Shypt.”
Fefer, who has been amplifying the work of other Jewish creators in the tabletop role-playing game space, said the harm of stereotyping and reinforcing negative tropes is still present in the industry, and not just for Jewish people. For example, fans recently criticized Dungeons & Dragons publishers Wizards of the Coast for reinforcing anti-Black stereotypes in the descriptions of a fantasy race, the Hadozee.
“I think it’s a process of talking to people who are from these groups and bringing them onto your teams and making sure you’re incorporating their perspectives into, in the example of Dungeons & Dragons, a hundred-million-dollar industry, being intentional about that design and looking at things from lots of different angles,” Fefer said. “How could our branding, our games be reinforcing something we’re not even aware of?”
Fefer hopes people who play Hanukkah Goblins and Esther and the Queens feel seen and have moments of shared joy, and also that they learn something from these games — about the antisemitic tropes in fantasy, or about underrepresented groups within the Jewish community. With Esther and the Queens, Fefer collaborated with a writer and artist, Noraa Kaplan, to retell the Purim story from a queer and feminist lens, drawing on Jewish texts that the pair said shows the long presence of queer and trans people in Jewish tradition.
“We have a lot of richness within Judaism to share our culture and share our upbringing but also just be representation,” Fefer added. “We’re living in a time of heightened antisemitism and the world being a gross place to be at times, and we can really bring the beauty of Judaism into game design and create experiences for people that are both representative of Judaism and also just very Jewish experiences.”
But for all the important conversations and learning experiences that can come from Jewish tabletop role-playing games, Katz said the goofiness and joy is important, too.
“We live in such a horrendous society that is of our own making,” she said. “If you can, for a little while, enjoy an anticapitalist fictional deli that you and your friends live in, I think that’s great.”
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The post With goblins, spellcasters and delis, board game makers are imagining new Jewish worlds appeared first on Jewish Telegraphic Agency.
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Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights
(JTA) — The Reform movement’s central rabbinical seminary filed a motion to dismiss the state of Ohio’s lawsuit against the school Friday, claiming the suit violates “foundational Jewish religious doctrine.”
It was the latest escalation in a pitched battle between Hebrew Union College and the state attorney general’s office, which has accused HUC of violating nonprofit law by shuttering degree-granting programs on its historic Cincinnati campus.
The suit, HUC argues, “violates the First Amendment by entangling government and religion.”
The suit was originally filed in April by then-Ohio AG Dave Yost — his second against the college related to its controversial plan to wind down its Cincinnati operations in favor of its New York and Los Angeles campuses. Yost claimed HUC’s actions in Cincinnati misled its donors by leaving a city where they were actively fundraising to support operations, and also violated its charter, which states that the school would “permanently maintain” a residence there.
The state seeks to seize HUC’s assets in Ohio and redirect them to a new, yet-to-be-decided nonprofit with a similar mission; an upstart rabbinical school founded by HUC alums says it wants them.
Such a move “is an unconstitutional and illegal governmental assault upon religion,” HUC’s strongly worded motion reads.
It continues, “The Attorney General has no role in dictating the religious affairs of institutions like HUC. The Court should reject his overreach into religious matters and should dismiss the Complaint because it is unconstitutional and unlawful.”
HUC also argues its vote to shutter the Cincinnati campus was done in full compliance with the law, adding that it intends to maintain the campus’s other assets, including the Klau Library, the American Jewish Archives and the Skirball Museum. In addition, citing a passage in the Torah that states “God will come to his people wherever they welcome him,” the school argues that considering “Jewish demographic realities” is part of its religious mission.
“These decisions were made thoughtfully and responsibly to ensure the long-term success of the institution and our ability to continue graduating strong Jewish leaders,” HUC president Andrew Rehfeld said in a statement accompanying the motion. The lawsuit, he added, “improperly seeks to interfere in the decisions of a religious organization, and this cannot be allowed to go unchallenged.”
Yost himself resigned as AG this week to join the Alliance Defending Freedom, a conservative Christian legal group that, in 2022, represented a Tennessee adoption agency that refused to foster a child to a Jewish couple. The suit against HUC continues under the state AG’s office.
This article originally appeared on JTA.org.
The post Hebrew Union College claims Ohio’s charity-law suit violates its First Amendment rights appeared first on The Forward.
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6 months after her father was killed at Bondi Beach, Sheina Gutnick has become a leading antisemitism advocate in Australia
(JTA) — MELBOURNE — Six months ago, Sheina Gutnick was a 31-year-old mother of three at the end of her maternity leave. She had degrees in social science and psychology, and several years of experience worked at a Jewish school. She was an average mother looking to get back into a 9-to-5 routine after her baby started daycare.
Then, on the first night of Hanukkah, everything in her life changed.
Gutnick was at a Hanukkah party in Melbourne, Australia, with her husband and three children when she crossed paths with a friend from Sydney. He looked ghostly white and told her there had been a shooting at a Hanukkah party in Bondi. Her parents, who were visiting Sydney from their home in Melbourne, had been planning to attend.
“I immediately called my dad, but he didn’t answer. Then I called my mum and she answered and I could hear shooting, and she was screaming and told me they are shooting people on the beach and that my dad is running after the terrorists,” said Gutnick.
Her father, Reuven Morrison, would be one of 15 people murdered on Bondi Beach that night. Before he was killed, Morrison was filmed throwing a brick at the terrorists, charging toward them with whatever he could find, trying to shield his community with his body. The footage of his bravery against the terrorists would be seen around the world within hours. After diverting the terrorist’s attention from others, Morrison bled out on the beach after being shot 11 times. He was 62.
“At 7:13 p.m. I found out that my dad is no longer alive, and my first reaction was to tell my husband to get me on a plane to Sydney,” she said. “As I was standing at the doorframe to leave the house before I went to the airport, I turned to my husband and said, ‘This is the day our lives have changed.’”
Gutnick boarded the last flight from Melbourne to Sydney that night. She couldn’t stop crying, and a flight attendant asked what was wrong. “I told her that my dad had just been killed in Bondi,” she recalled. “She didn’t really know what to say, but told me, if you need vodka let us know, we’ll sort you out.”
Six months after the attack, the deadliest antisemitic incident in Australia and one of the bloodiest anywhere in recent history, Australia is still reeling. A royal commission is unearthing searing allegations of antisemitism and accounts of Jewish fear, and has started rolling out recommendations designed to shore up public safety and cohesion.
Gutnick, meanwhile, has vaulted into public view not just at home but abroad. This week, Anti-Defamation League CEO Jonathan Greenblatt posted a picture of himself with Gutnick on social media.
“I was honored to meet with Sheina Gutnick, daughter of Bondi hero Reuven Morrison z”l,” Greenblatt wrote. “Since Sheina’s father and 14 others were murdered by terrorists on Bondi Beach during Hanukkah, Sheina has tirelessly and relentlessly demanded that Australia take action against antisemitism. She is an inspiration.”
After throwing herself into speaking about her father, her experience and the challenges facing Australian Jews, Gutnick has now joined an international coterie of advocates transformed by their proximity to historic antisemitic violence.
“I get people saying to me, ‘Aren’t you exhausted?’” she said. “But the truth is, I get energy from it. I’m not a person that can sit when something has happened to me.”
The path that made Gutnick who she is was forged first in the former USSR, which Reuven Morrison left at 14 for Australia. Like many Soviet Jewish emigres, he knew little about Judaism when he arrived and for a time did not have much connection to Jewish practice in his new country, either.
But he became more religiously observant later in life, affiliating with the Chabad-Lubavitch movement that emphasizes outreach to Jews of all levels of observance. He became heavily involved in building Chabad of Bondi, a synagogue and community center in Sydney’s iconic beachfront neighborhood, helping to fight several legal battles while getting the building permits approved.
More than a decade ago, he moved to Melbourne. But the Sydney Jewish community, and especially Chabad of Bondi, remained close to his heart and he visited regularly. Its Chanukah by the Sea celebration, he decided, was one he would not miss.
Gutnick arrived in Sydney at 10 p.m., just a few hours after two men opened fire on the celebration, killing 15. Her father’s body still lay on Bondi beach, covered by a sheet, unable to be released for burial until all evidence had been collected from the scene of the massacre by Australian homicide detectives. She made her way to her uncle and aunt’s home, where her traumatized mother was waiting.
That night, nobody slept — and stories began trickling in.
“When I got there, we began hearing that my dad threw a brick at the terrorists. A lot of people started messaging me that he saved their lives based on actions that he took that night,” Gutnick recalled. “My mum had been on the beach and saw him running, and she saw when he went down, and she saw no one was helping and he ran to step in, but she hadn’t seen what he had actually done.”
An Australian homicide detective arrived at 1:30 a.m. to formally advise Gutnick and her mother Leah that Reuven had been murdered, and to explain the process for releasing his body back to the family for burial. It was slightly complicated, the detective told them, because this was Australia’s first major terrorist attack. The protocol was still being clarified.
“At this point, pure adrenaline and pure rage was running through my body, that this had actually happened. The fact that it was Bondi and it was my dad,” Gutnick recalled.
Gutnick returned to the apartment her parents owned in Sydney, situated right behind the Chabad of Bondi building, to collect a few things her mother needed. Outside, members of the Sydney Jewish community stood on the footpath alongside news crews and photographers. People on the street were crying.
Inside, Gutnick found her parents’ dog Simba who had come to Sydney with them, hungry and bewildered that he had been left alone since the night before. According to Jewish law, a Hanukkah menorah must be lit by each person in the place where they are spending the night. Reuven Morrison had set his up before leaving for the beach. On the table, it sat exactly where he had placed it, ready, unlit.
All the while, Gutnick’s phone kept ringing, with journalists asking her for comment. She felt, she recalls, like she was floating outside her own body.
“My mum was completely broken. Her world was torn apart; she has been with my dad for 42 years,” she recalled. “Every semblance of normal life was gone, she’s all of a sudden alone, she’s impacted in this way that is not humanely possible to comprehend.”
With dozens of media requests already flooding her phone, Gutnick ignored all of them — until she spotted one that was framed very differently.
The message came through Facebook from a producer at CBS News in the United States on Monday night, more than a day after the massacre, and it changed her life.
“I still hadn’t spoken to any media. They prefaced their message and said that they needed to help tell the world about my dad’s bravery, that they had seen the footage of him throwing a brick at the terrorists and they wanted to publicise it, so everyone knew about him and what he had done,” Gutnick recalled.
She felt compelled to respond: “It hit me so crushingly hard there is no one else to tell my dad’s story but me, so if I don’t do this, no one will hear about him and his bravery.
She messaged back, saying they could come to interview her the next morning. But CBS suggested they come right over immediately, in the middle of the night, so her interview could be aired on American prime time news. At 1 a.m., a full media crew arrived and Gutnick sat in front of lights that made her room feel like it was the middle of the day.
In the hours that followed, she wrote a personal reflection about what she believed her father’s death represented: a direct result of an Australian government that had been weak on antisemitism. After she circulated it, a prominent local Jewish figure whom she did not then know, the former treasurer of Australia, Josh Frydenberg, shared it on X, and it was republished widely. More media requests started flooding in and Gutnick started speaking about her dad.
“I realized how much I have on me to carry on my father’s legacy,” she said.
In between the interviews, she and her husband were on the phone to the Australian coroner and the chevra kadisha, the Jewish burial society, demanding that Australian authorities release her father’s body. A family friend, not knowing when the body would be released, flew his private plane from Melbourne to Sydney, ready to accompany Morrison home the moment his body was released. When that finally happened, a special flyover was arranged with the air controllers in Sydney so that the private plane with Morrison’s body could circle over Bondi Beach, in a final farewell to the place where Morrison had met his wife 42 years earlier.
Nobody who knew Sheina Gutnick Dec. 14 would have predicted what she’s done since. She says wouldn’t have predicted it either.
When Australian Prime Minister Anthony Albanese initially declined to call a royal commission into the Bondi attack and the broader rise of antisemitism in Australia, Gutnick, alongside other victim families, went to the front page of all of Australia’s major newspapers and called on him to reconsider. After weeks of lobbying, the prime minister relented.
When the royal commission convened, Gutnick was the first witness called to testify.
She described hearing “Free Palestine” shouted on the streets of Melbourne, chants that she said “not political expression but is explicit, targeted hatred and is designed to intimidate.” She recalled fearing the treatment her child would receive while undergoing surgery at a hospital where nurses had been fired after posting a viral video saying they would not treat Israeli patients. And she recounted being called a “f—ing terrorist” by a man she said had pointed at her Star of David necklace.
It was only one of countless stops to share her story. In the last six months, Gutnick has taken dozens of flights to meet with parliaments and groups to speak about her father and about Australian antisemitism. She has written in major national and international newspapers about her father and spoke at the Sydney reception for Israeli President Isaac Herzog.
She and her mother received condolence letters from across Australia and beyond. The one from King Charles, she said, was especially comforting. “He has an excellent team around him clearly, because it was such a beautiful, personalized letter, the one we received,” she said.
Her advocacy has been noticed at some of the highest levels within Australia’s Jewish community. “Sheina Gutnick never sought the public spotlight. She was thrust into it by the horrific murder of her father, and has responded with remarkable courage, dignity and moral clarity,” Jeremy Leibler, the president of the Zionist Federation of Australia, told JTA. “Her advocacy has resonated because it is authentic.”
Alex Ryvchin, the co-chair of the Executive Council of Australian Jewry, the peak body for Australian Jews, knew Reuven Morrison for years before he was killed. “He was an outstanding human being and now Australia knows him as a hero who gave his life to save others,” he told JTA. “Sheina honours his memory and legacy and I’m proud to stand with her in the fight against antisemitism.”
Rabbi Yehoram Ulman, the rabbi of Chabad of Bondi, whose son in law Rabbi Eli Schlanger and many close friends and congregants were murdered Bondi Beach also has deep appreciation for Gutnick’s advocacy.
She “emerged as one of the most compelling and eloquent new voices in Australia’s fight against antisemitism, transforming personal tragedy into sustained public advocacy,” he said.
After booking dozens of engagements independently, Gutnick was offered a role as the first public affairs officer of the recently established Australian branch of the Combat Antisemitism Movement, an international advocacy organization.
The group’s supporters argue that CAM is responding to a genuine rise in antisemitism and see it as trying to address problems that existing Jewish groups have failed to solve. They also argue that the group’s efforts to push back against anti-Israel sentiment are justified because anti-Zionism is often used as a vehicle for anti-Jewish prejudice.
CAM has indeed attracted criticism from other Jewish groups and civil liberties advocates who argue that it takes an overly broad approach to antisemitism and too often conflates anti-Zionism or criticism of Israel with antisemitism.
In Australia, the organization has also faced scrutiny over its political alliances, including relationships with some conservative and right-wing groups, as well as criticism that it imports American culture-war politics into debates about antisemitism.
Gutnick is aware of some of this criticism but isn’t really bothered by it. “Every organization has its controversial moments, so this stuff — it doesn’t really concern me,” she said. “The work CAM is doing now is so relevant in our lives in a post Oct.-7 world and a post-Bondi world,” she said.
In fact, she is grateful for the many connections they have helped her with both in Australia and around the world as well as their extensive research into antisemitism. “They gave me the ability to tell my dad’s story in many public spaces,” she said. “I continuously say, as Jews, we need to know the facts and figures on the ground about antisemitism, and what resolutions and legislation we need to have in place, and as an international org, CAM has the ability to help me do this.”
The royal commission has presented its first recommendations, designed to improve the processes that left the Bondi Hanukkah celebration with inadequate police protection despite the known threats. Soon, it is expected to say more — with a backlash to follow from those who believe that antisemitism is getting outsized attention and who say that efforts to address it will likely inappropriately constraint anti-Israel protest.
Gutnick doesn’t know exactly what the future will hold for her, but she knows that she will never return to where she stood six months ago — a spot that, in retrospect, feels like it may have been on the sidelines of the fight for Jewish security.
“As Jews, we are being faced with so much darkness,” she said. “I have gone through the worst thing — my father was killed for antisemitism — so I have become stronger, wanting to spread the message that no matter what happens, as the Jewish people we are one people, part of one faith, and although it’s terrible, this is something we have faced before.”
This article originally appeared on JTA.org.
The post 6 months after her father was killed at Bondi Beach, Sheina Gutnick has become a leading antisemitism advocate in Australia appeared first on The Forward.
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13,000 Jews were driven out of Poland in 1968. Now, some are returning to tell their story.
(JTA) — In March 1968, Rachelle Halpern walked into her university in Szczecin, Poland, and found a group of her classmates gathered around a newspaper. She asked what they were reading about. The answer came: “Zionists.”
Halpern didn’t understand. Who were the Zionists? One classmate said, “The Jews.”
“But I’m a Jew,” said Halpern. Her classmates looked at her in disbelief. She couldn’t be, one said. She had no horns.
Halpern was about to be swept up in a spiral of social and political crises in communist Poland, culminating in a government-sponsored antisemitic campaign that stripped Jews of their jobs, schools and citizenship, forcing some 13,000 to leave the country. Within months, Halpern would find herself renouncing her Polish nationality and leaving everything she knew for a new life in the United States.
At that moment, when her classmates read the word “Zionists” and looked up at her with horror, she felt a shift.
“It sort of evoked a lot of distrust and fear, that somehow there were all these people around that were going to do some harm to the Polish people,” Halpern told the Jewish Telegraphic Agency.
Now 79 years old, Halpern joined a group of Polish emigrants and their children who traveled to Poland in April to unwind the trauma of 1968. Their meeting was organized by the Engaged Memory Consortium, a collection of organizations dedicated to Polish Jewish heritage, and funded by Poland’s Ministry of Foreign Affairs.
It was the first time that the government paid for a trip to reckon with the events of 1968 and invited the Jews whose lives were upended, according to the program’s coordinator, Patrycja Dołowy.
The nine participants came from Sweden, Denmark and the United States. Over eight days, they visited Jewish sites and community groups in Warsaw, Wrocław and Łódź. These three areas hosted the largest groups of Jews who remained in Poland after the Holocaust, where they decided to rebuild — and where their communities were decimated again in 1968. Though the members of the trip had never met, their memories overlapped, patching together a dark open wound in the history of Polish Jews.
It’s a chapter that remains obscure among many Poles and Jewish communities around the world, partly because of a myth that Jewish life was wholly extinguished by the Holocaust, according to Karen Auerbach, a historian of Polish Jews at the University of North Carolina at Chapel Hill.
“There’s such limited understanding of the fact that there was a Jewish population in Poland after the Second World War, that this doesn’t rise to the surface,” said Auerbach.
The Jewish flight of 1968 started with two words from Władysław Gomułka, then the leader of communist Poland. Days after Israel’s victory over Soviet-supported Arab countries in the Six-Day War of 1967, Gomułka said that Poland would not tolerate a “fifth column” of Polish Jews. The phrase signaled that Jews could be loyal to Israel and treasonous to Poland. Soon after, the communist secret police purged Jews from state and party apparatuses, especially the army.
This campaign exploded after Poland, like other countries across the globe, was rocked by youth uprisings in March 1968. Polish students demonstrated against state censorship and the growing restriction of their civil liberties under Gomułka. Thousands were detained, expelled from universities and dismissed from their jobs in the ensuing government crackdown. Some of the students were Jewish. That became the pretext for Polish authorities to accuse them of “Zionism,” pinning the demonstrations on a global Jewish conspiracy.
The government organized “anti-Zionist” rallies and stoked fear of “Zionists” in official propaganda, avoiding the word “Jew.” Newspapers outed “Zionists” to their neighbors. A new wave of purges expelled thousands of Jews from their jobs and exposed them to antisemitic attacks in their cities and towns. Jews were pressured to leave the country, and when they applied for exit documents, they were forced to renounce their Polish citizenship.
The purges were not only executed by government order, but also by ordinary Polish citizens who took advantage of the campaign and antisemitic sentiment to further their careers, said Dariusz Stola, director of the Polin Museum of the History of Polish Jews.
“It was opening opportunities for many people for advancement,” said Stola. “Say you compete for a position in your institution, and you have a Jewish colleague, why not accuse him of being a hidden Zionist? Or you have some accounts to settle from the past — you don’t like someone — let’s accuse him of Zionism, because the burden of proof he is not is on him.”
By the early 1970s, half the country’s Jews were gone, crushing a community that was tenuously growing back decades after the Holocaust. The campaign effectively ended organized Jewish life in Poland.
Fifty-eight years later, Dołowy guided Polish emigrants and their descendants through cultural institutions that have emerged to preserve Jewish history, culture and communal life since the fall of the Soviet Union, from the Polin Museum in Warsaw to the Marek Edelman Dialogue Center in Łódź. She also introduced them to Jews, like herself, whose families remained in Poland after 1968.

Rachelle Halpern, right, and other participants in the Miszpucha Foundation trip visit the Polin Museum of the History of Polish Jews in Warsaw, Poland. (Adam de Kaminski)
Dołowy is the former head of Warsaw’s Jewish Community Center and the founder of the Miszpucha Foundation. A part of the Engaged Memory Consortium, this foundation aims to strengthen ties between Jews in Poland and Jews who left, particularly those driven out in 1968. Dołowy arranged meetings between the emigrants and Jews who stayed in Poland — artists from the Kultur-Lige network in Wrocław, cultural event organizers for the nonprofit HaKoach in Łódź, and Jews in Warsaw who ranged from academics to entrepreneurs to JCC coordinators.
In 1968, Dołowy’s father was expelled from his university and lost permission to continue his PhD. The question of whether to stay or leave Poland split her parents from their families and friends. Half the Jews they knew chose to leave, dividing what she called the “miszpucha” — the Polish spelling of the Hebrew “mischpacha” and the Yiddish “mishpokhe,” meaning “family.”
Despite this rupture, Dołowy said she rarely saw the antisemitic campaign reflected in Polish history, beyond the hushed stories in Jewish families. Shame and confusion swirled around the events of 1968 for many Jews who considered themselves Polish, but were told by their government and their neighbors that they were not.
“I believe that this generation’s story is still something really silenced,” said Dołowy. “We don’t really talk about 1968, or if we talk about it, we don’t really know the words to describe what actually happened to us, to our community.”
Halpern was 22 when her family left in December 1968 to join a relative in Boston. Despite the Soviet propaganda that said Polish Jews harbored a suspicious bond to Israel, only some 3,000 actually went there. Most of the 13,000 emigrants fled to Sweden, Denmark and the United States, where Cold War-era programs welcomed political refugees from the communist bloc.
Waves of Polish Jewish survivors had migrated to Israel after the Holocaust. But many of those who remained by 1968 were secular and committed to life in Poland, with dwindling ties to Jewish religion, Israel and Zionism, according to Stola. Many were dedicated communists or socialists.
“We know that only a minority of them went to Israel, despite attempts to convince them,” he said.
To obtain exit permits, Halpern and other Jews were forced to declare the intention of going to Israel. Then they received a travel document that rendered them stateless.
“It looked like a regular identity document — a photograph, first name, family name, date of birth,” said Stola. “And the most important part of the document were letters at the bottom of the page saying, ‘The bearer of this document is not a citizen of the Polish People’s Republic.’ To my knowledge, this is the only identity document that says who you are not.”
Halpern gave up her Polish nationality together with her sister in an emigration office. She remembers everything as “gray” — the day, the Polish official and the room with a small window.
“We were looked at as if we were hostile people, enemies,” she said. “We had to stand there, and you had to raise your hand and say that you are renouncing your Polish citizenship. We cried and cried and cried.”
Still, Halpern almost stayed in Poland. Just before her family left Szczecin on an overnight train to Warsaw for the first leg of their journey, she ran away. Seized by fear and anxiety about losing the world she knew, she slept at a friend’s house that night. She woke up in the early hours with the realization that she had nothing left in Poland — no citizenship, no money, no university and no family. She caught up with her parents just before their next train departed from Warsaw to Vienna.
Halpern went to medical school in Boston and made her career as a doctor in California, then Colorado. She did not visit Poland again until 2007, nearly 40 years later.
Other young Jews leapt at the opportunity to leave in 1968. Wladimir Mietek Szpirt, another participant in the Miszpucha Foundation trip, was just starting medical school in Szczecin at 18 years old. He found a hostile environment at the university. When he heard Gomułka threaten the “fifth column,” he decided to apply for asylum in Denmark. For him, leaving the Soviet Union meant the chance to freely study medicine, develop his career and build a stable life.
But Szpirt’s parents were stuck. They lost their jobs as accountants at state institutions, and authorities said they knew too much state information to leave the country. Szpirt emigrated alone, uncertain when he would see his parents again. Nearly two years later, they managed to follow him to Denmark.
Szpirt recently retired from his long career as a doctor in Copenhagen. Like Halpern, he returned in April to the place where the first chapter of his life closed. Now in his later years, Szpirt reflected on growing closest to his origin by leaving it behind.
“In Denmark, I was always accepted as a Pole,” said Szpirt. “The funny thing is that for the first 18 years of my life, I was not accepted as a Pole in Poland. But in Denmark, I became a doctor who was born in Poland. I was not a Jew from Poland.”

Wladimir Mietek Szpirt at the Museum of Modern Art in Warsaw, Poland. (Shira Li Bartov)
Many Jews never went back to Poland after the antisemitic campaign. Eliza Fishenfeld grew up in New York City with parents who fled in 1969 and 1974. The Miszpucha Foundation offered her first trip to Poland as the child of emigrants who were “very angry and very hurt,” she said. They decided not to return.
Fishenfeld lived in a displaced Polish Jewish world in New York. All of her parents’ friends were other Polish Jews affected by 1968, she said. They connected through the network of Jewish schools and camps from their childhood in Poland.
“I know they loved Poland before ‘68, because they told me so many stories about it and they were always so happy, and all their friends were from Poland,” said Fishenfeld. “Our community was the Polish Jewish emigré community.”
Fishenfeld said that arriving in Poland felt like a “homecoming of sorts,” though it was nothing like the communist country her parents remembered. She called them daily to describe the trip, but at their age now, she said they no longer travel.
The campaign didn’t only destroy Jewish communities. It also hollowed out Poland’s cultural and intellectual life, as Jews disappeared from universities, medical schools and hospitals, according Joanna Podolska, the former director of the Marek Edelman Dialogue Center in Łódź. She said their absence left visible holes in the city.
“We didn’t have so many well-educated people, so it was a difficult moment,” said Podolska. “Young people who could work for the city, for Poland, they became citizens of other countries. They were doctors, filmmakers, advocates, chemists, researchers, artists. Probably, Poland would be much richer as a country — more important — with these people who left.”
Decades after the 1968 campaign, it remains a sensitive subject in Polish politics. From 2015 to 2023, Poland was governed by the nationalist-conservative Law and Justice party, which promised to revive Poland’s pride in its past and eradicate what officials called a “pedagogy of shame.”
The narrative stifled research into Poland’s Holocaust history, particularly concerning instances of Polish antisemitism and Polish people who killed Jews or cooperated with the Nazi regime. Poland passed a law in 2018 that outlawed accusing Poland or the Polish people of complicity in Nazi crimes.
But the government also lashed out at a 2018 exhibition about 1968 in the Polin Museum. The exhibition called “Estranged” closed with a wall of quotes, which combined antisemitic and xenophobic statements from 1968 and 2018. Though the quotes were unattributed, two belonged to members of the ruling party.
The exhibition infuriated government officials, and former culture minister Piotr Gliński accused Stola of imposing “very aggressive politics” on the museum. Stola was pushed out as the director in 2019 despite winning a competition to extend his tenure. (In March, he was reinstated under Poland’s new government, led by centrist Prime Minister Donald Tusk.)
Anat Plocker, a historian of Eastern Europe at Stanford University’s Taube Center for Jewish Studies, said that Polish officials in 1968 defined a form of antisemitic rhetoric that echoes among Polish nationalist politicians to this day.
“The way they talk about the memory of the Holocaust, Jewish power, questions of who is really behind what’s going on in Poland — it’s really the Jews or it’s really a conspiracy of the West against Poland — all of this discourse became so important in Polish politics in ‘68,” said Plocker. “So what we see is that politicians are repeating, really sometimes word by word, the same phrases that were used against Jews in ’68.”
Eight years after the backlash to “Estranged,” Dołowy said she was proud to have garnered funding from the Ministry of Foreign Affairs for the Miszpucha Foundation trip. She hopes to arrange more trips for 1968 emigrants, so they can share their long-obscured stories while they still have the chance.
“These emigrants from 1968 became the generation of grandparents, so this is actually a very good moment for them to tell the story to be listened to by our children,” said Dołowy.
In 2007, Halpern learned about the Jewish Culture Festival in Kraków and went to Poland for the first time since leaving home. She has returned since then to attend the festival and Holocaust commemoration events, but she found that most of the other attendees were also visiting from abroad. “They are not people that are actually being Jews here,” she said.
That was why Halpern joined the Miszpucha Foundation trip. She was not interested in rehashing her parents’ Holocaust survival or reliving her own loss in 1968. Instead, she wanted to meet people like Dołowy — the other half of the “miszpucha” who stayed and created new lives.
“I didn’t really want to repeat the story of what happened to my mother, what happened to my father, what happened to the families,” said Halpern. “It was all more walking on people’s destroyed lives. So I wanted to see what is alive.”
This article originally appeared on JTA.org.
The post 13,000 Jews were driven out of Poland in 1968. Now, some are returning to tell their story. appeared first on The Forward.

