Features
Decision to invite former member of Nazi-aligned Ukrainian military unit to House of Commons raises questions about why he was allowed into Canada in the first place
By BERNIE BELLAN (Originally published Sept. 25 in The Jewish Post & News)
The storm that erupted over the revelation that a former member of a Ukrainian unit that fought with the Nazis during the Second World War was invited to attend the appearance by Ukrainian President Volodymyr Zelensky when he spoke to the House of Commons on Friday, September 22, has led to a whole series of questions:
- Who is Yaroslav Hunka, the 98-year-old Ukrainian-Canadian who received a standing ovation from members of all four parties in the House of Commons on Friday, September 22, when he was introduced by House of Commons Speaker Anthony Rota prior to Ukrainian President Volodymyr Zelensky’s speech in the House of Commons?
- What was the Wafen-SS Galicia Division (also known as the SS 14th Wafer Division)?
- How is it that many former members of the Wafen-SS Galicia Division were allowed entry into Canada following World War II?
- Why was there no vetting of Hunka by anyone prior to his having been invited to attend the House of Commons on September 22?
The fierce reaction from various Jewish Canadian groups, including the Friends of Simon Wiesenthal Centre for Holocaust Studies, B’nai Brith Canada, and the Centre for Israel and Jewish Affairs, was unrelentingly critical of the decision to invite Hunka to attend Zelensky’s appearance in the House of Commons.
Hunka’s past participation in the Wafen-SS Galicia Division was well known. As an article that appeared on Wikipedia on September 24 noted: “Yaroslav Hunka (Ukrainian: Ярослав Гунька; born c. 1925) is a veteran of the 14th Waffen Grenadier Division of the SS (1st Galician), a Nazi Germany military formation. Hunka was born in Urman, then in Poland, and volunteered for SS Galizien in 1943. He emigrated to Canada after the conclusion of World War II. In 2023, Hunka made international headlines after he received a standing ovation from the House of Commons of Canada, and was recognized by Canadian prime minister Justin Trudeau and Ukrainian president Volodymyr Zelenskyy. Later, it was revealed Hunka was affiliated with Nazis, and Canadian government officials apologized to the worldwide Jewish community. Hunka is retired and lives in North Bay, Ontario.
Biography
“Yaroslav Hunka was born in
“Yaroslav Hunka was born in Urman, Second Polish Republic (now Ukraine) c. 1925. In 1944, Hunka was deployed into combat against Red Army forces on the Eastern Front of World War II. Following the conclusion of World War II in Europe, Hunka immigrated to Canada and joined the Ukrainian-Canadian community.] As of 2022, Hunka lived in North Bay, Ontario, and travelled to Greater Sudbury to protest against that year’s Russian invasion of Ukraine.”
The question why so many former members of a Ukrainian military unit that fought for the Nazis were allowed into Canada following WWII is laced with controversy. A website that is very sympathetic to Russia lists a number of very serious allegations about Canadian complicity in allowing those individuals into the country:
“In the immediate postwar period, Canada’s then Liberal government, working in close cahoots with US and British intelligence, opened Canada’s doors to Ukrainian Nazi collaborators. These included members of the infamous 14th Grenadier Division of the Waffen SS, also known as the Galicia Division.
“The scale of the influx of Nazi collaborators only became public knowledge in the 1980s. A comprehensive study carried out by Alti Rodal on behalf of the federal government-appointed Deschênes Commission of Inquiry on War Criminals in Canada uncovered records proving that US intelligence agents in Europe had funneled Nazi collaborators from Eastern Europe through the Canadian immigration system using false papers. Rodal revealed that large numbers of identically typed applications were received by Canada’s immigration department from one address in West Germany. On closer inspection, this address turned out to be a US military base.
“The Progressive Conservative government of Brian Mulroney established the Deschênes Commission in 1985, in response to a mounting public outcry over exposures of Nazis and Nazi accomplices who had found a safe haven in Canada and tasked the inquiry with identifying Nazi war criminals residing in Canada.
“Around the same time, the Simon Wiesenthal Center estimated that upwards of 2,000 Nazis and Nazi collaborators emigrated to Canada in the years after the war. A quarter-century later, in 2011, it would give Canada an “F minus” in its annual report ranking countries on their efforts to prosecute war criminals. This placed Canada on a par with Ukraine and the former Baltic republics, i.e. countries where the right-wing, nationalist regimes that have emerged since the Stalinist bureaucracy’s dissolution of the Soviet Union openly venerate the ultranationalists who aligned with the Nazis when they invaded the USSR.
“War criminals in Canada
“A significant number of those who made their way to Canada were members of the Nazi SS’s Galicia Division, which was made up of Ukrainian nationalist volunteers who fought on the side of the Wehrmacht against the Red Army during the Nazis’ war of annihilation against the Soviet Union. This preplanned onslaught—launched in June 1941 when a 3 million-strong force comprised of German troops, their Axis allies and fascist volunteers invaded the Soviet Union—led to the deaths of 27 million Soviet citizens and the Holocaust.
“In waging war, suppressing the population, and pursuing the annihilation of the Jews, across Eastern Europe and above all in the USSR, Hitler’s Wehrmacht and SS shock troops relied on the loyal collaboration of ultraright-wing, anti-Semitic forces. Among the Ukrainian nationalists, in both occupied Poland and the USSR, the Nazis found eager collaborators. The Galicia Division was formed in 1943 out of a faction of the Stepan Bandera-led Organisation of Ukrainian Nationalists Bandera (OUN-B) and fought with the Nazis against the Red Army throughout 1944.
“Massacres perpetrated by the division against Polish and Jewish civilians have been well documented, including at Huta Pieniacka, Podkamien, and Palikrowy. At Podkamien, 100 Polish civilians were massacred in a hilltop monastery, and at least a further 500 in surrounding villages as the Red Army approached the German-occupied area in March 1944.
“Members of the Galicia Division were initially prohibited from entering Canada due to their membership in the SS. But in 1950, Britain made an appeal to the Commonwealth for volunteers to accept a total of 9,000 division members who were at that time residing in the UK after being disarmed by British troops at the war’s end.
“When Canada’s External Affairs Department, prompted by complaints from the Canadian Jewish Congress (CJC), raised concerns about the division’s ties to the Nazis and role in Nazi atrocities, the British government insisted that it had carried out background checks. “While in Italy these men were screened by Soviet and British missions and neither then nor subsequently has any evidence been brought to light which would suggest that any of them fought against the Western Allies or engaged in crimes against humanity,” claimed the British Foreign Office. “‘Their behaviour since they came to this country, added London, ‘has been good and they have never indicated in any way that they are infected with any trace of Nazi ideology.’
“With this letter serving as political cover, Prime Minister Louis St. Laurent and his cabinet declared that Galicia Division members would be permitted to immigrate to Canada unless it could be proved that they had personally committed atrocities against civilian populations based on ‘race, religion or national origins.’ Simply having been a Galicia Division member would not be considered a valid reason to prevent entry, even though after the war all Waffen-SS members had been deemed complicit in war crimes.
“The immigration of Nazi and Nazi-allied war criminals continued for more than a decade after the war and was a significant factor in Canada’s emergence during the Cold War as a political-ideological centre of far-right Ukrainian nationalism.
“Speaking to a CBS “60 Minutes” programme in 1997, Canadian historian Irving Abella, who is currently Professor for Canadian Jewish history at York University, bluntly summed up the political climate of the time. ‘One way of getting into postwar Canada,’ he said ‘was by showing the SS tattoo. This proved that you were an anti-Communist.’
“Ottawa carried out this policy in close collaboration with US authorities, who similarly permitted ex-Nazis to settle in the US and recruited hundreds to act as spies against the Soviet Union and the Soviet-allied regimes in Eastern Europe. According to investigative reporter Eric Lichtblau, up to 1,000 former Nazis were made use of by the CIA in Europe, within the US itself, the Middle East, and in Latin America.
Yet, other historians dispute the notion that Canada became a safe haven for Nazi and Nazi-allied war criminals. In a book titled , written by historian Howard Margolian, and reviewed by Urs Obrist in 2002, Obrist writes the following:
“Even though the debate on the admission of Nazi war criminals to Canada after World War II seemed to have reached its apex in the mid-1980s, with the investigation of the Jules Deschênes Commission and its inquiries on war criminals, the issue has continued to stir historical interest in the 1990s and beyond.[1] This recent publication by Howard Margolian, Unauthorized Entry, revises the widely held view that Canada has been a safe haven for Nazi war criminals. Margolian is a Canadian historian with a special interest in the history of World War II and Nazi-occupied Eastern Europe. As the author of Conduct Unbecoming, he has already shed light on the story of the murder of Canadian POWs in Normandy and the trial and fate of the SS-General Kurt Meyer.[2] In Unauthorized Entry, Margolian challenges and refutes accusations stating that the King and St. Laurent governments had been negligent in the admission of Nazi war criminals and collaborators to Canada.
“His study concludes that neither the immigration bureaucracy, nor the immigration lobby in Canada, nor the western intelligence community were as responsible for the influx of about 2000 war criminals and collaborators as has been generally assumed. Instead, he argues, the blame is to be put on the war criminals and collaborators who gained entry to Canada by forged identities or by giving false information about their wartime history. The great majority of Nazi war criminals and collaborators who settled in Canada after the Second World War were admitted not on purpose, but as a result of the absence of, or inaccessibility to, information about their wartime activities. Margolian summarizes that, in view of the benefit drawn from the immigration of the 1.5 million immigrants arriving in Canada between 1945 and 1955, it was worth taking the risk and admitting some 2000 war criminals to Canada.”
However, in his review of Margolin’s book Obrist notes that the Canadian government made exceptions for three categories of immigrants – who were not denied entry even if they might have had Nazi connections: “German scientists, Estonian refugees from Sweden and former members of the Ukrainian SS-Division ‘Galicia’.”
As for how the Speaker of the House of Commons could have completely overlooked Hunka’s past membership in a Nazi-affiliated unit during WWII, Rota released a statement late Sunday afternoon saying he recognized an individual in the gallery on Friday, and that he has “subsequently become aware of more information which causes me to regret my decision to do so.”
“I wish to make clear that no one, including fellow parliamentarians and the Ukraine delegation, was aware of my intention or of my remarks before I delivered them,” he wrote.
“I particularly want to extend my deepest apologies to Jewish communities in Canada and around the world.”
The statement does not make clear what Rota is apologizing for, and it does not name Hunka or give any details about what information Rota learned about him since Friday.
Features
So, what’s the deal with the honey scene in ‘Marty Supreme?’
By Olivia Haynie December 29, 2025 This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
There are a lot of jarring scenes in Marty Supreme, Josh Safdie’s movie about a young Jew in the 1950s willing to do anything to secure his spot in table tennis history. There’s the one where Marty (Timothée Chalamet) gets spanked with a ping-pong paddle; there’s the one where a gas station explodes. And the one where Marty, naked in a bathtub, falls through the floor of a cheap motel. But the one that everybody online seems to be talking about is a flashback of an Auschwitz story told by Marty’s friend and fellow ping-ponger Béla Kletzki (Géza Röhrig, best known for his role as a Sonderkommando in Son of Saul).
Kletzki tells the unsympathetic ink tycoon Milton Rockwell (Kevin O’Leary) about how the Nazis, impressed by his table tennis skills, spared his life and recruited him to disarm bombs. One day, while grappling with a bomb in the woods, Kletzki stumbled across a honeycomb. He smeared the honey across his body and returned to the camp, where he let his fellow prisoners lick it off his body. The scene is a sensory nightmare, primarily shot in close-ups of wet tongues licking sticky honey off Kletzki’s hairy body. For some, it was also … funny?
Many have reported that the scene has been triggering a lot of laughter in their theaters. My audience in Wilmington, North Carolina, certainly had a good chuckle — with the exception of my mother, who instantly started sobbing. I sat in stunned silence, unsure at first what to make of the sharp turn the film had suddenly taken. One post on X that got nearly 6,000 likes admonished Safdie for his “insane Holocaust joke.” Many users replied that the scene was in no way meant to be funny, with one even calling it “the most sincere scene in the whole movie.”
For me, the scene shows the sheer desperation of those in the concentration camps, as well as the self-sacrifice that was essential to survival. And yet many have interpreted it as merely shock humor.
Laughter could be understood as an inevitable reaction to discomfort and shock at a scene that feels so out of place in what has, up to that point, been a pretty comedic film. The story is sandwiched between Marty’s humorous attempts to embarrass Rockwell and seduce his wife. Viewers may have mistaken the scene as a joke since the film’s opening credits sequence of sperm swimming through fallopian tubes gives the impression you will be watching a comedy interspersed with some tense ping-pong playing.
The reaction could also be part of what some in the movie theater industry are calling the “laugh epidemic.” In The New York Times, Marie Solis explored the inappropriate laughter in movie theaters that seems to be increasingly common. The rise of meme culture and the dissolution of clear genres (Marty Supreme could be categorized as somewhere between drama and comedy), she writes, have primed audiences to laugh at moments that may not have been meant to be funny.
The audience’s inability to process the honey scene as sincere may also be a sign of a society that has become more disconnected from the traumas of the past. It would not be the first time that people, unable to comprehend the horrors of the Holocaust, have instead derided the tales of abuse as pure fiction. But Kletzki’s story is based on the real experiences of Alojzy Ehrlich, a ping-pong player imprisoned at Auschwitz. The scene is not supposed to be humorous trauma porn — Safdie has called it a “beautiful story” about the “camaraderie” found within the camps. It also serves as an important reminder of all that Marty is fighting for.
The events of the film take place only seven years after the Holocaust, and the macabre honey imagery encapsulates the dehumanization the Jews experienced. Marty is motivated not just by a desire to prove himself as an athlete and rise above what his uncle and mother expect of him, but above what the world expects of him as a Jew. His drive to reclaim Jewish pride is further underscored when he brings back a piece of an Egyptian pyramid to his mother, telling her, “We built this.”
Without understanding this background, the honey scene will come off as out of place and ridiculous. And the lengths Marty is willing to go to to make something of himself cannot be fully appreciated. The film’s description on the review-app Letterboxd says Marty Supreme is about one man who “goes to hell and back in pursuit of greatness.” But behind Marty is the story of a whole people who have gone through hell; they too are trying to find their way back.
Olivia Haynie is an editorial fellow at the Forward.
This story was originally published on the Forward.
Features
Paghahambing ng One-on-One Matches at Multiplayer Challenges sa Pusoy in English
Ang Pusoy, na kilala din bilang Chinese Poker, ay patuloy na sumisikat sa buong mundo, kumukuha ng interes ng mga manlalaro mula sa iba’t ibang bansa. Ang mga online platforms ay nagpapadali sa pag-access nito. Ang online version nito ay lubos na nagpasigla ng interes sa mga baguhan at casual players, na nagdulot ng diskusyon kung alin ang mas madali: ang paglalaro ng Pusoy one-on-one o sa multiplayer settings.
Habang nailipat sa digital platforms ang Pusoy, napakahalaga na maunawaan ang mga format nito upang mapahusay ang karanasan sa laro. Malaking epekto ang bilang ng mga kalaban pagdating sa istilo ng laro, antas ng kahirapan, at ang ganap na gameplay dynamics. Ang mga platforms tulad ng GameZone ay nagbibigay ng angkop na espasyo para sa mga manlalaro na masubukan ang parehong one-on-one at multiplayer Pusoy, na akma para sa iba’t ibang klase ng players depende sa kanilang kasanayan at kagustuhan.
Mga Bentahe ng One-on-One Pusoy
Simpleng Gameplay
Sa one-on-one Pusoy in English, dalawa lang ang naglalaban—isang manlalaro at isang kalaban. Dahil dito, mas madali ang bawat laban. Ang pokus ng mga manlalaro ay nakatuon lamang sa kanilang sariling 13 cards at sa mga galaw ng kalaban, kaya’t nababawasan ang pagiging komplikado.
Para sa mga baguhan, ideal ang one-on-one matches upang:
- Sanayin ang tamang pagsasaayos ng cards.
- Matutunan ang tamang ranggo ng bawat kamay.
- Magsanay na maiwasan ang mag-foul sa laro.
Ang simpleng gameplay ay nagbibigay ng matibay na pundasyon para sa mas kumplikadong karanasan sa multiplayer matches.
Mga Estratehiya mula sa Pagmamasid
Sa one-on-one matches, mas madaling maunawaan ang istilo ng kalaban dahil limitado lamang ang galaw na kailangan sundan. Maaari mong obserbahan ang mga sumusunod na patterns:
- Konserbatibong pagkakaayos o agresibong strategy.
- Madalas na pagkakamali o overconfidence.
- Labis na pagtuon sa isang grupo ng cards.
Dahil dito, nagkakaroon ng pagkakataon ang mga manlalaro na isaayos ang kanilang estratehiya upang mas epektibong maka-responde sa galaw ng kalaban, partikular kung maglalaro sa competitive platforms tulad ng GameZone.
Mas Mababang Pressure
Dahil one-on-one lamang ang laban, mababawasan ang mental at emotional stress. Walang ibang kalaban na makaka-distract, na nagbibigay ng pagkakataon para sa mga baguhan na matuto nang walang matinding parusa sa kanilang mga pagkakamali. Nagiging stepping stone ito patungo sa mas dynamic na multiplayer matches.
Ang Hamon ng Multiplayer Pusoy
Mas Komplikado at Mas Malalim na Gameplay
Sa Multiplayer Pusoy, madaragdagan ang bilang ng kalaban, kaya mas nagiging komplikado ang laro. Kailangan kalkulahin ng bawat manlalaro ang galaw ng maraming tao at ang pagkakaayos nila ng cards.
Ang ilang hamon ng multiplayer ay:
- Pagbabalanse ng lakas ng cards sa tatlong grupo.
- Pag-iwas sa labis na peligro habang nagiging kompetitibo.
- Pagtatagumpayan ang lahat ng kalaban nang sabay-sabay.
Ang ganitong klase ng gameplay ay nangangailangan ng maingat na pagpaplano, prediksyon, at strategic na pasensiya.
Mas Malakas na Mental Pressure
Mas mataas ang psychological demand sa multiplayer, dahil mabilis ang galawan at mas mahirap manatiling kalmado sa gitna ng mas maraming kalaban. Kabilang dito ang:
- Bilisan ang pagdedesisyon kahit under pressure.
- Paano mananatiling focused sa gitna ng mga distractions.
- Pagkakaroon ng emosyonal na kontrol matapos ang sunod-sunod na talo.
Mas exciting ito para sa mga manlalarong gusto ng matinding hamon at pagmamalasakit sa estratehiya.
GameZone: Ang Bagong Tahanan ng Modern Pusoy
Ang GameZone online ay isang kahanga-hangang platform para sa mga naglalaro ng Pusoy in English. Nagbibigay ito ng opsyon para sa parehong one-on-one at multiplayer matches, akma para sa kahit anong antas ng kasanayan.
Mga feature ng GameZone:
- Madaling English interface para sa user-friendly na gameplay.
- Real-player matches imbes na kalaban ay bots.
- Mga tool para sa responsible play, tulad ng time reminder at spending limits.
Pagtatagal ng Pamanang Pusoy
Ang Pusoy card game in English ay nagpalawak ng abot nito sa mas maraming players mula sa iba’t ibang bahagi ng mundo habang pinapanatili ang tradisyunal nitong charm. Sa pamamagitan ng mga modernong platform tulad ng GameZone, mananatiling buhay at progresibo ang Pusoy, nakakabighani pa rin sa lahat ng antas ng manlalaro—mula sa casual enjoyment hanggang sa competitive challenges.
Mula sa maingat na pag-aayos ng mga cards hanggang sa pag-master ng estratehiya, ang Pusoy ay isang laro na nananatiling relevant habang ipinapakita ang masalimuot nitong gameplay dynamics na puno ng kultura at inobasyon.
Features
Rob Reiner asked the big questions. His death leaves us searching for answers.
Can men and women just be friends? Can you be in the revenge business too long? Why don’t you just make 10 louder and have that be the top number on your amp?
All are questions Rob Reiner sought to answer. In the wake of his and his wife’s unexpected deaths, which are being investigated as homicides, it’s hard not to reel with questions of our own: How could someone so beloved come to such a senseless end? How can we account for such a staggering loss to the culture when it came so prematurely? How can we juggle that grief and our horror over the violent murder of Jews at an Australian beach, gathered to celebrate the first night of Hanukkah, and still light candles of our own?
The act of asking may be a way forward, just as Rob Reiner first emerged from sitcom stardom by making inquiries.
In This is Spinal Tap, his first feature, he played the role of Marty DiBergi, the in-universe director of the documentary about the misbegotten 1982 U.S. concert tour of the eponymous metal band. He was, in a sense, culminating the work of his father, Carl Reiner, who launched a classic comedy record as the interviewer of Mel Brooks’ 2,000 Year Old Man. DiBergi as played by Reiner was a reverential interlocutor — one might say a fanboy — but he did take time to query Nigel Tufnell as to why his amp went to 11. And, quoting a bad review, he asked “What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?”
But Reiner had larger questions to mull over. And in this capacity — not just his iconic scene at Katz’s Deli in When Harry Met Sally or the goblin Yiddishkeit of Miracle Max in The Princess Bride — he was a fundamentally Jewish director.
Stand By Me is a poignant meditation on death through the eyes of childhood — it asks what we remember and how those early experiences shape us. The Princess Bride is a storybook consideration of love — it wonders at the price of seeking or avenging it at all costs. A Few Good Men is a trenchant, cynical-for-Aaron Sorkin, inquest of abuse in the military — how can it happen in an atmosphere of discipline.
In his public life, Reiner was an activist. He asked how he could end cigarette smoking. He asked why gay couples couldn’t marry like straight ones. He asked what Russia may have had on President Trump. This fall, with the FCC’s crackdown on Jimmy Kimmel, he asked if he would soon be censored. He led with the Jewish question of how the world might be repaired.
Guttingly, in perhaps his most personal project, 2015’s Being Charlie, co-written by his son Nick he wondered how a parent can help a child struggling with addiction. (Nick was questioned by the LAPD concerning his parents’ deaths and was placed under arrest.)
Related
None of the questions had pat answers. Taken together, there’s scarcely a part of life that Reiner’s filmography overlooked, including the best way to end it, in 2007’s The Bucket List.
Judging by the longevity of his parents, both of whom lived into their 90s, it’s entirely possible Reiner had much more to ask of the world. That we won’t get to see another film by him, or spot him on the news weighing in on the latest democratic aberration, is hard to swallow.
Yet there is some small comfort in the note Reiner went out on. In October, he unveiled Spinal Tap II: The Beginning of the End, a valedictory moment in a long and celebrated career.
Reiner once again returned to the role of DiBergi. I saw a special prescreening with a live Q&A after the film. It was the day Charlie Kirk was assassinated. I half-expected Reiner to break character and address political violence — his previous film, God & Country, was a documentary on Christian Nationalism.
But Reiner never showed up — only Marty DiBergi, sitting with Nigel Tuffnell (Christopher Guest), David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) at Grauman’s Chinese Theater in Los Angeles. The interview was broadcast to theaters across the country, with viewer-submitted questions like “What, in fact, did the glove from Smell the Glove smell like?” (Minty.) And “Who was the inspiration for ‘Big Bottom?’” (Della Reese.)
Related
- Actor-Director Rob Reiner dies at 78
- Carl Reiner On Judaism, Atheism And The ‘Monster’ In The White House
- Mandy Patinkin On His Favorite ‘Princess Bride’ Quote
DiBergi had one question for the audience: “How did you feel about the film?”
The applause was rapturous, but DiBergi still couldn’t get over Nigel Tuffnell’s Marshall amp, which now stretched beyond 11 and into infinity.
“How can that be?” he asked. “How can you go to infinity? How loud is that?”
There’s no limit, Tuffnell assured him. “Why should there be a limit?”
Reiner, an artist of boundless curiosity and humanity, was limitless. His remit was to reason why. He’ll be impossible to replace, but in asking difficult questions, we can honor him.
The post Rob Reiner asked the big questions. His death leaves us searching for answers. appeared first on The Forward.