Local News
Tarbut to present film about what it means to be Jewish in Winnipeg
By BERNIE BELLAN In the October 27 issue of the JP&N, within our preview of Tarbut, we had a blurb about a film that will be shown Sunday evening, November 14, at 7:30 pm in the Berney Theatre.
Here is what the blurb said:
“Ma Nishma Manitoba”
Hot off a highly successful premiere at Gimli Film Festival 2021 – this, playful, funny, and evocative documentary by two local Jewish filmmakers explores the history of Jews in Winnipeg –
the complex, diverse, and dynamic experience of the current Jewish community and what exactly it means to be ‘Jewish enough’.
Through interviews with a Rabbi, a politician, a musician, a student, and others; combined with joyful graphics, archival footage, and animation; the film explores questions of identity, spirituality, family, inclusivity, creativity, and a range of perspectives on Israel.
Q & A following the film with the filmmakers Sara Bulloch and Johanna Reimer – Henteleff
We had the opportunity to view the film prior to Tarbut. It was interesting seeing a film about what it means to be Jewish in Winnipeg in 2021 presented from the perspectives of various individuals, each of whom had quite a different contribution to make.
I asked the two women filmmakers to give me some information about their backgrounds. Here is what they wrote me:
From Johanna Reimer-Henteleff: “I started making films with my friends in late high school, which ended up being really fun and I wanted to pursue it further! So, I attended OCADU in Toronto and during my time there I mainly focused on video art, installations, and documentary filmmaking. Since I’ve been back in Winnipeg my main focus has been freelance videography and production assistance. I’ve also gotten more into animation and illustration work since working on Ma Nishma, which has been super cool to experiment with, and I’m hoping to work on more independent film projects in the future! “
From Sara Bulloch: “I have a Bachelor of Commerce from the University of Manitoba, and a Creative Communications diploma majoring in media production with Red River College. Have also taken several workshops related to film production here and there. Lot of my filmmaking skills are self taught though. I currently work as an editor with Farpoint Films, while also working on independent film projects.”
Using some fast paced editing techniques that kept the film from turning into a series of long excerpts from different interviews – which would have bogged the film down (as so many documentaries used to do until such well known filmmakers as Ken Burns and Michael Moore radically changed documentary filmmaking), Ma Nishma Manitoba is quite delightful – but not without its share of controversy.
One of the subjects in the film, Lasha Mowchun, is someone about whom I wrote back in 2016 when I encountered her outside the Negev Gala that year when she part of a group protesting the Jewish National Fund. Having Lasha offer her rather critical views on Israel during this film is something that may offend some members of our community, but I applaud Sara and Joahnna for wanting to show viewers of the film different facets of the community.
What the film also does quite nicely is explore the family histories of the film’s subjects, using old photographs and some excellent archival footage. Historian Dan Stone gives a good overview of how Eastern European Jews ended up coming to Winnipeg in droves, while Rabbi Allan Finkel delves into his own family’s history, including his mother’s experience during the Holocaust. As well, Allan explains how his own departure from Judaism, followed by a more recent reawakening, is something that resonates with many Winnipeg Jews.
Also interviewed in the film is Yude Hentelef. Having representatives of different generations talk about their respective understandings of what it means to be Jewish in Winnipeg certainly lends a proper balance to the film.
I have to admit though that I was rather surprised to see how much time is devoted to interviewing Leah Gazan, who is the NDP Member of Parliament for Winnipeg Centre. I’ve written about Leah several times myself, but each time I was careful to point out that, although Leah had a Jewish father, her mother was Lacotah-Chinese, and Leah identifies as an Indigenous woman.
In fact, this film would fit in well with the ongoing discussion we’ve had within the pages of this newspaper about how difficult it is to establish a clear Jewish identity for so many individuals nowadays. A good portion of the film deals with questions about what are the essential characteristics of Jewish identity – especially for young people.
And, of course, what would a film about Jewish identity be without a healthy portion devoted to a discussion of the pivotal role that food plays in so much of Jewish life? Ma Nishma Manitoba certainly does that, yet it’s hard to accept that Jewish identity can be preserved if its principal characteristics are certain foods, having a sense of humor, and believing in “tikkun olam”.
Still, with its clever use of graphics and lighthearted approach to much of its subject matter, Ma Nishma Manitoba is thoroughly enjoyable – and enlightening.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
