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Broadway had a very Jewish year, but there is more to the Jewish story than antisemitism and the Holocaust
(JTA) — Broadway gave out its Tony Awards last month, and as I kept whispering to my wife, it was “a big night for the Jews.”
“Leopoldstadt,” Tom Stoppard’s Holocaust drama, won best play. “Parade,” about the lynching of a Jewish man in the American South, won best musical revival. Miriam Silverman (“The Sign in Sydney Brustein’s Window”) and Brandon Uranowitz (“Leopoldstadt”) won for signature Jewish roles, and Alfred Uhry, who wrote the book for “Parade,” spoke while wearing a two-inch diamond Magen David lapel pin.
It was, in fact, a very prominent season for Jews on Broadway stages and beyond. “The Sign in Sydney Brustein’s Window,” Lorraine Hansberry’s second play — with a white, Jewish protagonist — arrived in a star-studded Broadway bow. “Prayer for the French Republic” at Manhattan Theatre Club — an examination of antisemitism in France — marked a massive turn in playwright Josh Harmon’s Jewish journey (and will return to Broadway next season).
The Atlantic’s Yair Rosenberg raved over Edward Einhorn’s “Shylock and the Shakespeareans,” a reworking of Shakespeare’s “Merchant of Venice,” and Second Stage presented “Camp Seigfried,” a different angle on German fascism. In California, the La Jolla Playhouse tried out “Lempika,” a musical about the notorious Jewish artist Tamara de Lempicka, who fled Europe for the United States in 1939.
You might see a thesis at work in producing these shows — most of which spotlight Nazis, antisemitism or the Holocaust — right now: They urge audiences to remember and learn from the past in order to prevent future atrocities, at a time when antisemitism is on the rise (or at least outward manifestations of the ancient hatred; one could argue it has been there all along).
There’s lots to recommend this idea. A history forgotten is a history that will repeat. Representation matters. Giving Jews the moral victory (if not the narrative one) strengthens our resolve. Great artistry in the service of big ideas is a win for everyone.
And let’s not leave out the performances themselves. Uranowitz in particular was brilliant and gave a moving Tony speech honoring his ancestors who were murdered by the Nazis in Poland.
However, I can’t help but admit to some skepticism. I’m drawn by thinkers like Dara Horn, author of “People Love Dead Jews,” who ask, “By revisiting the history of raging antisemitism, are we just giving violent extremists a to-do list for the future?”
“A Moving Picture” by Jennie Berman Eng, presented at the Marlene Meyerson JCC Manhattan, Dec. 1, 2022. (Basil Rodericks)
And it’s definitely debatable whether reliving trauma is mentally healthy for those affected. (My wife, a daughter of both a Holocaust and Tree of Life shooting survivor, gets significantly triggered by poking at these wounds.)
But more important is that today’s Jewish life — even the parts necessarily focused on antisemitism — is radically different than it was 50 or 75 or 500 years ago. Even with the challenges and outright discrimination, the Jewish community today (here and abroad) is more diverse, more free and more complex than at arguably any time in history.
So I’d like to humbly offer some alternatives for producers and artistic directors who want Jewish representation on their stages. As the artistic director of the Jewish Plays Project, a development house for 21st-century Jewish theater based in New York and working around the country, I have the unique pleasure to be able to point to the plays written in just the last few years that can change the paradigm right now.
I’d like to encourage folks to think about Jewish joy. See Audrey Lang’s amazing character Librarian of the Jewish Soul in her play “Birdie & Cait and the Book of Life” or the Adon Olam sequence at the end of Mark Leiren Young’s “Bar Mitzvah Boy.”
Think about Jewish ethics. Beth Kander’s “Return” puts todays’ scientific breakthroughs and faith right up against each other; Marshall Botvinick’s poetic “To Reach Across a River” gives us an Orthodox woman refusing to leave her faith when she adopts a bi-racial daughter; and Cindy Cooper’s “I Was a Stranger Too” directly advocates for immigrants through a Jewish lens.
Stage Jewish diversity. Ali Viterbi’s “In Every Generation,” Molly Olis-Krost’s “What We Found” and EllaRose Chary’s “The Wrong Question” show us parts of the Jewish world — Jews of Color and queer Jews, among other mixed and modern identities — that haven’t made it to the stage much. (And we’re all waiting with baited breath for the results of Expanding the Canon, Theater J’s significant commissioning program for Jewish artists of Color.)
Talk about Israel/Palestine without blowing the roof of the joint. Seth Rozin’s “Settlements” is nuanced and compelling and real. Alexa Derman’s hilarious and satirical cri-de-coeur “Zionista Rising” — which just won the JPP’s National Playwriting Contest —brings sharp, contemporary humor to a difficult conversation.
And if you feel you have to talk about the Holocaust and Shylock — and sometimes you do — do it with a new and vital eye. Jenny Berman Eng’s “A Moving Picture” features a cast of three Jews of Color, one Black doctoral candidate and a white student working out how to make a 100% true Holocaust film, and Eric Marlin’s “there will come a time for vengeance” mashes up Shakespeare and his contemporary Christopher Marlowe with theatrical flair.
The point is, it’s a big Jewish world out there — exciting and current and diverse. The hundreds of Jewish Plays Project artists and audience members who are part of our ongoing experiment in artistic democracy are hungry to see that life show up at theaters all over the country.
If we can do that, we might see a Tony Awards (and Obies and Jeffs and Barrymores and more) that both celebrates brilliant work and moves the Jewish conversation forward — not by being anti-antisemitism, but by being truly pro-Jewish.
That would really be a big night for the Jews.
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Hostage Families Reject Partial Gaza Seal, Demand Release of All Hostages
Demonstrators hold signs and pictures of hostages, as relatives and supporters of Israeli hostages kidnapped during the Oct. 7, 2023 attack by Hamas protest demanding the release of all hostages in Tel Aviv, Israel, Feb. 13, 2025. Photo: REUTERS/Itai Ron
i24 News – As Israeli leaders weigh the contours of a possible partial ceasefire deal with Hamas, the families of the 50 hostages still held in Gaza issued an impassioned public statement this weekend, condemning any agreement that would return only some of the abductees.
In a powerful message released Saturday, the Families Forum for the Return of Hostages denounced what they call the “beating system” and “cruel selection process,” which, they say, has left families trapped in unbearable uncertainty for 638 days—not knowing whether to hope for reunion or prepare for mourning.
The group warned that a phased or selective deal—rumored to be under discussion—would deepen their suffering and perpetuate injustice. Among the 50 hostages, 22 are believed to be alive, and 28 are presumed dead.
“Every family deserves answers and closure,” the Forum said. “Whether it is a return to embrace or a grave to mourn over—each is sacred.”
They accused the Israeli government of allowing political considerations to prevent a full agreement that could have brought all hostages—living and fallen—home long ago. “It is forbidden to conform to the dictates of Schindler-style lists,” the statement read, invoking a painful historical parallel.
“All of the abductees could have returned for rehabilitation or burial months ago, had the government chosen to act with courage.”
The call for a comprehensive deal comes just as Israeli Prime Minister Benjamin Netanyahu prepares for high-stakes talks in Washington and as indirect negotiations between Israel and Hamas are expected to resume in Doha within the next 24 hours, according to regional media reports.
Hamas, for its part, issued a statement Friday confirming its readiness to begin immediate negotiations on the implementation of a ceasefire and hostage release framework.
The Forum emphasized that every day in captivity poses a mortal risk to the living hostages, and for the deceased, a danger of being lost forever. “The horror of selection does not spare any of us,” the statement said. “Enough with the separation and categories that deepen the pain of the families.”
In a planned public address near Begin Gate in Tel Aviv, families are gathering Saturday evening to demand that the Israeli government accept a full-release deal—what they describe as the only “moral and Zionist” path forward.
“We will return. We will avenge,” the Forum concluded. “This is the time to complete the mission.”
As of now, the Israeli government has not formally responded to Hamas’s latest statement.
The post Hostage Families Reject Partial Gaza Seal, Demand Release of All Hostages first appeared on Algemeiner.com.
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Melbourne Police Investigate Wave of Antisemitic Attacks, Including Synagogue Arson
Illustrative. Vandals defaced the Melbourne Hebrew Congregation in Australia on June 22, 2025. Photo: Screenshot
i24 News – A wave of antisemitic incidents across Melbourne is under urgent investigation by Victoria Police, after a synagogue was set alight, a Jewish-owned restaurant targeted by protesters, and a third attack saw multiple cars torched at a business in the city’s northeast.
The third incident occurred around 4:30 a.m. Saturday at a business on Para Road in Greensborough. Offenders set fire to three vehicles and sprayed graffiti on both the cars and a nearby building wall. One car was destroyed, and two others sustained moderate damage.
“There were references of antisemitism in the graffiti,” Dunstan confirmed, adding that the business had previously been linked to pro-Palestinian activism.
While police say no direct link between the three incidents has been established yet, they are not ruling out the possibility of coordination.
The attacks began Friday night, when a man was seen pouring a flammable liquid on the entrance of the East Melbourne Hebrew Congregation and setting it alight around 8 p.m., while around 20 people were inside for Shabbat services. Worshipers quickly evacuated through the back, and the fire was contained to the front of the building. No injuries were reported.
Police have released an image of a suspect believed to be in his 30s, of Caucasian appearance, with a beard and long hair.
Just hours after the synagogue arson, a protest of around 70 people moved through Swanston Street before a smaller group gathered outside Miznon, a popular Jewish-owned restaurant in the CBD, chanting offensive slogans. One man was arrested and later released on summons for hindering police.
In response to the series of attacks, federal agencies including the Australian Federal Police (AFP) and the Australian Security Intelligence Organization (ASIO) have joined the investigation.
“This is disgraceful behavior by a pack of cowards,” said Victorian Premier Jacinta Allan. “Any attack on a place of worship is an act of hate. Any attack on a Jewish place of worship is an act of antisemitism. There should be no hesitation in calling this what it is.”
The post Melbourne Police Investigate Wave of Antisemitic Attacks, Including Synagogue Arson first appeared on Algemeiner.com.
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Trump Says Iran Has Not Agreed to Inspections, Give Up Enrichment
US President Donald Trump speaks at a meeting with NATO Secretary General Mark Rutte (not pictured), at the NATO summit in The Hague, Netherlands, June 25, 2025. Photo: REUTERS/Brian Snyder
US President Donald Trump said on Friday that Iran had not agreed to inspections of its nuclear program or to give up enriching uranium.
He told reporters aboard Air Force One that he believed Tehran’s nuclear program had been set back permanently although Iran could restart it at a different location.
Trump said he would discuss Iran with Israeli Prime Minister Benjamin Netanyahu when he visits the White House on Monday.
“I would say it’s set back permanently,” Trump said as he traveled to New Jersey after an Independence Day celebration at the White House. “I would think they’d have to start at a different location. And if they did start, it would be a problem.”
Trump said he would not allow Tehran to resume its nuclear program, adding that Iran did want to meet with him.
The U.N. nuclear watchdog said on Friday it had pulled its last remaining inspectors from Iran as a standoff deepens over their return to the country’s nuclear facilities bombed by the United States and Israel.
The U.S. and Israel say Iran was enriching uranium to build nuclear weapons. Tehran insists its nuclear program is for peaceful purposes.
Israel launched its first military strikes on Iran’s nuclear sites in a 12-day war with the Islamic Republic three weeks ago. The International Atomic Energy Agency’s inspectors have not been able to inspect Iran’s facilities since then, even though IAEA chief Rafael Grossi has said that is his top priority.
Iran’s parliament has passed a law suspending cooperation with the IAEA until the safety of its nuclear facilities can be guaranteed. While the IAEA says Iran has not yet formally informed it of any suspension, it is unclear when the agency’s inspectors will be able to return to Iran.
Iran has accused the agency of effectively paving the way for the bombings by issuing a damning report on May 31 that led to a resolution by the IAEA’s 35-nation Board of Governors declaring Iran in breach of its non-proliferation obligations.
The US and Israeli military strikes either destroyed or badly damaged Iran’s three uranium enrichment sites. But it was less clear what has happened to much of Iran’s nine tons of enriched uranium, especially the more than 400 kg (880 pounds) enriched to up to 60% purity, a short step from weapons grade.
The post Trump Says Iran Has Not Agreed to Inspections, Give Up Enrichment first appeared on Algemeiner.com.