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With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut
I first began listening to Bob Dylan in earnest in early 1974, with the purchase of the contemporaneous album Planet Waves, a somewhat quiet, unassuming collection of deep, intimate songs – including the color-by-number anthem, “Forever Young” — recorded with The Band before they would go out on tour for the first time since Dylan’s premature retirement from the road in 1966 (the same year, incidentally, that the Beatles quit touring). Dylan’s return to touring after his eight-year layoff would pretty much continue for the rest of his career up to and including today.
I did not get to see Dylan in concert until fall 1978, missing two of his all-time greatest tours – his 1974 “comeback” tour with The Band, captured on the live album Before the Flood, and the following year’s “Rolling Thunder Revue,” the subject of several live concert albums, including 1976’s Hard Rain and the more recent The Rolling Thunder Revue: The 1975 Live Recordings, a sprawling, 14-CD box set, released in 2019. (There was also an official two-CD set in 2002, and many widely available bootleg recordings of the legendary tour, as well as a Dylan concert film, Renaldo and Clara, released in 1978, and Martin Scorsese’s 2019 “pseudo-documentary” about the tour.)
Alas, my introduction to live Dylan was during one of his most bizarre tours, launched in Japan in early 1978 and initially captured on the April 1979 American release of Bob Dylan at Budokan (originally intended as a Japan-only release in August 1978). The 1978 tour was controversial, which Dylan acknowledged right from the stage of the old Boston Garden where I first saw him, when, halfway through the show, he paused and said to the audience, “I hope you don’t think this is Las Vegas music, or disco music, because you know it’s not.”
Bob Dylan, circa 1963 Photo by Ralph Baxter
It was a direct answer to critics’ complaints about the song arrangements and the sound of the band, as well as the overall stage aesthetic, which to some mimicked the tackiness of concerts by Neil Diamond and the recently deceased Elvis Presley. (Some blame manager and concert promoter Jerry Weintraub — who worked with both Presley and Diamond, as well as with Frank Sinatra – for Dylan’s cheesy, lounge-lizard presentation.)
Dylan didn’t help his cause by introducing from the stage such well-known songs as “It’s Alright, Ma (I’m Only Bleeding),” or asking the audience, “Hey, what’s the name of this?” over the opening chords of “All Along Watchtower.” Doubters questioned the need for an eight-piece band (large for the time) and a trio of female backup singers. Some crueler critics even took to calling it the “Alimony Tour,” a nasty way of accusing Dylan of selling out in the wake of his divorce from his first wife, Sara.
Even though Dylan catered to the desires of audiences around the world to hear primarily his “greatest hits” — and this was one of the last tours on which he did so — he couched them in such weird arrangements that maybe he was justified in introducing them by name; otherwise, they may have remained unrecognizable to some. From where I sat in the cavernous, echoe-y Garden, it proved to be an inauspicious introduction to Bob Dylan, concert artist.
And now, 45 years later, Dylan’s label, Columbia Records, has seen fit to give the 1978 tour — as captured in those first two weeks in Japan — the full “Bootleg Series” treatment, with The Complete Budokan 1978, including two complete concerts at Tokyo’s Budokan, newly remixed and spread out over four CDs, featuring 36 previously unreleased performances. (The official release date is Friday, Nov. 17.)
Film still from 1966 European tour, by D. A. Pennebaker Courtesy of Bob Dylan Center
It is an album package for which Dylan fans — other than rabid completists (possibly including myself) — were not clamoring. This, rather than a more complete version of Before the Flood? This, rather than a live album from one of his two tours with Tom Petty and the Heartbreakers? This, rather than a live album — or many live albums — capturing the many ups (and downs) of Dylan’s so-called Never Ending Tour, which began in June 1988 and, depending on how you define it, could include concerts as recent as the one I saw a few weeks ago in Schenectady, N.Y.? (Dylan’s current tour is officially billed as the “Rough and Rowdy Ways” world tour, which began in 2021 and is expected to continue into 2024, and marks a rare step forward in truth in advertising, as about half the concert is devoted to songs from the album of the same name.)
Yet this time around, the concerts at Budokan (if not the 1978 tour, which evolved over the course of a year and 114 concerts in Asia, the South Pacific, Europe, and North America) are what we’ve got. And the new package is not without its merits. The remixed and remastered sound is brilliant (which may or may not be a positive, depending upon how you feel about that sound). The recording captures an unusually chatty frontman, by Dylan’s standards (he has been known to utter nary a word in concert for decades), one seemingly in a terrific mood and also one who is downright funny.
“This is an unrecorded song – see if you can guess which one it is,” he says to the audience before launching into “Is Your Love in Vain,” which would not be released until Street Legal came out four months later. The humor – some of it mocking and self-deprecating – that Dylan evinces even suggests that he was fully aware that he was presenting himself as something akin to a Las Vegas showman.
From Left: Rick Danko, Robbie Robertson, Bob Dylan, Richard Manuel, Garth Hudson and Levon Helm, 1974 Photo by Barry Feinstein
If so, it would not be the first time nor anywhere near the last time that Dylan was playing a character — no less a fictive version of Dylan than Renaldo in Renaldo and Clara nor Jack Fate in his 2003 film, the aptly-titled Masked and Anonymous. (There is a whole school of thought that “Bob Dylan” himself is a put-on, a fictional character invented by a savvy youngster from Hibbing, Minnesota, named Robert Allen Zimmerman.)
But the context of where he had been and, with the benefit of hindsight, where he was headed musically might be the strongest reason to spend time with these glitzy tracks and their unusual arrangements. The use of backup singers, especially ones whose vocals were stylized in gospel-like call-and-response, offered a hint that Dylan was beginning a journey that would see him explore different aspects of Black music in subsequent albums.
Steve Douglas’ dominant saxophone lends many of the numbers a jazzy, R&B feel. A few songs are recontextualized as reggae numbers. In the years immediately following the 1978 tour, Dylan would dive deep into gospel music on several albums, into Motown and R&B on 1981’s “Shot of Love,” and reggae on 1983’s Infidels, which even saw Dylan hire Robbie Shakespeare and Sly Dunbar, famed Jamaican reggae producers, to play bass and drums.
The new Budokan collection is not the only new Dylan product seeing release this season. Bob Dylan: Mixing Up the Medicine is a fabulous new doorstop of a book whose 610 pages serve as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, which opened in May 2022. The volume spans Dylan’s entire life and career, featuring over 1,100 images from the archives — everything from concert ticket stubs to handwritten lyric sheets to rarely seen backstage photographs — all duly captioned by editors Mark Davidson and Parker Fishel, both curators at the Dylan Center.
The book also does a terrific job of contextualizing the many objects, images, and ephemera in 30 new essays by writers including Sean Wilentz, Greil Marcus, Lucy Sante, Tom Piazza, Richard Hell, Greg Tate, and Larry Sloman. Sonic Youth cofounder Lee Ranaldo uncovers the mystery of the very first recording featuring the voice of a teenaged Robert Allen Zimmerman and a couple of his hometown friends, “a casual lark for three Jewish boys on Christmas Eve.”
The 610-page ‘Mixing Up the Medicine’ serves as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, Courtesy of Callaway Arts & Entertainment
Marvin Karlins, who gave free folksinging and guitar lessons to students at the University of Minnesota’s Hillel, recounts meeting and tutoring an unassuming first-year student named Zimmerman, pointing him towards the thriving folk club scene in the Dinkytown section of Minneapolis. Griffin Ondaatje does yeoman’s work tracing the influence of Joseph Conrad in Dylan’s songs, and the New Yorker’s Amanda Petrusich reevaluates Dylan’s first book, Tarantula, in a short essay that should rightly renew interest in Dylan’s imaginative work of prose-poetry, “as deep a piece of literature as anything else he wrote.”
So much territory is covered in the book, including Dylan and Johnny Cash, Dylan and the Band, Dylan and the Beatles (especially George Harrison), Dylan and the Grateful Dead, Dylan on the silver screen, even Dylan’s ill-fated collaboration with Archibald MacLeish. You would have to arrange a multiple-month residency at the Dylan archive to soak in all that is presented in this volume, as attractive as it is informative. It isn’t pitched toward the general or casual reader, but if you have a Dylan fan in your life, your holiday gift-giving dilemma is solved.
Three weeks ago, the big news in popular music was the first album of new music by the Rolling Stones in 18 years, with plans for a 2024 tour. Last week, the Beatles — who broke up in 1970 — released their much-touted “final” single, “Now and Then,” reconstructed from a demo cassette John Lennon made in the late-1970s, featuring overdubbed parts by the three other Beatles (with a little help from “machine-assisted learning,” which sounds an awful lot like AI to me).
Given the fact that the 82-year-old Nobel Prize-winning rock poet Bob Dylan continues to tour incessantly, swinging through the Northeast most recently (and playing three shows in New York City next week), you can be forgiven if you wake up some mornings wondering what year it is, and perhaps more to the point, what world it is. That one’s easy: it’s Bob Dylan’s world, and we just happen to live in it. Lucky us.
The post With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut appeared first on The Forward.
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‘We Are Being Held Hostage’: Lebanese TV Host Says Hezbollah Taking Lebanon Toward War, ‘Certain Death’
Lebanon’s Hezbollah leader Sayyed Hassan Nasrallah addresses his supporters through a screen during a rally commemorating the annual Hezbollah Martyrs’ Day, in Beirut’s southern suburbs. Photo: Reuters/Aziz Taher
A Lebanese TV host said last week that Hezbollah has essentially taken Lebanon hostage, comparing what the Iran-backed terrorist organization has done to the country to the hijackers who carried out the 9/11 attacks in the US.
Dima Sadek, who hosts a show in Lebanon on MTV, expressed her fear and outrage over what Hezbollah is doing to Lebanon and the path of near-certain war it is taking, according to a report and translation from the Middle East Media Research Institute (MEMRI).
Hezbollah, which wields significant political influence across Lebanon, boasts significant military capabilities much greater than those of other terrorist organizations in the region such as Hamas. The Lebanese Islamist group has long declared it seeks to destroy Israel.
“We are in danger of a hellish, existential war,” Sadek said on June 24 regarding the threats Hezbollah has made to countries such as Cyprus, which is in the European Union. “We are being held hostage. We have been hijacked by a group that has no clue of what is going on in this planet.”
She pointed out that “[Russian President Vladimir] Putin, who was the only one who managed to save your axis in the Syrian war, cannot overcome Europe, so how come you are threatening Europe with such confidence?”
Regarding the fear and helplessness she and some other Lebanese feel over the direction Hezbollah is taking, she asked, “Do you know who we resemble? The passengers on the 9/11 airplanes. We are like airplane passengers who do not see what is happening around them. We are being led by one person, and we have no idea where we are heading.”
She added, “The only thing that we know for sure is that this person is taking us to a catastrophe and certain death.”
#ICYMI: Lebanese TV Host Dima Sadek: There Is Nothing Left of This Country Besides Hizbullah and Its Weapons; They Are Holding Us Hostage; We Are Like the Passengers on a Hijacked Plane on 9/11 Heading Towards Certain Death #Lebanon #Hizbullah @DimaSadek pic.twitter.com/v7WDtIQqEV
— MEMRI (@MEMRIReports) June 30, 2024
Hezbollah terrorists have been firing drones, rockets, and missiles at northern Israel daily from southern Lebanon since Hamas’ Oct. 7 massacre, leading Israeli forces to strike back. Tensions have been escalating between both sides, fueling concerns that the conflict in Gaza — the Palestinian enclave ruled by Hamas to Israel’s south — could escalate into a regional conflict.
More than 80,000 Israelis have evacuated Israel’s north and been unable to return to their homes. The majority of those spent the past nine months residing in hotels in safer areas of the country.
Meanwhile, Hezbollah has also stepped up its threats against the rest of the world, including Cyprus.
Last month, Hezbollah leader Hassan Nasrallah made a speech in which he said an “all-out war” with Israel was “getting very close.” He added that if Cyprus, a European Union member, were to help Israel in some way during that war, then “Cyprus will be part of this war too.”
Israeli officials have said that, while they seek a diplomatic resolution to the current situation along the border with Lebanon, they are prepared to escalate military action against Hezbollah to push the terrorist group back in order to allow displaced Israelis to return to their homes.
Hezbollah, like Hamas, has been accused of using civilians as “human shields” when fighting Israel.
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Hezbollah Launches Big Attack on Israel, Sonic Booms Rattle Beirut
Rockets launched from Lebanon to Israel over the border are intercepted, amid the ongoing cross-border hostilities between Hezbollah and Israeli forces, in Israel, near the border with Lebanon, July 3, 2024. Photo: REUTERS/Ayal Margolin
Lebanon’s Hezbollah launched a big rocket and drone attack at Israel on Thursday and threatened to hit new targets in retaliation for the killing of a top commander, in the latest surge of violence in the steadily worsening conflict across the border.
Sparked by the Gaza war, the conflict between the Iran-backed terrorist organization Hezbollah and Israel has been gradually intensifying for months, raising fears of a full-scale war, which both sides have indicated they want to avoid and diplomats are working to prevent.
As the latest violence played out in areas at or near the frontier — in keeping with the pattern of the last nine months — the sound of sonic booms rattled nerves for the second successive day in Beirut and other parts of Lebanon.
Israeli jets broke the sound barrier over several areas of the country, Lebanon’s National News Agency reported.
Hezbollah said it launched more than 200 rockets and a swarm of drones at 10 Israeli military sites in retaliation for Israel‘s killing of Hezbollah commander Mohammed Nasser in the south on Wednesday. Nasser is one of the most senior Hezbollah commanders to be killed by Israel during the conflict.
The Israeli military said around “200 projectiles and over 20 suspicious aerial targets were identified crossing from Lebanon into Israeli territory,” a number of which were intercepted by Israeli air defenses and fighter jets.
Israel‘s ambulance service said no casualties were reported. The Israeli military said some of the drones and interceptor shrapnel set off fires.
The Israeli air force “struck Hezbollah military structures” in the areas of Ramyeh and Houla,” it said, referring to two villages in south Lebanon.
Senior Hezbollah official Hashem Safieddine, speaking at an event in Beirut commemorating Nasser, indicated his group would widen its targeting.
“The series of responses continues in succession, and this series will continue to target new sites that the enemy did not imagine would be hit,” Safieddine said.
DIPLOMATIC PUSH
The United States has been leading diplomatic efforts to deescalate the fighting. Hezbollah has said it will not cease fire as long as Israel continues its offensive in the Gaza Strip.
The hostilities have inflicted a heavy toll on both sides of the frontier, forcing tens of thousands of people to flee their homes.
Amos Hochstein, a senior US official at the heart of the diplomacy, discussed French and American efforts to restore calm in meetings with French officials on Wednesday, a White House official said.
“France and the United States share the goal of resolving the current conflict across the Blue Line by diplomatic means, allowing Israeli and Lebanese civilians to return home with long-term assurances of safety and security,” the official said, referring to the demarcation line between the two neighbors.
Israeli Defense Minister Yoav Gallant said on Wednesday that Israeli forces were hitting Hezbollah “very hard every day” and will be ready to take any action necessary against the group, though the preference is to reach a negotiated arrangement.
Hezbollah also launched rockets at Israel on Wednesday in retaliation for Nasser’s killing.
Hezbollah began firing at Israeli targets along the border with Lebanon after its Palestinian terrorist ally Hams launched an attack on Israel on Oct. 7, declaring its support for the Palestinians.
Israeli attacks in Lebanon have killed more than 300 Hezbollah fighters and some 90 civilians, according to Reuters tallies. Israel says fire from Lebanon has killed 18 soldiers and 10 civilians.
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Drexel University Professor Stole Signs From Synagogue, Police Say
Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect
A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.
Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.
“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.
Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.
Drexel University has not responded to The Algemeiner‘s request for comment for this story.
Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.
At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.
Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.
Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.
Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.
“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”
Follow Dion J. Pierre @DionJPierre.
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