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With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut
I first began listening to Bob Dylan in earnest in early 1974, with the purchase of the contemporaneous album Planet Waves, a somewhat quiet, unassuming collection of deep, intimate songs – including the color-by-number anthem, “Forever Young” — recorded with The Band before they would go out on tour for the first time since Dylan’s premature retirement from the road in 1966 (the same year, incidentally, that the Beatles quit touring). Dylan’s return to touring after his eight-year layoff would pretty much continue for the rest of his career up to and including today.
I did not get to see Dylan in concert until fall 1978, missing two of his all-time greatest tours – his 1974 “comeback” tour with The Band, captured on the live album Before the Flood, and the following year’s “Rolling Thunder Revue,” the subject of several live concert albums, including 1976’s Hard Rain and the more recent The Rolling Thunder Revue: The 1975 Live Recordings, a sprawling, 14-CD box set, released in 2019. (There was also an official two-CD set in 2002, and many widely available bootleg recordings of the legendary tour, as well as a Dylan concert film, Renaldo and Clara, released in 1978, and Martin Scorsese’s 2019 “pseudo-documentary” about the tour.)
Alas, my introduction to live Dylan was during one of his most bizarre tours, launched in Japan in early 1978 and initially captured on the April 1979 American release of Bob Dylan at Budokan (originally intended as a Japan-only release in August 1978). The 1978 tour was controversial, which Dylan acknowledged right from the stage of the old Boston Garden where I first saw him, when, halfway through the show, he paused and said to the audience, “I hope you don’t think this is Las Vegas music, or disco music, because you know it’s not.”
Bob Dylan, circa 1963 Photo by Ralph Baxter
It was a direct answer to critics’ complaints about the song arrangements and the sound of the band, as well as the overall stage aesthetic, which to some mimicked the tackiness of concerts by Neil Diamond and the recently deceased Elvis Presley. (Some blame manager and concert promoter Jerry Weintraub — who worked with both Presley and Diamond, as well as with Frank Sinatra – for Dylan’s cheesy, lounge-lizard presentation.)
Dylan didn’t help his cause by introducing from the stage such well-known songs as “It’s Alright, Ma (I’m Only Bleeding),” or asking the audience, “Hey, what’s the name of this?” over the opening chords of “All Along Watchtower.” Doubters questioned the need for an eight-piece band (large for the time) and a trio of female backup singers. Some crueler critics even took to calling it the “Alimony Tour,” a nasty way of accusing Dylan of selling out in the wake of his divorce from his first wife, Sara.
Even though Dylan catered to the desires of audiences around the world to hear primarily his “greatest hits” — and this was one of the last tours on which he did so — he couched them in such weird arrangements that maybe he was justified in introducing them by name; otherwise, they may have remained unrecognizable to some. From where I sat in the cavernous, echoe-y Garden, it proved to be an inauspicious introduction to Bob Dylan, concert artist.
And now, 45 years later, Dylan’s label, Columbia Records, has seen fit to give the 1978 tour — as captured in those first two weeks in Japan — the full “Bootleg Series” treatment, with The Complete Budokan 1978, including two complete concerts at Tokyo’s Budokan, newly remixed and spread out over four CDs, featuring 36 previously unreleased performances. (The official release date is Friday, Nov. 17.)
Film still from 1966 European tour, by D. A. Pennebaker Courtesy of Bob Dylan Center
It is an album package for which Dylan fans — other than rabid completists (possibly including myself) — were not clamoring. This, rather than a more complete version of Before the Flood? This, rather than a live album from one of his two tours with Tom Petty and the Heartbreakers? This, rather than a live album — or many live albums — capturing the many ups (and downs) of Dylan’s so-called Never Ending Tour, which began in June 1988 and, depending on how you define it, could include concerts as recent as the one I saw a few weeks ago in Schenectady, N.Y.? (Dylan’s current tour is officially billed as the “Rough and Rowdy Ways” world tour, which began in 2021 and is expected to continue into 2024, and marks a rare step forward in truth in advertising, as about half the concert is devoted to songs from the album of the same name.)
Yet this time around, the concerts at Budokan (if not the 1978 tour, which evolved over the course of a year and 114 concerts in Asia, the South Pacific, Europe, and North America) are what we’ve got. And the new package is not without its merits. The remixed and remastered sound is brilliant (which may or may not be a positive, depending upon how you feel about that sound). The recording captures an unusually chatty frontman, by Dylan’s standards (he has been known to utter nary a word in concert for decades), one seemingly in a terrific mood and also one who is downright funny.
“This is an unrecorded song – see if you can guess which one it is,” he says to the audience before launching into “Is Your Love in Vain,” which would not be released until Street Legal came out four months later. The humor – some of it mocking and self-deprecating – that Dylan evinces even suggests that he was fully aware that he was presenting himself as something akin to a Las Vegas showman.
From Left: Rick Danko, Robbie Robertson, Bob Dylan, Richard Manuel, Garth Hudson and Levon Helm, 1974 Photo by Barry Feinstein
If so, it would not be the first time nor anywhere near the last time that Dylan was playing a character — no less a fictive version of Dylan than Renaldo in Renaldo and Clara nor Jack Fate in his 2003 film, the aptly-titled Masked and Anonymous. (There is a whole school of thought that “Bob Dylan” himself is a put-on, a fictional character invented by a savvy youngster from Hibbing, Minnesota, named Robert Allen Zimmerman.)
But the context of where he had been and, with the benefit of hindsight, where he was headed musically might be the strongest reason to spend time with these glitzy tracks and their unusual arrangements. The use of backup singers, especially ones whose vocals were stylized in gospel-like call-and-response, offered a hint that Dylan was beginning a journey that would see him explore different aspects of Black music in subsequent albums.
Steve Douglas’ dominant saxophone lends many of the numbers a jazzy, R&B feel. A few songs are recontextualized as reggae numbers. In the years immediately following the 1978 tour, Dylan would dive deep into gospel music on several albums, into Motown and R&B on 1981’s “Shot of Love,” and reggae on 1983’s Infidels, which even saw Dylan hire Robbie Shakespeare and Sly Dunbar, famed Jamaican reggae producers, to play bass and drums.
The new Budokan collection is not the only new Dylan product seeing release this season. Bob Dylan: Mixing Up the Medicine is a fabulous new doorstop of a book whose 610 pages serve as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, which opened in May 2022. The volume spans Dylan’s entire life and career, featuring over 1,100 images from the archives — everything from concert ticket stubs to handwritten lyric sheets to rarely seen backstage photographs — all duly captioned by editors Mark Davidson and Parker Fishel, both curators at the Dylan Center.
The book also does a terrific job of contextualizing the many objects, images, and ephemera in 30 new essays by writers including Sean Wilentz, Greil Marcus, Lucy Sante, Tom Piazza, Richard Hell, Greg Tate, and Larry Sloman. Sonic Youth cofounder Lee Ranaldo uncovers the mystery of the very first recording featuring the voice of a teenaged Robert Allen Zimmerman and a couple of his hometown friends, “a casual lark for three Jewish boys on Christmas Eve.”
The 610-page ‘Mixing Up the Medicine’ serves as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, Courtesy of Callaway Arts & Entertainment
Marvin Karlins, who gave free folksinging and guitar lessons to students at the University of Minnesota’s Hillel, recounts meeting and tutoring an unassuming first-year student named Zimmerman, pointing him towards the thriving folk club scene in the Dinkytown section of Minneapolis. Griffin Ondaatje does yeoman’s work tracing the influence of Joseph Conrad in Dylan’s songs, and the New Yorker’s Amanda Petrusich reevaluates Dylan’s first book, Tarantula, in a short essay that should rightly renew interest in Dylan’s imaginative work of prose-poetry, “as deep a piece of literature as anything else he wrote.”
So much territory is covered in the book, including Dylan and Johnny Cash, Dylan and the Band, Dylan and the Beatles (especially George Harrison), Dylan and the Grateful Dead, Dylan on the silver screen, even Dylan’s ill-fated collaboration with Archibald MacLeish. You would have to arrange a multiple-month residency at the Dylan archive to soak in all that is presented in this volume, as attractive as it is informative. It isn’t pitched toward the general or casual reader, but if you have a Dylan fan in your life, your holiday gift-giving dilemma is solved.
Three weeks ago, the big news in popular music was the first album of new music by the Rolling Stones in 18 years, with plans for a 2024 tour. Last week, the Beatles — who broke up in 1970 — released their much-touted “final” single, “Now and Then,” reconstructed from a demo cassette John Lennon made in the late-1970s, featuring overdubbed parts by the three other Beatles (with a little help from “machine-assisted learning,” which sounds an awful lot like AI to me).
Given the fact that the 82-year-old Nobel Prize-winning rock poet Bob Dylan continues to tour incessantly, swinging through the Northeast most recently (and playing three shows in New York City next week), you can be forgiven if you wake up some mornings wondering what year it is, and perhaps more to the point, what world it is. That one’s easy: it’s Bob Dylan’s world, and we just happen to live in it. Lucky us.
The post With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut appeared first on The Forward.
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Clark University Adopting BDS Measures Pushed by Student Government
The student government of Clark University in Massachusetts is enacting a series of policies based on the boycott, divestment, and sanctions (BDS) movement — which seeks to isolate Israel from the international community as a step toward its eventual elimination — despite their failing to receive the support of the majority of the student body.
According The Scarlet, the university’s official campus newspaper, the Undergraduate Student Council (CUSC) will enforce student clubs’ “compliance” with BDS, which includes coercing them, under the threat of defunding, into purchasing goods exclusively from vendors the BDS movement deems acceptable. This effort reportedly has the support of the university’s office for Student Leadership and Programming, as it has supplied student clubs with “tax-exempt vouchers” for making purchases while CUSC orders their leaders to “regularly check the BDS Movement’s website to ensure compliance.”
So far, The Scarlet added, only the university’s food vendor, Harvest Table, has resisted CUSC’s edicts, arguing that it has no “political stance” on the Israeli-Palestinian conflict or any issue. However, it was still forced to go along, The Scarlet said, having agreed to “buying from local vendors and providers to better comply with the movement.” It is not yet clear how the BDS policies have affected the university’s kosher vendors.
BDS proponents in the CUSC await the endorsement of the university administration, but it has not come, The Scarlet reported.
The university’s president, David Fithian, as well as its dean, Kamala Keim, reportedly held a meeting with members of the pro-BDS party during the summer to “begin charting a path toward divestment,” but they have not corresponded with them since. Additionally, Clark University’s board of trustees has declined a formal request for a discussion on BDS — which aims to destroy Israel, the world’s lone Jewish state, by crumbling its national security, alliances, and economy.
The Algemeiner has reached out to Clark University for comment for this story.
Several CUSC Equity and Inclusion Representatives — Molly Joe, Jordan Alexandre, Melissa Bento, and Stephen Gibbons — told The Scarlet in a statement which alluded to conspiracies of Jewish influence and control that their efforts, despite achieving some successes, have been stymied by hidden forces.
“We as representatives have limited power so long as those above us are unwilling to change,” the group said in a statement to the paper. “We, like you, are only students navigating an opaque and bureaucratic system that is designed to protect certain interests. Our goal will only be achieved if enough of us are unwavering and persistent.”
CUSC’s actions were, on paper, mandated by a spring referendum which asked students if they want the university to divest from Israeli companies and those that do business with it and apply BDS to campus dining options. Eighteen percent of the student body, or 772 students, ultimately “participated” in voting, a phrase CUSC has stressed, and of them an average of 658.6 students, just 15.8 percent of students, voted to approve those items. Even fewer students voted to approve two more on mandating clubs to “adhere” to BDS and initiating a boycott of Amazon. However, in its public statements, CUSC has manipulated student enrollment data to describe BDS as the expressing the will of the students, intentionally excluding from its count the number of graduate students who were enrolled at the university during the 2023-2024 academic year.
For months, CUSC has employed double-speaking in discussing the student body’s reaction to the BDS movement, saying at once that enthusiasm for it is “overwhelming” while also acknowledging that the referendum saw “low voter turnout” and “low engagement numbers.” It has never addressed its disenfranchising 84.2 percent of the student body, which includes the Jewish students who will be affected by the imposition of a political movement which is widely denounced for being antisemitic.
Clark University Hillel, a chapter of the largest Jewish campus organization in the world, has already denounced CUSC’s polices.
“While it may not have been the intention of CUSC and the student body, there are serious consequences of adopting this referendum,” the group said in April, following the vote. “BDS referenda claim to be about changing university policy, but they ultimately discourage dialogue, normalize extreme hatred of Israel, and empower the targeting of Israeli students and those for whom Israel holds cultural or personal significance.”
It continued, “We will not allow Israeli-affiliated products to be banned from the Kosher Kitchen and we will not tolerate our funding being bound to BDS Movement principles. We will do everything in our power to ensure that discriminatory practices are not implemented on our campus.”
The BDS movement is threatening to take hold at other universities.
Yale University will soon hold a student referendum on the issue of divestment from Israel, an initiative spearheaded by a pro-Hamas group which calls itself the Sumud Coalition (SC). According to the Yale Daily News, students will consider “three questions” which ask whether Yale should “disclose” its investments in armaments manufacturers — “including those arming Israel” — divest from such holdings, and spend money on “Palestinian scholars and students.”
The paper added that a path for the referendum was cleared when a petition SC circulated amassed some 1,500 signatures, or “roughly 22 percent of the student body.” Despite that over three-fourths of Yale students did not sign the petition, its proponents — including a representative of the Yale College Council (YCC), an ostensibly neutral body — have taken to describing it as “so popular.” The final vote could wind up being even less representative of the opinion of the student body, as it only has to be approved by “50 percent or more of respondents” who constitute “at least one third of the student body.” Should that happen, Sumud Coalition will — as has happened at Clark University — claim victory and forward the results to Yale University president Maurie McInnis, with a note claiming that SC has received a mandate from the people.
Beyond ideological concerns, the BDS movement could wreak havoc on the financial health of the schools which adopt it. JLens, a Jewish investor network that is part of the Anti-Defamation League (ADL), published a report in September showing that colleges and universities will lose tens of billions of dollars collectively from their endowments if they capitulate to its demands.
Follow Dion J. Pierre @DionJPierre.
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US Cautions Israel-Hezbollah Ceasefire Close but Not Finalized as Truce Announcement Expected Imminently
A ceasefire to halt fighting between Israel and the Lebanese terrorist organization Hezbollah is close, but an agreement has not yet been achieved, according to the US State Department.
“We don’t believe we have an agreement yet. We believe we’re close to an agreement. We believe that we have narrowed the gaps significantly, but there are still steps that we need to see taken. We hope that we can get there,” State Department spokesperson Matthew Miller told reporters during a press briefing on Monday.
White House national security spokesperson John Kirby expressed similar sentiments.
“We’re close,” he told reporters, but “nothing is done until everything is done.”
Miller and Kirby’s comments came not long after a senior Israeli official told Reuters that Israel’s cabinet would meet on Tuesday to approve a ceasefire deal with Hezbollah, the Iran-backed Islamist group that wields significant political and military influence across Lebanon.
Reuters also reported on Monday that US President Joe Biden and French President Emmanuel Macron are expected to announce a ceasefire in Lebanon between Hezbollah and Israel within 36 hours, citing four senior Lebanese sources. The US and France have been seeking to broker a truce for months.
The news cite Axios reported separately that Israel and Lebanon had agreed to the terms of a deal, citing a senior US official.
Israeli Prime Minister Benjamin Netanyahu’s office has declined to comment on reports that both countries had agreed to the text of a ceasefire agreement.
Hezbollah has been launching barrages of rockets, missiles, and drones at northern Israel from neighboring Lebanon almost daily since Oct. 8 of last year, one day after the Palestinian terrorist group Hamas’s invasion of the Jewish state from Gaza to the south.
The relentless attacks from Hezbollah have forced tens of thousands of Israelis to flee their homes in the north, and Israel has pledged to ensure their safe return.
Israel had been exchanging fire with Hezbollah but drastically escalated its military operations over the last two months, seeking to push the terrorist army further away from the border with Lebanon.
Diplomacy has largely focused on restoring and enforcing UN Security Council Resolution 1701, which calls for Hezbollah’s withdrawal to north of the Litani River (around 30 km, or 19 miles, from the Israeli border) and the disarmament of its forces in southern Lebanon, with the buffer zone under the jurisdiction of the Lebanese army and UN peacekeeping forces.
Israel has insisted on retaining the right to conduct military operations against Hezbollah if the group attempts to rearm or rebuild its infrastructure — a stipulation that has met resistance from Lebanese officials, who argue it infringes on national sovereignty. Israeli Ambassador to the United Nations Danny Danon has said Israel would maintain an ability to strike southern Lebanon under any agreement.
Retired Israeli Brig. Gen. Amir Avivi — who leads the Israel Defense and Security Forum, a group of former military commanders — recently warned The Algemeiner that any deal must include Iran’s “full exit” from Lebanon and Israel’s freedom of action to prevent any future build up of Hezbollah. Otherwise, he added, the agreement would be “devastating” for the Jewish state.
Lebanon’s deputy parliament speaker, Elias Bou Saab, told Reuters the proposal under discussion would entail an Israeli military withdrawal from south Lebanon and regular Lebanese army troops deploying in the border region, long a Hezbollah stronghold, within 60 days.
He added that a sticking point over who would monitor compliance with the ceasefire was resolved in the last day, with an agreement to set up a five-country committee, including France and chaired by the United States.
Nabih Berri, the Hezbollah-aligned Lebanese parliamentary speaker, has been leading the Iran-backed terrorist group’s mediation efforts.
Miller told reporters that US officials are pushing hard for a ceasefire but the final steps to reaching a deal can be the toughest.
“Oftentimes the very last stages of an agreement are the most difficult because the hardest issues are left to the end,” Miller said. “We are pushing as hard as we can.”
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Palestinian Media Lambast Casting of Israelis in Netflix’s Upcoming Biblical Movie ‘Mary’
Palestinian media outlets have castigated the new biblical epic “Mary” coming to Netflix next month because of the film’s Israeli cast, falsely accusing Israel of perpetrating a “genocide” against Palestinian Christians.
Netflix announced earlier this month the coming release of “Mary,” which according to a synopsis provided by the streaming giant “tells the story of one of history’s most profound figures and the remarkable journey that led to the birth of Jesus.”
Notable in the cast are Noa Cohen in the titular role as Jesus’s mother and Ido Tako as her husband Joseph — two Israeli actors under the spotlight in a large-scale production depicting Jewish life during a period when Jews were the primary ethnic group of the region.
Director DJ Caruso previously defended casting Israeli actors for the roles.
“It was important to us that Mary, along with most of our primary cast, be selected from Israel to ensure authenticity,” he told Entertainment Weekly last month.
Nonetheless, the castings were met with derision among anti-Israel activists on social media and elsewhere upset with the choice of selecting Israeli actors. Critics called for a boycott of the film, claiming that Mary and Joseph were “Palestinian” despite them being Jewish and living in modern-day Israel.
Among those expressing outrage was Quds Media Network, the self-described “largest independent youth Palestinian news network,” which lambasted the production, publishing an article tying “Mary” to what it called the “ongoing genocide of Christians in Palestine.”
The article, quoting Father Abdullah Julio of the Melkite Greek Catholic Monastery in Ramallah, alleged that one of Israel’s goals is “the eradication of Christian presence in the region.”
On Aug. 3, Julio filmed a statement on TRT Arabic mourning Hamas leader Ismail Haniyeh, calling him “a martyr of our Palestinian people and nation.”
In its recent article, Quds Media Network cited the deaths of Christian residents of Gaza amid the ongoing Israel-Hamas war as evidence of “ongoing violence and Christian persecution,” and included a note to readers that “Israelis are not native to Palestine, the birthplace of Jesus.”
Both Jews and Christians boast an age-old presence in the southern Levant — a land sacred to both faiths and central to their peoples’ histories. The early Jewish people underwent an ethnogenesis in the region as a monotheistic people who formed a united kingdom in the late Bronze Age (around 1000 BCE), and remained the primary civilization there until their dwindling numbers under Roman, Byzantine, and Islamic persecution in the early medieval period.
During the Roman period, Jesus — an Aramaic-speaking Jew from the Galilee in modern Israel, then Roman Judea — led a sect of Judaism that would morph into modern Christianity in the decades following his storied execution. Palestinian Christians (culturally Arab local Christians who identify with Palestinian nationalism) likely represent the oldest continuous Christian community, as descendants of the first converts during the Roman occupation.
Genetic studies have confirmed the relationship of both Jewish diaspora groups and Palestinians of all faiths to Iron Age peoples of the region. Likewise, Jews and Palestinian Arabs each claim competing indigenous status, based on a combination of continued settlement and a culture inextricably connected to the Land of Israel.
Critics of “Mary” on social media maintained “Jesus was Palestinian,” or “a Palestinian Jew,” seemingly conflating residency in ancient Judea with Palestinian nationalism — which emerged much later in the early 20th century as a local expression of pan-Arabism and was hostile to local Arabic-speaking Jews (who consequently allied themselves with Zionism) from its outset.
Anti-Israel activists also cited the fair olive complexion of Cohen and Tako as evidence of their foreignness, ignoring that many Palestinians look similar and that skin tone does not necessarily equate to ancestry or claim to territory.
Palestinian Christians’ numbers in the West Bank and Gaza have dwindled in the past decade, from 11 percent of the Palestinian population in 1922 to 1 percent in 2017.
Meanwhile, in Israel proper, where Christians compose 6.9 percent of the Arab minority, they are among the best educated and most successful of Israel’s citizens.
“Mary,” which was shot in Morocco, is set to air on Dec. 6 to a wide audience.
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