Local News
Winnipeg Jewish Theatre to premiere first live show since February 2020

By BERNIE BELLAN Amidst all the plans that had either to be shelved or retooled as a result of Covid, perhaps no organization within our community has had to constantly rejig its plans more than the Winnipeg Jewish Theatre.
Beginning with the cancellation of a new play by Winnipeg’s own Daniel Thau Eleff, “Narrow Bridge”, which was scheduled to receive its world premiere on March 28, 2020, followed by a series of changes to the 2020-21 program, ultimately the WJT did find success going online with two separate productions this year: “Becoming Dr. Ruth” – in February, featuring a repeat of her award-winning role by Mariam Bernstein – and which was offered on demand to at-home audiences; and, more recently the free streaming online of “True Colours” in March.

While WJT Artistic Director Ari Weinberg was quite pleased with the reception that both those productions received from at-home audiences, he’s more than a little excited to once again being able to offer Winnipeg audiences live theatre, beginning August 26, with eight performances of a play that is particularly timely given the circumstances in which we’ve all found itself, titled “Dear Jack Dear Louise”.
Recently I had the chance to talk to Ari about this impending production which, by the way, features the youngest member of the immensely talented Frohlinger siblings, Becky Frohlinger (sister to Alexandra and Joey), along with another talented Winnipegger, Justin Stadnyk.
Following are excerpts from my conversation with Ari Weinberg:
JP&N: “When was the decision made to do a live show?”
Ari: “The plan was always to do a live show. Our plan all along was to do two digital shows, and then a live show – and this is it. We had hoped to do it in May, and then it got bumped. Then we were hoping for late June or early July, and then it got bumped. So this is actually the third time we planned to do it.”
JP&N: “What will the seating capacity be?”
Ari: “Eighty seats.”
JP&N: “How many performances will there be?”
Ari: “Eight performances. We usually do eight, but if it continues to sell as well as it has been we can add one or two shows.”
JP&N: “So tell me something about this show. I’ve never heard of it.”
Ari: “Well, the reason that almost no one has heard of it is that it actually premiered in December 2019, just before the start of Covid. We’re doing the Canadian premiere of it; it’s actually the second production of it anywhere in the world.
“Ken Ludwig is the playwright. He’s a master of comedy. He wrote ‘Lend Me a Tenor’ – a very funny farce. He wrote the book for ‘Crazy for You’, also a very funny musical.
“This is the story of his parents. All four of his grandparents met at a barbeque during the Second World War. One set had a single son, the other had a single daughter. The son was off being a doctor in the army and the daughter was off aspiring to be in musicals in New York City.
“So the grandparents thought: ‘We should get them to start writing to each other. So Jack picked up a pen and wrote to Louise and she responded, and they kept in touch throughout the war. They were supposed to meet, but various obstacles kept popping up, so they wrote letters to each other for four years and met at the end of the war – and got married, and had Ken and his brother.
“When they both passed away, he inherited the letters that they had written to each other, and he thought: ‘There’s a play here’, so it’s sort of an homage to his parents.”
JP&N: “You know, this reminds me of a play put on at the Fringe Festival a few years ago (2014, to be exact) by Susan Freedman, who was the daughter of the late Sam and Brownie Freedman. (The play was titled “Spilling Family Secrets”.) It was a one-woman show based on letters they had written to one another.”
Ari: “This one is quite hilarious, too, especially Louise. She’s quite a vivacious character who’s trying out for Broadway musicals. She’s excitable and she has all kinds of hilarious adventures that she relates to Jack throughout the play.”
JP&N: “It must involve more than reading letters.”
Ari: “No – and that’s why I planned it. It’s a perfect ‘social distancing’ play. The characters don’t even meet until the final moment of the play. They’re in their two separate worlds.
“This is actually a perfect show to do in a tent. He has his army tent and a little foot locker and she’s in a boarding house in New York City, but it’s the two of them in their separate worlds conversing with one another.”
JP&N: “Is there any singing, because I know that both Becky and Justin are very talented singers?”
Ari: “No – they’re both incredible singers, but there’s no singing in the play.”
JP&N: “So maybe we can ask them to stay after the play is over, pass a cup around, and ask them to sing for us.”
Ari: “Yah, we’ll ask them to take requests.” (Ed. note: This is all tongue in cheek, in case you think this is meant to be taken seriously.)
JP&N: “Let’s talk a little about Becky (Frohlinger) and Justin (Stadnyk). I know Becky very well and I also know Justin from a show that he was in with my son at Rainbow Stage” (which also included Alexandra and Joey Frohlinger, but not Becky, who was too young to appear on Rainbow Stage at that time).
Ari: “This is actually their fifth show together. It feels like a homecoming in many ways. It’s great to have Becky back in Winnipeg.” (Ed. note: When we last mentioned Becky in a column it was in August 2016, when Becky was appearing in a production of ‘Shrek the Musical’ at Rainbow Stage. Becky was already a seasoned performer by then, also having just graduated with a Bachelor of Fine Arts in Musical Theatre from Elon College in North Carolina.)
JP&N: “We’ve been following the careers of all three talented Frohlinger siblings for years.”
Ari: “I know, I’ve been hearing lots of anecdotes about the Frohlingers.”
(A perusal of Justin Stadnyk’s website reveals that he was born in 1985 and has been performing in the musical theatre world for years. Justin is also a dedicated yoga practitioner and teacher.)
“Something that might interest you is that Justin and I were in the same class together at Sheridan College.
“Justin became a dad during the pandemic and this is his first show back. This show is a labour of love for the both of them – as well as the Winnipeg Jewish Theatre.”
JP&N: “Okay, so how long does the show run?”
Ari: “It’s 90 minutes – without an intermission.”
JP&N: “It’s under a canopy, is it?”
Ari: “Yes, it’s under a tent. Three of the sides are open. We’ve got good air flow.”
JP&N: “Are you encouraging people to wear masks?”
Ari: “Masks are strongly recommended.”
JP&N: “Do you have to present a proof of vaccination to enter?”
Ari: “No, we checked with the province, and because we’re outdoors and because there’s good air flow, and because we’re under 100 people, and because people are socially distanced in the seats – seats are either in pairs or singles – vaccination is not mandatory. We’re assuming that the majority of our audience is vaccinated, but that’s why masks are strongly recommended.”
JP&N: “Let’s talk a little about the two shows you did online this year. I know the Dr. Ruth show did quite well.”
Ari: “Yes, it was a great success for us. We had lots of people watch it – and it was watched all over the world.
“Then we did our production of ‘True Colours’ – and it’s currently part of the Stratford Festival streaming platform.”
JP&N: “I was going to ask you about Daniel Thau-Eleff and the lousy luck he’s had. His play (‘Narrow Bridge’) has been canceled twice now, hasn’t it?”
Ari: “We have a plan to do one digital production in the fall, then two live productions, both Canadian premieres. One is a production we’re hoping to do live and in person in February, and the other in a tent again next summer. It’s a musical that we’re hoping to do live at the campus.
“Then, the following year, we’re hoping we’ll be fully back in the season, and that’s when we’re hoping ‘Narrow Bridge’ will make it to the stage.”
JP&N: “So that’ll be 2022-23 – right?”
Ari: “Yes.”
JP&N: “It’s becoming ‘A Bridge Too Far’ by now.”
Ari: “Yes, a very long, narrow bridge.”
JP&N: “Coincidentally, I’m going to be running a story this issue about the Jewish Foundation and how they came through for so many Jewish organizations during the pandemic, including Winnipeg Jewish Theatre. I don’t know if you had been able to carry on without that funding.”
Ari: “A hundred per cent. They and the Winnipeg Foundation have been great foundations of support for us.”
JP&N: “Anything else you want to say, Ari?”
Ari: “Just that we’ve already sold 50% of the available tickets (as of August 12), so this is not a show where you should sit back and think about whether you want to buy tickets. This is definitely a case where you should pick up the phone and call or get to a computer and go online and book.”
Local News
UNVEILING for the headstone of Dr. Velimir Kon (Sept. 18, 1950-June 27, 2025)
A true mensch and person of many talents and profoundness, Dr. Velimir (Shlomo) Kon is deeply missed and loved by his family and friends.
Known for his warmth, kindness, integrity and love of learning and teaching, Velimir continues to inspire all who knew him and his memory warms our hearts and souls. Velimir is deeply missed.
You are invited to helps us remember and honour our beloved husband and father who passed away almost a year ago.
We, Branka, Deborah and Lea Kon, wish to inform our relatives and friends of the unveiling of a headstone dedicated to his loving memory on FRIDAY, JUNE 26, 2026 at 11:00am at the HEBREW SICK CEMETERY (2605 McPhillips Street) followed by lunch at the Chabad Lubavitch of Winnipeg – Jewish Learning Centre (1845 Mathers Avenue). Please come say a l’chaim in his honour.
In Memoriam
1st Yahrzeit
In loving memory of Dr. Velimir (Shlomo) Kon who passed away June 27, 2025, 12 Days in Tammuz.
⁃ Forever and deeply loved and missed by his wife of over 50 years, Branka, and daughters Deborah and Lea Kon. Velimir brought joy to our lives with his boundless kindness and gentleness, irrepressible humour, great intellect and love of people, tikun olam and Judaism.
Not a day goes by that we do not mention Velimir and feel his presence with us. Our lives are not the same without him and we deeply miss and cherish him. We can never forget his presence that was larger than life, yet also his humility and thoughtfulness.
A gentleman to the very core, Velimir was respected as a scientist, academic, professor, researcher, and later as a teacher and mentor. He always endeavoured to make every place he worked and lived at better and was able to bridge many cultures. He was Abraham of his generation and made many personal sacrifices; giving up status, position and privilege in order for his family to have a better and peaceful future.
May his memory always be a blessing. He left us at only 74 years young and we wish we had had more time together. Indeed, to know him was to love him.
Local News
Younger Jewish talents continue to shine in their respective categories at annual Winnipeg Music Festival
By MYRON LOVE A number of younger members of our community were repeat stars at the most recent (108th annual) Winnipeg Music Festival – which takes place annually in March. Among the repeat Jewish singers and musicians in the ranks of high achievers this year were” Yale Rayburn-Vander Hout, Gregory Hyman, Alex Schaeffer, Juliet Eskin, Noah Kravetsky, and Lyla Chisick.

Vocalist Yale Rayburn-Vander Hout, the oldest of this year’s group of Jewish repeat winners, was competing in his fifth straight festival, where he continued to build on his accomplishments in previous festivals. This year, the 20-year-old son of Samantha and Peter finished first in two musical theatre categories – songs from musical theatre productions between 1965 and 1999, and shows from the past 26 years. Yale sang “I’m Allergic to Cats,” from the 2016 musical “The Theory of Relativity,” and “Suppertime,” from the 1967 musical, “You’re a Good man, Charlie Brown.”
The former Gray Academy student is currently enrolled at the University of Manitoba’s Desautels Faculty of Music in the Choral program. Yale says that he is hoping to get into the performance track in the fall with the goal of earning a degree in Classical Voice Performance en route to pursuing a career in musical theatre.

As reported previously, Gregory Hyman is a multi-faceted artist who can do it all. The 18-year-old son of Hartley and Rishona Hyman is a singer/songwriter/musician (guitar) who records and performs under the stage name, GMH. His versatility shone through once again in his eighth Music Festival, in which he registered first-place finishes for vocal performances in both “Popular and Contemporary Music” and “TV and Movie Music “categories.
Gregory notes that he was also recommended to compete in the provincial finals in June. The St. John’s-Ravenscourt student (and soon-to be) graduate continues to be busy on stage. In January, he headlined a sold out solo show at Sidestage on Osborne featuring some of his new material. In March, he released an album of his newest songs. Readers can check out his latest compositions on any of the music streaming platforms as well as his own social media (thegmh) on Instagram.
Gregory also continues to host his own podcast: “Talk and Rock with GMH – now in its fifth season – in which he interviews various people in the music business across Canada.
While Gregory says that a musical career is his “dream,” he reports that he is hedging his bets and considering different potential career opportunities. Come September, he will be enrolled at the University of Manitoba in a University One program, which will allow him to select from a variety of courses that can count toward a degree.

Sixteen-year-old Alex Schaeffer won first place this year in the “Musicals Prior to 1965, 16 Years and Under” category with “Try Me” from “She Loves Me,” and was runner-up in the “Musicals 1965 to 1999, 16 Years and Under” category with “On My Own,” from “Les Misérables.” For the son of Marc Schaeffer and Kae Sasaki, this was his fifth year competing in the festival.
The Grant Park High School student made his big stage debut three years ago as Kurt von Trapp in “The Sound of Music,” followed by playing Michael Hobbs in “Elf the Musical” this past winter at the Royal MTC.
Alex recently performed in Grant Park High School’s production of “Something Rotten!” This summer Schaeffer can be seen again at the Winnipeg Fringe Festival, where he will be appearing in a production staged by Rem Lezar Theatre.
Rounding out the voice winners is Lyla Chisick. The daughter of Daniel and Baillee was competing in her second music festival. This year, she scored Gold performances in the “Vocal Solo,” “Manitoba Composers,” and “TV/Movie Musical, 12 and under” categories.
Lyla reports that she began taking voice lessons from Jessica Kos-Whicher three years ago. She says she regularly takes part in the Shaarey Zedek Synagogue Family Service and has sung at several community events. Lyla adds that she is already looking forward to next year’s music festival.

Nate Kravetsky and Juliet Eskin competed in the festival as musicians rather than singers. Juliet, 16, plays the viola, and is also is the violist in the Assiniboine String Quartet. In this, her fifth go-round at the festival, Juliet, the daughter of the musically talented Kelly Robinon and Josh Eskin, had first place finishes in the “Viola Solo, level 8,” “Baroque or Classical Concerto,” and “Romantic Composers” categories.

Juliet originally took up the violin – adding the viola a couple of years after. She also just finished performing in the Grant Park High School production of “Something Rotten!”
Nate Kravetsky is currently in Grade 5 level piano. He studies with Erica Schultz and has been taking lessons from her since age 5.
Nate competed in three categories at the Winnipeg music festival: “Baroque,” “Sonata,” and “Contemporary/own choice.”
His own choice selection was the theme from his favourite video game, “Hollow Knight.”
Nate, who is in Grade 7 at Gray Academy, is also preoccupied preparing for his upcoming bar mitzvah.
We look forward to the continued musical success off Yale, Gregory, Alex, Nate, Juliet and Lyla, and what new talent may be unveiled at next year’s Winnipeg Music festival.
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Local News
Jewish Heritage Centre of Western Canada’s Archivist and Curator Stan Carbone retires
By MYRON LOVE Stan Carbone, a long-time friend of our Jewish community and fixture at the Jewish Heritage Centre of Western Canada (JHCWC) for the past 25 years, retired last week. His last day of work was May 13.
Most recently, he was the JHCWC’s Director of Programs and Exhibits.
“For the past 25 years, the Jewish Heritage Centre of Western Canada has been an integral part of my life,” Carbone said. “I have made a lot of friends in the Jewish community, and I hope to maintain those friendships.”
Carbone’s own history reflects the immigrant experience. He arrived in Canada in 1960 as a three-year-old with his mother and sister, from San Giovanni in Fiore, Calabria in southern Italy. His father had come a few months earlier. Initially, the family settled in Fort Rouge which, at that time, had a substantial Italian community. Within a couple of years, they had relocated to East Kildonan to be closer to where his father’s two sisters and their families lived.
He earned a BA Double Honours in History and Political Studies at the University of Winnipeg, followed by an MA in History at the University of Manitoba, from where he graduated in 1981.
In 1993, he was hired at the Manitoba Museum of Man and Nature (as it was then called) as Curator of Multicultural Studies.
“I always enjoyed doing research,” he said.
His first project for the JHCWC came in 2000, the year after the organization was formed through the amalgamation of the Jewish Historical Society, the Ed and Marion Vickar Jewish Museum of Western Canada and the Freeman Family Foundation Holocaust Education Centre.
Marim Zipursky had approached the Manitoba Museum of Man and Nature looking for a curator to organize a JHCWC exhibit featuring Jewish music and musicians in Winnipeg,” Carbone recalled. “I didn’t know much about Jewish music and musicians, but I was familiar with the Jewish Historical Society – which preceded the JHCWC. I was really impressed by its extensive archives, and I was intrigued by the Jewish community’s history and the wide range of subject materials in the archives.”
The next year, when a position opened at the JHCWC, Carbone applied.
“I have been here ever since,” he said.
Over the past quarter century, Carbone has been involved in bringing to fruition several interesting exhibits. He mentions the synagogues display, a history of the YMHA, and the current exhibit highlighting the important role of women’s organizations. The exhibit that was closest to his heart though was “A Stitch in Time,” a look at how Jews contributed to the development of the garment trade in Winnipeg. Both of his parents worked in the garment industry.
The exhibits though are just one facet of the JHCWC’s focus, Carbone noted. He mentioned how the organization contributed to the publication of Allan Levine’s “Coming of Age: A History of the Jewish People of Manitoba.”
There have also been several compilations over the years of talks that the JHCWC has organized. These are known as the “Jewish Life and Times,” consisting to date of ten volumes.
Carbone further pointed out the organization’s commitment to Holocaust education and the numerous initiatives that have brought that subject to greater public attention.
The organization’s genealogical component, he reported, draws numerous queries from people all over the world.
One particularly interesting project that Carbone spoke about is an ongoing cooperative partnership with Gray Academy. For the past 10 years, the JHCWC has been loaning photos from the archives to the school’s art program, allowing the students to make drawings based on the photos.
“It has been a wonderful program which has given the students a better understanding of local Jewish history,” he said.
“During my time here, we have worked with numerous Jewish and non-Jewish organizations,” Carbone added. “It helps to build bridges between the Jewish and other communities.”
In retirement, Carbone is looking forward to doing more travelling with Anna, his wife of 40 years. They were scheduled to leave for southern Italy on May 16.
He will also continue to be busy in his role as Italy’s vice-consul here, helping fellow Italians and others in Winnipeg.
And he is excited about having more time to spend on his own genealogical and historical research. He has already published two books: “Italians in Winnipeg: an Illustrated History,” and “The Streets Were Not Paved With Gold: A Social History of Italians in Winnipeg”.
A future project which he is seriously considering is a study of the history of Jewish life in Calabria.
He is also working on a family tree.
“I may be retired,” he said, “but I will still be available from time to time to help out if needed.”
