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‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism

(JTA) — The announcement this week that Katerina McCrimmon would star as Fanny Brice in the national tour of “Funny Girl,” the Broadway musical about a trailblazing Jewish comedian, has ignited criticism from some Jewish actors who say the role should be played only by someone who identifies as Jewish.

The casting, announced on Tuesday, is a breakout role for McCrimmon, who previously appeared briefly on Broadway in Tennessee Williams’ “The Rose Tattoo” but has mostly done smaller productions.

But it has disappointed some Jewish performers and their allies in the theater community who knew that the production had advertised itself as “specifically seeking actors of Jewish heritage.”

Jennifer Apple, one of the first actors to discuss the decision on social media, told the Jewish Telegraphic Agency that because Jewishness was central to Brice, a pioneering early 20th-century vaudevillian, it should be for anyone playing her as well.

“Fanny Brice was a real human being,” said Apple, who also auditioned for the role of Brice and appeared in the national tour of “The Band’s Visit,” about an Egyptian police band’s accidental stay in an Israeli town. “She was a Jewish icon. She was a heroine. She in and of herself paved the way for performers like myself to be able to have a career. If it wasn’t for her, and her chutzpah, many of us Jewish women specifically wouldn’t be able to be performers. So it’s integral to this role, specifically.”

Someone can have Jewish heritage without embracing a Jewish identity — just ask the actor Lea Michele, who replaced Jewish actor Beanie Feldstein as Brice in the recent Broadway revival of “Funny Girl.” Michele’s father is a Sephardic Jew, but she was raised as a Catholic and said she does not identify as Jewish. (For six seasons on the hit television show “Glee,” Michele played a Jewish character, Rachel Berry, who was set on one day portraying Fanny Brice.)

But none of the coverage of McCrimmon’s casting in arts outlets has suggested any personal connection to the Brice character’s Jewish identity, and in the show’s materials, she identifies as “a proud Cuban-American from Miami.” She did not respond to a request for comment.

“I have no doubt that Katerina is freaking terrific and … that she is more than capable of leading a nat’l tour,” Samantha Massell, an actor who appeared in the revival of “Fiddler on the Roof” on Broadway, posted on Instagram after the casting announcement. “But if you consider yourself an advocate for representation in casting and you’re AOK with this (or celebrating it), you need to check yourself.”

The casting adds to an ongoing debate over identity and performance. Some argue that actors should be able to play any role, regardless of their background. But the idea that at least some roles should be reserved for actors whose identities overlap with their characters’ has gained steam in recent years — opening the door for criticism when people who are not Jewish are cast as Jewish characters. (Helen Mirren, who is not Jewish but is playing the Israeli stateswoman Golda Meir in the upcoming film “Golda,” is among those who say they “adhere to both camps.”)

Some have criticized the casting of non-Jewish actors in Jewish roles as “Jewface.” The Jewish comedian Sarah Silverman, for example, lambasted the casting of Kathryn Hahn as Joan Rivers in a biopic that was ultimately scrapped; another frequent subject of criticism has been Rachel Brosnahan as the fictional Jewish comedian Midge Maisel on “The Marvelous Mrs. Maisel.”

The real-life Brice got her start in the 1910s headlining Florenz Ziegfeld’s revue, the “Ziegfeld Follies.” The 1964 musical and subsequent film “Funny Girl,” both starring Barbra Streisand, chronicle Brice’s rise to fame while she grapples with her own identity as a Jewish woman — including the shape of her nose, the cadence of her voice and the pacing of her humor.

“If there is something in the piece that when portrayed by somebody of a different identity could potentially be viewed as perpetuating a stereotype or veer into the land of cultural appropriation, you’ve made the wrong casting decision,” said Ari Axelrod, an actor and producer who organized a Broadway gathering in response to a neo-Nazi protest outside the first preview of “Parade,” the show about a 1915 antisemitic lynching, in which the main character is played by the Jewish actor Ben Platt.

Critics of the casting choice say specific lyrics and visual gags just don’t work as well when they are performed by people who do not have specific Jewish lived experiences because they are or can be offensive.

The song, “If a Girl isn’t Pretty,” for example, contains the lyric, “Is a nose with deviation such a crime against the nation?” referring to Brice’s own body image issues, which she partially resolved with one of the earliest rhinoplasties in the United States.

And in the song “Rat-Tat-Tat-Tat,” Brice’s character plays the Jewish caricature “Private Schwartz from Rockaway,” who wears a harness outfitted with two suggestively placed bagels and sings in an exaggerated Eastern European accent about how his “bagels gave a spin, oy, oy.”

“The content of this show is specifically about how she was not considered a pretty Jewish woman, that she had to change her name and change her looks to ‘fit in,’ that she had to assimilate because of her Jewish identity,” Apple said. “To have somebody not be Jewish and do that could perpetuate stereotypes.”

Axelrod and Apple both pointed to the casting of actor Bradley Cooper as American Jewish composer Leonard Bernstein in the upcoming Netflix film “Maestro” as another example of a “Jewface” gaffe. (Early stills of Cooper wearing a prosthetic nose for the role reignited the debate; Silverman is set to appear in the film.)

The casting decision for the tour follows a 15-month Broadway run for “Funny Girl.” Beginning in April 2022, Feldstein starred as Fanny Brice in the revival, bringing a childhood dream of hers to life. (Feldstein’s 3rd birthday party was “Funny Girl”-themed.)

Beanie Feldstein, center, stars as Fanny Brice in the Broadway revival of “Funny Girl.” (Matthew Murphy)

“I truly believe that any Jewish woman who wants to be funny and perform and sing owes something to Fanny Brice,” she told the New York Jewish Week last year.

But after three months, the production announced that Michele would replace Feldstein — after a one-month performance by Jewish actor Julie Benko.

Under the laws of the Equal Employment Opportunity Commission, it is illegal for a workplace to discriminate against an applicant or employee’s race, religion, sex or gender identity, national origin, age or disability. But the law allows employers to select for aspects of personal appearance if they are essential for fulfilling the requirements of the job — a leniency that opens the door to casting Black actors as Black characters, for example.

There are legal ways to stack the deck in favor of filling roles with actors of certain backgrounds, such as by encouraging people who hold specific identities to audition, or by encouraging others to choose not to.

Massell revealed in an Instagram story Thursday that when the casting directors of the musical “Double Helix,” which tells the story of the discovery of the structure of DNA, were auditioning for the other two Jewish roles (Massell plays the lead role of Rosalind Franklin), they asked people who do not identify as Jewish to “please pass” on auditioning.

“This feels like such a great actionable step for all of these types of roles that are specifically tied to an ethnic identity,” she said.

Those who are challenging the Brice casting on the national tour say there is room for actors to play characters unlike themselves. Apple — who said she has twice been one of just two Jews cast in professional productions of “Fiddler” — says it’s a “slippery slope” to argue that actors must only play their own identity.

“I don’t like that. I don’t subscribe to that. That’s not why I’m an actor,” she said. “It really just comes down to the integrity of the role and the story. And this one is literally about her Jewish identity. She was a Jewish icon.”

Who made the decision to depart from the character breakdown suggestion is not clear. Sonia Friedman Productions and NETworks Presentations, which are producing the tour that is set to launch in Providence, Rhode Island, this fall, did not respond to requests for comment..

“I do know that for this to have happened, a lot of people had to say yes,” said Axelrod.

He said that even though he disagrees with the casting decision, he believes it could have positive dividends for storytelling about Jews.

“Katerina has an incredible opportunity to use this moment to educate herself and empathize with Fanny’s story, but also the story of Jews today,” he said. “If we can’t change the casting decision — and I don’t necessarily think we should, it’s not up to me — we can leverage the moment as an opportunity for empathy and education.”


The post ‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism appeared first on Jewish Telegraphic Agency.

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Striking Hamas Leaders in Qatar Is 100% Legal Under International Law

Vehicles stop at a red traffic light, a day after an Israeli attack on Hamas leaders, in Doha, Qatar, Sept. 10, 2025. Photo: REUTERS/Ibraheem Abu Mustafa

Here are just a few of the absurd reactions from world leaders in the wake of Israel’s stunning strike on Hamas leadership in Doha, Qatar, last week:

  • A “blatant violation of international law.”
  • A “violation of sovereignty.”
  • A “flagrant breach of international law.”

France, Spain, the UK, the Qataris themselves, and others have joined in the hysterics.

Yet all these sloganizing leaders have one thing in common: an astonishing and total ignorance of actual, international law.

In future articles, I will dive into the far reaching implications and consequences of this stunning operation, but for now, here’s a quick review of international law.

  • Qatar is not technically at war with Israel, therefore the country could be considered a “neutral power” under the Hague Convention V and thus immune from attack.
  • However, under articles 2, 3 and 4 of Hague Convention V, a “neutral power” may not allow anyone on its territory to direct combat operations, run command and control centers, or even to communicate electronically with combatants.
  • For years, the Hamas leadership has been carrying out exactly those prohibited acts from within Qatar — with sustained and integral Qatari support. In other words, Qatar has been violating international law for years — before, during, and after the October 7 massacre.
  • Hamas is the internationally-designated terror organization that carried out the October 7 massacre of Israelis in 2023, and continues holding Israeli hostages in Gaza to this day. Though the Hamas leadership in Qatar claims the moniker “political wing,” it is consistently involved in directing combat operations against Israel.
  • Qatar cannot claim to be a “neutral power” under the Hague Conventions, because it provides sustained and integral support for Hamas — which aids Hamas combat operations against Israel — from Qatari soil.
  • Furthermore, Israel has an inviolate right to self defense under Article 51 of the United Nations Charter, and Hamas may not undermine that right simply by directing its combat operations from inside a third-party country.

In summary: Qatar has been providing sustained and integral support for Hamas combat operations — from Qatari soil — in violation of The Hague conventions.

These acts give Israel the inviolate right, under both the Hague Conventions and the UN Charter’s Article 51, to defend itself and its citizens by targeting Hamas leadership inside Qatar.

Daniel Pomerantz is the CEO of RealityCheck, an organization dedicated to deepening public conversation through robust research studies and public speaking. He has been a lawyer for more than 25 years.

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No, Mahmoud Abbas Did Not Condemn Jerusalem Terror Attack

People inspect a bus with bullet holes at the scene where a shooting terrorist attack took place at the outskirts of Jerusalem, Sept. 8, 2025. Photo: REUTERS/Ammar Awad

Last week, terrorists opened fire in Jerusalem, murdering six and injuring 12 innocent Israelis.

Palestinian Authority (PA) leader Mahmoud Abbas — the man the international community insists is a “peace partner” — then put out a statement that was labeled by much of the international media as a condemnation. In reality, it was anything but.

Abbas never once mentioned the terror attack. He never referred to the murders, never acknowledged the victims, and never expressed a word of sympathy for their families. His statement spoke in vague terms about rejecting “any targeting of Palestinian and Israeli civilians,” a formula carefully crafted to sound balanced while deliberately blurring the reality that it was Palestinians who carried out the terror attack, and Israelis who were its victims.

Worse still, 98% of Abbas’ statement was condemnation of Israel, the “occupation,” “genocide,” and “colonist terrorism.” Instead of using the attack to speak out against Palestinian terror, Abbas used it to criticize Israel without even actually mentioning the attack, and while portraying Palestinians as the victims.

Abbas’ remark is not a condemnation of terrorism. It is a cover-up. He is once again confirming the PA’s ideology that sees Palestinian attacks against Israeli civilians as justified.

The emptiness of Abbas’s words becomes glaring when compared to the response of the United Arab Emirates.

The UAE condemned the “terrorist shooting incident … in the strongest terms,” offered condolences to the victims and their families, and wished a speedy recovery to the wounded.

The UAE’s statement was clear, moral, and human. Abbas’ was political and self-serving, designed to enable gullible Westerners to delude themselves that Abbas was actually condemning terrorism. The UAE and Abbas’ statements follow. The difference speaks volumes.

UAE condemnation of terror Mahmoud Abbas’ sham
“The United Arab Emirates has condemned in the strongest terms the terrorist shooting incident which occurred near Jerusalem, and resulted in a number of deaths and injuries.

In a statement, the Ministry of Foreign Affairs (MoFA) reaffirmed the UAE’s strong condemnation of these terrorist acts and its permanent rejection of all forms of violence and terrorism aimed at undermining security and stability.

The Ministry expressed its sincere condolences and sympathy to the families of the victims, and to the State of Israel and its people, as well as its wishes for a speedy recovery for all the injured.”

[United Arab Emirates Ministry of Foreign Affairs, website, September 8, 2025]

“The Palestinian Presidency reiterated its firm stance rejecting and condemning any targeting of Palestinian and Israel civilians, and denouced all forms of violence and terrorism, regardless of their source.

The Presidency stressed that security and stability in the region cannot be achieved without ending the occupation, halting acts of genocide in the Gaza Strip, and stopping colonist terrorism across the West Bank, including occupied Jerusalem.

It emphasized the Palestinian people’s attainment of their legitimate rights to an independent and sovereign state with East Jerusalem as its capital, and the achievement of security and peace for all, is what wil end the cycle of violence in the region.

This came in the wake of today’s events in occupied Jerusalem.”

[WAFA, official PA news agency, September 8, 2025]

Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.

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Carrying Charlie Kirk’s Torch: Why the West Must Not Retreat

A memorial is held for Charlie Kirk, who was shot and killed in Utah, at the Turning Point USA headquarters in Phoenix, Arizona, US, Sept. 10, 2025. Photo: REUTERS/Caitlin O’Hara

Charlie Kirk’s sudden death leaves more than grief; it leaves a void in a moment of profound civilizational danger. He was not just a political organizer or cultural commentator. He was a voice that gave the next generation permission to reject the lies of relativism, to reclaim confidence in the West, and to stand against the forces — both ideological and violent — that seek to dismantle it. To honor his life means refusing to let that mission fade.

Kirk understood that the greatest threats to freedom were not hidden in obscure policy debates, but in the cultural and spiritual health of the West. He saw that when a society abandons faith, mocks tradition, and treats national identity as a shameful relic, it becomes easy prey for movements that thrive on weakness and self-doubt. His genius was to frame this not as nostalgia, but as survival.

For him, defending family, faith, and moral order was not a luxury — it was the only path by which free societies could endure.

One challenge Kirk named very clearly was the rise of radical Islamism and terrorism. He warned that this was not merely a foreign problem, but an internal one. Radical ideologies, cloaked in the language of grievance, have found fertile ground in Western cities, universities, and political discourse. Under the cover of tolerance, they have grown bolder. Under the silence of elites, they have become entrenched. Kirk refused to bend to the false equivalence that excuses extremism as cultural difference. He understood that those who despise freedom should not be empowered to weaponize it.

His critics often called him polarizing, but what they truly feared was his clarity. He reminded audiences that not all values are equal, not all ideas are harmless, and not every ideology deserves space in a free society. In a climate where cowardice is praised as moderation, his directness was seen as dangerous. But the true danger lies in the refusal to speak plainly about the threats that face us. Civilizations do not collapse overnight; they are eroded when their defenders lose the courage to distinguish between what is worth preserving and what must be rejected.

Kirk never lost that courage. He confronted progressive elites who undermined confidence in the West from within, and he confronted radical Islamist sympathizers who justified violence against it from without. He saw that both positions, though different in form, worked toward the same end: a weakening of Western resolve, an erosion of shared identity, and the creation of a generation uncertain of its own inheritance. His refusal to allow that message to go unchallenged gave hope to millions of young people who might otherwise have drifted into cynicism or despair.

Now his death presents a stark choice. The forces he warned against are not pausing to mourn. They are pressing forward, eager to fill the space that was already under siege. If his legacy is not actively continued, it will not simply fade — it will be replaced by movements hostile to everything he fought to defend. To preserve his mission, the West must double down on the truths he carried: that strength is not arrogance, that tradition is not oppression, and that freedom without moral order is an illusion that collapses into chaos.

The stakes are high. If these principles are allowed to wither, we risk a generation unmoored from history, unprepared for the battles ahead, and unwilling to confront the ideological threats at our doorstep. But if Kirk’s legacy is embraced and advanced, his death will be the beginning of a renewal.  

The West cannot retreat. It cannot afford the luxury of silence or the temptation of compromise with those who seek its undoing. The path forward requires the clarity and courage that Charlie Kirk embodied. To carry his torch is not simply to honor his memory. It is to safeguard the survival of the civilization he loved and defended. The question is not whether we should continue his work. The question is whether we can endure if we do not.

Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx

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