Local News
Tarbut to present film about what it means to be Jewish in Winnipeg
By BERNIE BELLAN In the October 27 issue of the JP&N, within our preview of Tarbut, we had a blurb about a film that will be shown Sunday evening, November 14, at 7:30 pm in the Berney Theatre.
Here is what the blurb said:
“Ma Nishma Manitoba”
Hot off a highly successful premiere at Gimli Film Festival 2021 – this, playful, funny, and evocative documentary by two local Jewish filmmakers explores the history of Jews in Winnipeg –
the complex, diverse, and dynamic experience of the current Jewish community and what exactly it means to be ‘Jewish enough’.
Through interviews with a Rabbi, a politician, a musician, a student, and others; combined with joyful graphics, archival footage, and animation; the film explores questions of identity, spirituality, family, inclusivity, creativity, and a range of perspectives on Israel.
Q & A following the film with the filmmakers Sara Bulloch and Johanna Reimer – Henteleff
We had the opportunity to view the film prior to Tarbut. It was interesting seeing a film about what it means to be Jewish in Winnipeg in 2021 presented from the perspectives of various individuals, each of whom had quite a different contribution to make.
I asked the two women filmmakers to give me some information about their backgrounds. Here is what they wrote me:
From Johanna Reimer-Henteleff: “I started making films with my friends in late high school, which ended up being really fun and I wanted to pursue it further! So, I attended OCADU in Toronto and during my time there I mainly focused on video art, installations, and documentary filmmaking. Since I’ve been back in Winnipeg my main focus has been freelance videography and production assistance. I’ve also gotten more into animation and illustration work since working on Ma Nishma, which has been super cool to experiment with, and I’m hoping to work on more independent film projects in the future! “
From Sara Bulloch: “I have a Bachelor of Commerce from the University of Manitoba, and a Creative Communications diploma majoring in media production with Red River College. Have also taken several workshops related to film production here and there. Lot of my filmmaking skills are self taught though. I currently work as an editor with Farpoint Films, while also working on independent film projects.”
Using some fast paced editing techniques that kept the film from turning into a series of long excerpts from different interviews – which would have bogged the film down (as so many documentaries used to do until such well known filmmakers as Ken Burns and Michael Moore radically changed documentary filmmaking), Ma Nishma Manitoba is quite delightful – but not without its share of controversy.
One of the subjects in the film, Lasha Mowchun, is someone about whom I wrote back in 2016 when I encountered her outside the Negev Gala that year when she part of a group protesting the Jewish National Fund. Having Lasha offer her rather critical views on Israel during this film is something that may offend some members of our community, but I applaud Sara and Joahnna for wanting to show viewers of the film different facets of the community.
What the film also does quite nicely is explore the family histories of the film’s subjects, using old photographs and some excellent archival footage. Historian Dan Stone gives a good overview of how Eastern European Jews ended up coming to Winnipeg in droves, while Rabbi Allan Finkel delves into his own family’s history, including his mother’s experience during the Holocaust. As well, Allan explains how his own departure from Judaism, followed by a more recent reawakening, is something that resonates with many Winnipeg Jews.
Also interviewed in the film is Yude Hentelef. Having representatives of different generations talk about their respective understandings of what it means to be Jewish in Winnipeg certainly lends a proper balance to the film.
I have to admit though that I was rather surprised to see how much time is devoted to interviewing Leah Gazan, who is the NDP Member of Parliament for Winnipeg Centre. I’ve written about Leah several times myself, but each time I was careful to point out that, although Leah had a Jewish father, her mother was Lacotah-Chinese, and Leah identifies as an Indigenous woman.
In fact, this film would fit in well with the ongoing discussion we’ve had within the pages of this newspaper about how difficult it is to establish a clear Jewish identity for so many individuals nowadays. A good portion of the film deals with questions about what are the essential characteristics of Jewish identity – especially for young people.
And, of course, what would a film about Jewish identity be without a healthy portion devoted to a discussion of the pivotal role that food plays in so much of Jewish life? Ma Nishma Manitoba certainly does that, yet it’s hard to accept that Jewish identity can be preserved if its principal characteristics are certain foods, having a sense of humor, and believing in “tikkun olam”.
Still, with its clever use of graphics and lighthearted approach to much of its subject matter, Ma Nishma Manitoba is thoroughly enjoyable – and enlightening.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
Local News
Bark Mitzvah at the Simkin Centre August 13, 2026
By BERNIE BELLAN On a beautiful summer day at the Simkin Centre residents and family members – along with staff, were treated to a delightful “dog day afternoon” when scores of dogs were brought to the front courtyard outside the centre to celebrate what was titled a “Bark Mitzvah.”
Now, no dogs were called up to the podium to read from the Torah – or even to bark out a blessing, although as I canvassed many owners of dogs that were there – inquiring as to whether their dogs had received any special training for the day, I was pleased to hear that many dogs came from good “Jewish homes” and were good “Jewish” dogs. (I would suppose, in the case of our own dog that would mean that she’s been spoiled rotten.)
Some owners though maintained that their dogs had been brought up quite disciplined – although to be honest none of the dogs that I saw seemed to be be rigorously paying attention to any commands. Most were of the Goldedoodle, Yorkie variety. There was one rescue dog in the midst. It seemed quite confused, surrounded as it was by all those lap dogs.
The entire event was presided over – with great humour, but also a certain amount of seriousness, by Rabbi Matthew Leibl, who explained to the very large audience why having a special day celebrating dogs was entirely consistent with Jewish tradition.
Following is part of the transcription of an interview I conducted with Rabbi Lebil following his remarks explaining why he thought holding a “Bark Mitzvah” would be a good event to have. (You can watch the entire video at the end of this story. But where there was a great deal of laughter coming from people who were listening to my interview YouTube inserted the word “laughter” – which should give you an idea how fun an interview it was.)
As Rabbi Leibl explained to me, “I’ll tell you a serious story. When I was training – and I trained with Rabbi Annabal Mass… our teacher, Rabbi Steven Glade, encouraged everyone to consider a blessing of the animals ceremony because he said it’s a monster event. Just look around. It brought out so many people. It’s one of those events you can tie in loosely to a Jewish event – which it is. I mean we did it on Rosh Chodesh Elul- the new year of the animals and this whole idea it’s very similar to Tu B’Shvat- reimagining something old from Mishna to do it like this – but look at the attendance. I mean everyone wants to bring their dog and at a personal care home they say that music, babies, and dogs are the three biggest things that get through to everyone.”
I had to ask about kashrut, however (as I’ve been told repeatedly that kashrut is an essential element of the Simkin Centre – no matter how few residents may care about kashrut. Look – if I’m sent to cover something as frivolous as a “Bark Mitzvah” you can hardly expect me to refrain from going after my pet bugaboo at the Simkin Centre – and how ridiculous it is to require that the centre remain kosher when most of the residents could care less about kashrut), so I said to Rabbi Leibl: “No milk bones here, I hope. I expect that this is a strictly kosher event.”
His response: “I’m not sure. I wasn’t put in charge of that, so I can’t say. But no one’s going to be serving them any of the food that we eat. I can tell [laughter] you that.”
I said: “I’m not sure how to read that. [laughter].”
I asked whether there were Jewish dogs mixed in with non-Jewish dogs? (Dog assimilation is a serious issue.)
Rabbi Leibl replied: It’s inter denominational. [laughter] . I guess I don’t think we check to see if the dogs were uh circumcised. “
I asked: “Are we… [laughter] Are we mixing Jewish and non-Jewish dogs?”
Rabbi Leibl: “I don’t know that dogs have a faith. I’m not sure. I think they do. I think they’re of all faiths. ”
I asked: “Okay. And you know where bark mitzvahs originated?”
Rabbi Leibl: I’m sure it’s probably something silly.
Me: “It was gay guys in New York.”
Rabbi Leibl: ” Really?”
Me: ” Yes. Because they didn’t have kids. They started having bark mitzvahs.”
Rabbi Leibl: “That was probably more of an individual dog thing. This is a communal thing. It’s just a catchy title for publicity, Bernie. It’s the blessing of the animals. That’s the real thing.”
Me: “I was told that some of these dogs are on medication – as are many of the residents.”
Rabbi Leibl: “That’s low hanging fruit, Bellan. Low hanging fruit.”
Here’s the complete video of my interview:
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
