Connect with us

Features

Was a Nazi war criminal living in St. James forced to hang himself by a Jewish “avenger” in 1960?

Alexander Laak (supplied)/Soviet file photo

By BERNIE BELLAN The story of an alleged Nazi war criminal by the name of Alexander Laak, who was found hanging in his St. James garage in 1960, is one that has been revisited in this newspaper several times.

 

In October 1987, the late Gene Telpner first broached the story in our pages in one of his columns, when he wrote the following:

Quite a few columns ago I wrote about a book called “Forged in Fury”, which detailed the hanging in Winnipeg of an alleged war criminal by one or more Israeli “agents”.
They apparently had flown here, carried out the execution, and then caught a plane out of the city the same day.
At the time, the Free Press story reported the man’s death as a suicide, and the name given in the item was not his real one. His real name was Alexander Laak, and the wartime actions in which he allegedly participated took place in Estonia, near Tallin.
At one time, Laak worked at the RCAF base in Winnipeg. When he came to Canada from Europe he had received “clearance” from the British and Americans, but apparently the Russians wanted him back for further investigation.

Arthur Drache

Now all of this original story was in 1960, and not until 1970, when the book Forged in Fury was published, did the details emerge. Those details came as a shock to Arthur Drache, son of Mr. and Mrs. Samuel Drache of this city, for several reasons.
For one, Arthur was a Free Press reporter when the “suicide” was printed and covered the story. Asked about it, Drache said, “We wrote a couple of stories “which received page one play, but did not give his name because of libel laws.”
But when Drache, who is now Arthur Drache Q.C. with the law firm of Drache Rotenberg in Ottawa, read “Forged in Fury”, he got full details for the first time. He wrote to the Free Press to tell them about the book’s revelations, but says he never got a response from the newspaper.
One of the saddest parts of the story to Drache is the fact that he and Laak’s son were classmates at Gordon Bell, and played on the school football team.
Laak was never publicly identified in Winnipeg while he was alive. It is believed that there had been accusations from some sources, but he protested his innocence.
Arthur Drache explained, “Only his ‘suicide’ allowed fuller disclosures and until I read “Forged in Fury” I was quite at a loss to explain his actions.”

Subsequently, in a February 20, 1991 issue of The Jewish Post & News, Myron Love had this story:
Manitoba RCMP looking into 30-year-old suicide of alleged Nazi
The Royal Canadian Mounted Police have re-opened an investigation into the apparent suicide 30 years ago of an alleged Estonian Nazi living in Winnipeg. The new investigation was requested by the provincial Attorney-General’s Department, following an article on the case last winter in the Winnipeg Free Press, and a subsequent letter by a member of the public to the attorney-general, asking that this possible murder be investigated, in light of the war crimes prosecutions taking place in the country.
Alexander Laak was found hanging in his garage on September 6, 1960, according to Sargent Wes Border of the RCMP’s General Investigation Section. The section is looking into the matter, after a series of newspaper reports from the Soviet Union, alleging Laak was a Nazi collaborator. The Winnipeg police investigated his death at the time.
A coroner’s inquest, headed by Dr. I.O. Fryer, then the province’s chief medical officer, ruled the death an apparent suicide, and the case was closed.
In the early 1970s, an author named Michael Elkin published a book called “Forged in Fury”, in which he described how an Israeli agent named Arnie Berg came to Winnipeg from South America, and gave Laak the choice of committing suicide or having him and his wife killed by Berg.
Last February, Winnipeg Free Press reporter Dave Roberts wrote a story on the case, with reference to Elkins’ report. (Roberts is unavailable for comment. He is currently in the Middle East.) The article also led to the attack on retired journalist Keith Rutherford by a couple of Skinheads in Alberta last year. The Skinheads claimed they were paying him back for exposing Laak. One claimed to be Laak’s son, but there is no record of any family. (Ed. note: Gene Telpner’s story does disclose that Laak had a son – also someone whom Arthur Drache knew, so the notion that Laak’s son may have been part of a group that attacked Rutherford is certainly plausible.)
Sgt. Border isn’t optimistic the GIS investigation will turn up anything. “Thirty years is a long time,” he says. “People are dead. Reports are no longer available to us.”
He reports contacts have been made with the war crimes investigation unit in Ottawa to check their information on Estonian war crimes, and with Israel to find out if Elkin’s book was fact or fiction. “We’re waiting to hear back to see if we should look into this more seriously,” he says. “With everything going on in the Middle East, and considering this is 30 years old, I don’t expect this matter will be pushed to the forefront. It’s a case that will not be easy to investigate.”
We’re playing catch-up.”

In the summer of 2014 I had written about a book titled “The Avengers”, which was about a group of Holocaust survivors led by Abba Kovner (who went on to become a famous Israeli poet). Subsequent to that book review I was reminded of the story of Alexander Laak, and I decided to try to find out whether there was anything more I could find out about the story – which apparently had reached a dead end.
I decided to attempt to contact Arthur Drache who, Gene Telpner had written, had actually covered the story of Alexander Laak’s “suicide” in 1960. Arthur Drache has been one of Canada’s best known tax attorneys for many years, has been the recipient of many awards. Several years ago Gerry Posner profiled Arthur Drache in an article for our paper titled , which can be found on our website at .
I called Arthur Drache in 2014 – and was surprised when he answered his phone himself. In any event, I recall that Mr. Drache was quite obliging – and had vivid memories of his own personal involvement in the Alexander Laak story. Here is what I wrote in August 2014:
As Gene Telpner mentions in his story, in 1960 Drache was working as a reporter for the Free Press. Drache told me, during a phone conversation, that he was a student at Brandeis University at the time.
Drache says that his assignment editor had received a tip that Laak was living in Winnipeg. According to Drache, it came from a Russian source. The Estonian community in Winnipeg was quite small at the time, Drache said, and it was an easy matter for him to track Laak down.
He told me that he and another reporter went to Laak’s house in St. James and spent some time speaking with him. According to Drache, Laak downplayed the role he had played in the Jägala camp in Estonia, describing his duties as akin to being “the warden of Stony Mountain”, in Drache’s words.
As Telpner noted in his story, Drache went on to write about Laak, but without revealing his true name. Drache said to me that he found the notion that a Mossad agent tracking Laak down and forcing him to commit suicide highly implausible.
But, I suggested to him, the same information that had been given to the Free Press, presumably by Russian authorities, might also have been given to the Israelis.
Drache did concede that point. He went on to say that immediately after he wrote his story about Laak, which was in late August, 1960, he recalled, he drove to Boston to resume his studies at Brandeis. On the way he happened to pick up a copy of the New York Times, which published a major story about the suicide of Alexander Laak but, as was the case with the Free Press story about the suicide, the NY Times story did not reveal his true name.
Drache also mentioned his personal connection to Alexander Laak – through Laak’s son. As Gene Telpner had written, they had both attended Gordon Bell High School, were classmates in fact and even played on the high school football team together. It was the fact that he knew Laak’s son that led his assignment editor at the Free Press to ask Drache to go to Laak’s house to interview him.
When the book “Forged in Fury” was published in 1970, Drache says he was shocked at the allegations made in that book about Laak.
Drache told me, “We wrote a couple of stories which received page one play, but did not give his (Laak’s) name because of libel laws.”
But when Drache read “Forged in Fury”, he was made aware of the full details surrounding Alexander Laak’s alleged background as a Nazi war criminal for the first time. He wrote to the Free Press to tell them about the book’s revelations, but says he never got a response from the newspaper.
Laak was never publicly identified in Winnipeg while he was alive. It is believed that there had been accusations from some sources, but he protested his innocence.
Arthur Drache explained, “Only his ‘suicide’ allowed fuller disclosures and until I read ‘Forged in Fury’ I was quite at a loss to explain his actions.”

One final footnote to this story: In attempting to find out more about Alexander Laak, I came across this information on a white supremacist website:
Alexander Laak , former commandant of the Jägala camp in Estonia where a large number of Jews were supposedly massacred, is alleged to have committed suicide by hanging in his garage in Winnipeg , Canada. A number of Laak’s subordinates had at the time been given harsh sentences at a Soviet show trial. According to an article in Der Tagespiegel September 8, 1960, Laak had declared the Soviet allegations against him to be “99% lies and Communist propaganda.” In Michael Elkin’s book Forged in Fury (1971) it is claimed that a Jewish “avenger” named Arnie Berg travelled to Winnipeg to kill Laak, and that Laak hanged himself under Berg’s supervision in order to not have his wife shot by Berg.
This entire story was brought to mind again when I started to watch a ridiculous TV show called “Hunters” which, although it has a stellar cast, is really nothing more than a comic book fantasy about Jewish avengers pursuing Nazis in America. Still, the story surrounding Alexander Laak’s suicide could make an interesting movie. Maybe Jonas Chernick would be interested?

Continue Reading

Uncategorized

Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One

The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.

You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.

The RTP Trap

Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.

The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.

Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?

Hit Frequency: The Number That Shapes Session Feel

Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.

A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.

Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.

The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.

Volatility: The Risk Label Players Need More Often

Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.

Here is where RTP becomes less useful on its own:

  • A 96% low-volatility slot may give modest returns and longer play from the same balance.
  • A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
  • A progressive jackpot game may look exciting, but it often places more value on rare top prizes.

The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.

Why the Same RTP Can Feel So Different

Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.

Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.

A Better Way to Read a Slot Page

Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.

Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.

A sensible pre-play check looks like this:

  • RTP: What is the average long-term return?
  • Volatility: How rough can the session become?
  • Hit frequency: How often will the game show any wins?
  • Paytable: Where does most value sit?

To Conclude

Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.

Continue Reading

Features

They Deserve the Very Best”: The Doctors Bringing Specialist Care to Holocaust Survivors at Home

Continue Reading

Features

The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts

Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.

Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.

Why Many Players Are Returning to Basic Gameplay

Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.

These are a few potential reasons explain why simpler slots became popular again in 2026:

  • Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
  • Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
  • Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
  • Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
  • Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.

Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.

Features That Make Simpler Slots Appealing

Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.

However, these aren’t the only factors that attract gamblers. So, check out this list:

  • Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
  • Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
  • Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
  • Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
  • Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
  • Smaller menus. Important information appears immediately without complicated tabs or hidden sections.

Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.

Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.

Conclusion

Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.

Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News